Scientists are reimagining the food system, turning to fungal fermentation as a sustainable method for transforming food byproducts into tasty treats.

Zymo Research believes that Qiagen’s lawsuit is part of a larger strategy to misuse litigation as a tool to stifle innovation and delay the adoption of groundbreaking technologies that benefit the scientific and medical communities.  

Bone marrow stem cells defy typical aging, and it may be because they express the right proteins.

Why are Washingtonians using the Empower ride-sharing app?

The British Embassy in Washington donated 2,500 Paddington books to schools based in Washington, D.C., just in time for Christmas.

The steps leading up to the Lincoln Memorial were vandalized with a message that read “Free Gaza” in red paint.

The locker sat empty in the happy clubhouse, its contents packed away and its occupant gone. Danny Espinosa has been a key contributor to the Nationals since his first promotion from the minor leagues late in the 2010 season. He has played 390 games for Washington, most of them at second base. But on Tuesday he was absent, a glaring void next to his normal spot alongside teammate Ian Desmond’s stall. Around the room loud music blasted from the stereo system after a thrilling 3-2 comeback win over the New York Mets on Tuesday night. Espinosa wasn’t there to enjoy it.

Nationals second baseman Danny Espinosa underwent MRIs on both his left shoulder and his right wrist on Wednesday.

The National Highway Traffic Safety Administration's acting head Ann Carlson will resign on Dec. 26.

An Alaska Airlines flight was forced to return to Portland, Oregon, on Friday, after a window on the Boeing blew off midflight.

A tech conference meant to be the largest gathering of female technologists faced backlash when biological men identifying as "nonbinary" were seen attending the event.

The United States Coast Guard says it has recovered the remaining debris from the site of the Titan submersible that imploded four months ago while visiting the site of the RMS Titanic shipwreck.

Join citizen science efforts to monitor bats, track Joro spiders and crowd-source cemetery stories.

New application of Raman spectroscopy imaging allows scientists to probe the chemical composition of sailors lost at sea over 500 years ago.

Not wearing hearing aids could lead to increased risks of social isolation and Alzheimer's Disease.

Defenseman requests a fresh start elsewhere

I was excited to see Microsoft bring the Windows Presentation Foundation (WPF) back from the dead this past year: At Build 2024 back in May, it announced that it would continue investing in this 20-year-old technology, starting with support for Windows 11 theming that would arrive as part of .NET 9. In fact, I was so excited about this that I brought my .NETpad project back from the dead as well, and I spent much of the summer modernizing my Notepad clone with the new features. I wrote 24 articles documenting this work, but I was stymied by the half-assed nature of the improvements.

Microsoft released exactly one WPF update during the several months of .NET 9 development, and it never added any of the features I discovered were missing. And so as we headed into today's release of .NET 9, my excitement was somewhat diminished. My assumption was that we wouldn't see those missing features implemented until .NET 10, if ever.

Well, Microsoft just released .NET 9. As part of that release, it published updated documentation for WPF (and all the other .NET technologies). And to my surprise, there are some updates to WPF that address at least one of those missing features.

So let's take a look.

To add support for Windows 11 theming to a WPF project, you need to add a reference to the new Fluent theme resource dictionary in its App.xml file. It looks like so:

<Application.Resources>
    <ResourceDictionary>
      <ResourceDictionary.MergedDictionaries>
        <ResourceDictionary Source="pack://application:,,,/PresentationFramework.Fluent;component/Themes/Fluent.xaml" />
      </ResourceDictionary.MergedDictionaries>
    </ResourceDictionary>
</Application.Resources>

But with the shipping version of .NET 9, there's a second, more elegant way to add Windows 11 theming support. Now, you can access a new Application.ThemeMode property of a new styling API to toggle the app's theme mode between Light, Dark, System, and None. And that's fantastic, because it addresses one of those missing features: To date, .NETpad has adapted itself to the system theme (Light or Dark), but there was no way to let the user pick a theme mode. (For example, if the system was set to Dark and the user wanted the app to use Light mode.) With this change, I can implement that feature.

Fortunately, .NETpad is ready for this change, too: If you followed along with my work this past summer, you may remember that I implemented the user interface for switching the app theme into its settings interface, but left the UI hidden because it didn't do anything. But I always felt that Microsoft would need to implement this features, so I left the code in there. Granted, I didn't think it would happen this quickly.

The shipping version of .NET 9 also adds explicit support for the Windows 11 accent color (as configured by the user in the Settings app in Personalization > Accent color). As it is, .NETpa...

The post Modernizing .NETpad: .NET 9 Arrives with a Few (More) Small Improvements for WPF (Premium) appeared first on Thurrott.com.

The November 2024 Patch Tuesday updates for Windows 11 versions 24H2 and 23H2 make it possible to use the Copilot key on PCs that have one to open other apps.

The post Microsoft Releases November 2024 Patch Tuesday Updates appeared first on Thurrott.com.

Sabrina Carpenter, Freakout Festival, and More by EverOut Staff

November is here, which means a deluge of holidays are coming your way, from Election Day to Veterans Day to Thanksgiving. Plus, it's Native American Heritage Month and the first round of festive winter events are coming down the pike. Of course, there's also the usual array of concerts, festivals, food & drink events, and tons more. As we do every month, we've compiled the biggest events you need to know about in every genre, from Sabrina Carpenter to Freakout Festival and from Gobble Up Seattle to Wicked.

Julio Torres: Color Theories
If you're keyed into comedy up-and-comers, you're probably already familiar with Julio Torres, the Salvadoran American SNL writer who also appeared in Search Party, Shrill, Los Espookys, and Fantasmas. Torres' A24 feature Problemista featured Tilda Swinton and a side of surreal quirk, following a Salvadoran toy designer whose work visa runs out as he toils as an assistant for an art-world weirdo. I'm a fan of Torres' thoughts on all things millennial—design aesthetics (wavy mirrors, Canva flyers), internship hell, and crushing student loan debt. This comedy set will continue to tap into the zeitgeist. LINDSAY COSTELLO
The Crocodile, Belltown (Nov 11–12)

Progressive newcomer Alexis Mercedes Rinck absolutely bodied Council appointee Tanya Woo in the August primary, scoring a cool 50.2% to Woo’s 38.4%. Rinck has every reason to measure drapes for the new office in City Hall she will probably move into, and it looks like the deep-pocketed outside spenders who got Woo’s buddies elected last year are counting her out too. Proportionally, Woo’s Independent Expenditure (IE) has spent 90% less this year than a similar IE did in her initial council bid. by Hannah Krieg

Progressive newcomer Alexis Mercedes Rinck absolutely bodied Council appointee Tanya Woo in the August primary, scoring a cool 50.2% to Woo’s 38.4%. Rinck has every reason to measure drapes for the new office in City Hall she will probably move into, and it looks like the deep-pocketed outside spenders who got Woo’s buddies elected last year are counting her out too. Proportionally, Woo’s Independent Expenditure (IE) has spent 90% less this year than a similar IE did in her initial council bid. 

Woo’s campaign has raised $453,000 from 7895 donors, averaging approximately $57 per contributor, according to the Seattle Ethics and Elections Commission. Her contributors include the real estate industry, CEOs, lawyers, retirees, and some of the conservative council colleagues who appointed her such as Council Members Bob Kettle and Maritza Rivera.

But typically, big IEs spend an ungodly amount of money in the last few weeks of a race on mailers, TV ads, and other strategies to get their preferred candidate's name and face in front of voters before the election. Last year, IEs backed by business or labor or both spent $1.6 million across the seven City Council elections. The candidate with the most outside spending through IEs won in every race besides Woo's failed bid for District Two. Between her campaign and IEs, she outspent her opponent, incumbent Tammy Morales, two to one. 

But IEs don’t seem as interested in burying progressive competition with their cash this time around. 

Many of the same donors who backed Woo in 2023, funded the victorious conservative slate that appointed her, and the previous three mayors. They collectively contributed more than $130,000 to Woo through the Friends of Seattle. This includes the Commercial Real Estate Development Association, Seattle Hospitality for Progress PAC, R.C. Hedreen Company, Goodman Real Estate, and HomeStreet Bank. 

But they don’t seem to be trying as hard this go round. 

A 2023 IE, Friends of SE Seattle, spent $168,000 on her bid for the District 2 seat where she had to win over a majority of the 67,000 registered voters. That’s an investment of $2.50 a voter. Now, in 2024, for her citywide campaign, she’s trying to capture the majority of 485,000 voters. A $130,000 investment from the current IE shakes out to about a quarter spent per voter. That means IEs, who successfully bought every seat besides Woo’s last cycle, have spent 90% less on Woo than they did in her last election where she lost despite spending twice as much as her opponent.

This marks a shift in behavior from corporate donors when compared to the last time Seattle voted on citywide council seats in 2021. An IE called Change Seattle pooled $414,000 for Council President Sara Nelson’s bid for a citywide seat or about three times as much as they are spending on Woo. 

What does any of this mean? Well, it could mean those conservative donors are stretched thin funding the awful, Republican-backed Let’s Go Washington Initiatives, the Republican candidate for governor, or maybe even President Donald Trump’s third shot at the White House. Or, it could mean these corporate donors are saving up to support their darlings, Nelson, City Attorney Ann Davison, and Mayor Bruce Harrell, when they go up for re-election next year. 

Either way, progressives aren’t really beating conservatives at the fundraising game. Rinck's campaign has raised $460,790 from 8,637 contributors, averaging slightly more than $53 per contributor Her contributors include unions, labor organizers, every progressive politico you can think of, and politicians including King County Executive Dow Constantine, Woo’s old foe Morales, and many state lawmakers representing Seattle.

Rinck also found support in a new IE, Progressive People Power (P3), that spent more than $190,000 this cycle. P3’s donors include SEIU 775, which made up more than half of the pot, some other unions, several failed left-lane candidates, and King County Democrats Chair Carrie Barnes who gave more than $42,000 herself. Didn’t know you had it like that, Barnes!

But as P3 Board Chair Ry Armstrong said at a fundraiser last month, progressives don’t need as much money to win — their ideas are just better. A recent poll by the Northwest Progressive Institute found only 28% of respondents voted or will vote for Woo, while 52% voted or will vote for Rinck.

Worried about Tuesday? Here's something to look forward to via @nwprogressive! pic.twitter.com/LQrEh7GSfV

— Hannah Krieg (@hannahkrieg) November 3, 2024

Jones’s musical legacy—and devotion to his Seattle roots—carries on. by Alexa Peters

In 2017, during a performance from local garage-jazz quartet Industrial Revelation at Upstream Music Festival, I noticed a commotion near the stage as people huddled around the VIP seats. I stood on my toes and looked—Is that Quincy Jones?!

While Jones, the legendary musician, producer, and alumnus of Seattle’s Garfield High School, had given a keynote address earlier in the festival, I didn’t expect to see the mastermind behind Michael Jackson’s Thriller sitting amongst the crowd. But there he was, shaking hands, taking pictures with fans, and even sharing generously with a young musician who asked him about score orchestration. Then, it was my turn to thank him. He grasped my hand and grinned, wrapped in one of his iconic striped scarves.

On Sunday, Jones passed away at his home in Los Angeles. He was 91. Though it’s been many decades since he lived in Seattle, and he was only a resident from 1943 until 1951, Jones continuously nurtured his ties to the city over the course of his life and inspired generations of local musicians.

“Sometimes, in today's musical world, there can be a level of superficiality, and Quincy was the opposite of that,” says Riley Mulherkar, a graduate of Garfield High School and rising jazz trumpeter who released his acclaimed debut record earlier this year. “[He had] mastery of the form at a young age—and then he was able to take that into all sorts of musical situations, and literally change the world.” 

Jones was born on March 14, 1933, in Chicago. After a tumultuous early childhood with his mother, who had schizophrenia, Jones’s father, Quincy Jones Sr., moved Jones and his brother to Bremerton, Washington. When he was 12, Jones began playing trumpet at Bremerton’s Coontz Junior High. 

In 1947, after Jones’s father remarried, he moved his sons, his new wife, and her three children, to Seattle. Jones started at Garfield High School and quickly met fellow student Charlie Taylor, who played saxophone.

Taylor was one of the sons of Evelyn Bundy, a trailblazing Seattle jazzwoman who formed one of the city’s first jazz bands in the 1920s. At Garfield, Taylor was ready to put together his own group. He invited Jones to become a member of his band, and Jones agreed, joining a cast of elite musicians at Garfield including Oscar Holden Jr. and Grace Holden, two children of pianist and Seattle jazz scene patriarch Oscar Holden.

After their first few gigs as the Charlie Taylor Band, Bumps Blackwell, a bandleader, songwriter, arranger, and record producer (who would go on to mentor Ray Charles, Ernestine Anderson, and Sam Cooke, among others), offered to manage them as the Bumps Blackwell Junior Band.

As Paul de Barros notes in his book Jackson Street After Hours: The Roots of Jazz in Seattle, the Bumps Blackwell Junior Band was a “focal point” in people’s memories of Jackson Street, which was home to a bustling jazz scene in the years around World War II until 1960. 

The time in the band was influential for Jones, too. Jones got to perform frequently, including opening for Nat King Cole at Civic Auditorium, and the group allowed him to befriend other notable musicians who worked on Jackson Street at the time, like Ray Charles or “R.C.”, who first taught Jones about arranging.

Jones left Seattle in 1951 to attend Berklee School of Music. He soon dropped out to tour with Lionel Hampton’s orchestra and eventually form his own band. From there, Jones’s career is one milestone after another. 

Some highlights from Jones’s career include working as musical director, arranger, and trumpeter in trumpeter Dizzy Gillespie’s band, becoming the first African American vice president at Mercury Records in 1964, composing film scores for dozens of films, composing for iconic TV shows including Roots, and serving as producer and arranger for top-tier talent including, of course, Michael Jackson. 

Jones also founded Quincy Jones Productions, an all-encompassing media and artist management company that helped jumpstart the careers of artists like Jacob Collier.

With all his accomplishments and fame, Seattle organizations have bestowed Jones with various honors, including Lifetime Achievement Awards from both the Northwest African American Museum and the Seattle International Film Festival. Likewise, Jones kept up his connection to the Emerald City, often supporting the local music scene and returning home for visits. 

As far back as 1959, when Jones was hired to form his own band, he hired musicians from Seattle he admired, including pianist Patti Bown, trumpeter Floyd Standifer, and one of his lifelong friends, bassist Buddy Catlett. 

Upon Catlett’s death in 2014, Jones tributed his “brother and bandmate” on Facebook, calling him “one of the greatest bass players to ever take the stage. From Charlie Taylor's and Bumps Blackwell's bands when we were starting out in Seattle to my Free and Easy tour of Europe, we traveled the world playing the music we love.”

Jones has stayed especially linked with Garfield High School. In 2008, when Garfield High School decided to name their freshly renovated performing arts center after Jones, he flew in for the dedication ceremony. As recently as last year, Jones donated $50,000 to Seattle’s Washington Middle School, which feeds into Garfield High School, to help keep their jazz program alive. 

“Today, I had the pleasure of visiting my old school in Seattle, Garfield High, and man did it bring back some memories!!,” Jones wrote in a 2017 Facebook post. “I can't believe it’s been 70 years since I walked these halls as a student...Moving to Seattle forever changed me for the better...and finding music here showed me that I could be more than a statistic...”

Mulherkar, like Jones, found music at Garfield High School, where Jones is now embedded into the lore of the school.

In 2009, as a high school junior playing trumpet in Garfield’s jazz band, Mulherkar had the chance to meet and work with Jones when the legendary producer came into their rehearsal. He conducted the students in a couple songs, including a swingin’ Jones original and one of Mulherkar’s favorites called “Stockholm Sweetnin’.”

“It was hard to even wrap our minds around, because there's Quincy Jones, the celebrity,” said Mulherkar. “It felt so special to have this personal connection to the man, as a Garfield student, as a trumpet player, and [as] someone who wanted to make my life in the music.”

Mulherkar, who now lives in New York, still finds it special that the beginnings of his career were so touched by the icon.

“As a jazz musician from Seattle who went to Garfield… I love that he was able to make such a tremendous impact starting from a place that, for me, is so relatable,” said Mulherkar.

Through Garfield students like Mulherkar, and the countless other artists Jones mentored as a producer and music executive, Jones’s musical legacy—and devotion to his Seattle roots—carries on. 

The Stranger's morning news round-up. by Hannah Krieg

A perfect day for a biiiiiig walk: We could all use a little sunshine right now. Today, Seattlites can expect on-and-off sunny skies—I think the weather nerds of the PNW call it “sunshowers”—and temperatures in the high 50s. 

Council President Rinck: We got another ballot drop last night! Here in Seattle, Alexis Mercedes Rinck has only expanded her decisive lead on the City Council’s faildaughter Tanya Woo. And it's not just Woo that Rinck’s got beat. Her vote count trumps the combined total of the 2023 City Council victors and she’s got a 26,000-vote lead over Council President Sara Nelson’s 2021 campaign. Rinck may be a minority opinion on the council, but she represents more of the electorate than any other member.

Nail-biter: Washington’s 3rd Congressional District is still too close to call. U.S. Rep. Marie Gluesenkamp Perez leads her far-right challenger Joe Kent by about 12,000 votes. We should have a clearer picture in the coming days, but for now the whole country is watching—this race is among the handful that will decide if Republicans retain their majority in the House. 

Another close one: It’s still a tight race for I-2066, the hedge fund millionaire's initiative that would ban the state from encouraging electrification.

Something good on Twitter: After a landslide victory, State House elect Shaun Scott has earned a meme.

???????? pic.twitter.com/RNI4iERKsK

— Shaun Scott ???????? (@eyesonthestorm) November 6, 2024

Joever: Yesterday, Vice President Kamala Harris addressed the nation to concede she had lost the 2024 presidential election. She kept her remarks very positive, very boilerplate Democrat. If she truly believed  Trump is the threat to the American people he is, she should have come for blood. But, no. The Democrats love to capitulate to the right. And, it's part of why they lost so spectacularly. They championed an extreme and inhumane immigration platform, shrugged their shoulders at Israel’s utter decimation of Gaza, and totally abandoned working people crushed by the weight of the affordability crisis. I know you’re smart and you already know this, but as the #Resist libs start to re-recognize the ever-present threat of fascism—the precarity of reproductive access, queer and trans liberation, immigrants’ rights, workers protections, and more—remember that the Democrats' constant sidesteps to the right landed us here. 

well, as long as you had fun! https://t.co/FtJ9HJ4T8P

— Lead Actor from Pixar’s Sodas (@ByYourLogic) November 7, 2024

Trump transition begins: President-elect Donald Trump’s allies have started lobbying for positions in his administration. According to CNN, Trump will use these positions to “reward” those who have remained loyal to him. That’s also a key feature of his plan: make the administrative state, or what they often call the “deep state,” more friendly, thus radically expanding the executive's power and efficiency. Some top positions seem narrowed down. Trump’s likely considering 2024 co-campaign manager Susie Wiles, his former budget director Russ Vought, CEO of the America First Policy Institute Brooke Rollins, or his former US trade representative Bob Lighthizer for White House Chief of Staff. Rumor has it he will also find jobs for loathsome little rat Elon Musk and anti-vax nut job RFK. Cool.

Off the hook: Trump’s victory may mean the end of his two federal criminal cases related to his attempt to overturn the 2020 presidential election and his mishandling of classified documents. His team delayed the cases until after the election, banking on a victory so Trump could fire special counsel Jack Smith and end the cases. As for his New York hush money case, Trump is scheduled for sentencing later this month, but his team will likely argue he’s entitled to constitutional protections afforded to sitting presidents after his election. 

Solidarity: Yesterday, Cascade PBS workers staged an informational picket outside their workplace to pressure their bosses to meet their three demands in their contract: higher wages, better benefits, and strong workplace protections. And, boy, do they deserve higher wages. According to their press release, the Cascade PBS CEO made nearly seven times the average unit member’s salary in 2023. Greed is a fucking disease.

Today at noon, @CascadePBSUnion members used our lunch break to rally for fair wages and a fair contract. If you’re in the area, drop by and say hi - we’ll be the ones in the bright red shirts ✊ pic.twitter.com/ZR9pEwK6jV

— Cascade PBS Union (@CascadePBSUnion) November 6, 2024

In honor of our incoming commander-in-chief: He’s a theatre girly.

I've actually written a lot, but haven't wanted to publish most of it. So many reasons why the Dems lost. Maybe I should just list them.

1. Biden shouldn't have run again. There would have been a primary. Given the result of the election this week, we should have found out what support each candidate had with voters. We didn't get to choose the candidate. That said Harris ran a fantastic campaign.
2. Biden should not have shut down his campaign website. Rather than using it to raise money to feed to the media industry, they should have organized and listened, to develop new channels of communication with voters that were not dependent on journalism. Every time the Dems run a campaign, win or lose, they shut down their connection to the electorate. The voters' only role in the party was when they needed our money and our vote. We were not part of governing. Huge mistake. And I'm not just saying that now, I've said that about every Democratic campaign since Obama. This is probably the biggest single mistake the Dems keep making.
3. We needed a prosecutor at the top of Justice. I don't know what Garland actually did, but I'm sure it will all be swept out by whoever is Trump's AG.
4. Men's votes need to be sought and welcomed, specifically. So much has been done to alienate male voters, which is why so many voted for Trump. We could have had a bunch of them this year, if we had only spoken to them with respect.

I don't know if we can reboot the Democrats as an opposition party given all these problems. Whatever comes next is going to perform very differently from the party that lost this election. If we try to do it again the same old way, it will fail even worse. I think everyone knows this by now.

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