In a world fractured by deep ideological divisions, Nicholas Ma’s new documentary, “Leap of Faith,” seeks to answer the question of whether love can bridge seemingly unbridgeable divides. 

We focus on environmental news on this edition of the Weekly New Hampshire News Roundup. We talk about climate issues on the 2020 campaign trail after the departure of Jay Inslee, and compare the climate plans offered by other Democratic candidates. Following protests at the statehouse over the Merrimack Station coal plant, we discuss the future of fossil fuel generators in the state. Plus, the latest environmental vetoes and bill signings from Governor Chris Sununu. Annie Ropeik, NHPR's environment and energy reporter, is guest host. GUESTS: Sam Evans-Brown - host of NHPR's, Outside/In, our show about the natural world and how we use it. We discuss the 2020 candidates and their climate plans with Leah Stokes , Assistant Professor of Climate Politics at the University of California, Santa Barbara. Lila Kohrman-Glaser , co-director of 350 NH Action, joins us to talk about protesting the 440-megawatt Merrimack Station at the statehouse. Bay Road in Newmarket is currently closed for

Earlier this year, the city of Lebanon gave a small group of residents the chance to bring not their trash and recyclables to the local landfill, but their compost too. It makes Lebanon one of a few cities in the state helping residents reduce food waste, which is a major contributor to climate change.

We explore how data errors might have inflated New Hampshire's progress on distributing the COVID-19 vaccine. We also get an update on the latest environmental news in the Granite State and hear from NHPR's CEO about the decision to cease production of The Exchange at the end of the month. And we chat with long-time Berlin Sun editor Barbara Tetreault about her upcoming retirement. Air date: Friday, June 11, 2021.

An Ohio woman who was wrongfully charged and convicted in 1994 of physical and sexual abuse against children in a Head Start program and then spent more than 15 years in prison before she was exonerated said she sometimes felt God wasn't with her as she waited for her redemption.

Luis Armando Albino was 6 when a woman abducted him in 1951 while he was playing at a park in California with his older brother, only reuniting with his family seven decades later thanks to the determination of his 63-year-old niece. 

An Illinois-based congregation has agreed to pay more than $1.4 million in order to disaffiliate from The United Methodist Church following litigation over who owned its property.

Pheaross Graham (Stanford) Title and description TBA A reception will follow.

Cecily Nicholson is an Assistant Professor in the School of Creative Writing at University of British Columbia. Nicholson is the author of four poetry books, Triage, From the Poplars, Wayside Sang, and Harrowings, and past recipient of the Dorothy Livesay Poetry Prize (2015) and the Governor General’s Literary Award for poetry (2018). She is the first honouree of the Phyllis Webb Memorial Reading award from the Poetry in Canada Society (2023) and 2024/2025 Holloway Lecturer in Poetry and Poetics at UC Berkeley.Ana María Ochoa Gautier is Professor and Chair of the Department of Music, and faculty member at the Center for the Study of Ethnicity and Race at Columbia University. Her recent book, Aurality, Listening and Knowledge in Nineteenth-Century Colombia (Duke University Press, 2014) was awarded the Alan Merriam Prize by the Society for Ethnomusicology. She is also the author of Músicas locales en tiempos de globalización (Buenos Aires: Norma 2003) and Entre los Deseos y los Derechos: Un Ensayo Crítico sobre Políticas Culturales (Bogotá: Ministerio de cultura, 2003). She writes on music and cultural policy, forced silence and armed conflict, and genealogies of listening and sound in Latin America and the Caribbean. Her current projects explore the bioacoustics of life and death in colonial histories of the Americas. She has been a Distinguished Greenleaf Scholar in Residence at Tulane University (2016) and a Guggenheim Fellow (2007-2008). She has served on the advisory boards of the Society for Cultural Anthropology, the Démos project at the Cité de la Musique - Philharmonie de Paris, and the Smithsonian Center for Folklife and Cultural Heritage. She will be a visiting professor in UC Berkeley’s Department of Music in Spring 2025.Tom McEnaney is Associate Professor in the departments of Comparative Literature and Spanish & Portuguese, and the Director of the Berkeley Center for New Media. His research concerns the intersection of literature, sound technology, and politics. He is the author of many articles and the book Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas. His new book, with Judith Peraino, will be out in August and is titled We’re Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond. The 2024/25 series includes: Rizvana Bradley (Film & Media), Asma Kazmi (Art Practice/BCNM), Tehmina Khan (College Writing Program), Roshanak Kheshti (TDPS), SanSan Kwan (TDPS), Fae Myenne Ng (Ethnic Studies), Cecily Nicholson (English), Ana María Ochoa Gautier (Music), Andy Shanken (Architecture/Art History), and Stephanie Syjuco (Art Practice).

Perú Negro, LopezDaphnis and Chloe No. 2, RavelMusic from Studio Ghibli, HisaishiDavid Milnes, conductor Join us for this end-of-year concert that includes a special performance of classics from the Studio Ghibli catalog. Featuring a full orchestra and visual accompaniment, this three-day event is a fan-favorite that is certain to sell out. Get your tickets early!Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Perú Negro, LopezDaphnis and Chloe No. 2, RavelMusic from Studio Ghibli, HisaishiDavid Milnes, conductor Join us for this end-of-year concert that includes a special performance of classics from the Studio Ghibli catalog. Featuring a full orchestra and visual accompaniment, this three-day event is a fan-favorite that is certain to sell out. Get your tickets early!Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Perú Negro, LopezDaphnis and Chloe No. 2, RavelMusic from Studio Ghibli, HisaishiDavid Milnes, conductor Join us for this end-of-year concert that includes a special performance of classics from the Studio Ghibli catalog. Featuring a full orchestra and visual accompaniment, this three-day event is a fan-favorite that is certain to sell out. Get your tickets early!Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Piano students from the studio class, Music 168CS, perform a variety of solo works Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

‘Un Matisse Qui Chante’: Image, Sound, and Story in The Umbrellas of CherbourgWalter Frisch (Columbia University)The year 2024 marks the sixtieth anniversary of the release of Les Parapluies de Cherbourg(The Umbrellas of Cherbourg, 1964), which has since become a beloved classic in France and around the world. Diverging in many respects from the aesthetics of the contemporary Nouvelle Vague, Umbrellaswas a bold experiment by writer-director Jacques Demy and composer Michel Legrand that also departed markedly from traditional film musicals. Umbrellaswas sung from beginning to end, without any spoken dialogue. The creators aimed for a “transposed realism” that also bore little resemblance to opera. Legrand’s score, composed in close collaboration with Demy, was recorded before any filming began. The painterly costumes and sets were also coordinated with the music and screenplay. Umbrellashas been recognized as reflecting important cultural, political, and social issues of the France of its day, including modernization and commodification in the decades after World War II, the pervasive impact of Algerian War of 1954–1962, and changing family values during an early wave of feminism in France. More recently, Umbrellashas been interpreted within the framework of queer cinema. This talk will explore the genesis and unique qualities of Umbrellas, as well as some of these important contexts.Note: Frisch recommends watching Les Parapluies de Cherbourgin advance, if possible. It is available with subtitles on several streaming platforms. A reception will follow.

The Department of Music holds an annual concerto audition in the fall semester, open to current members of the UC Berkeley Symphony Orchestra and to music majors performing on non-orchestral instruments (i.e. piano, voice, instruments from other cultures). Free and open to the publicInformation for Applicants: The deadline to submit application forms is Wednesday, November 6, 4pm in the Music Department office, 104 Morrison Hall. The application form can be found here(PDF file). Copies of the form are also available in 104 Morrison Hall. The audition jury is made up of Music Department faculty and outside professionals. Winner/s will be chosen to perform their concerto with the symphony, usually by the end of the next calendar school year.General audition rules:Applicants performing on standard orchestral instruments must be current members of the UC Berkeley Symphony Orchestra. The auditions are also open to Music majors who perform on non-orchestral instruments including piano, voice, guitar, instruments from other cultures, etc. Applicants must currently be studying privately with department faculty. Concerti for single and multiple soloists, arias, concert songs, song cycles are all permitted. Repertoire must be suitable for the normal symphony orchestra, otherwise there is no restriction on style, length or period. The normal audition duration is 10-12 minutes at the jury panel’s discretion. Applicants are required to arrange for their own piano accompanist to play the orchestral reductions at the audition; the accompanist’s name must be included in the application. In cases of difficulty finding or affording an accompanist, the music department will provide one – this service includes ONE rehearsal the week of the audition and possible additional time for warm-up on the day of the audition. Applicants may present excerpts of their choice (which should be representative of the whole work), but must be prepared to play any part of the entire work if asked to do so by the panel. Memorization is preferred but not mandatory. Lengthy extended orchestral tuttis should be omitted during the audition. The jury panel reserves the right to choose several winners or none. Winner(s) must be prepared to attend all rehearsals and performances as arranged with the conductor. Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Javanese Gamelan-New and Traditional: An afternoon of Javanese Gamelan featuring a variety of works for traditional gamelan instruments.Midiyanto, director

SCOPE III is an experimental audio-visual concert featuring six new works by graduate composers at UC Berkeley. The concert will take place in the newly renovated Wu Performance Hall, which is located in Morrison Hall room 125 on the UC Berkeley campus. Works by: Andrew Blanton Alois Cerbu Nathan Corder Luke Dzwonczyk Kevin Lo Aine Nakamura Poster by Eda Er

Strum - Jesse MontgomerySymphony No. 2 - BeethovenSymphony No. 1 - BrahmsThomas Green, conductorNoam Elisha, conductor  Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Karola Obermueller Composition Colloquium (Morrison 250) – Nov. 15time, timbre, and transformation  abstractMy creative research revolves around a collection of themes which I return to again and again in my composing. I will discuss these areas of inquiry, how they connect to each other, and in which ways they form / govern / appear in my compositions. short bioKarola Obermüller’s composing, described by the NYT as “hyperkinetic music”, is constantly in search of the unknown. Her unique voice began forming in collages of sound made with tape recorders and evolved later with composition degrees obtained in Nuremberg, Saarbrücken, and at the Mozarteum Salzburg. Her sense of rhythm and form was forever changed by studying Carnatic and Hindustani classical music in India. Since receiving a doctorate from Harvard, Obermüller taught composition and co-directed the composition area at the University of New Mexico before joining the Department of Music at UC San Diego in 2023. Her music can be heard on CD (WERGO, New Focus Recordings, Brilliant Classics) and at karolaobermueller.net.

Featuring spirituals & anthems sung by Candace Johnson and the University Gospel Chorus. Concert also includes spontaneous improvisation based on audience input from the “idea box” provided at the start of show. Bring your favorite uplifting quote or share your own daily musing! Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

The UDHR articulates in its 30 articles every human being’s basic, fundamental rights and freedoms and affirms those rights as universal and unalienable. The UDHR directly led to the development of the concept of international human rights law.

Author Salman Rushdie gives a 10-minute writer's workshop before an event recorded for radio in Portsmouth. The workshop was recorded backstage. #writing Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris Bohjalian has written some thrilling novels tackling some tough subjects - Armenian genocide, the ethics of midwifery, and, most recently, sex trafficking - but he speaks about the process of writing with humor and aplomb. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We spoke to YouTube superstar and writer of books Grace Helbig after the publication of her second tongue-in-cheek guide, Grace & Style: The Art of Pretending You Have It. She gave us a glimpse at her writing process backstage at The Music Hall in Portsmouth, NH before a Writers on a New England Stage event. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Long-time NPR reporter and five-time author Tom Gjelten recently visited the studios here at NHPR. We, of course, couldn't resist talking to him about his latest book, A Nation of Nations, and asking him for ten minutes. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alexander Chee is a careful craftsman of language. As we came to find out, when we talked to him from Argot Studios in NYC, he is as measured, unassuming and thoughtful in his speech. A retiring man, who prefers to write in transient spaces, he also just so happens to have penned the most hotly anticipated literary novel of 2016 - The Queen of the Night, a sophomore work fifteen years in the making*. *He assures us it only took eleven or twelve. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alice Dreger is a historian of science, anatomy, and medicine, known for her work studying and advocating for people born with atypical sex disorders. She famously resigned from Northwestern University in protest of academic censorship, and gained some infamy on Twitter for live-tweeting her son's sex education class. We had a delightful chat with her about her writing process in advance of the paperback release of her book, Galileo's Middle Finger: Heretics, Activists, and the Search for Justice in Science. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We are thrilled to say the 10-Minute Writer's Workshop has picked up a ton of new listeners, so, we're bringing you this bonus episode to say thank you! and welcome...we are ecstatic to have you! On this episode, author, columnist and critic Olivia Laing. Her most recent work, The Lonely City, is part memoir, part searching exploration of loneliness and artists whose outsider experience inspired their creativity, from seeming social gadfly Andy Warhol to the reclusive Henry Darger. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, married co-authors Kevin Flynn & Rebecca Lavoie. Together, they have written four true crime books, most recently Dark Heart: A True Story of Sex, Manipulation, and Murder. They are also two of the eponymous crime writers behind the podcast Crime Writers On... Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Kill 'em and leave" was James Brown's commandment to his band before every show...it's also the title of a biography of the soul legend, the latest by James McBride. The National Book Award winner is also a musician and composer. We sat down with him just before his appearance at the Writers in the Loft series at the Music Hall Loft in Portsmouth, NH. Learn more about your ad choices. Visit podcastchoices.com/adchoices

As a writer, Joe Hill's family name gave him a leg up. Instead, he chose to create his own. We sat down with the best-selling author just before his appearance at Writers on a New England Stage at the Music Hall in Portsmouth, NH, where he was discussing his latest thriller, The Fireman. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Richard Russo is the Pulitzer prize-winning author of Empire Falls and Nobody’s Fool - both were adapted into films starring Paul Newman. He returns to the fictional working class town of North Bath for his most recent novel, Everybody's Fool. We sat down with him on the darkened stage of an eerily empty theater before an extended interview at the Capitol Center for the Arts in Concord, NH. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The bestselling author of Major Pettigrew's Last Stand - and bonafide Charming British Lady - Helen Simonson lets us in on her writing process, her thoughts on sunshine, and the perils of HGTV. Her latest novel, set in 1914, is The Summer Before the War. Learn more about your ad choices. Visit podcastchoices.com/adchoices

A National Book Award winner, Pulitzer-Prize nominee, Guggenheim fellow, and winner of a MacArthur "genius" grant, Colson Whitehead's new book, The Underground Railroad, was one of the most anticipated works of fiction this year. Virginia caught up with him backstage at the Capitol Center for the Arts in Concord, New Hampshire before a reading with novelist Ben Winters hosted of Gibson’s Bookstore. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ben Winters is a little incomprehensible. Not his output, which is consistently great, but his wild imagination and range. He's a teacher, a playwright, an Edgar and Phillip K. Dick Award-winning novelist, he's written children's books, an existential detective series and landed a New York Times bestseller with the Jane Austen meets the kraken mash-up, Sense and Sensibility and Sea Monsters. His most recent novel, Underground Airlines, imagines an alternative American history - and present. The civil war never happened, and slavery is legal in four southern states under protection of the Constitution. Underground Airlines is an ingenious work of speculative fiction that at times seems chillingly plausible. It landed on several top ten lists in 2016...from Fresh Air contributor Maureen Corrigan to the BBC. We caught up with him at the Capital Center for the Arts in Concord, NH before interviewing him and The Underground Railroad author, Colson Whitehead. Episode music by Podington Bear Ad music by Uncanny Valleys Learn more about your ad choices. Visit podcastchoices.com/adchoices

The new coronavirus SARS-CoV-2, which causes atypical pneumonia COVID-19, can also penetrate into the brain, disrupt the work of the nervous system and cause other severe complications. The disease may not be limited to respiratory infections only. As practical studies show, in a significant number of patients, the virus affects the nervous system. The mechanism of its impact on nerve cells has not been studied yet, but scientists believe that there is some connection: a temporary loss of taste or smell was recognized as specific symptoms of COVID-19 in the middle of March. To make matters worse, the virus may penetrate directly into the brain from the nasopharynx. In this case, the virus may trigger a series of complications, disrupting the normal functioning of almost any organ. The list of possible concomitant diseases is extensive:

During the late 1950s, the Soviet administration decided to design a helicopter with the world's largest carrying capacity. The tests of the new helicopter began ten years later. However, it just so happened that no one wanted to replicate the potential pride of Soviet engineers.The helicopter is known as B-12, and it is unofficially known as Mi-12. Its unsuccessful story has proved that world records may at times be reductive. During the 1960s, the production of helicopters was thriving, and military requirements were getting increasingly demanding. It was during those times when engineers designed the first intercontinental missile. First-generation intercontinental missiles were too heavy to be transported on any means other than trains. A R-7 warhead could only be delivered by plane or train because the warhead without fuel weighed 26 tons. First Lockheed U-2, then B-12 Needless to say that railway transportations could be easily tracked. The USSR found that out after a story with the American reconnaissance aircraft.After the Japanese attack on Pearl Harbor during World War II, the United States took every effort to prevent such attacks in the future. Thus, the Lockheed U-2 appeared in 1955. The aircraft was carrying various modules, including those using ray tracing and ultra-precise lenses.The camera of the US reconnaissance aircraft was so powerful that it was possible to count cows in a photograph of a field, taken from an altitude of 18 km.The aircraft was flying quietly over the USSR for more than five years, until one of them was shot down and its pilot was taken hostage in 1960. However, 24 previous flights helped the Americans find out the whereabouts of Soviet military facilities, including missile ranges.It was easy to track down those facilities on the ground with the help of conspicuous railway tracks. The USSR was convinced that it was about time to develop aerial means of transportation for missiles. By 1963, the largest Mi-6 helicopter could lift 12 tons, but it was not good to carry a 26-ton cargo.  This prompted Soviet engineers to start working on the B-12 helicopter. At first they simply wanted to upscale the Mi-6, but it then became clear that one huge rotor could not be adapted to the laws of physics. Soviet designers decided that it would take them too long to stabilise the new technology. They opted for a different variant, in which they took 35-meter rotors with a total capacity of 26,000 horsepower from the Mi-6 helicopter and arranged them to the sides of the hull.The rotors moved in the opposite direction to balance each other, while the rear wing was stabilizing the swing.We can now see this solution in the design of modern-day drones, but there were no helicopter models with this type of rotors in the past. In terms of the size of the hull, it was larger than the Boeing 737, which can house up to 189 people. The B-12 could carry a record 192 passengers. As for equipment, the new helicopter could fit a nuclear intercontinental missile.

June 30, 1971, was the day when the largest tragedy in the history of Soviet cosmonautics took place. It was the day, when the entire crew of the Soyuz-11 spacecraft was killed during the return mission: Georgy Dobrovolsky, Vladislav Volkov and Viktor Patsaev. When returning to Earth, the crew of the Soyuz-11 spacecraft - Vladislav Volkov, Georgy Dobrovolsky and Viktor Patsaev - were killed as a result of the depressurization of the descent vehicle. The cosmonauts were buried underneath the Kremlin wall. This was the second and the last disaster in the history of manned space flight for both the USSR and Russia. Soyuz comes to replace Gagarin's Vostok Soyuz is a family of disposable manned transport spacecraft, which was designed and built by Design Bureau OKB-1 (currently known as Energia Rocket and Space Corporation named after Korolev). 

A major crisis broke out in Russia in the beginning of October 1993. It was the most serious crisis in post-Soviet history. Disagreements between President Boris Yeltsin and parliamentary leaders led to bloody massacre on the streets of Moscow.  The number of victims of the Black October crisis remains unknown even 30 years after. According to various departments and commissions, the number of victims varies from 124 to 158 people. Witnesses say, however, that hundreds were killed and thousands of others were injured.  After the collapse of the USSR in 1991, the 1978 Constitution of the RSFSR was still in force vesting supreme powers on the Supreme Council and the Congress of People's Deputies.

Back to normal. Back to a spike in cases, hospitalizations and deaths. Politics before the People, it’s the economy, stupid! The UK heads for Hades. In the midst of this latest global pandemic, common sense seems to have flown out of the window, however incredible it may seem given all the collective knowledge we have gathered over the years. If we look at the history book, we are practically where we were one century ago with so-called Infuenza A H1N1 (Spanish Flu, which was not from Spain but from the USA) and if we turn back just one page, we see that we are back where we were at this time last year. We are going round and round in circles because policymakers are failing us. Common sense, not conspiracy theories Talking about common sense, forget all the conspiracy theories that this is a master plan to cull those members of society more dependent on the State, such as pensioners. It just so happens that their defences are weaker and so they are more susceptible to the illness. Forget the theories about injecting micro-chips with the vaccine. It just so happens that this is one of the main means we have to control the spread of the virus, not the only one but an important one. Forget the denial theories which say the disease does not exist. Go ask the families of those who have died from it. Mine included.

On January 11, 2022, Russia launched its second serial missile submarine of Project 955 Borei-A. Borei-A submarine: An unpleasant surprise for Washington The submarine cruiser is the brainchild of the Rubin Design Bureau. The vessel was built for seven years. This is a second-to-none submarine, just like its four brothers that are already on combat duty. Prior to this, on December 25 last year, the new submarine was solemnly taken out of the boathouse. The submarine will have to undergo complex trials at all levels before it can be handed over to the navy in 12 months.

Russia is holding its first-ever three-day presidential election on March 15-17. First polling stations opened in the Far East at 23:00 Moscow time. As many as 112.3 million Russians can cast their vote in the election, the Central Electoral Committee said. There are four candidates competing for the post of the head of state: Vladimir Putin, current president; Leonid Slutsky, LDPR leader; Nikolai Kharitonov, candidate from the Communist Party of the Russian Federation; Vladislav Davankov, Deputy Chairman of the State Duma, New People party. Vladimir Putin The sitting head of state, Vladimir Putin, is running for election as a self-nominated candidate. In case of victory, it will be Putin's fifth term. Vladimir Putin first took office as President on March 26, 2000, when Boris Yeltsin resigned.

Si su casa sufrió daños por el severo estado del tiempo que impactó el sureste de Texas esta semana, contacte a su compañía de seguros para presentar una reclamación lo antes posible.

El Departamento de Seguros de Texas (Texas Department of Insurance, TDI, por su nombre y siglas en inglés) les recuerda a las víctimas de las inundaciones que deben documentar los daños y presentar las reclamaciones al seguro de inmediato.

El Departamento de Seguros de Texas (Texas Department of Insurance, TDI, por su nombre y siglas en inglés) tiene consejos para ayudarle a reconocer y evitar las estafas comunes de contratistas.

Billions of citizens from more than 130 countries are expected to turn off their lights on Saturday for the Earth Hour 2011, the event organizer told Australia's media on Thursday. The Earth Hour event, organized by environment group World Wildlife Fund (WWF), was first started in Sydney of Australia in 2007 with 2.2 million Australians taking part to turn off their lights in aid of the environment. By 2009, up to 1 billion citizens across the world had taken part. According to Earth Hour spokesman Winston Su, this year, 133 countries had signed up for the event, with 13 of them taking part for the first time, Xinhua informs. "Earth Hour is a chance for people and communities across the globe to join together with the common purpose of a sustainable future for our planet," said Andy Ridley, cofounder and executive director of Earth Hour. "This year Earth Hour asks people to commit to the event, big or small, for the coming year, taking Earth Hour beyond the hour."

Formula 1 (F1) has been striving to become more environmentally friendly in recent years while still remaining relevant beyond the race track. The series has included more technology that is seen in street cars, such as small-displacement engines with turbos and hybridization. However, F1's CEO, Stefano Domenicali, has said in an interview with an Italian paper that the series will "never go electric." F1 sees synthetic fuels, also known as e-fuels, as the future of the series. These lab-created fuels are already in limited production but come with an extreme cost. However, this is not a problem for motorsport. F1's goal is to have e-fuels powering the grid by 2026 and then working towards finding a way to use them in passenger cars as combustion bans start to take effect in nations in the 2030s, just as F1 hopes to become carbon neutral.

Russian federal TV channels may refuse to broadcast the 2018 Winter Olympics from South Korean Pyeongchang should the Russian delegation be suspended, the Vedomosti newspaper wrote. For the time being, Russia's three major TV channels - Channel One, Rossiya-1 (part of VGTRK) and Match TV (part of Gazprom Media) plan to broadcast Winter Olympics from South Korea. Yet, if the Russian national team is excluded from the Games, Channel One and Rossiya-1 will most likely refuse to broadcast the Olympics. Naturally, Russian people watch Olympic Games to support Russian athletes in the first place. If no Russian athletes take part in the Games, the audience of the major sports event of this winter will decease sharply, representatives of the above-mentioned channels say. It makes no sense for major channels to pay millions of dollars for the rights to broadcast the Games, if they make no money from advertising because of low ratings.