Adivasi Academy, a learning institute set up by Bhasha Research and Publication Centre is a must visit place for one to learn the importance of language and cultural diversity of our country. Ashish Kothari writes about his experience and learnings at the Academy.

A multitude of grassroots movements are emerging across the country in resistance to the mainstream economy and polity. These initiatives are exploring sustainable, equitable and  just paths to human well-being. Ashish Kothari and Pallav Das offer an insight into the need for such movements.

A prerequisite of democracy is the democratization of communication, which in turn requires the empowerment of individuals.

A media that cherishes its independence must recognize this freedom is as essential for the judiciary to deliver justice as it is for the media to observe it impartially, says Dasu Krishnamoorty

Lack of media concern for hunger and related issues makes it that much easier for the state to get away with doing nothing. An interview with Prof. Jean Dreze.

The media is unconsciously desensitising society towards the youth, and pressurising them to conform to a stereotype, says Shivam Vij.

As the government shows Doordarshan's director the door, Prasar Bharati member B G Verghese protests the intrusion by the administration into constitutionally protected domain.

A paranoid government is getting ready to gingerly license 200 more FM frequencies when what is available is twenty times that number. An editorial from The Hoot.org

Legislatures around the country are invoking privilege on all sorts of issues, even as the political parties condemn each other's actions to limit press freedom. Sevanti Ninan reports.

Dasu Krishnamoorty examines reporting in the aftermath of Godhra and the subsequent riots in Gujarat.

Frederick Noronha reports on the success of World Comics India, which has created successful material, especially for the regional press.

The evidence of the pernicious influence of today's mass-media empires is overwhelming. But, lacking a historical consciousness that includes technology, modern India is thoroughly unprepared to tackle the excesses they promote, says Venkatesh R. Iyer.

Dasu Krishnamoorty cautions against equating the media with democracy itself.

New ideas and initiatives are emerging from the liaison between the press and the advertisers. Advertorials and advertising features are manifestations of this relationship, says Deepti Mahajan.

Significantly, the copy was less sensational than the headlines in almost all the papers, says Ammu Joseph.

The beating of media persons at Kozhikode's airport had its fallout all over Kerala. It has pitted the media against the state government. Several issues concerning rights and privacy need to be discussed, including some of the media’s own failings says N P Chekkutty.

In the immediate aftermath of the 26 December tsunamis, many bloggers visited the affected areas. Their eyewitness accounts brought the horrors of the devastation to distant audiences and were instrumental in garnering widespread relief support, writes Rasika Dhavse.

A study on coverage of developmental issues by regional newspapers in the three newest states of the Union - Jharkhand, Chhatisgarh, and Uttaranchal - reveals public as well as media apathy towards the plight of people living in rural areas. Aman Namra reports.

Local problems in India are compounding faster than solutions are being found. But the extent of national and regional coverage in our print and broadcast media is over-proportionately more than local news. More local journalism is the need, and will improve prospects for our local self-governance. The India Together editorial.

Are exposes good journalism? Who exactly should media organisations be trying to inform and what is the information they should bring to their audiences? Darryl D'Monte finds himself in an unexpectedly pleasant bookshop in Mumbai, at a panel discussion on sting journalism.

A homely looking woman in her late fifties has for years run a small-scale business doing what is widely seen as a man's job -- providing computer hardware to companies. But she does not make the local news. A culture of community journalism in the English newspapers is missing and is much needed, says Nabina Das.

Are bloggers just like journalists? The jury is still debating, but clearly bloggers are filling some voids in mainstream journalism, and connecting to net-savvy citizens in an exciting fashion. Blogs are not about to destroy conventional media, but they are making an impact, notes Darryl D'Monte.

Conceived as an anti-poverty effort, the Navodayam project in Andhra Pradesh has grown with government support into a full-fledged media entity taking up coverage of serious local issues. Its members see themselves playing a vital role, and making a difference to the lives of lakhs of women in their districts. Shoma Chatterji reports.

The government's recent CR policy is considered a big leap forward in enabling people to participate in the mass media. The next five years may see some self-help groups, fisherfolk and farmer groups, in areas remote and near, bid for radio stations of their own. Malvika Kaul reports.

Over the past couple of years or so, it appears that Indian television media are recklessly using and exhibiting children in breaking news and other stories, with the willing participation of parents. Does this constitute child abuse? Shoma Chatterji has more.

How relevant is the argument of a threat to freedom of the press in cases where the financial interests of a media baron could ostensibly conflict with that of the public? The question resurfaced recently in Andhra Pradesh over the Eenadu-Margadarsi controversy, writes B P Sanjay.

Both India and Pakistan played well in the Twenty20 tournament, and played in a positive frame of mind. Why then should a mainstream media channel insist on harping on the rivalry between two countries that are making tentative attempts at peace, asks Kalpana Sharma.

With literacy levels increasing rapidly over the past decade, and more and more people having disposable incomes, the media's reach and influence is expanding. But has this expansion and power of media been translated into greater public good? This a haunting and troubling question, writes Jayaprakash Narayan.

Khabar Lahariya, run by Dalit and Kol women, has emerged as a truly rural newspaper that is read and respected by all sections of society in Chitrakoot. It is a small shining star on the media horizon that exposes the hollowness of the mainstream media, writes Kalpana Sharma

Applying for and getting a license to set up a community radio station in India is convoluted. A new publication offers a step-by-step guide to the entire process along with useful information on how and what to prepare before applying.

The terror attacks have raised numerous questions of media ethics, values and news-gathering methods. While the government and politicians faced the wrath of the public, the media too was under the lens. Ramesh Menon reports.

Can technology restore the balance between people in their conversations about public issues? And can this help foster a better and more inclusive democracy, asks Shubhranshu Choudhary.

Seventeen years after the Supreme Court ruled that the government cannot restrict content on radio, it remains impossible for independent news to be aired on radio channels. Navya P K reports.

The decision of the Censor Board to ban screening of Bengali director Suman Mukhopadhyay's film Kangal Malsat is only the most recent instance in a long history of political interference in free creative expression in this country. Shoma Chatterji reports.

Television news in the southern part of the country has largely become the preserve of the various political dynasties, with a glut of channels acting as mouthpieces of the owners rather than objective news broadcasters. T S Sudhir brings us the true picture.

In the last 12 months, at least two radio stations have withdrawn their subscriptions to Radio Audience Measurement, the key measurement currency of listenership in India. Vaishnavi Vittal explores the covert conflict between the RAM provider and the radio operators and advertisers.

The politically motivated appointment of a hardly-known personality to the post of chairperson at the prestigious Film and Television Institute of India has predictably created outrage amongst students and the artist fraternity. Shoma Chatterji looks at the real arguments behind the ongoing debate.

In today’s world, where everything can be done with a tap of a finger, why not something for the greater common good? That thought has led to the development of Equalize, which as its name suggests, aims to empower individuals to reduce social disparities. Rasika Dhavse-Wadodkar has more.

Shoma A. Chatterji writes about a film festival that lacks the glitz and glamour of stars, television cameras and paparazzi chasing famous people to freeze them for the media.

If the members of the board were concerned about protecting the academic research character of the journal they chose the wrong person to serve as the editor. Anup Kumar explains

In 50 percent of the killings of Indian journalists since 2010 there have been no arrests so far. We need to come together to protect our tribe, urge Geeta Seshu and Sevanti Ninan.

We usually wake up to their existence when they don't turn up for work. And the first response is annoyance, because of the inconvenience caused to us. Films like Lakshmi and Me open our eyes to the plight of people who hold up our homes, writes Kalpana Sharma.

The backdrop is contemporary India, but the thematic concerns of the film are those of Mahatma Gandhi - the village and the powerless man. Shoma Chatterji reviews Mohandas, Mazhar Kamran's film due for release in February.

Nandita Das's Firaaq is like a celluloid anthology that will carve a niche in the minds of the audience for capturing moving images of the personal anger and anguish at the Gujarat catastrophe, writes Shoma Chatterji.

For more than a decade now, Supriyo Sen has been making his way through awards bestowed for excellence in choice of subject and aesthetics of creative expression, the latest being accorded for Wagah. Shoma Chatterji looks back at his films.

Joshy Joseph's latest film captures the great poet candidly, minus the halo of genius and her achievements. It also marks a defining moment in the director's journey as a documentarist. Shoma Chatterji reports.

"I wanted to show not just a few victims, but to help viewers understand the mechanics and the politics of trafficking and migration," says Ananya Chatterjee. Shoma Chatterji revies Understanding Trafficking.

Loha Garam Hai is a no-nonsense, no-holds-barred comment on lop-sided strategies of development. It is focused more on information and education than on the aesthetics of cinema, writes Shoma Chatterji.

Hope Dies Last in War is a saga of individual and collective struggle, spanning three generations, to get back the men who remained as prisoners of war after the Indo-Pak conflict of 1971. Shoma Chatterji reviews the film.

If there are differences between a documentary and a feature film, Faiza Khan's Supermen of Malegaon dispels them all. Shoma Chatterji reviews the film.