Replicas
U/A: Crime, Mystery, Sci-Fi
Director: Jeffrey Nachmanoff
Cast: Keanu Reeves, Thomas Middleditch, Alice Eve, John Ortiz, Emjay Anthony
Rating: 

The bland, expressionless Keanu Reeves as a scientist is a hard sell for even the most gifted filmmaker so one can't understand why he was chosen to lead the cast as an obsessive scientist wanting to clone his family back to life after a drowning accident. And that's not the only bad choice here. The story itself never develops beyond the perfunctory -allowing for quick jump forwards into sci-fi territory that doesn't appear conclusive in the least. The script appears to be written by novices who have little idea about the subject matter. Neither the Director, the tech team nor the cast seem to believe in this story. So they all appear to be playing a game of make-believe that only they enjoy. For the viewer the experience is sheer tedium.

Playing God in a high tech world is not a new concept but the treatment, tone and momentum must be good enough to gain attachment and believability. There's no such thing here. At no point are we ensnared by Will Foster's (Keanu Reeves) need to bring back his family from the dead. Neither his guilt nor his love for them are established here. And his corralling of his lab partner Ed (Thomas Middleditch) for support, is also not believable in the least. The talk of neural maps, synthetic brain, algorithms and consciousness sounds like mumbo-jumbo in such an unbelievable set-up – even when it's done in a futuristic facility called Bionyne.

Check out the trailer here:

When Will persuades his friend Ed to dispose the bodies of his dead family members it sounds insane and when he pretends to be his kids and responds to text messages from their friends it becomes all the more ridiculous. We never see his grief or experience his pain. And that's also because Keanu Reeves doesn't go beyond harried and lost in terms of expression. Both writer Chad St. John and director Jeffrey Nachmanoff don't appear to have figured out what exactly they wanted to convey here. They just run with the tide and make a mess of it. There's no style or mood to hold this sort of idea through. Nachmanoff hits the bland and straightforward route – on e that leaves the audience totally distended and discontent. This is the kind of hare-brained unbelievable stuff you wouldn't waste your hard-earned money on!

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One Less God

U/A: Drama, Thriller
Director: Lliam Worthington
Cast: Joseph Mahler Taylor, Sukhraj Deepak, Mihika Rao
Rating: 

As a film that hopes to capture the terror heralded by the 26/11 attacks on Mumbai, 'One Less God' is rather feeble, nondescript and ineffective. The scope is narrow and the budget too small to do justice to a disaster that is amongst the most unforgettable in recent history. This is drama written around a real-life crisis but at no point does it feel real. The 2008 Mumbai attacks included a series of terrorist strikes that felled 164 people across south Mumbai - carried out by 10 members of the Laskar-e-Taiba, an Islamic terrorist organisation based in Pakistan. But none of that drama or tragedy is captured here with any grit or enticement.

The Mumbai siege is presented in a slap-dash fashion that never really gets the audience involved. The focus is largely on the Taj Mahal hotel and what it's guests went through in the final hours before their falling victim to the terrorist onslaught. The film focuses its efforts on the men and women attempting to survive, while intermittently cutting across to the two men perpetrating the attack. The bits of humour that creep in at odd times appears to be in bad taste.

Check out the trailer here:

Everything here seems rather pretentious and ineffective. The general cross-national mix of characters, their touristy experiences and the aftermath of the siege may have some diverse moments but we never feel attached or interested enough to be affected. There are barely any validating moments here. The performances are bad, the direction is sloppy, there are continuity breaks that look ridiculous, the art direction and production values leave a lot to be desired. Even the attempt to go one-up on the much awaited Dev Patel, Armie Hammer, Nazanin Boniadi, Jason Isaacs starrer 'Hotel Mumbai'- (a film that covers the same territory), by releasing earlier, reeks of Opportunism.

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Mary Queen Of Scots

U/A: Biography, Drama, History
Director: Josie Rourke
Cast: Taylor Russell, Logan Miller, Deborah Woll, Jay Ellis, Tyler Labine
Rating: 

Director Josie Rourke and writer Beau Willimon's attempt to give two warring Queens, the widowed Mary Queen Of Scots (Saoirse Ronan) and Queen Elizabeth I (Margot Robbie) of England, a larger voice in their historic confrontation, makes for fairly compelling viewing. This is a tapestry of discontent woven with a rare female gaze and allows for greater involvement in the royal proceedings.

Mary, following untimely widowhood, returns to her native Scotland to assume her throne. Her half-brother James Moray (James McArdle) is not enthused and his peace-keeping allegiance to the Protestant regime in England may have well become meaningless. Mary's cousin, Elizabeth I, monarch of England is also wary of Mary's far more valid claim to her own throne. So the intrigue and betrayals begin. And it's the men on both sides who play out the deceit in bloody fashion.

Check out the trailer here:

This is largely a biopic on Mary, Queen of Scots beginning with her return to the throne, subsequent precipitous marriages, the power struggle with her brother and several other aspirants to the throne and eventually her tragic death on the orders of her cousin. So there's more than enough drama to be had. Unfortunately, clarity is not a strong point here. Framed largely as per the version put forward by John Guy's biography of the Queen, the film has some controversial moments but fails to concretize the reasoning for her eventual beheading.

We get to meet Mary's ladies-in-waiting, her attempts to solidify her claims to the throne of England, her fight with the clergy who are largely protestant, her brother James' attempts to undercut her authority, John Knox's(David Tenant) outrage at having to know-tow to a female ruler and Elizabeth's helplessness and insecurity in having to deal with a more beautiful, younger claimant to her monarchy. Most of the narrative gives vent to Mary's life story but towards the end the focus shifts to Elizabeth's, thus creating a dichotomy that is a little difficult to empathize with. This filmed drama is largely faithful to the established record, has authentic fashionably period costuming and make-up and intensely committed performances from the two leads as well as their co-actors in crucial roles. So it's a vividly engaging experience even if not an entirely lucid one!

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Alita: Battle Angel
U/A: Action, Adventure
Director: Robert Rodriguez
Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali
Rating: 

This film, which has Robert Rodriguez and James Cameron working together with Peter Jackson's visual effects, has wonders never experienced before in cinema. The film may have taken a long while (twenty years) coming to screen, but the end result is fantastic enough to keep you asking for more. A manga-based action thriller, James Cameron's $200 million-worth, long cherished dream is aimed at young adults seeking fresher pastures from that of The Hunger Games variety and hopes to make it to bigger box-office returns than that sub-genre hit-starter.

Cameron started on the cinematic adaptation of Yukito Kishiro's original manga comics way back in the late 1990s, (much before Avatar), but the phenomenal success of Avatar had him relinquishing directorial control to Rodriguez while holding firm as screenwriter (with Jon Landau and Laeta Kalogridis) and producer.

The resultant kick-ass cyberpunk adventure may not be as original as he imagined it, but it has certainly got all the chops to make it to a long-term fan-following on its own.

The filmed adventure is set 500 years from now, in Iron city - a junkyard that is a wasteland for the flying citadel of Zalem. The city is peopled with AI controlled cyborgs mingling with real humans in a community so tech-spangled that it's hard to decipher one from the other. Kindly Doctor Dyson Ido (Christoph Waltz) reconfigures a former robot superweapon and rechristens her Alita (Rosa Salazar), after his own daughter. I do, who moonlights as a hunter-warrior, tries to protect the young Alita, but her mind has memories of a past that keeps haunting her present. She even develops a crush on handsome robo-junk dealer Hugo (Keean Johnson) and eventually ends up becoming the super weapon she once was.

The plotting here is a little too jumbled up, ensnared as it is in creating set-piece thrills and out-of-this-world experiences. Stereotype characters and genre tropes make the engagement less than wondrous. The tech-specs are certainly the best we've seen in a long time, the IMAX imagery is splendid and beguiling and the vivid expressions of the actors make it feel all the more real and intimately experiential.

Watch the trailer of Alita: Battle Angel

Even though Salazar is the most riveting and fascinating of characters, she does feel a little artificial at times. The CGI blends in effortlessly with digitally morphed motion-capture performance, but the artifice can be felt - too strongly at times. The array of side characters also feels like old hat killing the originality of the experience and allowing déjà-vu to creep in. Even so, there's no belittling this explosive cutting-edge adventure that takes cinema thrills to never-seen-before heights!

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The Wife
Director: Bjorn Runge
Cast: Glenn Close, Jonathan Pryce, Christian Slater
Rating: 

The two lead performances are what make The Wife so special. In this unsettling drama - an adaptation of the 2003 Meg Wolitzer novel by Jane Anderson - Glenn Close plays Joan, the wife of a Nobel Prize-winning writer Joseph Castleman (Jonathan Pryce).

Directed by Bjorn Runge, The Wife opens in 1992 when Joe and Joan Castleman, in their Connecticut home, are trying to fall asleep when they get a call from the Nobel academy, informing them of the prize. It's their moment of triumph after 40 years of struggle with the written word, in which Joan, supposedly, has played a largely complementary role. Of course, there are flashbacks that hint at her own phenomenal ability to write prose, stifled by a marriage that demands she subjugate her talents to a life of reflected glory in a period (late '50s and early '60s), where women writers were not given the importance they command today.

There's no great suspense or mystery powering this tale of a breakdown that spirals into tragedy at the crowning moment of an author's accomplishments. In fact, Runge doesn't appear to be as interested in developing the suspense as he is in showcasing the unravelling of a suppressed human mind.

Close literally steals the thunder with her role as the devoted wife of a celebrated novelist. She is the keeper of his deepest, darkest secret; a stunningly nuanced expressionism that is more than likely to take your breath away. The restraint and modulation she brings to the role are simply phenomenal. It's a performance that is deservedly walking away with a slew of awards.

Pryce is no mean performer either. His role may not garner much sympathy, but his act complements that of Close so well that you begin to believe in their togetherness.

The Wife is a little compact and contrived, given its novel origins. The attempt to complicate matters for the Castlemans by showcasing their troubled relationship with their budding novelist son, David, seems passé. Also, Joan's seething frustrations don't seem completely justified, even whilst considering the period they take wings in. While the movie is not a great piece of work, the lead artistes definitely are worthy contenders for the awards.

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2019 Oscar Nominated Short Films
U/A: Action, documentary
Director: Reyka Zehtabchi, Rodrigo Sorogoyen, Marianne Farley, Jeremy Comte, Vincente Lambe, Guy Nattivi
Ratings: 

This anthology film features five Oscar-nominated short films each in the Live Action category and one short documentary set in India. The live action line-up includes Madre, Fauve, Marguerite, Detainment, and Skin.

The documentary film Period. End of Sentence by Reyka Zehtabchi from the USA, tells the story of women, in a rural village just outside of Delhi, fighting the deeply rooted stigma of menstruation in India. It's factual, hard-hitting and exposes India's hinterland underbelly that puts premium on dogmatic tradition and self-defeating old school beliefs.

Stills from Detainment

Madre (Mother), a stirring short from Spain directed by Rodrigo Sorogoyen, has a single mother enveloped in a living nightmare - having to deal with her seven-year-old son, who tells her he can't find his father who he was vacationing within the French Basque Country. The film is a taut, frightening thriller that grips you till the end.

Marguerite, the short from Canada, by Marianne Farley, opens up locked-up memories through an evolving friendship between an ageing woman and her nurse, thus allowing her a sort of redemption from all the hurt and guilt accumulated over long lonely years. It's a human story that allows emotions to creep in steadily and eventually makes the precarious journey through memory lane a fulfilling one.

Fauve, another Canadian short, by Jeremy Comte, deals with an innocent, seemingly harmless power game between two boys that eventually turns scary. It's a stirring indictment on the brash, confrontational, competitive arrogance that has enveloped every aspect of young life today.

The most shocking of the lot are, of course, Detainment and Skin. Vincent Lambe's Detainment, a short from Ireland, based on the James Bulger case - for which two 10-year-old boys are detained by police under suspicion of abducting and murdering a toddler. It's a gruesome and harrowing tale told through interview transcripts of the case and the tension-ridden treatment is bound to leave you disturbed and despondent.

Skin, a short from the USA by Guy Nattiv, spins a horrific drama that has its origins in racial incrimination. A black man smiles at a 10-year-old boy in a small supermarket in a blue-collar town, and all hell breaks loose. This one's a blinder about how conditioning rules the way we think and behave even in such harmless, innocuous moments.

This entire package is a delightful showcase of talent and diversity and therefore, rightfully enshrined in the nominations for the best and worthiest shorts of 2018. They are definitely winners!

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Notebook
U/A: Romance
Dir: Nitin Kakkar
Cast: Zaheer Iqbal, Pranutan Bahl
Ratings: 

I, for one, am not of the belief that remakes are a bad thing. If made well, they can stand their ground and even shine, in some cases, better than the original. Given that Notebook is directed by Nitin Kakkar (the man behind the luminous gem Filmistaan), I had a fair share of expectations, despite the underwhelming trailer. Kakkar's powerful storytelling in the unassuming Filmistaan played in my mind as I walked in to watch Notebook, an adaptation of the Thai film, The Teacher's Diary that released in 2014.

It's not a good sign when, in a love story, children steal your heart over the lead pair. Individually, both debutants Zaheer Iqbal and Pranutan Bahl sparkle, but they meet only at the fag end of the film. Kakkar draws out adequate performances from both, playing to their strengths, using the naivety of the novices to build on some screen charm. But with so much solo heavy lifting and a wobbly screenplay in tow, Kakkar delivers far short of what he is capable of.

Watch the trailer here:

As a plus, the film uses the picturesque settings of Kashmir, blending it with good music. The story, much like the original, traces the unlikely love life of Firdaus (Bahl) and Kabir (Iqbal). She leaves behind a notebook full of sketches and doodles; he is her replacement in a school where they teach. The notebook becomes a source of hope for Kabir, who connects deeply with her over the pages. She is an unusual teacher in an abusive relationship. As Kabir struggles to bond with the children, the notebook comes handy. The rest of the film paves the way to their final interaction.

Kakkar remains faithful to the original design, transporting his viewers into a world of innocence. It is concerning that the director never delves deep into the problems of the state, bringing forth its elements for a pure cosmetic use. A child with a fundamentalist father is a needless addition to the plot. Kabir's former job as a soldier, and his Kashmiri pandit background, also do little to add to the larger plot. It's a balanced view, but not a bold one; too simplistically handled, which is unlike Kakkar's risque style.

Watch it for the adorable kids, and if you are excited about star children in general, Pranutan is a good deal as a first timer.

Also Read: Notebook celeb review: Bollywood unanimously touts the film as a sweet and genuine

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The Least Of These
U/A: Drama
Dir: Aneesh Daniel
Cast: Sharman Joshi, Stephen Baldwin, Shari Rigby
Ratings: 

Aneesh Daniel's attempt to relook at real-life events that triggered the grisly murder of Graham Stuart Staines - Australian born evangelist/poor leprosy patients' caregiver, living and working in the remote regions of Orissa - is a rather tame experience.

It's obvious the filmmakers were eager to avoid any confrontations with right-wing fanatics, who had a major role to play in triggering the gruesome killing of Staines (Stephen Baldwin) and his two sons. Don't know how much of a spoiler the censor board played in this regard, but needless to say, this is a largely sanitised version of the truth and does a great disservice to the lives lost in the throes of a communal crossfire. Defanged of the court ordained facts, including the name of the convicted killer (Dara Singh) and his right-wing Hindu fundamentalist political affiliations, this film merely plays around with the 'conversion' issue.

The narrative device employed here is in itself flawed. It's the late 1990's. Journalist Manav Banerjee (Sharman Joshi) moves with his pregnant wife to a small town in Orissa. The editor (Prakash Belawadi) of the New Orissa Daily treats him like a stringer and expects him to coerce stories about forced conversions from the villagers. Manav, who shuns lepers and is clearly biased against Christian groups, would rather do the exposé without being personally involved. But his editor deems it necessary that Manav himself play victim to the conversion hoax to expose the Australian missionary's so-deemed unlawful activity. With his wife delivering prematurely and costs of hospitalisation mounting by the day, Manav is forced to toe the line.

While forgiveness plays an important part in this misrepresented drama, it doesn't have the effect of a great act here. It is depicted so ineffectually that there is little impact on the viewer. The actors are either over-the-top or inconsistent. Joshi overstates his eagerness by repeating phrases like 'I am a journalist' and 'He is a leper'. Scripting by Andrew E Mathews is so slack that his turnaround defies logic. Even Baldwin and Shari Rigby fail to arouse empathy. Technically too, this film is not upto the mark. The direction, editing and cinematography lack distinctive focus. This unaccomplished production doesn't amount to anything!

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Shazam!
U/A: Action, Adventure, Comedy
Director: David F. Sandberg
Cast: Zachary Levi, Michelle Borth, Djimon Hounsou, Mark Strong
Rating: 

Moving from dark and foreboding (Batman, Batman Vs Superman, Suicide Squad) to bright, frothy and fun (Wonder Woman, Aquaman) and now Shazam!, DC Comics appears to have gotten a lead on its entreaty. This film based on a lesser known comic book, in which Zachary Levi plays Billy Batson a.k.a Shazam, a superhero who is actually a 14-year-old boy magically transformed by uttering the titular incantation, is kid-friendly, has a strong jocular vein and advocates family values at a time when families are breaking apart because of selfish, individualised pursuits.

Watch the Shazam! trailer here: 

Directed by David F. Sandberg, Shazam!, is an origin story of the titular character as well as the villain, Dr Thaddeus Sivana (Mark Strong). The villain, in fact, is first shown as a little boy bullied and blamed for all calamities that befall, by his older brother and domineering father. So when he believes and actualises in taking control of the dark powers of the Seven Deadly Sins, you still empathise with his need to prove himself worthy. It's only when he pursues Shazam that we get conflicted and confused about whom to root for. More so because Shazam, being just a kid and forced to play in the adult league, takes a long time getting a handle on himself, his powers and eventually coming into his own.

Billy Batson's own history comes into play to swing empathy to his side. Separated from his unwed, teen mother at a carnival and subsequently sent to a series of Philadelphia foster homes - from which he continually runs away, he eventually winds up with an extended foster family of five, including disabled Freddy (Jack Dylan Grazer), who walks with the aid of a crutch and is obsessed with all things superhero. With Freddy as the wonder-struck side-kick, the duo embarks on theatrical antics that are delightfully fantastic.

The battles between Shazam and Dr Sivana don't amount to much other than CGI driven plot mechanics. The CGI incarnations of the seven deadly sins and those highlighting the powers of Shazam and his siblings never get distinctive enough to keep us hooked. The rather long 131 mins runtime also takes a toll on the overall enjoyment. Despite the negatives, this film manages to drum up anticipation and leave a smile on your face after the end credits!

Also read: Zachary Levi roped in for The Marvelous Mrs Maisel

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The Tashkent Files
U/A; Drama, Mystery, Thriller
Director: Vivek Agnihotri
Cast: Mithun Chakraborty, Naseeruddin Shah, Shweta Basu Prasad, Mandira Bedi, Pallavi Joshi, Rajesh Sharma, Vinay Pathak, Pankaj Tripathi, Vishwa Mohan Badola, Prakash Belawadi, Achint Kaur, Prashant Gupta
Ratings: 

Based on true incidents, director Vivek Agnihotri's Tashkent Files, is a fictionalised film with cinematic liberties. In form, it is a blend between a courtroom drama and an online game with different task levels. In purpose, while seeking answers to the mysterious death of India's second Prime Minister, Lal Bahadur Shastri, who died on January 11, 1966, in Tashkent, it implores you, as a citizen of the nation, to question for, "your right to truth".

The film has a kind of stark simplicity: Apart from a brief set-up and a briefer epilogue, a major portion of the film takes place within the four walls of an inquiry commission which is so akin to a jury room, as nine prominent and responsible citizens headed by politician Shyam Sundar Tripathi (Mithun Chakarobarty) debate on the "common conspiracy theory", that surrounds Shastri's demise.

It is an open fact, and no denying it, that there have been various theories surrounding the mysterious death. The Shyam Sundar Tripathi Commission is set up after the investigative journalist Raagini Phule (Shweta Basu Prasad) is coerced by an anonymous well-wisher cum source, into writing an article that digs into the nation's past.

The well-wisher dishes out nuggets of information via a telephonic conversation which appear like stages of an online game.

Soon, Raagini is also roped into the Commission for being a journalist who has done a lot of investigation on the subject. She propels the narrative and drives home her point based on the Mitrokhin Archive II, which is a collection of handwritten notes made secretly by the Russian KGB defector Vasili Mitrokhin.

Dedicated to the journalists of India, the film, on the face of it appears balanced, but the tone and texture of the narrative definitely appear slanted. Sample this; "Gau bhakt, topi pehnewala baba, kaun the?" This question subtly and surely ignites a sense of underlying brotherhood that forces an ignorant viewer to seek the truth.

And so, on the pretext of speaking the truth, the narrative digs out the bitter and indigestible political history of our country. Also, while smirking at our democracy and our education system, the film makes each one of us feel guilty as it opens a Pandora's Box but shows us nothing that we are not aware of. And the last frame, stating that the facts mentioned in the Mitrokhin Archives have not been proved or verified till date, clearly shows that the plot along with the dialogues, is clever and manipulative.

This is a film where tension comes from personality conflict, dialogue and body language, not action. The drama within the confines of the claustrophobic room appear forced and staged.

On the performance front, the film is Shweta Basu Prasad's canvas. She is effective as the ambitious, yet vulnerable Raagini. She holds her steady against the dynamic Mithun Chakraborty, who gives an equally new and varied dimension to his Shyam Sundar Tripathi.

The duo are aptly supported by an ensemble cast which includes; Pankaj Tripathi as Gangaram Jha, Mandira Bedi as the social activist Indira Joseph Roy, Pallavi Joshi on a wheelchair as the historian Aiysha Ali Shah, Rajesh Sharma as a prominent government contractor Omkar Kashyap, Vishwa Mohan Badola as the aging Justice Kurian Abraham, Prakash Belawadi as the senior bureaucrat GK Anantha Suresh and Prashant Gupta as Vivendra Pratap Singh Rana, all members of the commission.

Naseeruddin Shah as the master brain politician PKR Natrajan and Vinay Pathak with a scarred visage as Mukhtar, the person who helps Shweta unearth the mystery in Tashkent, have their moments of onscreen glory.

Mounted with ace production values, the visuals of the film do not boast of any cinematic brilliance. The songs with the lyrics, "saare jahan se achcha" and "sach jalta hain" are lost in the narrative.

Overall, with aggressive pacing, the film is well-researched and potent in nature. But with the timing of its release and the undertones in its messaging, this film appears to be a propaganda film that neither ignites any patriotic fervour nor journalistic appeal.

Also Read: Vivek Agnihotri's The Tashkent Files lands in legal trouble

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The Tashkent Files
U/A: Mystery
Director: Vivek Angnihotri
Cast: Shweta Basu Prasad, Mithun Chakroborty
Ratings: 

Guess who's watched Steven Spielberg's The Post (2017), based on the New York Times' Pentagon Papers revelation, given that an envelope filled with a certain case-file (in this film) mysteriously lands up on a newspaper reporter's desk, piquing curiosity, and leading finally to an exposé as front-page news the following day. There is also a gravelly voice of the unknown "source", guiding the journalist in this film, all through the case. The anonymous caller refers to the reporter as his Deep Asset. He seems more like Deep Throat himself.

And so the other mother of political-journalistic dramas, Alan Pakula's All The President's Men (1976), on the Watergate scandal, has also been dutifully checked. If anything, the brief for Naseeruddin Shah, who plays a wily minister, spouting one-liners on the murky art of politics, may well have been Kevin Spacey from House Of Cards.

That said, The Tashkent Files, beyond all else, is essentially modelled on Sidney Lumet's courtroom drama 12 Angry Men (1957), which was brazenly, blatantly lifted by Basu Chatterjee's Ek Ruka Hua Faisla (1986) - without any context whatsoever, given that jury trials had already been abolished in Indian courts by late '60s, early '70s.

To be fair, this film provides some background to why a grand-jury/committee has been appointed by the government - with that young newspaper reporter herself on board! Never mind. Actor Shweta Basu Prasad plays this lead role, and she does a fine job, by the way. So does everyone else - Mithun Chakroborty, Pankaj Tripathi, Prakash Belawadi, Pallavi Joshi, Mandira Bedi - in what's a rather fine line-up for any film.

The aim is to probe supposedly strange circumstances under which Lal Bahadur Shastri, India's second Prime Minister, died in his hotel/chalet in Uzbekistan (then USSR), after sealing a deal with Pakistan, post 1965 war. Was Shastri poisoned? Or did he die of cardiac arrest, as officially recorded? The group in the room delves into this mystery, presumably 53 years after the event!

Frankly, call it propaganda if you will, we must welcome this genre, regardless of the quality of recent output, that have mainly targeted folk from Congress - right from a tiny portion of Sacred Games (Rajiv Gandhi), to films like Indu Sarkar (Indira Gandhi), The Accidental Prime Minister (Manmohan Singh, Sonia, plus Rahul Gandhi) - putting faces to actual names, without fear, even if on account of (currying) favour.

Sure, this goes down well with the current dispensation, otherwise trigger-happy with censorship of all kinds, films foremost. The fact is that, barring notable exceptions, Indian, or at least Hindi cinema, has been bereft of robust political commentary, and an iron curtain has been lifted from an unexpected quarter.

God knows deaths of Shastri, or for that matter, Subhash Chandra Bose (also widely referred to in this pic) aren't the only local mysteries. There have been many question marks over possibly political motives behind several prominent deaths, some of them more recent: Haren Pandya, Lalit Narayan Mishra, Justice Loya, Gauri Lankesh … This is apart from a staggering number of politicians who keep dying in either car or copter crashes (Munde, Pilot, Scindia, etc).

The meat of the material (book-quotes, interviews) on Shastri's demise, before the writer-director (Vivek Agnihotri) - most of them apparently accessible to public - is however scant enough to be reproduced (as is, with a voice-over) in a 15-min video. Rather than sit through over a two-and-half-hour long feature, that in its effort to spin a thriller, instead of grabbing you by the eye-balls, throws up such garbled, gunny-bag gyanpatti, so much bak-bak, you constantly feel like stepping out of the hall of darkness, for a smoke break (no; don't wanna know what the filmmakers were smoking).

And so practically everyone sitting in this 12 Angry Men style committee is essentially a terrorist: "intellectual terrorist," (historian), "social terrorist" (NGO activist), "judicial terrorist" (retired judge), "TRP terrorist" (print journalist!), "racial terrorist" (someone who judges people for their religion, which incidentally is not a race anyway)…

If you must know more: There is call-back to 26/11 attacks, parliament attacks, CWG, 2G (scams)… So-called secular folk will apparently come with a fauj (army) to go after everyone in this country. "Bloody, heartless, capitalists," savages will kill us with fries and cola. And socialism is the ultimate evil, anyway.

This, coming from a filmmaker, who I'm told popularised the term "urban naxal" on Twitter, referring to the relatively affluent, who care for the completely marginalised - arguing that this is all done with the intent of destroying the 'nation'! Not going to judge him personally. He's allowed his hate/opinion, or general lack of empathy. Certainly not falling into that Twitter trap.

But this is the sort of know-all, grand con-spiracy theory picture - regurgitating catch-phrases like "presstitutes", "Lutyens Delhi," "fake news" - that emanates from a world-view wholly derived from spending far too much time on social media.

The gist of this juvenilia (that 15-min vid) is at best, currently Juhu-Versova's version of JFK then, ideally forwarded on your uncle's Whatsapp group. No, nobody's reopening any files for this, or getting rattled up to relook at laws (as was the case with the Oliver Stone masterpiece). A whole lot might just get bored, though. I'm just waiting for this genre to grow. Baby steps, I guess.

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Kalank
U/A: Action, Drama, History
Director: Abhishek Varman
Cast: Varun Dhawan, Alia Bhatt, Madhuri Dixit, Sanjay Dutt, Sonakshi Sinha and Aditya Roy Kapur
Rating: 

Not one to get wooed by the scale and production value of a film, I can't help but be smitten by the sheer beauty of Abhishek Varman's Kalank. In 2019, when Netflix rules our lives, this film is a rare cinematic experience that blends in opulence, glamour with a solid story about a family torn by its own skeletons in the closet. Star crossed pairs, their infidelities and how it destroys the world around them.

Drawn to forbidden pleasures and immoderate love is Roop, played with heft by Alia Bhatt. Varman's vast screenplay primarily plays off the luminous chemistry between Bhatt and co-star Varun Dhawan. There's a tantalising quality about their pairing and Varman uses this element to full effect. But a lot of the emotions drown in its self imposed ornate design of the film, which gives it a synthetic quality.

Watch the trailer of Kalank here:

So when a feisty Rajputana girl (Alia's Roop) is compelled by circumstances to marry a man (Aditya Roy Kapur's Dev) she can't even recognise in broad daylight, you want to discover more about their faulty dynamics. Or even how a well-educated woman like her, who has opinions strong enough to be voiced in front of an all-male team of writers running a flourishing newspaper, would fall for a visibly dubious man (Varun Dhawan's Zafar) with a promiscuous life. All of this and much more about the period's socio-political submerges beneath Binod Pradhan's gorgeous cinematography. It's almost as if there is a barrier between the audience and the characters - a gulf presumably created because of the director's reluctance to delve deeper into the plot.

Kalank movie poster

It's at the casting department, Varman scores big. Raging with simmering pain, Varun's aching performance beautifully transcends from showing him as a bitter man thirsty for revenge to a kind soul softened by love. Aditya's character has little graph but he adds soul to his act, supported adequately by Sonakshi Sinha who keeps her brief role serene all through. The seniors - Madhuri Dixit and Sanjay Dutt bring their effortless experience in a climactic sequence which packs a punch. Kunal Kemmu's grey part is portrayed with flair.

Also Read: Kalank: Here's everything you should know about the multi-starrer film

By no means is Kalank an unbearable film, despite being nearly 2 hours 48 minutes long. But there is a constant tryst to divert our attention from its storyline; Varman distracts us with his suggestive background scores, special numbers and sometimes even the perfectly created Manish Malhotra costumes. It's also equally problematic that a film set in pre-Partition doesn't stir up much political conversations throughout the narrative. There are stray mentions of their noble intentions but it remains largely detached from the divisive politics of the time it is set in. It also pays a tribute to Sanjay Leela Bhansali's school of filmmaking by borrowing a lot of his trademark sequences (especially Alia's entry which reminds one of Aishwarya's first scene in Hum Dil De Chuke Sanam). Varman's prism is fresh - his women aren't caricatures, his characters aren't perfect. Roop is innately flawed, her decisions are damaging but she fights back for love with all her might. His men aren't all heroic and larger than life; they stumble, are unforgiving and equally faulty.

Watch the video of the Kalank movie review here:

I was reminded of Deepa Mehta's masterpiece - 1947, Earth, rightly melodramatic, potently emotional which walked the tightrope of a love triangle in stormy times in a balanced way. Kalank doesn't aim for that depth. It's content in being pretty even when it has the potential of so much more.

Kalank screening: Janhvi Kapoor, Alia Bhatt, Aditya Roy Kapur attend:

Also Read: Kalank Celeb Review: B-town can't stop praising this period drama

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Avengers: Endgame
U/A:  Action, Adventure, Fantasy
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
Rating: 

Avengers: Endgame, undoubtedly the most anticipated film of recent year's, lives up to most expectations. This film is a befitting finale for the decades-old, 21 films, Marvel Cinematic Universe that heralded the likes of Iron Man, Captain America, Thor, Hulk, Black Widow and Hawkeye. Together they formed the original Avengers team while the newer allies and villains added more power to subsequent outings. This may not be a non-stop action spectacle. Instead, what we get is a well- proportioned, engagingly structured narrative that spreads out its content and thrills in momentous expansiveness, End game basically posits a finale worthy of the superhero characters it promotes. Marvel's time-travelling sci-fi adventure saga throws up a few surprises too along the way.

The story is rather basic - After the devastating events of Avengers: Infinity War (2018), which ended with Thanos getting all of the six Infinity Stones and then using them to wipe out half of existence, including beloved heroes like Black Panther, Star-Lord, and Spider-Man. The surviving heroes go through a period of self-recrimination, hopelessness, heartache and self-doubt before they take the necessary steps to reverse Thanos' actions, they're fatalism keeps us grounded.  

Also Read: Box Office report: Avengers: Endgame sells 1 million advance tickets in India

The script by Christopher Markus, Stephen McFeely among others, is surprisingly inventive, fraught with emotion and funny. The performances live up to the iconoclastic expectations of the fans while the CGI and effects lend whole new meaning and dimension to quantum physics and chaos theory. The film is a sort of nirvana for the thousands of people who sweated night and day to make such a unique and unprecedented experience come good. Endgame has a much slower, deliberate pace allowing for deeper character development and strong motivations while developing intensity and attachment all the way through. A major portion of the action happens only towards the last half hour of a nearly 3-hour runtime – yet, doesn't feel bloated or unnecessarily expanded.

Also read: Avengers: Endgame Box Office Prediction: Will the film open at Rs 50 crore in India?

This film incorporates beloved elements from earlier outings and recalls character beats, origins, and sub-plots while adding texture and complexity to the inter-galactic drama envisioned as homage to the never-say-die superhero spirit. Alan Silvestri's amazing background score elevates the intensity and involvement. The helming by the Russo brothers is also quite remarkable – creating a well-sprung of entreaty that is truly an event!

Also Read: Avengers Endgame release: A look at how Avengers films fared at the Indian box office

Check out the Avengers: Endgame trailer here:

Also Read: Critics review Avengers: Endgame, say it's 'everything you want it to be and more'

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Avengers: Endgame
U/A: Action, Adventure, Fantasy
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
Rating: 

How does one put together words about a film that, for all practical purposes, anything and everything you write, is likely to be misconstrued/diagnosed as a spoiler?

Suffice it to know that this expectedly dramatic conclusion of Marvel's three-part Infinity Saga is a relatively internalised, deep and sober film, concerned more with the motivations of super-heroes, the choices before them, and what they should pick, in order to take on super-villain Thanos—of course.

For one, the earth is a much quieter place, since as you're aware, its species have been annihilated, decimated by Devil Thanos, ever since he got his hands on the infinity stones, and went on to execute the bizarre plan of supposedly ethical ethnic cleansing—randomly ridding planets of half its populations, to make them more sustainable, by restoring balance of sorts, as it were.

Of course, there will be survivors. And Iron Man or Tony Stark (Robert Downey Jr), to start with, is thankfully rescued or reunited with the human family back home. So is Hawkeye (Jeremy Renner). Both of them, like all the others, seem to be somberly dealing with the aftermath of a universal tragedy.

Surely, you have your own favourites from this cinematic universe (and how can Iron Man not top that list?). But there's something about the inherent cuteness of Hulk (Mark Ruffalo) that saves this franchise's final installment from turning into a complete depresso—left to be downed over rounds of espresso, what with the screen-time running three hours plus.

Also Read: Box Office report: Avengers: Endgame sells 1 million advance tickets in India

Indians might thank their theatres for the usually hated interval. I caught it without one, but didn't miss it either. There's enough material here to keep you engaged, even if to wonder, on occasion, if some of it makes any sense. You may or may not be impressed with the long drawn explanations, but you're only too happy to go with it.

Frankly, I'm no Marvel fanboy/fanatic—if the movie-world is indeed divided into two types, then more the DC demographic. That said, there is an infectious verve and energy that multiple super-heroes bring to this cinematic universe that is hard to not be swayed by, even if an individual or sub-set, Guardians Of Galaxy in particular, may be difficult to appreciate on their own.

Check out the Avengers: Endgame trailer here:

Avengers: Endgame does a fine job of navigating a reasonably cogent script without over-populating the screen. Avengers: Infinity War seemed more overwrought in comparison. I re-watched portions of the 2018 prequel on my phone (for quick revision), which of course means I didn't watch it at all.

For, at the end of the day, battle sequences and pyrotechnics is the point of it all, isn't it? Endgame, despite all the philosophy, is not an exception. It shines gloriously as 3D spectacle on the IMAX screen, ideally viewed from the third-row, from the back—and if you're not on IMAX, then the third row from the front—for a stunningly immersive experience, with such depth of field that the points where the camera focuses on a river, the ripples flowing towards you, you almost feel like you can wade through the frickin' water!

I know, don't need to put in a word (spoilers be damned). Suffice it to know that seldom has the excitement of audiences entering a theatre, matched by those exiting, after a hugely hyped pic. Endgame equals its astounding anticipation. And that's saying a whole lot!

Also read: Avengers: Endgame Box Office Prediction: Will the film open at Rs 50 crore in India?

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Brihanmumbai Municipal Corporation (BMC) Mayor Kishori Pednekar on Monday informed that the total number of containment zones in the city is now 1036.

"There has been a significant drop in the number of containment zones in Mumbai," Pednekar said. The Mayor said that many zones are out of the list as they reported zero COVID19 cases in the last two weeks. "231 zones are out of the containment zone list after they didn't record a single COVID-19 positive patient for the last 14 days," she added.

According to the Union Ministry of Health and Family Welfare, the total number of positive COVID-19 cases in Maharashtra is 8,068. Till now, 1,076 people have either been cured and discharged, while 342 deaths have been reported in the state.

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The fight against Coronavirus is a constantly evolving one and is mainly reactive at the present moment in many contexts.

The BEST authorities are putting into place a plan which reduces the number of conductors in the few big, reds plying the city.

This is because, as a report stated in this newspaper, a few from the BEST workforce have contracted the Coronavirus. They are now going to run buses, some being already operational in this manner, with a driver and no conductor. The commuters will have to pay at the end of the journey.

It is important that the few passengers we see in buses today, follow rules whether there is a conductor or not. Maintain social distance in the bus, even if there is no conductor to enforce this.

Adults must know that the distancing is mandated for their safety and the security of their family too, so one surely does not and should not need somebody literally telling them to observe social distancing.

Ride in the bus wearing a mask, and do not slip it off your face or hang it around the neck during the journey. Do get on at the proper stop and follow correct etiquette even while alighting. Do pay the correct fare for the journey you took.

We must recognise that this is special, though necessary, service for workers and those providing essential services, thus necessitating commuting during these times.

The report also cited a BEST Kamghar Sanghatna official opposed to keeping conductors out, saying this was a ruse to start one-man operations amid Coronavirus.

Dialogue must ensure that there is transparency and talks within the Undertaking which is facing so many challenges — Coronavirus or not. May all do the BEST for Mumbai.

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After the death of three police personnel due to COVID-19, the Mumbai police are telling constables aged above 55 years and those having existing ailments to immediately proceed on leave. The option for the paid leave was made available on Monday and will last till the lockdown.

Accordingly, the police top brass has directed police stations and traffic divisions to give leave to such constables. If a constable still wishes to come to work, he will be allowed to.

Traffic cops are most vulnerable as their work involves highest people-to-people contact

The three deaths in the Mumbai police workforce occurred within 48 hours. Wanting to save the rest of their colleagues who might be especially vulnerable, senior officers have given clear instructions.

"We have given orders to police stations and traffic divisions to give leave to constables aged beyond 55 years. Those having serious health issues have also been advised to take rest," said Param Bir Singh, commissioner of Mumbai police.

A policeman checks a car at Bhendi Bazar. Pic/Ashish Raje

"On Sunday, we asked for information from the headquarters about constables aged between 50 to 52, 52 to 55 and 55 to 58 years and any ailments they might have," said a senior police officer on condition of anonymity.

Health experts have observed that people aged above 50 and having health issues such as diabetes, asthma and heart conditions are more susceptible to the Coronavirus. "Since the beginning of the lockdown, we had asked our senior inspectors and traffic division in-charges to assign desk duties to constables aged above 50 years, with minimal contact with outsiders," said another officer. "Yet we lost three personnel. Hence, we are enforcing the policy further to avoid more fatalities," added the officer.

Deputy Commissioner of Police and spokesperson for Mumbai police, Pranaya Ashok said, "The message is loud and clear — cops aged above 50 should not be posted in hotspots or in containment zones. In fact, they should serve for tasks that involve minimum social contact. Now we are going a step forward by giving constables aged above 55 years the option to go on leave."

"Enforcing law and order is our priority but saving the lives of our men is also our duty. Therefore, we have given such constables the option to stay home April 27 onwards till the end of the lockdown. Traffic cops have the most contact with people, making them the most vulnerable," said a senior officer from the traffic police.

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The Aurangabad bench of the Bombay High Court on Monday pulled up the state for its claim that the novel Coronavirus could spread through newspapers. The state had, accordingly, banned the distribution of newspapers, while allowing its printing. The court, in an order dated April 20, directed the state to justify its claims with evidence and expert opinions instead of meagre statements.

A suo moto public interest litigation (PIL) in this regard was filed at the Nagpur bench of HC after the distribution ban was announced on April 18.

Government pleader DR Kale told the court that the order was amended on April 21 to allow "door-to-door distribution except in MMR, Pune, and other containment zones."

While Kale said that the virus stayed on surfaces for a while, and hence newspapers could be potential carriers when passed from hand-to-hand, the court said that there was no evidence to prove this.

It, however, added that door-to-door delivery could be restricted in some areas while asking the government to respond to its queries along with a report by amicus curiae advocate Satyajeet Bora.

The next date of hearing in the case is June 11.

11 June
Date of the next hearing in the case

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In a first, the Central Railway (CR) seems to have come up with a permanent solution for the falling boulders in the ghat section known for disrupting services during monsoon. Accordingly, CR has recreated steel tunnels which will trap falling boulders and protect the passing trains below.

Last year, CR deployed 60 additional CCTV cameras, posted gangmen, rock-bolting at 750m stretch and drone cameras to alert approaching trains, but all were of limited help.In 2017, three passengers on the Hubli-Lokmanya Tilak Terminus (LTT) Express suffered injuries after a boulder came crashing through the roof while it was passing through Khandala ghat.

After the problem was analysed last year, it was revealed that the increased incidents of boulders falling on tracks along with mud had been due to heavy monsoon.

So, officials started working on the steel tunnel portal extension last year in four tunnels. "The work has been progressing with the lockdown in place and will be completed before the monsoon sets in," CR chief public relations officer Shivaji Sutar said. "Work of removing loose boulders is still underway and at present, we are running boulder special trains, and patrolling the mountains to scan loose boulders and tunnels," he added.

In the history books
Historically, the Indian Railways has been dealing with the problem of boulders in this stretch since its inception. But they never cancelled these many trains to manage the situation as they have done in recent years. The archival records of the Great Indian Peninsula Railway, which is now called Central Railway, on the initiation of passenger rail service on the ghat section in 1864, had issued a notice on the operation of the 'terrain section' by dividing the entire stretch into 13 parts with three watchmen deputed for each.

4
Total no. of tunnels in which steel tunnel work is underway

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Social distancing and lockdown may have impacted each one of us mentally, emotionally and psychologically but it is the children and teenagers who have had to cope with sudden closure of schools, cancellation of exams and a prohibition of face-to-face interaction with their friends and teachers.

Anusha Manjani, Manager, Counseling Services at Akanksha Foundation, says, "Children are acutely aware of the sudden changes and panic in the environment around them. Younger children can feel confused, uneasy and scared; older children express feelings of anxiety, sadness and helplessness."

She added, "The uncertainty and chaos of the pandemic impacts all aspects of children's lives- it is not just a threat to their physical health- but to their learning, their home environment, their interaction with peers, their emotional well-being. Moreover, economic hardships, the overcrowding in homes, the lack of access to resources in low income communities can lead to higher incidence of neglect, violence and abuse- making staying at home itself a risk to some children's safety."

In such a time, it is crucial that children have support of their parents and teachers to help them in having a routine and structure to their day. Anusha says, "Parents and teachers can be key caregivers and anchors during this time to support the mental well-being of children- by reassuring them of their safety, creating a space to share feelings and using art, play, fun learning activities to engage with them."

Akanksha Foundation has started a helpline number called 'The Listening Space' for all the stakeholders such as students, teachers and parents to express themselves or just discuss about what's happening. While younger children have more questions about whats happening outside, older  children are venting out their frustration, their anxiety about their parents etc.

Parents and teachers are also coming up with interactive tasks and new ways of learning. Worksheets are sent to the students everyday and once the child solves it and shares it, the teacher reverts with the corrections as well. 

It is not just academics that are taken care of amid lockdown, things such as maintaining gratitude journals and 'doing a good deed everyday' are also being imbibed in the children to maintain their mental and emotional health.

A creative snakes and ladders

"At Akanksha, teachers, counsellors, social workers and parents are working together to support the children- whether it is checking in for the child's well being, spreading awareness of safety measures, encouraging learning through low-cost tech or doing parent-child activities- we are keeping the lines of communication and connection open and strong to navigate these difficult times together," says Anusha.

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While the world is grappling with the impact of the horrific COVID-19, and the entire nation is under the lockdown, there are people who are finding it difficult to make both ends meet. Mumbai’s Dabbawalas, who ensure that a delicious, warm ,home cooked meal reach in time every single day at work, today are battling to have a meal in their own plates. Radio City, India’s leading radio network, has launched a fund raiser initiative, Dabbewale ka Dabba Bharo, and have been urging Mumbaikars to come forward and contribute towards the initiative.

Radio City in Mumbai, kick started this initiative on 22nd April, where all the RJ's across their shows have been sharing the current state of Dabbewale's, with around more than 5 thousand of them are finding it difficult to feed their families since the lockdown was announced. Radio City has been urging Mumbai city to come forward and contribute towards the initiative. There has been an overwhelming response from the citizens and uptill now, approx. 62 thousand rupees has already been collected

To garner a wider reach and raise more funds, Radio City has created a video (https://youtu.be/e1XCjt8FSBI) that has been promoted across Radio City’s social media handles. Radio City has always been at the forefront to help the city and its citizens through various initiatives like these and spread a wave of positivity.

If you wish to contribute Please click on the link: www.ketto.org/radiocity

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Central Railway and Western Railway joined hands to ensure a two-year-old child in Telangana received camel milk — a mandatory medical requirement needed urgently. In a 28-hour-long operation, the two zones of the Indian Railways coordinated to deliver the item in Secunderabad from Falna in Rajasthan.

On April 25, the nodal officer of Falna on WR contacted us and told us that they needed to send a parcel of camel milk to Secunderabad urgently for a medicinal requirement and sought details of the trains on the route, said Jitendra Mishra, chief commercial inspector, Mumbai Division, CR.

"I checked the schedule of parcel trains and immediately informed him that if they will send the item to Mumbai via 00902 Ludhiana-Bandra Terminus parcel train, then we could be promptly load it on 00111 CSMT-Secunderabad train leaving Mumbai CSMT on April 26 at 3.30pm," he said.

Mishra then coordinated with him and booked a consignment to Bandra Terminus first and then via CSMT to Secunderabad. "We live-tracked the consignment with the help of Mumbai Central (WR) control staff and officers. As soon as the consignment reached Bandra Terminus, a transport was arranged to take it to the CSMT parcel office from where it was loaded onboard the Secunderabad-bound parcel train," he added.

Mishra's role was not over here. He then called up the Chief Parcel Supervisor and Commercial Inspector at Secunderabad and explained the importance of the parcel that would be arriving there by 5.30 am on April 27.

Shivaji Sutar, CR's chief public relations officer, said, "The transportation of essential camel milk was based on coordination among parcel staff and the officers. The consignment reached from Falna to Secunderabad within approximately 28 hours."

WR's chief PRO Ravinder Bhakar said that special teams in every division of the IR are taking care of the medical emergencies as well as the essential transportation during this global health crisis.

Sowmya also thanked the Railways for delivering the parcel meant for her child in such a short time.

CR extends another help
Jitendra Mishra intervened again on Monday to help get a crucial medicine for a heart patient delivered to Chiplun from Vikhroli. "We collected the parcel from his son's residence at Vikhroli and booked it onboard Okha-Ernakulam Parcel Express. As the train doesn't halt at Chiplun, I contacted the staff at Konkan Railway and requested a halt to drop the parcel, which was then handed over to Chiplun Station Master," he said.

28
No. of hours it took the railways to get the milk to the child

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Amidst the general gloom of these days, we should never forget all the stories of courage and hope. One such uplifting account has lessons for all of us.

A teacher of a BMC school, came up with the idea to hold classes for students during the lockdown period. She has been holding conference telephone calls with students, who are now getting lessons via these telephone calls.

It must be remembered that these are kids that do not have access to the Internet or computers. There is a section of children in the city who are logging on to the Internet every day and have regular school online. While that is one of the upsides of our hi-tech lives these days, those that do not have this lifestyle must also be encouraged and be able to continue with their studies.

A report in this paper highlighted how this teacher is telling her students to come together via telephone calls and imparting lessons.

It is true, as she said, that too long a break results in children forgetting what they have learnt, or in extreme but real scenarios, dropping out of school altogether.

Students must be on our radar in these times. They face tough questions, about exams, their future and stress over what the next academic year will bring for them.
Teachers must be creative in bringing lessons to children. Parents must try to ensure that children re-learn and refresh what they had learnt in the past. Extra effort and pain are needed from all stakeholders in these times.

Clear communication by the school principal or management at regular intervals may dispel some uncertainty. Let efforts towards academics be full-on and let us take care of young minds and hearts which may be filled with confusion and trepidation.

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After the death of three police constables within 48 hours, the police have rolled out a 10-point strategy to tackle the COVID-19 infection in its force that comprises around 45,000 personnel — both constables and officers. Apart from resting its senior members and changing duty patterns, the police have now begun administering Hydroxychloroquine (HCQ) to cops along with multivitamin tablets. Provisions will also be made for stay and nutritional food for cops till the lockdown lasts.

This will go on till the lockdown lasts. Ever since the pandemic broke out, senior cops have been given desk jobs but the infection spread among a few policemen and their family members.

Also Read: Exclusive: After Third Cop Dies Of COVID-19, Mumbai Police Sends Personnel Above 55 On Leave

"Our personnel are risking their lives to protect the city. Keeping their personal health and immunity strong has been a major priority for us," DCP (PRO) Pranay Ashok told mid-day, adding, "We have initiated a strategy to tackle it."

Accordingly, all cops above 55 years of age have been asked to stay at home, cops above 52 years of age with previous medical conditions have also been asked to stay home. The duty hours will also be changed from 8-hour shifts to 12-hour shifts and giving cops 24 hours off after that.

Around 12,000 cops will soon be administered with HCQ under medical supervision. Multivitamin tablets and protein supplements too will be given to 20,000 cops to strengthen their immunity.

Apart from this, police personnel will have the following special services:

1. Designated hospitals and dedicated beds in all COVID hospitals.

2. COVID Helpline number for personnel and families at the control room to resolve any doubts or issues.

3. Adequate number of PPEs, face masks, hand-sanitisers, gloves, face shields.

4. Amenities like food packets, ration, hot water flasks, pandals at checkpoints

5. Accommodation facilities

6. '50 lakh ex-gratia amount to all personnel who lose their lives fighting COVID (by the government).

12,000
No. of cops who will soon be administered with HCQ under medical supervision

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Even as the number of positive COVID-19 cases continues to rise in the city, a new trend has left medical experts puzzled. While doctors had expected that TB patients would be more prone to the virus as their immune system is already weak, surprisingly only two such cases have been reported by the health department. Also, officials at the TB Hospital in Sewri said that while 14 of their staff members have tested positive, the infection has not spread to a single patient.

A senior official from the civic health department said that it might be too early to draw a conclusion but a study could be done to understand the correlation between the two. "So far, we have reports of two TB patients who have tested positive. However, there have been no deaths so far. One reason for the low numbers could be that we have given all TB patients medication for a month and have asked them to stay indoors," added the official.

BMC medicos heading towards Shastri Nagar slum on Tuesday. Pic/Pradeep Dhivar

The trend has left Dr Lalitkumar Anande, medical superintendent of TB Hospital, surprised and has led him to believe that anti-TB drugs could be preventing such patients from contracting the virus. "One would have expected that the virus would have a fatal effect on TB patients since they are immunocompromised and their lungs are already damaged. However, here at the TB Hospital, we have not seen any such case yet," he added.

Dr Anande further said that laboratories like the National Institute of Virology in Pune could conduct studies on this since they have culture samples of TB as well as Coronavirus. "Anti-TB drugs penetrate the lipid coating of a TB organism similar to what hydroxychroloquine does to the Coronavirus strain. Anti-TB drugs could turn out to be an answer for Coronavirus. Studies regarding it need to be fast-tracked in order to understand how they react to each other," he said, adding that the research would also be able to ascertain whether the mycobacterium or the TB medication has an impact on the virus. While Sion Hospital reported two cases of TB patients suffering from COVID-19, the authorities of KEM and Rajawadi Hospital said that none of their COVID patients were suffering from TB.

'Evidence needed'
Speaking to mid-day, Dr Rajendra Nanaware, a chest physician, who deals with drug resistant TB cases, said, "Ideally, there should have been an increase in the number of TB patients suffering from Coronavirus since their immunity is already compromised. But I haven't seen any case so far."
Other pulmonologists in the city treating TB patients have noticed a similar trend but they are of the opinion that evidence is required before a trend can be verified.

Dr Lancelot Pinto, a pulmonologist with Hinduja Hospital, said that since the OPD of many hospitals have shut down, patients were not able to access healthcare. "Since chronic obstructive pulmonary disease has been identified as a risk factor among COVID-19 patients, intuitively, one would expect the cases of TB patients testing positive to be high. I have not seen any TB patient testing positive for the viral infection. But there is no evidence yet," he said.

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Nearly three dozen cops, including Assistant Sub Inspectors to constable-rank policemen, attached to Kasa police station in Palghar have been transferred as a result of the Palghar mob-lynching incident.

Sources at the police station told mid-day that 35 policemen have been moved to different police stations in Palghar district, as they failed to gauge the public mood despite repeated offences by local villagers, who had been rearing their heads against the government.

"Just two days before the barbaric killing of three men — saints Chikne Maharaj and Shushil Giri and their driver Nilesh Tilghate, the mob, in a similar manner, had attacked a doctor. The doctor was spared as he too is a tribal," said an officer from Palghar police.

"Kasa police should have taken stern action against the mob as they had injured policemen in the April 14 incident. Had action been taken against the mob then, local villagers would not have mustered the courage to gather at one place and dared to lynch the trio," the officer said.

Two police officers, PSI Sudhir Katare and API Anandrao Kale, have been suspended over 'dereliction of duty'. However, action taken by both on April 16 — the day of the lynching — has been defended by eye-witnesses.

Meanwhile, the sarpanch of Gadchinchale village Chitra Choudhary has been given police protection after she wrote to Kasa police about threats from relatives of the accused. One of the two watchmen of the forest department, Sonudaji Borsa, has registered an NC against the mother of an accused for threatening him but no protection has been given to him so far.

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After a stricter lockdown in place from April 19, Mira Road is seeing the number of COVID-19 patients on the lower side. The municipal commissioner of Mira-Bhayandar Municipal Corporation (MBMC) says 'the curve is flattening'.

"Earlier the cases doubled within a week. But in the past nine days, the number of positive patients has increased by 40 per cent. The rate of doubling is slower than before and the curve is flattening. We need citizens' continuous support to flatten it further, " said Chandrakant Dange, municipal commissioner of MBMC. 

The doubling rate for Mumbai is around seven days. In Mira Road the number of patients started increasing in the first week of April.

On April 12 the positive numbers doubled to 51 in just four days and the next double numbers were reported on April 17. After the number of patients crossed the mark of 100, the MBMC imposed a complete lockdown from the midnight of April 19. Since then the MBMC has sent around 349 more samples for tests of which 43 have turned out positive. The rate of patients turning positive seems to be around 40 per cent from the findings of April 19 - 102 to around 10 days later on April 27 - 145.

Political parties and the civic administration recently held a meeting over relaxing lockdown norms. However, the administration hasn’t changed the lockdown pattern as yet. "The number of positive patients is on the lower side and many patients are recovering. We are strengthening the home delivery system," said a senior officer of the MBMC.

Locals face food issues
While the MBMC has allowed milk booths to operate from 7 am to 10 am, chemist shops up to 5 pm and grocery and vegetable home delivered, residents are facing difficulties getting these goods. "Only select vegetables are available and the rates are high. We are not getting diapers for my baby," said Jasbir Sanyal, a resident of Shanti Park.

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With more than a month since the lockdown began, a few students from outstation are still stuck in Mumbai University's (MU) hostels. A majority of them managed to head home, but there still are about 20-23 students in the Churchgate and Kalina hostels.

Though their mess provides them with meals, the students still pay for food and need other daily essential items. None of them have any money left and no assurance from home as many come from farmers' families who are already facing a loss due to lockdown.

So these students have requested the varsity to provide them financial aid. "Money is very important when you are staying away from home. Every day each student ends up paying a little over R120 for all three meals at the mess. The university has issued orders that the mess should not charge us, but we know that if we don't pay, the canteen service provider won't be able to buy items," a student at the Churchgate hostel said.

Another student from the Kalina hostel said, "The university has asked the food contractor to not charge but that is not practically possible until they have been provided with groceries etc. If the varsity provides us financial aid, we will be able to ensure our other needs such as soaps, toothpaste etc. are met."

Rohit Dhale from Chatrabharati, who has written a letter to the varsity over the issue, said, "Most of these students are from families which are not financially stable. The students are few and if the varsity decides to help them it won't be a huge amount." MU registrar Ajay Deshmukh said, "We have already ensured that the mess continues to function so that these students do not have a problem with food. We have asked the mess contractor to not make charges mandatory during such difficult times. We have received the letter and it will be discussed with the Vice-Chancellor to decide what can be done."

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With the tourism industry at a complete standstill across the country, a number of domestic animals associated with it have been severely impacted. In the Raigad district of Maharashtra, too, a number of these animals are a common sight, especially at the tourist spots like Matheran, Raigad fort and the beaches. Horses, donkeys, monkeys and stray dogs at all these places have been left without any food to eat. These places, usually frequented by hundreds of tourists every day, have seen barely any visitors over the last month and a half. The tourists would offer food to the animals who are now left to fend for themselves. Even the locals who have pets are finding it tough to manage without much income.

Given the grim situation, the district animal husbandry department along with a few do-gooders have now taken upon themselves to feed the animals and provide them ample drinking water.

Donkeys given dry grass at Raigad Fort

Dr Shubash Mhaske, district deputy commissioner, Animal Husbandry department, informed mid-day that the district, known for its farmhouses, hill stations, forts and beaches, has around 1,200 horses and ponies, of which nearly 460 are reared at Matheran hill station and the rest at the beaches around the districts. With the forest cover in Raigad district, monkeys too are found in large numbers here. "These are often fed by commuters en route to their destinations but that has stopped for over a month now," Mhaske said.

Dr Mandar Patel, Livestock Development Officer, Roha, therefore, visited the ghat areas on Roha-Nagothane road a couple of days ago with his team to feed some monkeys. Similarly, a team even visited Matheran to arrange food and water for the monkeys there.

Animal lovers step up in Pen
Hundreds of stray dogs and 40 cows are also being fed daily by a few animal lovers in and around Pen in Raigad.

"Cimaa Punmiya has come up with an innovative concept of Animal Food bank, where any animal lover can donate food. Kumar Deshpande provides a liquid diet for the strays. The Animal Husbandry department has arranged for medicines," Dr Mhaske said.

Donkeys of Raigadwadi starving
Another animal hit by the lockdown is the donkey. Around 90 donkeys reside around RaigadWadi, foothills of Raigad Fort. Dr Dattatray Sonawale, veterinary assistant commissioner of Animal Husbandry, Mahad Taluka, informed mid-day that the restoration work of Raigad Fort is on for the past couple of years and nearly 250 donkeys were being used to take up repairing material.

"Most of the donkeys had come from nearby areas and only 90 are still at the spot. They are owned by six-seven families who are still staying at the foothills of the fort," said Sonawale. These people along with their donkeys have been having a tough time sustaining due to the lockdown as "the donkeys are not allowed to roam around in the fields making it difficult for them to manage fodder or dry grass," the doctor added.

Prabhakar Sawant, a Raigadwadi resident, said that most of the donkeys are hired by contractors of restoration work.

After the district collector's directives, Sonawale and his team approached a few NGOs requesting them to provide dry grass, rice bran, wheat bran and medicines required for treating some injured donkeys. "Accordingly, potable water of 1,000 liters has been provided at the spot," he said, adding that the effort will continue to provide feed and dry grass to the donkeys till they are "in our jurisdiction and ration kits will be given to their owners."

'Everyone will be taken care of'
Nidhi Choudhari, district collector, told mid-day that the collector's office was doing everything to reach out to migrant workers and underprivileged people by providing ration kits and organising community kitchens with help from NGOs and corporates. "Directions have also been given to the Animal husbandry department to ensure that animals and strays are taken care of. Many animal lovers too have volunteered to help," Choudhari said.

1,200
Approx no. of horses/ponies in Raigad district

460
No. of horses/ponies at Matheran

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A senior citizen from Kalina, Anwari Begum, 70, died after three top hospitals in the city refused to give her dialysis without her COVID-19 test results being in, the woman's family has claimed. The test results, which arrived on Monday, returned negative.

Begum had been undergoing dialysis at Guru Nanak Hospital in Bandra East for the past one year. Her last dialysis at the hospital was on April 18, when a COVID-19 positive patient was found in the hospital. The hospital asked her to visit on April 22 — which was also the day of her next dialysis — for a COVID-19 test.

Anwari Begum's two sons (from left) Zakaria Shaikh, Haroon Shaikh and Mohammed Hasan (right ) her son-in-law

"My mother-in-law's COVID-19 test was done on Wednesday, April 22. She was also supposed to get dialysis on the same day but the hospital refused, saying they will do it only after her test results come, which was going to take 48 hours. On Thursday, she had severe pain and needed the dialysis urgently. So we went to the hospital around 4 pm but they refused as her reports were pending. We waited for over two hours at the hospital, but they did not listen," said Mohammed Hasan, Begum's son-in-law.

"After Guru Nanak, we approached Nanavati Hospital. Many other patients like us were stopped at the gate. They took her files and after two hours, enquired about her COVID-19 test report and said that they are not taking outside patients. Some from the family took her to Kokilaben Dhirubhai Ambani Hospital around 8.30 pm and I went to look for a dialysis centre in Kalina and Sakinaka. At Kokilaben, my family was asked to finish formalities, which took two hours, but they too refused to treat her," Hasan said.

Guru Nanak Hospital in Bandra East. File pic

Found help, but too late
Dialysis patients all over the city have been suffering amid the Coronavirus pandemic. Despite guidelines from the State Health Department that do not necessitate a COVID-19 test for patients needing dialysis and only ask hospitals to take universal precautions, hospitals across the city are refusing to treat patients without the test.

Hospitals say that they are overburdened due to the closure of dialysis centres which has increased the volume of patients with kidney ailments and that they cannot accommodate every patient.

Hasan approached Axon Hospital in Sakinaka, which said that the dialysis centre is closed as their staff is unwell. "I requested them explaining the condition of my mother-in-law and pleaded with folded hands to have mercy. I also promised to pay whatever amount is required. After some time, the concerned doctor listened to me and called his dialysis staff. My mother-in-law reached the hospital around 11 pm. At 11.30 pm, the assistant doctor told me that her condition has worsened."
Begum died shortly after that. Her test results, which came on Monday, showed her negative for Coronavirus.

"The funeral was performed the next day at 10 am. Sometime later, I received a call from the person who had referred us to the nephrologist at Guru Nanak Hospital. He was apparently told by someone from the hospital that my mother tested positive. We live in a joint family and everyone panicked but no one from the hospital called us. A few days later, we got her report, which was negative," Hasan said.

According to BMC's Health Department, a COVID-19 test is not mandatory for dialysis patients. "Everyone has to take universal precautions, a COVID-19 test report is not mandatory," said Dr. Daksha Shah, BMC's deputy executive health officer.

"24 hours after sanitising the dialysis centre, the hospital can resume services as per the guidelines. If they suspect a patient to be positive, he/she can be quarantined," Dr Shah added.

'Followed task force rules'
Guru Nanak Hospital defended itself saying it was just following guidelines of the state government's task force committee, as per which, an affected dialysis centre must close for fumigation and surface cleaning. "Our dialysis centre is open 24x7. That day, a COVID-19 case was reported. As per the rules, we had to shut the dialysis centre for 24 hours, sanitise the area and quarantine the staff. Around seven workers from the dialysis centre were quarantined. They have tested negative," said Dr. Narendra Sharma, spokesperson of the hospital, who did not clearly remember on which day the case was reported.

"Dialysis patients travel through Containment Zones. Despite taking all precautions, such incidents are happening, which is the biggest challenge for us," Sharma said.

"As per my knowledge, the case was reported on Saturday. We needed the dialysis on Thursday. That makes five days. Why did Guru Nanak Hospital refuse to treat her when it is supposed to be shut only for 24 hours?" Hasan said.

Dr. Santosh Shetty, executive director and CEO, Kokilaben Dhirubhai Ambani Hospital, said, "We are not testing our existing dialysis patients. We take patients' history and screen them before every dialysis. Currently, we have nearly 200 patients on dialysis. We are following BMC and state task force's guidelines."

While the spokesperson of Nanavati Super Speciality Hospital said, "Nanavati Hospital is one of the very few quaternary care medical facilities in Mumbai to provide dialysis treatment for COVID-19 patients. Thus the high influx of patients ensures dialysis beds reserved for patients as per their COVID-19 status are occupied. However, the unavailability of a bed is immediately communicated to the patient or their family."

Apr 22
Day Anwari Begum was tested for Coronavirus

Apr 27
Day her test returned negative, four days after her death

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The Kalachowkie police have registered a case against three people who entered a sealed building on the pretext of checking for COVID-19 patients. The building was sealed after BMC officials found positive patients in it. The trio was equipped with thermal scanners.

According to the Kalachowki police, on Monday afternoon, the accused Aniket Chaugule, 25, Deepak Wagh, 24, and Ashok Chavhan, 22, visited Vikrant Sadan building in Chinchpokli and posing as BMC employees, told residents that they had come to checking for any positive patients in the building.

When the residents asked for documentary proof, the trio could not produce any. So, the residents called the Kalachowkie police.

As soon as the call was received, a police team reached the building and after interrogating the three found that they were not BMC employees. A case was registered against all three and the police quarantined them. The accused have been maintaining that they had come to do social work and had no intention of cheating anyone. Police are verifying their claims.

A police officer told mid-day, "Outsiders are banned from entering the sealed building. In such a situation, these three people violated the law by entering the building and lied to residents that they are BMC employees. We are investigating further," said Kalachowkie Senior Police Inspector Gokulsing Patil.

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The State Transport Minister Anil Parab on Tuesday said that the Maharashtra government will facilitate the return of 1,780 stranded students from Kota in Rajasthan. "1780 students from Maharashtra are stuck in Kota, Rajasthan due to lockdown for precaution against COVID-19," Parab tweeted. "As directed by Honourable CM Uddhav Thackeray, 92 buses of MSRTC fleet will leave on April 29 from Dhule to rescue the students and bring them back home," he added.

Earlier, the governments of Uttar Pradesh and Madhya Pradesh also facilitated the return of their stranded students from Kota.

India is under a nation-wide lockdown which was imposed on March 25 and later extended to May 3 to stem the spread of coronavirus.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Mid-day online journalists interact with the frontline workers in a new series 'Real heroes of coronavirus'. Media photographers, reporters, railway staff and medical workers tell their stories of grit, determination and every-day challenges in times of the pandemic.

Mid-day senior photographer Shadab Khan is out on the field capturing striking photos of people, health-workers, the police and the city as part of his daily assignment at a time when coronavirus pandemic is spreading rapidly in Mumbai and the entire nation is under lockdown.

 

 

 

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Alhamdulillah just got to know that my covid-19 swab test report is Negative by the grace of god. I tested my self 2 days ago during the special covid-19 test for Media persons who are on field by BMC medical team in Mumbai as our services comes under essential services during this pandemic we have to work on field and visit to all over the city for relentlessly bringing out timely good pictures, news and updates daily, through all the perils and under the most trying conditions. Special thanks to @my_bmc @cmomaharashtra_ @middayindia

A post shared by Shadab Khan (@photographer_shadab) onApr 25, 2020 at 3:53am PDT

We spoke to Shadab Khan about his work and what it's like to be a news photographer in times of pandemic.

Here's an excerpt from the interview.

How has the global pandemic impacted your work?

The coronavirus outbreak hasn't affected our work as such. Since we come under the essential service providers and ours is a field job, it's the same daily routine. The focus is more on pandemic photos as we visit sensetive areas and try to get pictures of people who may have broken lockdown rules and also capture shots of how the police are handling the situation. Nowadays, we also visit contaminated areas to get photos of medical staffs conducting COVID-19 tests and get visuals of the epidemic situation in Mumbai. For us, the work has only increased due to the outbreak of the global pandemic.

Nowadays, do you prepare yourself mentally before going out on assignments?

To be honest, there is no mental preparation as such. But I offer prayers five times a day and pray that I go safely and come back home safely. As a media-person, I also consume a lot of news and keep reading about the International guidelines laid down for photojournalists as to what precautions should be taken. I do this as it helps me to stay motivated in the fight against coronavirus. It is the first time that I am experiencing a pandemic which has changed our lives. I have never covered something like this ever before. Although I have covered riots and other sensetive events, a pandemic that takes place only once in 100 years is a different experience. I have been following international reports and guidelines to take precaution and prepare mentally to fight the COVID-19 crisis.

Shadab makes sure that his equipment, bag and mobile are sanitised in order to take precautions against COVID-19

How do you protect yourself?

Face mask, hand sanitisers and hand gloves are mandatory when I am leaving the house. With the increasing number of cases in Mumbai, we have to take extra precautions as our camera equipment is metal. While shooting, we are constantly handling the camera with our hands and our eyes are exposed when we are focusing to click the pictures. To ensure our safety, we sanitise the camera every two to three hours. Besides the equipment, I also sanitise my mobile phone with a spray sanitiser that I carry with me. After completimg a shooting assignment in a contaminated area, I make sure that the camera equipment is sanitised before keeping them in the bag.

Do you take any precaution while heading back home after doing on-field reporting?

Though it is risk to be outside during the pandemic, the real challenge begins when we get back home to be with our families. Since the outbreak of the coronavirus, I have isolated myself to another room and make sure that I maintain social distancing with my family members. While leaving for work and after coming back home, I don't hug my children. Since day one, I am practising self-quarantine to keep my family safe and away from any risk. Infact, I take more precautions at home than I do while I go out. The epidemic is so dangerous that one cannot be sure how the infection will strike.

 

 

 

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A man sleeping outside his house during lockdown to prevent the spread of new coronavirus at Vakola in Mumbai, Wednesday, April 15, 2020. Indian Prime Minister Narendra Modi on Tuesday extended the world's largest coronavirus lockdown to head off the epidemic's peak, with officials racing to make up for lost time. PIC/SHADAB KHAN Paparazzi#Fashion#bollywood#lovemyjob#photography#Mumbai#India#middayindia#covid19#fightagainstcorona

A post shared by Shadab Khan (@photographer_shadab) onApr 16, 2020 at 8:09am PDT

During the COVID-19 coverage did you face scary moments? Which has been your scariest moment?

It is scary to visit crowded localities nowadays to cover the pandemic. In the beginning it was not a problem but since the police have imposed strict rules in these areas, we are facing issues. On few occasions, people in these localities have attacked and abused us, blaming the media for the strict police action. But all localities are not the same. We keep calm and ensure that we don't fight back or argue with the people when faced with a hostile situation. To ensure our own safety, we move out of the place quickly if we are confronted by the crowd.

Did you face challenges from the police while covering the COVID-19 pandemic?

In the beginning the police officials were not aware that the media comes under the essential services list and stopped us from entering certain areas which led to arguments sometimes. But gradually they understood and let us do our jobs. When they see the cameras and we show them our press cards, they ask us where we are going and all, that's it.

How is your department and the organisation supporting you?

We are getting the support of our department and the organisation in every possible way. I have been working in mid-day for 15 years and the organisation has been always supportive, our managers do not pressurise us for assignments. My reporting officer calls twice a day and inquires about my whereabouts and tells me to be extra careful while visiting contaminated zones and avoid going to sensitive areas frequently. We are always told to ensure safety first before work.

Shadab feels that practicing social distancing in Dharavi where people are cramped in small houses is nearly impossible

Although he covers different areas every day, Shadab makes it a point to visit a contaminated area at least once a day to check if any new development has taken place. Speaking about Dharavi, which has emerged as one of the biggest contaminated zones in Mumbai, Shadab said, "I visit Dharavi to see how the labourers are doing and how the small scale industries are coping with the COVID-19 epidemic"

"Everyone is talking about social distancing but it is not possible in Dharavi. Most houses in the locality are 8X8 small houses with 8 to 10 people cramped inside. In order to click a picture, one has to stand at the door and shoot, social distancing in areas such as Dharavi is almost impossible. The lanes in Dharavi are so narrow that if people are coming from the other side it is impossible to walk past them without making physical contact," added Shadab.

Besides Dharavi, Shadab carries out his photo assignments in Bandra, Sion and Wadala.

What is your message to the general public?

We are out on the roads because we have a responsibility as essential service providers. I would request people to stay home as far as possible. Only by staying home will you be safe! Follow the guidelines laid down by the government and maintain social distancing.

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The HRD Ministry is prepared to conduct the pending board examinations for classes 10 and 12 for 29 crucial subjects at the first possibility, officials said. The ministry has also directed states to start the evaluation process for the exams already conducted and facilitate the Central Board of Secondary Education (CBSE) in evaluation of answer sheets. "We are prepared to conduct board exams for class 10 and 12 pending due to lockdown in wake of the COVID-19 situation in the country. The exams will be conducted for 29 subjects crucial for promotion and admissions to undergraduate courses, at the first possibility. The students will be given at least 10-days notice before exams are conducted," a senior ministry official said.

"States have been asked to start the evaluation process for the exams already conducted and have been advised to facilitate evaluation of answer sheets. CBSE will also issue instructions for marking or assessment of non-important subjects not included in the list of 29 subjects," the official said. HRD Minister Ramesh Pokhriyal 'Nishank' had on Tuesday interacted with education ministers of states. Delhi Deputy Chief Minister Manish Sisodia had suggested that students be marked on basis of internal assessment as it is not feasible to conduct the pending exams now.

Sisodia, who is also the education minister, said students of Delhi will be more effected due to delay in conduct of exams as different states have their own boards, while the national capital only follows CBSE. Education ministers from different states also put forward deliberations being made about their respective state boards.
The Bihar board has already announced results for three streams of class 12 and is in the process of evaluation of class 12 exams. The Uttar Pradesh board is yet to begin the evaluation and will take a call in this regard soon.

¿Recently there has been lot of speculation regarding CBSE board exams. It is reiterated that board's decision to take board exams for 29 subjects of class 10, 12 stands the same as announced earlier,¿ the CBSE clarified in a tweet on Wednesday. According to the HRD ministry officials, as of now there are plans to conduct competitive exams including JEE and NEET in June for admission to engineering and medical colleges.

For other undergraduate admissions, the University Grants Commission (UGC) is working on an alternative calendar for the new academic session which will notify the timeline within a week. A seven-member panel set up to study the issue has recommended that the undergraduate admission process be started in July-August and the new session for freshers be started from September. However, no final decision has been taken in this regard yet.

The CBSE has already announced that it will not be conducting any exams for students in foreign countries. Universities and schools across the country have been closed since March 16 when the Centre announced a countrywide classroom shutdown as one of the measures to contain the COVID-19 outbreak.

Later, a nationwide lockdown was announced on March 24, which has now been extended till May 3.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

At least 70 state transport buses left from Maharashtra on Wednesday morning to bring back students stranded at Kota in Rajasthan due to the coronavirus-enforced lockdown, an official said. The vehicles left from Maharashtra's Dhule district around 10.30 am and will reach Rajasthan by Wednesday night, he said. "The buses will leave from Kota on Thursday morning," the Maharashtra State Road Transport Corporation (MSRTC) official said, adding that only 20 students will be allowed in each bus and the vehicles will halt at two to three places for food breaks.

A number of students from Maharashtra have been staying at Kota to take coaching classes for the preparation of various competitive entrance examinations after Class 12. The MSRTC official said due to the long distance journey of 11 to 12 hours, each bus has been provided two drivers, and a van will go along with the fleet to help in case of a break down and ensure smooth journey. "On return journey from Kota, the buses will ferry students to their respective districts," he said.

Maharashtra Transport Minister Anil Parab in a tweet late Tuesday night said, "1780 students from Maharashtra are stuck in Kota, Rajasthan due to lockdown for precaution against Covid-19. As directed by Hon'ble CM Shri. @OfficeOfUt, 92 buses of MSRTC fleet will Leave on 29th April 2020from Dhule to rescue the students & Bring them back home." When asked about it, the MSRTC official said earlier they were to send 92 buses, but the number was reduced as some districts like Raigad and Beed sent private buses to bring back students from Kota.

On return, the students and their parents will undergo medical checkup followed by the mandatory 14-day home quarantine, a senior official from the Maharashtra disaster management department said on Tuesday. The Maharashtra government decided to bring back the students following indications that the lockdown may be extended in some of the major cities where the coronavirus situation is yet to come under control.

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Bollywood actor Irrfan Khan, who had been undergoing treatment for Neuroendocrine tumour since the last two months, breathed his last on Wednesday. On Tuesday, the Paan Singh Tomar actor was admitted to Kokilaben Hospital for a colon infection. While a host of Bollywood celebrities mourned his death, politicians across parties took to Twitter to pay homage to the most 'Versatile' actor of the Indian Film Industry.

Irrfan Khan’s demise is a loss to the world of cinema and theatre. He will be remembered for his versatile performances across different mediums. My thoughts are with his family, friends and admirers. May his soul rest in peace.

— Narendra Modi (@narendramodi) April 29, 2020

Saddened by the demise of the late actor, PM Narendra Modi said that Irrfan Khan's demise is a loss to the world of cinema and theatre. While offering his condolence to the the late actor's family, PM Modi said that Irrfan will be remembered for his versatile performances across different mediums.

With the untimely demise of #IrrfanKhan, we lost a versatile actor.
Not just a hardworking actor but he was also a good cricketer but couldn’t persue due to lack of funds. His TV and film presence is unparalleled and has been giving confidence & motivation to many.
(1/2)

— Devendra Fadnavis (@Dev_Fadnavis) April 29, 2020

Remembering the fond memories that he shared with the late actor, former CM of Maharashtra and BJP leader Devendra Fadnavis said that Irrfan was also a good cricketer but couldn't persue it due to lack of funds. While Rajya Sabha Member and actor Shatrughan Sinha said that Irrfan was a man of few words, but a volcano of talent.

Here's how other's paid homage to Irrfan Khan:

Heartfelt condolences on the untimely demise of a self made, brilliant, versatile actor par excellence our own #IrrfanKhan. He was certainly one of the best in our film industry. A thorough gentleman & fine human being @irrfank. A man of few words, but a volcano of talent.

— Shatrughan Sinha (@ShatruganSinha) April 29, 2020

Saddened to hear about the demise of #IrrfanKhan.

One of India’s most versatile actors and a true gem of a person, my thoughts are with his family and friends in this hour of grief. Om Shanti.

— Piyush Goyal (@PiyushGoyal) April 29, 2020

Sorry to hear about the untimely passing of #IrrfanKhan. He was a truly talented & versatile actor, who helped India shine around the world. His presence will be missed on & off screen. My thoughts & prayers are with his friends & family.

— K C Venugopal (@kcvenugopalmp) April 29, 2020

Saddened to hear about the passing of Irrfan Khan. The Indian film industry has lost a much accomplished artist, who was also a warm, affectionate and humble person. He will be missed by all!#IrrfanKhan #RIPIrfan pic.twitter.com/QrfhJxSYBR

— N Chandrababu Naidu #StayHomeSaveLives (@ncbn) April 29, 2020

सिनà¥Â‡à¤Â…भिनà¥Â‡तà¥Â‡ à¤Â‡रफान à¤Â–ान याà¤Â‚à¤Âšà¥Âया निधनाà¤Âšà¥Â€ बातमà¥Â€ à¤Âà¤Â•à¥Â‚न दà¥Âà¤Âƒà¤Â– à¤Âालà¥Â‡. à¤Â…तिशय सà¤Â‚à¤Â˜रà¥Âष à¤Â•रà¥Â‚न पà¥Âढà¥Â‡ à¤Â†लà¥Â‡लà¥Âया या à¤Â…भिनà¥Â‡तà¥Âयानà¥Â‡ à¤Âœाà¤Â—तिà¤Â• सिनà¥Â‡मात à¤Â†पलà¥Âया à¤Â…भिनयाà¤Âšा ठसा à¤Â‰मà¤ÂŸविला हà¥Â‹ता. तà¥Âयाà¤Â‚à¤Âšà¥Âया निधनानà¥Â‡ दà¥Â‡श à¤Âà¤Â•ा महान à¤Â•लाà¤Â•ाराला मà¥Âà¤Â•ला à¤Â†हà¥Â‡.
तà¥Âयाà¤Â‚ना भावपà¥Â‚रà¥Âण शà¥Âरदà¥Âधाà¤Â‚à¤Âœलà¥Â€ðŸ™ðŸ¼

— Aaditya Thackeray (@AUThackeray) April 29, 2020

No stereotypical looks, no six-pack, no fancy dance steps, no dynastic claim to a place in Bollywood. It was just talent & a breathtaking screen presence. #IrrfanKhan your courage to speak up when others chose silence was your biggest asset & will be missed the most. God speed.

— Omar Abdullah (@OmarAbdullah) April 29, 2020

We've lost a tremendous actor who shattered all the stereotypes of what a 'Bollywood hero' should be.
Heartfelt condolences. #IrrfanKhan

— Prakash Ambedkar (@Prksh_Ambedkar) April 29, 2020

My sincere tributes to the great magician of an actor, the legendary #IrrfanKhan who weaved magical emotions into his characters with utmost ease in each of his acts!

Indian Cinema will struggle to fill the void to be felt by his absence!Condolences to near & dear#RIPIrrfanKhan

— Tejashwi Yadav (@yadavtejashwi) April 29, 2020

Omar Abdullah, former CM of Jammu and Kashmir said that Irrfan had talent and a breathtaking screen presence which helped him cement a place in the Bollywood film industry. Poitician and advocate Prakash Ambedkar said that the Irrfan shattered all the stereotypes of what a 'Bollywood hero' should be, while former Deputy Chief Minister, Bihar, Tejashwi Yadav said that Irrfan weaved magical emotions into his characters with utmost ease in each of his acts!

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The nation has come to a standstill as people have been asked to stay at home and observe social distancing to curb the spread of the virus. Motivating people during this tough situation and encouraging them to continue staying indoors, Radio City, India’s leading radio network launches ‘Ghar se na niklenge’ anthem. In addition to staying indoors, the foot tapping anthem urges citizens to come forward and support the nation by donating for the PM Cares Fund.

Radio’s City’s ‘Ghar Se Na Niklenge’ Anthem has been voiced by famous Bollywood singers like Divya Kumar, Benny Dayal, Asees Kaur, Meghna Mishra, and Nakash Aziz. The anthem is being aired across Radio City’s Hindi Speaking markets. Making the audience match steps with their groovy dance moves, the music video of the anthem features Radio City RJ’s along with artists like Sahil Khattar, Sushant Poojary, Paul Marshal, Rahul Shetty, Deepak Singh, Himanshu Parihar, Hiten Shah, Vaibhav G, Manan Sachdeva, Shashank Dogra, Aishwarya Radhakrishnan, Dhruv Dutt, Sonali Kar, Macedon D Mello, Sanam Johar, Abigail Pandey, Raveena Chaudhary, and Sneha Kapoor. The video will be amplified extensively across Radio City’s social media handles, including Facebook, Instagram, YouTube, and TikTok.

Sharing his thoughts on the anthem, Mr. Kartik Kalla, Chief Creative Officer, Radio City, said, "It’s been over a month and a half that we’ve been in lockdown and needless to say, it’s becoming increasingly tough to stay positive and motivated through it all. However, maintaining social distancing and staying at home is critical to flatten the curve. Radio City has always strived to utilise the power and reach of radio to connect with its audience and bring a positive change in the society. The ‘Ghar se na niklenge’ anthem is yet another creative approach from the Radio City’s AudaCITY team to not only entertain our listeners but also create awareness of the importance of staying indoors. We also support our Honourable Prime Minister’s message and through this anthem are encouraging our listeners to donate for the PM cares Fund. I would like to thank all the artists who have come forward and supported us in this initiative."

Speaking about the initiative, Batameez Dil singer, Benny Dayal said, "Amidst such unprecedented times when the world is grappling to fight the Coronavirus pandemic, staying home is the only way to prevent the spread of this deadly virus. Music has the power to bring people together, uplift mood, and provide comfort. A huge shout out to the Radio City team for making me a part of the ‘Ghar se na niklenge’ anthem and spread joy in others’ lives. I humbly request everyone to stay home and stay safe."

Sharing his thoughts on the anthem Actor, Indian Youtuber and Television host, Sahil Khattar said, "It is imperative for people to stay indoors to safeguard themselves and others as well. Radio City’s ‘Ghar se na niklenge’ anthem has brought all of us together to cheer up the audience. We need to understand the gravity of the situation and stay united in making the purpose of this lockdown a success. Let’s stay at home and defeat this pandemic together."

Speaking about the Radio City’s ‘Ghar se na niklenge’ anthem, the Shubharambh singer, Divya Kumar said, "I am elated to lend my voice to the ‘Ghar se na niklenge’ anthem by Radio City. I think it is our collective responsibility as citizens to abide by the rules and stay indoors for our nation. I am certain that this anthem will make you groove to its tune and help spread some positive vibes amidst the tough times."

The second phase of the campaign will be spearheaded by Pepeta choreographer, Rajit Dev, who will launch #RadioCityNamasteChallenge, a digital campaign that will urge viewers and listeners of Radio City to come up with their version of the hook step of the anthem and share it on their social media handles, tagging Radio City.

Radio City’s ‘Ghar Se Na Niklenge’ Anthem, is a collaborative effort of Radio City team and established Bollywood singers, TV personalities, social media influencers, and industry choreographers, who have joined hands to bring a smile to people’s faces and help them understand the importance of not leaving their homes during the lockdown.

You can watch The Radio City’s ‘Ghar Se Na Niklenge’ Anthem here: 

About Radio City:

Radio City, a part of Music Broadcast Limited (MBL) is a subsidiary of Jagran Prakashan Ltd. Being the first FM radio broadcaster in India and with over 17 years of expertise in the radio industry, Radio City has consistently been the number one radio station in Bengaluru and Mumbai with 24.5% and 15.7% average listenership share respectively. (Source: RAM Data, TG: 12+ Period: Week 1, 2013 to Week 21, 2019). Radio City Delhi ranks #2 with 13.4% average listenership share (Source: RAM Data, TG: 12+ Period: Week 1, 2019 to Week 21, 2019).

Music Broadcast Limited currently has 39 stations across 12 states, comprising 62% of the country’s FM population. Radio City reaches out to over 69 million listeners in 34 cities covered by AZ Research 2019 (Source: AZ Research Report). The network provides terrestrial programming along with 18 other web-stations, through its digital interface, www.radiocity.in.

Radio City has spearheaded the evolution of FM radio by offering content that is unique, path-breaking and invokes city passion amongst listeners with its brand philosophy of "Rag Rag Mein Daude City". The network introduced humour and the concept of agony aunt on radio with Babber Sher and Love Guru respectively. It also initiated Radio City Freedom Awards, a platform to recognize independent music and provided a launch pad to budding singers with Radio City Super Singer, the first singing talent hunt on radio.

Radio City bagged 73 awards across national and international platforms like Golden Mikes, India Radio Forum, New York awards, ACEF awards etc. in 2018-2019. Radio City has consistently featured for the 7th time in ‘India’s Best Companies to Work For’ study conducted by Great Place to Work Institute. In 2019, Radio City ranked 6th in ‘Best Large Workplaces in Asia’, according to the GPTW survey. Radio City has also been recognized in ‘India’s Best Workplaces for Women – 2019’ and has ranked amongst the Top 75 organizations on the list.

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India's cricket icon Sunil Gavaskar made a donation of R59 lakh towards COVID-19 relief funds on April 7. The reason behind 59 was fascinating — the sum total of 34 Test centuries, one ODI hundred and 24 tons for Mumbai in domestic cricket.

Interestingly, the first of those 59 centuries for Mumbai was scored 50 Aprils ago in the 1969-70 Ranji Trophy final against Rajasthan at the Brabourne Stadium.

It was Rajasthan's seventh Ranji Trophy final of the decade against Mumbai, with no victory to show. This, despite roping in some big names as professionals over those years like Vinoo Mankad, Vijay Manjrekar, Subhash Gupte, Rusi Surti and Arvind Apte apart from having charismatic players like Hanumant Singh and Salim Durani.

Mumbai-bred fast bowler Kailash Gattani started playing for Rajasthan as a schoolboy in 1962 and in the 1969-70 Ranji Trophy final, he was trading punches with four of his St Xavier's College teammates — Gavaskar, Milind Rege, Ashok Mankad and Atul Mehta.

Rajasthan won the toss and batted without making full use of the good batting conditions. Before the curtains came down on Day One, Rajasthan had been bowled out for 217 with Gavaskar and Mankad ending the day on 16-0.

Pace bowler Abdul Ismail, who like Gavaskar, was in his first Ranji Trophy season, claimed 4-58 while one-Test man Ajit Pai returned 2-43. It was Ismail who sent back Rajasthan's captain Hanumant Singh for a duck, caught by his opposite number Ajit Wadekar.

Earlier, the loss of Laxman Singh with the scoreboard reading only 16, didn't deter Test all-rounder Salim Durani from playing his aggressive game. He put his punitive blade to good use in an innings which included eight hits to the ropes. In a second wicket stand of 58 with Hanumant's brother Suryaveer, Durani's contribution was 41.

Solkar, who came on first change bore the brunt of Durani's aggression; Ismail too. "I remember one ball sailing towards the East Stand before I had even completed my follow through," Ismail recalled on Tuesday.

Future Test batsman Parthasarathy Sharma top-scored with 67 before putting on 92 with former Test batsman Arvind Apte for the fifth wicket.

Day Two saw Gavaskar (114) and Mankad (171) blossom to a Ranji Trophy record opening stand of 279. Gavaskar's 255-minute knock was embellished with 16 fours.

According to the 1970 edition of Indian Cricket annual, "Both batted extremely well, true to the traditions of the team to which they belonged, grafting the runs with concentration and perseverance. But both had their share of luck, which, however, did not disturb their approach, Gavaskar was missed when he was only 11 by wicketkeeper (Sunil) Benjamin off Gattani, who was troubling the batsmen in the early overs of the morning."

Mehta, who contributed an unbeaten 24 in the total of 531 beefed up by Solkar (82) and an entertaining 58 (7x4, 2x6) at No. 8 by Pai, recalled Gavaskar's friends jokingly telling him to send Rajasthan wicketkeeper Sunil Benjamin a Christmas card every year.

When I spoke to Pune-based Gattani, who was most unfortunate to miss out on an India cap, over the phone on Tuesday, he rued the fact that his side dropped many catches in the match and that Rajasthan's preparation for the season was warped. "And when you drop someone like Sunil, his bat gets bigger and bigger," Gattani exclaimed.

Gavaskar was playing only his third first-class game for Mumbai. His returns from his debut — the 1967-68 Irani Cup against MAK Pataudi's Rest of India — were 5 and 0. When he returned to the XI for the 1969-70 Ranji Trophy semi-final against Mysore (later Karnataka), he got a duck and 27 not out so the hundred in the final, reached through a single off Gattani just before tea on the second day, must have been one of relief.

Gavaskar's childhood friend Rege stressed how pressure-free the Mumbai camp was during that game and in that era in which 15 Ranji Trophy titles were clinched from 1958-59 to 1972-73: "We were never casual, but we were completely relaxed. We did not know what was it to lose and we had the great Wadekar leading us. He was not a demonstrative captain but scored very high on strategy."

Rajasthan could manage only 255 in their second innings with off-spinner Rege accounting for Suryaveer, Sharma, Gattani and Hemendra Surana. Mumbai clinched the game by an innings and 59 runs and Mumbai's next batting star for India had played a significant part in it. That Gavaskar held three catches in Rajasthan's second innings like in the previous game against Mysore, must have contributed to the thrill of his first triumphant Ranji Trophy season. It was Mumbai's 12th Ranji triumph on the trot.

KN Prabhu, the doyen of Indian cricket writers had taken note. In his Ranji Trophy review for The Cricketer International's July 1970 issue, he wrote: "Gavaskar, whose front foot drives are a delight to watch, is expected to maintain Bombay's tradition."

For pacer Raj Singh Dungarpur, the former Cricket Club of India and BCCI president, it was his last first-class game for Rajasthan at the Brabourne Stadium.

The everlasting hurt of seven final losses to Mumbai is evidenced in Raj Singh's decision to skip a reunion of Mumbai players for which he was invited, at the CCI in February 2000. "After ending up on the losing side in seven Ranji Trophy finals against those players, I didn't want to open old wounds for myself," he reasoned.

A certain Sunil Manohar Gavaskar was at that function, enjoying himself in the CK Nayudu Banquet Hall, not far away from the pitch on which he scored his maiden first-class century for his beloved city.

mid-day's group sports editor Clayton Murzello is a purist with an open stance. He tweets @ClaytonMurzello Send your feedback to mailbag@mid-day.com

The views expressed in this column are the individual's and don't represent those of the paper

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Amid the lockdown, a message went viral on social media stating that a vegetable vendor from the big BMC building market near Borivli station was COVID-19 positive. The message also asked residents to avoid buying vegetables from small roadside vendors since they bought their stock from the BMC market.

The message led to panic among Borivli residents, especially when many have been depending on small vegetable vendors due to travel limitations. Several residents were confused on Wednesday whether to buy vegetables at all and if yes, from which vendor. After the panic, the BMC too shut the market located near Borivli station which led to further anxiety among locals.

Avinash S, a local resident, said, "I received this message just a day after we had bought vegetables from a vendor near our residential building. It was certainly going to add to the panic and stress that we are living in currently. Due to the movement limitations, most of us depend on such small vegetable vendors near our houses."

mid-day found out that one vendor had indeed tested positive but he had not visited the market for a couple of weeks and had self-quarantined himself at home. The BMC decided to seal the market as a precautionary measure only to reopen it after disinfecting.

A vegetable vendor in I C Colony, Pratap Yadav, said, "After the market was closed, it added to more stress as people believed the news. Many customers started asking me if I had bought vegetables from that market."

'No need to panic'
Former corporator Abhishek Ghosalkar said that it was important to note that the vendor has been away from the market for many days. "There is no reason to panic
because BMC is disinfecting the complete market," he added.

The vendor is a resident of Borivli and got himself tested around ten days ago after his symptoms refused to subside. His report was out on Sunday after which he was admitted to a hospital.

Another former corporator Shiva Shetty said the number of patients in Borivli was increasing and residents were, "still casual about it, especially in the slum areas."
Local BMC ward officer Bhagyashree Kapase was unavailable for comment.

Apr 26
Day the vendor got his positive COVID-19 report

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Early on Wednesday morning, 27 students and six parents from Raigad district, who were among the 2,000 Maharashtra residents stranded in Kota, Rajasthan, arrived at the Gram Vikas Bhavan in Kharghar in a special private bus arranged by the district administration.

Fifteen of the students are from Panvel, three from Karjat, three from Pen, one from Pune, two from Thane and five from Alibaug, among others. They had enrolled at coaching institutes to prepare for NIIT, IIT and medical entrance exams.

According to the students, who are now in home-quarantine, exams were scheduled for April first week. For medical students, they were scheduled in the first week of May. Both exams have been postponed amid the Coronavirus lockdown.

The returnees inside the private bus

"Around 2 lakh students were staying in hostels and studying at a single institute in Kota. While most states have taken their students back, around 6,000 from Jharkhand and Bihar are still stranded," said Gauri Mayekar, a student from Alibaug who aspires to study medicine.

"I enrolled at my institute last April to prepare for my medical entrance examination. I had scored 78 per cent in PCMB (physics, chemistry, maths, biology) during HSC. My mother joined me in January and we were to return in March. We had to extend our stay due to the lockdown," Mayekar added.

Some parents from Raigad had approached the district's Guardian Minister Aditi Tatkare to help bring their kids back. Tatkare wrote to Chief Minister Uddhav Thackeray and deputy Chief Minister Ajit Pawar. District Collector Nidhi Choudhary spoke to her counterpart in Kota and special permissions were issued to allow the bunch to travel in a specially arranged bus.

Another student Gaurav Maurya, 18, a resident of Pen, said that his common entrance exam for NIIT, which was to begin in April first week, has been postponed.

"I had got a scholarship and joined a well-known private institute in Kota. My parents had paid R56,000 for the whole term. My initial plan was to appear for the exam in Kota and then return home. But now I have asked for the centre to be shifted somewhere near my home," Gaurav said.

Amit Sanap, tehsildar, Panvel said, "We arranged for the students and parents to get a medical checkup at Gram Vikas Bhavan, Kharghar. Sub-district hospital doctors checked the students' temperature at the entrance. None of the arrivals showed symptoms of novel Coronavirus. Each of them was stamped for the 14-day home quarantine. All were happy to be home after being stuck in Kota since the lockdown."

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The Brihanmumbai Municipal Corporation (BMC) has started mobile dispensaries to curb the spread of COVID-19. Currently they will move about in the areas most affected by the disease such as Worli, BDD chawls, Lower Parel, Currey Road etc.

It was decided to start mobile dispensaries to prevent the spread by reaching out to people and detecting patients. While the service began on Wednesday in the severely affected G South ward, the doctors will move to other areas later. More than 600 COVID-19 positive patients have been found in G South Ward.

A doctor, a nurse and an assistant will be available in the mobile dispensary. It will be stocked with medicines for cold, cough and fever, and in case of a suspicious patient of COVID-19, a thermal scanner has also been placed in the vans. The vans will provide the service from 10 am to 7 pm.

After their check-ups, people will be treated with pills for minor fever etc. But if a suspected patient of COVID-19 is found, she or he will be hospitalised. The mobile dispensaries aim to find such patients in red zones to help curb the spread of the disease.

The mobile dispensaries were launched at the NSCI club in the presence of Mayor Kishori Pednekar. In all five mobile dispensaries have been started.

Mayor Pednekar told mid-day, "Medicines for cold, cough and fever are available in these dispensaries. If a suspect patient is found during the check-up, he will be taken to the OPD of a COVID-19 deisgnated hospital and examined immediately."

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Staying in paying guest accommodations with a fast-depleting stock of instant noodles, students from Maharashtra in Kota, Rajasthan had been living precariously since the lockdown began over a month ago. On Wednesday, the group had reason to cheer as their pleas were finally heard and state transport buses set out to bring them home.

A convoy of over 70 buses of the Maharashtra State Road Transport Corporation (MSRTC), with a break-down maintenance van and spare drivers, began the 630-km-long journey from Dhule on Wednesday around 10.30 am. mid-day had first reported that the MSRTC has been tasked to bring students back and the plan had been awaiting approval.

Student Aditi Thorat hails from Solapur

The buses will bring approximately 1,764 stranded students and drop them in their respective home districts in Maharashtra. Mumbai and Thane have 10 students each. The number of students may have reduced after parents and local officials arranged for private buses as the state delayed in deciding on the matter over the cost of transport. A few private buses reached Navi Mumbai on Tuesday morning.

mid-day spoke to two students who said they have to walk 1.5 km just to get a meal.

"We have been waiting to be taken home for over a week. We got to know of the state transport buses through news but there has been no official confirmation. Authorities in Kota asked us to check on Thursday as that is when the buses are expected to arrive," said Om Ghadling, who hails from Buldhana. Another student, Aditi Thorat who hails from Solapur, said, "We are mostly staying in PG accommodations. When used to rely on tiffin services but amid the lockdown everything is shut. The local government gives food but we have to walk 1.5 km for that. Many of us have been relying on instant noodle packs, which too are getting scarce."

Ghadling added that names of 44 students are missing from the list prepared by the government. "We hope they too get to return," he said. Many of the 2,000 students had arrived in Kota just before the lockdown began to enrol in coaching centres.

Social distancing on bus
A senior MSRTC official said the buses will reach Rajasthan by Wednesday night. Dhule was chosen as the start off point as it is nearest to Rajasthan.

"Only 20 students will be allowed in each bus and the vehicles will halt at two to three places for food breaks. The buses will leave from Kota on Thursday morning. Due to the long-distance journey of 11 to 12 hours, each bus has two drivers. A van will accompany the convoy to help during breakdowns. The buses will ferry students to their respective districts," the official added.

After returning, the students and their parents will undergo a medical check-up followed by the mandatory 14-day home quarantine.

Asked why these buses can't carry migrants stuck in the city, another officer said that they can't be brought to Dhule and that the buses have been sanitised especially for this journey. The buses have been given provisions such as sanitisers, disinfectants, masks and gloves.

After discussions with the government and due permissions, the Dhule Guardian Minister and Minister of State for Revenue Abdul Sattar, Dhule Collector Sanjay Yadav and MSRTC Dhule Division Controller Manisha Sapkal arranged the fleet in a short span of time.

20
Approx. no. of students to be allowed on each bus

Inter-state travel for migrants, students

The Union Home Ministry issued a six-point guideline on Wednesday to states and union territories to facilitate inter-state movement of stranded persons, including migrant labourers, students and tourists. The guidelines state that such movement shall be in mutual consultation and agreement between states in buses, following physical distancing, screening at source and destination followed by home/institutional quarantine arrival

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As many as 160 personnel of the Mumbai Fire Brigade (MFB) have been keeping your city clean in an effort to prevent the spread of the deadly novel Coronavirus. Thirty-two teams of the MFB have sanitised more than 3,000 places, including hospitals and containment zones, over the past month.

The MFB teams, following the instructions of the BMC's health department, have disinfected 3,063 spots using 2.47 lakh litres of sodium hypochlorite. They have been disinfecting hospitals and the areas, which have been sealed following a spurt in cases of COVID-19 infections, on alternate days. The fire department said they are using 17 quick response vehicles, nine mist blowing machines and six boom mist machines to sanitise the affected places.

The real challenge is to disinfect the gullies around the houses and narrow pathways in the slum where hardly one person can walk at a time, said an officer from the MFB. "The number of containment zones in the slum has increased, but the fire brigade team is working hard to sanitise all the areas in time, and effectively," the officer added.

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Clearing the path for those stranded at different places across the country, the Union home ministry issued orders to state governments and union territories to facilitate their movement within and between states. It has further said that individuals should be medically screened at the source point and destination and kept in home or institutional quarantine on arrival as per the COVID-19 guidelines issued earlier.

The decision comes after many of the chief ministers demanded the same at the meeting with Prime Minister Narendra Modi. However, since trains would not be allowed to operate anytime soon, those stranded will have to be ferried by road. Some states, like Maharashtra, have already prepared a plan to send migrants to their respective destinations in buses. It has already sent buses to fetch students from Kota, of which one batch arrived in Navi Mumbai on Wednesday morning.

Inter-state movement
The order says that stranded people include migrant workers, pilgrims, students, tourists and other persons. It also mentions that the inter-state movement should be planned by the states and mutually agreed upon to transport people by road and that the states should develop a standard protocol with nodal officers (offices), where the stranded people would be required to register their details. The moving person(s) should be screened at the source point and allowed to travel if found asymptomatic. Buses should be sanitised and social distancing should be followed while seating passengers.

The ministry has also asked states falling on the transit route to allow the movement without any glitch. Passengers would be kept in home quarantine on arrival unless the health assessment requires the person(s) to stay in institutional quarantine. The home- quarantined people would be checked periodically.

No clarity on footing the bill
Sources in the Maharashtra government said that they had expected the order, but rued that it did not have clarity on who would pay the travel bills. "Ideally, the people who have the money should pay or their respective state governments should pay for the long and expensive travel. The UP government paid for the students and migrants from Kota and Delhi. Maharashtra also made arrangements to bring back students from Kota," said a bureaucrat in the know of the matter.

He further said that the government has kept thousands of state transport buses ready for the purpose. "We are in talks with the states. The order, which must be complied with by all unlike advisories in the past, should make the states respond to our appeal. The cost factor should also be sorted out when we negotiate in the wake of the new order," added the bureaucrat.

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Maharashtra Chief Minister Uddhav Thackeray on Wednesday called Prime Minister Narendra Modi about his nomination to the State Legislative Council. According to sources, Thackeray asked for PM Modi's help, saying if it doesn't happen, he will have to resign. The PM said that he would look into the matter and get more details. The Maharashtra Cabinet on April 28 once again asked Governor Bhagat Singh Koshyari to nominate Chief Minister Thackeray to the State Legislative Council.

Earlier on April 9, the state Cabinet had recommended Thackeray's name for one of the two vacant MLC seats that were to be nominated by Koshyari to the Legislative Council to avoid a constitutional crisis. Thackeray was sworn-in as the Maharashtra Chief Minister on November 28, last year. He is currently not a member of either of the House -- Legislative Assembly or Legislative Council.

According to the Constitution, Thackeray has to be elected to either Assembly or Council within six months in order to continue in his post.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

With the lockdown prompting students and parents in uncertainty, schools in Mumbai have been acting on requests received from parents on rolling back fees and refunding miscellaneous fares.

According to a report in The Times of India, city schools have been rolling back fees for bus and canteen as children are attending classes online and not availing the services.

Parents have been requesting for financial relief from the school as they have been facing pressure in terms of their jobs and businesses due to the lockdown imposed by the government due to the Coronavirus outbreak. A parent was quoted by the newspaper as saying that the requests for carrying forward a portion of tuition fees and/or additional variable costs to the next term were also made, to which schools replied that they are looking for ways to address the concerns in the best possible way.

The Dhirubhai Ambani International School in Bandra Kurla Complex issued a notice to students and parents that states, "During this time, as we offer virtual classes, your child is not availing the school transport service and the canteen snack facility. Taking this into account, the school has decided to refund the charges paid toward these services for the current quarter of 2020."

Addressing the concerns by parents, the management of the Children’s Academy Group of Schools said that they have decided to roll back on the fee hike. The school’s trustee Rohan Bhatt was quoted by the newspaper saying that "We understand that the parents also might be going through a difficult period financially and, hence, have decided to roll back the fee hike for at least six months," adding that they are also allowing parents to pay the fees at their own pace. However, the trustee also mentioned that if the situation persists, the school may face trouble in paying the salaries of teachers and staff.

On the other hand, some parents said that they are willing to pay the schools until they can afford to and as long as children are getting their education from online classes. Lauding the efforts by the teachers, a parent was quoted by the newspaper as saying, "The efforts the teachers and school are putting into teaching the kids is phenomenal. My child is learning everything from football to keyboard through online classes. So as long as we can, we would be willing to support the school."

Meanwhile, on the circular issued by the Maharashtra state education board, asking schools to be considerate while demanding fees for the ongoing and the next academic year, state education minister Varsha Gaikwad said on Friday that the parents can lodge a complain to the district education officers if schools are forcing them to pay during the lockdown period.

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Bombay High Court on Thursday issued notice's to Maharashtra government and Central Bureau of Investigation (CBI) on a petition seeking a CBI probe, a fast track court trial and compensation in the Palghar mob lynching incident. A single-judge bench of Justice Ujjal Bhuyan issued the notices and sought a reply from the respondents on the petition within a period of two weeks.

Plea demanding CBI/SIT probe, trial in fast track court and compensation in Palghar incident: Bombay High Court has admitted the plea for hearing, has issued notices to Maharashtra state and CBI and has asked them to respond on the notices within 2 weeks. #Maharashtra pic.twitter.com/EmJ5xKRYXV

— ANI (@ANI) April 30, 2020

The petition, filed by Supreme Court lawyer Alakh Alok Srivastava, sought directions to transfer the investigation in the incident from CID-Crime to the Central Bureau of Investigation or alternatively constitute a special investigation team (SIT) monitored by the court to prove the incident.

The petition also sought directions to conduct the trial in the case by a fast track court in an expeditious and time-bound manner, and a compensation of Rs 1 crore to the family of the driver who was killed in the incident. The plea said that there are serious allegations of commission and omission on the part of the local police personnel themselves in the brutal crime and added that it is in the interest of justice to get the investigation of the case done by any independent agency.

"Directions in the nature of Mandamus to the State of Maharashtra to initiate stringent disciplinary action as well as penal action under Indian Penal Code (IPC) by way of registration of FIR, against the concerned policemen, whose acts and omissions led to the aforesaid brutal lynching," the plea said. "The brutal lynching of the old aged spiritual leaders has sent a wrong message to the society at large and thus it is in the interest of justice to direct for speedy and expeditious trial of the instant case," it said.

Two sadhus and their driver, who were travelling from Kandivali in Mumbai to Gujarat, were beaten to death on April 16, allegedly by villagers in Gadchinchle of Palghar, as they suspected them of being thieves.

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Saddened by the news of the passing away of veteran Bollywood actor Rishi Kapoor, Maharashtra Navnirman Sena (MNS) chief and politician Raj Thackeray paid rich tributes to the late actor. On Thursday, the MNS leader took to social media to pay homage and penned a heartfelt note calling Rishi Kapoor the first 'Chocolate boy' of the Bollywood film industry.

A fearless tweet takes a bow!#RishiKapoor #à¤Â‹षि_à¤Â•पà¥Â‚र #मनसà¥Â‡à¤ÂÂÂÂÂ…भिवादन pic.twitter.com/NcVk6VqLZG

— Raj Thackeray (@RajThackeray) April 30, 2020

Titled 'A fearless tweet takes a bow!', Thackeray began his note saying that the country lost two exemplary artists back to back, mentioning the demise of Irrfan Khan and and Rishi Kapoor in a span of two days.

Talking about Rishi Kapoor's entry into the Bollywood Industry, Raj Thackeray said that although Kapoor made his debut at a time when the film industry had a strong group of young actors including Amitabh Bachchan, Vinod Khanna, Rajesh Khanna, Shatrughan Sinha, and Dharmendra, he managed to become the voice of the youth and remained so to date.

Raj Thackeray's post

A heartfelt trubute penned by Raj Thackeray for the late actor, Rishi Kapoor

The MNS chief said that Rishi Kapoor did full justice to the Kapoor legacy. Throwing light on Rishi Kapoor's acting skills and his persona, Raj Thackeray said that looking at his effortless performances, one felt that there was no camera in front of him.

Raj also heaped praises on the late Rishi Kapoor for always speaking his heart out and taking a stand. "My family and I have a deep affection for Rishi Kapoor. His performances and his forthright conduct is something, I wholeheartedly appreciate. Be it a social cause, political debate or any current happenings, he was very articulate and forthright in his thoughts and words. One could see his true core reflect in his tweets. Even if there was a huge uproar on any of his tweets, he held his own and never refrained from taking a stand," Raj wrote.

Rishi ji, a person who showed the Cine world what “good looks” truly meant and a friend of the family for decades and 3 generations.
Our heartfelt condolences to the Kapoor family.

— Aaditya Thackeray (@AUThackeray) April 30, 2020

While concluding his heartfelt tribute, Raj offered his condolence to Rishi Kapoor's family and said, "A deeply passionate person who loved his craft. I offer my humble and heartfelt tribute to this exceptional artist who leaves behind a legacy that will be etched in the ethos of our Indian film industry for eternity."

Besides Raj, Maharashtra Tourism Minister Aaditya Thackeray also paid homage to Rishi Kapoor. He said, "A friend of the family for decades and 3 generations. Our heartfelt condolences to the Kapoor family."

Rishi Kapoor, who was diagnosed with cancer back in 2018, was admitted at Sir HN Reliance Foundation Hospital in Mumbai around three weeks ago and he passed away on Wednesday morning at 8:45am in the hospital.

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Mumbai Metro Rail Corporation (MMRC) on Thursday achieved yet another milestone with its 28th breakthrough from Chhatrapati Shivaji Maharaj Terminus to Mumbai Central. Vaitarna-2 is the first TBM to complete the stretch of 4km in a single drive.

Vaitarna-2, the Tunnel Boring Machine (TBM) of this package was commissioned on February 2, from CSMT launching shaft and completed its longest run at Mumbai Central station with 2,730 RCC rings.

"This part of the tunneling was very challenging particularly because the alignment runs very close to old and dilapidated buildings and also parallel to the sea shore and very shallow ground water table which is approximately 1-4 meters below only", said Ranjit Singh Deol, Managing Director, MMRC.

"Another challenge posed before the team was the outbreak of COVID-19. However, we ensured physical distancing and strictly followed all the guidelines stipulated by the state government”, said Deol further.

The 4-km long tunneling, on the Colaba-Bandra-SEEPZ Metro-3 Corridor, includes the construction of five underground stations beginning from Chatrapati Shivaji Maharaj Terminus to Mumbai Central via Kalbadevi, Girgaon and Grant Road.

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