'No small artistic film can even hope to win, except, maybe, as random tokenism,' asserts Deepa Gahlot.

As Mahesh Bhatt turns 75 on September 20, Subhash K Jha calls him the 'eternal seeker of truth in cinema and in life'.

I do have a dream biopic. It has as its subject Renu Saluja, the cosmically gifted editor, with a special focus on the Vidhu Vinod Chopra-Saluja-Sudhir Mishra love story, says Sreehari Nair.

Thousands of movie buffs remember the double deckers of Mumbai, associating them with stars and blockbuster songs of yesteryear, recalls Debarghya Sanyal.

I don't know how the other Friends will react to Matthew Perry's death, but I am sure a part of them will be buried with Chandler, believes passionate Friends fan A Ganesh Nadar.

'For god's sake, portray the armed forces in the correct manner,' asserts IAF veteran Air Commodore Nitin Sathe after watching Tejas.

She is superior to 90 percent of the performing fraternity and she knows it.Subhash K Jha salutes the actor who turns 52 on November 4.

Sanjay Gadhvi once revealed to Subhash K Jha that he never wanted to make Dhoom.

For someone like me who studied Sam so intently, if a lump could form in the throat during the emotive scenes, I think the cast did a superb job, notes Lieutenant General Syed Ata Hasnain (retd).

From the pinnacle of <em>Veer Zara</em>'s teary romance, the transition to <em>Pathaan</em> and <em>Jawan</em> must have entailed a lot of resetting, rewiring, and recalibration in the mind.But SRK has done it. And done it well, notes Sandeep Goyal.

'As I watched Mammootty 'try out' Mathew Devassy, I could hear from my theatre seat the ready-made appreciation of the liberal press, their applause for the great actor having flirted with queerness on screen.''But it is a flirtation and nothing more, for I could not detect in Devassy any hint of love, not for his homosexual lover, not for his wife,,' observes Sreehari Nair.

This isn't a hatchet job, and my excuse for the exercise is my feeling that when you invert some of the clich&eacute;s mentioned here, you might just arrive at the portals of genuine movie-making energy, says Sreehari Nair.

While the country is gripped by Ram Mandir frenzy, Danish Husain -- without shouting from the rooftops -- silently staged his opinion with this play on one of India's best-known poets, observes Neeta Kolhatkar.

If you have never seen Sriram Raghavan fly, you would hardly realise that this time, he is happy in his cage, this time he isn't reaching for the skies, notes Sreehari Nair.

Siddharth Anand's artistry bespeaks an upbringing filled with GI Joes, plastic combat boots and plastic bayonets, fake punching noises and fake sounds of gunshots, rudely interrupted by an adult voice saying, 'Beta, all this is good, but try bringing in some feelings too', observes Sreehari Nair.

'I somehow felt that Muzaffar Ali was in Aligarh to feel the pulse of the Muslim youth, especially in the darker and harsher times that India is passing through,' notesMohammad Sajjad.

Since nothing irritates Lijo Jose Pellissery more than a throwaway critical judgment, Sreehari Nair carefully presents his opinions about Malaikottai Vaaliban, a good two weeks after he first saw the movie.

Girish AD doesn't make romantic comedies so much as he elevates the genre, observes Sreehari Nair.

What follows is essentially a long scene set in a single location, and you watch in amazement as the scene grows into one of Indian cinema's funniest and most spectacular pieces of sustained craftsmanship, accumulating emotional power and subtext, growing wings and claws, becoming its own beast, applauds Sreehari Nair.

Watching Aavesham is like sprinting through the whole history of our mass-masala movies and seeing it in a new light, notes Sreehari Nair.And this, incidentally, is the story of Fahadh Faasil's career too.

People turn a corner and overhear secrets, men change stripes so as to acquire shades of villainy most convenient to advancing the plot, secondary characters confess to past sins just so that the leading women are absolved of all responsibility, notes Sreehari Nair.

'Everyone knows the money the stars are asking for is absurd.'

Angry Young Men misses some important elements of the Salim-Javed story including an understanding of the duo's creative process. In fact, the two men do not even appear together in the same space in the series.

How wonderful it would be for all of us to watch the Oscar ceremony on March 2, 2025 and watch AWIAL win an Oscar, notes Aseem Chhabra.

They try to hide behind the smokescreen that these are works of fiction inspired by real events.So, you can pick and choose from facts and fictionalise to push the right triggers with your audience or appease the powers that be, observes Shekhar Gupta.

From start to finish, <em>Dharmaveer 2</em> feels less like a biopic and more like propaganda crafted for Eknath Shinde's political gain, observes Prasanna D Zore.

When mainstream Hindi cinema is preoccupied with romance, comedy, horror and action, stories about sisters and brothers are very rare. Vasan Bala has made a first-of-its-kind film where the leads play sister and brother, notes Aseem Chhabra.

Bring me the mundane lives of the working class next. At least, it won't be as embarrassing as this, asserts Mayur Sanap.

Flexslider is one of the most used sliders, for good reason. This snippet helps lazy load your images. In order to create a perceived performance for users, we as authors shouldn’t allow the loading of every single image at once for sliders or carousels. In this snippet we only load the first and second image on init window load. This ... Read more

The post Lazy Loading Images for Flexslider appeared first on Web Design Weekly.

This little snippet can come in handy when you need to serve a different header on a per page basis. All you need to do is create a new header file – header-yourfilename.php and then put in some logic in your desired template file. In my case I have a header file called header-home.php and in my homepage template I ... Read more

The post Load a Different Header in WordPress appeared first on Web Design Weekly.

Do you ever find yourself trying to remember the URL path of you images directory? Well with Sass you can quickly add the path to the desired location and just use the variable throughout your code. Sass to the rescue. All you need to do is declare the variable and then use the interpolation syntax when you reference it. More ... Read more

The post URL as a Sass Variable appeared first on Web Design Weekly.

During WordPress theme development you will more then likely need to display some images that are located within your theme directory. The location of the images folder can vary greatly. It really comes down to how you like to set things up. Generally speaking if you were to have an images folder in the root of your theme you can ... Read more

The post Linking to an Image Folder Within a WordPress Theme appeared first on Web Design Weekly.

There are a few ways to implement the clearfix hack but the following Sass Mixin has been in my toolbox for the last year thanks to this article on Nicolas Gallaghers blog. Usage:

The post Sass Clearfix Mixin appeared first on Web Design Weekly.

Those with a keen eye will notice that the up and down arrows for the number input doesn’t show up in Chrome (and some other WebKit based browsers) until you hover or are focused on the input. To force the arrows to be visible we just need to change the opacity of the inner and outer spin button.

The post Force Up and Down Arrow for Number Input appeared first on Web Design Weekly.

WordPress shortcodes are a simple way to set up functions to create macro codes for use in post content. For instance, the following shortcode (in the post/page content) would add your recent posts into the page: It’s pretty simple and brings your WordPress blog alive with ease. Recent Post Short Code In WordPress 1 Add this code to your functions.php file. 2 ... Read more

The post Recent Post Shortcode appeared first on Web Design Weekly.

This snippet is super small but is super handy. It detects to see if JavaScript is enabled on the users browser. If yes, a class will be added to the <body> tag Adds the class yourClassName to <body> tag if Javascript is enabled.

The post Add Class To Body If JavaScript Is Enabled appeared first on Web Design Weekly.

Much can be said about this song’s sacred and secular connotations. At first glance, one might assume that the song speaks to its religious roots; however, given the environment in which the song was created, the song can be taken literally. Taken from The Colonial Williamsburg Foundation’s enhanced CD, From Ear to Ear, and adapted from field recordings by John and Alan Lomax, this song was known to have been sung by the 1871 Fisk University Jubilee Singers.

The Fifes and Drums of Colonial Williamsburg carry forward the tradition of military music heard on the battlefields of Yorktown.

Carols, motets, hymns, songs, and madrigals reflect the enthusiastic joy and high spirits of Yuletide celebrations in Williamsburg.

Recorded in an authentic tavern environment similar to what might have been experienced in 18th-century Williamsburg.

Exhilarating fife and drum music that marked the routine of military troops during the 18th century and sent the patriots marching into battle.

On this recording of period music, the Cross Violin, Kirckman Harpsichord, Keene Spinet, Broadwood Pianoforte and three flutes are played just as they were in colonial times.

New lyrics set to familiar (or some not so familiar) English melodies, recorded using 18th-century instrumentation to recreate the ambience of a small tavern or public meeting place.

Another fine collection of military and marching music performed by the Fifes and Drums of Colonial Williamsburg.

Selected performances from nine of Colonial Williamsburg's recordings, including fife and drum marches, chamber music, slave chants, and tavern songs.

Collection of some of Thomas Jefferson's favorite musical pieces recorded on period musical instruments in the Governor's Palace in Colonial Williamsburg.

Since the first organized Christmas celebration drew visitors to Colonial Williamsburg in 1936, nothing quite matches the beauty, imagination, excitement, pageantry, sights, smells, sounds, and grandeur of the Christmas season in Colonial Williamsburg.

Lively dance tunes and spirited medleys are heard on the "The Fifes and Drums of Colonial Williamsburg 4th of July Concert." Performed live on Market Square July 4, 2005, the music also includes a salute to each of the 13 original colonies and concludes with "The Star Spangled Banner" and the sound of fireworks.

From the Summer 2002 Journal: "Making "Cents" of Colonial Money"

From the Summer 2002 Journal: "Making "Cents" of Colonial Money"