H from Steps brought tears to the judges’ eyes with his performance. Now, more than ever, we must cherish these moments of LGBTQ visibility

One of the most peculiar aspects of realising that you are LGBTQ is the loneliness. Your immediate family is unlikely to belong to the minority you may feel you have been arbitrarily parachuted into. You may be fortunate that they have supportive attitudes; many are not. The odds are that you have heard derogatory terms about LGBTQ people thrown around the playground not once or twice but like confetti. On TV and film screens, on advertising billboards, in magazines and in books, society’s expectations about settling down with someone of a different gender will bellow at you. You may struggle to come out to yourself, let alone anyone else, and fear judgment and rejection.

That is why major cultural events, such as the first same-sex performance on ITV’s Dancing on Ice last night, are so important: they can be lifelines for the closeted, whether they are aged 13 or 78. Acceptance for LGBTQ people struggling with their sexuality is like water to a sponge: anything that showcases and values our existence has a profound impact. That’s why H from Steps – one half of the couple – told the judges that it was emotional, in part because “it means so much to so many people and the world is ready for this”. It’s why the actor John Barrowman broke down in tears “because of seeing two men who represent someone who is like me and to skate as well as you did”. What’s all the fuss, the usual suspects will cry, but it matters precisely because society, and particularly currently emboldened bigots, makes such a fuss about anyone who deviates from a heterosexual norm.

Singer imprisoned for nine years for getting teenagers to send him explicit pictures

A former star of The X Factor has been jailed for nine years for sexually exploiting seven teenage boys.

Danny Tetley, from Bradford, was described as “a despicable creature with very few redeeming features” for encouraging the youngsters to send him explicit pictures in exchange for money.

The ‘queen of daytime television’ created the two soap operas with her husband William Bell

The co-creator of The Young and the Restless and The Bold and the Beautiful, Lee Phillip Bell, has died aged 91.

Bell, an accomplished broadcast journalist and talk show host, and her husband William created two of the world’s most prominent soap operas, which have run continuously for over 47 years, and aired more than nearly 20,000 combined episodes.

We are all devastated by the passing of Lee Phillip Bell. A television pioneer and powerhouse in her own right, she elevated daytime television in co-creating “The Young and the Restless” with her equally iconic husband, Bill Bell. We sadly mourn our true matriarch. pic.twitter.com/V5nUaz4N5E

Lee Phillip Bell, Rest In Peace....Queen of Daytime Television https://t.co/4wIueloEF0

We are deeply saddened by the news of the passing of a member of our CBS family and Daytime community, Emmy Award winning broadcast journalist, and co-creator of Y&R and B&B, Lee Phillip Bell. She was a pioneer in television and will be missed dearly. pic.twitter.com/6BYpUYQwaU

Fairfield Halls, London
In his show Taxi Tour, the comic from last year’s Britain’s Got Talent offers only standard-issue middle-aged standup

Kojo Anim was a star of the black standup circuit for years, but “Britain’s Got Talent changed my life,” he tells his Croydon crowd. The Londoner has booked his Taxi Tour off the back of an appearance in last year’s final, and recounts how that brush with fame – and his Christian faith, and new fatherhood – picked him back up after a grim period in his life. The emotional honesty is refreshing, but plays only a cameo role in an otherwise unadventurous show. Anim certainly does have talent, but – on this evidence – it’s for performing, not for writing distinctive material.

The show opens with a justification for appearing on BGT, and an account of his experience of overnight celebrity. But it soon devolves into standard issue middle-aged standup comparing his unglamorous childhood with that of today’s pampered youth. His parents play their expected role, giving their son broad accents to mimic when not walloping him for the slightest impertinence. “Only an African parent,” reports our host ruefully, “will beat their own child when they see another child doing something.”

Who needs pretentious chefs? After a decade away, TV’s simplest cookery show is on the air again, and with Rylan at the helm it’s the perfect recipe for success

This week, the first new episodes of Ready Steady Cook for a decade are broadcast on BBC One. The miraculous thing is that, watching it, you’d never know that it ever went away.

Sure, some things are little different. The budget for the ingredients has risen from £5 to a colossal £7.50, and they are presented in reusable totes rather than single-use plastic bags. The theme tune now comes with a weird techno burble that makes you feel as if you are playing an imported PlayStation 2 game about different methods of cooking mince. Sumac exists. And there is a new host in Rylan Clark-Neal, continuing his monomaniacal quest to seize and hijack every defunct daytime gameshow made during the 1990s.

TV and news website audiences are sky-high but, with few ads or new shows, future looks fraught

• Find all our coronavirus coverage here
• Coronavirus – latest news and updates

From TV channels running out of shows, to newspapers facing the threat of closure, the British media industry is facing a financial shock that will permanently reshape how we consume news and entertainment.

Media analysts and insiders warn the pandemic will have a long-lasting impact on the country’s cultural life, predicting that changes in consumer behaviour expected to take more than five years may have happened in five weeks, with many people unlikely to entirely return to their pre-lockdown habits.

A comedy that never quite whinges about new motherhood, but is frank and self-deprecating about its difficulties

I know this is a column about shows you recommend watching in isolation, but I’m not sure if this one is comforting or excruciating right now. Maybe both! But if you’re self-isolating with small children, it’s almost definitely the latter.

The Letdown is the story of a new mum, Audrey (Alison Bell), struggling to cope with her changed circumstances. As the primary caregiver to her daughter Stevie, she’s largely confined to her home. She feels inadequate, out of control, confused, and frustrated as her previous life – friends, parties, a semi-stable career! – slips out of grasp.

Related: Orphan Black: gripping sci-fi series shows that in dark times, family (or a 'clone club') prevails

Related: The Bold Type: candy-coloured take on millennial women shines with hope and comfort

Ricky Gervais’s After Life struggles second time round, as 21st-century London’s answer to Peaky Blinders gets off to a violent start. And how long can live shows survive via video-call?

After Life (Netflix)
Gangs of London (Sky Atlantic)
Emergence (Fox)
Twin (BBC Four) | iPlayer
The Graham Norton Show (BBC One) | iPlayer
The Mash Report (BBC Two) | iPlayer
Have I Got News for You (BBC One) | iPlayer

Ricky Gervais is, take your pick, ever reinventive (a la Madonna, Lady Gaga, the royals) or ever mutating (the worst kind of spirally viruses, the royals). A year ago, in Tony Johnson, subject of his latest drama, After Life, he combined aspects of past characters: The Office’s gloriously unself-aware Brent; the more savvy Andy Millman in Extras; the saccharine platitudes that sat so ill in Derek alongside gags about mental health or other disabilities. After Life was a surprising runaway hit on Netflix, for an arguably slight comedy about a very singular, small-town man’s depression after the loss of his wife, and how an angry man learned to be kind again.

Broadcaster considers plans to restart production on many TV series halted by pandemic

• Coronavirus – latest updates
• See all our coronavirus coverage

The BBC could put actors and directors in quarantine and remove the studio audience from Strictly Come Dancing under plans to help restart television production after the coronavirus pandemic shut down much of the industry.

The proposals, which could affect everything from EastEnders to light entertainment and high-end dramas, are being considered as broadcasters face up to the prospect of enormous gaps in their schedules after much of British television production was stopped dead in mid-March.

Related: No Señor Agüero, but BBC Bitesize kicks it out of the park

Related: How TV news hosts get camera-ready in lockdown

As new actors revive the Talking Heads TV monologues, the poignant tales they tell will resonate more than ever with viewers in lockdown

The decision, announced last week by BBC Drama, to revive and recast Alan Bennett’s landmark Talking Heads series was driven as much by necessity as sentiment. Monologue, delivered to camera, is just about the only form of acting possible at the moment. But, still, there will be a special poignancy in hearing how the mini-dramas sound a generation later in their new voices – Imelda Staunton instead of Patricia Routledge, Kristen Scott Thomas in place of Eileen Atkins, Tamsin Greig for Penelope Wilton, Jodie Comer instead of Julie Walters.

Bennett wrote the first of the monologues in 1987, giving voice, in his 50s, to lives that in several cases were facing their last act. He himself turns 86 next week, about the same age as Thora Hird was when he cast her so memorably in Waiting for the Telegram in the last of the second series of monologues in 1998.

Related: Jodie Comer to star in new BBC production of Alan Bennett's Talking Heads

Earlier this week, Tencent announced a big new update for PUBG Mobile (Free) on iOS and Android. The version 0.18.0 …

Continue reading "‘PUBG Mobile’ 0.18.0 Is Rolling Out Now on iOS and Android with Mad Miramar, a New Results UI, and a Whole Lot More"

Pokemon GO (Free) from Niantic has been improving with letting people play the game in one place or at home. …

Continue reading "PokeCoin System Changes Are Coming to ‘Pokemon GO’ as Niantic Begins Testing in Australia"

Sticking to social isolation just became easier. Keeping the kids occupied and their creativity flowing during coronavirus lockdown has just …

Continue reading "‘Draw a Stickman: Epic 3’ is Here to Provide Your Lockdown Edutainment"

Hello gentle readers, and welcome to the SwitchArcade Round-Up for May 7th, 2020. Like most Thursdays, today is mostly about …

Continue reading "SwitchArcade Round-Up: ‘Mortal Kombat 11: Aftermath’ Coming May 26th, ‘Slayin 2’ and Today’s Other New Releases, the Latest Sales, and More"

I love everything from developer Gionathan Pesaresi aka Neutronized, but I have an especially soft spot for the Super Cat …

Continue reading "Fantastic Platformer ‘Super Cat Tales 2’ Updated with Third and Final Story Chapter"

Last year, Square Enix brought two SaGa games to the west on PC, console, and mobile platforms. Romancing SaGa Re;universe …

Continue reading "‘Romancing SaGa Re;Universe’ Pre-Orders Are Now Live on the App Store Revealing the Release Date for iOS and Android"

Hello gentle readers, and welcome to the SwitchArcade Round-Up for May 8th, 2020. Today was basically a nightmare scenario for …

Continue reading "SwitchArcade Round-Up: ‘Fury Unleashed’, ‘Stone’, and Today’s Other New Releases, the Latest Sales Featuring ‘Saints Row IV’ and More"

Chess-based, card-based, roguelike dungeon crawler. And you might as well throw puzzler on top of it too. That’s quite a …

Continue reading "‘Pawnbarian’ is a Chess-Based, Card-Based, Roguelike Dungeon Crawler Coming to Mobile and Desktop"