From Ayurvedic cooking to traybake heroes, these are the cookbooks we've turned to over the last seven weeks

Strictly’s newest judge learned to stick up for herself in apartheid-era South Africa. She talks racism, the ‘rift’ with her sister Oti – and learning to dance amid knife fights

Motsi Mabuse is remembering the rough dance halls of apartheid-era South Africa and the shocking sights she would see as she took her first tentative steps across their floors. “When we had competitions,” she says, “we didn’t have security and people would be drunk and starting fights. We were just kids and we’d watch people with knives running through while we were in the middle of a routine. Compared to that, Strictly isn’t so difficult.”

Mabuse, the newest judge on Strictly Come Dancing, first fell for the glitterball world at the age of nine after watching couples waltz, swing and cha-cha-cha while on holiday in Durban. “What I love about my parents is that they didn’t say: ‘Oh, you can’t do that.’ They found a way. But we had a lot of backlash, being the only black kids. People would laugh at us and call us names. We were bullied, but we just kept on coming back – and then we beat them.”

What does our crystal ball say the new year will bring for celebs? Sex tapes, terrible singing and off-the-cuff sofa jokes that ignite the far right. Sounds great!

There are two ways to spend New Year’s Eve, as best as I can tell: you either dirty the floor of a house party and spend the smallest of the small hours running desperately out of drinkable alcohol until you realise it’s 7am and the sun is up and you just watched yourself pour Pepsi Max into half a cup of Bailey’s until they both curdled into a sort of vomitty pâté; or you watched Jools at home with a blanket over your legs, in bed with your teeth brushed by 10 past 12. You get absolutely zero points for guessing which one of the two I saw the new year in with. My body is still shaking.

Fair to say, too, that celebrities have yet to emerge blinkingly into the new decade. In the Christmas lull, the famous go into one of two modes of hibernation: either posting a succession of matching-pyjama family selfies in million-pound mansions that are identically decorated with plush beige carpets and tasteful but anonymous tonal greys; or going on holiday somewhere unthinkably lush and posting: “How’s the weather back home!” while sizzling in a hammock over aquamarine Maldivian waters. What I am saying is that there is no news, all right, and we can’t spend 1,200 words having a go at Cats again, so we simply have to preview the year 2020 and have a stab at guessing what the world of fame has for us. Is it a cop-out? Or is it actually quite a decent effort for someone who still has “brandy” in his system and who many doctors would advise shouldn’t be sitting upright at this still-early stage in his hangover? Well exactly. Let’s get on with it.

H from Steps brought tears to the judges’ eyes with his performance. Now, more than ever, we must cherish these moments of LGBTQ visibility

One of the most peculiar aspects of realising that you are LGBTQ is the loneliness. Your immediate family is unlikely to belong to the minority you may feel you have been arbitrarily parachuted into. You may be fortunate that they have supportive attitudes; many are not. The odds are that you have heard derogatory terms about LGBTQ people thrown around the playground not once or twice but like confetti. On TV and film screens, on advertising billboards, in magazines and in books, society’s expectations about settling down with someone of a different gender will bellow at you. You may struggle to come out to yourself, let alone anyone else, and fear judgment and rejection.

That is why major cultural events, such as the first same-sex performance on ITV’s Dancing on Ice last night, are so important: they can be lifelines for the closeted, whether they are aged 13 or 78. Acceptance for LGBTQ people struggling with their sexuality is like water to a sponge: anything that showcases and values our existence has a profound impact. That’s why H from Steps – one half of the couple – told the judges that it was emotional, in part because “it means so much to so many people and the world is ready for this”. It’s why the actor John Barrowman broke down in tears “because of seeing two men who represent someone who is like me and to skate as well as you did”. What’s all the fuss, the usual suspects will cry, but it matters precisely because society, and particularly currently emboldened bigots, makes such a fuss about anyone who deviates from a heterosexual norm.

Singer imprisoned for nine years for getting teenagers to send him explicit pictures

A former star of The X Factor has been jailed for nine years for sexually exploiting seven teenage boys.

Danny Tetley, from Bradford, was described as “a despicable creature with very few redeeming features” for encouraging the youngsters to send him explicit pictures in exchange for money.

Singer and entertainer who, in a duo with her husband, Teddy Johnson, transformed the UK’s Eurovision prospects in the 1950s

In 1959 the husband and wife duo of Pearl Carr and Teddy Johnson were invited to look at songs with which they could represent the UK in the fourth staging of the Eurovision song contest. These were pleasant ballads that owed nothing to the prevailing climate of rock and roll, and there was a trite but cheerful novelty song, Sing, Little Birdie. The pair saw how they could develop it into a routine with solo lines, immaculate harmonies and sideways glances at each other – and chose it as their UK song for Cannes. They came second, losing to a rendition of Een Beetje by Teddy Scholten for the Netherlands. In the event Sing, Little Birdie topped the charts in the Netherlands, having also made No 12 in the UK.

Carr, who has died aged 98, would like to have been remembered for something more substantial than that song, but it did demonstrate that the UK might actually win Eurovision. Sing Little Birdie’s writers, Stan Butcher and Syd Cordell, submitted Pickin’ Petals for Carr and Johnson as a contender for the UK entry in 1960, but this time Teddy’s younger brother, Bryan, represented the UK with Looking High, High, High – and also came second. The UK eventually won in 1967 with Sandie Shaw’s Puppet on a String.

The ‘queen of daytime television’ created the two soap operas with her husband William Bell

The co-creator of The Young and the Restless and The Bold and the Beautiful, Lee Phillip Bell, has died aged 91.

Bell, an accomplished broadcast journalist and talk show host, and her husband William created two of the world’s most prominent soap operas, which have run continuously for over 47 years, and aired more than nearly 20,000 combined episodes.

We are all devastated by the passing of Lee Phillip Bell. A television pioneer and powerhouse in her own right, she elevated daytime television in co-creating “The Young and the Restless” with her equally iconic husband, Bill Bell. We sadly mourn our true matriarch. pic.twitter.com/V5nUaz4N5E

Lee Phillip Bell, Rest In Peace....Queen of Daytime Television https://t.co/4wIueloEF0

We are deeply saddened by the news of the passing of a member of our CBS family and Daytime community, Emmy Award winning broadcast journalist, and co-creator of Y&R and B&B, Lee Phillip Bell. She was a pioneer in television and will be missed dearly. pic.twitter.com/6BYpUYQwaU

Fairfield Halls, London
In his show Taxi Tour, the comic from last year’s Britain’s Got Talent offers only standard-issue middle-aged standup

Kojo Anim was a star of the black standup circuit for years, but “Britain’s Got Talent changed my life,” he tells his Croydon crowd. The Londoner has booked his Taxi Tour off the back of an appearance in last year’s final, and recounts how that brush with fame – and his Christian faith, and new fatherhood – picked him back up after a grim period in his life. The emotional honesty is refreshing, but plays only a cameo role in an otherwise unadventurous show. Anim certainly does have talent, but – on this evidence – it’s for performing, not for writing distinctive material.

The show opens with a justification for appearing on BGT, and an account of his experience of overnight celebrity. But it soon devolves into standard issue middle-aged standup comparing his unglamorous childhood with that of today’s pampered youth. His parents play their expected role, giving their son broad accents to mimic when not walloping him for the slightest impertinence. “Only an African parent,” reports our host ruefully, “will beat their own child when they see another child doing something.”

Who needs pretentious chefs? After a decade away, TV’s simplest cookery show is on the air again, and with Rylan at the helm it’s the perfect recipe for success

This week, the first new episodes of Ready Steady Cook for a decade are broadcast on BBC One. The miraculous thing is that, watching it, you’d never know that it ever went away.

Sure, some things are little different. The budget for the ingredients has risen from £5 to a colossal £7.50, and they are presented in reusable totes rather than single-use plastic bags. The theme tune now comes with a weird techno burble that makes you feel as if you are playing an imported PlayStation 2 game about different methods of cooking mince. Sumac exists. And there is a new host in Rylan Clark-Neal, continuing his monomaniacal quest to seize and hijack every defunct daytime gameshow made during the 1990s.

BBC One’s star-filled charity appeal needed imagination and technical skill to get round distancing rules

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Socially distanced presenters, a skeleton crew, no live audience and automated phonelines only – this is national telethonning, lockdown-style. Comic Relief and Children in Need have joined forces to create The Big Night In on BBC One and raise money for the charities and projects who need more support than ever as Covid-19 strains resources everywhere.

First shift is taken, as is traditional, by Lenny Henry and Davina McCall – joined, not too closely of course, by Matt Baker this time – whose recreation of normality for the viewer in what must, in the studio, be an absolutely bizarre set-up is unimpeachable proof of their professional talents.

Broadcaster considers plans to restart production on many TV series halted by pandemic

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The BBC could put actors and directors in quarantine and remove the studio audience from Strictly Come Dancing under plans to help restart television production after the coronavirus pandemic shut down much of the industry.

The proposals, which could affect everything from EastEnders to light entertainment and high-end dramas, are being considered as broadcasters face up to the prospect of enormous gaps in their schedules after much of British television production was stopped dead in mid-March.

Related: No Señor Agüero, but BBC Bitesize kicks it out of the park

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As new actors revive the Talking Heads TV monologues, the poignant tales they tell will resonate more than ever with viewers in lockdown

The decision, announced last week by BBC Drama, to revive and recast Alan Bennett’s landmark Talking Heads series was driven as much by necessity as sentiment. Monologue, delivered to camera, is just about the only form of acting possible at the moment. But, still, there will be a special poignancy in hearing how the mini-dramas sound a generation later in their new voices – Imelda Staunton instead of Patricia Routledge, Kristen Scott Thomas in place of Eileen Atkins, Tamsin Greig for Penelope Wilton, Jodie Comer instead of Julie Walters.

Bennett wrote the first of the monologues in 1987, giving voice, in his 50s, to lives that in several cases were facing their last act. He himself turns 86 next week, about the same age as Thora Hird was when he cast her so memorably in Waiting for the Telegram in the last of the second series of monologues in 1998.

Related: Jodie Comer to star in new BBC production of Alan Bennett's Talking Heads

Earlier this week, Tencent announced a big new update for PUBG Mobile (Free) on iOS and Android. The version 0.18.0 …

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Hello gentle readers, and welcome to the SwitchArcade Round-Up for May 7th, 2020. Like most Thursdays, today is mostly about …

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Last week, Apple brought another game to the service in the form of Neversong () from Serenity Forge. Today, we …

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Chess-based, card-based, roguelike dungeon crawler. And you might as well throw puzzler on top of it too. That’s quite a …

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