As Miami’s sparkling new Perez Art Museum hosts a big retrospective of the Chinese artist’s work, the FT’s arts writer reflects on culture’s role in challenging oppression  

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Christian Bale’s hairpiece in the Oscar-nominated movie caper epitomises the preposterousness of the 1970s – but the decade’s unabashed lack of polish looks increasingly appealing in our technology-dependent age  

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As King’s College, London, devotes an exhibition to its charismatic alumnus, the FT’s arts writer reflects on the artist and film-maker’s earliest inspirations  

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Forget Sartre. The Royal Opera’s new ‘Don Giovanni’ suggests that, in a hyper-connected world, hell is the absence of other people  

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Matthew McConaughey’s career revival provides a neat case study of how an actor can wrest back control of his image. It also tells a broader story about our weakness for a certain kind of Acting.  

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Driven by ubiquitous video technology, a new wave of films – such as the award-winning ‘Gaza: Chronicles of a Conflict’ – favours rawness and immediacy over explanation and context  

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The BBC’s self-parodying show goes too far – in the direction of complacency, complicity and all-round smugness. But comedy can be a remarkable force for exposing the flaws of the society from which it springs  

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When David Cameron presented Li Keqiang with a ‘Downton Abbey’ shooting script recently, the gesture was fraught with subtext. But what should a post-imperial premier give to his rising-power counterpart? Peter Aspden has some suggestions. . .  

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As Arts Council England announces its latest round of funding, FT arts editor Jan Dalley reflects on what the language of “investment” means for the art of our time.  

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As the Imperial War Museum unveils a £40 million refurbishment, Ludovic Hunter-Tilney reflects on the ubiquity of violence in popular culture.  

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Dolly Parton, Judi Dench, Louise Bourgeois. . . in recent years, women in all branches of the arts have enjoyed major career successes in their 60s, 70s, 80s and beyond. But what’s behind this phenomenon? The FT’s arts editor has some suggestions.  

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On holiday in Greece, the FT’s arts writer travels to some out-of-the-way ancient sites and wonders whether they still hold lessons for 21st-century visitors – or are just another aspect of vacation kitsch  

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As London's National Gallery prepares to open a blockbuster exhibition of the artist's late works, art historian Bendor Grosvenor looks at the chaotic world of Rembrandt connoisseurship.  

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Galleries display only a fraction of the works in their collections. Art historian Bendor Grosvenor says it’s time they faced down their conservation departments and liberated their hidden masterpieces  

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As pop star Swift, 24, takes a stand against Spotify and dancer Guillem, 49, announces her retirement, Peter Aspden reflects on two very different divas  

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'Ambition', by the award-winning author Helen Simpson, is read by Christopher Villiers.  

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Greek culture taught the rest of us how to live ‑ and it’s not time to write off that particular debt yet, says Peter Aspden  

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In the first of a new series, David Cheal looks at the song covered by artists from Brenda Lee to Elvis Presley, Willie Nelson to the Pet Shop Boys Credits: Sony Music Entertainment, EMI, Sony BMG  

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From recordings by Memphis Minnie and Led Zeppelin to sampling by Dr Dre, Eminem and Massive Attack, David Cheal traces the various incarnations of ‘When the Levee Breaks’. Credits: Columbia, Atlantic, The Chronic Interscope  

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David Cheal tells the tale of the Burt Bacharach penned classic 'I Just Don’t Know What to Do With Myself', from the 1964 soul of Dusty Springfield to its 2001 raw-rock treatment by The White Stripes. Credits: Philips, Stiff, Elephant  

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Ludovic Hunter-Tilney looks back 50 years to the time of the British Invasion and Petula Clark's evocation of Anglo-Americana. Credit: Sanctuary Records/BMG; Universal  

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From heartfelt but humble song to all-conquering power ballad, Peter Aspden tells the ultimately tragic story of 'Without You'  

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Peter Aspden on 'A Whiter Shade of Pale', the melancholy 1967 Procol Harum song whose melody was 'sparked by Bach' and which set off a legal battle that went all the way to the House of Lords. Credits: ANM, AP Music, DLG Digital, Demon Music Group  

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The Specials' 'Ghost Town' became the soundtrack to the 1981 Brixton riots. Thirty years on, its message of disaffection remains relevant, says David Honigmann. Credits: Chrysalis Records Ltd, Hyperdub, Tru Thoughts.  

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Herbie Hancock's soul jazz classic 'Watermelon Man' originally drew on his 1940s Chicago childhood but went on to be given funk, disco, ska, pop and hip-hop makeovers, says Mike Hobart. Credits: Roslin Records, Columbia/Legacy, Salt & Pepper, History Of RnB Records  

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A Motown classic and Beatles favourite that went on to become perhaps the first postmodern pop song: David Cheal on the many lives of 'Money (That's What I Want)'. Credits: Motown Records Inc., EMI, Simitar.  

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David Cheal explores how Lou Reed got prostitution, transvestism, oral sex and drugs past the BBC commisariat with a group of white English 'coloured girls'. Credits: RCA/Legacy, Spectralite, Sony BMG Music Entertainment  

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A new short story for the holidays, from the winner of the 2013 Man Booker International Prize. The reader is Christine Spolar  

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Which song links a Haile Selassie UN speech with a Bob Marley vamp and the moment Sinead O’Connor was booed by 20,000 Bob Dylan fans? David Honigmann discusses “War”. Credit: Sony Legacy, 1992 Island Records, Rastafari Records, Keltia Musique  

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Blind Willie Johnson's gospelly, moaning adaptation of an 18th-century hymn might have seemed an odd choice for the disc of music attached to Voyager 1 in 1977. But artists from Ry Cooder to Jack White have been drawn to its ethereal power. Credit: Legacy/Columbia, Warner Bros., Alligator Records  

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David Cheal discovers how this hymn to friendship eventually came to divide its creators Simon and Garfunkel, but went on to inspire more than 200 cover versions. Credit: Columbia, RCA, Legacy, Atlantic Records.  

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Before "Everything I Own" became a reggae classic, it was an ode to paternal love by Bread's David Gates. Ian McCann traces the history of one of the 1970's greatest romantic ballads. Credit: Rhino, Parlaphone UK, Sanctuary, Atlantic Records  

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Miles Davis' "So What" is one of the most famous compositions in jazz. Ian McCann explores its many incarnations, from Ronny Jordan's funk hit to Smiley Culture's musings on racial unrest. Credit: Not Now Music, Columbia/Legacy, Universal-Island Records, Universal.  

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Written for The Shirelles in 1960, Carole King and Gerry Goffin's song nailed the insecurities of a new generation of women. Helen Brown looks at a classic of the female singer-songwriter canon

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What drew jazz musicians like Miles Davis and Chet Baker to a twinkly tune from Disney's 'Snow White'? And what became of the child star who first sang it? Lilian Pizzichini traces its history  

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Originally sung by slaves, the spiritual became a jazz and blues hit in the 1960s, with a cover by the British blues-rock musician Graham Bond. Credits: Repertoire Records, Isis, Edition Ahorn, UMC  

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The origin of Deep Purple's 1971 hit is almost as famous as its instantly recognisable guitar riff. Credits: Parlophone UK, Thompson Music P/L  

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Gene Wilder died Listening to Ella Fitzgerald’s cover, but it was Judy Garland who brought “Over the Rainbow” to fame. Credits: Spectra Records, Warner Bros, Blackbird, Documents 2  

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It's been the theme tune for the BBC's review series 'Film' since 1971, but Nina Simone's cover turned it into a civil rights anthem. Credits: Universal, Eagle Records, Rhino Atlantic, Decca  

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Buddy Holly's 1958 London performance of the song inspired the young Mick Jagger to form his own band. Credits: Universal, Not Now Music  

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This 1853 Christmas Carol, set to the melody of a 13th-century Nordic Hymn, has since fallen into the hands of Joan Baez, Tom Jones and Ritchie Blackmore of Deep Purple.  

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David Honigmann follows Led Zeppelin's 'Stairway' from its origins in a Welsh cottage to 'Wayne's World', the White House and bedrooms everywhere  

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Ian McCann charts the transformation of UB40’s number one hit, from Neil Diamond’s country ballad to iconic reggae ditty. Credits: Virgin Records, Universal Music International Ltda, Sanctuary, Capitol Records, Authentic Jamaican Music, K-Licious Music  

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Paul Anka originally wrote the song for, and in the persona of, Frank Sinatra, claiming he'd "never written something so chauvinistic, narcissistic, in-your-face and grandiose."  

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David Cheal traces the song's journey from a forgotten 1950s melodrama to an enduring love ballad covered by Nina Simone, David Bowie and George Michael. Credits: Old Style, Blooming Jazz Records, Rhino/Warner Bros., Parlophone UK, One Little Indian Ltd, Lakeshore Records, Sony Music Entertainment UK Ltd.  

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It achieved distinction in an era of elemental riffs, and journeyed effortlessly to and fro across the Atlantic. It also marked a turning point in the career of the greatest guitarist who ever lived: Jimi Hendrix. FT pop writers Peter Aspden and David Cheal discuss "Wild Thing" 50 years after Hendrix's groundbreaking performance at the Monterey Pop festival.  

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In a special episode to mark the publication of The Life of a Song book, FT pop critics Helen Brown, David Cheal and Ludovic Hunter-Tilney debate whether a song can really change the world. Hear the stories behind the hits, from Bowie's 'Starman' to Jay-Z's 'Hard Knock Life (Ghetto Anthem)'.  

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When "Wuthering Heights" was released 40 years ago this year, it became the first song written and performed by a woman to reach number one in the UK charts. What was the song's — and Bush's — special appeal? Why have there been more parodies than straight covers? And why is it so popular now, with re-enactments of the music video taking place around the world? FT music writers Jude Rogers, Helen Brown and David Cheal discuss the song and its afterlife.

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From the unstoppable rise of hip-hop to the 'millennial whoop', what does today's new music sound like? And how has social media changed the relationship between artists and fans?

Harriet Fitch Little, India Ross and Griselda Murray Brown discuss Drake, Cardi B and DJ Khaled - in particular 'Wild Thoughts' ft. Rihanna and Bryson Tiller from 2017, which leans heavily on the melody and mood of Santana's 1999 hit 'Maria Maria', the coming-of-age soundtrack for the oldest cohort of millennials. 

Warning: this podcast contains a live 'millennial whoop'.

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Fears over health systems prompt states to take early preventive measures