The Little Theatre’s The Garage Gang is a good mix of dance, improv and retelling of classic tales

The actor said seeing the London stage production made her feel connected to her wizard alter ego Hermione Granger once again.

Theatre for Young Audiences is drawing lessons from Picasso’s art to stage plays for children

Martha Bush Ashton-Sikora’s book on Krishnattam is a comprehensive documentation of the art form, including its history and practice.

Margi premiered its Kathakali version of Don Quixote, ‘Kihothe’, in Thiruvananthapuram. The performance and text captured the essence of the novel while sticking to the format of Kathakali.

A stripped down, simple to understand script left much to be desired in the recently-staged production, Shylock

Rangadhara’s emotionally charged play ‘Raktbeej’ connected with the audience and won applause.

Rasaranjani’s ‘Pampakalu’ was an engaging play with impressive performances.

‘Yaavarum Kaelir’ stands out for its erudite host and an impressive line-up of speakers

As writer, poet, dramatist late Akella Achyuta Ramam’s works open up to the public, his son Akella Venkateshwar recalls his father’s unique facets and the challenges in keeping his legacy alive.

Veteran theatre director Ranjit Kapoor’s “Ek Ghoda Chhey Sawaar” impresses with its sparkling comic touch.

Noted theatre practitioner Dhirendranath Mallik on bringing Odia theatre into national consciousness.

As she is all set to make her debut in theatre as Shakuntala, Manju Warrier admits she is excited and nervous about her new role

Narendra Prasad’s play etches the real-life story of a woman who lived in the capital’s wayside

The Hindu Theatre Fest, which opens in Hyderabad on August 19, promises a line up of unique stories

Three Tamil plays feature among the six in The Hindu Theatre Fest 2016, which brings together a mix of abstract, fun and emotionally-charged creations

The popular ‘Sri Krishna Rayabharam’ was staged in Vijayawada.

A staging of ‘Rukmangadacharitham’ Kathakali in the capital city brought together seasoned artistes.

Purva Naresh’s “Ladies Sangeet” unravels multiple layers of gender, sexuality and marriage.

Here’s a lowdown on the three Tamil plays that are to be staged at The Hindu Theatre Fest.

Three productions this weekend bring to stage Indian classics and mythology

Events leading up to Keechaka’s death was well captured in ‘Keechakavadham’.

The play ‘Bhakta Markandeya’ by Savera Arts, Kadapa was gripping and entertaining.

He was extremely prolific, with a substantial body of work in television and appearing in popular advertisements as well.

Sabari’s story was retold on stage by Saveri Samskrutika Samstha.

The musical drama presented the story of the vaggeyakara’s life.

Prakash Bhatia and his cast make “Jis Lahore Nai Dekhya O Jamiya Hi Nahi” an intense experience.

‘Meera — the Soul Divine’ combined artistry and aesthetics, writes Jagyaseni Chatterjee

A play without a director and a different actor for each show, a search for identity through language and a coming-of-age tale are on offer in the latest edition of The Hindu Theatre Festival in Bengaluru

Sayeed Alam’s "Ghalib" speaks little, conveys a lot.

The politics of Mallige is limited and straightforward

The annual All Kerala Radio Drama Festival of AIR, beginning August 21, has a stellar line-up of mainstream actors.

Important episodes from the Ramayana were presented at a three-day Kathakali festival in Ambalappuzha.

Bapi Bose’s adaptation of “Ashad Ka Ek Din” sees Rakesh Mohan’s Mallika finally winning liberty.

Puppet theatre is much more than the doll with strings says Anurupa Roy as she and her team from Katkatha prepare for their production, The Mahabharata

Tamil theatre can be a powerful social tool and has so much to offer, but sadly it has been given a short shrift says Dharani Dharan

The crumbling facade of single-screen theatres on K.G. Road may not just be a sad metaphor for the quality of films... there’s more to it, perhaps?

Attempting to caricaturise the prevailing decline in the field of culture “Duvidha Urf@Taj Mahal Ke Lutere” fails to live up to the expectations.

The unique appeal of Pouranic verse drama came alive in the staging of ‘Bhaktha Prahlada’.

Vandichodai by Koothuppattarai was all about deep philosophy and questioning societal norms

‘Crazy Thieves in Palavakkam’ was the first play to be made into audio tape format.

Over three decades and approaching its 600th show, the Kannada play Mukhyamantri has made its mark as a classic. The play, with its meaning contemporary and dynamic, is a fine example of top notch acting, direction and content

The classic comedy of ‘Barrister Parvateesam’ was enacted brilliantly

Grand sets and chaste Tamil make a welcome change. Geetha Venkataramanan adds the background details

The rarely staged first part of ‘Subhadraharanam’ was performed in Edappally by a group of competent artistes.

‘Meevente Memuntam’ enacted the tussle between youthful independence and experience of parents.

Yuki Ellias gave the story a human and humorous touch

Shraddha’s ‘Aurangazeb’, for the lovers of history