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Mother’s have been an important part of Hindi cinema. Over the years, the portrayal of mothers in Bollywood has been changing. Mothers are given much more importance in cinema than just being a character actor who has to nod to everything the husband or the child says. 

On the occasion of Mother’s Day, here’s looking at some of the most popular on-screen mothers. 

Rakhee 

Her dialogue “Mere Karan Arjun aayenge'' is not something that one will forget anytime soon. She played mother to actors Shah Rukh Khan and Salman Khan in the hit film Karan Arjun. While Rakhee has played varied roles in her illustrious career spanning over 50 years, when it came to being a mother onscreen she has been seen as a woman of principles including in films like Baazigar, Ram Lakhan, Soldier, Khalnayak and others. 

Farida Jalal 

Farida Jalal too has been part of the industry for almost fifty years and continues to impress people with her charm. While the actress has played different kinds of roles, her motherly onscreen figure is the one most remembered by people. From being Shah Rukh Khan’s mother in Duplicate to Kajol’s in Dilwale Dulhania Le Jaayenge, she is the kind of mother who is always ready to make sacrifices for her child. She is also popular for the savage yet emotional grandmother of Jiya from the television series Shararat. 

Kirron Kher

She is often cast as the loud Punjabi mother with a soft heart always caring and worrying about her child. From Dostana, to Hum Tum to Singh is King to Om Shanti Om she was the mother who could also make you laugh with her snarky comments. While she started her career in film in 1983, most of her hit films including Main Hoon Na and Rang De Basanti see her play the role of a mother. 

Reema Lagoo

Best remembered for her role in Tu Tu Main Main, she has largely been seen in Bollywood films playing the emotional mother. She has played mother to most superstars in the late 80s and 90s. She was considered as a "new-age mother" in Hindi cinema. She was low on drama and was not too emotional either, perfectly maintaining the balance between the two. From Hum Saath Saath Hai to Hum Aapke Hai Kaun to Kal Ho Naa Ho, she is the kind of mother you just want to give a hug and say everything will be okay. 

 Jaya Bachchan 

How can an onscreen mother’s list be complete without Jaya Bachchan. She raised the bar for on-screen mothers with her performance in Kabhi Khushi Kabhi Gham. The scene with Shah Rukh Khan’s entry in the film will be remembered for Jaya Bachchan’s sixth sense rather than the superstar’s entry. She then went on to ditch the saree and all the parampara and thali and was seen playing a bold single mother in Kal Ho Naa Ho. 

Ratna Pathak Shah

She will always be remembered dearly as Maya Sarabhai who could accept anything else but being middle class. When it comes to playing a mother in Bollywood, she has never been typecast and has shown variety in her characters. In Jaane Tu Ya Jaane Na she was the protective and progressive mother to Imran Khan’s character who could not tolerate violence or any unjust activities. She once again played mother to Imran Khan in Ek Main Aur Ek Tu. She was a rich- sophisticated woman yet very different from her character Maya Sarabhai. Meanwhile, she played a middle-class mother to Taapsee Pannu in the film Thappad who worried more about “Log Kya Kahenge”. 

Let us know your favourites in the comment section.

Today, May 10, India celebrates Mother’s Day. The Internet is flooded with people sharing their fond memories with their mothers and thanking them for everything they do selflessly. Owing to the lockdown, many are unable to celebrate this day they usually do with several people staying away from their family. All this love is now being outpoured on social media. 

Bollywood celebrities are also taking to social media to share pictures, songs and poems for their dear mothers. Actor Ayushmann Khurrana is debuting a song titled 'Ma', dedicated to all mothers. Sanjay Dutt has penned a poem for late mother Nargis Dutt, while Ananya Panday shared an old video where she is answering who is her most favourite person in the world and she says her mother. Sara Ali Khan shared an unseen picture of her as a newborn baby posing with her mother and grandmother. Other celebrities also wished their mothers in their own ways with heartfelt posts. 

 

View this post on Instagram

 

It’s been 39 years since you left us but I know you’re always by my side. I wish you were here with me, today & everyday. Love you and miss you everyday Mom.

A post shared by Sanjay Dutt (@duttsanjay) on May 3, 2020 at 2:04am PDT

 

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माँ। #HappyMothersDay

A post shared by Abhishek Bachchan (@bachchan) on May 10, 2020 at 12:12am PDT

 

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Meri Maa ki Maa ????????‍♀️????????????????????‍♀️ Thank you for creating Mommy ????????????????‍????‍???????????????? #HappyMothersDay

A post shared by Sara Ali Khan (@saraalikhan95) on May 9, 2020 at 11:45am PDT

 

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❤️ Love & only love - Happy Mother’s Day Ma ❤️

A post shared by Riddhima Kapoor Sahni (RKS) (@riddhimakapoorsahniofficial) on May 9, 2020 at 10:48pm PDT

 

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This pretty much sums up mother's day and well... every other day with Tim ❤️???? #HappyMothersDay

A post shared by Kareena Kapoor Khan (@kareenakapoorkhan) on May 9, 2020 at 11:16pm PDT

 

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The answer is still the same ???? love u @bhavanapandey ❤️

A post shared by Ananya ???????? (@ananyapanday) on May 9, 2020 at 12:16pm PDT

Words fall short when it comes to describing how much you two mean to me. A mom's job is the hardest in the world and you two have been pros. Thank you for everything.❤️ #HappyMothersDay pic.twitter.com/1B9e3OiwSX

— Madhuri Dixit Nene (@MadhuriDixit) May 10, 2020

Here's something for all the Mothers out there who constantly and selflessly shape our lives and the world. This track has been composed by my dear talented friend @RochakTweets and the lyrics are by my amazing nikka phraa @guggss. #HappyMothersDay pic.twitter.com/ZrVltvIAr2

— Ayushmann Khurrana (@ayushmannk) May 10, 2020

 

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Then & Now! ???? Happyy Mother’s Day Mumma! ???????????? Since you can’t take me piggyback anymore, i just want you to know that your warm cuddles and your smile make my heart equally happy ???????????? I love you! ❤️❤️ @geeta_sanon

A post shared by Kriti (@kritisanon) on May 9, 2020 at 10:57pm PDT

 

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Happy Mothers Day to the strongest woman i know... everyday i find something like you in me, sometimes it freaks me out, but mostly i love it ???? I’ll always be your little doll... love you Maa... ????

A post shared by Sonakshi Sinha (@aslisona) on May 9, 2020 at 11:15pm PDT

 

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Hmmm..... so that’s where I get it from ???? #HappyMothersDay

A post shared by Taapsee Pannu (@taapsee) on May 9, 2020 at 9:42pm PDT

 

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Dodging them till date. Keep them coming Maa. Love you! ❤️

A post shared by Vicky Kaushal (@vickykaushal09) on May 9, 2020 at 5:40pm PDT

 

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Just like every other day❤️❤️❤️so lucky to have you mommyyy #mothersday

A post shared by Tiger Shroff (@tigerjackieshroff) on May 9, 2020 at 10:18pm PDT

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my safe place.. love you mama ❤️

A post shared by Alia Bhatt ☀️ (@aliaabhatt) on May 10, 2020 at 1:29am PDT

Full Article

It is that day when we celebrate motherhood, mothers, their unmatched love and every small and big thing they do for us. Bollywood celebrities have been sharing heart-warming photos and posts on social media, to mark the day. For Shilpa Shetty, however, it is an extra special day since her surrogate daughter Samisha came home a few months back, and she gets to celebrate the day with her two children now!

During a recent interview, Shilpa reveald that she always wanted two kids since she knows how impactful having a sibling can be, and did not want son Viaan to grow up alone. However, she developed an auto-immune condition called APLA which caused her miscarriages every time she got pregnant.

Before she decided to opt for surrogacy, Shilpa revealed she had also considered adoption as an option and put her name with an organisation for the same. However, it got pushed due to internal disputes and after waiting for four years, her patience got over and she and husband Raj Kundra decided to have a surrogate baby.

On Instagram, we keep coming across photos of the happy family, and Viaan always looks excited to have been promoted to a big brother.

Happy Mother's Day to you, Shilpa!

Actor Dipika Chikhlia, who was seen playing the role of Sita in Ramayan, was introduced to an unmatched popularity that has not faded even today. In an earlier interview, she had revealed how people in the villages would still refer to her as Sita and would even try touching her feet! However, given a choice today, Sita would not be the character she would like to play.

In a recent conversation, Dipika revealed she had evolved as an actor, and would rather be interested to play Kaikeyi, lord Ram's stepmother who insisted her husband Dashratha to send Ram, Lakshman and Sita to an exile for 14 years. Dipika added that playing a negative career was an entirely different experience and she was fond of playing roles that let her explore herself as an artist.

Actor Sunil Lahiri, who played Lakshman's character, said he'd still pick the same role, but if he had another choice, he would like to get into the shoes of Ravana as the character had many shades and would give an actor many varieties to perform.

As the nationwide lock-down began, Doordarshan started re-airing some of its most popular TV shows, Ramayan being the first one. On April 16, it became the world's most watched TV show, with 7.7 crore viewers.

The season of comebacks is here in the K-pop industry! Big Hit Entertainment's rookie group Tomorrow x Together is set for their second comeback this summer. The quartet will complete their trilogy with 'The Dream Chapter: Eternity'. 

The first teaser of their title track 'Can't You See Me' is here. More than one year after their debut, the boys are all grown up in this comeback. You hear them sing, "Can't you see me? / Like that magical day / Say believe me / Can't you see me?"

The five members are seen spending some good times together before everything falls apart. In the end, all of them stand outside a burning house as Soobin is seen screaming! It already looks like the MOAs are in for an emotional rollercoaster ride.

The concept trailer had similar emotions - a sense of losing your close friends over the course of time and lost feeling Soobin senses when he gets captured in the glass box.

The album is set to release on May 18, 2020. The group, which includes five members - Soobin, Yeonjun, Beomgyu, Taehyun, and Huening Kai, debuted on March 4, 2019, with the EP 'The Dream Chapter: Star' with lead single 'Crown'. This was followed by 'The Dream Chapter: Magic' with '9 and Three Quarters (Run Away)' as its lead single.

Not just that, they also made their Japanese debut on January 15, 2020, with the single 'Magic Hour'. 

ALSO READ: TXT drops The Dream Chapter: Eternity concept trailer and the morse code says “SAVE ME”

<strong>EXPECTATIONS</strong> One look at the title <em>The Dark Side of Life - Mumbai City</em> and it seems more apt for a book than a feature film. Nonetheless, that is indeed the case for this film which has a mix of newcomers and experienced actors with Mahesh Bhatt being seen in a crucial part as well. While Azeem Shirazi is the biggest contributor as the lyricist, several composers come together to create half a dozen songs in the film. <img class="aligncenter size-full wp-image-925603" src="https://www.bollywoodhungama.com/wp-content/uploads/2018/11/T4.jpg" alt="" width="620" height="450" /> <strong>MUSIC</strong> The kind of sound that kick-starts <strong><em>'Aawargi'</em></strong> reminds one of the kind of music that Vikram Bhatt time and again brings in his films. Jubin Nautiyal is effective as the singer in this Sabir Khan composition which is put together by Azeem Shirazi. The trouble though is that the song sounds dated by at least a decade. Hence, even though it has a soft feel to it, the overall impact is not the kind that makes you revisit it again on loop. The song that follows next is titled <strong><em>'Tu Mujhse Nikalta Nahi'</em></strong> and has the kind of hook-line which is indeed catchy. In a bigger film with a larger setup, this Prakash Prabhakar composed and heard song may well have found good traction. Again, the song is not exceptional but still has that quintessential Bhatt touch to it which makes it stand out. Moreover, Tanveer Gazi puts together a good spin of words, especially the title. Remember <em>'Manali Trance'</em> from <em>The Shaukeens</em>? The song which follows, <strong><em>'Saanp Seedhi Wala Saanp'</em></strong>, is on the same lines and belongs to the trance genre. As a matter of fact Tripty Sinha sings this one too in the same style as that of Neha Kakkar and does manage to make an impact too. It is a new team of composer Sandeep Batraa and lyricists Azeem Shirazi and Ozil Dalal who pair up for this promotional song which is expected to bring in good entertainment quotient. However, a little impact that had been created so far is diluted to a major extent by Rashid Khan composed <strong><em>'Ae Zindagi'</em></strong> which is as sad as it gets. From the composition, writing (Nisar Akhtar) as well as the singing (Altamash Faridi Brothers) perspective, the song is really depressing and just doesn't make you root for it all. A slow moving number that is all about pathos, separation and the fact that life doesn't have much to offer to the protagonists, this one belongs to the quick-skip variety. Another newcomer, Shaan Asif Raj, is the composer for <strong><em>'Muddaton'</em></strong> which starts with the sound of guitar. Seemingly a concert number, this Azeem Shirazi written song is rendered by Amit Mishra. A soft rock number, <em>'Muddaton'</em> tries to bring in the kind of mood that was created by <em>'Sun Raha Hai'</em> [<em>Aashiqui 2</em>]. Though it does fall short, it still makes for a decent hear after all. Had it carried more punch to it, this one could well have found itself a better audience. <strong><em>'Aawargi Deewangi'</em></strong> is the song that concludes the album and its depressing notes do not really help the cause. On the same lines as <em>'Ae Zindagi'</em>, this one is written by Aslam Sani with music by Ahsan Ahmed. There is just nothing in there which arrests your attention and even though Mohammed Irfan is the singer here, you don't really find much entertainment quotient in there. <strong>OVERALL</strong> The music of <em>The Dark Side of Life - Mumbai City</em> is a mixed bag and though there is no real chartbuster out there, two-three songs at least hold your attention while at play. <strong>OUR PICK(S)</strong> <em>‘Tu Mujhse Nikalta Nahi’</em>, <em>‘Saanp Seedhi Wala Saanp’</em>, <em>‘Muddaton’</em>

<strong>EXPECTATIONS</strong> Films directed by Abhishek Kapoor have traditionally carried good music. From <em>Rock On</em> to <em>Fitoor</em>, the music has been consistently impressive and has been as per the theme and setting of the film. Now that he is bringing on <em>Kedarnath</em> that marks the launch of Sara Ali Khan opposite Sushant Singh Rajput, one waits to hear what do composer Amit Trivedi and lyricist Amitabh Bhattacharya have to offer. <img class="aligncenter size-full wp-image-926514" src="https://www.bollywoodhungama.com/wp-content/uploads/2018/11/Petition-filed-in-Gujarat-High-Court-seeking-ban-on-Sushant-Singh-Rajput-Sara-Ali-Khan-starrer-Kedarnath.jpg" alt="" width="620" height="450" /> <strong>MUSIC</strong> There is something truly divine about the manner in which <strong><em>‘Namo Namo’</em></strong> begins. A devotional number which is truly devoid of any forced Bollywood inspirations, this one is a well rendered number by Amit Trivedi and makes an instant impression. A smooth sailing song that has a peaceful feel to it and is further accentuated due to the striking visuals that go alongside, ‘<em>Namo Namo’</em> can well be assured of a long shelf life amongst those who want to hear a devotional number first thing in the morning. A love song arrives next in the form of <strong><em>‘Qaafirana’</em></strong> and the mood and feel remains consistent with the kind of set up that Abhishek wanted to put together for <em>Kedarnath</em>. Moreover, there is certain director’s touch that is apparent in the way the tune has been composed, words have been written and especially the manner in which Arijit Singh has rendered this one. There are minimum instruments in the background as primarily it’s the voice and the core composition that takes centre stage which ensures that <em>‘Qaafirana’</em> turns out to be a soulful number that can be heard for a serene experience. What further adds to the beautiful melody is the manner in which Nikhita Gandhi makes a very good impression as a singer despite making a late entry. Things take a celebratory turn as Dev Negi enters the scene and croons <strong><em>‘Sweetheart’</em></strong>. A fun number which is just the kind that one could expect from a Karan Johar, Imtiaz Ali or Aditya Chopra film, this one is as Bollywood as it gets. As a matter of fact it also faintly reminds one of <em>‘Butterfly’</em> [<em>Jab Harry Met Sejal</em>] due to the kind of desi stage and setting that goes with the situation in which the song is set. This one could well have been picked up by Shah Rukh Khan, Ranbir Kapoor or Shahid Kapoor with glee and in that aspect Sushant Singh Rajput can well be happy about the fact that he bagged ‘Sweetheart’ which is a potential chartbuster. Arijit Singh returns on the scene, this time with <strong><em>‘Jaan ‘Nisaar’</em></strong> which appears in a couple of versions. A situational number where the male protagonist is trying to understand why his ladylove is unhappy with him and is trying to woo her all the way back, this one has a smooth flow to it which sees Indian melody being supported by Western instruments. That said the consistency of sound stays in the mood set so far in <em>Kedarnath</em>. Asees Kaur is the voice of the female version and this one somehow appears to be even slower. This is the kind of number that is good when heard in a stand-alone fashion though one can’t expect it to emerge as a chartbuster of sorts. <strong>OVERALL</strong> The music of <em>Kedarnath</em> is good and though it doesn’t have too many songs to result in a complete package affair, it is fine till it lasts. This one has the kind of music that could well grow on the basis of the success of the film. <strong>OUR PICK(S)</strong> <em>‘Namo Namo’</em>, <em>‘Qaafirana’</em>, <em>‘Sweetheart’</em>

<strong>EXPECTATIONS</strong> After Sunny Deol's delayed releases <em>Mohalla Assi</em> and <em>Bhaiyaji Superhit</em>, it is now time for Sunny Leone's long pending <em>Tina &amp; Lolo</em> to finally see the light of the day. Announced five years back, the film was originally supposed to feature Minissha Lamba with Sunny Leone. However, Karishma Tanna came in place of Minissha, though the film continued to get delayed. Now that it is gearing up for arrival, one waits to see how does the film's music turn out to be. <img class="aligncenter size-full wp-image-930160" src="https://www.bollywoodhungama.com/wp-content/uploads/2018/12/Music-Review-Tina-Lolo.jpg" alt="" width="620" height="450" /> <strong> MUSIC</strong> Enbee and Ikka (who is also the lyricist) come together as composers and singers for <strong><em>'Dirty Girl'</em></strong>. A fun-n-naughty number that is just in the kind of territory that one expects from a Sunny Leone dance number, this one with Shivangi Bhayana as the female singer has the kind of hook-line which is catchy but that's about it. Otherwise whether it is the beginning or the end of the intermittent rap portion, there isn't much striking about 'Dirty Girl'. On the same lines as <strong><em>'Aaj Blue Hai Paani Paani</em></strong>' [Yaariyaan], <strong><em>'Tension Waali Raat'</em></strong> does fetch your attention. An Arko written and composed song, this one has Neha Kakkar in her element as she goes about singing this one in her own naughty 'andaaz'. Though the choreography and picturisation of the song with Farhad Bhiwandiwala as the other vocalist leaves much to be desired, as a standalone number it does make you play it again. Had the number been released at the time when Sunny Leone was in her prime, this one could well have covered a distance. Last to arrive is the song of seduction, <strong><em>'Raat Ke Saaye Tale</em></strong>', which is rendered by Aakanksha Sharma. A lazy number that has standard lyrics by Rohit Sharma, it also has ordinary music by Raghav Sachar that hardly leaves much of an impression. This one may just about make heads turn if supported by the kind of picturisation that the genre, stage and setting desires. Otherwise as just a musical piece it makes for a one time hear and that's about it

<strong>EXPECTATIONS</strong> <em>Manikarnika - The Queen of Jhansi</em> is a dream project of Kangana Ranaut and she has given more than a year into making this happen. While it is expected that the film would have the much required scale, canvas and grandeur that the subject necessitates, the same is expected from music as well which is put together by Shankar-Ehsaan-Loy and lyricist Prasoon Joshi. <img class="aligncenter wp-image-941752 size-full" title="Music Review: Manikarnika - The Queen Of Jhansi" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/01/Music-review-–-Manikarnika-The-Queen-of-Jhansi.jpg" alt="Music Review: Manikarnika - The Queen Of Jhansi" width="720" height="405" /> <strong>MUSIC</strong> Shankar Mahadevan is the lead singer for <strong><em>‘Bharat’</em></strong>, a patriotic number which is about bringing the country first before your own self. One wonders if the song is primarily for end credits roll since its theme and tonality suggests a sober conclusion to the war drama that Kangana is bringing on screen. The soundtrack in fact concludes with another version which has Prasoon Joshi narrating (and not singing) it for the audiences. Meanwhile, Shankar Mahadevan is back with <strong><em>'Vijayi Bhava'</em></strong>, yet another theme track which is about moving ahead in the right direction and aim for victory. This is the song that should well have been positioned right at the beginning of the album since it comes with just the right kind of passion and energy that one expects from <em>Manikarnika - The Queen of Jhansi</em>. Reminding of the kind of soundtrack that <em>Baahubali</em> series boasted of, <em>'Vijayi Bhava'</em> should make for a good impression if picturised well on screen. Next to arrive is <strong><em>'Bolo Kab Pratikar Karoge'</em></strong> which has Sukhwinder Singh at the helm of affairs. Yet another song which is high on energy and should arrive at a crucial juncture of the film's narrative when the protagonist is gearing up for the battle, it has a thump to it that should make an impression when experienced in theatres. For the first time in the soundtrack a female voice is heard, what with Pratibha Singh Baghel coming behind the mike for <strong><em>'Rajaji'</em></strong>. A romantic number that should play between Manikarnika and her beau, this one has a sweet sound to it and should bring on some light moments on screen. Pratibha does well as the voice of Kangana and she is joined by Ravi Mishra who arrives in the later part of the song. Yet again, one can't expect the song to emerge as a chartbuster here but should fit in well into the film's narrative. It is back to theme songs in <em>Manikarnika - The Queen of Jhansi</em>, what with Shankar Mahadevan coming up with <strong><em>'Shiv Tandav'</em></strong>. As is expected in a song belonging to this genre, this one too stays on to be strictly situational and one waits to see how it is picturised for the big screen experience. Rest assured, one can expect Kangana Ranaut in a fiery avtar here. A song about waiting for the love of your life to be back soon, <strong><em>'Tak Taki'</em></strong> is yet another song that is rendered by Pratibha Singh Baghel. This too is a situational number and at best should aid in taking the story forward. With a period feel to it, this one does well though in staying well within the mood and ambience of the era gone by. The soundtrack concludes with <strong><em>'Dankila'</em></strong> which has a horde of singers coming together in the form of Prajakta Shukre, Shrinidhi Ghatate, Siddharth Mahadevan and Arunaja. A celebration number that should be set in the happier times of Manikarnika's life, <em>'Dankila'</em> should have arrived much earlier in the film's soundtrack. This one has the right energy to it with a peppy feel. <strong>OVERALL</strong> The music of <em>Manikarnika - The Queen of Jhansi</em> is in line with what the film's subject and narrative warranted. Though one doesn't foresee any chartbusters here, the songs should do well to aid the film's narrative. <strong>OUR PICK(S)</strong> <em>‘Dankila’</em>, <em>‘Vijayi Bhava’</em>, <em>‘Rajaji’</em>

<strong>EXPECTATIONS</strong> Music of an Emraan Hashmi has to be special. However, since <em>Why Cheat India</em> is more of a concept based film that deals with education nexus, one doesn't really have much of an idea around what to expect from the entire soundtrack. Multiple composers, lyricists and singers come together to create half a dozen songs for <em>Why Cheat India</em>. <img class="aligncenter wp-image-941751 size-full" title="Music Review: Why Cheat India" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/01/Music-review-–-Why-Cheat-India.jpg" alt="Music Review: Why Cheat India" width="720" height="405" /> <strong>MUSIC</strong> There is a surprise in store right at the beginning though with a Punjabi club number kick-starting the proceedings. This isn't something that one expected from <em>Why Cheat India</em> and hence a rollicking start like this is much welcome. An all-around Guru Randhawa show in terms of composition, lyrics and rendition, <strong><em>'Daaru Wargi'</em></strong> is a fun number that should find itself as a hot favourite amongst the DJs at the clubs and the dance floors. Chartbuster material. Punjabi mood continues in <em>Why Cheat India</em> with newcomer singer Prabhjee Kaur giving a good account of herself in her major Bollywood outing. A celebration number that is well composed by Krsna Solo, <strong><em>'Stupid Saiyaan'</em></strong> is as 'desi' as it comes and gets your foot tapping right away. Lyricist Kumaar delivers once again with this catchy number that should find good traction. Finally arrives a theme song in the form of <strong><em>'Kaamyaab'</em></strong>. An Agnee composition that has been put to words by Juhi Saklani, this one is a complete departure from what one had heard so far. Coming across as a non-film number, it is sung by Mohan Kannan who narrates the tale of a student who has to do well in life while taking the route of right education. Bappi Lahiri's chartbuster composition <em>'Dil Mein Ho Tum'</em> [<em>Satyameva Jayate</em>] is recreated by Rochak Kohli and he does a really good job with lyricist Manoj Muntashir who adds on to original words of Farooq Qaiser. A soothing number that makes the transition from 80s to the current times rather seamlessly, it is sung quite well by Armaan Malik who makes sure that the current generation would be enticed too with this romantic outing. It's the sound of the harmonium that kick-starts the proceedings for <strong><em>'Phir Mulaqat'</em></strong>. A love song which doesn't quite come across as a 'ghazal' outing that it is supposed to depict, this one could well have made an even better impression had it been picturised as a quintessential Emraan Hashmi number. Instead, a solo stage setting visually dilutes the impact that this Kunaal-Rangon composed number could have created. Kunaal writes the lyrics too and first Jubin Nautiyal and later a female singer who goes by the name RII. In fact she does even better. Last to arrive is Juhi Saklani written <strong><em>'Taiyaari'</em></strong> which is sung and composed by director Soumik Sen himself. This one in fact turns out to be a rather boring outing and comes across as a dull piece. It tries to narrate the plight of students who are studying hard to clear their entrance exams. However, it depresses more instead of making you really feel engaged with the kids. <strong>OVERALL</strong> Barring a couple of songs, the music of <em>Why Cheat India</em> works with a couple of these promising to be chartbusters as well. If the film does well at the Box Office, one can well expect the music to grow further as well. <strong>OUR PICK(S)</strong> <em>‘Daaru Wargi’</em>, <em>‘Dil Mein Ho Tum’</em>, <em>‘Phir Mulaqat’</em> (female version), <em>‘Stupid Saiyaan’</em>

<strong>EXPECTATIONS</strong> Since <em>Thackeray</em> is a biopic, one basically expects situational soundtrack for the film which would basically glorify the subject in question, Balasaheb Thackeray. Composers Rohan-Rohan [Rohan Pradhan and Rohan Gokhale], who had earlier composed a couple of songs for <em>Sanju</em> [<em>‘Main Badhiya Tu Bhi Badhiya’</em>, <em>‘Bhopu Baj Raha Hai’</em>] are the composers for <em>Thackeray</em>. <img class="aligncenter size-full wp-image-944480" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/01/Music-Review-Thackeray.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> It is a grand beginning for <strong><em>'Saheb Tu Sarkar Tu'</em></strong> and one does get an impression of a biggie outing for the big screen with the kind of orchestra that is put up. Moreover, the lead singer is just apt too, what with Sukhwinder Singh crooning the words written by Manoj Yadav. As expected, the song is all about glorifying Thackeray as the 'messiah' of the masses. Expect the song to arrive at a crucial juncture of the film's narrative and bring on the dramatic appeal. Next in line is <strong><em>'Aaple Saheb Thackeray'</em></strong> which is written by Manndar Cholkar. This one is in fact a Marathi number and carries the signature tune that one has heard in the promo of the film. With the kind of beats that one associates with Marathi folk music, this one is rendered by Avadhoot Gupte and is again a situational outing. One wonders though why only the Marathi version appears in the soundtrack as it would have added on to the album had there been a Hindi version of the song as well. Nakash Aziz is the lead singer for <strong><em>'Aaya Re Thackeray'</em></strong> and given the kind of energy that the singer time and again brings in his songs, one expects the same here as well. Yet again, it is traditionally Marathi music that forms the basis for this song that is written by Dr. Sunil Jogi. While it is in line with the earlier two songs when it comes to the core theme and presentation, this one turns out to be far catchier and has a good recollection value going for it. Last to arrive is <strong><em>'Thackeray Theme'</em></strong> which is put together by guest composer Sandeep Shirodkar. It basically has a set of dialogues mouthed by Nawazuddin Siddiqui in the film with a base Western theme playing in the background. With the core theme of <em>Thackeray</em> supporting this near three minute composition, this one does make for a good impression and raises expectations from the film. Moreover, the intermittent sound of lion's roar only adds on to the excitement. <strong>OVERALL</strong> Music of <em>Thackeray</em> is situational and should aid the film's story telling. Though there isn't anything memorable about it that would play on after the film's exit from theatres, at least for its playing time it should do well. <strong>OUR PICK(S)</strong> <em>‘Aaya Re Thackeray’</em>, <em>‘Thackeray Theme’</em>

<strong>EXPECTATIONS</strong> When the very title of the film is based on a chartbuster from the 90s, you expect the overall soundtrack to be melodious. Thankfully, there is just one composer-lyricist team for this Vidhu Vinod Chopra and Fox Star Studios production and hence you expect certain consistency from Rochak Kohli and Gurpreet Saini. <img class="aligncenter wp-image-949396 size-full" title="Music Review: Ek Ladki Ko Dekha Toh Aisa Laga" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/02/Music-Review-Ek-Ladki-Ko-Dekha-Toh-Aisa-Laga.jpg" alt="Music Review: Ek Ladki Ko Dekha Toh Aisa Laga" width="720" height="450" /> <strong>MUSIC</strong> R.D. Burman and Javed Akhtar's '<em><strong>Ek Ladki Ko Dekha Toh Aisa Laga</strong></em>' is recreated with singer Darshan Raval and Rochak Kohli chips in as well. The very start of the song is quite different and catches your attention. Further to that the manner in which the recreation is done while using the beginning of the original base tune is done impressively as well. Had this song been promoted more aggressively, it could well have gone to a different level altogether since it is sung quite well and is very easy on ears too. The song that follows is a recreation too, this time of Punjabi track '<em><strong>Gud Naal Ishq Mitha</strong></em>'. Set in a 'shaadi-byaah ka mahaul', this one is kick-started by Harshdeep Kaur and soon enough Navraj Hans takes over. The song would be remembered primarily for the energetic moves on display by Anil Kapoor who makes this one his own. Overall, this one is decent enough and though one would still go for the original any time, as a recreation is passes muster too. The voice of Kanwar Grewal hasn't been heard much in a Hindi film song before and in case of this film, it is used for '<strong><em>Chitthiye</em></strong>'. A situational track that comes towards the second half of the film in the midst of a conflict situation, it does well to take the narrative forward but that's about it. With a sad and pensive touch to it, '<em>Chitthiye</em>' aids the storytelling to an extent. Next to arrive is a party song which is titled '<strong><em>House Party Song</em></strong>'. There isn't much recollection power that the song carries, though it does well in going with the situation for which it has been created. Sukhwinder Singh leads the show with Arjun Kanungo and Parry G joining in, and together they ensure that there is some kind of energy flowing when the song plays on. By this time you do get an idea that the music of <em>Ek Ladki Ko Dekha Toh Aisa Laga</em> is by and large situational and the last one to arrive, '<em><strong>Good Morning</strong></em>', pretty much reaffirms that. Vishal Dadlani is joined by newcomer Shannon Donald for this number which is set during that part of the film's narrative when the entire family is coming together for one big celebration. Again, as a part of the film it is okay, though there isn't much about it that you take home as a standalone number. <strong>OVERALL</strong> One expected an out and out melodic score from <em>Ek Ladki Ko Dekha Toh Aisa Laga</em> but barring the title song there isn't much to hum around. Overall, a fair soundtrack with largely situational numbers. <strong>OUR PICK(S)</strong> <em>‘Ek Ladki Ko Dekha’, ‘Gud Naal Ishq Mitha’</em>

<strong>EXPECTATIONS</strong> With the film already running in theatres and each of the songs been out one after another, you are pretty much aware about what the music of <em>Total Dhamaal</em> has to offer. Gourov-Roshin are the composers for this soundtrack that is quite snazzy with just four songs in there. <img class="aligncenter wp-image-956955 size-full" title="Music Review Total Dhamaal" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/02/Music-Review-Total-Dhamaal.jpg" alt="Music Review Total Dhamaal" width="720" height="405" /> <strong>MUSIC</strong> It is a retro beginning for <em>Total Dhamaal</em> as Laxmikant-Pyaarelal, Anand Bakshi and Kishore Kumar's <strong><em>'Paisa Yeh Paisa'</em></strong> is recreated by Gourov-Roshin and lyricist Kunwar Juneja. The good part about this recreation is that the core essence of the song has been kept intact right from the 'mukhda' to the 'antara'. While Dev Negi and Subhro Ganguly do well to keep the playful element on, it is Arpita Chakraborty's vocals in the 'antara' portions that really elevate the song further. A good number to hear and enjoy all over again. The next track to follow is a recreation too with Gourov-Roshin and Kunwar Juneja putting together Rajesh Roshan and Usha Mangeshkar's <strong><em>'Mungda'</em></strong>. With Gourov Dasgupta bringing on rap into the song which has been picturised on Sonakshi Sinha, this one actually turns out to be a fast paced entertaining hear that works well even four decades after the original from <em>Inkaar</em> was heard first. Though the song has been slammed by a few, it actually turns out to be a good effort by Jyotica Tangri who is supported well by Shaan and Subhro Ganguly. The song which actually turns out to be the best of the lot is the original number <strong><em>'Speaker Phat Jaaye'</em></strong> that has been written by Kumaar. It is surprising that this one was not the first to be promoted as it actually has a good rhythm to it which places it well as a party anthem. Harrdy Sandhu takes the lead in this club track while being supported by Abuzar Akhtar. As for Aditi Singh Sharma and Jonita Gandhi, they chip in well too hence ensuring that there is no dull moment in there. Play this on in loop and you would be hooked for sure. Last to arrive is the <strong><em>'Theme song'</em></strong>, the sound of which has been heard in the promo of the film. Yet again, it would have actually helped had a music video been created around it and promoted as this one too is fast paced that goes with the film's theme. This one too has a lot of energy to it which is in line with the spirit of the film. Dev Negi takes centre-stage for this song which arrives briefly in the film's narrative and does make its presence felt. <strong>OVERALL</strong> The music of <em>Total Dhamaal</em> fits in quite well with the mood and spirit of the film. Moreover, with audiences appreciating the film, there is further recall on the cards for the music that would only make it further popular. This one is a mood booster. <strong>OUR PICK(S)</strong> <em>‘Speaker Phat Jaaye’</em>, <em>‘Paisa Yeh Paisa’</em>, <em>‘Mungda’</em>

<strong>EXPECTATIONS</strong> The promo of <em>Mard Ko Dard Nahi Hota</em> candidly admits that it doesn't wish to be slotted as a festival film. That is pretty apparent when it comes to the soundtrack as well since there are as many as eight songs in there, albeit pretty offbeat in nature. Newcomer Karan Kulkarni puts together the entire album with Garima Obrah writing maximum songs. <img class="aligncenter wp-image-966210 size-full" title="Music Review Mard Ko Dard Nahi Hota" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/03/Music-Review-Mard-Ko-Dard-Nahi-Hota.jpg" alt="Music Review Mard Ko Dard Nahi Hota" width="720" height="450" /> <strong>MUSIC</strong> Benny Dayal goes all energetic in <strong><em>'Rappan Rappi Rap'</em></strong> which has quirky lyrics in there right through the song's four minute duration. A fun track that has a peppy appeal to it, this one is unique in its own way as you have never heard something like this before at least in the Bollywood scheme of things, courtesy lyricist Garima Obrah. Karan joins hands with lyricist Garima Obrah and also comes behind the mike for <strong><em>'Kitthon Da Tu Superstar'</em></strong> which has Sanj V taking the lead. A Punjabi number which has just the kind of musical ingredients that you expect in a song belonging to this genre and setting, this one has a foot tapping appeal to it. Before the album concludes though, there is a shorter <em>'Shooter Version'</em> too which is Sanj V show all the way with Dipanjan Guha joining Karan Kulkarni for the music. Guest composer Shantanu Ghatak comes up with <strong><em>'Tere Liye'</em></strong> which starts with the sound of a piano. This one has Vishal Mishra beginning the proceedings with newcomer Kamakshi Rai joining him behind the mike along with Karan Kulkarni himself. A song based in night, this one tries to be all serene and cool though eventually turns out to be just about decent. Karan Kulkarni takes lead as a singer along with Saba Azad for <strong><em>'Nakhrewaali'</em></strong>. This one has a different kind of a sound to it when compared with the kind of Bollywood numbers that one has been exposed to. That said, the final impact is not really the kind that makes you root for it. Written by Garima Obrah and Hussain Haidry, this one just about passes muster. What catches your attention at the very onset of the title of the song that goes as <strong><em>'Life Mein Fair Chance Kiska'</em></strong> (Jimmy Mani Song). The lead singer here is Suresh Triveni who sings in a style similar to that of S.P. Balasubramaniam, and that too rather intentionally. However, even though this Garima Obrah written number tries to be all cool and funny, it doesn't really manage to make much of an impression. Moreover, the manner in which Suresh Triveni sings this one along with Surya Ragunaathan and Veera Fauzia Saxena, you can hardly comprehend it. Kamakshi Rai returns, this time for an English number <strong><em>'Dreamtime'</em></strong>. Written by Karan Kulkarni, this one has an out and out Western base to it with a club setting to it. One waits to see how this one is picturized on screen and so is the case with <em>'Shaolin Sky'</em> which follows next. This one has Karan Kulkarni playing the triple role of composer, lyricist and singer, even as he tries to bring back the theme of <em>'Rappan Rappi Rap'</em> intermittently. <strong>OVERALL</strong> The music of <em>Mard Ko Dard Nahi Hota</em> is too niche and certain portions of some of the songs may probably make an impression during the film's storytelling, but that's about it. <strong>OUR PICK(S)</strong> <em>‘Rappan Rappi Rap’</em>, <em>‘Kitthon Da Tu Superstar’</em>

<strong>EXPECTATIONS</strong> Most of the times when newcomers are launched, the film belongs to the romantic genre. Of course when it is a love story in the offering then music has to be a strong point as well. Moreover, <em>Notebook</em> is a Salman Khan production and hence you do expect composer Vishal Mishra to deliver goods along with his team of lyricists who come together for five tracks. <img class="aligncenter wp-image-966217 size-full" title="Music Review: Notebook" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/03/Music-Review-Notebook.jpg" alt="Music Review: Notebook" width="720" height="450" /> <strong>MUSIC</strong> The manner in which <strong><em>'Safar'</em></strong> begins, you are reminded of <em>'Ilahi'</em> [<em>Yeh Jawaani Hai Deewani</em>]. Moreover, Mohit Chauhan is the common element as well which further enhances the appeal of this Kaushal Kishore written number. Composer Vishal Mishra does well to create the kind of music that is set in the hills and brings in the right serenity that you associate with such milieu. Based on Kashmiri folk music, lyricist Kaushal Kishore spins <strong><em>'Bumro'</em></strong>, the core theme of which was also heard in Hrithik Roshan's <em>Mission Kashmir</em> almost two decades back. This time around it is Kamaal Khan who renders <em>'Bumro'</em> and while the impact is decent enough, you still want to go back to the Shankar-Ehsaan-Loy composition that had made waves back in year 2000. It's the sound of piano that kick-starts the proceedings for the first romantic number in <em>Notebook</em>, <strong><em>'Nai Lagda'</em></strong>. Vishal Mishra brings himself behind the mike for this soothing love song that is based on melody with Akshay Tripathi coming up with quintessential filmy lyrics. A song about pain associated with separation, this one has Asees Kaur as Vishal's companion and is fair. Vishal Mishra steps in as a lyricist too along with Abhendra Upadhyay for <strong><em>'Laila'</em></strong>, another love song, which is led by Dhvani Bhanushali. A soft sounding number which has a core situational appeal, it has orchestra playing a major role as there is a variety of instruments coming into play. With a Western influence to it, this one starts seeping into mind after repeated hearing. Last to arrive is <strong><em>'The Notebook Symphony'</em></strong> and can well be expected to be a part of the film's background score. An elaborate piece which is made to accentuate the soundtrack's big screen appeal, this one should make an impression along with the film's narrative. <strong>OVERALL</strong> The music of <em>Notebook</em> is decent and though there aren't any major chartbusters out there, as a group of songs there is certain consistency coming into play. If the film does well in theatres, the music should find added traction. <strong>OUR PICK(S)</strong> <em>‘Safar’</em>, <em>‘Nai Lagda’</em>

<strong>EXPECTATIONS</strong> Since <em>Romeo Akbar Walter</em> is basically a spy thriller, music is expected to be primarily an added accessory and not necessary an integral part of the film's narrative. Hence, even though there are five tracks in the John Abraham starrer, one expects a situational score at best. <img class="aligncenter size-full wp-image-969148" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/04/Romeo-Akbar-Walter-3-1.jpg" alt="" width="720" height="450" /> <strong>MUSIC</strong> First to arrive is a patriotic number <strong><em>'Vande Mataram'</em></strong> which has Shabbir Ahmed composing and writing it. This one has an old fashioned feel to it and goes all the way into the 60s style. Sonu Nigam leads the show as a singer with Ekta Kapoor (not to be confused with the namesake film and TV producer) in this song that is just about okay and doesn't cover the distance. The one that turns out to be quite good though is <strong><em>'Bulleya'</em></strong>. In fact it is surprising that the song wasn't really pumped all over since it had the potential to emerge as one of the major chartbusters of this year. Rendered by Rabbi Shergill (of <em>'Bulla Ki Jaana Mein Kaun'</em> fame), it has Shahid Mallya as his singing partner. A well written number by Ashok Punjabi, it has a very catchy tune by Sohail Sen that belongs to Sufi genre but has been presented in a Bollywood avtar, hence turning out to be an all-around effort. Next to arrive is a romantic number <strong><em>'Jee Len De'</em></strong> which is put to tune by Raaj Aashoo and is written by Murali Agarwal &amp; Shabbir Ahmed. This one has the kind of tune which reminds one of many Emraan Hashmi numbers that were composed a decade back. As a matter of fact the beginning of the song reminds one of Mohd. Rafi's <em>'Teri Pyaari Pyaari Surat Ko'</em> that was picturised on Rajendra Kumar in <em>Sasural</em> [1961]. However, the similarity just stops at the opening line as rest of this Mohit Chauhan rendered track maintains its own identity. <strong><em>'Allah Hoo Allah'</em></strong> comes next and just like <em>'Bulleya'</em>, even this one had the potential to cover some sort of distance. Composed and written by Shabbir Ahmed, this one is crooned by Sameer Khan and is a good qawalli in the offering. In fact it also appears at a good juncture of the film's narrative and is actually one of the few songs in there that really fits in well. Last to arrive is <strong><em>'Maa'</em></strong> which is written by debutant Prince Dubey. An ordinary piece by composer and singer Ankit Tiwari, it has a slow start and stays that way right through its three minute odd duration. An ode to the mother, it is about the protagonist remembering her in the times of pain and sorrow. Though this is a situational number, it actually brings down the film's pace. <strong>OVERALL</strong> With the current trend of number of soundtracks releasing just a day or two before the film's release, it takes time for the music to grow. However, one can expect <em>'Bulleya'</em> and <em>'Jee Len De'</em> to find an audience in the long run. <strong>OUR PICK(S)</strong> <em>‘Bulleya’</em>, <em>‘Jee Len De’</em>

<strong>EXPECTATIONS</strong> When a film is set as a high school musical, expectations are obviously there for a youthful and vibrant score in the offering. Vishal-Shekhar return from Student of the Year to the second instalment of the franchise and this time around they have multiple lyricists for company. Considering the fact that the mantle of direction has moved on from Karan Johar to Punit Malhotra, one waits to see how the soundtrack turns out to be. <img class="aligncenter size-full wp-image-973392" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/04/Mumbai-Dilli-Di-Kudiyaan-Student-Of-The-Year-2-Tiger-Shroff-Tara-Sutaria-Ananya-Pandey.jpg" alt="" width="720" height="405" /> <strong>MUSIC</strong> First to arrive is the recreated version of 70s chartbuster <em>'Yeh Jawaani Hai Deewani'</em> which has been presented as <strong><em>'The Jawaani Song'</em></strong>. While the combo of R.D. Burman, Anand Bakshi and Kishore Kumar had created magic back then, the new team of Vishal-Shekhar, Anvita Dutt and Vishal Dadlani-Payal Dev chip in well to amalgamate the original with the new version. This one is an experiment on the same lines as Vishal-Shekhar's <em>'Bachna Ae Haseeno'</em> where both new as well as old world had integrated quite seamlessly. The one that actually turns out to be the best song of the album though is <strong><em>'Mumbai Dilli Di Kudiyaan'</em></strong>. Vishal Dadlani chips in with his rap portion for this fun number that has an intoxicating hook is pretty much on the lines of several chartbusters that Vishal-Shekhar had delivered around a decade ago. Dev Negi and Payal Dev do well behind the mike for this fun celebration number written by vayu that has the trio of Tiger Shroff, Tara Sutaria and Ananya Pandey come together on screen and dance away to glory. A chartbuster track. Yet again, it's the hook that makes an instant impact, what with Vishal-Shekhar getting the youthful feel right again. It is always so delightful to hear Shekhar Ravjiani's voice, especially considering the fact that the composer sings quite rarely. He does quite well though in Kumaar written <strong><em>'The Hook Up Song'</em></strong> which has Alia Bhatt making a special appearance alongside Tiger Shroff. Neha Kakkar is the singing partner of Shekhar here and together they ensure that the album so far has three out of three songs working quite well. Sanam Puri, who had shot to fame with <em>'Dhat Tere Ki' </em>In Punit Malhotra's <em>Gori Tere Pyaar Mein</em> is back for the filmmaker's <em>Student of the Year 2</em>. The song he renders this time around is <strong><em>'Fakira'</em></strong> which has Neeti Mohan giving him company behind the mike. A 'desi' number with a hint of 'sufi' to it, this one written by Anvita Dutt is the kind that needs time to grow and hence should be unveiled pronto if it has to reach out to the audience. Next to arrive is <strong><em>'Main Bhi Nahin Soya'</em></strong> and yet again it is Anvita Dutt who is the lyricist here. A Punjabi-Hindi track by Arijit Singh, this one is a sad number and surprisingly doesn't quite fetch your attention even after repeated hearing. Agreed that the feel had to be sober right through its playing time considering its sad theme, one just hopes that it doesn't slow down the proceedings of the film's narrative, especially if it arrives in the second half. The album concludes on a high though with Vishal Dadlani and Payal Dev pairing up for Anvita Dutt written <strong><em>'Jat Ludhiyane Da'</em></strong>. On the same lines as <em>'Mumbai Dilli Di Kudiyaan'</em> and <em>'The Hook Up Song'</em> when it comes to the fun youthful quotient, this one may not go on to emerge as a huge chartbuster but still should do its job well to keep the film's proceedings entertaining. Moreover, it is sung quite well too, especially by Payal Dev who has bagged good opportunity to feature in as many as three songs and has made a good impression each time around. <strong>OVERALL</strong> One expected the music of <em>Student of the Year 2</em> to be largely fun and youthful, and in that aspect the soundtrack does well. There are half a dozen songs in there and while a couple of these are set to be chartbusters, another couple is set to grow in days to come. <strong>OUR PICK(S)</strong> <em>‘Mumbai Dilli Di Kudiyaan’</em>, <em>‘The Jawaani Song’</em>, <em>‘The Hook Up Song’</em>

<strong>EXPECTATIONS</strong> Salman Khan. Katrina Kaif. Ali Abbas Zafar. Bhushan Kumar. Vishal-Shekhar. Irshad Kamil - When the credentials are as huge as that, you expect the music to be of the next level. Moreover, considering the fact that the film transitions Salman Khan's journey from being a youngster to an old man as he lives his life along with the rise of <em>Bharat</em>, the music needs to be big too. <img class="aligncenter wp-image-981138 size-full" title="Music Review: Bharat" src="https://www.bollywoodhungama.com/wp-content/uploads/2019/05/Bharat-14.jpg" alt="Music Review: Bharat" width="720" height="405" /> <strong>MUSIC</strong> First to arrive is <strong><em>'Slow Motion'</em></strong> and the song is anything but slow motion at play here. A fast paced number that is just the kind which goes with Salman Khan's image, it reminds one of the kind of numbers that were heard in his earlier films like Ready and Bodyguard. Nakash Aziz gets the 'sur' right when it comes to singing for a Salman Khan number and Shreya Ghoshal is a surprise choice as a situation like this could well have been a ready stage for Neha Kakkar to step in. Nonetheless, a foot tapping number that takes time to grow but does eventually. As is expected, a love song comes next in the form of <strong><em>'Chashni'</em></strong>. A couple of versions are heard here with newcomer Abhijeet Srivastava and Neha Bhasin getting a solo track each. While one has to give it to lyricist Irshad Kamil for coming up with a new word for a song, somehow <em>'Chashni'</em> doesn't manage to make an impact. It turns out to be way too full and though the singers do try their best, the final outcome is just not the kind that stays with you for the entire duration. An ordinary track. A fun track comes next, what with newcomer Akasa Singh pairing up with Neeti Mohan and Kamaal Khan for <strong><em>'Aithey Aa'</em></strong>. A song with a North Indian setting to it, <em>'Aithey Aa'</em> has Salman Khan and Katrina Kaif coming together and while their presence does elevate the proceedings to some degree, the overall outcome is not the kind that would make you jive along. Later in the album there is a 'dance version' of the song that comes in as well with Nakash Aziz and Neeti Mohan pairing up. This eventually turns out to be one of those songs that make some sort of an impression after repeated hearing, but that's about it. Theme track of Bharat comes next and this time around director Ali Abbas Zafar steps in as a lyricist as well. In fact he also composes it along with Julius Packiam, and together they come up with <strong><em>'Zinda'</em></strong> which can well be expected to play at number of important junctures of the film. Vishal Dadlani comes behind the mike for this inspirational number that is about confidence in one's abilities and to fight for what's right. This one is an out and out situational number and it would all boil down to the kind of visuals at display once it plays on. The three songs that arrive next are all situational and the first that is heard is <strong><em>'Turpeya'</em></strong>. Sukhwinder Singh is the lead singer here for this number that has a Punjabi base to it and reminds one of many such songs like these that have been heard in the past with a folk feel to them. Expect this one to aid in the film's storytelling. Jyoti Nooran renders <strong><em>'Aaya Na Tu'</em></strong> and the manner in which she sings this one, you are reminded of Kailash Kher. A sad song, this one is quite ordinary and one hopes it doesn't slow down the film's pace. Thankfully, <strong><em>'Thap Thap'</em></strong> turns out to be a relatively better outing, though this too is again there to aid the film's narrative instead of being the kind of number that would emerge as a chartbuster and bring audiences in theaters. Sukhwinder Singh, as always, gets the right energy in for <em>'Thap Thap'</em> and one waits to see the kind of situation for which it has been composed. <strong>OVERALL</strong> One had terrific expectations from Bharat though the music here doesn't turn out to be the kind that was heard in earlier Vishal-Shekhar-Salman Khan-Irshad Kamil-Ali Abbas Zafar collaboration like <em>Tiger Zinda Hai</em>. A couple of songs do make an impact though and for the rest one waits to see how they are integrated into the film. <strong>OUR PICK(S)</strong> <em>‘Slow Motion’</em>, <em>‘Aithey Aa’</em>, <em>‘Zinda’</em>

Shah Rukh Khan’s last film, Zero, released in December 2018 after which he went on a long sabbatical. He has been reading scripts and even shortlisted a few of them. Meanwhile, the names of a lot of filmmakers did the rounds with whom the superstar was supposedly working with. However, of late, it has come to light that SRK is working with blockbuster filmmaker Rajkumar Hirani in his next directorial flick. Recently, while answering a fan question, he also let out a strong hint that he has indeed given his nod to Rajkumar Hirani’s flick. And naturally, it led to a lot of excitement among fans.

While not much is known about the film and its subject, Bollywood Hungama has exclusively learnt that for this venture, Rajkumar Hirani and his frequent collaborator writer Abhijat Joshi have been joined by Kanika Dhillon. She has become quite well known of late thanks to her work in films like Manmarziyaan (2018), Kedarnath (2018), Judgmentall Hai Kya (2019) and the web film Guilty (2020). Interestingly, in the beginning of her career, she had extensively worked with SRK’s Red Chillies Entertainment. She worked as an assistant director on SRK’s 2007 blockbuster Om Shanti Om. She wrote the screenplay of Ra.One (2011) and additional screenplay of Always Kabhi Kabhi (2011). Rajkumar Hirani’s next hence marks Kanika’s reunion with Shah Rukh and Red Chillies Entertainment after almost 9 years.

A source close to the project says, “Kanika Dhillon has come on-board and she along with Rajkumar Hirani and Abhijat Joshi are busy scripting the film. Kanika is mainly scripting while Rajkumar and Abhijat are helping her with inputs. They are hoping to finish in a month or two. The film was to go on floors in August but due to the lockdown, it seems that the shoot will be pushed ahead.”

Rajkumar Hirani’s last film, Sanju, released in 2018 and was based on the controversial life of actor Sanjay Dutt. Starring Ranbir Kapoor, this flick emerged as the biggest hit of that year, earning Rs. 342.53 crores. Hirani, in fact, holds the envious record of not giving a single flop as a director. The source assures, “His film with Shah Rukh Khan too seems to be shaping up well, at the writing stage. And Rajkumar-Abhijat-Kanika collaboration has added a lot to the script and it’ll be something to watch out for.”

Also Read: Post Manmarziyaan, Taapsee Pannu and Kanika Dhillon reunite for Haseen Dillruba

Chaturnath is a man who has a strong desire to help the poor and deprived people get justice from the legal system. To achieve this, he becomes a fake lawyer. Whether his good intentions justify the wrong means he employs, forms the crux of the story.

This is an omnibus of 6 short films mentored by Rajkumar Hirani, Vikramditya Motwane, Raj Kumar Gupta and Amit V. Masurkar. They encompass a wide range of narratives and emotions, with each film bringing a unique interpretation to the notion of `twists`. From the character study of a washed-out music composer to a psychological thriller about fear; from a family drama with underlying tensions to a comic take on a common menace; and from a buddy film about 2 female friends to a love story about breaking away from conventions - multiple storylines merge seamlessly into the anthology.

Romeo Idiot Desi Juliet  is modern age Romantic Comedy .

Priyanka, who is vocal about her ideas on issues pertaining to women's health, says being an entertainer gives her a platform to spread awareness about social causes.

 





Priyanka Chopra is a veteran Actress.

Have a Good Experience.





Priyanka Chopra says women have the superpower to balance career with family and it is high time men understood that their aspirations are equally important.

 

The 35-year-old actor, who entered the film industry soon after winning the Miss World title at the age of 18, credits her parents, especially her father, for understanding her dreams and helping her achieve them.

 

1. "I came from a family where everyone questioned my decision to become an actor.
There was a big debate in my house. But my parents, especially my father said, 'I am standing by her in whatever she wants to do.


 

2. I will make sure nothing wrong happens to her.' He kept his promise. He was with me always till I was 23. He used to be my manager. I had the support of my father," Priyanka told in an interview.


 

3. "The men in the world need to understand that as soon as you empower a woman, as soon as you give her the opportunity to be her best, she can handle both family and career.
I feel boys can't tackle both. Look at the medals at Commonwealth Games, most of

them have been won by women because they had this opportunity," she says.


 

4. The actor believes society needs to be more open towards the idea of women being ambitious. People have still not warmed up to the idea of a career-oriented woman.

 

 

The entire Bollywood industry is pouring in Celebration Sports Club, Mumbai, to bid the last adieu to the legendary actress of Indian cinema, Sridevi. The prayer meeting is crowded by biggies of Bollywood, like Kajol, Ajay Devgn, Aishwarya, Jaya Bachchan, 

 

Jacqueline Fernandez, Sonam Kapoor, Salman Khan, Arbaaz Khan, Farhan Khan, Nimrat Kaur, Satish Kaushik, Sanjay Kapoor, Waheeda Rehman, Isha Deol, Hema Malini, Madhuri Dikshit, Subhash Ghai, Sushmita Sen, and many others, who have come to pay a last visit before Sridevi's body will be taken for the last rights to Vile Parle Seva Samaj Crematorium and Hindu Cemetery, next to Pawn Hans around 3.30 pm.

 

 

 

 

While a lot has already been said about the versatile actress's sudden death, due to accidental drowning after losing her consciousness in the bathtub of a hotel room in Dubai. One of her close friends has now come out making a shocking new revelation about Sridevi’s health condition.

In an interaction with a leading daily, Pinky Reddy who knows Sridevi since childhood recalled her last phone-call with Sridevi saying, “I have lost a sister. It (Her demise) is shocking. We are devastated. I spoke to her the day she was leaving for Dubai. She was down with fever and was on antibiotics. She was feeling tired, but she said that she has to go for the wedding.”

 

 

India's fuel consumption fell 45.8 per cent to 9.929 million tonnes in April, down from 18.32 million tonnes fuel consumed in the same month a year back

The investor confidence shot up in RIL because of the back-to-back strategic investments in its telecom subsidiary in the last three weeks

Guest expectations have changed and Agilysys is ready with contactless and cashless integrated solutions at every step along the hotel guest journey. This webinar will explore: Which Agilysys solutions to use at each step along the guest journey Wha...

Reinforcing its globally acknowledged Responsible Luxury ethos that seeks to create a better and secure world, ITC Hotels today announced the launch of its path breaking 'WeAssure' initiative. In a first for the hospitality industry, the discerning ...

Scott Solombrino, CEO, GBTA chats with Patrick Pacious, President and CEO of Choice Hotels as part of the GBTA Industry Forum Series. Patrick shares his experience working for a hotel company where 100% hotels are franchised, the challenges facing s...

Across the country, hotels that were shuttered at the start of the coronavirus pandemic have become eerie, empty shells. Front desks are devoid of receptionists ready to check-in guests, rooms are collecting dust. And with the summer season on the h...

The hotel industry, like all others in the travel space, is facing an unprecedented crisis - a truth that's starting to show teeth as companies release financial reports for the first quarter. But there are signs of hope that the industry will recov...

Democratic presidential nominee Hillary Clinton is leading Republican rival Donald Trump by 2 percentage points among likely voters, according to a national Fox News poll.

FiveThirtyEight founder and editor-in-chief Nate Silver said in a blog post

Hillary Clinton and Donald Trump today scrambled to make their final pitch to voters in the closely-contested U.S. presidential race dogged by controversies like the Democratic nominee's email scandal.

Hillary Clinton on Tuesday beat Republican rival Donald Trump in Dixville Notch, a small town in New Hampshire that traditionally votes just after midnight before the Presidential election balloting starts elsewhere in the US later in the day

Indian-American women politicians are making a mark in this year's general elections in the US with Democrat Kamala Harris all set to be elected as the first Senator from the community.

Democratic presidential nominee Hillary Clinton leads her Republican rival Donald Trump by 4% points, a latest national opinion poll said on Sunday, two days ahead of the crucial US general elections.

As Donald Trump and Hillary Clinton slug it out for the most coveted and powerful seat, the entire world waits with abated breath to see who becomes the next US president on November 9th 2016 and gets their name inked among the pantheon.

An unprecedented 'desi' wave hit the US general elections as a record number of five Indian- Americans were all set to be elected to the US Congress today.

Indian-American Democrat Raja Krishnamoorthi today won the Congressional election from Illinois, defeating Republican former Elmhurst Mayor Peter DiCianni.

California's Attorney General Kamala Harris on Wednesday scripted history as she won the U.S. Senate seat from the state, becoming the first Indian-American to reach the feat.

With four Indian-Americans, including two women, elected to the US Congress, euphoric community members said that the unprecedented victory shows they have become part of the mainstream political landscape.