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2024 October Membership Drive: Preserving fan history

Do you remember that one fanfic that kept you reading until dawn for the very first time? Or the fan art or video that led you to dig out all the works its creator shared? Have you ever tried to look into the stories of the authors who wrote fics before you were even born? You can find all this and more on Fanlore - the wiki for fanworks, fan creators, and fannish history!

Fanlore is a project run by the Organization for Transformative Works (OTW) with the goal of providing fans a place to record and share their histories, experiences and traditions. Fanlore records both the history and current state of our fan communities – fan works, fan activities, fan terminology, individual fans and fannish-related events. You can read about what fandoms were like in the olden days and document memorable events in your own fandoms, all on Fanlore! Check out the wiki’s New User Portal or join the Fanlore Discord server to connect with other editors and users.

We would not be able to preserve these cherished pieces of fandom history without the generous donations of our fellow fans and volunteers who work tirelessly behind the scenes to keep all our projects running. As always, we have some shiny new donation gifts!

You can choose to display your love for fandom with some of our new thank-you gifts. For a US$40 donation, we have a new sticker set featuring popular AO3 tags. You can show off a bumper sticker saying "my other car is a ship" for a donation of US$50. For a donation of US$75 or more, you could carry home your groceries with a white and red shopping bag or you can announce your love for AO3 with our rainbow kudos pin.

You can also set up a recurring donation and save towards the gift of your choice. Select the gift you want, and if the total for that donation doesn't reach the amount needed for the gift you selected, future donations will be applied to the gift you’re saving for. Those of you in the U.S. might also be able to double your contribution via employer matching: contact your HR department to find out if this is an option for you.

A donation of US$10 or more will also allow you to become a member of the OTW. OTW members can vote for the Board of Directors – the OTW’s governing board. Donating now and checking the “I wish to be a member” box will make you eligible to vote in the 2025 OTW Board Election.

We hope that many of you will take this opportunity to donate and become a member to support projects like Fanlore, Open Doors, Legal Advocacy, Transformative Works and Cultures, and the Archive of Our Own. Your contributions help keep our projects successful for new and long-time fans alike!




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October 2024 Membership Drive: Thanks for your Support

The Organization for Transformative Works's October membership drive is over and we are delighted to say that we are finishing with a total of $214,698.86 raised. We are particularly pleased that 6020 donors chose to either take up or renew OTW membership with their donation, far exceeding our goal of 4,500 members.

These donations came from 6,955 people in 86 countries: thank you to every single one of you, as well as to all of you who posted and shared the news about the drive! The OTW would not exist without its users all around the world, and your continued support for us is our absolute pride and joy! We are so glad to know that our ongoing mission to support, protect, and provide access to the history of fanworks and fan culture continues to resonate with the people that matter most of all: the fans themselves.

If you were intending to donate or join and haven't yet done so, don't worry! The OTW accepts donations year-round, and you can always choose to become a member with a donation of US$10 or more. Memberships run for one calendar year from the date of your donation. If you donate now, you'll be able to vote in next year's OTW Board election, which will take place in August 2025. Our exclusive thank-you gifts are also available whenever you donate!


The Organization for Transformative Works is the non-profit parent organization of multiple projects including Archive of Our Own, Fanlore, Open Doors, Transformative Works and Cultures, and OTW Legal Advocacy. We are a fan-run, entirely donor-supported organization staffed by volunteers. Find out more about us on our website.




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Wool Applique + Thread Embroidery + Beads = Happy Quilts!!!

Oh dear, busy me, four months since I've posted here. Lots of quilting, a little beading, some travels, and recently several sets of house guests have made "retirement" a bit of a joke. For now, since the La Conner Quilt Festival is just around the corner (October 2-4), my subject is one small exhibition on the first floor at the Museum, which is currently up, and will remain through the Festival.

Last year at the Festival (and again this year!) Sue Spargo taught workshops on her wool applique embroidery methods. Those of us who were lucky enough to get in were invited by the Museum to exhibit our finished pieces. These marvelous creations are the subject of this post. Uneven lighting makes it difficult to get good photos, so please forgive poor color or tone on some of these photos.

In case you are unfamiliar with Sue's work, below is an example of her work. Students in her class could choose to make chicks, circles, or flowers. Most chose the chicks. Eight of her students are showing their work in the current exhibit.

My vote for the most awesome-creative piece goes to Bunny Starbuck for She Has Flown the Coop! Here it is:

Having put my chicks all in neat rows similar to Sue's example, I find it amazing that Bunny's mind took the idea and made a whole different story of it... a coop full of chicks, with two in line on the roof ready to follow the one already in the air. Don't you just love the way the lines divide the space?!




Note Bunny's use of whispy yarn to suggest little chick feathers, her use of snaps for eyes, the one chick turned full front, the one with a bead-tassled braid and glasses, and the one with beaded loop fringe and a gathered yellow ribbon (?) yo-yo. I love them! I'm in awe, Bunny!

Below is Chicks on Parade by Dorie Benson. It's so fun the way they are so close together, with two of them going in a different direction, just as you might see in a little cluster of chicks. If you click the photo to enlarge it, you can see some of Dorie's excellent stitching and hand quilting!

The next one is Chicks by Glenys Baker, who not only did all 36 chicks but also made a second quilt featuring circles (shown further down). Awesome work, Glenys!

And next is Birds of a Feather Can Dance Together by Lorraine Jones. The fun of the title is matched by the fun of Lorraine's embellishments, including her border treatment. (You'll have to see this one in person, because the light from a table lamp, made the lower corner of the photo look terrible.)

I guess most of us like to "swim the other way," as you can see in the next piece, Chickadees, by Carrie Unick. I thought many of Corrie's embellishments were especially fun and creative, so I've also included a couple of detail photos.




Last of the chicks is my piece, simply named Chicks. It was so much fun, that I made another small piece (also in the exhibition), shown at the top of this post. Both are displayed in shadow-box type frames to protect them from dust and moth damage.

Glenys Baker, in one year, made not only a 36-chicks quilt (shown above), but also a 48-circles quilt, Circles. How she keeps thinking of new embellishment variations I can't imagine. Yet each of her circles is completely unique! Her choice of border fabrics is perfect for the quilt, complimenting the flow of color among the circles.


I love the fun color combinations and the way the beads enhance her embroidery on Nancy Anders' Bodacious Blooms, a joyful wall quilt if ever there was one! (Again, I couldn't quite get the color right in the photo, so you'll just have to go to the Museum to see it in person.)


The name of Roberta Roberts' flower quilt, Memories, invites us to look closely at the flower with three ladybugs. I don't know the story, but I can tell there is one here... and I love that. Her embellishments are varied and fun as well.



There you have it... 10 quilts by 8 students who learned some methods of wool applique and embroidery from Sue Spargo, last year at the La Conner Quilt Festival. I'm so grateful to be one of them!




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Quilters, Beaders, and Embroiders are the World's Most Generous People!


The quilting community is awesomely generous!!!  Thanks to all who have sent me scraps for making hexie flowers:

Lunnette Higdon Hertel
Judy Lynn
Nancy Anders
Kris Phillips
Carol Holland
Bobbi Pohl
Debbie Schnabel
Sue Shufel
Phyllis Petersen
Thom Atkins
Sabine Keichel
Yvonne Morrill
Sylvia Griffin
Christmas Cowell

I really understand and appreciate that it takes time to sort through your scraps, selecting some that you feel might work for me, packing them to send, getting them to the post office. In some cases, you even took time to cut them into 2" squares for me... WOW! Bless your hearts!

The most interesting thing is that all the fabrics I've received so far are ones I might have picked myself, yet so far there are no duplicates. As of Oct. 19th, I have cut petal sets for about 650 flowers (from my own scraps and fat quarter stash, as well as scraps I've received from other quilters), all of them unique! That's about 90% of what I need to make the quilt, and certainly enough to keep me busy for a looooooong time. It will probably take me a year or so to baste and stitch all of the flowers, although I admit to going at it with a lot of gusto.




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How to Frame Bead Embroidery



During the past 28 years of stitching beads on cloth, I've veered away from making necklaces, bracelets, and bags or purses, mostly producing wall art pieces. Thus, I've had lots of opportunities to experiment with various methods of finishing and framing my work, making it suitable for display.


I always leave ample fabric margins surrounding the actual beaded area, giving me lots of options for finishing or framing.  One simple finishing method is to wrap the extra fabric around the sides of a manufactured painting-canvas (over stretcher-bars), and lace the fabric snugly across the back, as in the photo below.


But the problem with this method, of course, is that the surface of the beading is exposed to dust and air-borne grime, which over the years may spoil the fresh look of the beading, aging the piece prematurely. So we look to frames and glass to protect our work.

Among the various methods for covering (and protecting) beadwork with glass, the following is the one I use most frequently, and like the best.  It's not very expensive, or particularly difficult, although it does take a bit of time. Even if you already know about frames, please take a look at the section called Preparing Your Bead Embroidery for Framing in the Tutorial below.

Tutorial: How to Frame bead Embroidery

Choosing a Frame

This tutorial assumes the beaded work has straight sides, and will be framed in a square or rectangular frame. The frame size, color, and style are important considerations.

Wanting viewers to look at my beading and not be distracted by an overly fancy, gaudy, or large frame, I generally select a plain, narrow frame in a color that compliments my beading without competing for the viewer's attention. Sometimes I choose a stained, wooden frame if it seems to fit the theme of my beadwork better than a metal frame. Depending on the size of my beadwork, I generally size my frame at 2-3 inches more on each side than the beadwork.

Frame: Often I use a painted, metal frame with a cross section similar to this.


I either buy it as a kit (pre-cut pieces and required assembly hardware), assembling it myself, or buy it from a frame shop. The advantage of buying from a framer is that you will be able to see samples. Also, the framer can cut an accurate mat, foam core insert, and backing board for you, and can supply the needed risers. If you decide to work with a framer, I suggest you print this post (to show the framer how you will be preparing your work for the frame), or take the prepared bead embroidery with you to the frame shop.

Glass: I believe in using the highest quality glass, even though it is a lot more expensive than ordinary glass. The UV resistance is good, but the primary reason for using premium glass is its clarity, which allows the viewer to see the details of your work without any distortions or color shift, as if there were no glass at all.  Note: do not use non-glare glass. It only works if it lies directly on the surface of the art. You will be putting risers under the glass so it sits above the uneven surface of your bead embroidery, not touching any of the beads; even at this slight distance from the beadwork, non-glare glass will look frosted and obscure the details of your work.

Other Framing Materials You Will Need

Mat: Choose a simple, acid-free, neutral-colored mat, either warm or cool white, depending on the emotional message and colors in your work. All those beautiful colors in the framer's palette are appealing, but for most bead embroidery, there is color and texture enough in the beads, and no value in adding more with your mat choice. If you do not have a mat cutter, a framer can cut your mat. Although I have not ever used a double mat (because I find them distracting, bringing my eyes away from the beadwork to the edges), it could be a way to gain a little more space for the glass above the beadwork.



Risers: Dense plastic rods, risers are 1/8th inch square in cross-section, with an adhesive surface on one side. Use a wire nipper to cut the rods to fit along the outer edge of the glass; remove the paper strips covering the adhesive from the the risers, adhering them to the glass along the edges, as shown above. They prevent the glass from touching your beadwork, by resting on the outer edge of the mat, thus holding the glass above the beaded surface. If the surface height of your beadwork is greater, you can adhere two rods together, making a quarter-inch of space. If the depth is more than a quarter-inch, you might want to consider mounting your work in a shadowbox frame (see this post for a good example and instructions).

3/16th Inch Foam Core Board: Since your beadwork will be mounted directly into this foam core board, be sure to use the white, acid-free, buffered, slightly more expensive variety. You can buy it at art supply or frame shops, in person or on line. You will need a piece at least 3 inches larger than your bead embroidery on each side.

 Preparing Your Bead Embroidery for Framing 

 
The piece above is the example used in the the steps which follow. It's a small piece of bead embroidery, measuring only 1-3/4 inches wide by 2-1/4 inches high. The mat is 2 inches larger on each side. Numerous folks have surprised me with high offers to buy this piece (which is not for sale), illustrating that nicely framed bead embroidery can be sold at a favorable price.

Mounting your bead embroidery in foam core board 

As per the recommendations in the frame section above, draw the frame size (which will always be designated by the inside dimensions, the size of the artwork) on a piece of 3/16th inch foam core. Use a mat knife and ruler to accurately cut out this shape.

Then, measuring carefully, making sure it is exactly centered, draw lines to indicate the outline of your bead embroidery, adding 1/2 inch on each side. For example, if your beaded area was 2 inches wide, you would draw your lines 3 inches apart (2" for the beadwork plus 1/2 inch on each side). Designate one edge as the top, and mark. Draw a vertical arrow from the top through part of the center through part of the outside margin. With a mat knife, cut out the center, being careful not to damage it or the outside frame. The cut out center will eventually be placed back in the hole by aligning the arrow segments drawn on the back.

For the next step, you will need at least a 1.5 inch margin of un-beaded fabric all around your beadwork. If you have less than a 1.5 inch margin, cut strips of any cotton fabric (re-purposed sheet or shirt fabric is fine). Using a zig-zag stitch on the sewing machine, and placing the strips under the margin of the beaded fabric (wrong side), stitch the strips to the margins, extending them to a total of 1.5 inch from the edges of your beadwork on the top, bottom, and both sides.

Center your beadwork on the cut-out piece of foam core board. Hold in place using map or sewing pins, pushed straight through the beading down into the board. Wrap the fabric snugly around the board and pin from the back. Remove the pins from the front. Check to make sure the work is still centered accurately. Re-pin if necessary. Using a sewing needle and beading thread, stitch from side to side, lacing the fabric around the foam core, as in the example below. Start with the longer sides. Knot when finished. Then do the same on the shorter sides.

Tip: I like to rest the beaded side face down on a thick, folded, bath towel while I am lacing the back.


This is how mine looks on the front after being laced around the foam core board on the back. If I had not wanted to frame this piece, I could have used double-sided, archival tape to adhere a heavy paper backing over the laced area on the back; it could then be displayed on a small stand similar to the one in the second photo from the top of this post.


This is how it looks on the back, when it is placed back in the original hole cut into the foam core board. Notice how the arrows match up, insuring a perfect fit.


This is how it looks on the front. Note: the hole in the mat will be cut exactly to the size of the beadwork, so that when it is framed, you will not see any of the fabric around the outside edge of the beaded area.


Assembling a Bead Embroidery Sandwich


Now it's time to make a sandwich with the foam core board between two pieces of acid-free mat board, one which has a beveled hole cut in the center, the other which is solid and goes on the back.


To cut my own mats, I first measure and draw the exact outline of my bead embroidery centered on the wrong side of the mat. I always mark the top, because sometimes the work is not precisely square or rectangular. Of course you can give the dimensions to a frame shop, and have a professionally-cut mat made for your beadwork.

Tip: One way to get an exact measurement of the beaded area is to make a 100% copy of it on a scanner or copy machine. Cut out the copy with a ruler and mat knife, test it by holding it over your beadwork. If it is exact, use it as a template to mark the hole on the mat board. If the mat is hand-cut, the hole does not have to be precisely square or rectangular.


Using a special, beveled, mat-cutting tool, I then cut away the center, where the beading will show.


Here is how the top and middle of the sandwich looks, with the mat placed on top of the foam core board and beadwork.


The photo above shows a piece of mat board cut for the sandwich back (on the right). Note that I've drawn around the laced beadwork, and cut away a layer of the mat board to make space for the laced fabric in the sandwich. Do this by gently cutting along the drawn lines, being careful not to cut very deeply into the mat. Then, use a knife to lift one corner of the inside area and peel it back creating a shallow empty space.


This is what the completed sandwich looks like. The beading is supported well between two pieces of mat board, and can't shift when hung. No glue or tape (to later fail or chemically alter the mat or beading) is necessary in this process. And it looks so neat and professional!

Assemble the Frame

With the more challenging steps already completed, the final assembly goes very quickly !


Assemble the bottom and sides of the frame by inserting the metal corner plates, and tightening the tension screws. Insert and tighten the corner plates into the top of the frame. Make a double-decker sandwich by putting the glass with the attached risers on top of the mat. Be sure the glass is clean and clear of any finger prints. Slide the complete d-d-sandwich into the obvious slot in the bottom part of the frame. The hanging wire can be added now or later.


Slip the corner plates at the top of the frame into the slots on the sides, and tighten the tension screws. You should have gotten metal spring strips with your frame kit. Lay them out on the back, spaced evenly around. Push down on the center of a spring and slide it under the edge of the frame, between the backing mat and the frame. Do the same with each of the springs. If you haven't already, add a hanging wire. Add a felt or rubber wall-bumper to each of the lower corners.


That's it! You are finished... your bead embroidery is ready to hang on your wall!  For those who would like a little more detailed step-by-step explanation of how to assemble this type of frame, this is a good one or if you prefer videos, this one is pretty complete.

Tip: Whether using a metal or wooden frame, the depth of the frame is an important consideration because the d-d-sandwich will be thicker than a photograph or most paintings. The measurement of the depth, or space inside the frame structure to accommodate the thickness of the artwork, is called the rabbet. The rabbet measurement on the above metal frame is 9/16th of an inch, which is adequate with a single riser under the glass. But it's a tight fit, the springs having to be nearly flat when inserted. If I had used a double riser, I would need a frame with a deeper rabbet. I've found it rather difficult to find small, narrow, simple, plain, wooden frames with a deep enough rabbet.

Here is a link for downloading this post as a printable PDF. It's a free, and slightly expanded version of what you've seen above. Free Download: How to Frame Bead Embroidery by Robin Atkins




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Gilbert Harman, ‘a towering figure in American philosophy’ and one of the longest-serving faculty members in the University’s history, dies at 83

Gilbert Harman, the James S. McDonnell Distinguished University Professor of Philosophy, Emeritus, died at his home in Princeton on Nov. 13 after a long illness with Alzheimer’s. He was 83.




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Ronald Surtz, ‘eminent Princeton medievalist,’ dies at 75

Ronald Surtz, professor of Spanish and Portuguese languages and literatures, emeritus, died peacefully at home in Cranbury, New Jersey, on Nov. 14. He was 75.




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Hale Trotter, 'pioneer and leader' in pure mathematics, dies at 91

Hale Freeman Trotter, an emeritus professor of mathematics, died at 91 at his home in Princeton, New Jersey.




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Thirteen faculty members transfer to emeritus status

Thirteen Princeton University faculty members were transferred to emeritus status in recent action by the Board of Trustees.




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Mathematician Joseph Kohn, ‘a giant’ in several complex variables and generous mentor to young scholars, dies at 91

“His mathematical legacy is enormous,” said John D’Angelo *76. “Joe was among the most friendly, popular and influential mathematicians of his generation.”




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Chemist Victor Laurie, who contributed to the field of microwave spectroscopy, dies at 88

Laurie joined the Princeton faculty in 1966 and transferred to emeritus status in 2000.




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Robert Lisk, eminent biologist and ‘kind and generous mentor,’ dies at 88

Lisk taught biology at Princeton for 30 years before transferring to emeritus status in 1990.




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Princeton SPIA's Center for the Study of Democratic Politics helps democracy flourish across the aisle

CSDP brings voices from across the political spectrum into conversation with Princeton social scientists and students. 




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Young Democratic Socialists of America - General Meeting

Young Democratic Socialists of America - General Meeting




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Geo Lecture Seminar Series

Geosciences Department Lecture Series




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2024 GAASA Remembrance and Reconciliation Conference

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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2024 GAASA Remembrance and Reconciliation Conference

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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Princeton Jazz Vocal Ensemble presents 1959: A very special year in Jazz!

Princeton Jazz Vocal Ensemble, directed by Michelle Lordi, presents a series of jazz pieces from the year 1959.




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2024 GAASA Remembrance and Reconciliation Conference

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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2024 GAASA Remembrance and Reconciliation Conference

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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2024 GAASA Remembrance and Reconciliation Conference

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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2024 GAASA Conference - Rememberance and Reconciliation

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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2024 GAASA Remembrance and Reconciliation Conference

The inaugural Princeton GAASA Conference will be an enriching and dynamic event that brings scholars, activists, historians, and community leaders together to discuss African American history in the state of New Jersey. This year's conference theme is "Institutional Memory and African American History in New Jersey" which brings crucial narratives of African American contributions to the state to the forefront of public consciousness. This event aims to deepen the understanding of African American life, promote meaningful dialogue, and inspire actionable change. The conference will take place on the campus of Princeton University on Saturday, November 23, 2024.




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Young Democratic Socialists of America - General Meeting

Young Democratic Socialists of America - General Meeting




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Historical Crisis and Paranoid Emplotment: The Discursive Structure of Racial Panics in Interwar Year Europe

Can paranoia be a mode of historical emplotment? The catastrophe of the First World War produced a genre of pessimistic writing. Oswald Spengler’s Decline of the West was among the most widely read. Still, the era produced dozens similar: Francesco Nitti’s The Decadence of Europe: The Path To Reconstruction (1923), Albert Demangeon’s Le Déclin de l’ Europe (1923), Wythe Williams’ Dusk of Empire: The Decline of Europe And The Rise Of The United States (1937), and Arturo Labriola’s Le Crépuscule de la Civilisation: L’Occident et les peoples de couleur (1936). In all, the coming historical consciousness of the colonized world figures significantly. Drawing on Hayden White’s notion of historical emplotment, this presentation will examine the paranoid structure of such writing.




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2024: Discussion: Bank Failures and Contagion: Lender of Last Resort, Liquidity, and Risk Management

William Dudley, senior advisor, Griswold Center for Economic Policy Studies, Princeton University; and former president of the Federal Reserve Bank of New York In conversation with Markus Brunnermeier, Edwards S. Sanford Professor of Economics, and Director of the Bendheim Center for Finance, Princeton University Wednesday, November 20, 2024, from 4:30-5:30 p.m. Julis Romo Rabinowitz Building, Room 399 Co-sponsored by The Griswold Center for Economic Policy Studies (GCEPS) and Bendheim Center for Finance (BCF) Open to the Princeton University Community Group of 30 Report Publication, G30 Working Group on the 2023 Banking Crisis, chaired by William Dudley




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Center for Iran & Persian Gulf Studies Wednesday Seminar Series

Nearly every Wednesday of the semester, The Mossavar-Rahmini Center for Iran and Persian Gulf Studies invites a scholar to speak on their area of study. Topics relate to Iran and the Persian Gulf area while employing an interdisciplinary lens. To view the details of upcoming seminar topics, please visit iran.princeton.edu/upcoming-events.




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Princeton Sound Kitchen presents Gemma Peacocke: ‘A Strange Power,’ Sputter Box, Charlotte Mundy

Gemma Peacocke’s ‘A Strange Power’ is a 45-minute cantata about the tangled web of romance, free love, creation, and death in the early lives of Mary Wollstonecraft Godwin Shelley and her step-sister, Claire Clairmont. Scored for two sopranos, clarinet, piano, percussion, and cello, the work will be performed by Sputter Box with guest vocalist Charlotte Mundy. The program also features new works for the performers by other Princeton University graduate student composers Aliayta Foon-Dancoes, Devin Greenwood, Gemma Peacocke, and Onche Rajesh Ugbabe.




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BusinessToday Seminar with Toll Brothers - Fred Cooper

Please join the BusinessToday Seminars Team as we present Mr. Fred Cooper, Senior Vice President of Strategic Partnerships at Toll Brothers. Toll Brothers (NYSE: TOL) is a ~$10 billion revenue and ~$15 billion market cap, Fortune 500 Company founded in 1967 and ranked the 4th largest U.S. home builder by revenues. Toll is also among the largest multifamily rental apartment developers, and land and community developers in the U.S. In addition, Toll is one of the nation’s largest urban high-rise/high-density condo and rental tower developers, with 50+ buildings and over 7,000 units completed.




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Geo Lecture Seminar Series

Geosciences Department Lecture Series




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PUGC 150th: Come-and-Sing - Fauré Requiem

Join Princeton University Glee Club for a three-day celebration of the Glee Club’s past, present and future with a festival of singing, camaraderie and concerts! On November 17th, join Princeton University Glee Club and PUGC alumni in a public chapel sing. *** PUGC 150th CELEBRATION - a 3 day festival! Opening Concert: The King Singers with the Princeton University Glee Club Friday November 15th, 7:30pm Richardson Auditorium, Princeton, NJ Gala Concert: PUGC - Then, Now, and Onwards! with the Princeton University Glee Club and PUGC alumni Saturday November 16th, 5pm Richardson Auditorium, Princeton, NJ Glee Club Come-and-Sing: Fauré Requiem with the Princeton University Glee Club and PUGC alumni Sunday November 17th, 2:30pm Princeton University Chapel, Princeton, NJ




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Writing Seminar Research Clinic Fall 2024

Register for our "Writing Seminar Research Clinic" to be held in the Firestone Library Tea Room on Sunday November 17 between 2:00 p.m. and 8:00 p.m. Consult with Writing Center Fellows and Librarians to move your Research Paper to the next level while munching on movie theater style popcorn, cookies, and sipping caffeinated beverages! Please register for a time slot here: 2:00pm-2:30pm 2:30pm-3:00pm 3:00pm-3:30pm 3:30pm-4:00pm 4:00pm-4:30pm 4:30pm-5:00pm 5:00pm-5:30pm 5:30pm-6:00pm 6:00pm-6:30pm 6:30pm-7:00pm 7:00pm-7:30pm 7:30pm-8:00pm If you need research help and none of these time slots work for you, feel free to sign up for a consultation with your seminar librarian.




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Fund for Irish Studies: “A History of Ireland in 10 Poems” by Paul Muldoon

Pulitzer Prize-winning poet Paul Muldoon, Princeton’s Howard G.B. Clark ‘21 University Professor in the Humanities and Professor of Creative Writing, offers a brief survey of Irish history from earliest times to the present day through the prism of his own poems. No tickets required.




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Ludwig Princeton Distinguished Seminar

Please note this event begins at 1pm and ends at 2pm. The Ludwig Princeton Distinguished Lectureship features world class cancer researchers. Jeff Rathmell, leading cancer immunologist from Vanderbilt University, will present his talk "Metabolic Control of Immunotherapy and Inflammation." T cells in tumors and other inflamed tissues accumulate signs of stress and mitochondrial damage that affect cell metabolism but remain poorly understood. The metabolism of T cells and other immune cells is dynamically regulated and influences biosynthesis, signaling, and cell fate. We have shown that CD4 T cell subsets are metabolically distinct and that each requires a specific metabolic program for their function. Immune cells do not act in isolation, however, and are subject to systems and microenvironmental factors that shape their metabolism and function. On a systemic level, obesity leads to a state of chronic inflammation and is a risk factor for cancer incidence and progression. However, cancer immunotherapy can be enhanced in obesity in the cancer-obesity paradox. We have shown that induction of the immune checkpoint molecule PD-1 on tumor associated macrophages contributes to this paradox and immunotherapy responses in obese individuals. At a microenvironmental level, tissue temperature changes with body location, fever, and inflammation. We tested the effects of elevated temperatures found that T cells broadly become more pro-inflammatory but a subset of CD4 T cells, Th1 cells, selectively experience mitochondrial stress that activates a heat-sensitive molecular circuit to shape T cell fate. The metabolic interaction of immune cells with their environment can both drive disease and offer new therapeutic opportunities.




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Young Democratic Socialists of America - General Meeting

Young Democratic Socialists of America - General Meeting




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Center for Iran & Persian Gulf Studies Wednesday Seminar Series

Nearly every Wednesday of the semester, The Mossavar-Rahmini Center for Iran and Persian Gulf Studies invites a scholar to speak on their area of study. Topics relate to Iran and the Persian Gulf area while employing an interdisciplinary lens. To view the details of upcoming seminar topics, please visit iran.princeton.edu/upcoming-events.




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Warner Bros. Is Working On An ‘Emily The Strange’ Animated Feature

The studio is developing the movie with J.J. Abrams' Bad Robot and screenwriter Pamela Ribon ('Nimona,' 'My Year of Dicks').




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‘Memoir Of A Snail’ Delivered Second-Highest Per-Theater Average At The Weekend Box Office

Though there are few comps for R-rated stop-motion films at the box office, 'Memoir of a Snail' is off to an excellent start.




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Pixar And Disney Animator Bolhem Bouchiba Sentenced To 25 Years In Prison

Bouchiba continued getting jobs at major studios like Pixar and Dreamworks even after being added to France's national sex offender registry in 2014.




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Which of the World’s Stars Invested in Cryptocurrencies and What Happened to Them?

Bitcoin and other cryptocurrencies are not only of interest on Wall Street. Who among the stars of show business and sports has already invested in digital assets and who promotes them? Bitcoin and altcoins have long ceased to be the domain of technologists and venture capitalists from California. In addition to the Forbes list and ... Read more

The post Which of the World’s Stars Invested in Cryptocurrencies and What Happened to Them? appeared first on Star Two.




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Extremely Spicy Peppers Health Benefits

The health benefits of hot peppers are well-documented, and their popularity in various forms of cuisine is increasing rapidly. The chemical responsible for both the heat and the health benefits is called capsaicin. Before the invention of refrigeration, adding spicy elements to food was a common practice in warm climates to prevent spoilage. Capsaicin, found ... Read more

The post Extremely Spicy Peppers Health Benefits appeared first on Star Two.




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Interior Design Trends – And The Shows That Inspired Them

It is undeniable that TV has a huge impact on us. It also has a huge impact on how we live! For a long time, TV shows have started interior design movements or made them popular. These TV shows are the reason these interior designs were so famous! Downton Abbey- British Edwardian There is something ... Read more

The post Interior Design Trends – And The Shows That Inspired Them appeared first on Star Two.




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RSS Ground Changelog November 2018

Hey there! Earlier this month we have announced a planned service maintenance. That was done in order to implement a new update we’ve been working on for the last several weeks. It includes user interface changes, new options and features, and some system changes. Please see the list of what was added below: Major interface […]

The post RSS Ground Changelog November 2018 appeared first on RSSground.com.




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Facebook Feeds Generator Is Experiencing Problems

Some of you might have noticed that our Facebook Feeds generator can right now generate only RSS feeds of your own Facebook pages..

The post Facebook Feeds Generator Is Experiencing Problems appeared first on RSSground.com.



  • RSS Ground News

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Interface updates and improvements.

We are glad to introduce some interface updates and improvements. In the Feeds Box you can now see a new Filter icon. Click to filter your content feeds by type, source and status and to use search option.  You can also change the number of feeds per page. We have also added the Reset filters option […]

The post Interface updates and improvements. appeared first on RSSground.com.




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Email Notifications For Posting Campaigns

We are excited to unveil the latest service enhancements for RSS Ground. RSS Ground can be used on a set-and-forget basis. You can generate your private feeds, and they will be automatically updated with fresh content. You can then set up your posting campaigns and let automation handle the rest. However, keeping an eye on […]

The post Email Notifications For Posting Campaigns appeared first on RSSground.com.




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Canyon Issue a Stop Use Notice for the Spectral:ON CF & CFR, and Torque:ON CF eMTBs



Customers are asked to do a mandatory battery check over safety concerns, and to reach out to Canyon if they are affected
( Photos: 1, Comments: 133 )




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Movies For Your Monday - Vaea Verbeeck, Jeremy Menduni, Chloe Kim, & More



Another great batch of movies for your Monday.
( Photos: 1, Comments: 1 )




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Pinkbike is Hiring a Content Manager (12 Month Temporary Employment)



We're looking for a relentlessly positive, cat herding bike nerd to hold down the fort when Sarah Moore goes on maternity leave in January.
( Photos: 1 )




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The Evolution of Engagement Rings: A Journey from Traditional to Modern Choices

Engagement rings, symbols of love and commitment, have journeyed through time, evolving in design, material, and meaning. This evolution reflects changing fashion trends and deeper shifts in social norms, economic conditions, and technological advancements. From the ancient times when rings were simple iron bands to the present day when they embody intricate designs and diverse ... Read more

The post The Evolution of Engagement Rings: A Journey from Traditional to Modern Choices appeared first on Star Two.