Illustrations/Ravi Jadhav

Girgaum, Kamat Chawl Thakurdwar
Celebrating the festival for the last 122 years, simplicity is key for Kamat Chawl residents. And they are happy to share tales from the forgotten pages of history and freedom struggle. Here, they do not follow the concept of themed decor and celebrate the festival in an absolute traditional manner. The idol is made of eco-friendly material called shadu. Following the spirit of why the festival was started in the first place, the pandal is built by the residents and each one volunteers to manage the space and the stage area.

Khetwadi, Tulsi Building Sarvajanik Ganeshotsav Mandal
This is the 75th year of the pandal and, like each year, the Ganesh idol is made up of different things, mostly edible. For instance, dry fruits, cereal and pluses, chikki, and stationery and diamond have been used. This year's focus is on kids and the theme is Disneyworld. The idol is made of Cadbury chocolate and the children cannot wait to see their favourite sweet take the shape of their favourite deity.

Malad, Shree Sai Darshan Mitra Mandal
For the last 11 years, this eco-friendly Ganesha has been a hit with devotees. Made from paper and cardboard, the organisers use various concepts including football erasers, pencils and cars. This year, Bappa is giving a shout out to nostalgia as the idol is made of old coins of 1 paise, 10 paise and 20 paise. The mandal's focus is to create awareness and education, especially about global warming.

Ghatkopar, S G Barve Nagar Sarvajanik Ganeshostav Mandal
Since 1966, the pandal's idols, one large and one small, have been luring devotees to this suburb. This year's theme is a dreamy fusion of a golden pillared palace, the religious oeuvre of Om Ganapataya namah and the galaxy. A daily bhandara of rice, dal, chole, bhaji, papad, pickles and gulab jamun feeds a thousand people. A blood donation drive along with free blood test and blood group check is done during the 10 day period.

Fort, Fort Vibhag Sarvajanik Ganesh Utsav Mandal
Celebrated since 1956, this is one of the biggest fully centralised pandals in the city. This year, they have invited special artists from Rajasthan to create a palace setting. Their finesse and specially crafted artwork adds to the grandeur of the pandal. While you are here, you can easily spot a celeb or two. The maha aarti, especially for the police department, is scheduled for tomorrow.

Thane, Narvir Tanaji Mitra Mandal
For the last 38 years, this pandal has been not only known for its large murti and grand themes but also for reaching out to those in need, especially in rural areas. Bappa will happily rest in the grand Rajasthani Palace and overlook the tasks the members of the mandal will take up. Medical camps and a beautifully curated cultural programme that will see participants sing, dance and create beautiful flower arrangements and rangolis are in store for the Utsav.

Tilak Nagar, Sahyadri Krida Mandal
For the last 41 years, this pandal has been dedicatedly putting up themes on social awareness. This year, their theme is 'Jai Jawan, Jai Kisan, Jai Vigyan' and will include artworks illustrating places from Kashmir to Kanyakumari, highlighting important destinations like the Himalayas and Madurai's Meenakshi Temple. These will be interspersed with reproductions of the metro, rail space research, army personnel and agricultural families to show how they co-exist to form an integral part of society.

Uncharted has dropped its latest installment and it is significant simply because there is no Nathan Drake, the protagonist of the previous Uncharted games. Instead, this time, you get to play with Chloe Frazer backed with Nadine Ross, who are in India searching for the Tusk of Ganesh. We don't know if Naughty Dog planned this, but a game featuring a Ganesh related artifact releasing just around the time of Ganpati Utsav is pretty good timing.

The game unfolds in the mountains of India during a civil war, with everything you would expect, in an Uncharted game — lots of fast paced gun play, spectacular ancient ruins, overgrown jungles and easy to solve puzzles. It is a formula that has worked well for the series in the past and why would you mess with something that works.

You may find both Chloe and Nadine familiar if you have played Uncharted before, they have appeared in the previous games. Chloe as a sidekick in two games and Nadine as the antagonist of the last Uncharted. To get the artifact that leads to the Tusk of Ganesh, Chloe infiltrates the war-torn city dressed in a kurta, she looks very Indian in the outfit. This is very different from any other Uncharted game because it deals with claustrophobic, garbage-filled city streets instead majestic jungles the game is used to. It's a nice change but a short one, once you manage to find the relic it is straight off to the jungle for you.

The Lost Legacy is a lot like Uncharted 4, it plays almost similar, some of the guards look familiar and even some of the ruins. The game is comfortable with what it is and there aren't any new surprises that push the gameplay forward. What it excels at is the ride and that is an action-packed ride that would put Indiana Jones to shame. What you can do is enhance the experience with their new photo mode, it makes everything a little more fun. The photo mode lets you change the expression of Chloe's face temporarily. This, of course, can be used to take hilarious screengrabs.

The game looks amazing on the PS4 Pro, the jungles and the ruins are grand to say the least, enough to make you want to go a nearby forest in search of ancient picturesque monuments. It's a nice use of local mythology to create a brilliant fantasy world.

Uncharted: The Lost Legacy is great for newbies. Since it doesn't require you to have previous knowledge of the characters or any hard to play sections, it is pretty much a no-brainer for any gamer.

Uncharted: The Lost Legacy
Rating: 4/5
Developer: Naughty Dog
Publisher: Sony
Platform: PS4
Price: Rs 2,499

Traipse through America
Sunset Cinema Club (SCC) is holding a Travel Movie Night in association with travel start-up Unpland. The movie to be screened is Into The Wild, a 2007 film about a young man who decided to renounce his possessions and hitchhike across America. "We have hosted several themed movie nights in the past. This time, we wanted to do something travel-centric. We ran an online poll to pick the movie for the screening," says SCC co-founder Sanchit Gupta.
On: September 3, 8.30 pm
At: The Barking Deer, Senapati Bapat Marg, Lower Parel. log on to insider.in
Entry: Rs 312 (includes a beer or mocktail)

Understand the works of Renaissance masters
This evening, Dr Bhau Daji Lad Mumbai City Museum, in collaboration with Alliance Francaise de Bombay, is showing three documentaries on Renaissance painters by filmmaker Alain Jaubert. The first film delves into Grünewald's painting Retable d'Issenheim (Altarpiece of Issenheim), while the second focuses on Baldassare Castiglione (Portrait of Baldassare Castiglione) by Raphaël. The third film is about Le Repas Chez Levi (The Meal at Levi's; in pic) by Veronese. If you walk in after 5.30 pm, entry is free.
On: Today, 6 pm to 7.30 pm
At: Dr Bhau Daji Lad Mumbai City Museum, Byculla East
Call: 23731234

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The Mule
Director: Clint Eastwood
Cast: Clint Eastwood, Bradley Cooper, Laurence Fishburne, Michael Peña, Dianne Wiest, Andy Garcia, Alison Eastwood, Taissa Farmiga, Ignacio Serricchio, Loren Dean, Eugene Cordero, Robert LaSardo
Rating:

Eighty-eight-year-old Clint Eastwood’s 37th feature has him directing and acting in a drama about an elderly man whose late-life drug running — egged on by desperate circumstances — becomes a tool for heavy rumination regarding conscience, morality, and reclamation. Nick Schenk (of Gran Torino fame) fashions this screenplay inspired by the New York Times Magazine article The Sinaloa Cartel’s 90-Year-Old Drug Mule, about a true event, written by Sam Dolnick.

The original mule was Leo Sharp, a World War II veteran and great-grandfather. But, for this film, Eastwood and Schenk take some creative liberties to present a sensibility that is more Eastwood than the real-life event would oblige. The experience delineates the nearly destitute senior Earl Stone’s (Eastwood) tryst with criminality conspired by an alienated family construct, and a flagging business. Earl was never there when he was needed by his family, ex-wife Mary (Dianne Wiest) and, especially, daughter Iris (Alison Eastwood). Their rejection of him when he runs out of money may be painful to watch, but it is fairly justified in the schema of broken relationships damaged by ego trips.

Eastwood, of course, lives the part. He fits the role, but as far as the fan-image goes, he seems frailer and less imposing than he did in his last cinema outing. But that physical deterioration doesn’t take anything away from the manner in which he has constructed this slow-burning, contemplative, engaging, humorous tale, which appears to be somewhat autobiographical in the manner in which it deals with relationships that are central to the story here.

We can see that Federal agents, led by a DEA Special Agent in charge (Laurence Fishburne), and newbie Colin Bates (Bradley Cooper), trying to nail some cartel drug runners out West, are eventually going to come across this unsuspicious drug-runner. But the film is not about that cat-and-mouse chase as much as it is about a conscience finally coming awake, and Earl making robust efforts to atone for his past mistakes.

Eastwood’s mule seems to bask in the freedom that easy money brings him, and appears to be unaware of the hellish depths that the murderous cartels would reach — and that’s precisely how the film plays out. With every film, like in this one too, Eastwood’s politics also comes out, loud-and-clear. He may be intriguing as a person, but not always politically correct as an actor-director voicing his personal world-view.

Earl’s eventual redemption also comes a little too easy, given the havoc he may have engineered by his flirting with the cartel. The tone shifts are jerky, the narrative veers to the ponderous and the experience doesn’t come across as entirely fulfilling — even though the cinematography and minimalistic appurtenances lend shadowy depth to the experience.

The supporting characters don’t get much screen-time, even though they are integral to the plotting. Eastwood hogs the show here. His apparent disconnect with the consequences relating to his actions is a hurdle that’s difficult to overcome. And that’s also because Eastwood’s image still manages to over-power his latter-life performances. As an audience, we are more likely to be distraught over his real-life physical deterioration than we are about the reel life character’s disempowerment.

Watch The Mule Trailer

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The Second Act

U/A: Comedy, Romance
Director: Peter Segal
Cast: Jennifer Lopez, Leah Remini, Vanessa Hudgens
Rating: 

Jennifer Lopez probably fancies herself as a 'Working Girl' and that explains her producing and acting in a film that has shades of the Oscar winner mashed up with done to death romcom elements. The script credited to Elaine Goldsmith-Thomas and Justin Zackham transforms an uneducated, street-smart 40-year-old woman, Maya(Jennifer Lopez) into a winning corporate consultant – and to get there she jumps the truth about her background, gets a resume makeover and wins the confidence of the head honcho. The boss (Treat Williams) sets up two teams, one lead by Maya and the safer one led by his daughter, Zoe (Vanessa Hudgens). But no prizes for guessing who won that battle. The usual alienation from old friends is followed by a redemptive effort at truth-telling.

Peter Segal's Second Act tries to do too much. The impetus for Maya's cheat makeover comes from professional rejection - We meet Maya the day she loses out on a big promotion at Value Shop, because of her lack of an MBA and a dopey idiot gets it because he does. We see Maya reconciling with the daughter she gave up for adoption and then losing her again for a bit before they reconcile again. The same happens with her friends and colleagues from her former workplace. They are the ones who support and encourage her (to hilarious results sometimes). Corporate skulduggery notwithstanding there's also the romantic interest whom she failed to confide in. It's all too complicated rather than complex.

Check out the trailer here:

The few times the film manages to perk you up involves an impromptu dance with Maya leading her office nemesis (Freddie Stroma) onto the dance floor in an attempt to sideswipe his attempt to expose her. And another time you feel the passion is when she and her girlfriends (Remini, Lacreta, Dierdre Friel) do a "Push it REAL good" dancing sing along. The writing is not without its frivolous light-hearted banter but much of it is lost in the attempt to paint Maya in a gratifying light. This romcom is fairly bearable but not exactly likeable.

Also Read: Jennifer Lopez explains why she did Second Act

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Why Cheat India
U/A: Drama Satire
Director: Soumik Sen
Cast: Emraan Hashmi, Shreya Dhanwanthary
Rating:

The 'curse of the second half' in Hindi pictures is simply so severe, especially when it comes to films with well-known faces, that even as I find myself really enjoying a movie, there's a radar at the back of the brain constantly cautioning one to only hope that the post-interval portions even live up to the first half — by half. If so, then as an audience, you're pretty much through.

Is this movie an exception in that regard? Well, it eventually starts descending to such levels of random, thoughtless spinning of the yarn that by the end of it you're not even too sure it's the same film that you had started with in the first place. And hell yeah, it begins really well, what with highlighting the academic strains of being a teenaged 'padhaku' kid, Sattu (the boy's so brilliantly cast), in a lower-middle class family in Lucknow, coaxed into cracking a coveted engineering entrance exam (they don't call it IIT for some reason). For, how else does the father who's invested all his money into his child's supposed dream see his pension scheme through?

The film shines much-needed light on a common Indian teenaged nightmare, as sincerely presented in stand-up comedian Biswa Kalyan Rath's rather under-rated Amazon Prime series, Laakhon Mein Ek (2018). While sticking to searing realism — getting its time-setting, the year 1998 right, down to baggy trousers, and Force 10 type sneakers — the filmmakers manage to give the hero, Emraan Hashmi, a filmy sort of entry, smartly slipping in a soothing ballad, as well. Well done!

Hashmi plays a one-man racketeer who sneaks in smart kids, with counterfeit hall tickets, to max entrance tests on behalf of rich children, sitting at home, paying their way to top colleges as a result. You sort of know where the film might be going with this. And, maybe, that's the problem. Proxy contestants at overcrowded competitive exams for key educational institutions, where even well-prepared students wait for Godot to get in, is a huge multi-crore, organised industry, involving a system wholly corrupted, from top to bottom. Technology would have plugged some of the holes already; one's unaware to what extent.

If you haven't heard as much about this underworld, one should legitimately blame the news media for it — particularly in the case of the 2013 Vyapam (Madhya Pradesh Professional Examination Board) Scam, for instance, where close to 40 people, most of them whistleblowers, have mysteriously died, while the investigations are still on (or not quite) —but largely under-reported in the mainstream press.

And I thought this is what the film could be about — unearthing an earth-shaking scandal that should ideally knock you off your head. But, no, this is a film that attempts to combine strong commentary on the education/examination system, with a high-paced, heist thriller, with belaboured twists and turns, while trying to balance all of it with the urban slickness and high-life that Hashmi's inevitably romantically inclined, unscrupulous characters aspire for, and achieve, in his typical capers.

Watch Why Cheat India Trailer

So whatever fault you may find in the film possibly exists in the story/script to start with. And perhaps the reason is Hashmi himself, for he can't help but get on the big screen with strong baggage of the sort of flicks that have made him the star he is. The audience is obviously to blame for it, and the fact that Hashmi remains still an under-rated actor, because he is hardly commercially lauded for parts where he wholly goes off the beaten path — Dibakar Banerjee's Shanghai (2012), I'm told, tanked; Danis Tanovic's Tigers (2018) went straight to OTT (Zee 5), both being his career's best works.

And so he goes back to being himself: the trademarked flawed hero, who eventually justifies his wily actions as a natural outcome of a multiple-choice, rote-learning system that gives very few kids a choice beyond acing it to get ahead. How a scamster like his character is the solution still, and not the issue, is beyond me. Have to say though, what the audience will empathise with is the fact that far too few fine courses/colleges exist for far too many desi children: a progressively massive problem staring us in the face and an even uglier future. This affects everyone. To be fair, the government is just as clueless on how to deal with it as this totally confusing 'pop-con' pic.

Also read: Emraan Hashmi: Change of Cheat India title is illogical, ridiculous

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One Less God

U/A: Drama, Thriller
Director: Lliam Worthington
Cast: Joseph Mahler Taylor, Sukhraj Deepak, Mihika Rao
Rating: 

As a film that hopes to capture the terror heralded by the 26/11 attacks on Mumbai, 'One Less God' is rather feeble, nondescript and ineffective. The scope is narrow and the budget too small to do justice to a disaster that is amongst the most unforgettable in recent history. This is drama written around a real-life crisis but at no point does it feel real. The 2008 Mumbai attacks included a series of terrorist strikes that felled 164 people across south Mumbai - carried out by 10 members of the Laskar-e-Taiba, an Islamic terrorist organisation based in Pakistan. But none of that drama or tragedy is captured here with any grit or enticement.

The Mumbai siege is presented in a slap-dash fashion that never really gets the audience involved. The focus is largely on the Taj Mahal hotel and what it's guests went through in the final hours before their falling victim to the terrorist onslaught. The film focuses its efforts on the men and women attempting to survive, while intermittently cutting across to the two men perpetrating the attack. The bits of humour that creep in at odd times appears to be in bad taste.

Check out the trailer here:

Everything here seems rather pretentious and ineffective. The general cross-national mix of characters, their touristy experiences and the aftermath of the siege may have some diverse moments but we never feel attached or interested enough to be affected. There are barely any validating moments here. The performances are bad, the direction is sloppy, there are continuity breaks that look ridiculous, the art direction and production values leave a lot to be desired. Even the attempt to go one-up on the much awaited Dev Patel, Armie Hammer, Nazanin Boniadi, Jason Isaacs starrer 'Hotel Mumbai'- (a film that covers the same territory), by releasing earlier, reeks of Opportunism.

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Alita: Battle Angel
U/A: Action, Adventure
Director: Robert Rodriguez
Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali
Rating: 

This film, which has Robert Rodriguez and James Cameron working together with Peter Jackson's visual effects, has wonders never experienced before in cinema. The film may have taken a long while (twenty years) coming to screen, but the end result is fantastic enough to keep you asking for more. A manga-based action thriller, James Cameron's $200 million-worth, long cherished dream is aimed at young adults seeking fresher pastures from that of The Hunger Games variety and hopes to make it to bigger box-office returns than that sub-genre hit-starter.

Cameron started on the cinematic adaptation of Yukito Kishiro's original manga comics way back in the late 1990s, (much before Avatar), but the phenomenal success of Avatar had him relinquishing directorial control to Rodriguez while holding firm as screenwriter (with Jon Landau and Laeta Kalogridis) and producer.

The resultant kick-ass cyberpunk adventure may not be as original as he imagined it, but it has certainly got all the chops to make it to a long-term fan-following on its own.

The filmed adventure is set 500 years from now, in Iron city - a junkyard that is a wasteland for the flying citadel of Zalem. The city is peopled with AI controlled cyborgs mingling with real humans in a community so tech-spangled that it's hard to decipher one from the other. Kindly Doctor Dyson Ido (Christoph Waltz) reconfigures a former robot superweapon and rechristens her Alita (Rosa Salazar), after his own daughter. I do, who moonlights as a hunter-warrior, tries to protect the young Alita, but her mind has memories of a past that keeps haunting her present. She even develops a crush on handsome robo-junk dealer Hugo (Keean Johnson) and eventually ends up becoming the super weapon she once was.

The plotting here is a little too jumbled up, ensnared as it is in creating set-piece thrills and out-of-this-world experiences. Stereotype characters and genre tropes make the engagement less than wondrous. The tech-specs are certainly the best we've seen in a long time, the IMAX imagery is splendid and beguiling and the vivid expressions of the actors make it feel all the more real and intimately experiential.

Watch the trailer of Alita: Battle Angel

Even though Salazar is the most riveting and fascinating of characters, she does feel a little artificial at times. The CGI blends in effortlessly with digitally morphed motion-capture performance, but the artifice can be felt - too strongly at times. The array of side characters also feels like old hat killing the originality of the experience and allowing déjà-vu to creep in. Even so, there's no belittling this explosive cutting-edge adventure that takes cinema thrills to never-seen-before heights!

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Captain Marvel
U/A: Action, Adventure, Sci-Fi
Director: Anna Boden, Ryan Fleck
Cast: Brie Larson, Samuel Jackson, Ben Mendelsohn, DeWanda Wise, Samuel L. Jackson
Rating: 

Brie Larson's entry into the Marvel superhero fold as the titular hero in Captain Marvel is not the 'Wonder' we expected. Though Captain Marvel is the first Marvel Studios film to be built around a female superhero, it comes minus the savoir-faire that gave Marvel productions its high brand value over the years. There are two directors, Anna Boden and Ryan Fleck at work here, alongside several writers including Nicole Perlman, Anna Boden, Geneva Robertson-dworet, Meg LeFauve, Ryan Fleck, Jac Schaeffer, Liz Flahive and Carly Mensch. And it does feel like too many cooks have literally subdued the vivacity and nihilistic exuberance unique to the comic book cinema superhero universe.

The Captain Marvel female counterpart first appeared in comic books in 1977 but the real inspiration for this film comes from Kelly Sue DeConnick's series, beginning in 2012, that featured the alter ego of Carol Danvers.

Check out Captain Marvel trailer here:

While the experience of this film is not exactly unfavourable, the narrative never really takes off into the stratosphere even though it has a storyline that has Carol Danvers (Brie Larson) straddle a galactic war between two alien races. The narrative is a little jumbled up and the eventual aim to launch her into the Avengers team becomes a little too obvious even as the non-linear plotting is laid out with convoluted reasoning. Danvers' is with the Air Force, but she is also the eponymous warrior on behalf of Starforce, an intergalactic fighting squad committed to battling the fiendish, shape-shifting Skrulls. As the film opens we see her being tutored by her mentor, Yon-Rogg (Jude Law), leader of the intergalactic military force of the Kree. Danvers is shown as uncertain about her past and as the narrative trudges along things get a little too murky and distorted for comfort. Danvers may go from cosmic to earthbound (C-53) in the fraction of a second and then back up into the skies again but for the viewer, this is not much of a roller-coaster thrill ride. The action is set in the '90's, the storytelling is obligatory at best, none of the characters stay on in your mind after the movie is done and the writing and direction lacks definition and seems a little too obviously patched-up towards a grander purpose.

Brie Larson tries hard to instil humour into the role but there's only so much she can achieve in a jumbled-up universe. She is solid if not exciting and that's the mainstay of this film – if at all it can be considered to have one!

Also Read: Captain Marvel reviews: Here's what the critics are saying

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Milan Talkies
U/A: Drama romance
Dir: Tigmanshu Dhulia
Cast: Ali Fazal, Shraddha Srinath
Ratings: 

This film is so inherently inconsistent, uneven in its storytelling that you feel like rooting for it still, simply because of the scattered set-pieces full of humour and insights/mannerisms of a small town, north India that you encounter once in a while.

It's almost like spotting diamond among the roughs - whether that be the local uncle breaking into nostalgic songs after a few pegs of whisky, or the street goon, wannabe Vidhayak (legislator) - both being the same - desperate to test his skills as a Hindi film star.

We're referring to Uttar Pradesh in particular, and Allahabad (now Prayagraaj) to be more specific - effectively a land of bakchods (blabber-mouths), with tonnes of tashan (exhibition of bravado) dictating mofussil male lives.

I know this isn't as true anymore, but another aspect that has geographically remained common to Indian towns is the cinema hall (or talkies) as the all-important landmark (there are usually two or three max in a district), where both the rich and the poor, predominantly young, but also the old, merge for their movie entertainment, and other accoutrements that naturally surround it.

Check out the trailer here:

Milan Talkies, that the film is named after, is one such adda/theatre in Allahabad where a young dude spends most of his time in the projection room, aspiring to become a Mumbai filmmaker when he isn't shooting low-budget films with neighbourhood talents himself. One assumed this would be some sort of a version of Giuseppe Tornatore's Italian classic Cinema Paradiso (1988) - ultimate tribute to the movies.

Hell, no. This is a full-on, wannabe-classic romantic story about that boy, and the girl with an authoritarian dad, and the fact that they can't get together - even as the film doesn't care to explain exactly why. And the two are happy to elope - not once, but several times in a row, and oh my god, 'will they, won't they,' just go on, and frickin' on.

The film is directed by Allahabad boy Tigmanshu Dhulia (Paan Singh Tomar, Saheb Biwi Aur Gangster), who whether he likes it or not is probably better known for the dialogue, "Jab tak Hindustan mein saneema hai, log c****iye bante rahenge," that he delivered as an actor in Anurag Kashyap's iconic Gangs Of Wasseypur (2012). Such is how crisp dialogues (like tag-lines in ads) work on us anyway.

Whether this film itself is part-autobiographical or not, Dhulia got noticed as a filmmaker with his debut Haasil (2003) - at the time a rare, robust insider's account of his home-town, and campus politics in a north Indian small-town. Over the years, that script (or the premise, if you may) has been milked so much to death, that it's turned into a tiring genre of its own.

Ali Fazal (similarly seen as a UP ruffian in the Amazon Prime series, Mirzapur) plays the protagonist here - a role that I'm told has been through several replacements (Imran Khan, Shahid Kapoor, etc) in the past. Although at some portions he sounds/behaves a lot like Dhulia himself, Fazal is competent to the core (no doubt). As is the female lead (Shraddha Srinath), making her Hindi film debut.

The film itself though does little to the genre, besides deliberately revisit some old-world Bollywood cliches. Maybe there's some subversion (that I'm unable to see). Maybe a full-blown, big-screen romance hinges much on the scale, for effective suspension of belief, which is sadly missing. Either way, one suspects, much of this movie pretty much remains in the filmmaker's imagination/head. Rest of it, quite honestly, gave me a bit of a headache.

Also Read: Sonu Nigam's soulful voice in Shart from Milan Talkies will tug at your heartstrings

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U/A: Drama romance
Dir: Ritesh Batra
Cast: Nawazuddin Siddiqui, Sanya Malhotra
Ratings: 

Ritesh Batra's The Lunchbox, achieved international success six years ago, and despite two international projects (one with Robert Redford and Jane Fonda) along the way, Batra comes home again, to his comfort zone. He has on offer here, a rather chaste story of kinship, bordering on romance between two acutely lonely souls. Sounds familiar, doesn't it?

While the construct here is similar to The Lunchbox, it doesn't garner a matched significance because of the inherent familiarity in the set-up. This time around he takes on an unlikely pairing of opposites — Sanya Malhotra as Miloni, a CA foundation-course topper from a typically repressed middle class gujarati home, and Nawazuddin Siddiqui as Rafiq, an impoverished photographer, overburdened with familial responsibilities.

Romance for Batra is not about heavy emotion and carnality. It is a process of revealing your innermost fears without putting them into words for someone you can share them with. Both Rafiq and Miloni experience loneliness in varying degrees, and for diverse reasons. Rafiq is impoverished, shares his one-room tenement in a slum colony with fellow photography peddlers.

Check out the trailer here:

In comparison, Miloni is well-heeled; on her way to being considered successful in life. They come from different social strata, and if they spent time thinking about it, they would never have entertained the fanciful notion of getting together. It's a random connection at best, which is made further intriguing by the lie it gets embroiled in. Repressed emotions find an outlet for Miloni in this covertly rebellious action. For Rafiq, they become an aspirational pursuit bordering on hope.

Batra focuses his viewfinder on the warmth that develops between the two characters. It is quite clear that they are drawn to each other based on their individual needs. The timely play of Bollywood songs heightens the possibility of romance for a bit. Peter Raeburn's sweetly compelling score lends nuance to some of the quietly definite moments in the film.

The narrative is an assemblage of beautiful events shot with breath-taking lucidity — by cinematographers Tim Gillis and Ben Kutchins. Mumbai beckons hauntingly as the two central characters make this seemingly fleeting tryst last a lot longer than what seems possible in real life. Photograph is the emblematic representation of that connection we seek in these disconnected times. It speaks to us, but not as much in words as in the moments that warm our hearts.

Also Read: Ritesh Batra's Photograph gets a thumbs up from critic

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Mere Pyare Prime Minister
U/A: Social drama
Dir: Rakeysh Omprakash Mehra
Cast: Anjali Patil, Om Kanojiya
Ratings: 

What's the first thing you wonder about this film, given its title, and the fact that no head honcho of a democratic state in world history has ever had as many biopics - shorts, docs, features, web-series - simultaneously being made on him/her, even while they're still in office?

So, well, no, this isn't really a film on Prime Minister Narendra Modi. Or it is, only by suggestion, since a boy writes a letter to the PM, which would be Modi (who else), but we don't see his lookalike on screen (unlike Uri, and many others in the pipeline).

Be that as it may, a film that focuses on the problem of urban, open defecation, the eradication of which should be on the agenda of every corporator/legislator, and of course the PM (current, or ones to follow), belongs to proper public service advertising/announcement (PSA) space, rather than propaganda of any kind.

Why are your suspicions slightly legit still? For it's hard to explain why the filmmakers would go ahead with this PSA script (unless they're genuinely struggling, or been forced into coming up with one), when every element here has been dished out plenty of times before, and there is no attempt to top any of it either.

Check out the trailer here:

And you could go right from trying to meet, or connect, with a head of state (I Am Kalam, My Name Is Khan), to detailing life among kids in a Mumbai slum (Salaam Bombay, Slumdog Millionaire), or in general, the Mumbai slum itself (Dharavi, Gully Boy), to addressing head-on how the poor in India (men, but women, in particular) have to bear the burden of shitting in the open, because there are no frickin' loos, which is what the rather entertainingly done, recent Akshay Kumar picture, Toilet: Ek Prem Katha, was all about.

Even as a peek into the lives of Mumbai slum-dwellers, who constitute about half the metropolis, the Iranian Majid Majidi's Beyond The Clouds (2017) seemed a far more perceptive, original and thought-provoking take, than this local, thoroughly distant, predictably upper-class view of the lives of the downtrodden others, with every conceivable cliche that must dictate it - rape, domestic violence, drunken males, and Sheela Ki Jawani, Baby Doll type of Bollywood songs/entertainment as the only route towards momentary escape.

This is the sort of film that ideally aims to ride on its supposedly noble intentions alone, rather than engaging characters or story, the gist of which is that there's a little boy (a wonderfully cast Om Kanojiya), who does odd jobs selling newspapers, condoms, etc.

He shares a lovely bond with his single mother (Anjali Patil). He writes a letter to the PM hoping for a public toilet in his slum. That the right to shit in peace must involve a petition to the PM, no less, is tragic enough. That you don't feel for anyone in this film (let alone, the issue), with the camera hovering around a bunch of parallel songs/story-lines, aimed to extend a simple short film into a full-length feature, is perhaps worse.

Also Read: Watch video: The fun-filled making of Mere Pyare Prime Minister's title track

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Kesari
U/A: Drama History
Director: Anurag Singh
Cast: Akshay Kumar, Parineeti Chopra
Rating:

First off, this might well be actor Akshay Kumar's finest performance ever. And this has much to do with an earthy, true-blue, proud Punjabiness that he exudes in his natural persona that translates so seamlessly on to the big screen; him fitting into the get-up like a glove, as Havildar Ishar Singh, a die-hard, hatta-katta soldier with a sharp disc on his huge turban, belonging to what the British deemed the 'martial race'—born to fight and protect, for community, and honour.

And that's tall compliment for a superstar, currently at the brightest phase of his career, who for years since he made his debut was condescendingly dismissed as woodwork—chiefly for the kind of work he starred in, of course.

Kumar, lesser known as Rajiv Bhatia, over the past few years, has upped his game to a point that you can't tell one character of his from the next (his last outing was as the iPhone sensation, Pakshi Rajan, in 2.0), naturally generating curiosity in ways that Aamir Khan has been capable of. Surely there are other contenders too, but hardly as prolific.

That said, you know where this film is coming from: 1897, Battle of Saragarhi, fought between Sikh soldiers under the British, and Afghan/Pashtun tribesmen from North West Frontier Province, or what's now the Khyber Pakhtunkhwa in Pakistan.

What's more important for the viewer to figure/gauge/understand is where this film is going—mainly towards mainstream, mass-belt audiences in Punjab/North, naturally inclined towards manic action films, exhibiting bravado of a community that has enough history to prove for it.

The director is most loved for massive Punjabi hits like Jatt And Juliet, and its sequel. Frankly, Sunny Deol is the only other actor I can think of who could so easily have pulled off this rustic 'gadarness' with gusto. The younger lot doesn't quite cut it in that sense. And Kumar has a cred that precedes his presence. Here he does to Sikh pride through dialogue-heavy, relatively over-the-top, period action-drama, what he attempted in Singh Is Kinng (2008) through comedy, with considerable success.

The key is the story of course. But the downer, the script/screenplay, probably naturally flows from there as well. For how do you spin off an entire feature from what's essentially a merciless, brutal battle between two groups, where the side you're on (the Sikhs) has no stake in the system?

They're minor soldiers. Their bravado is deliriously captivating, yes. You can see it. You can feel it. But the battle can't be the whole film. Well it is already half of it, with scenes leading up to the big moment essentially checking off boxes for issues that the film wants to perfunctorily highlight: caste, religion, colonialism, slavery. What you seek is simply what you get; no more, no less.

At the heart of this pic is the fact that 21 soldiers of a Sikh regiment held fort, carried on what was self-admittedly a suicide mission, against an army of over 10,000 tribesmen attacking them one fine day. Could this be a case-study on tactical warfare? How else did the Sikhs survive even more than a second? Or were the Afghans/Pashtun soldiers completely daft to suffer huge casualties still? Was there unlimited ammo at Saragarhi, or was the opposing side marching in with seriously primitive weapons?

Watch Kesari Trailer

The statistics are staggering. This explains why this film has been made and can be loved for that moment in military records alone. And which is why there is already a movie on the same episode on Netflix (with Mukul Dev; haven't seen yet), and another one that director Rajkumar Santoshi is currently shooting still.

Maybe there's more to the battle. Or maybe this in-your-face, goose-bumpy ride—heartwarming, because its history; and hysterical, because it's that kinda movie—is just the best one can do. Well, either way, this works alright.

Also read: Sikhs dress up in saffron hues to watch Akshay Kumar-starrer Kesari

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Junglee
U/A: Action
Director: Chuck Russell
Cast: Vidyut Jammwal, Pooja Sawant, Atul Kulkarni, Akshay Oberoi
Ratings: 

There may be a relevant message lying at the heart of Junglee's story, but the wafer-thin plot renders director Chuck Russell incapable of translating it into a thought-provoking film. Poor execution and bad acting makes this Vidyut Jammwal-starrer a mere comedic watch.

This wildlife adventure revolves around Raj (Jammwal), a vet working in Mumbai. He shows his extraordinary Kalaripayattu skills by taking on a bunch of goons who are torturing a stray dog. While his relationship with his father may be strained, the two harbour a shared passion - their love for elephants. Raj's trip to the elephant sanctuary owned by his father turns all the more interesting when he meets female mahout Shankara (Pooja Sawant) and a journalist-animal rights activist (debutante Asha Bhat). However, our mighty hero has little time for romance - trouble looms large over him as he has to protect the elephants from poachers (led by Atul Kulkarni) who trade their ivory tusks for moolah. How Raj saves the pachyderms from the hunters forms the crux of the story.

Watch the trailer here:

Russell appears to be well-acquainted with the strengths and weaknesses of his protagonist. So, you have a script that has little plot and more frills. You will be sold at the good ol' hand pummeling, as Jammwal spices up the desi maar dhaar with mixed martial arts. As for the rest of the cast, Kulkarni's poker-faced bad guy act is something one doesn't expect from a seasoned actor. Sawant is convincing while Bhat as the babe in the jungle is completely wasted. Akshay Oberoi as the forest ranger and Makrand Deshpande are sincere.

On the upside, Mark Irwin's cinematography keeps you hooked to the screen. He captures every moment in the lush jungles with sincerity. But that doesn't save the film from sinking. With a runtime of 115 minutes, this thriller feels longer than it should. You will miss the deft direction that Russell displayed in his previous outings, The Mask and The Scorpion King.

Also Read: Chuck Russell on Junglee: Made film keeping Vidyut Jammwal in mind

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No Fathers In Kashmir
U/A: Drama
Dir: Ashvin Kumar
Cast: Kulbhushan Kharbanda, Soni Razdan, Zara La Peta
Ratings: 

So grim and unnatural are the goings-on in Kashmir, that it's almost hard to find yourself not questioning the films that claim to mirror the realities in the Valley. Ashvin Kumar's No Fathers In Kashmir is empathetic in its approach, but critiques the militarisation in the state. Kumar narrates the story through the eyes of Noor, a teenager oblivious to the situation in the Valley.

Like those of her kind, she continues to showcase her life on social media, ever so often posing with a terrorist because... Well, why not? Unaware of the repercussions of her actions, Noor eventually stumbles upon some harsh truths pertaining to her family. Her father, Basheer was picked up by the Army, and never returned. The more she delves into the details, the more the skeletons she finds in the closet - literally!

Kumar uses Noor's naïvety to explore the plot from the perspective of a third person, elucidating how Kashmir's normal is actually bizarre, claustrophobic and heartbreakingly inhuman. At the crux of the film is an innocent love story involving Noor and Majid, who bond over their unfortunate but common fate as both their fathers were taken away by the Army.

Lucidly shot, and wonderfully executed, the film seems to evade the point that it attempts to make at first, but is more aligned post-interval. Shots involving the goings-on in interrogation rooms, graves that see militants dumped in masses, and the common sighting of stray dogs roaming around with severed parts of the human body, successfully invoke the fear that the makers desire. It's a matter that should most certainly be discussed in mainstream media.

To drive home this point, Kumar successfully highlights the effects of the situation on children when he showcases one kid elaborating on the difference between a terrorist and a militant, to his friend, and attempts to state how those perceived as enemies of the state, have clarity of intention in their heart. The actors are perfect, especially the children.

Kumar's film, however, isn't without loopholes. But you are willing to let them pass because the film makes a brave point - no one deserves to be woken up in the midst of the night by the resounding noise of bullets. Can this be rectified? The film makes an earnest plea, urging us to do our best.

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Pet Sematary

U/A: Horror, Mystery, Thriller
Director: Dennis Widmyer, Kevin Kolsch
Cast: Jete Laurence, Hugo Lavoie, Jason Clarke, Lucas Lavoie, Amy Seimetz
Rating: 

The 1989 version of Pet Sematary based on the 1983 Stephen King novel, was certainly no classic but it was a cheesy horror tale powered by a solid performance from Fred Gwynne and the title song from the Ramones was quite rage. Given the cult popularity of horror films today, it's no surprise that even such an unremarkable representative of the genre gets recast for the GenNext voyeurs of horror thrills. Co-directors Kevin Kölsch and Dennis Widmyer don't have much of a challenge on their hands, given the fact that there's no attempt being made here to tell the story from a different vantage point.

Dr Louis Creed (Jason Clarke), wife Rachel (Amy Seimetz), eight-year-old daughter Ellie (Jete Laurence), two-year-old son Gage (Hugo and Lucas Lavoie) and pet cat Church—relocate to a rustic home in the quaint rural town of Ludlow, Maine. Though there's plenty of land, with a mysterious pet cemetery and a strange bog behind the home there's not much of it in front - with a state highway running through right at the curb just off their driveway. So one would think that responsible parents would take the trouble of checking out their abode and taking the necessary precautions before moving in.

Check out the trailer here:

Such deliberate contrivance is of course a given for a horror film attempting to spook you by suggestions rather than facts. Soon enough the pet cat gets crushed under a speeding mammoth and the grieving Dr Clarke, helped on by friendly neighbour Jud Crandall(John Lithgow) takes the cat to be buried near the mysterious bog which apparently has mystical powers of resurrecting the dead. A rather convenient ploy to give wandering souls a rejuvenated body to do evil. The rest of it is rather brutal.

The film, as the book, is riddled with plenty of plot holes but King's book at least had a descriptive set-up that kept the interest going. The film doesn't have much exposition. The wife's torment from a traumatic experience during childhood is represented through hallucinatory flashbacks and the tragedies that befall the Creed family just keep piling up soon after they move in. The directors and writer Jeff Buhler, make a few deviations but they play out as altogether facile and non-requiting. The actors do their job well but the narrative doesn't create enough empathy for us to be worried about their fate. Closing it out with a Starcrawler cover of the Ramones's original theme may stir up some nostalgia but that's not going to spook you. Even King's original denouement gets replaced and that makes this particular effort altogether superficial.

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Hellboy
U/A: Action, Adventure, Fantasy
Director: Neil Marshall
Cast: David Harbour, Ian McShane, Milla Jovovich, Sasha Lane, Daniel Dae Kim
Rating: 

This latest adaptation of the Mike Mignola comic book is a reboot and not a sequel. Most of the sequences and plot points take for granted that- the viewer is familiar with the story. This film has a rather peculiar blend of history, myth, supernatural and occult playing peekaboo in a narrative that opens up in the past and flashes forward to the post-modern present with rather too much haste. We see a time when everything is acceptable including the paranormal, the other-worldly, different dimensions and the freak. We see Hellboy with horns, crimson skin, and thorny attitude passed out in a Mexican bar or observing a wrestling match and he doesn't raise any eyebrows. And just as we get familiar with the characters and interested in the theme we are subjected to a flashback and that's the pattern we are exposed to throughout this rather jerky, coarse re-imagining of the Hellboy universe. The real problem here is that there's just too much back story and not much of going forward.

Hellboy of course looks more or less the same. The overall look is replicated from the original – this one though looks more worn and unkempt. Hellboy (David Harbour) works with his adoptive father Professor Broom (Ian McShane) at the B.P.R.D, an organization devoted to investigating and generally exterminating paranormal threats. The gruff Superhero heads to England when called upon by the Osiris club to help nullify the Blood Queen's(Milla Jovovich) demonic plot to resurrect herself and bring ruin upon the world.

Check out the trailer here:

The narrative jumps from one plot point to another without acquiring much coherence. We get it that the Blood Queen is part of the main conflict here but by the time she gets into her stride the narrative gets all rushed up and the ensuing melee doesn't have much engagement. Andrew Cosby's screenplay writes in some inner conflict for Hellboy but it doesn't translate all that well on screen. Even the other main characters don't have smooth enough arcs. Neil Marshall is no Guillermo Del Toro and his vision for the action here is also not consistent enough- even though there are a few flashes of brilliance. David Harbour's performance, lacks the confident stamp of authority that Ron Perlman's did. Some of the CGI effects are good but there are moments when they look conspicuous and patched on. Too many characters, too many plot threads and just as many merges between the unimaginable, plagues this tale of a superhero winding his way through tales of legends and destiny - ending it with cataclysmic bedlam that works out to be a rather chaotic gory mess!

Also Read: Milla Jovovich said yes to Hellboy for this reason

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Kalank
U/A: Action, Drama, History
Director: Abhishek Varman
Cast: Varun Dhawan, Alia Bhatt, Madhuri Dixit, Sanjay Dutt, Sonakshi Sinha and Aditya Roy Kapur
Rating: 

Not one to get wooed by the scale and production value of a film, I can't help but be smitten by the sheer beauty of Abhishek Varman's Kalank. In 2019, when Netflix rules our lives, this film is a rare cinematic experience that blends in opulence, glamour with a solid story about a family torn by its own skeletons in the closet. Star crossed pairs, their infidelities and how it destroys the world around them.

Drawn to forbidden pleasures and immoderate love is Roop, played with heft by Alia Bhatt. Varman's vast screenplay primarily plays off the luminous chemistry between Bhatt and co-star Varun Dhawan. There's a tantalising quality about their pairing and Varman uses this element to full effect. But a lot of the emotions drown in its self imposed ornate design of the film, which gives it a synthetic quality.

Watch the trailer of Kalank here:

So when a feisty Rajputana girl (Alia's Roop) is compelled by circumstances to marry a man (Aditya Roy Kapur's Dev) she can't even recognise in broad daylight, you want to discover more about their faulty dynamics. Or even how a well-educated woman like her, who has opinions strong enough to be voiced in front of an all-male team of writers running a flourishing newspaper, would fall for a visibly dubious man (Varun Dhawan's Zafar) with a promiscuous life. All of this and much more about the period's socio-political submerges beneath Binod Pradhan's gorgeous cinematography. It's almost as if there is a barrier between the audience and the characters - a gulf presumably created because of the director's reluctance to delve deeper into the plot.

Kalank movie poster

It's at the casting department, Varman scores big. Raging with simmering pain, Varun's aching performance beautifully transcends from showing him as a bitter man thirsty for revenge to a kind soul softened by love. Aditya's character has little graph but he adds soul to his act, supported adequately by Sonakshi Sinha who keeps her brief role serene all through. The seniors - Madhuri Dixit and Sanjay Dutt bring their effortless experience in a climactic sequence which packs a punch. Kunal Kemmu's grey part is portrayed with flair.

Also Read: Kalank: Here's everything you should know about the multi-starrer film

By no means is Kalank an unbearable film, despite being nearly 2 hours 48 minutes long. But there is a constant tryst to divert our attention from its storyline; Varman distracts us with his suggestive background scores, special numbers and sometimes even the perfectly created Manish Malhotra costumes. It's also equally problematic that a film set in pre-Partition doesn't stir up much political conversations throughout the narrative. There are stray mentions of their noble intentions but it remains largely detached from the divisive politics of the time it is set in. It also pays a tribute to Sanjay Leela Bhansali's school of filmmaking by borrowing a lot of his trademark sequences (especially Alia's entry which reminds one of Aishwarya's first scene in Hum Dil De Chuke Sanam). Varman's prism is fresh - his women aren't caricatures, his characters aren't perfect. Roop is innately flawed, her decisions are damaging but she fights back for love with all her might. His men aren't all heroic and larger than life; they stumble, are unforgiving and equally faulty.

Watch the video of the Kalank movie review here:

I was reminded of Deepa Mehta's masterpiece - 1947, Earth, rightly melodramatic, potently emotional which walked the tightrope of a love triangle in stormy times in a balanced way. Kalank doesn't aim for that depth. It's content in being pretty even when it has the potential of so much more.

Kalank screening: Janhvi Kapoor, Alia Bhatt, Aditya Roy Kapur attend:

Also Read: Kalank Celeb Review: B-town can't stop praising this period drama

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Avengers: Endgame
U/A: Action, Adventure, Fantasy
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
Rating: 

How does one put together words about a film that, for all practical purposes, anything and everything you write, is likely to be misconstrued/diagnosed as a spoiler?

Suffice it to know that this expectedly dramatic conclusion of Marvel's three-part Infinity Saga is a relatively internalised, deep and sober film, concerned more with the motivations of super-heroes, the choices before them, and what they should pick, in order to take on super-villain Thanos—of course.

For one, the earth is a much quieter place, since as you're aware, its species have been annihilated, decimated by Devil Thanos, ever since he got his hands on the infinity stones, and went on to execute the bizarre plan of supposedly ethical ethnic cleansing—randomly ridding planets of half its populations, to make them more sustainable, by restoring balance of sorts, as it were.

Of course, there will be survivors. And Iron Man or Tony Stark (Robert Downey Jr), to start with, is thankfully rescued or reunited with the human family back home. So is Hawkeye (Jeremy Renner). Both of them, like all the others, seem to be somberly dealing with the aftermath of a universal tragedy.

Surely, you have your own favourites from this cinematic universe (and how can Iron Man not top that list?). But there's something about the inherent cuteness of Hulk (Mark Ruffalo) that saves this franchise's final installment from turning into a complete depresso—left to be downed over rounds of espresso, what with the screen-time running three hours plus.

Also Read: Box Office report: Avengers: Endgame sells 1 million advance tickets in India

Indians might thank their theatres for the usually hated interval. I caught it without one, but didn't miss it either. There's enough material here to keep you engaged, even if to wonder, on occasion, if some of it makes any sense. You may or may not be impressed with the long drawn explanations, but you're only too happy to go with it.

Frankly, I'm no Marvel fanboy/fanatic—if the movie-world is indeed divided into two types, then more the DC demographic. That said, there is an infectious verve and energy that multiple super-heroes bring to this cinematic universe that is hard to not be swayed by, even if an individual or sub-set, Guardians Of Galaxy in particular, may be difficult to appreciate on their own.

Check out the Avengers: Endgame trailer here:

Avengers: Endgame does a fine job of navigating a reasonably cogent script without over-populating the screen. Avengers: Infinity War seemed more overwrought in comparison. I re-watched portions of the 2018 prequel on my phone (for quick revision), which of course means I didn't watch it at all.

For, at the end of the day, battle sequences and pyrotechnics is the point of it all, isn't it? Endgame, despite all the philosophy, is not an exception. It shines gloriously as 3D spectacle on the IMAX screen, ideally viewed from the third-row, from the back—and if you're not on IMAX, then the third row from the front—for a stunningly immersive experience, with such depth of field that the points where the camera focuses on a river, the ripples flowing towards you, you almost feel like you can wade through the frickin' water!

I know, don't need to put in a word (spoilers be damned). Suffice it to know that seldom has the excitement of audiences entering a theatre, matched by those exiting, after a hugely hyped pic. Endgame equals its astounding anticipation. And that's saying a whole lot!

Also read: Avengers: Endgame Box Office Prediction: Will the film open at Rs 50 crore in India?

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Amid the rising number of coronavirus cases across the city, the Mumbai Police on Monday took to Twitter to thank Bollywood actor Akshay Kumar for his humble contribution towards the Mumbai Police foundation amid the COVID-19 crisis.

Mumbai Police thanks @akshaykumar for contributing Rs. 2 Crore to the Mumbai Police Foundation. Your contribution will go a long way in safeguarding the lives of those who are committed to safeguarding the city - the men and women of Mumbai Police!#MumbaiPoliceFoundation

— CP Mumbai Police (@CPMumbaiPolice) April 27, 2020

While extending a thank you note to the action-superstar of the B-Town industry, Mumbai Police said that the contribution will help to safeguard the lives of the Mumbai Police personnel who are committed to safeguarding the city to fight the global pandemic.

In the past too, Sooryavanshi actor donated Rs 3 crore to help the Brihanmumbai Municipal Corporation (BMC) in order to help them to make rapid testing kits, personal protection equipments and face masks in its battle against the deadly virus.

#RohitShetty has facilitated eight hotels across the city for our on-duty #CovidWarriors to rest, shower & change with arrangements for breakfast & dinner.

We thank him for this kind gesture and for helping us in #TakingOnCorona and keeping Mumbai safe.

— Mumbai Police (@MumbaiPolice) April 21, 2020

Besides helping Mumbai Police and the country's richest civic body, Akshay also contributed Rs 25 crores to the PM CARES fund to help the country fight the epidemic. Earlier, Mumbai police expressed gratitude to Bollywood director Rohit Shetty for facilitating eight hotels across the city for Mumbai police personnel.

Thanking Rohit Shetty for his kind gesture, Mumbai Police said that the facility would help on-duty corona warriors to rest, shower and change with arrangements for breakfast and dinner.

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Brihanmumbai Municipal Corporation (BMC) Mayor Kishori Pednekar on Monday informed that the total number of containment zones in the city is now 1036.

"There has been a significant drop in the number of containment zones in Mumbai," Pednekar said. The Mayor said that many zones are out of the list as they reported zero COVID19 cases in the last two weeks. "231 zones are out of the containment zone list after they didn't record a single COVID-19 positive patient for the last 14 days," she added.

According to the Union Ministry of Health and Family Welfare, the total number of positive COVID-19 cases in Maharashtra is 8,068. Till now, 1,076 people have either been cured and discharged, while 342 deaths have been reported in the state.

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With the Railways refusing to comply with Maharashtra's request to help migrants reach their hometowns, the state government is working out its own plans to despatch them. Sources said the government has roped in the Maharashtra State Road Transport Corporation (MSRTC) for help.

An internal plan of just one district — Yavatmal by MSRTC (a copy of which is with mid-day) has revealed that it has lined up 115 buses to 15 state capitals. In an unprecedented gesture, these buses will travel around 1,000 to 1,800 km to drop off over 2,000 migrants and return back to base. Mentioning about the cost element, the letter has sought a sum of R1.35 crore from the district collector to release the buses as per the plan.

Labourers wait in a queue to collect Ifatri food packets at Kidvai Nagar in Wadala on Monday

Sources also said that the state government is negotiating with other states to accept the proposal and two states - Odisha and Uttar Pradesh have displayed readiness. However, a few states have claimed that they do not have enough money to arrange transportation for the migrants and also conduct the COVID-19 testing at the same time. Therefore, they want either Maharashtra or the Union government to spend on transportation which can be a contentious point in the entire deal.
However, MSRTC officials said the plan was still under consideration and nothing has been finalised yet.

Moreover, MSRTC and transport department officials said that meetings have been held at Mantralaya about these issues and discussions have been going on with various stakeholders. But as of now, no final decision has been taken yet.

The delay is because it involves stakeholders from other states and there are issues like streamlining the process and to develop a standard operating procedure to allow Maharashtra state buses into their state borders. A comprehensive plan involving all stakeholders needs to be arrived at so that the transport becomes smooth from end to end. This is besides the decision of who will bear the expenses of the journey.

Buses for students in Raj?
The MSRTC has also proposed to run another 91 buses from six bus depots to get about 1,764 medical students stranded in Rajasthan back home. Sources said since it is a long road journey, the buses will have two drivers. Of the 1,764 students, about 23 are from Mumbai, Thane and Palghar districts. However, MSRTC spokesperson denied this saying that no plan has been finalised yet.

17,000
Total no. of buses with MSRTC

115
Total no. of buses lined up from Yavatmal

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No one informed us that my brother had been killed. We heard about his death on news," said Rakesh Tiwari, the brother of Kalpavrishkgiri Chikne Maharaj who was lynched in Palghar earlier this month, from Uttar Pradesh's Bhadohi taluka where the deceased priest's family lives.

On the night of April 16, a frenzied mob of close to 450 tribals lynched 70-year-old Chikne Maharaj, another priest and their driver, suspecting them to be thieves, at Gadchinchale village. While the incident made headlines across the nation, Chikne Maharaj's family learnt about his death only two days later.

Rakesh told mid-day over the phone that neither the police nor the authorities in the state informed them about his demise. We learnt through the news two days later that Kalpavrishkgiri had been brutally murdered in Palghar, he said.

Kalpavrishkgiri had left his home in Uttar Pradesh at the age of nine and was reunited with his family after 20-long years. When Kalpavrishkgiri was nine years old, he left home for Gramsabha Bhusavla school at Bhadohi one day, and never returned. We searched for him across the town but didn't find him." After reuniting with him 26 years later, the family learnt that he had gone to Nashik to become a monk, Rakesh said.

"We found his address when Kalpavrishkgiri was about 35-year-old and learnt that he had become a priest. After leaving UP, he had gone to Trimbakeshwar Shiva Temple to become a monk and later moved to Mumbai. He was a priest at Vandevi temple at Jogeshwari East. We accepted him and I used to meet him whenever I visited Mumbai."

Kalpavrishkgiri wanted to attend the last rites of our mother, who died on March 22, said Rakesh, adding that he couldn't make it to Uttar Pradesh due to the lockdown in Mumbai announced by the Maharashtra government in an attempt to contain the spread of the novel Coronavirus.

"On March 22, I called to my brother to inform him about our mother's demise, but due to the restrictions he could not attend her funeral. He was our mother's favourite son," Rakesh told mid-day. Rakesh said, "Our wish was to attend my brother's final rites but we received the information very later and that too from the media."

He also accused the police of failing to save his brothers and the two others with him. The videos clearly show that the police surrendered my brother to the mob, who then brutally thrashed him to death, said Rakesh, adding that the police could have saved Kalpavrishkgiri.

"Not a single police officer informed us about his death," Rakesh told mid-day.

Tilghate was driving Chikne Maharaj and Sushil Giri to Surat where the duo were headed to attend the last rites of a head priest, Ramgiri Maharaj. However, they came across the tribals, who were enraged by the rumours that a gang of child lifters were active in the region. While the police maintain that close to 450 people were part of the mob, a local leader had said as many as 2,500 tribals had gatheredthat night.

16 April
Day the two priests and their driver were lynched

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The Aurangabad bench of the Bombay High Court on Monday pulled up the state for its claim that the novel Coronavirus could spread through newspapers. The state had, accordingly, banned the distribution of newspapers, while allowing its printing. The court, in an order dated April 20, directed the state to justify its claims with evidence and expert opinions instead of meagre statements.

A suo moto public interest litigation (PIL) in this regard was filed at the Nagpur bench of HC after the distribution ban was announced on April 18.

Government pleader DR Kale told the court that the order was amended on April 21 to allow "door-to-door distribution except in MMR, Pune, and other containment zones."

While Kale said that the virus stayed on surfaces for a while, and hence newspapers could be potential carriers when passed from hand-to-hand, the court said that there was no evidence to prove this.

It, however, added that door-to-door delivery could be restricted in some areas while asking the government to respond to its queries along with a report by amicus curiae advocate Satyajeet Bora.

The next date of hearing in the case is June 11.

11 June
Date of the next hearing in the case

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The Palghar pot is boiling with the Communist Party of India Marxist (CPI-M) saying they are going to file defamation cases against a couple of BJP leaders for defaming CPI-M, by making baseless claims against them for the lynching of the two priests and their driver in Gadchinchale village. Mumbai's Ashok Dhawale, Central Committee member, CPI-M said, "We will file the case shortly. When the CPI-M says something, it always goes ahead and never backwards."

The roots
Dhawale explained that the Communists have had their imprint in the whole of Dahanu and Talasari tehsil. "It has been our base since 1945 when Comrade Godavari Parulekar led the revolt of the tribals against landlordism and bonded labour. This is how deep our roots go into this land. We have the MLA seat in Dahanu, with the dashing Vinod Nikole defeating the BJP sitting MLA in 2019."

Work done
On accusations that it is the Communists and this party that foment violence, leading to mob frenzy and agitation, Dhawale shot back, "We have worked for drinking water and water for irrigation. We drive movements for uplifting the health infrastructure in the region, we have schools, colleges and hostels in Talasari district. We have worked for women's issues, rations..."

Long march
Dhawale added as a Mumbai example, "It was the CPI-M that was at the forefront of the long march of farmers from Nashik to Mumbai in 2018. One of the demands was better implementation of the Forest Rights Act. There was no violence on that march, not a single car window was smashed. It was during this time that a BJP leader spoke about Urban Naxals and that term has stuck."

Bullet train
Another name swirling in the Palghar blame game is that of the Kashtakari Sanghatana. Dhawale said, "The Kashtakari Sanghatana and the CPI-M have had a prickly relationship.

However about three years ago, we came together to galvanise people in the area against the Bullet Train project. We have buried the hatchet so to speak, since."

Parliamentary process
In the end, Dhawale said that the CPI- M was totally against the Maoist violence in fringe pockets, "We have always been part of the Parliamentary process, right from Independence. We have unequivocally condemned the Palghar lynching; for the right wing to link it to us, to defame us, is simply nonsensical."

Go and file
Mumbai's Shriraj Nair, national spokesperson Vishwa Hindu Parishad (VHP), slammed the CPI- M saying, "If any villager is innocent we support him. We are for tracking down the culprits of this crime. For years though, the CPI-M has been brainwashing villagers and conducting anti-Hindu activities. They are also anti-development."

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Thje city is facing many challenges amid the Coronavirus lockdown, but the one thing in its favour is the water stock. The lakes that provide water to the city have enough water to fulfil the city's needs through the summer.

As of Monday, the lakes have 29 per cent of the water stock, which will last for almost another 80 days, that is, until July.

This means, there will be no water cut this summer. Last year, when the city was facing a water cut, the total water stock was 19 per cent on the same date.

The BMC had imposed a 10 per cent water cut from November 2018 till July 2019. During the last monsoon, the lakes received rain till early December and as such, the water stock is still

The seven lakes — Bhatsa, Tansa, Upper Vaitarna, Middle Vaitarna, Modak Sagar, Tulsi and Vihar — supply water to the city.

Their total water storage capacity is 14.47 lakhs MLD (million litres per day). As of Monday, there is 4.31 lakh MLD water in the lakes.

Last year, on the same date, the water stock was 2.88 lakh MLD.

The BMC supplies 3,800 MLD water to the city every day. Around 700 MLD water is being used by industries while the floating population — people coming from other cities — use around 50 MLD water.

"After the lockdown, the industrial water supply is obviously reduced but the city gets normal water supply. It means there is more water for residential areas," said Ashok Rathore, chief of the Hydraulic Engineering Department.

Due to the manpower crunch, the meter reading has not been taken and the exact use by industries and residences has not been measured.

As per the IMD forecast, the monsoon will be normal this year.

29
Percentage of water stock currently available

Available water stock (in mn litres)

Upper Vaitarna: 2,802
Modak Sagar: 61,632
Tansa: 38,539
Middle Vaitarna: 89,953
Bhatsa: 224,881
Vihar: 10,133
Tulsi: 3,478
Total: 4,31,418

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Ruling out lifting of lockdown after May 3 from across the country, Prime Minister Narendra Modi has asked states to decide on their lockdown guidelines depending on the prevailing situation on the ground. He said the pandemic was far from over and hence the country needed a balance between the lockdown and the efforts of keeping normalcy in daily life.

Modi told chief ministers on Monday that the lockdown had yielded positive results and the country had managed to save thousands of lives in the past 45 days.

"Our aim must be rapid response, and 'do gaz doori' (physical distancing)," he said, adding that the states where positive cases were higher should not be treated as criminals.

Maharashtra CM Uddhav Thackeray is reported to have supported the lockdown where it is needed most. He also said on Sunday that the lockdown could be lifted after May 3 only if the situation allowed. Union Home Minister Amit Shah reaffirmed the need to enforce lockdown so that maximum lives were saved.

Amid rising concerns about a weakening economy, Modi said that efforts of states should be directed towards converting red zones into orange and thereafter to green zones.

"We have to be brave and bring in reforms that touch the lives of common citizens. We have to give importance to the economy as well as continue the fight against COVID-19. The impact of Coronavirus will remain visible in the coming months, masks and face covers will be part of our life," he said.

"India's population is comparable to that of the combined population of several countries. The situation in many countries, including India, was almost similar at the beginning of March. However, due to timely measures, India has been able to protect many people," the PM said, emphasising that the danger of the virus was far from over and constant vigilance was of paramount importance.

Cabinet meet tomorrow
He said, "This is the time we used technology as much as possible and utilised time to embrace reform measures," the PM said.

Sources said the Union cabinet would discuss the matter on Wednesday. In all likelihood, the decision on lifting or easing lockdown is expected to be announced at least four days before the deadline of May 3.

State home minister Anil Deshmukh who also participated in the CM's interaction with PM said in Nagpur that the red zones where higher cases of COVID existed would in probability continue to have lockdown."Orange and green zone may get lockdown relaxed and CM himself would announce about it," he said.

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With most areas in the city marked as COVID-19 hotspots and no transport available, residents feel that the Brihanmumbai Municipal Corporation's (BMC) circular allowing pre-monsoon repair work and waterproofing in buildings before the onset of monsoon, is nothing but an eyewash. They are of the opinion that if the lockdown continues beyond May 3, it will be practically difficult to complete work before the rains, as no shops selling cement, sand, brick and waterproofing chemicals will be open.

Speaking to mid-day, Somasunderan Nair, director, Intercons Tectonic (Pvt) Ltd, a Vashi-based firm doing engineering and civil construction work, said, "It is just impossible for the labourers to go to different locations with no transportation available. They can't travel between construction sites located in different areas of Mumbai and Navi Mumbai."

Rekhi Sai Daffodils has been undergoing repairs since January

'All going to waste'
"Also, I had stored raw materials (cement and sand) worth a few lakhs of rupees at different buildings undergoing repairs, but all of it got stalled due to the lockdown," added Nair. He further said, "At one of our Kharghar site, the Pimpri-Chinchwad Municipal Corporation (PCMC) staff had asked the site supervisor to wind up all repair work, and at that time, a ready-mix cement mortar consignment was being offloaded from a Gujarat registered truck. Since the municipal staff warned of '15,000 fine per staff, the workers had no option but to leave the site. Nearly 700 bags of ready-mix cement mortar were offloaded, but I fear that all of it will go to waste. They have been lying unused for over one month and if the lockdown continues, we might have to dispose of the raw materials."

While the BMC has come out with a circular allowing work to be carried out, the NMMC and PCMC are yet to provide any clarity on such repair works.

Exposed beams of Rekhi Sai Daffodils in Kharghar

A Ghatkopar West resident, whose building is under repairs, said, "We have stored some materials in our building premises and have allowed some workers to stay on the compound. Even the contractor is ready to buy construction materials like bricks, cement etc from the local market, but for that we need to know where such outlets are open."

'Apply for online permissions'
When contacted, a senior official from BMC's Development Plan department said, "We have issued the circular which clearly states the directives. As per the directions of the state government, certain activities are being allowed during lockdown. However, the said guidelines were stayed by the government vide GR dated April 21, 2020 for Mumbai Metropolitan Region and Pune Metropolitan Region. However, to save some existing structures/buildings and prevent flood like situations during monsoon, certain construction activities within MCGM limits may be allowed in non-containment zones."

Navre Premises Cooperative society in Sion West

When asked that if the entire city is under lockdown, then how will the circular be implemented, the official said, "It is a fact that most of the areas in Mumbai are containment zones and no work will be allowed there. If the situation is under control after May 3, then as and when the lockdown is lifted, work can be started. Meanwhile, the contractors/societies concerned should apply for online permissions."

And if monsoon sets in by then, the official said, "The contractors can cover the open terraces with tarpaulin sheets and permission can be given for repairs post monsoon."

Expert speak
When contacted, senior lawyer, Vinod Sampat, said, "As far as the BMC is concerned, everyone is interested in protecting their own skin. There is no coordination between government departments. A simple solution can be easily worked out by designating one responsible official for the job. He would ensure that the residents' requirements are easily met and the construction materials are made available to those whose buildings are getting repaired. Secondly, there is no accountability among government officials and they are unpredictable. As far as possible, repair work should not be undertaken immediately. A better way would be to put tarpaulin sheets on the buildings and postpone repair work to the post-monsoon time."

He further said, "Moreover, it is very difficult to get skilled labourers now as most of them want to return home. And lastly, if any of the contractors or their workers test positive for COVID-19, the society managing committee members may be held responsible for not taking proper precaution."

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A 36-year-old man was arrested for beating his 70-year-old father in Bhandup to death after an argument on Sunday night. According to the police, the man, identified as Sachin Gorivle was having an argument about his employment with the deceased, Krishna, The Times of India reported.

Sachin did odd jobs for a living and was at home since the lockdown due to coronavirus outbreak in March. When Krishna argued with Sachin about his job, the latter attacked the former in a fit of rage. His mother and sister were in a different room when the incident happened.

Krishna was rushed to a hospital where he succumbed to his injuries.

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Social distancing and lockdown may have impacted each one of us mentally, emotionally and psychologically but it is the children and teenagers who have had to cope with sudden closure of schools, cancellation of exams and a prohibition of face-to-face interaction with their friends and teachers.

Anusha Manjani, Manager, Counseling Services at Akanksha Foundation, says, "Children are acutely aware of the sudden changes and panic in the environment around them. Younger children can feel confused, uneasy and scared; older children express feelings of anxiety, sadness and helplessness."

She added, "The uncertainty and chaos of the pandemic impacts all aspects of children's lives- it is not just a threat to their physical health- but to their learning, their home environment, their interaction with peers, their emotional well-being. Moreover, economic hardships, the overcrowding in homes, the lack of access to resources in low income communities can lead to higher incidence of neglect, violence and abuse- making staying at home itself a risk to some children's safety."

In such a time, it is crucial that children have support of their parents and teachers to help them in having a routine and structure to their day. Anusha says, "Parents and teachers can be key caregivers and anchors during this time to support the mental well-being of children- by reassuring them of their safety, creating a space to share feelings and using art, play, fun learning activities to engage with them."

Akanksha Foundation has started a helpline number called 'The Listening Space' for all the stakeholders such as students, teachers and parents to express themselves or just discuss about what's happening. While younger children have more questions about whats happening outside, older  children are venting out their frustration, their anxiety about their parents etc.

Parents and teachers are also coming up with interactive tasks and new ways of learning. Worksheets are sent to the students everyday and once the child solves it and shares it, the teacher reverts with the corrections as well. 

It is not just academics that are taken care of amid lockdown, things such as maintaining gratitude journals and 'doing a good deed everyday' are also being imbibed in the children to maintain their mental and emotional health.

A creative snakes and ladders

"At Akanksha, teachers, counsellors, social workers and parents are working together to support the children- whether it is checking in for the child's well being, spreading awareness of safety measures, encouraging learning through low-cost tech or doing parent-child activities- we are keeping the lines of communication and connection open and strong to navigate these difficult times together," says Anusha.

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While the world is grappling with the impact of the horrific COVID-19, and the entire nation is under the lockdown, there are people who are finding it difficult to make both ends meet. Mumbai’s Dabbawalas, who ensure that a delicious, warm ,home cooked meal reach in time every single day at work, today are battling to have a meal in their own plates. Radio City, India’s leading radio network, has launched a fund raiser initiative, Dabbewale ka Dabba Bharo, and have been urging Mumbaikars to come forward and contribute towards the initiative.

Radio City in Mumbai, kick started this initiative on 22nd April, where all the RJ's across their shows have been sharing the current state of Dabbewale's, with around more than 5 thousand of them are finding it difficult to feed their families since the lockdown was announced. Radio City has been urging Mumbai city to come forward and contribute towards the initiative. There has been an overwhelming response from the citizens and uptill now, approx. 62 thousand rupees has already been collected

To garner a wider reach and raise more funds, Radio City has created a video (https://youtu.be/e1XCjt8FSBI) that has been promoted across Radio City’s social media handles. Radio City has always been at the forefront to help the city and its citizens through various initiatives like these and spread a wave of positivity.

If you wish to contribute Please click on the link: www.ketto.org/radiocity

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Amidst the general gloom of these days, we should never forget all the stories of courage and hope. One such uplifting account has lessons for all of us.

A teacher of a BMC school, came up with the idea to hold classes for students during the lockdown period. She has been holding conference telephone calls with students, who are now getting lessons via these telephone calls.

It must be remembered that these are kids that do not have access to the Internet or computers. There is a section of children in the city who are logging on to the Internet every day and have regular school online. While that is one of the upsides of our hi-tech lives these days, those that do not have this lifestyle must also be encouraged and be able to continue with their studies.

A report in this paper highlighted how this teacher is telling her students to come together via telephone calls and imparting lessons.

It is true, as she said, that too long a break results in children forgetting what they have learnt, or in extreme but real scenarios, dropping out of school altogether.

Students must be on our radar in these times. They face tough questions, about exams, their future and stress over what the next academic year will bring for them.
Teachers must be creative in bringing lessons to children. Parents must try to ensure that children re-learn and refresh what they had learnt in the past. Extra effort and pain are needed from all stakeholders in these times.

Clear communication by the school principal or management at regular intervals may dispel some uncertainty. Let efforts towards academics be full-on and let us take care of young minds and hearts which may be filled with confusion and trepidation.

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After the death of three police constables within 48 hours, the police have rolled out a 10-point strategy to tackle the COVID-19 infection in its force that comprises around 45,000 personnel — both constables and officers. Apart from resting its senior members and changing duty patterns, the police have now begun administering Hydroxychloroquine (HCQ) to cops along with multivitamin tablets. Provisions will also be made for stay and nutritional food for cops till the lockdown lasts.

This will go on till the lockdown lasts. Ever since the pandemic broke out, senior cops have been given desk jobs but the infection spread among a few policemen and their family members.

Also Read: Exclusive: After Third Cop Dies Of COVID-19, Mumbai Police Sends Personnel Above 55 On Leave

"Our personnel are risking their lives to protect the city. Keeping their personal health and immunity strong has been a major priority for us," DCP (PRO) Pranay Ashok told mid-day, adding, "We have initiated a strategy to tackle it."

Accordingly, all cops above 55 years of age have been asked to stay at home, cops above 52 years of age with previous medical conditions have also been asked to stay home. The duty hours will also be changed from 8-hour shifts to 12-hour shifts and giving cops 24 hours off after that.

Around 12,000 cops will soon be administered with HCQ under medical supervision. Multivitamin tablets and protein supplements too will be given to 20,000 cops to strengthen their immunity.

Apart from this, police personnel will have the following special services:

1. Designated hospitals and dedicated beds in all COVID hospitals.

2. COVID Helpline number for personnel and families at the control room to resolve any doubts or issues.

3. Adequate number of PPEs, face masks, hand-sanitisers, gloves, face shields.

4. Amenities like food packets, ration, hot water flasks, pandals at checkpoints

5. Accommodation facilities

6. '50 lakh ex-gratia amount to all personnel who lose their lives fighting COVID (by the government).

12,000
No. of cops who will soon be administered with HCQ under medical supervision

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Even as the number of positive COVID-19 cases continues to rise in the city, a new trend has left medical experts puzzled. While doctors had expected that TB patients would be more prone to the virus as their immune system is already weak, surprisingly only two such cases have been reported by the health department. Also, officials at the TB Hospital in Sewri said that while 14 of their staff members have tested positive, the infection has not spread to a single patient.

A senior official from the civic health department said that it might be too early to draw a conclusion but a study could be done to understand the correlation between the two. "So far, we have reports of two TB patients who have tested positive. However, there have been no deaths so far. One reason for the low numbers could be that we have given all TB patients medication for a month and have asked them to stay indoors," added the official.

BMC medicos heading towards Shastri Nagar slum on Tuesday. Pic/Pradeep Dhivar

The trend has left Dr Lalitkumar Anande, medical superintendent of TB Hospital, surprised and has led him to believe that anti-TB drugs could be preventing such patients from contracting the virus. "One would have expected that the virus would have a fatal effect on TB patients since they are immunocompromised and their lungs are already damaged. However, here at the TB Hospital, we have not seen any such case yet," he added.

Dr Anande further said that laboratories like the National Institute of Virology in Pune could conduct studies on this since they have culture samples of TB as well as Coronavirus. "Anti-TB drugs penetrate the lipid coating of a TB organism similar to what hydroxychroloquine does to the Coronavirus strain. Anti-TB drugs could turn out to be an answer for Coronavirus. Studies regarding it need to be fast-tracked in order to understand how they react to each other," he said, adding that the research would also be able to ascertain whether the mycobacterium or the TB medication has an impact on the virus. While Sion Hospital reported two cases of TB patients suffering from COVID-19, the authorities of KEM and Rajawadi Hospital said that none of their COVID patients were suffering from TB.

'Evidence needed'
Speaking to mid-day, Dr Rajendra Nanaware, a chest physician, who deals with drug resistant TB cases, said, "Ideally, there should have been an increase in the number of TB patients suffering from Coronavirus since their immunity is already compromised. But I haven't seen any case so far."
Other pulmonologists in the city treating TB patients have noticed a similar trend but they are of the opinion that evidence is required before a trend can be verified.

Dr Lancelot Pinto, a pulmonologist with Hinduja Hospital, said that since the OPD of many hospitals have shut down, patients were not able to access healthcare. "Since chronic obstructive pulmonary disease has been identified as a risk factor among COVID-19 patients, intuitively, one would expect the cases of TB patients testing positive to be high. I have not seen any TB patient testing positive for the viral infection. But there is no evidence yet," he said.

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After 15 cases of Coronavirus among its workforce, including one death, the BEST Undertaking, that is currently the city's lifeline, has begun daily temperature checks of employees at entry points of all bus depots.

BEST officials said that of the 15 cases, two have been categorised under 'occupational exposure' — that is, the virus was probably caught by the patients at work. In the rest of the cases, employees came to work after already being exposed to the virus elsewhere. For example, one of the infected employees was residing in a Containment Zone and the one who died had visited his native place and had been hospitalised.

"Eventually, a picture goes out that the 15 BEST employees got Coronavirus while at work. The fact that they came to work after already having been exposed to the virus elsewhere is ignored and this aspect of occupational exposure goes unnoticed. Of the 15, seven are bus conductors, four are drivers, two are electricity department employees and two are from the transport engineering department," a BEST spokesperson said.

"Temperature guns have been provided at bus depot entry points and the body temperature of all employees is being checked when they enter the premises for work. Only after due recordings, employees are allowed to proceed to work," another senior official said.

The BEST also redrew its plans and omitted conductors from several buses after cases of employees contracting the virus at work surfaced and trade unions alleged poor standards of protection for the staff.

"We had been warning since day one. The BEST has woken up after 35 days, now that employees are testing positive. Still, better late than never," said BEST Kamgar Sanghatna general secretary Jagnayaran Kahar. The union had organised a 'Demand Day' on April 21 seeking safety for BEST workers.

Conductor beats COVID-19
A BEST conductor of Goregaon depot, who has a history of asthma, and a resident of Mira Road, was admitted at Tambe hospital as a COVID-19 positive case since April 13. On Tuesday, he was discharged from the hospital.

Made to sign undertaking: BEST Power staff

BEST Power employees said that they have been forced to sign an undertaking that says they have not come in contact with Coronavirus patients and that no one in their family is positive. A BEST spokesperson said that the undertaking was necessitated because, in 13 of the 15 positive cases, the virus was probably caught by the workers elsewhere. The spokesperson added that the understanding is required to maintain a database.

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After a stricter lockdown in place from April 19, Mira Road is seeing the number of COVID-19 patients on the lower side. The municipal commissioner of Mira-Bhayandar Municipal Corporation (MBMC) says 'the curve is flattening'.

"Earlier the cases doubled within a week. But in the past nine days, the number of positive patients has increased by 40 per cent. The rate of doubling is slower than before and the curve is flattening. We need citizens' continuous support to flatten it further, " said Chandrakant Dange, municipal commissioner of MBMC. 

The doubling rate for Mumbai is around seven days. In Mira Road the number of patients started increasing in the first week of April.

On April 12 the positive numbers doubled to 51 in just four days and the next double numbers were reported on April 17. After the number of patients crossed the mark of 100, the MBMC imposed a complete lockdown from the midnight of April 19. Since then the MBMC has sent around 349 more samples for tests of which 43 have turned out positive. The rate of patients turning positive seems to be around 40 per cent from the findings of April 19 - 102 to around 10 days later on April 27 - 145.

Political parties and the civic administration recently held a meeting over relaxing lockdown norms. However, the administration hasn’t changed the lockdown pattern as yet. "The number of positive patients is on the lower side and many patients are recovering. We are strengthening the home delivery system," said a senior officer of the MBMC.

Locals face food issues
While the MBMC has allowed milk booths to operate from 7 am to 10 am, chemist shops up to 5 pm and grocery and vegetable home delivered, residents are facing difficulties getting these goods. "Only select vegetables are available and the rates are high. We are not getting diapers for my baby," said Jasbir Sanyal, a resident of Shanti Park.

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Mumbai on Tuesday reported the highest death toll due to COVID-19 in a single day. There was a significant increase in the number of cases in Aurangabad and Malegaon. State health officials recorded 729 new cases in Maharashtra and 31 deaths, taking the state's total to 400 deaths. Apart from 25 deaths in Mumbai, four were recorded in Jalgaon and two in Pune. Maharashtra now has 9,318 postive cases.

393 new cases in city
Civic officials said a total of 25 deaths were reported in the city on Tuesday. Of these, five died between April 23-25, and 17 of them were suffering from other ailments. According to the civic body, 393 new infections were confirmed in the city on Tuesday. The patients are admitted in isolation wards and are undergoing treatment.

After a dip in the number of cases, the COVID-19 count rose in G North ward with 42 new cases in Dharavi, five in Mahim and four in Dadar. Four deaths were also reported in Dharavi. Civic officials said two of the patients who died — a 60-year-old man and a 60-year -old woman — had tested positive earlier and died at Sion Hospital while undergoing treatment.

Total 18 deaths in Dharavi so far
Two other patients — a 48-year old man from Kasarwadi and a 55-year-old man from Social Nagar in Dharavi — were confirmed to have contracted the deadly respiratory disease and died at KEM Hospital on Tuesday. As of now, a total of 330 positive cases and 18 deaths have been reported from Dharavi.

Civic officials said that seven of the infected people are residents of 90 feet road, while four others are from Mukund Nagar, and majority of them were aged below 60 years. In Mahim, a 35-year-old female resident of the police colony tested positive and the total number of cases in the area has jumped to 30. In Dadar, two 44 -year-old male residents of the municipal quarters and a 47-year-old woman from the police colony have tested positive.

On Monday, four staffers from the Mantralaya had tested positive. After tracing their contacts, civic officials said that they identified around 25 high-risk contacts and all of them have been tested. Their test results, however, are still awaited. Meanwhile, one COVID-19 patient with severe symptoms was given plasma therapy that will help the patient fight the infection.

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Uttar Pradesh CM Yogi Aditya Nath was quick to call his Maharashtra counterpart Uddhav Thackeray after two Hindu sadhus associated with Kashi's Juna Akhara were lynched by a mob in Palghar last week.

On Tuesday, Thackeray responded by ringing up the UP CM to express his concern over the murder of two sadhus in Bulandshahar. Thackeray said he was expecting Palghar-like prompt police action in arresting the culprits and suggested not giving a communal colour to the incident.

According to a Maharashtra CMO release, Thackeray told Yogi that he was with the UP government in protesting against the heinous crime. Yogi's response was not known.

Thackeray had assured Yogi that the Palghar incident wasn't communal, but a fall-out of rumour-mongering. The government and Opposition continue to exchange barbs and accusations as the lynching is being probed.

Thackeray had issued a warning against communalising the Palghar incident with a special emphasis on the Hindi-speaking religious leaders who threatened to march towards Maharashtra to seek answers from the CM.

When the Palghar issue seemed to be alive, more so because of a police case against a news anchor, the anti-BJP lobby raked up the UP killing asking right-wingers many questions. Congress spokesperson Sachin Sawant questioned the silence over the UP incident. "This happened in a BJP-ruled state. The BJP politicised the Palghar lynching but is now keeping silent," he said.

April 16
The day three men were lynched in Palghar

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With more than a month since the lockdown began, a few students from outstation are still stuck in Mumbai University's (MU) hostels. A majority of them managed to head home, but there still are about 20-23 students in the Churchgate and Kalina hostels.

Though their mess provides them with meals, the students still pay for food and need other daily essential items. None of them have any money left and no assurance from home as many come from farmers' families who are already facing a loss due to lockdown.

So these students have requested the varsity to provide them financial aid. "Money is very important when you are staying away from home. Every day each student ends up paying a little over R120 for all three meals at the mess. The university has issued orders that the mess should not charge us, but we know that if we don't pay, the canteen service provider won't be able to buy items," a student at the Churchgate hostel said.

Another student from the Kalina hostel said, "The university has asked the food contractor to not charge but that is not practically possible until they have been provided with groceries etc. If the varsity provides us financial aid, we will be able to ensure our other needs such as soaps, toothpaste etc. are met."

Rohit Dhale from Chatrabharati, who has written a letter to the varsity over the issue, said, "Most of these students are from families which are not financially stable. The students are few and if the varsity decides to help them it won't be a huge amount." MU registrar Ajay Deshmukh said, "We have already ensured that the mess continues to function so that these students do not have a problem with food. We have asked the mess contractor to not make charges mandatory during such difficult times. We have received the letter and it will be discussed with the Vice-Chancellor to decide what can be done."

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A senior citizen from Kalina, Anwari Begum, 70, died after three top hospitals in the city refused to give her dialysis without her COVID-19 test results being in, the woman's family has claimed. The test results, which arrived on Monday, returned negative.

Begum had been undergoing dialysis at Guru Nanak Hospital in Bandra East for the past one year. Her last dialysis at the hospital was on April 18, when a COVID-19 positive patient was found in the hospital. The hospital asked her to visit on April 22 — which was also the day of her next dialysis — for a COVID-19 test.

Anwari Begum's two sons (from left) Zakaria Shaikh, Haroon Shaikh and Mohammed Hasan (right ) her son-in-law

"My mother-in-law's COVID-19 test was done on Wednesday, April 22. She was also supposed to get dialysis on the same day but the hospital refused, saying they will do it only after her test results come, which was going to take 48 hours. On Thursday, she had severe pain and needed the dialysis urgently. So we went to the hospital around 4 pm but they refused as her reports were pending. We waited for over two hours at the hospital, but they did not listen," said Mohammed Hasan, Begum's son-in-law.

"After Guru Nanak, we approached Nanavati Hospital. Many other patients like us were stopped at the gate. They took her files and after two hours, enquired about her COVID-19 test report and said that they are not taking outside patients. Some from the family took her to Kokilaben Dhirubhai Ambani Hospital around 8.30 pm and I went to look for a dialysis centre in Kalina and Sakinaka. At Kokilaben, my family was asked to finish formalities, which took two hours, but they too refused to treat her," Hasan said.

Guru Nanak Hospital in Bandra East. File pic

Found help, but too late
Dialysis patients all over the city have been suffering amid the Coronavirus pandemic. Despite guidelines from the State Health Department that do not necessitate a COVID-19 test for patients needing dialysis and only ask hospitals to take universal precautions, hospitals across the city are refusing to treat patients without the test.

Hospitals say that they are overburdened due to the closure of dialysis centres which has increased the volume of patients with kidney ailments and that they cannot accommodate every patient.

Hasan approached Axon Hospital in Sakinaka, which said that the dialysis centre is closed as their staff is unwell. "I requested them explaining the condition of my mother-in-law and pleaded with folded hands to have mercy. I also promised to pay whatever amount is required. After some time, the concerned doctor listened to me and called his dialysis staff. My mother-in-law reached the hospital around 11 pm. At 11.30 pm, the assistant doctor told me that her condition has worsened."
Begum died shortly after that. Her test results, which came on Monday, showed her negative for Coronavirus.

"The funeral was performed the next day at 10 am. Sometime later, I received a call from the person who had referred us to the nephrologist at Guru Nanak Hospital. He was apparently told by someone from the hospital that my mother tested positive. We live in a joint family and everyone panicked but no one from the hospital called us. A few days later, we got her report, which was negative," Hasan said.

According to BMC's Health Department, a COVID-19 test is not mandatory for dialysis patients. "Everyone has to take universal precautions, a COVID-19 test report is not mandatory," said Dr. Daksha Shah, BMC's deputy executive health officer.

"24 hours after sanitising the dialysis centre, the hospital can resume services as per the guidelines. If they suspect a patient to be positive, he/she can be quarantined," Dr Shah added.

'Followed task force rules'
Guru Nanak Hospital defended itself saying it was just following guidelines of the state government's task force committee, as per which, an affected dialysis centre must close for fumigation and surface cleaning. "Our dialysis centre is open 24x7. That day, a COVID-19 case was reported. As per the rules, we had to shut the dialysis centre for 24 hours, sanitise the area and quarantine the staff. Around seven workers from the dialysis centre were quarantined. They have tested negative," said Dr. Narendra Sharma, spokesperson of the hospital, who did not clearly remember on which day the case was reported.

"Dialysis patients travel through Containment Zones. Despite taking all precautions, such incidents are happening, which is the biggest challenge for us," Sharma said.

"As per my knowledge, the case was reported on Saturday. We needed the dialysis on Thursday. That makes five days. Why did Guru Nanak Hospital refuse to treat her when it is supposed to be shut only for 24 hours?" Hasan said.

Dr. Santosh Shetty, executive director and CEO, Kokilaben Dhirubhai Ambani Hospital, said, "We are not testing our existing dialysis patients. We take patients' history and screen them before every dialysis. Currently, we have nearly 200 patients on dialysis. We are following BMC and state task force's guidelines."

While the spokesperson of Nanavati Super Speciality Hospital said, "Nanavati Hospital is one of the very few quaternary care medical facilities in Mumbai to provide dialysis treatment for COVID-19 patients. Thus the high influx of patients ensures dialysis beds reserved for patients as per their COVID-19 status are occupied. However, the unavailability of a bed is immediately communicated to the patient or their family."

Apr 22
Day Anwari Begum was tested for Coronavirus

Apr 27
Day her test returned negative, four days after her death

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A Bandra court on Tuesday granted bail to Vinay Dubey, accused of inciting migrants to assemble outside Bandra railway station on April 14 in violation of lockdown norms. Dubey was granted bail on a cash surety of Rs 15,000 by metropolitan magistrate JY Ghule, his lawyer Deepak Mishra said.

On April 14, the last day of the first phase of the lockdown, several hundred migrants had assembled on the west side of Bandra railway station, demanding trains take them to their native places, just hours after Prime Minister Narendra Modi announced an extension of the lockdown till May 3.

Police claimed Dubey's video and Facebook post incited the migrants, as he was heard stating that the government must run trains by April 18 for migrant labourers, or he would start a rally to get them home.

Dubey was charged under sections 117, 153 A, 188, 269, 270 and 505 (2) of Indian Penal Code on charges of promoting enmity among different groups, abetting the commission of an offence by members of the public, and for negligence that could spread infections, disease etc. He was also charged under the Epidemic Diseases Act.

Advocate blames police
Advocate Mishra claimed the police was wrong in charging Dubey. "Dubey had said in the video that an agitation would start on April 18. However, migrants gathered on April 14 itself. So how can my client be blamed for that?" he said. He also told court that the migrants had been able to gather despite the lockdown because of the failure of the police and state.

Rs 15k
Cash surety against which he was granted bail

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

The Mumbai Police on Tuesday asked its personnels who are above 55 years of age to stay at home during the coronavirus lockdown. This comes after three Mumbai policemen died due to COVID-19. In its press note, Mumbai Police has also asked policemen above the age of 52 with previous medical conditions like diabetes and hypertension to stay indoors.

The Mumbai Police also stated in its press note that special hospitals are being designated for police personnel. "Also, all COVID hospitals in Mumbai have dedicated beds for Mumbai Police personnel." "Amenities like food packets, ration, hot water flasks, pandals at check points etc. are being provided to all personnel on frontline duties. Accommodation facilities are being provided to all police personnel who wish to stay back," read the press release from the Mumbai Police.

It also informed that multivitamin and protein supplements are being provided for 20,000 personnel to strengthen their immunity system. Also, a Special Covid Helpline number has been set up for police personnel and their families at the control room to resolve any doubts or issues they might have related to COVID-19. Medical professionals have also been associated with it.

On Monday, a 57-year-old head constable of the Mumbai Police died of COVID-19. A 52-year-old head constable succumbed to the disease on Sunday, while a 57-year-old constable died on Saturday. The Uddhav Thackeray-led government has granted Rs. 50 lakh ex-gratia amount to all personnel who lose their lives fighting COVID-19.

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The State Transport Minister Anil Parab on Tuesday said that the Maharashtra government will facilitate the return of 1,780 stranded students from Kota in Rajasthan. "1780 students from Maharashtra are stuck in Kota, Rajasthan due to lockdown for precaution against COVID-19," Parab tweeted. "As directed by Honourable CM Uddhav Thackeray, 92 buses of MSRTC fleet will leave on April 29 from Dhule to rescue the students and bring them back home," he added.

Earlier, the governments of Uttar Pradesh and Madhya Pradesh also facilitated the return of their stranded students from Kota.

India is under a nation-wide lockdown which was imposed on March 25 and later extended to May 3 to stem the spread of coronavirus.

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In efforts to provide assistance to the medical fraternity in fighting the battle against the deadly Coronavirus pandemic, Western Railway has come up with various ingenious equipment, including high-quality PPEs, steel beds for patients, isolation coaches, reusable masks, sanitizers, etc.

Continuing with their efforts, Western Railway's Lower Parel Workshop has now manufactured a booth to collect the swab sample of COVID-19 infected patients. This booth enables doctors and medicos to take the sample/swab without exposing themselves to the affected patient.

According to Ravinder Bhakar - Chief Public Relations Officer of Western Railway, a request to make a kiosk with the concept of distance sample collection had come from Western Railway's Jagjivan Ram Hospital, which is a nominated 172-bed Coronavirus hospital. The work was done on war footing mode right from arranging the material, fabrication, and furnishing and was completed within 6 hours. The design has been developed by two teams of workshop engineers (Carriage Repair and Basic Training Centre), who manufactured this booth with the available material in the workshop.

The booth is very sturdy and robust & completely sealed from the front three sides, to ensure that the frontline medical staff is totally isolated from the patient. The structure of the booth consists of a strong fabricated structure of MS square tubes, covered externally with plywood on all sides, and a rear door. The upper half portion of the front side has been covered with a 6 mm transparent acrylic sheet. All material used for repair of coaches has been used in this fabrication. The front side transparent acrylic sheet has been provided with two holes on which rubber hand gloves have been permanently fitted. The team worked against the clock to make the Sample Collection Booth as fast as they can and on April 28, 2020, the newly manufactured booth has been delivered to Jagjivan Ram Hospital at Mumbai Central.

Although it is a coach repair workshop, in this time of crisis, it has contributed in making many other materials helpful for our frontline warriors, working day in and out in hospitals beside our employees. The manufacturer team was led by Shri Arun Kumar Singh - Dy. Chief Mechanical Engineer of the Workshop, and consisted of his technical experts Shri Prashant Deshmukh, Shri Satish Samrut, Shri Arvind Javadia, Shri Sanjai Bhavsar, Shri Manoj Yadav, Shri Mahesh Bhatia, Shri Pradeep Tamboli, Shri Natrajan and along with 10 other members in the team contributed in this effort.

Western Railway salutes the commitment and dedication of its employees who are constantly working to fight this ongoing battle with the deadly Coronavirus Pandemic despite putting their lives at risk.

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The city unit of the Young Mens’ Christian Association (YMCA) has offered its well-furnished International Guest House of 75 Rooms to house their Doctors, Health Care Professionals and Asymptomatic patients. In addition, we have provided masks, gloves and medical equipment to the Nair and Kasturba Hospitals’ for the medical professionals working on the frontlines.

In the first phase of the relief operations, we have been able to cater to 20,000 persons (4000 packets) by providing them with dry rations and groceries. Cooked food to the slum dwellers, daily wage earners, migrant workers, street beggars, rag pickers and construction workers has crossed 1,00,000 (One Lakh) threshold.

A special mention here is of our volunteer team ably led by our regular ‘Dhobiwala’ (Laundry Man) who have earned the sobriquet, ‘Scooter Saviors’ has enabled us to reach the unreached pockets from CST to Colaba Market right up to the slums at Cuffe Parade.

The victims have now become saviors. Thanks to the ladies who are housed at YMCA Sharan, a shelter for destitute women run with the help of BMC have reached out to the unreached in the slums at Sakinaka.

Our counselors trained at the Counseling Institute at Navi Mumbai are available on call daily for those who are in distress, stress and undergoing anxiety symptoms during this lock-down period. 

“We acknowledge the contributions of our partners who have joined us in this mission during this time of the ‘virus crisis’ - Muthoot Finance, ATE Chandra Foundation, Rotary Club of Bombay, Rotary Club of Mumbai Central, Rotary Club of Queen’s Necklace, Rotary Club of Versova and Rotary Club of Mumbai Elegant. A special thanks to the BMC, Mumbai Police and Navi Mumbai Police who helped us with the permissions and the necessary assistance. As we begin our next phase, we would like to enlist the support of Mumbaikars in this hour of need,” Paul George, general secretay/CEO told Mid-Day.

The Bombay YMCA blessed with its vast infrastructure, network and committed team of staff and volunteers at strategic locations ranging from Colaba to Navi Mumbai was able to promptly and efficiently respond to the pandemic that gripped our city.

Historically Helpful
The Bombay YMCA since its inception in 1875 has always risen to the occasion whenever calamities have struck the city.

Beginning with Relief operations during World War I & II, the Army barracks were maintained by the YMCA and the Army Officers used the YMCA at Colaba for its operations. Over the past 145 years our experience gained in the 3 R’s - Rescue, Relief and Rehabilitation has grown exponentially.

During the earthquake at the Latur and Osmanabad districts in 1993, Bombay YMCA led in the relief and later rehabilitation of two villages of over 200 families including the construction of the primary school and the community centre. We were recently recognized for our efforts by the then Chief Minister, Shri. Sharad Pawar.

When the communal riots broke out in the early 90s the YMCA was called in as Peacemakers between the communities in Agripada and Mumbai Central. The Army used the premises of the Procter YMCA at Agripada as their base for their operation. In addition, Bombay YMCA constructed close to 50 tenements at Ramabai Nagar, Ghatkopar in collaboration with a major newspaper group.

Each time the city was submerged due to the deluge and came to a standstill, the YMCA opened its centres/Branches providing shelter and food for the stranded.

During the terrorist attack of 26/11, the YMCA was home to many Mumbaikars and foreign nationals at various YMCA centres spread across the city.

How to contact:

For further details and more information follow us on Instagram:@ymcabombay, Twitter: @ymcabombay, Facebook: @ymcabombay, Email: generalsecretary@ymcabombay.com.

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The HRD Ministry is prepared to conduct the pending board examinations for classes 10 and 12 for 29 crucial subjects at the first possibility, officials said. The ministry has also directed states to start the evaluation process for the exams already conducted and facilitate the Central Board of Secondary Education (CBSE) in evaluation of answer sheets. "We are prepared to conduct board exams for class 10 and 12 pending due to lockdown in wake of the COVID-19 situation in the country. The exams will be conducted for 29 subjects crucial for promotion and admissions to undergraduate courses, at the first possibility. The students will be given at least 10-days notice before exams are conducted," a senior ministry official said.

"States have been asked to start the evaluation process for the exams already conducted and have been advised to facilitate evaluation of answer sheets. CBSE will also issue instructions for marking or assessment of non-important subjects not included in the list of 29 subjects," the official said. HRD Minister Ramesh Pokhriyal 'Nishank' had on Tuesday interacted with education ministers of states. Delhi Deputy Chief Minister Manish Sisodia had suggested that students be marked on basis of internal assessment as it is not feasible to conduct the pending exams now.

Sisodia, who is also the education minister, said students of Delhi will be more effected due to delay in conduct of exams as different states have their own boards, while the national capital only follows CBSE. Education ministers from different states also put forward deliberations being made about their respective state boards.
The Bihar board has already announced results for three streams of class 12 and is in the process of evaluation of class 12 exams. The Uttar Pradesh board is yet to begin the evaluation and will take a call in this regard soon.

¿Recently there has been lot of speculation regarding CBSE board exams. It is reiterated that board's decision to take board exams for 29 subjects of class 10, 12 stands the same as announced earlier,¿ the CBSE clarified in a tweet on Wednesday. According to the HRD ministry officials, as of now there are plans to conduct competitive exams including JEE and NEET in June for admission to engineering and medical colleges.

For other undergraduate admissions, the University Grants Commission (UGC) is working on an alternative calendar for the new academic session which will notify the timeline within a week. A seven-member panel set up to study the issue has recommended that the undergraduate admission process be started in July-August and the new session for freshers be started from September. However, no final decision has been taken in this regard yet.

The CBSE has already announced that it will not be conducting any exams for students in foreign countries. Universities and schools across the country have been closed since March 16 when the Centre announced a countrywide classroom shutdown as one of the measures to contain the COVID-19 outbreak.

Later, a nationwide lockdown was announced on March 24, which has now been extended till May 3.

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Bollywood actor Irrfan Khan, who had been undergoing treatment for Neuroendocrine tumour since the last two months, breathed his last on Wednesday. On Tuesday, the Paan Singh Tomar actor was admitted to Kokilaben Hospital for a colon infection. While a host of Bollywood celebrities mourned his death, politicians across parties took to Twitter to pay homage to the most 'Versatile' actor of the Indian Film Industry.

Irrfan Khan’s demise is a loss to the world of cinema and theatre. He will be remembered for his versatile performances across different mediums. My thoughts are with his family, friends and admirers. May his soul rest in peace.

— Narendra Modi (@narendramodi) April 29, 2020

Saddened by the demise of the late actor, PM Narendra Modi said that Irrfan Khan's demise is a loss to the world of cinema and theatre. While offering his condolence to the the late actor's family, PM Modi said that Irrfan will be remembered for his versatile performances across different mediums.

With the untimely demise of #IrrfanKhan, we lost a versatile actor.
Not just a hardworking actor but he was also a good cricketer but couldn’t persue due to lack of funds. His TV and film presence is unparalleled and has been giving confidence & motivation to many.
(1/2)

— Devendra Fadnavis (@Dev_Fadnavis) April 29, 2020

Remembering the fond memories that he shared with the late actor, former CM of Maharashtra and BJP leader Devendra Fadnavis said that Irrfan was also a good cricketer but couldn't persue it due to lack of funds. While Rajya Sabha Member and actor Shatrughan Sinha said that Irrfan was a man of few words, but a volcano of talent.

Here's how other's paid homage to Irrfan Khan:

Heartfelt condolences on the untimely demise of a self made, brilliant, versatile actor par excellence our own #IrrfanKhan. He was certainly one of the best in our film industry. A thorough gentleman & fine human being @irrfank. A man of few words, but a volcano of talent.

— Shatrughan Sinha (@ShatruganSinha) April 29, 2020

Saddened to hear about the demise of #IrrfanKhan.

One of India’s most versatile actors and a true gem of a person, my thoughts are with his family and friends in this hour of grief. Om Shanti.

— Piyush Goyal (@PiyushGoyal) April 29, 2020

Sorry to hear about the untimely passing of #IrrfanKhan. He was a truly talented & versatile actor, who helped India shine around the world. His presence will be missed on & off screen. My thoughts & prayers are with his friends & family.

— K C Venugopal (@kcvenugopalmp) April 29, 2020

Saddened to hear about the passing of Irrfan Khan. The Indian film industry has lost a much accomplished artist, who was also a warm, affectionate and humble person. He will be missed by all!#IrrfanKhan #RIPIrfan pic.twitter.com/QrfhJxSYBR

— N Chandrababu Naidu #StayHomeSaveLives (@ncbn) April 29, 2020

सिनà¥Â‡à¤Â…भिनà¥Â‡तà¥Â‡ à¤Â‡रफान à¤Â–ान याà¤Â‚à¤Âšà¥Âया निधनाà¤Âšà¥Â€ बातमà¥Â€ à¤Âà¤Â•à¥Â‚न दà¥Âà¤Âƒà¤Â– à¤Âालà¥Â‡. à¤Â…तिशय सà¤Â‚à¤Â˜रà¥Âष à¤Â•रà¥Â‚न पà¥Âढà¥Â‡ à¤Â†लà¥Â‡लà¥Âया या à¤Â…भिनà¥Â‡तà¥Âयानà¥Â‡ à¤Âœाà¤Â—तिà¤Â• सिनà¥Â‡मात à¤Â†पलà¥Âया à¤Â…भिनयाà¤Âšा ठसा à¤Â‰मà¤ÂŸविला हà¥Â‹ता. तà¥Âयाà¤Â‚à¤Âšà¥Âया निधनानà¥Â‡ दà¥Â‡श à¤Âà¤Â•ा महान à¤Â•लाà¤Â•ाराला मà¥Âà¤Â•ला à¤Â†हà¥Â‡.
तà¥Âयाà¤Â‚ना भावपà¥Â‚रà¥Âण शà¥Âरदà¥Âधाà¤Â‚à¤Âœलà¥Â€ðŸ™ðŸ¼

— Aaditya Thackeray (@AUThackeray) April 29, 2020

No stereotypical looks, no six-pack, no fancy dance steps, no dynastic claim to a place in Bollywood. It was just talent & a breathtaking screen presence. #IrrfanKhan your courage to speak up when others chose silence was your biggest asset & will be missed the most. God speed.

— Omar Abdullah (@OmarAbdullah) April 29, 2020

We've lost a tremendous actor who shattered all the stereotypes of what a 'Bollywood hero' should be.
Heartfelt condolences. #IrrfanKhan

— Prakash Ambedkar (@Prksh_Ambedkar) April 29, 2020

My sincere tributes to the great magician of an actor, the legendary #IrrfanKhan who weaved magical emotions into his characters with utmost ease in each of his acts!

Indian Cinema will struggle to fill the void to be felt by his absence!Condolences to near & dear#RIPIrrfanKhan

— Tejashwi Yadav (@yadavtejashwi) April 29, 2020

Omar Abdullah, former CM of Jammu and Kashmir said that Irrfan had talent and a breathtaking screen presence which helped him cement a place in the Bollywood film industry. Poitician and advocate Prakash Ambedkar said that the Irrfan shattered all the stereotypes of what a 'Bollywood hero' should be, while former Deputy Chief Minister, Bihar, Tejashwi Yadav said that Irrfan weaved magical emotions into his characters with utmost ease in each of his acts!

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On April 16, two priests and their young driver travelling in a car from Mumbai to Surat were lynched to death by a frenzied mob in Gadchinchale village, Palghar district. This paper has been closely following the sequence of events, including interviews with the family of the slain, and the political brouhaha that followed.

While it is learnt that the men became the target of an enraged and armed mob, it is clear that they were fuelled by rumours and in some cases by alcohol too. Locals claim talk about child kidnappers and organ sellers was doing the rounds. There were also rumours about outsiders coming into the village and spreading Coronavirus.

We now have to think and put into place some kind of gameplan, so that such incidents do not occur again. Having said that, it is also understood that there is no guarantee, and one acknowledges that it is very difficult to control a mob baying for blood.

This does not mean that we cannot try and learn from some takeaways of this crime. Police and leaders must act proactively the next time any rumours start swirling around. This could be done by putting signboards in areas or making announcements to dispel rumours. The frontline of the tribal community and villagers, those who command respect could be roped in at an early stage by authorities as allies. They could then hold meetings of people dispelling and squashing dangerous, loose talk. An aggressive truth campaign can be started.

Action against culprits stoking irresponsible fires can be part of the rebuff-the-rumour strategy. All this should be driven by those who have won the trust of the people. All easy to say, but worth giving a shot. The key seems to be not to be reactive and try to pacify an already charged, unmanageable group, but, proactive so that there is a strategy in place to scotch lies and wilful attempts to misguide.

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In another incident that underlines the abject plight of migrant labourers, the Mulund police found 19 of them attempting to walk home to UP on foot in a bid to escape hunger and unemployment. The group was spotted sitting on a water pipeline during drone surveillance on Wednesday evening. What surprised the police was that usually, people run away as soon as they notice drones. However, these labourers, trying to escape hunger in the city, did not flinch and stared back at the drone. The group appeared to be headed in the direction of Thane.

The police across the state are using drones to keep an eye on their jurisdiction amid the COVID-19 lockdown. The police spotted this group around 7pm on Wednesday during routine surveillance and went for a closer look.

Vijay Prajapati, a migrant

The police noticed a few people sitting on a pipeline that supplies water. The drone was lowered to get a better look at the people and police counted 19 people sitting, observing the drone.

"People run away after they realise a drone is tracking them. But these people did not. We thought they are resting. All of them had bags hoisted on their backs or lying by their side," said an officer from Mulund police station. "We informed a patrolling van and some local politicians who rushed to the Veena Nagar," the officer added. The 19 people were taken to Mulund police station where cops and MLA Mihir Kotecha spoke to them.

Brahmadatta Tiwari

"Of the 19, 16 reside in Sonapur, Bhandup West and six are from Goregaon East. All are daily wage labourers," said Kotecha.

"They all belong to a village near Balrampur near Lukhnow, Uttar Pradesh. They planned to go to their hometown walking. All of them have been taken to Bhandup Shelter Home, where they will be given food."

A screenshot of the video of the labourers taken during drone surveillance by Mulund police. Pics/Suresh Karkera

Sonapur resident Vijay Kumar Prajapati, 38, said, "We all live in one single room. We don't have a single rupee in our pocket now. We have no option but to walk back to our home where our family is. We haven't had proper food for the past three days. So, instead of starving, we chose this path."

Brahmadatta Tiwari, 40, a Goregaon East resident, said, "We all belong to the same village. We discussed among each other about what to do as money and provisions are ending. With no other option left, we decided to walk back home."

Mulund police informed the labourers that the government has allowed for states to take back their migrants and if they want, they will be taken home.

7g
Time on Wednesday evening that the drone spotted the migrants on the pipeline

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