Parineeti Chopra was clicked by the paparazzi at her gym in Khar, Mumbai. The Kesari actress was looking fab in burgundy active-wear, and this oversized t-shirt, paired with yoga pants which are a must-have for your wardrobe. She chose a perfect fit gym clothing to enhance curves, and we totally loved it.

Parineeti Chopra/All pictures/Yogen Shah

Burgundy top: Get a similar look like Parineeti Chopra and make the heads turn in the gym. Buy Ap'pulse Women's Zip Hi Neck Tshirt at the discounted price of Rs 499 only. Shop here.

Burgundy yoga pants: It is not just one top that you can pair your workout gear with! Buy your Stretchable High Waist Track Yoga Pant at the discounted price of Rs 599 only. Shop here.

Janhvi Kapoor's gym wardrobe

Janhvi Kapoor was also snapped at her gym in Khar, Mumbai. The actress sported a blue coloured tank-top, which she paired with black yoga shorts for her workout session.

Blue top: You can buy a similar blue top for your workout, and sweat it out in style at your gym. Pick your Women's Cotton Round Neck T-Shirt in blue at the discounted price of Rs 299 only. Shop here. 

Black yoga shorts: Get the Avaatar Women's Cotton Yoga Shorts at the discounted price of Rs 250 only. Shop here.

Also Read: Khushi and Shanaya Kapoor twinning will make you want to twin with your sister

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It's time for some pocket-friendly shopping. Summer has already hit the bay, and people are busy working out to get the beach body right. But, is your body summer ready? If not, it is the right time to hit the gym and get rid of those extra kilos right away!

Malaika Arora was clicked at her gym in Bandra, Mumbai, and the actresses were sporting some easy-breezy gym gears for their workout session. Here's how you can get Malaika Arora's gym look at the affordable price. 

Malaika Arora's shades of grey:

Grey t-shirt: You can buy Fleximaa Women's Cotton Round Neck T-Shirt Plain t-shirt at the discounted price of Rs 249 only. Shop here.

Grey shorts: Get your yoga shorts and keep the workout going with a comfortable pair of gym gears. One shorts might just not be enough for you to keep the pace going. Get two pair of yoga pants at a discounted price of Rs 299 only. Shop here. 

Sports shoes: You can buy Staylo sports shoes to run, walk, training yourself for yoga marathon for women. Get your pair of similar shoes at the discounted price of Rs 419 only. Shop here.

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As part of its commitment to support the local community and its responsibility as a conscientiousness citizen, Growel’s 101 Mall in Kandivali hosted a blood donation campaign at the mall premises. The blood donation drive was organised in association with Rotary Club of Mumbai, Borivali East and was hosted to help children suffering from Thalassemia. People who suffer from Thalassemia need regular blood transfusions to treat Anaemia and other symptoms.

The team from Rotary Club brought their blood donation van which was parked at the mall waiting for volunteers to contribute to the noble cause. A team of around 95 members including doctors and other supporting crew was present at the venue. The activity was held from 10 am till 5 pm. The team approached visitors who were present in the mall to volunteer for the blood donation activity and received a good response with over 100 people donating blood. A total of 26,000 ml blood was donated.

A team of doctors and volunteers together collected 26,000 ml blood as part of the blood donation drive at a mall in Kandivli

Speaking about the activity, Vikas Shetty, Mall Head, Growel’s101 Mall said, "We are pleased to have made our little contribution by organising this blood donation activity in our premises for thalassemia children. Sometimes, regular blood transfusion is the only option for some patients to survive, but the cost of blood is unaffordable for many. Replacing blood donors for obtaining blood is an option. But often parents have difficulty to find a blood donor for their child. So, we wanted to urge people to donate blood for children with thalassemia."

He praised Rotary Club for having done a great job by organising the drive in the mall. “As a responsible organisation, it is our duty to support the community and those in need. We are proud to host such an event at our premises, which highlights a noble cause towards an important contribution to reduce one of the major causes of death due to non-availability of blood,” he added.

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If you are in the mood for some jokes or just want to take a break from mundane life, then this stand-up comedy act is for you. Featuring two boys and girls Shaad Shafi and Joel D'souza, and Sumaira Shaikh and Urooj Ashfaq respectively, the evening will see the four crack some of their favourite jokes and also try out new material.

ON April 27, 8.30 pm to 9.30 pm
AT The Habitat, 1st and 4th, Hotel Unicontinental, road number 3, Khar West
CALL 9833358490
LOG ON TO insider.in
Cost Rs 200

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The trailer of Student Of The Year 2 was launched today. The movie, which stars Tiger Shroff as the lead actor, marks the Bollywood debut of two pretty ladies - Ananya Panday (daughter of actor Chunky Pandey) and Tara Sutaria. While Tara is playing the character of Mia, Ananya is playing the role of Shreya in the 'SOTY' sequel.

While Tiger Shroff was seen doing his usual best - dance, action and power-pact dialogue deliveries, Tara and Ananya looked fresh and promising, throughout the trailer.

Check out Student Of The Year 2's trailer:

The first instalment of the movie, which released in 2012, marked the debut of actors Alia Bhatt, Varun Dhawan and Sidharth Malhotra in Bollywood. The film was directed by Karan Johar. SOTY2 has been directed by Punit Malhotra and produced by Karan Johar.

Director Shashank Khaitan, who has worked with Dharma Productions with films such has Humpty Sharma Ki Dulhania, Badrinath Ki Dulhania and Dhadak, took to Twitter, and wrote: "Go Puneet... let the high school games begin ... again ... @iTIGERSHROFF #TaraSutaria #AnanyaPandey @karanjohar @DharmaMovies".

Varun Dhawan also tweeted the trailer and wrote alongside: "Here’s wishing all the new student #tara #ananya and the tiger of our industry @iTIGERSHROFF congratulations on getting into st Teresa. Great job Punit #SOTY2Trailer"

Alia Bhatt wished the team luck and wrote: All the best guys!!!! Looking like soo much fun... @iTIGERSHROFF #AnanyaPanday #TaraSutaria.

Deanne Panday commented on Ananya Panday's Instagram post saying, "So proud of you Ani."

Bhavana Pandey, was all praises for her daughter, after watching the trailer. She wrote, "Fab" on Ananya's Instagram post.

While Warda Nadiadwala commented "Ananya... Kickass", Neelam Kothari wrote "All the Best"

Student Of The Year 2 is slated to hit the screens on May 12.

Also Read: Here's everything you need to know about Student of The Year 2

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It is easy to feel like a tourist in your own city. We know we feel that way when we reach Ranwar village on Bandra's Chapel Road — because we're wandering around staring at house numbers, until we finally find number 43. The space is called Cohostel — a hostel for backpackers that's around six months old.

The managers Ashu and Shekhar welcome us in, through a passage where doors on either side are named after Bandra's villages — Malla, Waroda, Ranwar, Boran, Pali, and others. "Our visitors are always curious when they observe the name plate, and ask us about Bandra's history. Some of the villages aren't even seen anymore but we thought it was important to at least put it out there," Ashu tells us. But there's a space beyond the standard dorm rooms, too. A rooftop area that plays host to comedy gigs by new collectives such as The Squibhouse Comedy that will host one called Knocktale Night tonight.

Managers Ashu (extreme left) and Shekhar (extreme right) interact with tourists

"Other venues tend to be more professional so they charge for the entry, equipment, etc. Our events are complimentary for the guests and for outsiders, we have a small cover fee for pizza and soft drinks. The comedians are also from small groups and we give an opportunity to anyone who wants to showcase their talents. It's an intimate setting," he says, while a backpacker from Iceland enters the room to check out.
Prashant Nihalani, who helms the hostel with his father and partner, tells us that the idea was to create a social space with cheap accommodation. "The rooftop setting is so fluid that when we host a movie screening, we just move the chairs by the kitchen to create a theatre setting. We wanted this to feel like home and not intimidate anyone as even travellers want to make friends." In addition to stand-up and screenings, the venue will continue to host storytelling and poetry performances.

The doors of each room are named after Bandra's villages — Malla, Pali and Boran among others. Pics/Atul Kamble

For comedians like Prasad Mathkar, who will perform tonight along with nine others, the hostel provides a diverse audience that you wouldn't get to meet at other mainstream venues. "It is fun to perform for an international audience. You have to try to get where they are from and tailor your set accordingly. This is the fourth time that I'm performing here and the audience has always been very receptive because they treat this like their own homes," he shares.

Prasad Mathkar

For Rs 800 a night, visitors get stay and breakfast, but they are free to order what they like or cook in the kitchen on the rooftop. Books and magazines are also stacked in a shelf and the managers, who have moved to the city from Varanasi, interact with guests as if they've known them for a long time — and that's perhaps what it means to be home away from home.

ON Tonight, 7.30 pm to 10 pm
AT Cohostel, 43, Chapel Road, Ranwar village, Bandra West.
CALL 9856564545
LOG ON TO www.eventshigh.com
Cost Rs 200

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While speculations of Malaika Arora and Arjun Kapoor getting married in April were rife, the former was seen making the most of summer nights by partying with her girl squad - Kareena Kapoor Khan, Amrita Arora Ladak, Delnaz Daruwala, Mallika Bhat and Vahbiz Mehta. Amrita Arora's husband Shakeel Ladak and fashion designer-producer Vikram Phadnis were also part of the bash, which was held at Shakeel-Amrita's residence.

Well, the terrace party seemed to be one crazy night, and the pictures that the celebs shared from the bash, doing rounds on social media, are proof enough!

Malaika Arora posted this picture on her Instagram account and captioned: "Summer nights .... terrace nights @amuaroraofficial @shaklad @vahbizmehta @delnazd @mallika_bhat @vikramphadnis #bebo#ammusterrace [sic]"

Shakeel Ladak with wife Amrita Arora and her best friend Kareena Kapoor Khan. Bebo looked stunning in a black crop top and high waisted jeans, Amrita opted for a black crop top and printed shorts.

Group picture - (L to R) Malaika Arora, Amrita Arora Ladak, Vahbiz Mehta, Kareena Kapoor Khan, Vikram Phadnis, Delnaaz Daruwala and Shakeel Ladak

Malaika and Vahbiz Mehta posed for a selfie. Vahbiz had also accompanied Malla to her Maldives vacation.

Well, this picture of Amrita Arora kissing her husband, shared by Vahbiz Mehta on her Instagram stories caught everyone's attention. Isn't it romantic? 

This one too stole our hearts! Amrita Arora and Shakeel Ladak completed ten years of their marriage on March 4, 2019. The couple tied the knot on March 4, 2009. The two have been inseparable. They have two sons, Azaan (9) and Rayaan (7).

 

 

 

View this post on Instagram

Summer nights...... #bebo♥ï¸Â#ammusterrace

A post shared by Malaika Arora (@malaikaaroraofficial) onApr 18, 2019 at 11:03am PDT

Looking at the pictures, this indeed looked like one perfect summer night!

Also Read: Malaika Arora and Arjun Kapoor spotted at a hospital in Bandra, see photos

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Representational picture

San Francisco: To help small and large businesses reach out to 1.3 billion people who use Messenger every month, Facebook has launched an Augmented Reality (AR) tool for them. With this tool, the businesses can leverage the "Camera Effects Platform" to easily integrate AR into their Messenger experience, bringing the virtual and physical worlds one step closer together.

"When a person interacts with your business in Messenger, you can prompt them to open the camera, which will be pre-populated with filters and AR effects that are specific to your brand," David Marcus, Vice President of Messaging Products, said in a blog post on Tuesday.

From there, people can share the image or video to their story or in a group or one-to conversation or they can simply save it to their camera roll.

"To date, there are over 300,000 active bots on Messenger, and over 8 billion messages are exchanged between people and businesses each month -- that's 4 times the amount of messages exchanged since just last year," Marcus informed as Facebook began its annual two-day F8 Developers' Conference in San Jose on Tuesday.

"Today, there are 200,000 developers actively building experiences, forging connections between people and the brands they love and bringing real value to their everyday lives," the post added.

To begin with, ASUS, Kia, Nike and Sephora will launch AR effects for their Messenger experiences.

Facebook also announced that buyers and sellers in its Marketplace will be able to communicate across languages with "M Translations".

"Now when people connected through Marketplace receive a message in a language that is different from their default language in Messenger, M will ask them if they want to translate the message.

"This will help drive commerce between buyers and sellers despite language barriers. At launch, translations from English to Spanish (and vice-versa) will be available in Marketplace conversations taking place in the US," the post further said.

Facebook will gradually roll out "M suggestions for translations" in additional languages and countries.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

If your grandparents are struggling with isolation, showing them how to use Facebook may help as researchers, including one of Indian-origin, have found that social networking sites offer tools and activities that may help older adults feel more empowered and less lonely.

Facebook and similar social networking sites could play a critical role in easing isolation and making them feel like they are part of a large community, said the study published in the journal New Media and Society.

"This is important, especially for older adults who might be aging in place, because they have mobility constraints that limit their ability to socialize," said study co-author S. Shyam Sundar, Professor at the Pennsylvania State University in the US.

For the study, the researchers recruited more than 200 participants who were 60 years and older and used Facebook for at least a year.

The researchers "friended" the participants on Facebook so they could count the number of times they used the various tools in the site during the past year.

The participants were also asked to respond to a questionnaire that captured the gratifications they obtained from Facebook.

Older adults who posted a lot of personal stories on Facebook felt a higher sense of community, and the more they customised their profiles, the more in control they felt, Sundar said.

The researchers also suggested that commenting on and responding to them gave older users a feeling of social interaction.

Sundar added that using social media is not a uniform experience that is either all bad, or all good, but offers multiple functions for diverse users.

Older adults are increasingly adopting social media, in general, and are a growing number of Facebook's total membership, said Eun Hwa Jung from National University of Singapore who worked with Sundar.

Facebook is considered the most popular social network among older adults, the researchers added.

The researcher also emphasised that developers of social media networks should consider the needs of this growing group of users.

For example, they should create features that enhance the identity of older adults while simultaneously protecting their privacy.

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Instagram has introduced a feature that allows users to make payments. The Facebook-owned photo-sharing app will now allow users to add their credit or debit card with their profile and set up a security pin. They can make purchases within the photo-sharing service and make payments without having to leave the site, Cnet reported.

Payments is the next big thing for tech giants who are looking at retaining users in the form of customers by offering them a one-stop destination for all their needs, including social, photos, and now e-commerce. The new native payments feature is currently available through limited partners and businesses on Instagram.

(Edited by mid-day online desk, with inputs from ANI)

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As data security concerns on Facebook and WhatsApp loom large, Twitter is reportedly working on a 'Secret' encrypted messages feature which could make the microblogging platform safer for sensitive communications.

With this feature, Twitter is expected to roll out options about encrypted messaging like starting a secret conversation and viewing both sides of the conversation for encryption keys to verify a secure connection, TechCrunch reported on Monday.

The encrypted Direct Message (DM) option was first spotted inside Twitter for APK that contains codes for unreleased features that companies are testing.

Instant messaging app WhatsApp uses "end-to-end encryption" in all conversations. This can be opted into Messenger.

End-to-end encrypted messages are secured with a lock and only the sender and recipient have the special key needed to unlock and read them.

For added protection, every message sent has its own unique lock and key. No one can intercept the communications.

Last week, WhatsApp co-founder and CEO Jan Koum quit reportedly "after clashing with its parent, Facebook, over the popular messaging service's strategy and Facebook's attempts to use its personal data and weaken its encryption".

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California: A year after introducing the ability to send or request money on Android app, Gmail is finally extending its pay friends feature to its iOS users.

As part of the new update version 5.0.180422, iOS users will be able to send and request money from Gmail, Cnet reports.

In addition to that, iOS users will also be able to snooze emails. The feature makes the email disappear for a while and then show up later as a fresh email.

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Washington: Twitter is reportedly testing a new feature on its Android app that makes messaging secure with end-to-end encryption.

Called 'Secret Conversation', the feature is expected to be available in the conversation info section in direct messaging of the Twitter app on Android, Mashable reports.

As users seek more security, end-to-end encryption has become a new mandate for messaging apps. The technology makes it difficult for snoopers to access or intercept messages which are exchanged between two parties.

NSA whistleblower Edward Snowden had asked Twitter CEO Jack Dorsey for such a feature on the platform a year ago. It remains to be seen when the end-to-end encryption is officially rolled out.

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Digital Transformation with 5G – 2nd 5G India 2018 International Conference & Exhibition. The conference will be held on May 17 and 18, 2018 at The Leela, Mumbai

Bharat Exhibitions is organising the 2nd edition of the 5G India 2018 International Conference and Exhibition, bringing together India’s telecom industry leaders, policymakers and telecom analysts to discuss how 5G will enable the future ushering in a new India. The conference to be held on May 17 and 18 at The Leela, Mumbai will focus on issues and opportunities related to the deployment of 5G and high-speed digital applications that will drive cross-industry applications and spur digital transformation and connectivity to catalyze growth.

With 5G promising to bring about a sea change in the digital ecosystem by servicing more industries through one architecture, the conference will address the tremendous growth that promises to take place in the next few years to revolutionize the Indian Data market and help India to emerge as a qualitative internet market as against a quantitative one. Leading experts will speak about the challenges and opportunities that operators and technology providers will face in the transformation of mobile broadband to 5G.

The event will witness the 5G Demo by various organization (BSNL, Reliance Jio, Intel, IIT Hyderabad, IIT Bombay). The conference will include sessions and panel discussions on what will it take for India to emerge as one amongst the leaders in standardization for 5G technologies and applications, enabling the positive use of Artificial Intelligence for all, global perspectives on 5G, preparing for 5G, trends and drivers shaping 5G, spectrum and technology for 5G and a CXO Round Table on Digital Transformation with 5G.

Shri Manoj Sinha, Hon’ble Minister of Communications (Independent Charge) and Minister of State for Railways, Govt. of India will be the Chief Guest, Smt. Aruna Sundararajan, IAS, Chairman, TC & Secretary (Telecom), Department of Telecommunications, Govt. of India and Mr. Malcolm Johnson, Deputy Secretary-General, ITU will be the Guests of Honour, Introductory Address by Mr. Adrian Scrase, CTO, ETSI and Keynote will be deliver by Shri Anupam Shrivastava, Chairman & Managing Director, Bharat Sanchar Nigam Limited. 5G India 2018 International Conference and Exhibition is being supported by the Department of Telecommunications, Ministry of Communications, Govt. of India and the Ministry of Electronics and Information Technology, Govt. of India. With Broadband India Forum as the Knowledge Partner, the conference is also being supported by the industry associations including 3GPP, TSDSI, CEWiT India, COAI and TAIPA.

With plenary sessions, technical tracks in an innovative show formats and international case studies, the agenda will include visionary presentations from 30+ speakers across the globe including Mr. Klaus Pendl, First Counsellor – ICT, Delegation of the European Union to India, Mr. Sebastien Soriano, Chairman, ARCEP France, Mr. Daniel Brower, Vice President, Program, Deutsche Telekom, Mr. Julius Knapp, CTO, FCC USA and Dr. Wu Yong, Senior Standards Expert, 3GPP as well as Senior Spokesperson from BSNL, INTEL, Google, Savitri Telecom Services, Syniverse, Keysight Technologies, UTStarcom, Cambium Networks, CSG International, Rohde & Schwarz, Commscope, Infineon and Siae Microelettronica.

About Bharat Exhibitions

In a world where technology is erasing borders, it is indeed ironical that professionals find it increasingly difficult to maintain peer to peer contact on regular basis. Bharat Exhibitions fills in this space by managing and hosting some of India’s premier Telecom & IT events. We own niche and prestigious conference properties in the new generation technology arena such as 100 Smart Cities India, Cloud & Network Virtualisation India, 5G India, Data Centre India, Broadband Tech India, Smart-Sustainable Cities Technology & Innovation Summit, Cyber Security India, SMC Technology India and Telecom CXO Summit. We have a simple mission: Establish & deliver contacts that create value for your business.

For further details, please visit http://www.bharatexhibitions.com

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In a bid to deliver transparency in technology and stay ahead of ethical pitfalls, Google has said that its Artificial Intelligence (AI) calling system "Duplex" would now identify itself while making appointments.

Following the launch of the "Duplex" system, which lets AI mimic a human voice to make appointments and book tables, among other functions, a widespread outcry over the ethical dilemmas were raised by tech critics.

Google clarified to The Verge that the experimental system would have a "disclosure built-in" that means that whenever Duplex gets involved in some type of verbal communication with a human at the other end, it would identify that the human is talking to an AI.

"We understand and value the discussion around Google Duplex, as we have said from the beginning, transparency in the technology is important," a Google spokesperson was quoted as saying.

"We are designing this feature with disclosure built-in, and we will make sure the system is appropriately identified. What we showed at I/O was an early technology demo, and we look forward to incorporating feedback as we develop this into a product," the spokesperson added.

Google CEO Sundar Pichai introduced Duplex earlier this week in the company's annual developer's conference Google I/O and demonstrated how the AI system could book an appointment at a salon and a table at a restaurant.

In the demo, the Google Assistant sounded like a human. It used Google DeepMind's new WaveNet audio-generation technique and other advances in Natural Language Processing (NLP) to replicate human speech patterns.

However, tech critics raised questions on the morality of the technology saying it was developed without proper oversight or regulation.

According to tech critic Zeynep Tufekci, the demo was "horrifying" and the initial positive audience reaction at I/O was evidence that "Silicon Valley is ethically lost, rudderless and has not learned a thing".

Google had originally said in a blog post written by engineers Yaniv Leviathan and Yossi Matias that "it's important to us that users and businesses have a good experience with this service and transparency is a key part of that".

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Microsoft Surface Pro 4

After receiving complaints regarding a screen flicker defect in some Surface Pro 4 devices, Microsoft has offered to replace the eligible devices free of charge.

The faulty devices qualified for replacement should be up to three years from the time of original purchase, Microsoft Support said in a blog post late Friday.

"We will ship you a replacement device as soon as you return your existing device. Typically, it will take 5-8 business days for you to receive an exchange device from the date that you ship your current device back to us," the post added.

Users that have already paid for a screen-replacement will get a refund.

In February, Microsoft had said that it was monitoring the situation.

The tech giant has clarified that the replaced devices will be refurbished.

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Microsoft

The fast-emerging field of Artificial Intelligence, which has suddenly caught the attention of the IT industry and the governments across the world, is facing a large skills shortage, a top Microsoft official has said.

The Artificial Intelligence (AI) is also facing the challenge of appropriate use of data, group programme manager of Microsoft Learning Matt Winkler told PTI.

"There is a pretty large skills shortage. Lots of folks are talking about it (AI). A lot of folks are very, very excited about it and then they want to go and make that real. And when they go to make that real, there's a really large skills shortage," Winkler said.

That's why it's so exciting to be trying to bring these technologies to more developers because it's going to bring more people into the mix, he said. Winkler said the second challenge is really around data.

"How do you get the data in the right shape? How do you prepare the data? Because all of the AI in the world is based on data, and so what makes it interesting is the data that you have, the data that your business has, that what you understand about your customers. So how do you most effectively use that data to go and produce models," he said.

Then within kind of any individual product project, one of the key challenges is the same thing that the industry has seen with software, which is, if one tries and do too much, the project gets much harder.

"And so we'll often times see failed projects, which are the result of trying to create just the most amazing thing having done nothing," he said.

At the recently concluded developers conference ¿ Build 2018 ¿ Microsoft's CEO Satya Nadella talked about how to make AI accessible for everyone.

"Our guidance to a lot of customers to pick a domain and pick a used case where you have a high, high-quality data and that it is really well understood. Start there, get some wins with that and then start expanding the use cases so far," Winkler said.

Microsoft is partnering with multiple players in both the private and governmental sectors to use AI for public good.

"Absolutely, AI is being used for public good. For instance, it is being used in school districts in order to predict drop-out rates in India.

"We see a ton of healthcare applications: patient re-admission rates is very very popular one. We have seen medical image analysis. We are doing some really interesting work doing diabetes prediction through scans of retinas," Winkler said.
Microsoft is working with the Snow Leopard Trust, a non-profit organisation dedicated to the preservation of the snow leopard and parts of Nepal and India to analyse in real time the presence of snow leopards.

"So it's fundamentally changed the way they do their research," he said, adding that the Microsoft is working with three-four other conservation agencies doing similar things.

"For a lot of the customers, what AI is enabling is not just an incremental... but It's something they fundamentally couldn't do before. So it really does introduce a step change for the things that they want to do in their business," Winkler added.

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One97 Communications Limited, the firm that owns digital payment major, Paytm, announced the unification of bank transfers for its customers with the new 'My Payments' feature on its app.

This will enable Paytm users to make recurring, high-value payment and other monthly expenses in an instant. Using the Paytm app, bank transfers can be done from and to any bank account, making it easier for customers to make payments at zero charge, a facility which even non-KYC Paytm users can avail.

With this new addition to its multilingual app, Paytm is aiming to process Rs 60,000 crore in monthly bank transfers alone by the end of this year. The company is also planning to invest Rs. 5000 crore in its core business, expecting to increase the number of transactions from one billion to two billion this year.

"We have now simplified these payments with 'My Payments' and are expecting six-fold growth owing to this rapid shift in consumer behavior in favor of going cashless. Our users understand that Paytm is more than just a digital wallet company and we will continue adding more such customer-centric features while educating users about the convenience they can experience by using Paytm every day," said Paytm Senior Vice President, Deepak Abbot.

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Do you also start watching a video on YouTube and lose track of time following the recommended/autoplay list? Google wants to tell you that it is concerned over this habit of yours and has inserted a nifty new feature to its video service.

As part of its focus on digital well-being, Google has added a feature to YouTube called 'take a break' which notifies you when you have exceeded a specific amount of consecutive viewing time, The Verge reports.

The feature is optional, and just like how you might scold a little one for exceeding their television viewing time, the feature will show you a prompt when you lose track of time.

You can enable it through the Settings menu and selecting 'Remind me to take a break'. You can choose from options ranging from 15 minutes to 180 minutes.

Whether or not it really contributes to a healthy digital well-being is something we are yet to see, but it surely gives an easy way of timing the consumption of the addictive video service.

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Illustration/Amit Bandre

New Delhi: On an average, a college student in India checks his mobile phone over 150 times a day, according to a study conducted by Aligarh Muslim University and the Indian Council of Social Science Research (ICSSR).

The research, titled "Smartphone Dependency, Hedonism and Purchase Behaviour: Implications for Digital India Initiatives", has been conducted in 20 central universities, where 200 students each were interviewed.

"Anxiety and fear of missing out on information make university students check their mobile devices as many as 150 times a day on an average, an activity which can have adverse effects on the students' health as well as academics. "Only 26 per cent of the respondents said they use smartphones primarily to make calls. The remaining respondents use smartphones for other purposes such as accessing social networking sites, Google searches and for entertainment such as watching movies," said Mohammed Naved Khan, the Project Director.

At least 14 per cent of the students use smartphones for three hours or less in a day while around 63 per cent of them use it for four to seven hours daily.

"It came as a shock to us that around 23 per cent (of students) use the devices for more than eight hours a day," Khan added.

According to the study, eighty per cent of the students own a mobile phone and most of them prefer smartphones owing to convenience in the installation of applications, host of features, and ease of use and also work as affordable substitutes for a computer. The study conducted by researchers at AMU has been funded by the ICSSR with an aim to understand various facets of smartphone dependency and addiction among college-going students.

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Representational Image

Surgeons are developing a new smartphone-based tool that can detect urethral or urine blockage, potentially making it easier for patients to test themselves for the condition from the comfort of their own homes.

The novel technique could take high-speed photography which could capture subtle differences between a normal steady stream of liquid and a stream of liquid with an obstruction.

Urethral strictures are a slowing or blocking of the natural flow of urine due to an injury or infection. It is normally diagnosed by uroflowmetry, a test administered at a physician's office.

"The problem is that patient follow-up after we treat this condition is very poor," said Matthew Gretzer, Associate Professor at the University of Arizona in the US.

"But we need patients to come back to our clinic for a uroflow test to determine if the obstruction is still present," he added.

In order to test Gretzer's hypothesis on high-speed photography, the team created a model of a urethral structure using tubing hooked to a saline bag that could drain through.

Saline fluid was passed through the tubing with and without blockages, created using 3D printed strictures,placed within the tubing. High-speed photography captured both the regular and blocked stream of liquid exiting the tube.

Gretzer contended that photos can be a medium to diagnose blockages and he hopes that patients could send him these images to analyse and make the diagnosis. He plans to create a mobile app which can be downloaded by the patients.

"All patients would need to do is take high-speed images of their urine flow using a strobe light," Gretzer said.

"Strobe light apps are readily available right now for people to use on their phones".

According to the researchers, as fluid exits an opening, a natural breakpoint occurs where the liquid stream forms droplets, but with obstructions in place, it changes.

The results showed that by analysing photos, they could measure the length to this point of droplet formation. This length then directly related to the presence of an obstruction in the tube.

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Illustration/Uday Mohite

Oh, wretched irony, that President Ram Nath Kovind — whom BJP president Amit Shah unabashedly introduced as a Dalit when nominating him as a Presidential candidate — should himself introduce a caste system, where it never existed before: India's august National Film Awards. The President informed the Directorate of Film Festivals (DFF) three weeks earlier that he would leave the award function in an hour. But the winners were informed only a day earlier, that the President would give away only 11 of the approximately 137 awards at the 65th National Film Awards; the rest would be given away by Information and Broadcasting Minister Smriti Irani, and Minister of State Rajyavardhan Rathore. As the award winners' invitations stated that they would receive the award from the President of India, they wrote to the DFF about a breach of trust, "65 years of tradition was being overturned in a jiffy," and nearly 55 winners boycotted the function.

Nothing spoke of the sordidness of this prestigious event as that photograph with just two disturbed award winners, in a hall full of empty chairs. The names of the 30 award winners who protested were not even announced. It is heartbreaking that a number of award winners, including Fahadh Faasil, who won Best Supporting Actor for Thondimuthalum Driksakshiyum, and Parvathy, who won Special Mention for Take Off, both in Malayalam, returned home without their National Awards. We are proud the National Awards still go to those truly deserving them, mostly. Bollywood, which usually hogs the limelight, is shown its true place in Indian cinema at the National Film Awards. Malayalam cinema won 11 major awards, Hindi cinema only eight in comparison; Bengali and Assamese cinema won five each; Marathi cinema won four; Tamil and Telugu cinema won three each.

The President, who is 72, gave no reasons for his self-styled, one-hour Cinderella rule. If he had medical issues, he could reasonably have declined, or split the awards into two sessions.

I have had the honour of attending four National Film Awards — once as an award winner, and thrice on the National Film Award Jury, in 2008, 2011 and 2014. Bungling and uncertainty are a given. I had won the National Award for Best Film Critic for 1998, but received the award only in 2000, because of unstable governments. As I'm usually at the Berlin Film Festival in February, I had asked the DFF about likely dates since October, but they said they would know only at the last minute. I was at the Berlin Film Festival when I was swiftly summoned to New Delhi, so my parents Indu Shedde and S Rammohan went to New Delhi, and my mother received the National Award on my behalf from President KR Narayanan.

On the other hand, Ramendra Naresh, a Dalit student who topped the MCA programme at the Babasaheb Bhimrao Ambedkar University, refused to accept his gold medal from President Kovind at the convocation scheduled last December, to protest against the growing atrocities against Dalits. Along with all this year's award-winners, I applaud Naresh as well.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com

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A while back, we had the opportunity to meet an influential and acclaimed US-based Indian restaurateur cum chef who was visiting the city to catch up with his team in the city, where he also runs a couple of popular and innovative restaurants.

Unaffected by all the lights, accolades and glitz of New York, he was still a pucca Bandra boy at heart. He hadn't forgotten his roots, and his mother and grandmother's recipes, evidence of which had peppered the warm chat, from a recent fish preparation that his mum had whipped up, to taking poee - those pillowy cushioned bread portions - to the West. We went on to discuss the ever-changing cityscape, from the Metro to a quaint abandoned bungalow near St Andrew's Church that had been razed since the last time he was home. Expectedly, there was a lot of 'Bombay' food that was discussed - a topic close to our soul.

The restaurateur-chef's passion for the city, his Goan ancestry, and the dynamic diversity of India are pretty obvious in the menus at his restaurants, and there were plans to go all out and celebrate it even more at these spaces. It made for an engaging afternoon, no doubt, especially when our favourite city's flavours and aromas were put on the table. It was a promising sign. At least, for Bombayphiles like us, who been yearning for more of the city on its menus, and has often been a topic-stirrer in this very same column space.

Around the same time, we had got wind that a restaurant in SoBo, coincidentally also owned by a Goan chef, and which was one of the earliest eateries to give the city a wonderful mix of food from Bombay and the sunshine state, was rechristening itself into all-out restaurant that would pay tribute to the city's food - from kheema pao and bombil fry (are you salivating?). The picture was getting rosier.

We jogged our memory a bit more, to roughly two months back, to another chat with a celebrated chef-restaurateur who had stirred many gastronomic revolutions in the city, and is now running a successful fine-dine. Turns out, the veteran culinary wiz would love to start his very own Bombay restaurant. Of course, there was nothing final to it but his wide smile made us do a little virtual jig about the possibility of his opening such a space. Food from the city had always impressed him, he told us, from Bohri Mohalla favourites to Maharashtrian staples, and the city's fresh catch. Like millions who arrived in this city and made it their own, he too was inspired with its variety, and was keen to celebrate it for the world to savour.

All these three instances - albeit borrowed from different scenarios - were adding up to something that should have happened a long time ago. The city's very own brand of cuisine ought to be put out there, a unique confluence of its thriving local inspirations, its migrant flavours and countless techniques from its many communities. Most world-class, cosmopolitan cities, from Toronto to Singapore flaunt it, so what has been stopping us so far? We'd love to see more entrepreneurial minds stir this melting pot and showcase Bombay's flavours, the way only we know of it.

mid-day's Features Editor Fiona Fernandez relishes the city's sights, sounds, smells and stones...wherever the ink and the inclination takes her. She tweets @bombayana Send your feedback to mailbag@mid-day.com

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Representation Pic/AFP

My mother died at 84, on September 1, 2015. I was two oceans away, settling my son into his new university life in Montréal. Back in Mumbai, my two sisters and brother did what had to be done. Relatives were notified, last rites performed, and the body taken to the electric crematorium where we'd interred my father decades ago.

Cremation is a sombre moment. The tears have almost dried up, the words have been said. After years of watching a slow decline, death is not a surprise. So they stood there, my siblings, in the crematorium manager's office, to receive the warm earthen pot with the ashes of the woman who had made us everything we were.

Waiting with them was a fellow, a crematorium worker, blase about yet another death but eager for the customary tip. He made some money-seeking sounds, and my sister, distracted, pressed a Rs 1,000 note into his hand. We normally get Rs 2,000, he murmured. She gave him a second note. He still hung around, and then leaned forward to whisper. Apparently, a senior officer of the crematorium would drop by to see how things were going. It was normal, she was told, to give him Rs 3,000.

My sister, never at a loss for fire, asked him what he had done to merit that sum. It was the tradition, she was told. Haggling over a tip seemed the wrong action for the moment, so she gave him the money. But when she reached home, she Internetted out the email address of BMC's erstwhile municipal commissioner, explaining in plain, unfettered English that he was paying a salary to a staff of flesh-eating vultures who feasted off the grief of Mumbai's bereaved.

To her astonishment, within hours, she had received an invitation to meet with the man himself, three days away. A strange thing happened the following morning. The crematorium's manager and his money-grubbing workers, who had sought and received 'tips', showed up at our house. The envelope they handed over contained all the money they had extorted.

"Please take your tips back, madam," they beseeched my sister. "Just kindly cancel that appointment you have with the municipal commissioner." "Ah, no, I didn't make that appointment, so I cannot be the one who cancels it," said my sister. When she went to the Andheri office that issues death certificates, her name triggered an immediate flutter of interest. Apparently her letter to the commissioner was all the news that day. Many employees congratulated her for standing up to the crematorium's predators. At the BMC three days later, there were more surprises. The manager and key staff of that particular crematorium had been invited and were sitting in the outer room with hangdog looks. The commissioner wasted no time with them.

"You are accused of soliciting and extorting exorbitant tips from grief-stricken family members in the moment of their greatest grief — in return for doing a job that you are already paid to do," he said. "Please sign here, and here and here." He pushed letters of confession towards each of them, and they signed without a murmur. "These letters will be photocopied and mailed to every crematorium worker in Maharashtra, as an object lesson," he said.

They looked at their shoes wretchedly. "That's not all," he continued. "You are all hereby suspended from your jobs for a period of four months. This too will be made known to all your colleagues." He paused. "You may go now," he said, ending the meeting. Mumbai has surprised me in the past with its compassion. I remember during the biblical floods of 2005, when 1,094 people died and thousands were stranded in their cars, householders came out with coffee, tea and hot breakfast for those stranded souls as dawn broke.

But there is a dark underbelly to Mumbai, and it is predatory, ruthless, and astute. In 1996, I wrote in mid-day about a schoolboy, Murtuza, hit by a lamppost too close as he hung out of a train approaching Chembur. The wheels ran over both his legs. He was rushed to Sion Hospital, where he died despite all efforts.

But when his parents came to collect the body from the morgue, they found a leg missing. None of the ward boys seemed to know where it was. Eventually, it was whispered that the leg might be miraculously 'found' if a certain amount was paid to a ward boy. And so it was. That was 1996. Living in distant Bangkok, where too I'm certain corruption smiles, but in more sophisticated ways, I hear often that in the new India of the Modi raj, there is less tolerance for everyday corruption. Moments like this make me believe they may be right.

Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com Send your feedback to mailbag@mid-day.com

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A top Powai school found itself in a controversy after a lady school bus attendant accused the transport manager of molestation. For a couple of days now, this paper has been running reports about the molestation charge with the complainant saying that the man had harassed her earlier, too, but there was no cognizance taken of her earlier verbal complaints.

This case is interesting and we need to have an outcome here, because it is the protector who has become a molestation survivor. It is mandatory for institutions to have women bus attendants inside school buses. The rule has come in the wake of the molestations of girl students on school buses. All schools and their transporters who may be on contract have been told to abide by the rule to ensure safety of girls in buses. There are other rules such as GPS and CCTV in the buses. It is a matter of great shame that sexual harassment has become so rife that even little girls in school buses need to be protected. One must focus on the fact that an attendant, who is supposed to protect the children, has made allegations of being molested.

The school authorities must launch a thorough internal probe, even as the police are conducting an investigation. The survivor, having had the courage to go to the cops, needs to follow the case to its end. Though this happened outside the school bus, buses need to have a GPS and schools must install CCTV cameras in their premises, buses and outside the school so that footage can be used in cases like these.

A thorough follow up and quick action will assuage the worries and fears of parents who cannot be blamed for thinking their children are extremely vulnerable, given that an adult woman, who is like a caretaker in the school bus, has turned complainant herself.

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On the ferry, leaving the island of Burano at dusk. pic courtesy/Rosalyn D'mello

Because the high chairs and tables extending onto the pavements are arranged like invitations; because the indigo sky greets us with its distinct hue, informing us that though the sun has set and it is past 8 pm, the evening has only just begun; because our feet, so tired from daytime explorations, miraculously find the strength to continue their march; because Mac's Ruby Red lipstick enhances our personalities, making spectacles of our skin tone; or maybe because we are not alone, by 9 pm, unfailingly and with impressive regularity, Mona and I become Queens of the Italian night. There are travellers who tuck themselves in early so they can restore their bodies for the future that awaits them when they awake. Not us.

We are nocturnal explorers, un-bound by the limitations of cartography. We find tentative destinations and then walk the streets like we own them, like they belong to us. We allow ourselves to get distracted by the sights we suddenly stumble upon; we make commentaries on street signs, we take pleasure in seducing policemen into smiling sheepishly at us, we keep ourselves open to conversations with strangers. During the day you could ostensibly call us tourists. We visit monumental sites; pay entry fees, download audio guides and take photographs of everything that impress us. But at night, we are uninhibited.

Because we come from a reality that is both condemned and celebrated as third world, we have few filters about what constitutes safe and unsafe European streets. We trust our intuitions that have been fine-tuned through years of navigating streets that ought to be friendlier towards women's presences, that could do much more to encourage women's loitering. Online guides tell us to be wary of specific areas, but because Napoli feels like a somewhat seamless city with one street urging you on to the next, one inviting façade leading you to explore another, we do not exercise too much restraint as we navigate a city that feels overwhelmingly familiar. We walk through gritty and un-pretentious streets, walk into dive bars and surprisingly cheap restaurants. On our first evening in Napoli, for example, we followed a cyber suggestion and found ourselves at an institution where every drink on the menu was priced at one euro. It was teeming with as many people as could be found in a single Mumbai local compartment, all elated and happy drunk. We had a few Apero-Spritzes and proceeded towards a jazz bar, stopping in between because we were lured by a boutique shop on a wayside street.

There we had excellent red wine, and the choicest green olives. The jazz bar was a bust; it turned out to be a pretentious speak-easy where the bartenders wore white coats like mixologist doctors. Yes, there was what sounded like Billy Holiday singing in the background, and plush red sofas and a superbly well stocked bar, but it was cosmetic, and expensive, and after a small moment of indecision, we decided to simply walk out and go elsewhere. It wasn't a disappointment because on the way we had encountered so much of the city's past by way of arcades, historic fountains, grand edifices and random ruins.

This behaviour of ours hasn't been confined just to Napoli. Even in Firenze and Venezia, our nightly excursion was the day's highlight. In those cities, more than in Napoli, night-time turned out to be the only time when we weren't part of a swarming mass of tourists; when we didn't have to wait in extensive, un-ending lines to get in somewhere. It was surreal, navigating the canals of Venice at 2 am, when the water-borne city feels like an abandoned ghost town, when there isn't a single tourist for miles. Our friends and us had no compunctions being the last to leave a bar. Our friends lived just around the corner, while we, for cost-effectiveness, had chosen an Airbnb in neighbouring Mestre. We were undaunted by the prospect of finding our way to the 24x7-hour ferry to Piazzale Roma, then taking the night bus home. There was something deeply thrilling about having the luxury of public transport at that hour.

I always remember the feminist Shilpa Phadke when I've had a successful late-night out. She speaks frequently about the significance of the feminist claim to 'fun'. "Fun in public spaces cannot be quantified or sometimes even explained," she says. "How does one communicate the pleasure of asphalt under your feet; the rush of finding the bus you want at a traffic signal and managing to jump into it… the exhilaration of wandering in your city at night laughing with your friends. This is not simply fun, it's belonging to your city and having it belong to you." I could argue there's something similarly exhilarating about doing all of that as two women in a foreign land. When our male friends in Venice caringly offered to let us crash in their spare bedroom because it was past midnight, we politely declined. "Are you sure you want to go back so late?" they asked. "Yes," Mona replied. "Because we can!"

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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Illustration/Uday Mohite

Believe it or not, exciting things are happening in Konkani cinema. I am familiar with Indian films in at least 10-12 languages, but it was a real discovery watching the best Konkani films on the jury of the 9th Goa State Film Festival Awards, that was given last week. To know who the top Konkani stars are, what subjects interest them — the church often looms large. The Best Film (Konkani) went to Nilesh Karamunge’s Mahaprayan (The Last Journey), Best Director (Konkani) to Rajiv Shinde’s K Sera Sera (Ghodpachem Ghoddtelem, Whatever Will Be Will Be), and Best Film (Marathi) to Sainath Parab's Disha (Direction). Mahaprayan was a real discovery, of which more anon. K Sera Sera, which swept nine awards, told two parallel stories of an ambitious career woman and a retired man, struggling to keep his family together, starring actor-producer Rajesh Pednekar and Palomi Ghosh. It had rich technical and acting credits, some ‘imported’ from outside Goa. Sadly, Miransha Naik’s powerful Juze was not in competition, but Nilesh Malkar’s Soul Curry smartly ‘imported’ Bollywood star Jackie Shroff for wider appeal. Shroff even dubbed for himself in Konkani and won a Special Jury Award for Best Actor.

Mahaprayan is one of those rare films, that makes a powerful social critique while accomplishing an amazing technical feat: the whole 83 minute-film is a single take, shot by Sameer Bhaskar. What’s more, it is the debut feature of an ex-army man, Nilesh Karamunge. Inspired by a real incident in Odisha, the film is about Tulsidas (Dhananjay Amonkar) who, unable to afford a hearse to take his dead wife from the hospital to his distant village for cremation, walks home all the way, carrying her corpse on his shoulders, accompanied by his young daughter Kaalika (Aarya Ghare). The pair meet many people who refuse to help — hospital staff, passengers in a bus, the police, and when a kind forest official finally helps them, the media pounces on him for ‘misusing’ a government jeep. The crew did many rehearsals, shooting in real time as they walked 3.5 km in the noonday sun. The film is a scathing attack on the government and our society. The charming and mature Aarya Ghare, just nine, won Best Actress.

Mahaprayan vaults to one of the year's most gratifying discoveries in Indian cinema, its accomplishments far exceeding its modesty and flaws. K Sera Sera is a polished work, given Konkani cinema’s constraints. And let's get some perspective here: while most regional Indian cinemas started in the 1920s or earlier, the first Konkani film, Mogacho Anvddo, was released only in 1950. The Hindi and Tamil industries make, on average, 250-350 feature films a year, but the fledgeling Konkani industry makes barely five to seven features a year. And there is no doubt that Konkani cinema got kick-started since the International Film Festival of India (IFFI) was held in Goa since 2004, and the locals were consistently exposed to world cinema. And look what it's offering now — you do a double take.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com.

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The Sena chief says if BJP opts out in Palghar, he will support the ally in Gondia-Bhandara, which too will go to Lok Sabha bypoll on the same day (May 28).

Shiv Sena may have discovered a way to bend the BJP its way. The political precision with which the party snapped up the disgruntled son of a late BJP parliamentarian for fielding in the Palghar Lok Sabha bypoll has taken Uddhav's resolve of outsmarting the saffron frenemy to a decisive level. Uddhav wants to fly solo, escape BJP's trap for emerging as the single largest party in the state next year.

Palghar, a testing lab, may decide the fate of the strained relation between the two partners, which the Sena is using to try and carve a niche for itself by playing a detractor within and outside the government.

Uddhav has a spring in his step, as Sena prepares to run Palghar, and the guts to ask the BJP to withdraw from the race. It would be interesting to see who blinks first in a barter proposed by Uddhav. The Sena chief says if BJP opts out in Palghar, he will support the ally in Gondia-Bhandara, which too will go to Lok Sabha bypoll on the same day (May 28).

But will they reach a compromise? The possibility of the two parties backing out seem remote. There are others in the fray who too want the BJP defeated. The BJP has fielded a former Congress junior minister, Rajendra Gavit, who had started his political career with Janata Dal. Gavit came in amid high drama after Sena's nomination of BJP's late MP Chintaman Wanga's son Shrinivas surprised all. Gavit had lost two Assembly elections in a row for the Congress, and before that, he was unceremoniously asked to pull out for a BVS candidate in 2014 Lok Sabha polls.

'Well played, Sena'
The BJP camp does not admit it openly, but insiders say the Sena was tactically much superior this time. Sena explored the emotional turmoil in the Wanga family, which felt ignored by the BJP. The family members accused the BJP high command, including the CM, of not giving them audience. In response, Fadnavis blamed the poaching on Sena. He said it was unexpected of the ally, and that the BJP would win, with or without Sena.

The Palghar bypoll is important for the BJP to reaffirm its influence in the tribal belt. In the 2014 Lok Sabha elections, four out of the 48 seats were reserved for Scheduled Tribes, of which all went to the BJP, an unprecedented result. BJP had been contesting Dahanu (delimited and named Palghar) for many decades but with limited success.

In the Assembly, 25 of the 288 seats are reserved for STs. Of these, BJP won 11, followed by Congress's five, NCP's four, Sena's three and one each by CPI(M) and Bahujan Vikas Aghadi (BVA).

The results of Lok Sabha bypolls in Maharashtra should measure BJP's influence in the four years of government. Sena hasn't fielded in Gondia-Bhandara because its poor strength will never secure it a prominent place. Knowing his weakness in the region well, Uddhav paid an impromptu visit to Nagpur last week. Again, his was an attempt to create some nuisance for the BJP, where they expect BJP and NCP to fight straight.

Other factors in Palghar
For Sena, Palghar has turned out to be a sharper tool to cut the BJP to size. Uddhav has nothing lose in a skirmish that will be four-way in case some candidates don't pull out, while a victory would be a shot in the arm for Sena.

Former allies Congress and influential local outfit, led by Hitendra Thakur, BVA are also in the fray. BVA's role will be significant in splitting votes because it had won the LS seat in 2009, and lost the next to BJP, despite having its vote share of 30 per cent intact. In 2014, BJP increased its vote share by a whopping 25 per cent. BJP and Sena were together then, while Congress had withdrawn Gavit (now BJP's candidate) for supporting Thakur's candidate. BVA continues to be a big player in two urban Assembly segments of Vasai and Nalasopara, which Thakur and son represent.

If it were to ensure BJP's defeat, will Congress withdraw the candidature of former MP Damu Shingda this time? Congress insiders say supporting BVA may not be a good idea, and instead, the party should have a tacit understanding with the Sena for beating the BJP at the hands of the ally. But will that be acceptable to Congress, which is working to emerge as a strong alternative to BJP?

All eyes will be on developments taking place on Monday, the last day of withdrawal of candidatures.

Dharmendra Jore is political editor, mid-day. He tweets @dharmendrajore Send your feedback to mailbag@mid-day.com

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The Roman Forum in the center of Rome. Pic Courtesy/Rosalyn D'mello

I did not account for what now seems like the inevitable consequence of so much travel: the blurring of existential categories that define my raison d'etre as I continue my Italian sojourn. What am I first, writer, tourist, traveller or pilgrim? To which of these vocations do I owe my primary allegiance?

Starting out in the northern region of Bolzano, within which I somehow managed to ensconce myself, thanks to my residency at Eau&Gaz, within exactly 30 days I have found myself in the deep south - the autonomous Mediterranean island of Sicily; a lived repository of continuous histories dating two millennia. I accessed the regions of Tuscany, Veneto, Neapolitan and Lazio through my explorations of Firenze, Venezia, Napoli and Roma, before taking a flight to Palermo, from where I am transcribing this dispatch. By the time you will have read this, I will already have returned to Roma where I will spend another night before I make my way to Ortona and Assisi, thereby initiating the more pilgrim end of my travel. I am deeply aware that I now have less than two weeks left in Italy, and I am struggling (really, really struggling) to make sense of everything I have encountered through my witness. How to distil the vast everything-ness of my recent realities into bottled significance; something that is easier to swallow, digest, imbibe, share?

I was grateful to land in Palermo; grateful to have found a cheap flight that got me here from Rome in under an hour, grateful to avoid what would otherwise have been a 14-hour journey. But, mostly, I discovered I was grateful to be in a city that felt like the opposite of Rome; un-pretentious, unabashed about its past, non-ostentatious and aesthetically more austere. Here I felt I could allow my body to recover from the sensual assault of the spectacle that is that city of grand beauty, magnificence, un-mindful excess. No guide I'd perused had prepared me for my sensory dyslexia, particularly on the perceptual front, like the difficulty I would experience in simply focussing my gaze.

As a sightseeing tourist, one is mentally prepared to encounter a monument; a spectacle; a historic site. In Rome, however, you are condemned to stumble upon multiple. You walk into a street and your eyes rest first on a fountain, then naturally zoom out to witness the larger frame, except you spot, next door, an opulent church façade, and across from it another, but perhaps from another century altogether, and for a moment you feel like you're experiencing a glitch in a time-travelling machine. You walk later at night to catch your bus back to your Airbnb and come upon a vast excavation site bearing just a two-paragraph description and you empathise with the historians and archaeologists who seem themselves to be struggling with this excess; this dense populace of relic, debris, pagan vestige and Catholic worship sites.

Each night my feet, exhausted and overwhelmed from walking, cried themselves to sleep as my mind, unable to still my still-restless body, tried to make sense of what I'd seen, thought, remembered, and referenced: the Sistine Chapel, the wonders of Bernini, the cinematic odes by Fellini, Rosselini, Passolini and Sorrentino; and the more obscure works of writers like Malcolm Lowry. I had to re-read one of his protagonist's visit to the Keats and Shelley Memorial Museum next to the Spanish Steps as I sat by the side of The Pantheon, after having been to that museum, and in preparation for the next day's visit to the Non-Catholic cemetery containing both poets' tombs. Had I not had the sense of mind to seek solace in relatively more obscure churches and smaller chapels, both to escape the madding crowd of tourists and to offer my body an indulgent moment of pause, I'm sure I would have been defeated by that city.

It was the only reason why, despite being drained of all energy, I could make one final schlep towards the Coliseum and also convince Mona to meet me there. After a very leisurely stroll at what felt like perfect timing, when the final rays of the sun hit the millennia-old façade, we found a corner to park ourselves for a while. I couldn't help, but show her a clip from Sorrentino's The Great Beauty; of Sister Maria on the balcony of the protagonist's home in front of the Coliseum, gathering the flamingos in the thick of night, then blowing into the air to gesture at them to fly away. I felt as though I'd finally 'got' Sorrentino's film, despite having seen it a while ago. I had to come to Rome to solve its mystery.

I cannot shake off this lingering feeling that something beyond my own free will is designing my itinerary, is customising each imprint my feet make. Whether I am either or interchangeably a writer, tourist, traveller or pilgrim has become inconsequential. All that matters now is that I willingly surrender in order to be remade.

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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Illustration/ Devdutt Pattanaik

One of the unique features of Islam in South Asia is the veneration of five holy men, or saints (auliya), known collectively as pancha-pir. They are often represented by the palm of the hand, mounted on a mound. We find shrines of pancha-pir in Punjab, Rajasthan, Uttar Pradesh and Bengal. They are sometimes identified as the five pure ones of Shia Islam: the Prophet Muhammad, his daughter, his son-in-law, and his two grandsons. Other identify them as five Sufi saints, often the teacher with his five students. Still others say they refer to the Prophet Muhammad and the first four Caliphs. This veneration of five holy men in dargahs is however frowned upon by Islamic purists, who believe that veneration should be reserved for God, and none other.

In folklore, the pancha-pir often appear to bless heroes on quest, or to establish the greatness of a local king. In many Hindu temples, especially in Rajasthan, where folk-heroes are deified, as in the case of Ramdev baba, one finds pancha-pir endorsing their greatness, thus indicating syncretism of Hindu and Muslim ideas at the grass-root level. In Bengal, they are popular amongst sailors, who seek their protection before setting out into the sea, and thank them on their return.

Stories of pancha-pir often reveal much similarity with village gods and goddesses of India, who are known to help when appeased and harm when angry. So we learn how they gave their horse to a queen so that she could use the horse's blood to cure a husband. The queen later refuses to return the horse and so the pancha-pir destroy her kingdom. Sometimes the pancha-pir are paired with their five wives who disobey them and so are reduced to five piles of ash.

How did this idea emerge? It is possible that these five pirs were earlier the five tathagathas of Buddhism, found in Tantrik Buddhism, that flourished in eastern India during the Pala kingdom. There is the central Buddha, Vairochana, with four other Buddhas in the four directions, represented in four different colours, embodying four different principles, thus indicating universality. Such images are found in Buddhist shrines and Buddhist mandalas.

The idea of the five collective is found in Hinduism too: the Pandavas, for example. In Puri, Odisha, the five Pandavas take the form of five Shivas. There are images of Pancha-mukhi linga, where five faces, each in different mood, arise from a single pillar. There is also the concept of five chaste women: the pancha-kanya, which includes Sita, Draupadi, Ahalya, Mandodari and Kunti.

The most recurring concept in Indian mythology is that of a teacher with four students who take his knowledge in the four directions. One learns of Veda Vyasa and his four disciples, the Shaiva sage Lakulesha with his four disciples; the Jain saint Vajraswami who founded four orders (gaccha); the Sikh saint Sri Chand, the eldest son of Guru Nanak, who passed on the sacred fire (dhunni) of his order (akhara) of ascetics (udasin) to four disciples; the Vaishnava, Ramanuja also passed on his mantle to four disciples. This idea of the collective of five, best represented by the palm of the hand, clearly gave meaning and power to local faiths and also kept together various divisions that emerged in religious orders. Hence its enduring appeal.

Devdutt Pattanaik writes and lectures on the relevance of mythology in modern times. Reach him at devdutt@devdutt.com

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Actress Keerthy Suresh as Savitri in Mahanati

Telugu cinema — specifically Baahubali 1 and 2 — knocked the daylights out of Bollywood. Now comes the ravishing Telugu-Tamil film Mahanati (Great Actress, in Telugu; Nadigaiyar Thilagam in Tamil), directed by Nag Ashwin, a biopic on top film star Savitri garu (a Telugu honorific). This sensuous, period, feminist film, starring Keerthy Suresh and Dulquer Salmaan, rivals Bollywood's best. Kommareddy Savitri (1937-1981) was a remarkable female superstar of Telugu and Tamil cinema, who acted alongside top Tamil and Telugu stars such as Sivaji Ganesan, MG Ramachandran (MGR), Gemini Ganesan and Nandamuri Taraka Rama Rao (NTR), often got paid more than the heroes, and even produced and directed six films in the 1960s and 1970s, some with an all-female crew, featuring these top heroes — all practically unthinkable today. Savitri acted in nearly 200 films in Telugu, Tamil and Hindi, including Pelli Chesi Choodu, Devadasu, Missiamma, Maya Bazaar and Pasamalar, peaking in the 1950s and 1960s, and the films she directed include Chinnari Papalu. Her career spiralled downwards after she secretly married co-star Gemini Ganesan (then already married to Alamelu and in another relationship with Pushpavalli with whom he had Hindi film star Rekha), and his jealousy and alcoholism drove her to drink; she cut back on her career to appease him, turned alcoholic herself and went to ruin. The film has released worldwide, including in India; it is currently also showing in Mumbai with English subtitles.

Indian biopics on women film stars — including Milan Luthria's Dirty Picture on Silk Smitha with Vidya Balan (Hindi); KG George's Lekhayude Maranam: Oru Flashback (Lekha's Death: A Flashback) on actress Shobha's alleged affair with a top director (Malayalam), and Ranjith's Thirakkatha (Screenplay) on Srividya and her alleged affair with a top Tamil star (Malayalam) — are mostly tragedies. What is remarkable about Mahanati is that while it shows Savitri's courage, feistiness, stardom and generosity, it also shows her poor decisions in love, marriage and finance. She is a homebreaker and an alcoholic who also neglects her children. Yet, the film valourises her as someone who believed that life is short, and so made the best of it. In fact, the film, presented by Vyjayanthi Movies, is produced by two women, sisters Swapna Dutt and Priyanka Dutt of Swapna Cinemas.

The film is told through Madhuravani (Samantha Akkineni), a journalist in the 80s, investigating Savitri's story with her photographer boyfriend Vijay Anthony (Vijay Deverakonda) after Savitri is found in a hospital, after being in a coma for a year. Nag Ashwin, in only his second feature after Yevade Subramanyam, shows outstanding assurance and craftsmanship. Throughout, there are scenes switching seamlessly from Savitri's real and reel life; and the period sets have been gorgeously recreated, including a 'stairway to heaven'. Keerthy Suresh carries the film with aplomb: sparkling, yet dignified, even in her despair. Top Malayalam star Dulquer Salmaan sportingly plays second fiddle and charming rake. Sai Madhav Burra's screenplay packs in a lot. LA-based Spanish cinematographer Dani Sanchez-Lopez's cinematography is marvellous: ironically, he digitally shot the period parts and used super 16mm film stock for the more recent 80s. The costumes by designers Gaurang Shah, Archana Rao and stylist Indrakshi Pattanaik are exquisite, as are Shivam Rao and Kolla Avinash's sets. Mickey J Meyer's music is versatile and soulful. At 2h 57mins, the editing by veteran Venkateswara Rao Kotagiri flags a little, yet keeps you engaged till the end.

Meenakshi Shedde is South Asia Consultant to Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com

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It was being said that the Karnataka Assembly polls should be able to shape the political discourse of the time to come, with an eye on next year's general elections. Things are headed that way, thanks to a secondary role that the Indian National Congress has decided to play in a game that would have regional parties as dominant stakeholders. The reactions that Karnataka's high drama has evoked from the ruling regional parties and others that are poised to throw a challenge to the BJP were more like war cries.

The BJP isn't naïve to ignore what lies ahead and it should be seen changing its strategy as it faces newer challenges. We should not be surprised if BJP works overtime on dividing the outfits that the Congress wants to gather under one umbrella with the sole target of stopping BJP in its strides. The war cries we have been hearing from the foes of BJP mean a single agenda, but without a unified command centre they cannot turn it into action on all fronts where the BJP needs to be defeated. It is still a grey area for the opposition that the BJP should seek advantage from.

Regional rationale
High on ambitions, the regional parties in some states have their own calculations, permutations and combinations that have little space for the Congress, which will have to work elsewhere to emerge as the first or the second largest party at the Centre. The Congress think-tank seems to have done a reality check. After Gujarat, where it fought BJP in a straight fight and hurled a stunner that almost unseated the ruling party, it missed out on retaining power on its own in Karnataka. But it performed exceedingly well outside legislature. It learned from past mistakes and took every cue from BJP's moves. It made the right noises in the people's court and also in the highest judicial offices of the country. It was pleasant to see the Congress leaders, who are also the party's legal experts, shed their infamous arrogance, as they spoke their minds at media conferences and argued in the courts.Little wonder then, the Congress does not seem to be pushing its president Rahul Gandhi as a torch-bearer for all opposition, unless supported by the number of elected representatives.

A decision to give JD (S) the chief minister's post in Karnataka should be seen as a part of strategy that serves many purposes. It gives out a message that the Congress will make sacrifices to strengthen a mission 'say-no-to-Modi-BJP'. It embraced a post-poll partner, and it said unlike BJP (or the Congress of the past that had pulled out support to Deve Gowda's Union government), it wouldn't eliminate a friend in need.
Regionals such as Shiv Sena, BSP, SP, TRS, Trinamool Congress, TDP, RJD and other outfits have welcomed the development in Karnataka, especially the Congress' fightback in ensuring that BJP's CM steps down and JD (S) chief HD Kumaraswamy gets to run the government, as promised on the election results day.
The anti-Modi gang sees it as a positive and mature decision from the Congress, which acted with a flexibility and quickness it rarely showed in the past, in the decision-making process of the Karnataka episode.

Testing times for BJP
The BJP expects the new-found love between the Congress and JD (S) to vanish soon. It says there will be Assembly polls in Karnataka very soon and it will win, this time, with a thumping majority. If it happens or not in the southern state, the BJP will now have to keep its flag flying in three of its citadels — Madhya Pradesh, Chhattisgarh and Rajasthan, where regional parties don't matter much, but may have an influence here and there. As has been in the past three decades, it should be a one-on-one fight between the Congress and BJP. These states will also fairly indicate where the two parties stand ahead of Lok Sabha polls. MP sends 29 MPs, Chhattisgarh has 11 and Rajasthan 25.

Going by the voting pattern of the Assembly in Karnakata, a unified opposition should at least win 22-23 of 28 Lok Sabha seats in the state. By-polls in Uttar Pradesh have established that the united opposition, mainly the regionals SP and BSP, should be able to reduce BJP considerably in a state that sends highest number of 80 MPs.
Second in the line after UP is Maharashtra, where the Assembly polls are held six months after the general polls (48 MPs) and it usually sees an impact of previous polls on formation of a state government. Yet, we may have some 'trend learning' in the offing when Palghar and Bhandara-Gondia go to the Lok Sabha by-poll on May 28.

Dharmendra Jore is political editor, mid-day. He tweets @dharmendrajore Send your feedback to mailbag@mid-day.com

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Richa Kaul Padte

When I set out to write this book, I expected to find that Indian women were watching, making and enjoying porn. And indeed, I found that! What I didn't expect, though, was how comfortable and open they would be while talking about it," says Richa Kaul Padte of her debut non-fiction, Cyber Sexy (Penguin Random House). Through an intimate tour of online sex cultures — from camgirls to fanfiction writers, homemade videos to consent violations — the book investigates what it means to seek out pleasure online. Padte grew up in Kodaikanal and has lived most of her life in Brighton, England. Apart from being the co-founder of the award-winning publication Deep Dives, her writings have appeared in several publications. The well-researched book is full of interesting anecdotes, which had us questioning what we think we knew of porn. We spoke to her about women who romantacise porn, what inspires her, and if women would rather read erotica than watch the act on screen.

Excerpts from an interview:

In retrospect, what would you say the true vision of the book is?
Looking back on the project, what has come to the surface is that Cyber Sexy allows readers to feel less alone. Many people I interviewed said that the experience of sharing their stories removed a sense of isolation, and I know for sure that I as the listener felt a lot of relief, just hearing them. It's a comfort to know how varied desire is; that no matter how strange what's inside us can feel, we're never truly alone.

You have had intense, deep conversations with varied women for this book. Share some anecdotes that really stayed with you.
Not just with women, but with men too. For example, I spoke to one man who said he had always been embarrassed and bullied about the size and shape of his penis, but through participating in nude photoshoots, he came to terms with and started loving his body. This stayed with me, because men are often under pressure to be a certain type of masculine — and they rarely express these vulnerabilities. So, whenever men were able to talk about these gentler, less confident parts of their sexualities, it stood out for me.

What revelations did you have about the Indian woman and her sexuality?
As girls and women we're not encouraged to talk about sex, so I thought there would be some degree of reservation in interviews. I was so heartened to find this was not the case – women were happy to openly share their experiences, and I was more than happy to hear about them.

In your experience, how do men and women consume porn? For example, one may watch porn to please themselves, but quite often, we also think of people we desire. Do you think woman romanticise porn?
I think this might be more of an individual preference than a gendered thing. Desire is constantly shifting, just like fantasies, just like porn preferences. And I don't think romaticising porn is a gender-specific experience. Having said that, I think where women and men's porn preferences do differ is on the question of consent. Almost every woman said that as soon as porn seemed non-consensual, they were instantly turned off. I think as women we are constantly worried about having our consent violated, so our porn consumption reflects this fear.

Do you think women prefer reading porn rather than watching it?
I don't think I've surveyed enough women to make this claim definitively, but what I can say for sure is that erotica, fanfiction, and other sexy writings on the Internet are predominantly women-led spaces. Personally speaking, sex scenes in novels was how I first started exploring my own desires as a teenager, and I think for many women the written word is a safe, intimate space in which to express sexuality — both as readers and as writers.

Women usually find it easier to go without sex for long periods of time. Could this affect their desires?
My point is, everyone can survive without sex, but sex is also a deep human need. I think what does affect women's desires is fear — fear of unwanted pregnancies, abuse, violence, etc. We think twice — or 50 times —before we go home with unknown men. Not because we want sex any less than them, but because gender violence is a reality we have to perpetually contend with. So we often forgo desire because we want to, you know, stay alive.

Also Read: Married? This Dating Site Is Meant For You

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Yakuza 6 is the final chapter in the Kazuma Kiryu saga and the debut of a new engine for the game. For those who have never played Yakuza before, there is a handy back story that you can read through complete with choice visuals from the previous game. Even without the story mode, the game is self-sufficient and you won't feel like you are missing something. It plays out like a melodramatic Japanese movie — there are lots of cut-scenes and it will be a while before you go around breaking bones and destroying property. Fortunately, the story is decent enough to keep you engaged, considering it is around 30 hours long.

For the uninitiated, you play Kazuma Kiryu, a yakuza, who is part of the Japanese mafiosi. The idea of the game is to go around completing the tasks assigned in the story mode. However, you are also in Japan, which means there are many fun distractions to while away time. In the past, these distractions have been many and made Yakuza a game that you could play forever. In Yakuza 6, however, the side activities are few, but they are well made. Some choices are playing mahjong, working out, playing baseball, visiting a hostess bar or a cat café.

The biggest addition to the side activities is the Clan Creator mini-game, where you direct gang members in a top down view of a brawl. You can add special characters to your clan, by defeating them in combat. This mini-game is a lot of fun, even though defeating your foes is often too easy. The overall combat in Yakuza is also super easy. Kiryu is capable of handling multiple thugs with just a few basic moves. You can pick up anything off the street and use it as a weapon. Building rage can trigger special moves, which is essentially just beating people senseless with whatever you have in your hand. The simplicity of combat makes it easy to learn, but it can get repetitive after a while.

Visually, the new engine shows off the cut-scenes and characters really shine through. The motion is seamless and once you are in an area, the game never stutters. Japan is recreated beautifully, it is like you are roaming the streets of the country. You can enter stores, narrow lanes and explore anything that is on the map. The game is a fitting end to the story of Kazuma Kiryu. The top-notch storytelling and the graphics more than do justice to the Yakuza series. More side activities and layered combat could have kept the game interesting beyond the main storyline, but despite all of this, Yakuza manages to entertain.

Yakuza 6: The Song of Life
Rating: 4/5
Developer: Sega
Publisher: Sega
Platform: PS4
Price: Rs 2,999

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A still from Bioscopewala, featuring Danny Denzongpa in the lead

When we dial up Danny Denzongpa's number on a Friday evening, we are greeted with a faint "hello". The network is choppy, his voice drifts in and out. "I am in a cool place," he says, referring to Sikkim, where the actor is at the moment. His film, Bioscopewala, based on Rabindranath Tagore's renowned story Kabuliwala, is prepping for release, but Denzongpa chooses to stay far from the hustle and bustle of promotion. "I like it here," says the man of few words.

The 70-year-old actor was a little boy when he saw the Balraj Sahni-starrer Kabuliwala (1961). He had also seen the Bengali film earlier, starring Chhabi Biswas. The Sahni film, however, had an impact on him altogether. "I remember our teacher had taken us to see the film and I was howling in the theatre," Denzongpa says. When he first read Tagore's story in school, he made a drawing inspired by it. "There was a man with a pagdi, standing in a hilly backdrop. There was a stream flowing by, and across it, was a little girl." Bioscopewala, he tells us, was originally supposed to star Amitabh Bachchan. "But somehow, that did not materialise. I have always been a huge fan of the film, so, when Sunil (Doshi, producer and co-writer) approached me, I jumped at the chance," he says.

Doing the film was like going back to his college days. "Most of the crew was from my film institute (FTII) — the director, writer, sound designer Resul (Pookutty). I was the senior most among them. I remember when we were shooting in Ladakh, and I would go jogging at early morning, they'd be surprised and tell me 'you're supposed to rest for two days'. But, I am from the hills!" laughs Denzongpa. He also knew his co-actor Geetanjali Thapa, who plays Minnie, well. His other co-actor Tisca Chopra also doubled up as his Afghani tutor. "I had a tutor on sets to correct my diction, but I would always turn to Tisca. She has stayed in Afghanistan for over 10 years and is fluent in the language."

Unlike the original film that was set in the 1940s, Bioscopewala comes forward in time, in the '80s, during the Taliban regime in Afghanistan. Having also wrapped up shooting for the Kangana Ranaut starrer Manikarni: Queen of Jhansi, where he plays an army general who was like a father to the queen, the actor is now enjoying the quiet. He is not Mumbai-bound anytime soon, not even for the premiere of Bioscopewala. "This is the person I am. I'm very shy, I don't party, I stay away from events, I have not had a PR in 45 years. You don't see me talking to the press either, nor I am on television. It's not on purpose. I just don't like attracting attention towards myself." And of course, he's not on social media either. "The only thing I am on is my phone, and that also I forget about at times," he laughs.

Also Read: 7 Memorable Roles Of Danny Denzongpa

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Cousins Ayush, Aryan and Arjun Asher enjoy some quiet book reading time with their friend Rudra Shukla at their Worli residence. Pic/Ashish Raje

Of gods and humans

Author Arshia Sattar is no stranger to mythological retellings. Best known for her English translation of Valmiki's Ramayana, Sattar recently released a new children's collection titled Garuda and the Serpents (Juggernaut Books), which draws from the Puranas, the Mahabharata and the Ramayana to deliver stories that will evoke both wonder and delight. From tales of why the gods and the asuras churned the ocean, to how Vishwamitra and Vasishtha became enemies for life, these marvellous adventures of gods and humans is not to be given a miss. And, with Sattar, who has a PhD in South Asian Languages and Civilizations from the University of Chicago, helming the narrative, these stories, we know, rest in safe hands.

Garuda and the Serpents by Arshia Sattar
Age Group: 10+
Price: Rs 350

A rare friendship

The recently-released graphic novel, Indira (Context, Westland), definitely has a special place in history. The young adult novel, which has been brilliantly executed by writer Devapriya Roy and animation filmmaker and illustrator Priya Kuriyan, begins with the story of Indira Thapa, a Std VI student at a government school, who is given an assignment to write an essay around her namesake. Over the course of a long, hot summer and a curious friendship with an artist who is working on a biography of Gandhi, Thapa gets tangled up in the life and times of the country's only female prime minister Indira Gandhi. Through graphic panels and beautiful prose, Roy and Kuriyan lead us through Gandhi's rich legacy, including her rise during the Bangladesh War (1971) and fall, post the Emergency (1975-77). This one is for teenagers who'd like to revisit history differently.

Indira by Devapriya Roy and Priya Kuriyan
Age Group: 13+
Price: Rs 599

Magic on wheels

Lavanya Karthik's Neel on Wheels (Duckbill) is what we think, should be on every kid's must-read list. The book, illustrated by Habib Al, tells the story of Neel, who is wheelchair bound. But, that's hardly holding him back. Neel's wheelchair transforms itself to fight dragons and monsters and chase away scary creatures of the night. One of the prize winners in the Children First contest — started to create more books featuring children with disabilities as protagonists — this book deals sensitively with his challenges and the lovely relationship between Neel and his younger brother, who regards him with awe and respect.

Neel on Wheels by Lavanya Karthik and Habib Al
Age Group: 5+
Price: Rs 299

Family matters

Sharanya Manivannan's poetry is a sheer delight to read. With The Ammuchi Puchi (Puffin Books), the poet and writer has collaborated with illustrator Nerina Canzi to tell the story of Aditya and Anjali, who love listening to their grandmother's stories. Unfortunately, their lives fall apart on the night their grandmother passes away. Suddenly, her stories seem to lose their meaning. It's only when something magical happens that they feel their grandma is with them, after all. The dreamy illustrations complement the poetic prose, for a poignant story.

The Ammuchi Puchi by Sharanya Manivannan and Nerina Canzi
Age Group: 4-7
Price: Rs 199

Grandma knows best

No summer reading is complete without escaping into the stories by author Ruskin Bond. In his new book, Memories of Hills and Dales (Rupa), Bond's protagonist is an affectionate, brimming-with-stories grandmother, who shares tales of the past with her granddaughter Koki. From a mysterious kiss by a stranger in the dark to schoolboys taking off for a trek to a glacier, an old kite-maker reminiscing about his heydays and a beautiful village girl whose charms a city boy can't resist, this slice-of-life collection — many of which are autobiographical — takes us through the life in the hills and the joys, sorrows and excitement it holds.

Memories of Hills and Dales by Ruskin Bond
Age Group: 8+
Price: Rs 195

Suitcase memories

Nidhi Chanani's heart-warming debut graphic novel, Pashmina (HarperCollins India) weaves a tale about the hardship and self-discovery that is born from juggling two cultures. The story revolves around Priyanka Das, who has many unanswered questions — why did her mother abandon her home in India? What was it like there? And, most importantly, who is her father, and why did her mom leave him behind? Pri's mom avoids all these questions. For Pri, her homeland only exists in her imagination, until she finds a mysterious pashmina tucked away in a forgotten suitcase. When she wraps herself in it, she is transported to a fantasy world more vivid and colourful than anything she could have ever imagined. But to know whether this world is for real, she needs to travel further. For young readers, Chanani creates a world that magical through her prose and illustrations.

Pashmina by Nidhi Chanani
Age Group: 8+
Price: Rs 399

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Have a love for ice-creams but don't want the calories to settle it into those arms? Perhaps slurping on a Michelle Melt might be more appetising. In 2009, a Washington based restaurant named a ice-cream after the then First Lady. But, why look as far as America? Here in Mumbai alone, various restaurants have named dishes after not just Bollywood celebs but even famous painters. Here's where to go celeb-hopping for your tummy.

The Big Bachchan Slider Bombay Bronx, Breach Candy
The Bombay Bronx at Breach Candy is known for all things Mumbai. Apart from the community table inspired by the dabbawalas, a railway map and a huge painting of Amitabh Bachchan on the wall, the food too is an ode to the city and its people. Therefore, it's not surprising to see a chicken slider dedicated to Big B.

Pic/Bipin Kokate

"The idea came to us when we were making a wall poster dedicated to him," says owner Nakuul Kumar. The grilled slider is made with chicken keema, caramalised onions, tomato slices, cheese, lettuce and served with gun powder mayo. Having named it after one of the biggest names in the country, naturally makes the appetiser a crowd puller. "It gives you a direct hint that it's going to be big and fabulous just like Bachchan," he laughs.

Da Vinci Tini Hoppipola, Khar
No prizes for guessing that  Hoppipola's dessert cocktail, made with Baileys, cream and vodka espresso, is inspired by Leonardo Da Vinci. The drink is served with a painting brush and palette, where the "colours" include three types of chocolate — dark, white and caramel. Patrons are encouraged to paint inside and outside the glass, in a manner of getting playful with chocolate.

Rs 495

Sandeep Sharma, bartender, says, "The idea is to engage our customers, be it through games, or through our drinks?" Initially, they would ask customers to slip in behind the bar counter and try out the activity. "But, that proved tedious. So, we came up with this concept. And because it's to do with painting, who better than Da Vinci, to salute?"

RajiniKhanth Dosa The Junction, Mahim
Formerly an economics teacher at HR College, Vikram R Jumani has always been a huge film buff. When he introduced a line of experimental fusion dosas at his restaurant, he was clear that he wanted to doff his hat to the cinematic greats of Bollywood and also down South.

Rs 99

"In the South it's of course Rajinikanth and here, it's the three Khans. That's why the name is RajiniKhanth." The dosa in question is a spin-off on the pav bhaji dosa, wherein the bhaji is cooked on the dosa and the process is a spectacle for the customers to see. Jumani was aware that the name would catch on. "The taste was a deciding factor in the popularity of the dosa. It's a superhit item," he says.

Sonam Kapoor's cake Healthy Treats, Pali Hill
Divya Ranglani's patrons include Kareena Kapoor Khan, Jacqueline Fernandez, Shahid Kapoor and Farhan Akhtar. But it's a Sonam Kapoor cake that made her go viral in 2016. "She would order cakes from us quite often. And one day, she decided to post a testimonial where she said the orange and dark chocolate cake is to die for. This was when nobody knew about us," she says.

Rs 1,200 per kg

After that, calls started pouring in to order the 'Sonam Kapoor cake' and before they knew it, the orange and dark chocolate cake had been rechristened. Now that Kapoor has turned vegan, Ranglani has started baking gluten-free and vegan version of the same.

Dylan's Galouti Kebab Raasta, Khar
Since music is second nature to Raasta, owner Joy Singh wanted a dish named after American singer-songwriter, Bob Dylan.

Rs 355

"He is a revolutionary artiste. But we wanted the dish to be of Indian origin, because he loves the country," he says. Singh chose the galouti kebab and gave it a vegetarian twist as Dylan is rumoured to be a vegetarian. "His love for 'magic mushrooms' — fungi famed for their psychedelic effects — led us to choose mushrooms as the main ingredient. After a number of trials we finalised this galouti and named it as Dylan's Galouti," he says.

Lord Brown's Gift Gymkhana 91, Lower Parel
At Gymkhana 91, you can drink to Lord Burdoch Brown's legacy. Concocted using Jim Beam, pineapple juice, peach juice and smoked cinnamon, it is a refreshing and not-too-potent drink dedicated to the British officer for his contribution to spices.

Rs 595. Pic/Ashish Raje

"Brown established the Ancharakany Cinnamon Estate in 1767 under the East India Company. It's reputed to be Asia's largest Cinnamon estate," says owner Aditya Hegde, who introduced the cocktail last September. Since then, it has naturally got guests curious.

"They do ask about the name and story behind it as the drink also involves drama and theatre, because the smoking of the drink is done in front of the guests at the table," he adds. Hegde says it is common practice at Gymkhanas to dedicate dishes and drinks to somebody iconic, but not so in stand-alone restaurants. "We believe in giving due credit to the person to whom the dish belongs and that's how the trend started," he says.

Dara Singh Thali Mini Punjab's Lake Side, Powai
The Dara Singh thali is not for the weak-hearted. It packs in the best of unlimited eating. It has aloo paratha, chur chur de naan, makki di roti, murg mussalam rice, lamb  yoghurt curry, chicken Amritsari and lot more.

Rs 1,600 (non-veg) and Rs 1,200 (veg)

The accompaniments include four types of beverages, three chaat options, a soup, pickle, chutney and seven desserts. In all, the thali packs in 40 items. Jagjit Singh, co-owner says, "It needs a champion to finish it. And who better than our famous Indian professional wrestler Dara Singh.

Indians looked up to him as a role model." From Uttar Pradesh, to Punjab, Delhi and Rajasthan, the thali brings together the best of North Indian flavours. While they have not met Dara Singh, his son Vindu Dara Singh has sampled this thali. "He was happy to see a thali named after his father. While eating, he was remembering nuggets about him and his father eating together from one plate during his childhood. Vindu loved the lamb yoghurt curry in the thali,"  adds Singh.

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Pics/Gautam Benegal

The setting of Gautam Benegal's A1 Chiken Sope cartoons is largely familiar to those who get their meat from the local market. The air is thick with down feathers, and dismembered bits of chicken scattered about, with butchers being none too fussy about our sensitive nerves. In Benegal's hands, however, this scene is turned into a humorous commentary of our contemporary socio-political scenario.

A1 Chiken Sope series, where we meet a butcher named Salim Bhai and his rather chatty coop of chicken, has been one of Benegal's longest series. The National Award-winning animation filmmaker and cartoon first invented A1 Chiken Sope in 2006 for the supplement of a newspaper, after a bird flu scare, when people had stopped consuming chicken. The poultry business was evidently suffering. A minister smuggled in a tandoori chicken leg into the Lok Sabha, and started eating it to prove that it was perfectly safe. "I drew a cartoon of a chicken shop where one bird boasts to another, showing the headlines, 'Hey guys check this out, my second cousin, twice removed, made it to the Lok Sabha'," says Benegal, 52. In 2009 A1 Chiken Sope found more takers, the year when Benegal joined Facebook.

Having made nearly a thousand cartoons in this series, he says, "On social media, you can post a rough sketch and it becomes a mass pool of conversation with several people contributing to it, which is not the case with mainstream media," he says. The chicken, or chiken as Salim Bhai's shop terms them, play the role of both the naive public and the court jester. In one cartoon, the chicken bid adieu to their former coop-mate, bundled in a black bag, as Salim Bhai hands it over to a customer. "There goes Sonu... recruited into the militia," says one hen. "The chicken's work is to get slaughtered. They are a captive population, but a large percentage is happy at being kept. There is a person who is their benefactor, and is selling them out. We are all chicken," he says, adding, "There is an existential angle to this. The only way to escape is to stop being chicken," he says.

About 35 of these cartoons will be shown at Chemould Prescott Road, Fort, starting May 25, for 10 days. You may want to pay close attention to Benegal's caricatures, where the strength of these cartoons lies. Rather than state the obvious visually, Benegal thrives on allusions and references. Everything is an open secret. "I draw a lot from the earlier part of the century, when cartoons were couched in symbolism and stylised references. The latter is true in my case — it's like guerrilla warfare. You won't be able to put your finger on it, but everybody knows and everybody smiles about what they are seeing," says the cartoonist, whose first brush with the art was as a 15-year-old with Satyajit Ray's children's magazine, Sandesh.

There is a certain rawness to them, with a lack of standardisation that we may see with daily cartoons in mainstream media. And Benegal is not interested in polishing them up either. His taste in cartoons, for that matter, is very James Thurber, the American cartoonist who was featured regularly in The New Yorker, and the late Abu Abraham, whose worked for several publications, including Punch and The Observer. "We are used to a very gentle form of cartooning in India, be it themes or visuals. I wanted A1 Chiken Sope to be very ad hoc, much like how politics in India is," he says.

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Sanjukta Basu

Delhi-based photographer Sanjukta Basu had an epiphany right before her 39th birthday. "I was introspecting on the years gone by, and realised that although I had achieved much, I didn't think I had reached a 'destination'. It was as if I was lost at sea, and needed direction. But then I decided to embrace the fact that I go where the wind takes me. I was going to be 40, and this was me. I wasn't going to change. That's how my first tattoo took shape in my mind," says Basu, who once practiced law.

And so, her first tattoo was a sailboat, with a wave and birds in flight, with the line "wherever the wind takes me". This was also the time the idea of a project on women with tattoos took shape. Typically, some of them got one to signify something profound, like a break up with a lover or a violent relationship. Others didn't think it needed a reason. "The project is about challenging the stereotype around women with tattoos. They don't get them because they are slutty or hippie, or because they are reckless," she argues.

The photographer, who is on the lookout for new subjects to shoot in Mumbai and Delhi, says, ideally, all women should get in touch with her and tell her their stories. Sunday mid-day got Basu to shares some of her favourites.

Vimala is an aviation professional, and loves wings. Years after she got married to the man she loved, she realised he was addicted to gambling, and draining her of finances. At 48, when she found herself free from the toxic relationship, she got a tattoo — a heart with wings. It was time to fly again.

Parama, Sanjukta's first subject for the Women And Body Art project, is not one person. Within her sits the essence of Kolkata, the city she comes from and loves. The tattoo on her forearm and is an image of Kolkata landmark Victoria Memorial, an angel atop it. It signifies her belief that something good lies in everything she sees.

Archana, a women's rights activist, grew up in a protective, privileged Tamil Brahmin family. While she has grappled with body image issues, she also didn't know that you could be anything else other than a doctor, an engineer or a lawyer. When she went to college, she met women from a variety of backgrounds and, before she knew it, the seeds of female solidarity had been sown. Her first tattoo is a symbol of feminism, and she got it on the day she learnt that feminism in fact, had a symbol.

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Missed out on last week's Green Humour? You can read it here.

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Missed out on last week's Zal? You can read it here.

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Pics/Crossing lines

On a fine April morning, when Mumbai-based slackliner Samar Farooqui drove into Settlement Number 63 in Chtaura, a town wedged between Beirut and Damascus, all he could see was a sea of white tents glistening in the sun. Under the plastic tarps lived thousands of displaced Syrians who had fled to the Bekaa Valley, the largest affected area and temporary home to over 3,00,000 Syrian refugees, when a brutal civil war broke out in 2011. Lugging the nylon webbings, carbiners and other slacklining equipment, Farooqui and 14 other volunteers, stationed themselves at the nearby parking lot waiting for the refugee children.

This was to be their playground for the next two weeks. Life on the line Slacklining is the art of balancing along a narrow, flexible piece of portable fabric which is usually anchored between two points, mostly trees. "Apart from being a fun fitness activity, it has an incredible ability to connect people, start conversations and change lives," says 27- year old Farooqui. It's the reason he booked a flight to Beirut and signed up for the Crossing Lines Project, an initiative launched in 2013 by Sonya Iverson, a scientist from San Francisco, who uses slacklining to change the way we see and talk about refugees. "I had met Sonya several times at different events. The last time we interacted was at the Move Copengagen festival in Denmark, when she mentioned her plan to introduce slacklining to Syrian refugees and organise a highline festival in Lebanon. It was just the kind of inspiration I was looking for," says the Neral resident who made a career out of slacklining when he founded Slacklife Inc. — a sport and recreation company — in 2014. A level playing field At the Chtaura parking lot, the lines are hooked to the cars in the absence of trees. It's one of the things the sport has taught him — to make the best use of whatever is available at hand. "In Mumbai, I've slacklined in building compounds, garden and promenades. In fact, I was even been arrested for slacklining at Marine Drive," he laughs. Once the line was set up at the camp, Farooqui says the excitement among kids was palpable.

"Children everywhere are the same. You don't have to be concerned about the language or the way you look. I didn't speak Arabic but we managed to communicate fairly well through non-verbal cues in those two weeks. With hand gestures, I would tell them to slow down or stop or move ahead," he says. It was through two local volunteer-based NGOs Salaam and Sonbola that provides education and recreational facilities to those living in the camps in the Bekaa Valley, that the team got access to the children. Forging a personal rapport with each child — there were nearly 400 of them — was difficult for the volunteers who hailed from Iran, America and the UK.

"On the face of it, you couldn't tell that the children had gone through so much trauma. There were some who were more reserved and took time to open up," he says. Periodically, the team would sit down and discuss the day's progress. "If one of students perhaps struggled through the slacklining experience and we noticed it, we discussed it and psycho-analysed it till we came up with a solution to make sure that we didn't leave with someone feeling demoralised," he says. In the two weeks, Farooqui picked up a couple of Arabic words from them, and in turn taught them English. What was most interesting, though was how the sport changed the dynamics among the children themselves. "When you are standing on the rope, wobbling and holding the hand of the person standing on ground, you are opening up to them. So the bullies in the group ended up bonding with the rest. Everybody was on the level playing field," he says.

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Kareena Kapoor Khan. Pic/Rane Ashish

In the last few months, we have been a bit awestruck by how hot Kareena Kapoor Khan has been looking — be in stills and videos from her new movie, Veere Di Wedding, which releases in June, or in behind-the-scenes-clips, or basically all her public appearances. The hip and sexy styling, the lustrous hair, the impeccable make-up, and the undeniable, and oh-so-Bebo swag, has helped us see the new mother in a new light, yet again. When we meet her at a suburban hotel, wearing an off-white pant suit, her hair pulled back, and her green eyes set on us with a smile, we are slightly flustered. And we ask, how are you giving 30 somethings, even the one with kids, such hotness #goals.

"No please! Honestly, I have always been very fitness conscious. Everyone is saying I have lost weight so fast, but I have taken a year and a half. It has happened over time. It's not for the movies, but just for me. Like I always say, feed me karela for lunch and dinner and I am happy," she tells us nonchalantly. There is no blueprint plan for the evolution in her style as well, says the 37-year-old. Instead, she says that the movie, where she has been styled differently from previous avatars is responsible for turning up the heat. "That's one of the reasons I did the movie. It's young and fresh. I could have come back in an author-backed role, playing a titular character. But I chose not to. I just had a baby, and I wanted to do something that's young and the language for which is different," she says. She laughs when she recalls Veere Di Wedding producer Rhea Kapoor being wary of bringing the movie to her, because she is a mainstream actress who has been a part of the Khan movies, making Rs 100 crores and more.

A still from Veere Di Wedding

"There is no hero. I have never worked with four girls. No one expected me to do this. When I read the film, I wanted to do it. A mainstream actress would ask 'but what am I doing?' But with Veere, it's about the language of the film that's about four friends. No one has the bigger part." This is where she says, that it's her choices that have always set her apart. And we agree. "I did Chameli when I was 21. I also did Ki & Ka, even though Arjun is younger to me. I did Udta Punjab, even though mine is just a parallel track," she says, and when we point out that she dies in the middle of the movie, she says "Ya! I had to make sure something happened with my character so that people remembered me. I needed that moment. I want to do something different. My attitude towards movies has changed — I may say no to a big-budget films. My headspace is not that." We steer things back to her drop-dead vibe these days. We all can diet and work out, but what is she doing every day that makes her glow?

And the answer is simple. "Happiness," she smiles, "You have to make yourself happy. You have to find joy in smaller things in life, not just success. I am happiest when I am having coffee or a glass of wine with a friend and chatting. Or when I am reading a book, not a script, trying to prove that I have 30 scripts lined up." When we ask her what is she reading these days, we find common ground. "I love reading crime thrillers, especially Jo Nesbo and Agatha Christie. I keep watching the Poirot series again as well. Saif and I are hooked." Seeing her love for Christie, we recommend Japanese author Keigo Higashino to her, and she says, "Please write down the name for me!" We come back to us telling her how we have all been obsessing over her swag on social media, even though she doesn't have an account. "I may not be there but I am there na! And my friends and family keep putting stuff up. I am very much there. Anyway, I don't think anyone wants to hear my opinions — there are so many opinions out there. Wasn't it better that you and I had a chat instead of you already knowing everything about my life?"

Also Read: Kareena, Sonam, Swara And Shikha Had 10 Stylist For Veere Di Wedding

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Eat with your hands, please," Lloyd Braganza who runs one of Goa's most popular restaurants, tells us, rolling up the sleeves of his floral shirt, revealing a koi fish tattoo. We are at Copper Leaf, one of the best fish thali destinations at Porvorim, and for company we have chef and restauranteur Braganza, his wife Nerissa and their seven-year-old son Naethan. Llyod stops talking when the thali arrives. A mound of rice and a crispy fillet of matzo are skirted by coconut curry, clams masala, kismuri (dried fish and coconut salad), bhindi fry, gulab jamun, sol kadi and banana.

"This is Goa's most authentic thali, and locals as well as tourists come here for their fill," Marissa tells us. The fish has a sweet freshness, and the curry is hearty. The meal switches on our sussegad mood. But, there's more to this stop than indulging in gluttony. Six years after enticing Goans with delicious meals at his eatery, House of Lloyd, the family is set to open shop in Mumbai and ahead of its launch, the Braganzas are happy to give us a tour of their Goa-inspired menu.

The pork chops

Fish Market: The next stop is the Malim jetty where most of the fresh catch of the day coming in from along the coast is sold. Scenes of women haggling over prices, to fishermen unloading their catch and slicing the guts, greet us. We see ribbon fish, ponies and sole fish drying in the sun, apart from mud crabs piled in open crates.

Yeast Ecpected, Poie: We are at a nameless bakery. We enter a small room that opens into a dungeon-like opening with a woodfire oven burning a crimson orange. In a corner, a mixer is folding dough. One of the bakers, Gajanand Naik, shows off a basket full of poie. "At midnight, we start making poie. The dough is mixed for 30
minutes and left to rest for three hours," says Naik. Made from husk and wheat, the art of poie has lost a prominent ingredient — the toddy. When the Portuguese introduced the bread in Goa, they replaced yeast with locally available toddy.

Plum and white chocolate with vodka

Rassa Omelette: Our next stop is, again, an unnamed snack stall. "You are known by your product. There's no need for a name," Braganza laughs. A server puts a fat chunk of omelette on a plate and drowns it in rassa. We tear a piece of poie, that soaks up the gravy. The fluffy omelette and poie do little to douse the spice notes from the Kashmiri chillies and garam masala giving the curry its kick.

Fruit Cocktails Pork chops and Serradura: Our final stop is at House of Llyod, situated on the veranda of his 150-year-old ancestral home. Braganza has thrown over a chef's coat over his shorts and is busy behind the bar. Christmas seems to have come early as we alternate between a green jalepeno-passion fruit cocktail and a vodka-spiked plum and white chocolate. No sugar, juice or additives, the cocktails are blitzed on order. Braganza's food sings a melodious tune, one whose lyrics have been written over years oscillating between struggle and success. In 1996, his first venture was Chopsticks, a Chinese restaurant at Baga, which put him on the Goa culinary map. "I had no culinary degree and brought on board a chef from Royal China in Mumbai, to help. By 25, I had money and luxury cars. Then, I had to shut shop because of losses, " says Braganza. He began at the lowest rung, again, as waiter. In 2003, he opened Lloyds, a five-table Goan and barbeque restaurant in Calangute. Partners drove his business to closure in 2011. "Nerissa coaxed me to give it one more try. It would be my last one, I told her," Braganza recalls. The same year, together they rebuilt the restaurant on the current premise — a tile-roof open-air tent that gives the feel of a garden setting overlooking the heritage property. She took charge of the front of the house, and he revisited his childhood to master family recipes with his mother.

The Juhu outpost. Pic/Ashish Raje

Soul Food: Goan food, says Branganza, is meant to be consumed two days after it has been cooked. The gravies thicken from concentration of flavours. We understand this when we dip a garlic poie into a bowl of bloody red sorpotel. The spares have merged with the spices and transformed the curry with meaty flavour. This dish is one of the most tedious to make, Braganza says. "First, you boil the meat, dice it, and fry the parts separately. After frying the onions, you add the meat that will hold the masala," says Braganza. While it is best served three days later, chef has a serving reserved for himself that is two years old. For the Mumbai outlet, all the house curries and sauces, along with poie, will come from Goa. The most awaited dish — the barbeque grilled pork chops — makes an entry. "This takes me back to my heydays. At Lloyd's, when I fired the grill, people would follow the aromas to order the dish that was smelling so delicious," says Braganza, falling silent when the dish arrives. The meal ends with Marissa's serradura, a classic cream and biscuit pudding. The dry powder is soothed by the creamy condensed milk mush and we lick our spoons clean. We can't wait to have the next serving back home. Mr and Mrs Braganza, welcome to Mumbai.

Chef Lloyd Braganza with wife Nerissa and son Naethan

Also read - Mumbai Food: Chef Raji Gupta's pop up offers flavours from Kerala to Goa

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When the trailer of Shank’s hit the Internet two years ago, it garnered over 2,00,000 views in under a fortnight. And, why not? Until then we had not really seen stylised montages of modaks and varan bhaat being served in a fine-dining ambience. The trailer had us curious about Ashay Dileep Javadekar’s film, which looked like a documentary. Where is this Shank’s, the Marathi fine-dining place, we wondered. Two years on, with the release of the film online, we have the answers.

The 1 hour, 11 minute-long film, shot on a Canon Powershot and iPhone 6, traces the journey of Shashank Joshi, a man who nurtured and nourished his dream of being a chef, right from his boyhood days in a small town in Maharashtra. We know him, little by little, through his family, especially one cousin he is close to. We know him through his college friend, through food critics and historians, and most importantly, his mentor’s daughter Pauline with whom he has the most extraordinary journey. We see how he had to fight the odds, and nearly give up before he makes his dream a reality.

Bhave in a still from the film

A generous part of the film is made of lush close-up shots of Maharashtrian food that is sure to get Indians, especially those from the state, excited. And for Westerners, well, it’s Indian food like they have never seen before — a far cry from tandoori chicken, paneer masala and dal makhni. The screenplay uses a documentary narrative to tell a fictional story. Javadekar seems to be an ardent believer of the phrase: God is in the details. The care with which each character has been crafted, from dialogues to props and their stories, you forget that none of it is real. That’s also because of the convincing performances the actors bring to the table. Makarand Bhave becomes Shashank, in the controlled passion with which he narrates his story. Playing Pauline Bonnet-Joshi, his partner in crime, is Melissa Ehrlich Blevins. She brings so many moods into her account, from compassion, to vulnerability, excitement, and determination. The supporting cast is also impressive.

Besides telling an absorbing story, Shank’s makes us ponder on questions like how the West perceives Indian cuisine, the importance of educating customers on the food, and also, the gender bias in the industry, a reality that is larger than we wish to acknowledge. Food for thought, quite literally. The film can be streamed seamlessly, at a reasonable price on a pay-per-view platform. Shank’s heroes Maharashtrian food like never before, but, more than that it urges dreamers, aspiring restaurateurs in this case, to make their real voices heard. Minus a few rough edges in production, the film might remind you of Chef’s Table. That’s interesting because when this film was made, Chef’s Table was yet to hit the screen. A word of caution though: Do not watch it on an empty stomach, unless you are looking to work up an appetite.

Log on to: www.njemovies.com
Price: Rs 99

There is nothing like a blind tasting to make you realise how your senses need an overhaul. But when there is chocolate involved, then it's a worthwhile endeavour. Especially when the chocolate-maker that invites you is the 140-year old Du Rhone Chocolatier from Geneva, which is a Swiss handmade chocolate brand. After I tasted a few chocolates at the new Du Rhone Chocolatier store that opened this week at Peddar Road (our favourite was the Coline which is a dark ganache with 70 per cent cocoa beans from Brazil and Papua New Guinea), we were treated to a fun game of blind chocolate tasting. We liked what CEO and owner Frederico Marangoni had to say, when he said he never wants Du Rhone to be a mass produced chocolate. "It's as old school as it gets. Every flavour is taken directly from the root. When you taste raspberry, that's real raspberry jelly," said Marangoni, and we have to agree, especially after tasting the richness of the chocolates.

The game was simple — smell a flavour, taste a chocolate and then write down what we experienced. The first one was our lucky one, as it's the only one we got right. We took in a whiff of orange, and bit into a delicate slab of chocolate. And then what Marangoni said suddenly made sense to us. "Most factory made chocolates have thick outer crusts and barely any chocolate inside. Here, the exterior is thin and fine, and full of rich chocolate inside. You can't have more than two at a time." And he was right.

Pic/Sneha Kharabe

I then tasted lemon (which I identified as peppermint), raspberry (which I called strawberry) and passionfruit (which I felt was kiwi). If you are dying to eye roll right about now, know that I am already doing it. The best part of this experiment was that I got to try these ultra fine, luxurious chocolates that made me feel like we were getting a taste of Swiss tradition. It also made me sure of the fact that we would be visiting the store again soon, to try out the Mocca Glacé, whose ingredients are a well-kept secret. But when you make chocolate as good as Du Rhone, it makes sense to guard with your life.

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KC Shankar, Shashwita Sharma and Vicky Ahuja

It was in 2014, when several theatre and screen artistes came together in the hope of bringing the works of renowned, as well as lesser known, Hindustani writers to life. Three years on, that dream is taking shape one storytelling session at a time. Jashn-E-Qalam, a collective of storytellers, comprising actors KC Shankar, Shashwita Sharma, Vicky Ahuja and Madhurjeet Sarghi among others, will celebrate the brilliance of Hindustani literature with solo performances of short stories, over the next three weekends in the city. On the menu this Sunday is Chashm-e-Baddoor, which will showcase satirical texts from Hindustani literature — Harishankar Parsai's Inspector Matadin Chand Par, Ismat Chughtai's Chuimui and Patras Bokhari's Marhoom Ki Yaad Mein. Over the following weekends, the artistes will present Ek Baar Ki Baat Hain at Yoga 101 and Harkat Studios in Andheri. The show will combine an interesting mix of genres.

Literature, says Shankar, "mirrors society and great writers allow the individual and the collective to reflect on their humanity and sometimes the absence of it. This experience can teach, inspire, make us laugh, or horrify us". Shankar says that "Hindustani literature, particularly makes this connection even more personal. The stories, milieu, characters and voices; their concerns and challenges are very relatable". He explains, "Also, as an audience, most of us have grown up on the visual medium, and theatre of a similar, imitative kind. So, you have an audience that comes prepared to watch rather than listen. But, by performing these short stories without any sets, props or costume, the solo storyteller impels the audience to visualise what they are listening to. Thus, opening up their imagination and transporting them to another world." It is this magical experience that the artistes hope to re-create. "Here, even the audience becomes a co-conspirator in the story," says Shankar.

When: Somaiya Centre for Lifelong Learning, Above Kitab Khana, Fort
Entry: Rs 200 – Rs 400
To book: in.bookmyshow.com

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Vikhroli resident Dr Suvajeet Duttagupta loves cooking his meals. But, the 31-year-old cinematographer admits that some days are long and tiring and the only option is to order in. Yet, this comes with its share of heartaches. "The worst bit about ordering out is the amount of plastic that they use to package the food. While I make it a point to ask the restaurants not to send any plastic cutlery, there's only so much one can do." But, Duttagupta isn't the only Mumbaikar who wishes ordering in was more environment-friendly. With the plastic ban coming into full effect on June 23, Mumbai establishments have little more than a month to find alternatives. While some places now pack their containers in cloth bags, the containers themselves remain plastic, thus almost negating the good work done. But, there are a few who have switched to eco-friendly alternatives:

The New York Burrito Company

This brand new Mexican quick service restaurant has a takeout menu that includes Mexican bowl, burrito, tacos, nachos, quesadillas, chips with guacamole and more. They use recyclable bagasse trays and kraft bags (made from recycled paper). They also add wooden spoons and forks to their takeout bags. Senil Shah, partner, says,
"As our packaging is eco-friendly and fresh, we don't fear food getting bad. Costs have risen, but we see it as an investment for our future generation's betterment."

Senil Shah, partner, The New York Burrito Company

Where: Chowpatty
Timings: 11 am – 11 pm
Meal for two: Rs 600
Call: 8999347000

29 – Twenty Nine

This pan-Indian restaurant which opened in 2016, is much loved by the patrons for the range of regional dishes (29 states) available under one roof. "We have been experimenting with various packaging material at our Kemps Corner outlet, long before the plastic ban. The packaging material we have found best for our use is made of paper and cornstarch with an eco-friendly dissolvable lamination. This was then applied to all other 29 outlets," says owner Nishek Jain. The initial sourcing of the products came from an exhibition called PackPlus hosted in New Delhi. Certain items, like rabadi with jalebi all come in a kulhad. They pack the curries in an eco-friendly thick-bond-with-lamination pack.

Nishek Jain, owner, 29 - Twenty Nine. Pic/Bipin Kokate

Where: Kemps Corner
Timings: 11 am – 3.30 pm and 7 pm – 11.30 pm
Meal for two: R1,000
Call: 7208022929

O Pedro

This Goan eatery became an instant talk-of-the-town thanks to its mix of flavours soaked in the coastal calm. From healthy options such as corn falafel lettuce wrap to good ol' chorizo chili fry poie, their menu has something for everyone. Before starting their takeaway services, O Pedro's tried and tested their delivery menu so that they knew that the food ordered for delivery would travel well. All these dishes are packed in products made of sugarcane, sorghum and wheat that are sourced locally from Pappco Greenware. "Working without plastic has its own challenges as one is not able to secure or seal in liquids completely, but we seal our boxes with paper tape to reduce chances of spillage," says Yash Bhanage, Partner at O Pedro. He adds, "The quality and the experience of eating the meal is most important for us. Therefore, we are only looking at delivering within a limited radius where we know the food would reach our guests quickly and in the way it was intended to."

30-60
No. of days in which sugarcane bagasse decomposes

Where: Bandra Kurla Complex
Timings: Noon to 1 am
Meal for two: R1,200
Call: 26534700

Mandala

This delivery kitchen offers a wide range of salads, sandwiches and soups. Sticking to their organic living philosophy, they also ensure that their food reaches their patrons in bio-degradable containers made of sugarcane bagasse — the fibrous residue. They source these products from a company that buys the packaging raw material from the UK and then processes it to create biodegradable bowls. The company also provides data on how many carbon credits they save by using their boxes. "We don't add any items on our menu that don't withstand our rigorous testing. This means that we let our food sit out at room temperature for up to an hour to see if it retains its flavour and freshness," says Sarvangi Shah, director of marketing.

Where: Kemps Corner and Prabhadevi
Timings: 11 am-midnight
Meal for two: Rs 700
Call: 8291817376

The Pantry

Tucked in the bylanes of the city's art district, this artsy café is a perfect hideout. The Pantry was established six years ago with principles of using fresh, local produce. This even translates in their packaging where they use food containers made of cornstarch while their straws, sleeves, boxes are all made of paper. Soup containers are made of bagasse. "Liquid foods like soups are the trickiest to pack but as we use bagasse container for the same and they are with an airtight lid which holds liquids safely, it makes it easy to travel," says Sumit Gambhir, the partner at The Pantry. In order to avoid spoilage due to temperature, they ensure that they maintain the delivery timings.

Address: Kala Ghoda, Fort
Timings: 8.30 am – 11.30 pm
Meal for two: Rs 1,400
Call: 22678901

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Over a phone call from Kolkata, Vikram Rajan*, an audio engineer and guitarist formerly based out of Mumbai, wants us to listen to a track that he has composed. It's available on Soundcloud and, as we stream it, we more or less agree that its flavour of electronica-jazz could accompany a languorous Sunday evening. "For a long time, I had been unable to come up with something good. And, then, I composed this around March while I was microdosing and sometimes, megadosing on acid," says Rajan.

The 33-year-old is referring to a way-of-life that's effectively snapping the ties between drug abuse and the creative arts. This is a lifestyle experiment that some of the brightest techies in Silicon Valley are engaging in, and has got psychiatrists and anti-drug crusaders distraught. "From a 100 mics paper, I take about 20 mics, twice a week, giving the doses a 2-3 days gap. The effects of acid last for about six hours for me," says Rajan, who started experimenting with drugs as a teenager.

After a litany of prescriptions failed to control her mood swings and depression, Ayelet Waldman found relief in LSD. The former federal public defender authored A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life, in 2016. She wrote: "(It) made room in my mind not necessarily for joy, but for insight. It allowed me a little space to consider how to act in accordance with my values, not just react to external stimuli. This, not the razzle-dazzle of pleasure, was its gift." Pic/Getty Images

In need of a quick glossary before we proceed? Acid is officially called Lysergic Acid Diethylamide (LSD), a psychedelic drug banned in India, the possession of which can lead to imprisonment from one to 20 years under the Narcotic Drugs and Psychotropic Substances Act. LSD is often illegally sold in the form of stamps, with the hallucinogen embedded on blotter paper. Mics is micrograms, that's one-millionth of a gram. A microdose is when you have about one-tenth of a recreational 'party' dose, which starts at about 200 mics.

"With microdosing, you are not tripping — this is not a trip. The euphoria isn't there. It's not about feeling good, it's about calmness," continues Rajan. Microdosing first hit headlines after Steve Jobs' passed away in 2011, when a number of inspiring tales on how LSD became the new go-to substance for enhanced performance by tech employees hit the net. Espresso became passé. 'Flow states' were the new yoga. While Jobs did more than just microdose (he was known to have gone all the way), Silicon Valley techies are reportedly doing acid in quantities such that their effects are 'sub-perceptual', where you won't "see stuff" but you harness its "positive" effects.

A dropper with CBD cannabis oil, used for medicinal purposes. Initial research in the area has shown that patients can reap the benefits without its full-blown 'high' effects

Paul Austin, founder of The Third Wave, where you will find a manifesto on microdosing, defines it as, "the act of integrating sub-perceptual doses of psychedelics, such as LSD or Psilocybin Mushrooms, into your weekly routine for higher levels of creativity, more energy, increased focus, and improved relational skills." The Third Wave, according to Austin, follows the first two waves, in which psychedelics were used indigenously for thousands of years, and then, in the 60s and 70s, when they were a part of American counterculture. Austin writes that The Third Wave is upon us, "brought about by recent developments in cannabis legalisation and psychedelic research — and it will change the way mainstream culture perceives psychedelic use."

Classically acid, now weed
For Rajan, however, it wasn't sub-perceptual Silicon Valley that got him to ration his 100 mics stamps, each of which costs about R2,000. It was simply a matter of demand and supply. Mumbai had better stuff than Kolkata, and more availability. Microdosing has classically been associated with LSD, but now has been extended to cannabis as well. Austin's website has guided instructions for microdosing on nine drugs, including cannabis and ayahuasca. Mumbai-based communications officer Varna Kumar*, 25, smokes a mandatory post-work joint every night in order to cope with anxiety and panic attacks. "I feel I have worked enough through the day, without much time to understand what I am going through. At night, when I am by myself, I smoke a small joint to achieve REM sleep," she says. The joint, a mix of two strains, sativa and indica, help her body relax. It makes her anxiety seem defeatable, is how she describes it. Her counsellor, who also smokes up, has not advocated this as a coping mechanism. "It's different from when I am smoking up recreationally during the weekend or when I am away on a vacation. I will do three to four joints when I have nothing to take care of," she says.

Rajan doesn't buy it. He offers an example that may be best contemplated upon or contested by those who have done both LSD and cannabis. "With weed, you are either stoned, or you are not. You will need to smoke up as soon as the high wears off. When you get stoned, your mind becomes passive. But, microdosing on LSD allows you to be calm enough to multitask, allowing a lot of information to be funnelled into your brain easily. You are alert, you are awake," he says, adding, "What is LSD all about? When you start tripping, you see a shift in perspective." You need not agree with Rajan, as he himself says, "We are all chemical reactions", with each of us reacting differently to drugs.

Covert, not convenient
Microdosing will often be compared to that hard-earned and well-deserved one drink after work hours. It's nothing like that, microdosers will tell you, and so will psychiatrists and rehab therapists. For one, microdosing has none of the ease of getting a drink at your favourite pub. You will be persecuted in your search for your creative spell or a calmer mind. Next, it's not even like getting a drug prescription that your GP advises you to have for the course of a fortnight. Kumar and Rajan know it all too well. Microdosing means self-experimentation, knowing when you are crossing the threshold into recreational high dosages. Cannabis, for instance, is best microdosed through edibles, like space brownies, which are available legally in some parts of the world. It's probably the reason why microdosing is yet to take on Silicon Valley proportions in India. "Here, we don't often get to know what strain of cannabis we are using, or where it is sourced from," says Kumar. Saying "this stuff is craazzyy" is, therefore, not enough if you want to microdose. "If you are living with family, it's hard to make edibles. All this means that the convenience factor associated with a drink is not the same with this covert process," she adds.

The idea of the junkie, with matted hair and piercings, is a stereotype that microdosing is replacing. It's no longer cool to be a junkie, especially in the vegan-conscious, gluten-free, aerial yoga health lifestyle that we are seeing around us. Microdosing may be the most metrosexual among the various kinds of drug use, and it carries the allure of high-performance and alleviation of mental health issues, with published studies to back these up. But doctors and psychiatrists are warning us about the glamourisation of microdosing, even as research to mainstream it for mental health is going on. Psychiatrist Dr Samir Parikh says, "Microdosing encourages the thought process that you need a drug for enhanced performance or better creativity or to calm your nerves. This will mean that students microdose before exams, athletes before a run, couples before a wedding, and the next thing you know, because someone has to attend a birthday bash. There is no end to important situations in life. We are making people believe that a student could have scored an additional five marks in an exam had she just microdosed. Can you imagine the perils of this philosophy?" he says. He backs this up with the number of risks associated with prolonged drug abuse, such as a permanent change in brain circuitry, cerebrovascular diseases, and panic attacks.

Then there are those who will argue that moderation as 'one-drink-a-day' is more addictive than the weekend drunken revelry. Is addiction, even in microdoses, still addiction, where the brain searches for rewards compulsively? Kumar disagrees. "Microdosing is the difference between dependence and addiction. For example, I am dependent on a cab to take me to the station. Can I get through my day without it? Can I walk to the station? Yes, I can. That's what microdosing is. I can get through my day without a joint, but a joint just makes it a little easier," she says.Psychiatrist Dr Yusuf Merchant, who runs a rehabilitation centre at Kalyan, says microdoses pose the risk of turning into overdoses. "With any drug, the body learns to metabolise it faster. Which means, that the quantity for a microdose will keep increasing and your hold on reality will keep getting more tangential."

Rajan himself admits to a 'bad trip'. LSD users will tell you that recreational doses are best done in settings that you feel comfortable in, to enjoy, or cope, with the hallucinations. With microdosing, you are headed into your office or your studio to function better. Rajan had once taken more than a microdose, leading him to have a panic attack, the kind where he couldn't even see his hands. The golden rule, he says, is that if you don't go on a full trip, you will never know what a microdose is.

That ailing pain
The push for microdosing is coming from a quarter where its future seems to be most secured — pain management. Mumbai-based homemaker Susheela Kamath*, 48, was diagnosed with stage II breast cancer a couple of years ago, and having undergone nearly a year's worth of chemotherapy and radiation, the accompanying pain and nausea, were all too real. Her daughter provided her with high-grade hash oil. The dealer provided her with a tiny spoon, the kind that you are handed inflight to stir your coffee with. "I had to initially understand, through a lot of trial and error, by gauging my mother's mood, on what a microdose for her would be. Hash oil is very potent," says the daughter.

A little drop of it on her toast every day, helped Kamath cope with pain. "From the third day to the tenth day after chemotherapy, my mother would have about three to four spoons a day, and, on other days, just half a spoon," says the daughter. Coping with the pain meant she could do more during her day, and also have an appetite. Now, months after she has wound up chemotherapy and radiation, she has bid adieu to the prescription drugs that came along with it, and the hash oil as well, without yearning for that high. Unfortunately, unlike medical grade marijuana that is available in some countries, and still not permitted in India, the daughter did not know if the oil had cannabidiol (CBD), which gives marijuana its medical properties, or tetrahydrocannabinol (THC) which gives you the "high".

Dr Kailash Kothari, interventional spine and pain management specialist at Fortis Hospital, Mulund, says that there is not enough evidence to either prove or disprove that microdosing on cannabis can help with pain management, the way opioids, such as morphine, act on the nervous system. "Do cannabinoids work like tranquilisers or do they have long-term effect? There is not enough research as of now," he says, adding, "Getting dependent on these takes a lot of time and not something that can happen in about 15 days of use." In the meanwhile, you can enjoy a night of quiet or a better track on Soundcloud by rationing your stash. But, is it short-term solace or long-term abuse?

*All names have been changed on request to protect identity

Redoing your office interiors? Try out some of the must-have elements in office spaces like the right furniture, adding nature to the surroundings and activity based settings. Ishan Thacker, Associate Director, Vector Projects (I) Pvt. Ltd. and Amit Ramani, Founder and CEO of Awfis Space Solutions list some recommendations.

1. The right furniture: This plays a pivotal role in any kind of work space setting. Offices need to invest in the right kind of furniture to increase their employees' efficiency. Opt for something that has high functionality over ordinary designs. Adjustable desks and chairs can be a good choice; multipurpose furniture can also be added to save space. Another new entrant in the space is reconfigurable furniture that can be customized as per need. It provides both the required flexibility as well as privacy.

2. Go back to nature: Add in a little nature to your premises with biophilic designs. The latest trend in the office space, the presence of plants and other natural elements can add positivity within the environment and improve the air quality.

3. Activity-based settings: It is exciting to be at a workplace that engages you with diverse group of people and gives you the opportunity to network and collaborate. Flexible workstations, new age cabins, activity-based settings including comfortable couches and beanbags, breakout zones, meeting lounges and pods are some of the attractions in an office that provide a natural crossroad for employees to meet and share ideas, thereby enhancing their motivation levels and productivity.

4. Ergonomic lighting: Our cortisol level drops significantly under artificial and poor lighting conditions and dimly lit workplaces strain the eyes, causing headache and drowsiness. This can lead to poor productivity. Natural light is the best. Daylight that filters through the space not only affects employee well-being but also boosts the energy and mood level. Consider making the best use of natural light and swap the florescent bulbs with personal lamps, string lighting, and soft coloured bulbs to keep your employees alert and attentive.

5. Aesthetic appeal: Everything from layout, to furniture and even artwork is subject to appeal in a workplace. The idea is to create a transcendental experience for the user and to design a warm casual space that works as an incubator for ideas. Materials like wood and metal bring warmth and rustic feel to the space. Keeping in mind the fact that the office workspaces today are dynamic in nature and are witnessing rapid changes, the workplace style should be bold, industrial and vibrant with new age materials, technology and decluttered design vocabulary.

6. Technology: A modern office space is incomplete without the right technology. Integrated systems, fast-speed internet connections and latest hardware and software are things your office must have to appeal to the incoming tech-savvy generations. Not only that, office can also invest in mobile devices or rather agile settings to help one switch easily from one place as to another. The new workforce prefers more flexibility which will in turn result in enhanced productivity.

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