Game Over has elements of a psychological thriller, and nods to films like Edge of Tomorrow in which characters get multiple lives to move up levels in stories that are structured like video games.

Those who have grown up on a staple Bollywood diet may not be very charmed with The Extraordinary Journey of the Fakir but it might be a fun ride for hopeless romantics.

The storytelling style is warm and appealing with the right amount of humour, anecdotes and lessons for life.

Kabir Singh is an unmistakably misogynistic film, but the sad part is that it’s exactly these troubling portions that the filmmakers peddle as intense love.

Even in its fourth outing, never once does Toy Story 4 feel like a cash-grab sequel; like it was made by profit-hungry executives focused on milking a successful brand.

There are moments in Anubhav Sinha’s Article 15 that are so disturbing they feel like a punch to the gut.

Apart from the really stretched action sequence in the end, there isn’t a lot to complain about in Spider-Man: Far From Home.

The movie could have done with more fleshed-out characters and a psychological density that is sorely absent in the haphazard handling of the plot's crisis line.

Mangesh Hadawale’s direction, unfortunately, lacks the finesse that we saw in his award-winning Marathi film Tingya.

Hrithik Roshan-starrer Super 30 is about Patna-based mathematician Anand Kumar who succeeds against all odds.

'Gullak' celebrates a small-town in North India, family and its stories that we all probably reminisce about every day.

The Lion King’s newest version without a shadow of a doubt is a marvel of creative technology. It is the sort of film that parents would like to take their kids to watch over the weekend.

The film seems like a grim gangland saga that inadvertently becomes funny, and an attempted spoof of a gangland saga that is far from funny.

'Typewriter' is a Netflix Original horror series produced by Shah Rukh Khan's Red Chillies Entertainment. All episodes are available for streaming now.

Diljit Dosanjh is affable but profoundly bland as Arjun Patiala. Varun Sharma as Arjun's side-kick Onida and Kriti Sanon as Ritu Randhawa are tolerable.

In 'Judgementall Hai Kya,' Kangana Ranaut is solid, and Rajkummar Rao brings a real element of mystery to his character, never allowing us to feel like we’ve entirely figured the guy out.

Director Prashant Singh’s Jabariya Jodi is a film that props up a love story by the aforementioned premise.

Scary Stories to Tell in the Dark is a clever and well-crafted adaptation of Alvin Schwrtz's ubiquitous horror series of three books of short stories.

Akshay Kumar's Mission Mangal recounts the story of this mammoth event in the tried and tested, personal anecdotal style.

'Once Upon a Time in Hollywood' may not be Quentin Tarantino’s best, but it’s a laidback, change-of-pace offering that delivers many unexpected pleasures.

Shraddha Kapoor and Sushant Singh Rajput bring a touch of glamour and of course, the much sought after romance to campus life.

Bard of Blood, directed by Ribhu Dasgupta, presents Emraan Hashmi as a rogue spy who goes inside Balochistan for a dangerous mission.

Bulbul Can Sing unfolds unhurriedly, as if matching the pace of life in a small village. It can get testing especially in the later half, but stay with it.

Director Todd Phillips has borrowed from many neo-noir Hollywood films for Joker. Joaquin Phoenix's performance has made it an excellent film.

Coming at a time when graphic and lurid on-screen violence are being questioned and and even condemned, Asuran would appear needlessly falling back to the old formula.

Having an almost picture perfect cast can sometimes get in the way of a natural storytelling style but this family scores well on that front.

'Upstarts' is very contemporary and contemplative take on our times. Read our review of the new Netflix film below.

The simple storytelling is well aided by with an upbeat background score and competent production design that faithfully recreates the simple, village setting.

Kaithi plays at multiple levels. Karthi's Dilli is a murder convict out on parole to meet his 10-year-old daughter whom he has never seen.

Had there not been Akshay Kumar, it would have become a really painful watch. He has barely managed to stop Housefull 4 from becoming another Tees Maar Khan.

'Saand Ki Aankh' is based on the amazing true story of two of the oldest sharpshooter champions in the world-- Chandro and Prakashi Tomar. Read our full review of the latest Bollywood film below.

Rajkummar Rao and Boman Irani's characters in 'Made in China' sell Magic Soup to men suffering from performance issues. Read our full review of the Diwali 2019 release below.

Despite maverick filmmaker James Cameron on board as writer and producer, Dark Fate relies only on set-pieces. The script never goes beyond the obvious.

The film is mounted with ace production values. The era is aptly recreated by production designer Jan Roelfs and captured by cinematographer Chung-Hoon Chung.

Last Christmas may not be remembered as one of the great holiday rom-coms – it’s no Love, Actually – but it’s a perfectly satisfying one-time watch.

Dhruv Sehgal and Mithila Palkar's Dhruv-Kavya moments in Little Things season 3 surely gives us the oh-so-me moments but such situations worked more as small videos.

House Arrest, the way we generally understand the term, is really not a nice word, and connotes horror in its most basic form.

Blame it on our perception but it seems Sidharth Malhotra needs more time to come out of his decent boy next door image.

Watching 'Marjaavaan', the stench of creative bankruptcy is hard to miss. Read our full review of the latest Bollywood film below.

Overall, the film, while speaking about "girl power", is wildly entertaining despite not letting you get emotionally invested. Read our full review of the latest Hollywood film below.

If you need a break from crime and thrillers, Out of Love should be accommodated on your watchlist before year end.

In the face of it, The Irishman is Scorsese's final farewell to those immigrant hitmen who ruled suburban America in the 1950s.

Panipat, a film about Maratha warrior Sadashiv Rao Bhau who staves off Afghan ruler Ahmad Shah Abdali, disappoints only because of a linear screenplay that fails to rouse dramatic emotions so important to historicals.

Pati, Patni Aur Woh is the remake of the 1978 film of the same name. Directed by Mudassar Aziz, the film banks upon Kartik Aaryan’s image and his brand of tier 2 city comedy.

In a very roundabout, over-simplistic way, the film is actually progressive. Thank you for small mercies. Plenty laughs are guaranteed.

'Panipat' ultimately is overlong and unwieldly. Filmmaker Ashutosh Gowariker can’t seem to recreate the magic of his finest films.

Vishal Jethwa as the villain of the piece is quite a find. He performs exceedingly well as the psychotic mercenary-on-hire with no redeeming qualities.

'Mardaani 2' holds up a mirror to our times when crimes against women are an unfortunate reality. Read our full review of the latest Bollywood film below.

Overall, while the film is mega-mounted and technically impressive. It does not offer anything that's new and exciting. Read our full review of 'Star Wars: The Rise of Skywalker' below.

Even if you’re not a hardcore fan, there’s enough visual wizardry to keep you entertained for the duration of Star Wars: The Rise of Skywalker's running time.