Captain Michael Clarke (left) listens as Bill Lawry speaks to the Australian team before the Melbourne Test v Sri Lanka on December 26, 2012. Pic/Getty Images

Bill Lawry has called time on his fulfilling 40-year career as a television commentator with Channel Nine. His retirement is a loss and no commentator can utter 'it's all happening' as excitingly as the former Australian captain. Lawry, 81, (nicknamed Phanto for his love for Phantom comics) decided he had enough of commentary when his employers lost the bid to cover cricket Down Under. Lawry enjoyed every moment of his commentary years. He was grateful for the opportunity Kerry Packer gave him in 1977, six years after retiring from first-class cricket.

Cricket destiny was not so kind to Lawry during the 1970-71 Ashes. Selectors Sir Don Bradman, Neil Harvey and Sam Loxton dumped him despite his 324 runs in five Tests at an average of 40.50. The illustrious ones who wielded the axe didn't feel obliged to inform him. When Lawry tried to meet one of them before flying out of Adelaide on the morning after the sixth Test, he discovered the selectors had already checked out for home. He then headed to the room of his fellow Victorians Ian Redpath and Keith Stackpole who delivered the news of his sacking.

He took it on his chin, headed home to Melbourne and put behind his disappointment in the company of the pigeons he reared as a hobby. Lawry scored 5,234 runs in 67 Tests at 47.15. As a batsman, he could be obdurate and adhesive, but his supporters didn't see that as a negative. Ian Wooldridge, the famous British sports writer, apparently called Lawry, A Corpse With Pads On. Lawry defended Wooldridge in an interview, saying a sub-editor used those words in a headline for one of Wooldridge's pieces. "I always regarded Wooldridge as a tremendous writer. I have always had a good relationship with him," Lawry said in Why Cricket Matters.

Richie Benaud, his first captain, often recalled Lawry's courageous 130 on a difficult, uneven pitch at Lord's in 1961 when England pacemen Fred Trueman and Brian Statham rendered the opener "black and blue" with their body blows. The 1962 edition of Wisden Cricketers' Almanack projected his bravado aptly: "Lawry was Australia's spinal column in the second Test at Lord's. This was an indomitable effort of sheer graft under severe pressure with the ball flying about and he was tenacious, painstaking and wonderfully cool."

On the 1964-65 tour of the West Indies, danger came in the form of the swift Wes Hall and Charlie Griffith, who damaged Lawry's right cheekbone, but couldn't stop him from carving a gritty double century. Lawry had a sweet and sour stint as captain, winning nine of his 25 Tests. His eight losses included four in a row on the dreadful 1969-70 tour of South Africa. For 35 seasons — from 1969-70 to 2004-05 — he enjoyed being the only Australian captain to win a Test series in India.

Despite being on top of MAK Pataudi's 1969-70 side, Lawry found captaincy hard in India. His team were not granted current-day luxuries and amenities. Plus, there were a couple of riots. There's an amusing story about the Mumbai Test of that series when fans set a stand on fire at the Brabourne Stadium. The crowd felt the decision to send back S Venkataraghavan (caught behind by Brian Taber off Alan Connolly) was a dubious one. The Australian players feared for their lives and at one point, vice-captain Chappell suggested to skipper Lawry that the team should retreat to the dressing room. In Lawry's mind, there was a Test match to be won, so he said (according to historian Gideon Haigh in The Summer Game), "Hell, we need a wicket badly."

From a personal point of view, it was a disappointing series for Lawry. His 10 trips to the crease could fetch him only one half century and he became unpopular with the media. However, there were no Australian newspaper journalists on tour for him to give his side of the story. Indeed, commentary was his second innings in cricket. He excelled, he entertained, even exaggerated. He got excited to the point of causing amusement to his fellow commentators. When Venkatapathy Raju and Javagal Srinath were running between the wickets in their quest to clinch a close win over the Australians at the Gabba in the 1992 World Cup, Lawry goaded the Indian pair to run like hares. And once, he confessed to saying, "Inzamam-ul-Haq has taken this attack by the throat of the neck."

Lawry was invariably on air when drama made its way into a match. He called many a memorable Indian cricket moment in Australia — Sachin Tendulkar's two Test hundreds on the 1991-92 tour, Sunil Gavaskar's walkout at Melbourne and the victory that followed in 1981. Australian cricket viewing will never be the same without Channel Nine and the new rights holders could regret that they have no one as good as Lawry to scream on air, "What a ripper!"

mid-day's group sports editor Clayton Murzello is a purist with an open stance. He tweets @ClaytonMurzello Send your feedback to mailbag@mid-day.com

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The BMC has claimed to be monsoon-ready this year, but it’s highly unlikely that the city roads will be pothole-free. File Pic

I like waiting for the BMC to issue proclamations of all kinds based on whatever mystical tests it uses instead of science. It will tell us when the rains are expected, for instance, then promptly issue a new date 24 hours before the original one, citing fresh new information that has probably been sent to its meteorologists via WhatsApp. It will talk about how much water will be collected in our lakes and rivers, then revise that figure every three weeks depending on what percentage of water cuts it can announce for free publicity. I suspect a lot of BMC employees spend their days simply dreaming up new statements to issue, because doing this is a lot easier than completing any actual work.

The good news is, it claims to be monsoon-ready this year. Yes, it claimed to be monsoon-ready last year, too, and the year before, and the decade before, but why should that stop it from issuing a new press release about how it is definitely monsoon-ready this year? If it doesn't issue these statements, how is it supposed to justify the thousands of crores that are poured into our streets and mysteriously vanish before touching the asphalt?

This year's statement says that only 522 roads continue to remain dug up in the city. This presumably does not include the street outside your home or mine, or any street you pass over the next week, because finding a street that isn't dug up in Mumbai is almost like finding proof that our ministers have actually been to school. Apparently, completing road repair and renovation work in the city is definitely the target, which isn't surprising because it has been the target since man first set foot on the Moon. I assume this doesn't include the roads that have been torn apart for the Metro, of course, because the chances of them being smooth and pothole-free in your lifetime or mine are a billion to one.

The Andheri-SEEPZ line of the Metro runs just outside Andheri station towards Versova. The street it tore up and demolished over a decade ago has yet to recover. It has turned into an unofficial market, with commuters now long used to the idea of going around in a wide circle in order to hit SV Road. One can't help, but use that as a benchmark when thinking about what the city will look like when the current Metro projects are finally complete, a century from now.

Our civic body - I use those words loosely, of course - has reportedly prepared a plan of completing work on 1,106 roads in several categories during the financial year 2018-19, with roads classifieds into categories of project roads, priority 2 and priority 3 roads. This must have taken them a few months, because everyone knows how important the task of naming plans or renaming roads is, and how these discussions can go on late into the afternoon. Project roads are easy to spot because they exist in various states of disrepair all around us, but it's hard to figure out the difference between priority 2 and priority 3 roads. In a city that is home to millions of commuters an hour, one would assume all roads are a priority, but that is clearly not the case.

Project roads are also supposed to undergo complete reconstruction, which is BMC-speak for 'we are going to tear them down and start again, and use your taxes to do it a few more times'. The statement didn't just talk about the future though; it also claimed that work on 879 roads was completed by the end of April. Chew on that when you dislocate your shoulder in a rickshaw on your next trip.

I'm pretty sure the fault lies with us. We are the ones who prevent the BMC from focusing on more important things like memorial plaques and compel it to waste valuable time and money on insignificant issues like pothole-free, monsoon-ready roads. If you care about your city and respect the BMC, you should do the right thing and avoid the roads. Work online instead of at an office, chat with friends and relatives via video calls, and educate your children with the help of YouTube videos. Don't use roads until the pesky monsoons are over. Stay at home instead.

When he isn't ranting about all things Mumbai, Lindsay Pereira can be almost sweet. He tweets @lindsaypereira Send your feedback to mailbag@mid-day.com

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It was being said that the Karnataka Assembly polls should be able to shape the political discourse of the time to come, with an eye on next year's general elections. Things are headed that way, thanks to a secondary role that the Indian National Congress has decided to play in a game that would have regional parties as dominant stakeholders. The reactions that Karnataka's high drama has evoked from the ruling regional parties and others that are poised to throw a challenge to the BJP were more like war cries.

The BJP isn't naïve to ignore what lies ahead and it should be seen changing its strategy as it faces newer challenges. We should not be surprised if BJP works overtime on dividing the outfits that the Congress wants to gather under one umbrella with the sole target of stopping BJP in its strides. The war cries we have been hearing from the foes of BJP mean a single agenda, but without a unified command centre they cannot turn it into action on all fronts where the BJP needs to be defeated. It is still a grey area for the opposition that the BJP should seek advantage from.

Regional rationale
High on ambitions, the regional parties in some states have their own calculations, permutations and combinations that have little space for the Congress, which will have to work elsewhere to emerge as the first or the second largest party at the Centre. The Congress think-tank seems to have done a reality check. After Gujarat, where it fought BJP in a straight fight and hurled a stunner that almost unseated the ruling party, it missed out on retaining power on its own in Karnataka. But it performed exceedingly well outside legislature. It learned from past mistakes and took every cue from BJP's moves. It made the right noises in the people's court and also in the highest judicial offices of the country. It was pleasant to see the Congress leaders, who are also the party's legal experts, shed their infamous arrogance, as they spoke their minds at media conferences and argued in the courts.Little wonder then, the Congress does not seem to be pushing its president Rahul Gandhi as a torch-bearer for all opposition, unless supported by the number of elected representatives.

A decision to give JD (S) the chief minister's post in Karnataka should be seen as a part of strategy that serves many purposes. It gives out a message that the Congress will make sacrifices to strengthen a mission 'say-no-to-Modi-BJP'. It embraced a post-poll partner, and it said unlike BJP (or the Congress of the past that had pulled out support to Deve Gowda's Union government), it wouldn't eliminate a friend in need.
Regionals such as Shiv Sena, BSP, SP, TRS, Trinamool Congress, TDP, RJD and other outfits have welcomed the development in Karnataka, especially the Congress' fightback in ensuring that BJP's CM steps down and JD (S) chief HD Kumaraswamy gets to run the government, as promised on the election results day.
The anti-Modi gang sees it as a positive and mature decision from the Congress, which acted with a flexibility and quickness it rarely showed in the past, in the decision-making process of the Karnataka episode.

Testing times for BJP
The BJP expects the new-found love between the Congress and JD (S) to vanish soon. It says there will be Assembly polls in Karnataka very soon and it will win, this time, with a thumping majority. If it happens or not in the southern state, the BJP will now have to keep its flag flying in three of its citadels — Madhya Pradesh, Chhattisgarh and Rajasthan, where regional parties don't matter much, but may have an influence here and there. As has been in the past three decades, it should be a one-on-one fight between the Congress and BJP. These states will also fairly indicate where the two parties stand ahead of Lok Sabha polls. MP sends 29 MPs, Chhattisgarh has 11 and Rajasthan 25.

Going by the voting pattern of the Assembly in Karnakata, a unified opposition should at least win 22-23 of 28 Lok Sabha seats in the state. By-polls in Uttar Pradesh have established that the united opposition, mainly the regionals SP and BSP, should be able to reduce BJP considerably in a state that sends highest number of 80 MPs.
Second in the line after UP is Maharashtra, where the Assembly polls are held six months after the general polls (48 MPs) and it usually sees an impact of previous polls on formation of a state government. Yet, we may have some 'trend learning' in the offing when Palghar and Bhandara-Gondia go to the Lok Sabha by-poll on May 28.

Dharmendra Jore is political editor, mid-day. He tweets @dharmendrajore Send your feedback to mailbag@mid-day.com

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We were sufficiently chuffed after having spent some quality time with the affable, gentle Periyappa, the resident wise old doggie in the Kings Circle neighbourhood, and had retreated towards our other favourite pastime along its pavements — secondhand book-shopping.

The area holds a special space for yours truly — a Ruiaite. As a collegian, it offered an inviting mix of south Indian fare, from enterprising roadside kiosks to cafés that ran on autopilot; mind you, each of them ensured that no matter what budget you were staring at; you never went hungry when the urge cropped up just before that boring afternoon lecture. And then, there were those saviours from the pre-mega bookstore era — the secondhand pavement bookwallahs. From a mindboggling range of titles to the delightful haggling [we learnt our first lessons in bargaining here]; these booksellers were responsible for some pretty good deals that landed up in our bookshelf at home.

Interestingly, when we sat down yesterday to plan out this column, the Google doodle also helped a bit; it jogged our memory to an important nugget from back then. The doodle was to celebrate the birth of the world's first atlas created by Flemish cartographer Abraham Ortelius. Some of our first intriguing journeys into the world of maps was courtesy these secondhand booksellers whose drop dead pricing made it tough to resist the map-crazy collegian in a time where finding an atlas of hand drawn maps from the late 1800s was worth its weight in gold.

Fast forward to the present. We met with architect, photographer, archivist and collector Robert D Stephens a week before his ongoing exhibition at a swish SoBo gallery. Robert, an American who swears by his local train commute, is as 'Bombay' as it gets. And his love affair extends to his endless search for books about the city from every decade and century. Many of his finds are now part of the exhibition, themed on guidebooks that were written for tourists and city folk. As we ogled at the 'loot' that he displayed for sneak peek, the glee in his eyes [and understandably so] was akin to a pirate who had brought his treasures to the safety of dry land.

"My go-to guys are the booksellers along Fort's pavements," he shared with us, adding how over the years, this faithful bunch has ensured that buying books remains a sub-culture and part of the landscape in and around this buzzing commercial district. While their numbers have dwindled and business continues to get affected [thanks to the ongoing project to 'upgrade' the city], loyalists still throng these parts. Just like the vendors of Kings Circle, they too know that time, and many other factors might not be on their side, and with the sweeping hold of the internet, they could be staring at the dark end of the tunnel.

Yet, the optimist in us finds it reassuring when we learn how almost an entire exhibition could have been sourced not from a brick-and-mortar institution or buys off e-stores but from the neighbourhood bookseller.So, in case you haven't till now, make a trip to check out one of these silent superheroes, find our favourite read, engage in some friendly bargaining, Bombay-style, and take home that rare find. It will be well worth it, take our word.

mid-day's Features Editor Fiona Fernandez relishes the city's sights, sounds, smells and stones...wherever the ink and the inclination takes her. She tweets @bombayana Send your feedback to mailbag@mid-day.com

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Mayor Vishwanath Mahadeshwar, the first citizen of Mumbai, recently visited Metro III construction sites, and a front-page report in this paper has already highlighted how he blamed the wrong agency (Mumbai Metropolitan Region Development Authority rather than the Mumbai Metro Rail Corporation) for the possibility of flooding in the city.

While that was one aspect of the mayor's tour, it was his answer to our reporter's question about his view about the Metro work, that is cause for concern. The mayor said that although the BMC is the main planning authority of the city, the Metro authorities did not take permission from them before starting the Metro 3 work. They allegedly did not even take the civic body into confidence before beginning the project.

The mayor's answer was especially disturbing, considering the damage caused by the work to BMC's stormwater drains and sewerage lines. Because of this, there will be flooding if there is a rainfall of more than 300 mm. The state government will be responsible for the same, said the mayor.

Citizens are tired of the blame game that seems to have ensued even before the monsoon. They do not care which agency has done what, they only want to see that there is no major flooding this monsoon. If there is, the authorities need to work swiftly to ensure it is dealt with. Other service arms have to work to ensure the city does not go off the rails.

Every authority must be geared to if not prevent, then at least combat, all the challenges that the monsoon is sure to bring with it. We want to hear and see actions that reassure the public, rather than discouraging finger-pointing and statements loaded with ominous portent.

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The most erudite can be swayed by numbers alone. Representation pic

The only reason a semi-circle of well-connected writers, and well-paid editors seemed to loathe Chetan Bhagat so vehemently is because he is so widely read, perhaps even loved, and they aren't, I (rightly) thought — standing in the periphery of that semi-circle at a literary fest after-party, over half a decade ago. With that bitchy conversation over-valuing Bhagat's national impact going nowhere, I stepped out to grab a drink.

Bhagat was at the corner of the bar at Indigo, where a big-shot industrialist, now I forget if it was Anand Mahindra or Ness Wadia (and that's not even the point), somberly walked up to him to check on what's going on in Indian politics. His vishesh tippani followed. Now, where to go?

The most erudite can be swayed by numbers alone, in this case the number of Bhagat's English young-lit readers. Do these numbers always signify democracy? It could produce the opposite effect. Let's look at politics in a bit, but we do know a little about mass news, entertainment, although it's hard to tell one from the other.

They're crafted around second-guessing audience's supposed tastes, often where one thing works, automatically everybody else follows, and therefore an entire industry, over time, step by step, splicing out everything that doesn't fit into the larger, determined hole, produces a mainstream media that looks the same —across. Pick up the most popular radio, television stations, websites, newspapers, or even movies (creating stars, or special effects), and you'll know. One size must fit all. Your circus, my monkeys. It's a numbers' game. And numbers can be gamed.

Is politics that aims for more complicated arithmetic, and much larger audiences, another field that defies free-market, with greater competition only inhibiting choice, and progressively screwing up quality? Survey the national scene. Examine its broad product categories that, weeding out the highest common multiple over time, every political party has conveniently fit into, in order to appeal to the lowest common denominator: Nehru/Gandhi, Sangh, Ambedkar, Lohia, Left (and those opposing them, of course). Grand promises of abolishing poverty (1971), 'acche din' (2014) etc, although well-meaning, are merely side-shows, and tag-lines.

Every politician, ideally, must check one or the other box, holding uniformly same and sometimes inter-changeable opinions on a variety of complex issues. That's what you need/scream to lord over vast public resources/institutions. Target in place. Hit-job ordered. Distraction complete. Groups vote en masse. Design is set.

Educational qualifications, past experience, passing tough exams/interviews that test competence, are for minions entrusted with growing/protecting a small company's pocket change. If you're part of none of the above cult groups, the newbie Aam Aadmi Party, for instance, you do appear like an "anarchist". It's easy to be portrayed as one. This is basically show-business, albeit of relatively not such good-looking people.

How did we get here? Because Ambedkar, the father of Indian Constitution, said we would. If, for one, he ironically stated, we fell prey to 'personality cults', or quoting John Stuart Mill, "lay liberties at the feet of even a great man, trusting him with powers, which enable him to subvert institutions." Two, if political democracy did not follow actual social democracy on the ground (unqualified liberty, equality, fraternity, for all). It didn't. So where do the regular folk stand? Between a rock, and a hard place. But you must pick a side. It makes life simpler.

And you must vote. Have to vote. It's your right. Your privilege. You must vote. This is democracy. They go to vote — for one, or perhaps, against the other. As they did in Karnataka. In a tri-partite fight, the party with the lowest number of seats, steps in to form a government, with the help of the party they fought against. The one with the highest number of seats looks at how they could "poach" from the other two, whose MLAs were locked up! It didn't matter what they fought for, or against.
The popular television anchor with the second highest English news ratings asks the gentleman from the scavenging team how they would manage the numbers. Arrey! He names his captain; and winks, pretty much. They both laugh out loud, in public, on TV, simultaneously. This is supposed to be "horse-trading" to form a "stable" government.

The highest read Indian English writer, Bhagat, weighs in with a pragmatic tweet, that must be seen as our form of public intellectualism — calling horse-trading an "art form". Yes, the election is over. Another will follow. The voter looks puzzled. Or maybe doesn't. Now let's just frickin' move on, right. No, you wanna question this? Oh.

Mayank Shekhar attempts to make sense of mass culture. He tweets @mayankw14 Send your feedback to mailbag@mid-day.com

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Two years ago, Jaidwaj Malhotra was running a Google search for a motor for his model airplane when he instead started reading about drones and how to build them. He was immediately taken in by the little object that could fly at 120 km per hour. Today, the 18-year-old is working for an organisation, helping them design surveillance drones for the Indian Army.

Malhotra is part of a tight-knit community of young drone racers in the city that came into being around the time the Indian Drone Racing League (IDRL) was founded by Karan Kamdar in 2016. Over the past two years, the field has gained a sizeable traction with IDRL having 875 pilots registered with them from all over India. The pursuit is expensive.

Building a drone can cost as much as '40,000, and the not-so-cheap batteries must be replaced every three months. The police continues to remain suspicious of fliers. However, for these pumped up youngsters, no obstacle is too big. Even with the odds stacked against them, they are finding ways to let their dreams fly.

'Burnt the circuit board while building my first drone'
Jaidwaj Malhotra, 18

His father being into aero-modelling, Juhu resident Jaidwaj Malhotra has always had a fascination for flying objects. Two years ago he participated in an aeromodelling competition held by Boeing, at the IIT TechFest. Around the same time, he came across the drone, or the "quadcopter". "If you want to fly a drone, it is important that you build it as well. You need to understand the mechanics, to ensure best control. And, in case of trouble, you must know how to fix it in a second," Malhotra says. Like Nayak, he too is a self-taught drone-maker, who got all his knowledge from the Internet.

Jaidwaj Malhotra. Pic/Satej Shinde

"My first attempt was not successful. I burnt the circuit board. But, you live and learn," says the first-year mechanical engineering student. He spread the word on his drone-making abilities on social media and soon people began to approach him. "That's how I got roped in by a startup to design UAVs (Unmanned Aerial Vehicle) for the Army." When he doesn't have exams, he practises six hours a day on a track that he builds himself, on the Jamnabai School Grounds. "A racing track comprises elements like gates, flags and cones that act as obstacles. I practise on one track, then change it completely and practise again."

One Race I want to participate in: World Drone Prix

'I am the first pilot to register from the country'
Siddharth Nayak, 26

Employed in the construction sector, Nayak is currently neck-deep into the Mumbai Metro project. It's only in the weekends that he manages to fly. "Sometimes, it's not even that, as there are working Sundays too," he tells us. Nayak, who grew up in Nala Sopara and got a degree in instrumentation engineering from a Vasai's Vartak college, has always been keen on robotics. "But, that was mostly stuff on land; I had a craze for flying."

Siddharth Nayak. Pic/Datta Kumbhar

Randomly stumbling upon a drone-racing video on YouTube in 2016 was a deciding moment for him. Nayak, of course, had no experience in drones up until that point. He went through several tutorials online and managed to build his first drone. "I tried it out in the dried salt pans in Vasai, where there were no people. It went up till about 30 feet," he says, speaking of his test run.

The height is not the point of importance in drone racing, where they race not more than seven feet above the ground. "It's precision and control that counts, because you're flying at 120 kmph. It's a lot tougher to control drones at a lower height." Nayak had his first race in IIT Gandhinagar in 2016 and his latest victory was last month at Smaaash, besides three races in Kochi and Pilani. "I had once quit my job to do this professionally, but that didn't work," he says with a smile. Nayak's next aim is to represent an organisation as a drone racer. "My dream is to represent India as a drone racer in an international league, someday."

One Race I want to participate in: Drone Champion League

'I sold my first drone to build my second one'
Himadri Roy, 21

When he was in Std X, Himadri Roy asked his father for money to build his first drone. "I had done my research. I showed him the outline of my plan, which I had developed after going through hundreds of tutorials and blogs. When he saw that I was not talking out of thin air, he agreed," says Roy. The first drone that he built had a larger frame and was heavy. It took him over a month to finish, with help from his father. "Now, I can build it in a week." In the years that followed, he upgraded his machine. "I learnt about more sophisticated methods online and then I sold my first drone to a friend who is an engineer, and used that money to build my second one. This one is a racing drone. It's smaller, faster and more agile." Roy, who was a member of an online forum called Remote Controlled India, came across IDRL on it. He got invited to his first race in Gandhinagar in 2016. "I did a few laps and crashed. It's crucial to keep your mind steady in this race. If you worry you'll crash, you will. I have become calmer now."

Himadri Roy. Pic/Sneha Kharabe

He uses the same calm to deal with authorities when they come in the way. "The laws regarding droning are not clear in India. So, the police continues to stop us. Last week, a police vehicle followed me while I was flying. When something like that happens, I try to explain that it is a sport. I also let them watch the video feed that has recorded what the drone has seen, so they know that we are anything but troublemakers." Currently, he is employing his drone knowledge in his fourth year project. "We are trying to develop drones that can be used for industry surveillance, to identify defects in mobile towers, in particular," he says.

One Race I want to participate in: Smaaash Drone Race at Gateway of India

Tight jackets and tunics in diaphanous materials replaced the more pragmatic, flowing qabas, Jahangir did not marry anyone after Noor Jahan, Women wore jamas of fine muslin, so sought-after that they were named running water and night dew. Pics/Courtesy Aleph

While we all remember the story of 16th century Timurid warrior and scholar Babur's arduous journey from Kabul to Punjab, from where he waged war on Delhi to become the first Emperor of the Mughal dynasty, little is known of the wives, sisters, daughters and aunts, who travelled with him, and helped him establish his empire in the Indian sub-continent.

A new book by Gurgaon-based author Ira Mukhoty, Daughters of the Sun (Aleph Book Company), is a first-of-its-kind attempt to chronicle the role of the women in building the empire, and whose stories have suffered the neglect of both, history and memory. "Women, in general, are a misremembered group in history," says Mukhoty, in an email interview. "Their achievements are constantly ignored or diminished in favour of the histories of men. For the Mughals, it is further complicated by the fact that a lot of the works are in Persian, a language that is seriously out of favour in India. There is a Persian document called the Pilgrims' Confidant, about the Haj pilgrim to Mecca, sponsored by Aurangzeb's daughter Zeb-un Nisa. I tried very hard to have the document translated into English, but was unable to. This is a beautifully illustrated manuscript, which may have interesting references to its imperial patron. The original document is, moreover, in a collection abroad, as are many Mughal documents following the great plunder by the British. So there are many layers obscuring the legacy of the Mughal women; language, despoliation and disinterest," she adds.

Ira Mukhoty

For Mukhoty, the idea of researching this book came to her when she stumbled on the story of Jahanara Begum, daughter of Emperor Shah Jahan, who reigned from 1628 to 1658. "The over-arching scope of her ambition, so clearly spelt out in all her works, took my breath away. At a time when even globally women were expected to live lives of quiet submission, Jahanara blazed such a fiery trail. And yet we really don't remember the extent of her achievements at all," she says.

The book is split into three parts. The first discusses the peripatetic queens, who travelled from Persia to Hindustan, and includes Khanzada Begum, Babur's elder sister, and his wife Dildar Begum, among others. The next talks of the wives during the imperial splendour. Here, Jahangir's wife Mehr-un-Nisa Begum alias Noor Jahan and Mumtaz Mahal — Shah Jahan's wife — find mention. The last section of the book takes us into the waning years of the Mughal empire, fraught with greed and overreaching ambition. The story of Jahanara Begum, the beloved eldest, unmarried daughter of Shah Jahan stands out here.

An interesting source for Mukhoty's book was Gulbadan Begum's Humayun-nama. Gulbadan was sister to Humayun and daughter to Babur, who arrived in Hindustan at the age of five. "She was asked many decades later by her grandnephew, Akbar, to write a biography of Babur and Humayun," Mukhoty writes in the book. "Gulbadan's account is a fascinating insight into the households of Babur and Humayun as seen by an insider. Her writing is forthright, frank and rambunctious," says Mukhoty. "It is her lack of a self-conscious eye on posterity, which made her account so invaluable. She gives us details which help us imagine a living, breathing space instead of a splendid, but unknowable place which the male biographers wrote about. Male historians of that time wrote in grave and obscure prose, about battles and ancestors. Gulbadan wrote about Humayun's opium habit and his relationship with one of his feisty wives," says the writer.

Among the Mughal women, whom Mukhoty has most affection for is Khanzada Begum, who at 65, rode on horseback through 750 km of icy passes to parley on behalf of her nephew, Humayun. "This fearless and indomitable lady made sacrifices all her life for the legacy of her younger brother Babur, and for the future of her family. She was constantly sent as peace ambassador to warring brothers and travelled endless miles through icy terrain on horseback. She wept upon seeing the infant Akbar, because he reminded her of her long dead 'baby' brother Babur. This gives us such a different insight into Babur too, no longer the marauding foreigner of legend but a dearly beloved and mourned brother," she says.

Mukhoty, however, finds Mumtaz Mahal to be the most voiceless of the lot she researched about — the irony being that she was also the most famous. "I think the Taj Mahal, and the 20th century construct of an 'exclusive love' that it generated is definitely the reason Mumtaz Mahal is viewed with affection by so many. But she left no writings, no substantial buildings, no clear evocation of an ambition. She was busy raising 14 children in 19 years, travelling the length and breadth of the country with her restless husband. She will forever be hidden by the splendour of the Taj Mahal."

Also Read: Mughal-Era Artefacts Seized From Antique Smuggler's Secret SoBo Godown

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Vishnudas Bhave. Pic/Premji Sosa

The next time you book your tickets for a play, think of this name: Vishnudas Bhave. An important figure in the history of Indian theatre, Bhave is best known for his pioneering work in the mid-1800s. Born in Sangli, Bhave arrived in Mumbai in 1852, only to change the face of not just Marathi theatre, but the whole infrastructure surrounding the industry. "He didn't invent theatre, but he certainly innovated it," says historian and researcher Murali Ranganathan.

Bhave will form the core of a talk on the modernisation of theatre in Mumbai that Ranganathan will deliver this Friday as part of arts and science conversation platform, Mumbai Local's first curated session by playwright Ramu Ramanathan. For over a decade, Ranganathan has been extensively researching the history and development of the entertainment industry in Mumbai, and this session is a leaf borrowed from the pages of his larger project. He says, "Bhave looked at the theatre infrastructure available in then-Bombay. He decided that, instead of staging plays in the backyards of the rich or through building temporary sheds, where people could just walk in, he could change the non-ticketed scene to actually charging for plays at Grant Road Theatre."

Interiors of Grant Road theatre. Pic/Drama Queens Representation purposes

The Bhave-fication of theatre in Mumbai also meant that people wanted value for money. Before Bhave's arrival, says Ranganathan, instead of tickets, an aarti plate was passed around at the end of a show, on which people would place a patron sum voluntarily. "Buying a ticket meant that audiences expected more from plays. Hence from semi-religious plots, the plays shifted to pure entertainment," he explains. A byproduct of this entertainment factor was the introduction of the genre of farce, in which the foibles of the rich and contemporary issues were critiqued through the veil of humour. Bhave and his company staged farces on widow remarriage, children's education, English missionaries, and, oddly, a cautionary tale to raise awareness on a series of murders of children that happened for robbing them of jewellery.

Stating that he is interested in "excavating" libraries with an archaeologist's enthusiasm, Ranganthan's research draws extensively from news archives. The reason is that Bhave's methods paved the path for previews, reviews, and ads, many of which are to be found in these archives. "Mumbai's theatre scene in the 20th century has been well-researched, but the times before that still need more work," says Ranganathan. He adds that his talk will also cover other theatre groups that followed Bhave's suit, a maverick balloonist who drives mass entertainment, and how practices like yoga caught the modern imagination. It all sounds intriguing, and best heard from Ranganathan himself.

Where: Kitab Khana, Somaiya Bhavan, Flora Fountain, Fort
When: May 18, 5.30 PM
Free
Call: 61702276

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Pic Courtesy/Sameer Malhotra

Why am I biking so much? Maybe, because I work only as much as I need to," says actor Satyadeep Misra, who you will remember as Rosie's suitor Johnny from Bombay Velvet and TV series P.O.W. — Bandi Yuddh Ke, where he played a soldier. We are sitting at his Versova home talking about bikes over a glass of gin.

Kemmu and Misra's social media is full of riding clicks, including those taken outside Café Monza in Kharghar, where they ride down on Sundays. Pics/Instagram

The cupboard next to us in the living room, is topped with helmets, which he says will grow in number. If you follow Misra on Instagram, you know that over the last year, he has biked to Uttaranchal, Himachal, Goa, Nepal and Hampi. His biking friends include actor Kunal Kemmu, who will next be seen in Karan Johar's Kalank, and whose social media feed is also full of riding clicks. Some of these see him posing with his bike, and some are taken with Misra outside Café Monza in Kharghar, where they ride down early on most Sunday mornings for breakfast.

Satyadeep Misra

Misra has a Ducati Scrambler, and Kemmu used to have a MV Agusta Brutale 1090 RR, and now has a Ducati Scrambler too. Their retail indulgences include biking jackets, one helmet after another, gloves and of course, biking boots. "After the Uttaranchal trip, riding became a big part of my life. I wake up only thinking of riding. The question on my mind always is 'when is my next biking trip going to be?' I think I work, just so I can ride," says Misra.

Kunal Kemmu

Unlike Misra, who caught the bug last year, Kemmu harboured the dream of biking since school, because he thought it was "cool". "My uncle bought me a bike, but the day it got delivered, I was in college, and my father sent it back," he tells us. "I have always been a rider. But, it's only in the last six months that I have started to enjoy what it's all about. I have made friends with those who ride with me. And I have been getting all this gear that improves the riding experience," says the new father, who is quick to tell us that the one thing wife Soha Ali Khan tells him, is to be careful.

In Robert M Pirsig's Zen and The Art of Motorcycle Maintenance, the author writes, "In a car, you're always in a compartment, and because you're used to it, you don't realise that through that car window everything you see is just more TV. You're a passive observer and it is all moving by you boringly in a frame. On a cycle the frame is gone. You're completely in contact with it all. You're in the scene, not just watching it anymore, and the sense of presence is overwhelming."

When Misra speaks of riding on a bike, he compares the feeling to flying. "If you see my bike, which is an off-roader, it's high up there, and as you are sitting on it, you too are sort of squatting in air. So, when you are cruising along, it does feel like you are flying," he says. When we ask, what he thinks about when he rides, he says, "It's hard to think because you are focussed on the road. All your instincts are tuned to the road, and keeping the bike in control. But as you start doing it more, it gets easier to disconnect and ride. As I said, it's the closest I have come to flying."

For Kemmu, it started off by being about the sound, speed and how the bike looks. But, in recent times, he has felt it become a stress buster. "There are days when you will be stuck in traffic, and feeling baked in all that gear, but then, there will be days where it will be a breeze. The risk factor also adds to the romance. At the end of the day, it's about the relationship between man and machine, and that's priceless."

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Gallery Art & Soul

How often have we heard friends say, "Let's grab a drink?" and the next thing you know, you are headed to Lower Parel? That same enthusiasm, purposefulness, and the promise of an evening well-spent are what art spaces in and around that part of the city are gearing up for this year.

Priyasri Art Gallery

Starting June 29, art lovers can say hello to the Mumbai Midtown Arts Collective (MMAC). An initiative by Anupa Mehta and Rashmi Dhanwani, the MMAC will bring together seven spaces in Worli, Dadar, Byculla and Lower Parel to build upon a format that their counterparts in South Mumbai have cracked over the past few years.

Tao Art Gallery

In this city, artists and visitors mark their calendars for Art Night Thursdays, the second Thursday of every month, when galleries have extended hours instead of their usual closing time of around 6 pm. Similarly, the MMAC will host Art Night Fridays, to be held on the third Friday of the month once every quarter. There will also be Art Sundays, when galleries will remain open, and workshops and sessions will be held in public spaces.

Volte Art Projects

Art Night Thursdays was conceptualised in 2011, along with Mumbai Gallery Weekend, by a group of about eight galleries in South Mumbai. It continues to visibly draw more visitors than what they would have on most other days. To boil it down to basics, it is a mix of two factors — geography and programming.

Piramal Museum of Art + their Byculla gallery

For most Mumbaikars, a weekday visit to South Mumbai, particularly Colaba and Kala Ghoda, where a number of galleries are located, usually means wrapping up early from work, and making at least a 45-minute trip from the suburbs. Art Night Thursdays mean that visitors from Jogeshwari or Mulund can spend more time with exhibitions, walkthroughs and talks.

Anupa Mehta Arts & Advisory

"There is a reason why we are planning for Fridays and not Thursdays. That's the day most professionals working in this part of town will step out and unwind," says Dhanwani, founder of The Art X Company, an arts management consultancy, which will drive MMAC.

Saffronart

There's enough for everyone
Mehta and Dhanwani tell us that the idea to form a central Mumbai collective is not new, and has been on their minds for some time now. And, then, last year, some of the midtown art spaces got a massive push for the first time during Mumbai Gallery Weekend, an outreach programme with a series of art events. Mehta, an arts consultant, who runs Anupa Mehta Arts & Advisory from the studio that earlier used to be a gallery, The Loft, at Lower Parel, could see the difference.

Anupa Mehta and Rashmi Dhanwani

"We had a tea party here, and I expected the regular audience to turn up. Instead, a different crowd dropped by — people who had heard that there was something going on," she says. Lower Parel and Mahalaxmi now have a number of creative clusters, such as indie design studios, today. These areas also house and employ well-travelled aesthetes with disposable incomes.

Dhanwani cites a report by KPMG in India and FICCI (February 2018), titled Visual arts industry in India: Painting the future, which stated that 'a new segment of art buyers in India consists of entrepreneurs, company executives and professionals... An increasing number of young art enthusiasts in their late 20s to early 40s are attending shows at art galleries and festivals, to both participate in workshops as well as buy original artwork.

Pics/Ashish Raje; Map/Deshna Mehta; Imaging/Ravi Jadhav

"Lower Parel has a sizeable presence of such professionals, who are open to different experiences such as catching a comedy or music gig or a new exhibition. Although there is the perceived notion that art is an elite preoccupation, these barriers can be lowered to open arts spaces even further," she says.

Focus on accessibility
In recent years, Lower Parel and its surrounding pincodes have turned into the great corporate heart of the city, drawing thousands through railway networks and SUVs for work and leisure. Mehta says that history always speaks through, as the place that was once devoted to mills, and mill workers. It is reason why accessibility is a key focus of the MMAC — how do you draw the waiting staff from the nearby pub as much as corporate consultants? "We forget that art is the great equaliser, and Lower Parel is a constant reminder that different classes co-exist here," says Dhanwani.

The MMAC, interestingly, is not a homogenous clutch of galleries, but has, under its umbrella, a museum, an arts advisory, an auction house, and galleries that have been around for more than a decade, and those that are fairly new. More are likely to join hands in the near future (check MMAC's Facebook page for more info).

The MMAC, thus, strategically, means more visibility to these spaces, and the recognition of the presence and growth of another art district, co-existing with the one in Colaba. "We are complementing our friends in South Mumbai. We hope that many more area-specific art circles may occur, and cater to local communities," says Mehta. She adds that with galleries showcasing a range of artistic practices, there is a growing audience for all.

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A still from Bioscopewala, featuring Danny Denzongpa in the lead

When we dial up Danny Denzongpa's number on a Friday evening, we are greeted with a faint "hello". The network is choppy, his voice drifts in and out. "I am in a cool place," he says, referring to Sikkim, where the actor is at the moment. His film, Bioscopewala, based on Rabindranath Tagore's renowned story Kabuliwala, is prepping for release, but Denzongpa chooses to stay far from the hustle and bustle of promotion. "I like it here," says the man of few words.

The 70-year-old actor was a little boy when he saw the Balraj Sahni-starrer Kabuliwala (1961). He had also seen the Bengali film earlier, starring Chhabi Biswas. The Sahni film, however, had an impact on him altogether. "I remember our teacher had taken us to see the film and I was howling in the theatre," Denzongpa says. When he first read Tagore's story in school, he made a drawing inspired by it. "There was a man with a pagdi, standing in a hilly backdrop. There was a stream flowing by, and across it, was a little girl." Bioscopewala, he tells us, was originally supposed to star Amitabh Bachchan. "But somehow, that did not materialise. I have always been a huge fan of the film, so, when Sunil (Doshi, producer and co-writer) approached me, I jumped at the chance," he says.

Doing the film was like going back to his college days. "Most of the crew was from my film institute (FTII) — the director, writer, sound designer Resul (Pookutty). I was the senior most among them. I remember when we were shooting in Ladakh, and I would go jogging at early morning, they'd be surprised and tell me 'you're supposed to rest for two days'. But, I am from the hills!" laughs Denzongpa. He also knew his co-actor Geetanjali Thapa, who plays Minnie, well. His other co-actor Tisca Chopra also doubled up as his Afghani tutor. "I had a tutor on sets to correct my diction, but I would always turn to Tisca. She has stayed in Afghanistan for over 10 years and is fluent in the language."

Unlike the original film that was set in the 1940s, Bioscopewala comes forward in time, in the '80s, during the Taliban regime in Afghanistan. Having also wrapped up shooting for the Kangana Ranaut starrer Manikarni: Queen of Jhansi, where he plays an army general who was like a father to the queen, the actor is now enjoying the quiet. He is not Mumbai-bound anytime soon, not even for the premiere of Bioscopewala. "This is the person I am. I'm very shy, I don't party, I stay away from events, I have not had a PR in 45 years. You don't see me talking to the press either, nor I am on television. It's not on purpose. I just don't like attracting attention towards myself." And of course, he's not on social media either. "The only thing I am on is my phone, and that also I forget about at times," he laughs.

Also Read: 7 Memorable Roles Of Danny Denzongpa

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Cousins Ayush, Aryan and Arjun Asher enjoy some quiet book reading time with their friend Rudra Shukla at their Worli residence. Pic/Ashish Raje

Of gods and humans

Author Arshia Sattar is no stranger to mythological retellings. Best known for her English translation of Valmiki's Ramayana, Sattar recently released a new children's collection titled Garuda and the Serpents (Juggernaut Books), which draws from the Puranas, the Mahabharata and the Ramayana to deliver stories that will evoke both wonder and delight. From tales of why the gods and the asuras churned the ocean, to how Vishwamitra and Vasishtha became enemies for life, these marvellous adventures of gods and humans is not to be given a miss. And, with Sattar, who has a PhD in South Asian Languages and Civilizations from the University of Chicago, helming the narrative, these stories, we know, rest in safe hands.

Garuda and the Serpents by Arshia Sattar
Age Group: 10+
Price: Rs 350

A rare friendship

The recently-released graphic novel, Indira (Context, Westland), definitely has a special place in history. The young adult novel, which has been brilliantly executed by writer Devapriya Roy and animation filmmaker and illustrator Priya Kuriyan, begins with the story of Indira Thapa, a Std VI student at a government school, who is given an assignment to write an essay around her namesake. Over the course of a long, hot summer and a curious friendship with an artist who is working on a biography of Gandhi, Thapa gets tangled up in the life and times of the country's only female prime minister Indira Gandhi. Through graphic panels and beautiful prose, Roy and Kuriyan lead us through Gandhi's rich legacy, including her rise during the Bangladesh War (1971) and fall, post the Emergency (1975-77). This one is for teenagers who'd like to revisit history differently.

Indira by Devapriya Roy and Priya Kuriyan
Age Group: 13+
Price: Rs 599

Magic on wheels

Lavanya Karthik's Neel on Wheels (Duckbill) is what we think, should be on every kid's must-read list. The book, illustrated by Habib Al, tells the story of Neel, who is wheelchair bound. But, that's hardly holding him back. Neel's wheelchair transforms itself to fight dragons and monsters and chase away scary creatures of the night. One of the prize winners in the Children First contest — started to create more books featuring children with disabilities as protagonists — this book deals sensitively with his challenges and the lovely relationship between Neel and his younger brother, who regards him with awe and respect.

Neel on Wheels by Lavanya Karthik and Habib Al
Age Group: 5+
Price: Rs 299

Family matters

Sharanya Manivannan's poetry is a sheer delight to read. With The Ammuchi Puchi (Puffin Books), the poet and writer has collaborated with illustrator Nerina Canzi to tell the story of Aditya and Anjali, who love listening to their grandmother's stories. Unfortunately, their lives fall apart on the night their grandmother passes away. Suddenly, her stories seem to lose their meaning. It's only when something magical happens that they feel their grandma is with them, after all. The dreamy illustrations complement the poetic prose, for a poignant story.

The Ammuchi Puchi by Sharanya Manivannan and Nerina Canzi
Age Group: 4-7
Price: Rs 199

Grandma knows best

No summer reading is complete without escaping into the stories by author Ruskin Bond. In his new book, Memories of Hills and Dales (Rupa), Bond's protagonist is an affectionate, brimming-with-stories grandmother, who shares tales of the past with her granddaughter Koki. From a mysterious kiss by a stranger in the dark to schoolboys taking off for a trek to a glacier, an old kite-maker reminiscing about his heydays and a beautiful village girl whose charms a city boy can't resist, this slice-of-life collection — many of which are autobiographical — takes us through the life in the hills and the joys, sorrows and excitement it holds.

Memories of Hills and Dales by Ruskin Bond
Age Group: 8+
Price: Rs 195

Suitcase memories

Nidhi Chanani's heart-warming debut graphic novel, Pashmina (HarperCollins India) weaves a tale about the hardship and self-discovery that is born from juggling two cultures. The story revolves around Priyanka Das, who has many unanswered questions — why did her mother abandon her home in India? What was it like there? And, most importantly, who is her father, and why did her mom leave him behind? Pri's mom avoids all these questions. For Pri, her homeland only exists in her imagination, until she finds a mysterious pashmina tucked away in a forgotten suitcase. When she wraps herself in it, she is transported to a fantasy world more vivid and colourful than anything she could have ever imagined. But to know whether this world is for real, she needs to travel further. For young readers, Chanani creates a world that magical through her prose and illustrations.

Pashmina by Nidhi Chanani
Age Group: 8+
Price: Rs 399

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Pics/Gautam Benegal

The setting of Gautam Benegal's A1 Chiken Sope cartoons is largely familiar to those who get their meat from the local market. The air is thick with down feathers, and dismembered bits of chicken scattered about, with butchers being none too fussy about our sensitive nerves. In Benegal's hands, however, this scene is turned into a humorous commentary of our contemporary socio-political scenario.

A1 Chiken Sope series, where we meet a butcher named Salim Bhai and his rather chatty coop of chicken, has been one of Benegal's longest series. The National Award-winning animation filmmaker and cartoon first invented A1 Chiken Sope in 2006 for the supplement of a newspaper, after a bird flu scare, when people had stopped consuming chicken. The poultry business was evidently suffering. A minister smuggled in a tandoori chicken leg into the Lok Sabha, and started eating it to prove that it was perfectly safe. "I drew a cartoon of a chicken shop where one bird boasts to another, showing the headlines, 'Hey guys check this out, my second cousin, twice removed, made it to the Lok Sabha'," says Benegal, 52. In 2009 A1 Chiken Sope found more takers, the year when Benegal joined Facebook.

Having made nearly a thousand cartoons in this series, he says, "On social media, you can post a rough sketch and it becomes a mass pool of conversation with several people contributing to it, which is not the case with mainstream media," he says. The chicken, or chiken as Salim Bhai's shop terms them, play the role of both the naive public and the court jester. In one cartoon, the chicken bid adieu to their former coop-mate, bundled in a black bag, as Salim Bhai hands it over to a customer. "There goes Sonu... recruited into the militia," says one hen. "The chicken's work is to get slaughtered. They are a captive population, but a large percentage is happy at being kept. There is a person who is their benefactor, and is selling them out. We are all chicken," he says, adding, "There is an existential angle to this. The only way to escape is to stop being chicken," he says.

About 35 of these cartoons will be shown at Chemould Prescott Road, Fort, starting May 25, for 10 days. You may want to pay close attention to Benegal's caricatures, where the strength of these cartoons lies. Rather than state the obvious visually, Benegal thrives on allusions and references. Everything is an open secret. "I draw a lot from the earlier part of the century, when cartoons were couched in symbolism and stylised references. The latter is true in my case — it's like guerrilla warfare. You won't be able to put your finger on it, but everybody knows and everybody smiles about what they are seeing," says the cartoonist, whose first brush with the art was as a 15-year-old with Satyajit Ray's children's magazine, Sandesh.

There is a certain rawness to them, with a lack of standardisation that we may see with daily cartoons in mainstream media. And Benegal is not interested in polishing them up either. His taste in cartoons, for that matter, is very James Thurber, the American cartoonist who was featured regularly in The New Yorker, and the late Abu Abraham, whose worked for several publications, including Punch and The Observer. "We are used to a very gentle form of cartooning in India, be it themes or visuals. I wanted A1 Chiken Sope to be very ad hoc, much like how politics in India is," he says.

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Sanjukta Basu

Delhi-based photographer Sanjukta Basu had an epiphany right before her 39th birthday. "I was introspecting on the years gone by, and realised that although I had achieved much, I didn't think I had reached a 'destination'. It was as if I was lost at sea, and needed direction. But then I decided to embrace the fact that I go where the wind takes me. I was going to be 40, and this was me. I wasn't going to change. That's how my first tattoo took shape in my mind," says Basu, who once practiced law.

And so, her first tattoo was a sailboat, with a wave and birds in flight, with the line "wherever the wind takes me". This was also the time the idea of a project on women with tattoos took shape. Typically, some of them got one to signify something profound, like a break up with a lover or a violent relationship. Others didn't think it needed a reason. "The project is about challenging the stereotype around women with tattoos. They don't get them because they are slutty or hippie, or because they are reckless," she argues.

The photographer, who is on the lookout for new subjects to shoot in Mumbai and Delhi, says, ideally, all women should get in touch with her and tell her their stories. Sunday mid-day got Basu to shares some of her favourites.

Vimala is an aviation professional, and loves wings. Years after she got married to the man she loved, she realised he was addicted to gambling, and draining her of finances. At 48, when she found herself free from the toxic relationship, she got a tattoo — a heart with wings. It was time to fly again.

Parama, Sanjukta's first subject for the Women And Body Art project, is not one person. Within her sits the essence of Kolkata, the city she comes from and loves. The tattoo on her forearm and is an image of Kolkata landmark Victoria Memorial, an angel atop it. It signifies her belief that something good lies in everything she sees.

Archana, a women's rights activist, grew up in a protective, privileged Tamil Brahmin family. While she has grappled with body image issues, she also didn't know that you could be anything else other than a doctor, an engineer or a lawyer. When she went to college, she met women from a variety of backgrounds and, before she knew it, the seeds of female solidarity had been sown. Her first tattoo is a symbol of feminism, and she got it on the day she learnt that feminism in fact, had a symbol.

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Things have not been going well for The Simpsons. Aside from the fact that it became America's longest running scripted TV series last month, having clocked 636 episodes. Last November, Hari Kondabulu, in his documentary The Problem With Apu, drew the world's attention to what Apu really was — a problem. The characterisation of this immigrant convenience store owner who had a PhD and eight children was sharply criticised. Describing Hank Azaria's voice of Apu, Kondabulu said it resembled "a white guy doing an impression of a white guy, making fun of my father".

The world took note, but, the creators of the series decided there was no problem with Apu. In a veiled attack on Kondabolu's film, the "Apu problem" is dismissed as a hazard of being "politically incorrect" in the words of Lisa, in an episode titled No Good Read Goes Unpunished. That, followed by The Simpsons' creator Matt Groening saying that people "love to pretend they are offended", it was a slippery slope for Apu and his makers. And while keyboard crusaders continue to express their ire, Indian-American producer Adi Shankar and John Rhodes, co-founder of a Hollywood screenwriting talent-discovery platform, launched a contest inviting writers to rewrite Apu. The winning script shall be pitched to the The Simpsons' makers. Here are three writers who have been on the job.

'I changed his voice'
Shreyas Manohar, 23, screenwriter

Nagpur born Shreyas Manohar moved to the US three years ago. He just graduated from Columbia university in English and Creative writing. He had also been working on spec scripts for diversity TV programs conducted by CBS and NBC, especially The Simpsons and Veep, when he came across this contest. "I couldn't comprehend how a show of this calibre could address the controversy in such a tone-deaf manner," he says. Priyanka Chopra was not the only one asked in high school in the US why wouldn't she speak like Apu. "One of my closest friends once remarked, 'If you could talk normally, would you?' It was hurtful, but, not surprising." Manohar's Apu in Much Apu About Nothing enrolls in an accent workshop being taught by Peter Sellers, the actor who inspired the character of Apu. The trials that the episode takes Apu through lends him a manner of speaking that's not a lazy caricature. "I changed Apu's voice, so that his actual voice, and not just his accent, is heard," he says.

'He could be more useful'
Forest Kirst, 61, flight instructor

A flight instructor by profession, 61-year-old Forest Kirst started watching the show in the early 90s. His students would carve Apu, Bart, Lisa in aluminum and brass. When Kirst learnt about the contest, he wanted to try his hand in creating a new Apu, because he too had certain reservations. Having travelled extensively in India and Pakistan, Apu's accent did not sit well with him. "It's annoying, but comical. It's a product of how the writers of the show remember accents of convenience store employees in LA." Kirst's Apu in Apu Saves Springfield is a hero. "I feel Apu could be a more useful character. In my story, world leaders and spies are on the hunt for Apu, the hacker. My Apu could use his knowledge in computers to reprogram a nuclear reactor. He could block Trump from tweeting thus saving the US from much embarrassment. But, Apu must remain a comedy character, who calmly runs his store while keeping his brilliance a secret." He points out that everyone on the show is a stereotype. "They are bumbling idiots. I hope people don't think Americans are as dumb and fat as depicted on this show."

'He reminded me of my dad'
Herman Dhaliwal, 25, aspiring filmmaker

Born to immigrant parents, Herman Dhaliwal grew up in Charlottesville. His dad, who passed away in 2015, used to own a convenience store. "Seeing any Indian guy on TV who owned a convenience store, was of course going to remind me of my father. I would say, both Apu and my dad were comically overqualified for the job. My father was also bit of a workaholic, and, like Apu, he was friendly but also stubborn," says Dhaliwal who was only four when he started watching the show. "Stereotypes are rooted in truth. When taken at face value, and out of context, they become caricatures. As writers, we need to educate ourselves to be able to create something sensitive and human," he says. His script, titled "The World of Apu", is taken from the third installment of Satyajit Ray's The Apu Trilogy. In this story, Apu is mute. "He has an accident at the store and turns mute. The rest of the story has him figuring how to deal with life after that," Dhaliwal says. Apu is not the only character he has changed. "I also wanted to give his wife Manjula something to do. If representation of South Asian men in American media is bad, South Asian women have it worse." In Dhaliwal's story, Manjula, takes on the reins of the store after Apu's accident. The man instead gets to use his skills as a computer science doctorate.

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Missed out on last week's Zal? You can read it here.

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When the first State of Decay came out, it was unique in the way that it focused on the survival aspect of a zombie apocalypse rather than the all-out destruction and gore of killing countless zombies. With the new game, the developers have focused their attention on the community aspect of survival.

Right from the start, you get to choose two characters instead of one and each group and character has their own strengths, skills and background. Like the previous game, you can make your posse and build a base of operations complete with a farm and fortification. There are three open world maps — each the size of the map in the original game.

This huge world is littered with empty cabins, new places to build outposts and gather resources. Risky as it may be, the game forces you to explore resources simply because weapons break and you can run out of fuel, food and medical supplies. Venturing out also helps you meet new people to add to the community. State of Decay 2 really hits you home with all the death — losing a built-up human resource can be painful. You can die by getting killed in combat or by way of infection.

Dying in combat is also rare as the AI-controlled characters do a good job of handling themselves, while you take care of business. The only real time you are in danger is when you encounter morbidly obese super zombies that can tear you apart. These guys are tough, but they are the most fun combat you will face in the game, second only to running over zombies with a car, which could have been better if the cars handled better.

Plus, it pays to remember that fuel is a limited resource that you might want to save. Scavenging for resources is fairly simple — if you need fuel, you can raid a gas station; if you need food, find a convenience store or abandoned encampment. Gathered resources can be used to build up, upgrade and fortify your own camp. While there is a ton of stuff to do in the camp and in the surrounding areas, State of Decay 2 does have a main story.

The story mode is a great way to learn about the game and experience various situations as you search for plague hearts to destroy. Plague hearts are throbbing masses of flesh, and it is what produces the infectious plague zombies, identifiable with their glowing eyes. To reduce their numbers, you need to find and destroy the hearts. While the story mode is fulfilling, the camp building and exploring is where the game's strength lies.

We played an advanced copy of the game and the final game will be released on Tuesday. State of Decay 2 still has a lot of bugs, which hopefully will be ironed out soon. Some bugs we encountered on the PC version of the game were floating zombies, breaks in rendering and freezing. This is not a big issue and the developers are sure to patch this over time. And, while the game is very competitively priced, we would recommend waiting for a future bug-free version before jumping in.

State of Decay 2
Rating: 3.5/5
Developer: Undead Labs
Publisher: Microsoft
Platform: PC, XBOX
Price: Rs 1,924

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Kareena Kapoor Khan. Pic/Rane Ashish

In the last few months, we have been a bit awestruck by how hot Kareena Kapoor Khan has been looking — be in stills and videos from her new movie, Veere Di Wedding, which releases in June, or in behind-the-scenes-clips, or basically all her public appearances. The hip and sexy styling, the lustrous hair, the impeccable make-up, and the undeniable, and oh-so-Bebo swag, has helped us see the new mother in a new light, yet again. When we meet her at a suburban hotel, wearing an off-white pant suit, her hair pulled back, and her green eyes set on us with a smile, we are slightly flustered. And we ask, how are you giving 30 somethings, even the one with kids, such hotness #goals.

"No please! Honestly, I have always been very fitness conscious. Everyone is saying I have lost weight so fast, but I have taken a year and a half. It has happened over time. It's not for the movies, but just for me. Like I always say, feed me karela for lunch and dinner and I am happy," she tells us nonchalantly. There is no blueprint plan for the evolution in her style as well, says the 37-year-old. Instead, she says that the movie, where she has been styled differently from previous avatars is responsible for turning up the heat. "That's one of the reasons I did the movie. It's young and fresh. I could have come back in an author-backed role, playing a titular character. But I chose not to. I just had a baby, and I wanted to do something that's young and the language for which is different," she says. She laughs when she recalls Veere Di Wedding producer Rhea Kapoor being wary of bringing the movie to her, because she is a mainstream actress who has been a part of the Khan movies, making Rs 100 crores and more.

A still from Veere Di Wedding

"There is no hero. I have never worked with four girls. No one expected me to do this. When I read the film, I wanted to do it. A mainstream actress would ask 'but what am I doing?' But with Veere, it's about the language of the film that's about four friends. No one has the bigger part." This is where she says, that it's her choices that have always set her apart. And we agree. "I did Chameli when I was 21. I also did Ki & Ka, even though Arjun is younger to me. I did Udta Punjab, even though mine is just a parallel track," she says, and when we point out that she dies in the middle of the movie, she says "Ya! I had to make sure something happened with my character so that people remembered me. I needed that moment. I want to do something different. My attitude towards movies has changed — I may say no to a big-budget films. My headspace is not that." We steer things back to her drop-dead vibe these days. We all can diet and work out, but what is she doing every day that makes her glow?

And the answer is simple. "Happiness," she smiles, "You have to make yourself happy. You have to find joy in smaller things in life, not just success. I am happiest when I am having coffee or a glass of wine with a friend and chatting. Or when I am reading a book, not a script, trying to prove that I have 30 scripts lined up." When we ask her what is she reading these days, we find common ground. "I love reading crime thrillers, especially Jo Nesbo and Agatha Christie. I keep watching the Poirot series again as well. Saif and I are hooked." Seeing her love for Christie, we recommend Japanese author Keigo Higashino to her, and she says, "Please write down the name for me!" We come back to us telling her how we have all been obsessing over her swag on social media, even though she doesn't have an account. "I may not be there but I am there na! And my friends and family keep putting stuff up. I am very much there. Anyway, I don't think anyone wants to hear my opinions — there are so many opinions out there. Wasn't it better that you and I had a chat instead of you already knowing everything about my life?"

Also Read: Kareena, Sonam, Swara And Shikha Had 10 Stylist For Veere Di Wedding

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At the heart of No Lights No Lycra (NLNL) is the belief that everyone can dance. This free-form workout in the dark was thought up by Australian dance students Alice Glenn and Heidi Barrett in 2009 in Melbourne as a means to truly let go and express oneself.Creative freelancer and the woman behind the Mumbai chapter, Yooti Bhansali, says, "You can dance like nobody's watching, because nobody can see you and also, they're busy enjoying their new-found freedom. From a small room full of nutty dancers in Melbourne, this community has spread to major cities in Australia, London, Hong Kong, Beijing, New York, and is now Mumbai."

Bhansali heard about NLNL from an Australian friend. Is Mumbai ready for such a thing, we ask. "We've seen music gigs in art galleries, movies in bars and quizzes in microbreweries. So, getting people in a dark room to dance doesn't seem much of a stretch," she says Bhansali has got several queries from people across age groups, who are excited about the prospect of a physical activity that's fun. "It's not a party. It's a place where you dance freely. Of course, you could just dance in the dark in the privacy of your home, but let's be honest — would that be as much fun?"

When: 8am, May 23
Where: The Bandra Base, Baitush Saraf Bldg, TPS III, 29th Off Waterfield Rd, Bandra West
Entry: Rs 399, cash only. Get a friend for free

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Vikhroli resident Dr Suvajeet Duttagupta loves cooking his meals. But, the 31-year-old cinematographer admits that some days are long and tiring and the only option is to order in. Yet, this comes with its share of heartaches. "The worst bit about ordering out is the amount of plastic that they use to package the food. While I make it a point to ask the restaurants not to send any plastic cutlery, there's only so much one can do." But, Duttagupta isn't the only Mumbaikar who wishes ordering in was more environment-friendly. With the plastic ban coming into full effect on June 23, Mumbai establishments have little more than a month to find alternatives. While some places now pack their containers in cloth bags, the containers themselves remain plastic, thus almost negating the good work done. But, there are a few who have switched to eco-friendly alternatives:

The New York Burrito Company

This brand new Mexican quick service restaurant has a takeout menu that includes Mexican bowl, burrito, tacos, nachos, quesadillas, chips with guacamole and more. They use recyclable bagasse trays and kraft bags (made from recycled paper). They also add wooden spoons and forks to their takeout bags. Senil Shah, partner, says,
"As our packaging is eco-friendly and fresh, we don't fear food getting bad. Costs have risen, but we see it as an investment for our future generation's betterment."

Senil Shah, partner, The New York Burrito Company

Where: Chowpatty
Timings: 11 am – 11 pm
Meal for two: Rs 600
Call: 8999347000

29 – Twenty Nine

This pan-Indian restaurant which opened in 2016, is much loved by the patrons for the range of regional dishes (29 states) available under one roof. "We have been experimenting with various packaging material at our Kemps Corner outlet, long before the plastic ban. The packaging material we have found best for our use is made of paper and cornstarch with an eco-friendly dissolvable lamination. This was then applied to all other 29 outlets," says owner Nishek Jain. The initial sourcing of the products came from an exhibition called PackPlus hosted in New Delhi. Certain items, like rabadi with jalebi all come in a kulhad. They pack the curries in an eco-friendly thick-bond-with-lamination pack.

Nishek Jain, owner, 29 - Twenty Nine. Pic/Bipin Kokate

Where: Kemps Corner
Timings: 11 am – 3.30 pm and 7 pm – 11.30 pm
Meal for two: R1,000
Call: 7208022929

O Pedro

This Goan eatery became an instant talk-of-the-town thanks to its mix of flavours soaked in the coastal calm. From healthy options such as corn falafel lettuce wrap to good ol' chorizo chili fry poie, their menu has something for everyone. Before starting their takeaway services, O Pedro's tried and tested their delivery menu so that they knew that the food ordered for delivery would travel well. All these dishes are packed in products made of sugarcane, sorghum and wheat that are sourced locally from Pappco Greenware. "Working without plastic has its own challenges as one is not able to secure or seal in liquids completely, but we seal our boxes with paper tape to reduce chances of spillage," says Yash Bhanage, Partner at O Pedro. He adds, "The quality and the experience of eating the meal is most important for us. Therefore, we are only looking at delivering within a limited radius where we know the food would reach our guests quickly and in the way it was intended to."

30-60
No. of days in which sugarcane bagasse decomposes

Where: Bandra Kurla Complex
Timings: Noon to 1 am
Meal for two: R1,200
Call: 26534700

Mandala

This delivery kitchen offers a wide range of salads, sandwiches and soups. Sticking to their organic living philosophy, they also ensure that their food reaches their patrons in bio-degradable containers made of sugarcane bagasse — the fibrous residue. They source these products from a company that buys the packaging raw material from the UK and then processes it to create biodegradable bowls. The company also provides data on how many carbon credits they save by using their boxes. "We don't add any items on our menu that don't withstand our rigorous testing. This means that we let our food sit out at room temperature for up to an hour to see if it retains its flavour and freshness," says Sarvangi Shah, director of marketing.

Where: Kemps Corner and Prabhadevi
Timings: 11 am-midnight
Meal for two: Rs 700
Call: 8291817376

The Pantry

Tucked in the bylanes of the city's art district, this artsy café is a perfect hideout. The Pantry was established six years ago with principles of using fresh, local produce. This even translates in their packaging where they use food containers made of cornstarch while their straws, sleeves, boxes are all made of paper. Soup containers are made of bagasse. "Liquid foods like soups are the trickiest to pack but as we use bagasse container for the same and they are with an airtight lid which holds liquids safely, it makes it easy to travel," says Sumit Gambhir, the partner at The Pantry. In order to avoid spoilage due to temperature, they ensure that they maintain the delivery timings.

Address: Kala Ghoda, Fort
Timings: 8.30 am – 11.30 pm
Meal for two: Rs 1,400
Call: 22678901

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Over a phone call from Kolkata, Vikram Rajan*, an audio engineer and guitarist formerly based out of Mumbai, wants us to listen to a track that he has composed. It's available on Soundcloud and, as we stream it, we more or less agree that its flavour of electronica-jazz could accompany a languorous Sunday evening. "For a long time, I had been unable to come up with something good. And, then, I composed this around March while I was microdosing and sometimes, megadosing on acid," says Rajan.

The 33-year-old is referring to a way-of-life that's effectively snapping the ties between drug abuse and the creative arts. This is a lifestyle experiment that some of the brightest techies in Silicon Valley are engaging in, and has got psychiatrists and anti-drug crusaders distraught. "From a 100 mics paper, I take about 20 mics, twice a week, giving the doses a 2-3 days gap. The effects of acid last for about six hours for me," says Rajan, who started experimenting with drugs as a teenager.

After a litany of prescriptions failed to control her mood swings and depression, Ayelet Waldman found relief in LSD. The former federal public defender authored A Really Good Day: How Microdosing Made a Mega Difference in My Mood, My Marriage, and My Life, in 2016. She wrote: "(It) made room in my mind not necessarily for joy, but for insight. It allowed me a little space to consider how to act in accordance with my values, not just react to external stimuli. This, not the razzle-dazzle of pleasure, was its gift." Pic/Getty Images

In need of a quick glossary before we proceed? Acid is officially called Lysergic Acid Diethylamide (LSD), a psychedelic drug banned in India, the possession of which can lead to imprisonment from one to 20 years under the Narcotic Drugs and Psychotropic Substances Act. LSD is often illegally sold in the form of stamps, with the hallucinogen embedded on blotter paper. Mics is micrograms, that's one-millionth of a gram. A microdose is when you have about one-tenth of a recreational 'party' dose, which starts at about 200 mics.

"With microdosing, you are not tripping — this is not a trip. The euphoria isn't there. It's not about feeling good, it's about calmness," continues Rajan. Microdosing first hit headlines after Steve Jobs' passed away in 2011, when a number of inspiring tales on how LSD became the new go-to substance for enhanced performance by tech employees hit the net. Espresso became passé. 'Flow states' were the new yoga. While Jobs did more than just microdose (he was known to have gone all the way), Silicon Valley techies are reportedly doing acid in quantities such that their effects are 'sub-perceptual', where you won't "see stuff" but you harness its "positive" effects.

A dropper with CBD cannabis oil, used for medicinal purposes. Initial research in the area has shown that patients can reap the benefits without its full-blown 'high' effects

Paul Austin, founder of The Third Wave, where you will find a manifesto on microdosing, defines it as, "the act of integrating sub-perceptual doses of psychedelics, such as LSD or Psilocybin Mushrooms, into your weekly routine for higher levels of creativity, more energy, increased focus, and improved relational skills." The Third Wave, according to Austin, follows the first two waves, in which psychedelics were used indigenously for thousands of years, and then, in the 60s and 70s, when they were a part of American counterculture. Austin writes that The Third Wave is upon us, "brought about by recent developments in cannabis legalisation and psychedelic research — and it will change the way mainstream culture perceives psychedelic use."

Classically acid, now weed
For Rajan, however, it wasn't sub-perceptual Silicon Valley that got him to ration his 100 mics stamps, each of which costs about R2,000. It was simply a matter of demand and supply. Mumbai had better stuff than Kolkata, and more availability. Microdosing has classically been associated with LSD, but now has been extended to cannabis as well. Austin's website has guided instructions for microdosing on nine drugs, including cannabis and ayahuasca. Mumbai-based communications officer Varna Kumar*, 25, smokes a mandatory post-work joint every night in order to cope with anxiety and panic attacks. "I feel I have worked enough through the day, without much time to understand what I am going through. At night, when I am by myself, I smoke a small joint to achieve REM sleep," she says. The joint, a mix of two strains, sativa and indica, help her body relax. It makes her anxiety seem defeatable, is how she describes it. Her counsellor, who also smokes up, has not advocated this as a coping mechanism. "It's different from when I am smoking up recreationally during the weekend or when I am away on a vacation. I will do three to four joints when I have nothing to take care of," she says.

Rajan doesn't buy it. He offers an example that may be best contemplated upon or contested by those who have done both LSD and cannabis. "With weed, you are either stoned, or you are not. You will need to smoke up as soon as the high wears off. When you get stoned, your mind becomes passive. But, microdosing on LSD allows you to be calm enough to multitask, allowing a lot of information to be funnelled into your brain easily. You are alert, you are awake," he says, adding, "What is LSD all about? When you start tripping, you see a shift in perspective." You need not agree with Rajan, as he himself says, "We are all chemical reactions", with each of us reacting differently to drugs.

Covert, not convenient
Microdosing will often be compared to that hard-earned and well-deserved one drink after work hours. It's nothing like that, microdosers will tell you, and so will psychiatrists and rehab therapists. For one, microdosing has none of the ease of getting a drink at your favourite pub. You will be persecuted in your search for your creative spell or a calmer mind. Next, it's not even like getting a drug prescription that your GP advises you to have for the course of a fortnight. Kumar and Rajan know it all too well. Microdosing means self-experimentation, knowing when you are crossing the threshold into recreational high dosages. Cannabis, for instance, is best microdosed through edibles, like space brownies, which are available legally in some parts of the world. It's probably the reason why microdosing is yet to take on Silicon Valley proportions in India. "Here, we don't often get to know what strain of cannabis we are using, or where it is sourced from," says Kumar. Saying "this stuff is craazzyy" is, therefore, not enough if you want to microdose. "If you are living with family, it's hard to make edibles. All this means that the convenience factor associated with a drink is not the same with this covert process," she adds.

The idea of the junkie, with matted hair and piercings, is a stereotype that microdosing is replacing. It's no longer cool to be a junkie, especially in the vegan-conscious, gluten-free, aerial yoga health lifestyle that we are seeing around us. Microdosing may be the most metrosexual among the various kinds of drug use, and it carries the allure of high-performance and alleviation of mental health issues, with published studies to back these up. But doctors and psychiatrists are warning us about the glamourisation of microdosing, even as research to mainstream it for mental health is going on. Psychiatrist Dr Samir Parikh says, "Microdosing encourages the thought process that you need a drug for enhanced performance or better creativity or to calm your nerves. This will mean that students microdose before exams, athletes before a run, couples before a wedding, and the next thing you know, because someone has to attend a birthday bash. There is no end to important situations in life. We are making people believe that a student could have scored an additional five marks in an exam had she just microdosed. Can you imagine the perils of this philosophy?" he says. He backs this up with the number of risks associated with prolonged drug abuse, such as a permanent change in brain circuitry, cerebrovascular diseases, and panic attacks.

Then there are those who will argue that moderation as 'one-drink-a-day' is more addictive than the weekend drunken revelry. Is addiction, even in microdoses, still addiction, where the brain searches for rewards compulsively? Kumar disagrees. "Microdosing is the difference between dependence and addiction. For example, I am dependent on a cab to take me to the station. Can I get through my day without it? Can I walk to the station? Yes, I can. That's what microdosing is. I can get through my day without a joint, but a joint just makes it a little easier," she says.Psychiatrist Dr Yusuf Merchant, who runs a rehabilitation centre at Kalyan, says microdoses pose the risk of turning into overdoses. "With any drug, the body learns to metabolise it faster. Which means, that the quantity for a microdose will keep increasing and your hold on reality will keep getting more tangential."

Rajan himself admits to a 'bad trip'. LSD users will tell you that recreational doses are best done in settings that you feel comfortable in, to enjoy, or cope, with the hallucinations. With microdosing, you are headed into your office or your studio to function better. Rajan had once taken more than a microdose, leading him to have a panic attack, the kind where he couldn't even see his hands. The golden rule, he says, is that if you don't go on a full trip, you will never know what a microdose is.

That ailing pain
The push for microdosing is coming from a quarter where its future seems to be most secured — pain management. Mumbai-based homemaker Susheela Kamath*, 48, was diagnosed with stage II breast cancer a couple of years ago, and having undergone nearly a year's worth of chemotherapy and radiation, the accompanying pain and nausea, were all too real. Her daughter provided her with high-grade hash oil. The dealer provided her with a tiny spoon, the kind that you are handed inflight to stir your coffee with. "I had to initially understand, through a lot of trial and error, by gauging my mother's mood, on what a microdose for her would be. Hash oil is very potent," says the daughter.

A little drop of it on her toast every day, helped Kamath cope with pain. "From the third day to the tenth day after chemotherapy, my mother would have about three to four spoons a day, and, on other days, just half a spoon," says the daughter. Coping with the pain meant she could do more during her day, and also have an appetite. Now, months after she has wound up chemotherapy and radiation, she has bid adieu to the prescription drugs that came along with it, and the hash oil as well, without yearning for that high. Unfortunately, unlike medical grade marijuana that is available in some countries, and still not permitted in India, the daughter did not know if the oil had cannabidiol (CBD), which gives marijuana its medical properties, or tetrahydrocannabinol (THC) which gives you the "high".

Dr Kailash Kothari, interventional spine and pain management specialist at Fortis Hospital, Mulund, says that there is not enough evidence to either prove or disprove that microdosing on cannabis can help with pain management, the way opioids, such as morphine, act on the nervous system. "Do cannabinoids work like tranquilisers or do they have long-term effect? There is not enough research as of now," he says, adding, "Getting dependent on these takes a lot of time and not something that can happen in about 15 days of use." In the meanwhile, you can enjoy a night of quiet or a better track on Soundcloud by rationing your stash. But, is it short-term solace or long-term abuse?

*All names have been changed on request to protect identity

Representational picture

Washington D.C.: Gaybourhood, or traditionally gay neighbourhood, still face a subtle form of discrimination from 'straight' people. According to a study conducted by the University of British Columbia, straight people living in such neighbourhoods, say they support gay rights in theory, but many interact with their gay and lesbian next-door fellas on the street in ways that contradict those sentiments.

"There is a mistaken belief that marriage equality means the struggle for gay rights is over," said Amin Ghaziani, the study's senior author. "Prejudice and discrimination still exist- it's just more subtle and difficult to detect."

The researchers interviewed 53 straight people, who live in two Chicago gaybourhoods - Boystown and Andersonville.

They found the majority of residents saying that they support gay people. However, the researchers found their progressive attitudes were misaligned with their actions.

While many residents said they don't care if people are gay or straight, some indicated that they don't like gay people who are "in your face".

When asked about resistance from LGBTQ communities to the widespread trend of straight people moving into gaybourhoods, some of the people interviewed responded with accusations of reverse discrimination and described gay people who challenged them as "segregationist" and "hetero-phobic."

Some said they believed they should have open access to cultural gay spaces, and were surprised that they felt "unwelcome" there.

"That feeling of surprise, however, exemplifies a misguided belief that gay districts are trendy commodities when they are actually safe spaces for sexual minorities¿, added Ghaziani.

When the researchers asked residents if they had done anything to show their support of gay rights, such as marching in the pride parade, donating to an LGBTQ organization, or writing a letter in support of marriage equality to a politician, the majority said they had not.

Many also expected their gay and lesbian neighbours to be happy and welcoming of straight people moving into gaybourhoods, expressing sentiments like, "you wanted equality- this is what equality looks like."

With gay pride celebrations fast approaching around the world, Adriana Brodyn, the study's lead author, said it is important to pause and reflect on the state of LGBTQ equality.

"I hope that our research motivates people against becoming politically complacent or apathetic," she said. "If we do not motivate ourselves to be aware of this subtle form of prejudice, then it will just continue to perpetuate."

The study appears in the journal City and Community.

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Representational picture

If your pets are following to every nook and cranny of your house and especially when you decide to have some lone time in the bathroom, blame it to their 'pack behaviour'. According to the recent studies, dogs have evolved to be pack animals with strong bonds to those around them, and in their domesticated state, the instinct to physically stick with the members of the pack transfers to their humans.

Reports say that if a pet follows you everywhere he might start suffering from anxiety and separation issues whenever the pet owner leaves the dog on its own. But on the flip side cats are not known to be as pack animals. They are in a constant search of warmth and thus are often seen cuddling up in towels or pillows. For cats their own privacy is paramount.

The cats would also follow you to your loo trips but not cause of their concern of separation from you but as they are insecure and want to check if there is nothing untoward going inside the house which could be threatening to them.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

Artworks by Mehmet Guleryuz

"I am a representative, a child, a product, of the 1968 generation. I am a witness and a participant, a reactionary and an activist who was shaped by and responded to the changing social and political climate of my times. I have always seen every aspect of that which surrounds us as political, and I have always felt duty-bound to respond to these things as an artist," says Mehmet Güleryüz about the impact of the political climate of Turkey on his creative process. Evident through the fervent strokes seen in his artworks, the 80-year-old artist, one of the biggest names to emerge from the contemporary art scene of the country, has indeed responded to the many changes that have simmered around him over his 55-year career. The artist speaks about his creative journey as an actor, teacher and an artist, with the opening of his first show in the city, On The Road.

How has theatre affected your style of art?
My talent and gift for painting in parallel to that of my love of the fine arts as a whole forced me to take a leap into my simultaneous passion of theatre. You could say that I learned painting in the theatre. The problems that I had in reaction to the classic way in which the arts were taught forced me to make a choice to leave the field of fine arts studies and pursue an education/career in the performing arts. As a result of studying acting studio methodologies and our "emotion works", it also offered the scope where even though one was bound within the guidelines of the script, there was the opportunity to rediscover a new aspect. This gave me the invaluable opportunity to return to painting with my own methodology and vision, to understand what it was that I needed to do in painting. My very nature was open to improvisation, and to a sort of action painting that was in harmony with this sort of an expression and what I could call the foundation stone of my art.

How would you like to reiterate the importance of drawing to upcoming artists?
The act of drawing is open to everyone. It doesn't differentiate nor does it reject or exclude anyone. Everyone can, essentially, draw. The person who is responsible for that line, who can understand that when s/he draws, s/he only gains the identity of a painter after his or her decision to become a master of it.

Could you tell us about the paintings in this exhibition?
Although this is a selection from a different period of time covering over 40 years, it does not cover all processes. It contains only partial information of a very long journey. But at its core, it is always predominantly weighted in the human condition.

Has your journey to India inspired you in any way so far?
For anyone who cannot directly or intimately connect with it, India could be considered tera-incognita. It could be said to contain the unknown, but that which must definitively be discovered and experienced and learned from. Just imagine what this means for an artist, for someone like me. This is an experience which I am relishing and enjoying very much.

Till: April 24
At: Jehangir Art Gallery, Kala Ghoda
From: April 26 to May 30
At: Jamaat, Colaba
Call: 22820718

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The eight-year-old's name floats about in your head like a fly - not so long ago, buzzing around insouciantly - fallen into a cup of tea gone stale and cold. A child, who would have perhaps stared at you with demurred confusion were you to read the chargesheet for her abduction, rape, and murder to her. "Myean beyni! Emuk matlab kya chu may wann te (My sister! Tell me what does that mean)," she would have asked in Kashmiri. The case sparked widespread national outrage, and social media was taken by storm. However, amid much of the hammering that has taken place after the Kathua rape, a relatively quieter means of dissent surfaced in the form of art on Instagram. Meet its makers.

Orijit Sen,
A veteran artist based in Delhi
"I had been hearing things but I was busy with deadlines so I wasn't aware of all the details until I took a break. When I read about the case and the chargesheet, it made me sick, but then I saw her photograph and it left a deep impact. It haunted me. I added the horse because I read that she had been abducted when she was out herding horses.

It was like her guardian spirit. The wildflowers in her hand signify flowers she may have collected and the meadows around, because I read that playing in the meadows was her favourite thing to do. The shadows on her face are to obscure her identity and in all, I was just trying to capture the vulnerability and innocence of a child her age. I think to me, the image portrays a child of the meadow, returned," he explains.

Abhilash Menon,
visual artist and illustrator from Mumbai
"When the agony gets too much, the voice inside me takes over. The hands of a criminal are always eager to touch flesh, with insane brutality. Such criminals don't shy away from wearing the mask of cast, creed, colour, religion or politics - as depicted by the five fingers in the image - but when the masks come off, they are all the same.

The five fingers here are in the shape of the male genitalia, establishing the mindset of such criminals - decadent and unbeknownst to human values and pain. Irrespective of their background, they should be delivered the harshest common punishment, so that others abhor an act such as this. Punish these delinquents and bring peace to the soul of that little girl."

Sourabh Basu,
Student and Kolkata-based graphic designer
"My illustration focuses on the multiple thoughts running through her head in the moments before her death. She might have cried, struggled in pain, the pitch of her voice might have been unbearable. She might have cried out for her mother, hence the text 'Ma'.

But it also depicts that she was in a temple, a goddesse's shrine, which to most of us is also an abode of the mother. In those last minutes, she must have been filled with hatred toward the world and its cruelty."

Satish Acharya,
Well-known Kundapur-based cartoonist
"I couldn't believe that people could be so cruel to an eight-year-old. Her thoughts started haunting me. I was saddened to see that some people were shamelessly defending the rapists. I did a series of three cartoons. The first one was about how the little girl is receiving so much love from us, but what she deserves more is justice.

The next two panels are about how nothing has changed since the brutal Delhi gang rape. In spite of a revised law named after the victim, rapes continue to be used as a tool to scare and hurt women, to settle political scores, to impose age-old gender biases and caste hierarchy. What was also worrying was how divided the country was unlike in the case of Nirbhaya which was protested in one voice."

Saira Khan,
Toronto-based Health Studies and Psychology student
"This artwork is not only dedicated to the eight-year-old, but to every child who has been a victim of rape and physical and psychological harm. The news of the Kathua rape reminded me of Zainab, a six-year-old Pakistani girl who was raped and murdered in January.

The illustration is that of a faceless and nameless girl and the hashtag #Justicefor, has been left incomplete to depict that in a society where rape and violence against women is ingrained, one name can soon be replaced with another. The shards represent brutality and crimes against women and children. The use of red paint is to depict the urgency of the message," she explains.

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Dario Brandt

The frenetic pace of life in Mumbai is such that it can sometimes suck you in like the last bit of water disappearing down the sinkhole of a swimming pool that's being emptied out. And before you know it, you become enmeshed in the social fabric of the city, riding a see-saw that oscillates between chasing dreams and paying absurd rent for a matchbox house. Yet, we trudge on, like troopers who feel most at home in a battleground. For, despite an inevitable sense of ruthlessness, there is also the milk of human kindness that nourishes this city's soul. And everyone's thus welcome to ride that see-saw. But sometimes, it's best to take a step back, pause, reflect and then start hurtling once again towards your goal.

Lydia Hendrikje Hornung. Pic/Datta Kumbhar

That, in a nutshell, is the message in Bombay Aaram Se, a new song that encapsulates what living in this city is all about. And what sets it apart from other musical tributes to Mumbai, such as the folksy 1969 classic Bombay Meri Hai, is that the two people who have composed it - Lydia Hendrikje Hornung and Dario Brandt - are both German. They landed in the city a few years ago to teach at The True School of Music in Lower Parel, and started sharing a flat in the process. Then, at some point, Hornung floated the idea to Brandt that they use the medium of music to give concrete shape to what their experience of living in the city has been like.

A still from the Bombay Aaram Se video

Brandt tells us, "Lydia is the one who came up with the chorus, and it felt perfect because going 'aaram se' is exactly how we were both feeling about being here. I then added some beats to it and she came up with the hook lines, and we had time to work on it since we were living together. So, we would just knock on each other's doors and say, 'Hey, what do you think about this input, or that one?'"

The product they eventually came up with is a catchy, EDM-inflected number with a modern, hip-hop vibe. The track starts with a 1970s-like Bollywood song sample, before it takes an edgy turn five seconds in. The lyrics capture the intrinsic tumult of the Maximum City, with lines like "I'm hailing kaali-peeli cabs/ I'm waking up in Bombay flats" interspersed with "Let me cough up rickshaw fumes/ Don't care what time we do". And the accompanying video feels as if the two of them are on a drive around town, stopping at quintessential Bambaiyya locations such as the Gateway of India, an Irani café, Land's End in Bandra and Marine Drive.

So all in all, it seems as if both Hornung and Brandt have internalised Mumbai to the extent that they, too, are riding the see-saw that life here can be about. Brandt says, "I find that despite it being such a welcoming place, it's also easy to disappear in this city. I mean, I step out of my house and I feel as if I have vanished sometimes," while Hornung adds, "Moving here was a completely life-changing matter for me. I got the feeling of, 'This is going to be my new home for a while.' And that made me find my peace with some of the things that annoy me, like traffic for instance. And eventually that's what also led me to think, 'Bombay, aaram se.' I mean, just chill, right?"

Log on to: YouTube and type "Bombay Aaram Se" to listen to the track

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Shades of red, bordeaux, pink and yellow are the key emanating colours this summer. Along with these colours, core summer essentials like white and blue also build foundations of the wardrobe. Prernaa Lohiya, Marketing Manager, French Connection, and Samantha Chilton, Head of Design KOOVS, have listed seven best summer fashion trends you must look out for. 

1. Fun and message-driven slogan T-shirts: Fun and message-driven slogan T-shirts that speak your mind, some core checkered shirts and athleisure inspired look for men are big this season. For women, soft florals and fashion infused athleisure is here to stay.

2. Side-striped bottoms and popper pants: Some of the other trends this season include side striped bottoms and popper pants.

3. Summer dresses in pastel shades: For a more ethereal look, you can choose pretty summer dresses in pastel hues as well.

4. Florals, solids, and patterns in green: The new hot colour for the summer is green and this can be seen in the form of florals, solids and patterns.

5. Bohemian grunge: It is also that time of the season when Bohemian grunge and festival dressing is popular including details like studding, lace inserts and broderie.

6. Neon camo and digital oversized sleeveless shirts for men: Men can add an element of exploration, with utility and military accents. Also this season it's all about the prints; from contrasting resort florals to neon camo and digital oversized sleeveless shirts.

7. Embroidered denim jacket: For layering, denim works wonders in summer and one can pick an embroidered denim jacket to layer a look with clean slip ons.

This summer, let your clothes speak your mind and add bright hues to your wardrobe to make a fashionable statement, say experts.

(Edited by mid-day online desk, with inputs from IANS)

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Accepting the futility of genres, of boxing songs into different compartments like stacked products in supermarket shelves, seems to be at the forefront of Rafiq Bhatia's musical endeavour. The 30-year-old American of Indian descent is the guitarist for a New York-based indie outfit called Son Lux. But it's his recent solo album, Breaking English, which makes the listener really question the need for musical boundaries, of sticking labels to a composition as if it's packaged meat.

The title track of the album, for instance, is not jazz, is not electronica, is not lounge, but all of these generic classifications rolled into one lush sound with a coherent narrative, where Bhatia's melancholic guitar plays the role of the protagonist. Each sonic detail in the track is well-defined, to the point where even though fellow Son Lux member Ian Chang's drum beats seem dissonant, they fit like a glove into the overall musical fabric. Bhatia describes this sensibility when he tells us over the phone from Berlin, where he's on tour, "Ryan (Lott, the vocalist for Son Lux) would say that instead of building a house, designing a room and then placing a chair in it, why don't we start with the chair first, and then design the room around it before building the house. There is a theory in poetry called organicism, where the poet lets each individual verse define the form that the poem will take. That is kind of similar to what I'm trying to do with my music."

He further explains his musical process when he narrates a story about one of his influences, Sam Rivers, the late American jazz great. "I've read that he would attend the concerts of all his peers, and purposely study their music to understand what they were trying to do. But this wasn't to replicate what they were playing. Instead, it was to consciously avoid it. Similarly, John Coltrane took the music of his predecessors and retooled the entire musical vocabulary keeping a similar underlying foundation, but with new pathways built on top of it," he says, giving us an indication of how he doesn't hesitate to flush rule books down the toilet.

Hybridity, in fact, lies at the core of Bhatia's creative evolution. The basis for this, he says, might well be his mixed identity. Born in North Carolina, he has never really fit in to any particular community. For, even though his parents are of Gujarati origin, they grew up in Tanzania, before moving to London and then finally to the US. So, while his brown skin stood out among the white kids in his school, he didn't feel completely at home among the Indian community either. "Everybody thinks that I am something else. So, my music is a result of a need to express my identity. It's a form of therapy at some level, because it's also a way of accepting who I am," he says.

He adds that this therapy started early. When he was about eight or nine, the older desi kids in Bhatia's neighbourhood would pick him up in a car and stop at a parking lot, listening to the hip-hop albums that became one of his earliest influences. Was he drawn to them because of the political overtones that such songs often embody? "Not really," he answers, adding, "I was only in the third grade at the time, and I couldn't even understand the words. So it was the musicality that I fell for. But the deeper question is, why were a bunch of brown kids sitting in a car in a parking lot and empathising with hip-hop music? What is it that was drawing them to the words? So you see, it's difficult to disentangle the politics from the music."

It follows thus that an intertwining of politics and music sometimes features in his own compositions. For example, Hoods Up, a complex instrumental piece, drew its inspiration from Trayvon Martin, a black teenager who was cruelly shot down because of a case of mistaken identity. The guitarist says, "I feel some amount of compulsion to express my [political] ideas. But sometimes, it's easy to get carried away with being overtly political because there is so much to be angry about, and often the responsibility falls on artistes to emphasise it. So I would say that politics is a general part of what inspires my music, because there are so many other facets of my personality that also make their way in."

Essentially, then, what Bhatia wants to keep doing is create genre-defying tracks where attention to detail is of paramount importance. "When you take the details and all the generalities of music for granted, that's when your songs start sounding more like other people's music. That doesn't mean you can't make great tracks. It's just that the less you consider those things, the less is the chance that you will make music that departs from convention. The flip side is that when you think actively about each decision, and each one comes from a place of individuality, it becomes hard to find a coherent logic that ties all those things together. And that ends up being the riddle that I am constantly trying to solve with my music."

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Scenes from the play 

Stopping by a vada pav stall for a quick, satiating bite on a busy day or tucking into a sev-chutney laden Bombay sandwich, as breakfast at the office is a quintessential Mumbai experience. But who are the people who wake up at the crack of dawn to prep food that they then dish out with assembly line-like precision for the rest of the day? At the rates at which they sell the fare, what counts as profit? And do the exigencies of being on the street eat into it? If these are questions that have crossed your mind, find answers to them at the Mumbai premiere of Stand on the Street, a physical theatre performance spanning four acts that tell the stories of four street vendors from across India.

"Originally, the performance was commissioned for the Serendipity Arts Festival in Goa last year by chef [and the festival's culinary arts curator] Manu Chandra. We had worked on the smell and memory aspects of food earlier, and this time, the idea was to explore taste as the primary sense in the performance," shares director Aruna Ganesh Ram. She adds that the dishes that the vendors sell in the play - jhal muri, a spicy puffed rice preparation from Bengal; sundal, a yellow pea fried snack from Tamil Nadu; momos, a popular street food from Delhi; litti chokha from Bihar; and paan from Varanasi - will also be served to the audience. "Chef Chandra was keen on picking dishes that went beyond the popular items, which is why we don't have pav bhaji or dosa in the play," she says.

"We wanted the audience to eat, listen, and watch these performers behind their masks capture the essence of the country, not in a particular time period but over the last couple of decades. It became a metaphor for the prevailing socio-political conditions in India, but never obviously so," says Chandra.

Chef Manu Chandra

As part of their research, Aruna and her team - consisting of actors Anjana Balaji and Aditya Garg, who play all 10 characters in the play - fanned out across India to meet 250 street food vendors and listen to their stories. "We realised that a vast majority of the vendors had left their hometowns to embrace a new city for life. And they all shared a common dream - they did not want their children to suffer like them," says Aruna.

The masks, which the actors wear throughout the performance, give it a sense of universality. "After all, this is not the story of one particular character, but of the many street vendors with whom our association is no more than a flitting transaction," she says. What also emerged in the research was the politics of being on the street, from dust and pollution to having to pay bribes, and dealing with the nuisance of barking dogs.

"A momo vendor from Mangalore spoke of the irony of customers, used to eating frozen momos at restaurants, finding the taste of her fresh dumplings, odd," Aruna recalls, adding that the play weaves in the instance of the call for a momo ban that had surfaced in Jammu last year. On the day of the performance, the team is up at 5 am to prepare all five dishes from scratch. "If we have to internalise their stories, we must live their life," Aruna sums up.

From: April 25 to 27, 8 pm (The Cuckoo Club, Bandra West); April 28, 6.30 pm and 29, 8 pm (Piramal Museum of Art, Byculla)
Log on to: bookmyshow.com
Entry: Rs 499

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50,000
The approximate books in the library of what used to be Mahatma Gandhi's Bombay headquarters during the freedom struggle

360
Books read by Gandhi that are housed in the museum

45
Books written by Gandhi that are part of the collection log on to gandhi-manibhavan.org

Six
The number of double decker tram models in the collection, which ran in the city from 1920 to 1964. Two of them are still functional

One
A trolley bus model that ran on an electric route between Gowalia Tank and Mazgaon from 1962 to 1971

Five
The total types of ticket-issuing machines in the museum log on to bestundertaking.com

82,795
Total documents (the oldest being from 1830s; with papers revealing the genesis of the company, and architectural and technical drawings including those of typewriter keyboards in regional languages)

52,006
Photographs (oldest being from 1880s with some taken by well-known industrial photographer Mitter Bedi in 1970s) in the archives

1,266
Memorabilia (including the ballot box made for the first election of independent India, along with models of typewriters, that of a refrigerator from 1958, steel cupboard from 1930s, safes, etc.)
Log on to: archives.godrej.com

780
Clay models in the collection of the oldest museum in the city

92
Miniature paintings

230
Total metal objects including artefacts in brass, bronze, copper, bell metal, koftagiri, bidri and photographs on metal
Log on to: bdlmuseum.org

60,000
Total exhibits, which include paintings, sculptures and numismatic

5,000
Natural history specimens in the collection of which 430 are currently on display

2,000
Chinese and Japanese art exhibits in the collection of which 1,100 are on display

4,000
Indian and non-Indian paintings and prints
Log on to: csmvs.in

10,000
Total exhibits of Indian coinage, paper currency, financial instruments and monetary curiosities

1,500
Exhibits that provide a ringside view of the birth of currencies
Log on to: rbi.org.in

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Love shopping online? There are many ways you can adapt to save money or get more benefit from the deal, say experts. Ramakant Khandelwal, Chief Marketing Officer at PayBack India, and Abhishek Agarwal, CEO and Founder, Globepanda, suggest how to save money:

Compare prices (automatically): You need to simply download a small robotic tool (in the form of chrome extension) which can instantaneously compare price of a product, that you are viewing at an e-commerce site, across most of the leading e-commerce merchants. It can confirm if the price you are seeing is the lowest across, or you should switch to another e-commerce merchant where it is the lowest. You can also set price alerts which will notify you at the right time when your desired product will be available online.

Free shipping: Always keep an eye on e-commerce platform who offer free shipping facilities. But mostly they put a cap of minimum order value, which leaves you with no choice but to exceed your budget to avail it. To overcome this, you can either upgrade your membership for an annual fee or club your purchases or with your friends, so that your cart value is above the minimum amount.

Read reviews about gifts, coupons, and discount: A lot of buyers are lured into buying from a particular site just because they offer free gifts, coupons and discounts. However, the gifts, cash backs and coupons may not really be a lucrative deal when you compare the after discount price of the product with the actual price on other sites. Moreover, the free gifts sometimes are really a thing you have no use for so read about it before you go ahead and order.

Exchange offers: Many e-commerce merchants provide exchange offers to customers wherein they can exchange their old product with a brand new one and pay off the effective final price. Make sure that your product qualifies for the offer. One good way to track such offers is to get a newsletter subscription. Hence stay updated about the best exchange offers.

Look for reward points: Reward point is a nice topping without any effort or cost. If you are only a little bit more aware you can easily earn extra points, offers and rewards on your online purchases. Sometimes, all it takes, is that you start your journey from an affiliate partner and get extra points. Points can be redeemed against attractive e-vouchers of several online portals ranging from fashion, gadgets and travel.

Adopt a saving strategy: Sometimes people register on an affiliate network and buy all things from that account which gives cash back on nearly every deal. This is a great way to save money on every purchase. Also, sometimes the price of a product you are interested in is lower in the incognito window as the seller has a tool in place which inflates the price of things a customer is interested in and has searched online in the past.

Additional offers: Most of the e-commerce merchants offer credit / debit card specific offers either in terms of discount or cashback, from time to time, which easily add to your savings. In addition to this, purchase via app can also get special deals, cashbacks and discounts.

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This story has been sourced from a third party syndicated feed, agencies. Mid-day accepts no responsibility or liability for its dependability, trustworthiness, reliability and data of the text. Mid-day management/mid-day.com reserves the sole right to alter, delete or remove (without notice) the content in its absolute discretion for any reason whatsoever

When we first lay our hands on Pashmina, we didn't know what to expect. And that perhaps, is one of the first indications of a good read. A coming-of-age graphic novel which explores the relationship between an Indian-American mother and her teenage daughter, illustrator and writer Nidhi Chanani's Pashmina (HarperCollins) is filled with magic and tied together in such a heartfelt narrative, it would be a challenge not to find bits of your own life in it.

Chanani says her affair with illustration began long ago and that the first step was to fall in love with art, which began when she started drawing as a child. The birth of Pashmina, she says, can be traced back to that phase of her life as well. "My inspiration for Pashmina came from a variety of sources: my mom, growing up in the US, my first trip to India, and the choices women make — all of these things are woven into the story. When I was younger my parents would travel to India often. When they returned, their suitcases had a pungent, almost magical smell — from a place that seemed very far away. I was probably 10 years old. Opening their suitcase made me feel close to this other world. In a way, I believe this story has been with me since then."

The relationship between Priyanka, the protagonist, and her mother hits home the hardest, in that it is an apt depiction of the dichotomy that characterises a quintessential Indian mother — egging us to be freer than they were but also being restrictive at the same time. Explaining what this depicts for her, Chanani says, "As I wrote Pashmina, it also became about the relationship between an immigrant mother and a first-generation daughter. Touching upon the layers of understandings and misunderstandings, I explored my own relationship with my mom. Priyanka, is a teenager and being one is hard enough, especially if you are glaringly different. Many of Priyanka's struggles are ones I experienced myself. She is not only racially different, she's a nerdy teacher's pet, she comes from a single-parent household, and doesn't have as much money as her Orange County counterparts. Her mother struggles to understand her and raise her with her Indian beliefs and values."

Nidhi Chanani

The story comes full circle when Priyanka finally visits Kolkata, her hometown (as well as Nidhi's) in a quest to understand more about her roots. Travelling solo to the country of her heritage forces Priyanka to break free of her sheltered life and grow up, to face herself and begin the process of seeing her mother as a whole person. "I wanted to explore a different path to India than I had experienced. My teenage understanding of India was tainted by poverty-stricken, third world imagery. How wonderful would it be if a young person learned about their culture through only positive representations? That's the root of Pashmina; opening a suitcase and travelling to a fantasy version of India where a character can learn about their heritage in a favourable light," Chanani says. While some aspects of Priyanka's life are similar to hers, the story is not autobiographical. "I love samosas and comics! However, unlike Priyanka, I grew up close to my family in India. Fortunately for me, I wasn't so alone," she shares.

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Illustration/Uday Mohite

Several years ago, when Dr Karanvir Singh was pursuing his doctorate in the field of applied psychology, he stumbled upon an interesting find. The focus of his PhD was relationships. What he surmised from those years of research and interviews was that "if people enjoyed good relationships with their partner, it also positively influenced and affected other areas of their lives too." But Singh, who now works as a relationship empowerment coach, believes that romantic utopia isn't possible, until one develops a perfect relationship with themselves.

Karanvir Singh

Having conducted over 55 workshops on relationship management across the globe, Singh is conducting a session for singles - My Perfect Welationship - that will equip participants with the right tools to create their happily ever after. The two-hour-long session, which will involve games apart from examination of case studies, will walk you through three main topics.

"First, it's important to define what is a right relationship," says Singh. While there is no ideal relationship, having false notions about love can be detrimental, he adds. Singh will also reflect on the need for "creating an inventory" of the kind of behaviour one is looking for, from their potential partners. "Top on this list is the non-negotiable ones," he says, adding that he will also discuss ways where one can spot the red flag in romance. Lastly, he will suggest ways of breaking the communication barrier. "When communication between two people is more aligned, half the conflicts can be gotten rid of," he says.

WHERE: Ninos Nook, Bhulabhai Desai Marg, Breach Candy
ENTRY: Rs 2,000
TO BOOK: in.bookmyshow.com

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Give your mother a break from routine, pamper her with a breakfast in bed or a spa hamper for Mother's Day, which falls on May 13 this year. Mikita Laad Gupta, Senior Designer at Bonito Designs and Abraham Santhosh, Head Designer of Elegancia, have shared ways which can help you bring a smile on your mother's face:

1. A day free from the 'Mom routine': Mothers never get a day off from their daily routine and they never complain too. Every mother always has a list of things she needs to do, so why not do it for her? Let her relax at home while you do the grocery shopping, run to the post office, pick up dry-cleaning or whatever else Mom needs you to do. She will definitely appreciate the gesture!

2. Breakfast in bed: The first part of Mother's Day should be her breakfast. A meal ordered from her favourite restaurant. Let her relax and not think about breakfast for everyone at home, because you have already taken care of it.

3. Sparkle up the home for her: Cleaning the house is a huge task for every mother. On this day, help her out by cleaning it before she starts her day. Fix those things that she always wanted to be repaired and make her day.

4. Home decor makeover: Mothers always want to make a change in their house, but they never really get the time for it due to their daily chores and work. This Mother's Day, make her dream come true by doing what she has always wanted to - could be a vegetable garden, or a mini library or a music library or even revamp the sitting room.

5. Pamper her with a spa hamper: Everyone loves a massage, some of them crave for a fresh manicure and pedicure. Some of them have not had a good haircut and colour since a long time. So here's a chance to pamper your mother with a spa hamper and let her have a relaxing day and look pretty as she always should.

6. A photo family tree: Everyone loves to see their old photos. It brings back memories and family tree of photos is the best way to see everyone you love right there. Create a family tree of photos on a wall at home as a surprise for her as she has always wanted to do it but never had the time.

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Caroline (Laura Mishra) pours out her fears about her rocky marriage to the governess Ms Chacko (Pooja Nair)

All the world's a stage, but that doesn't make all of us actors, as we discovered after three long hours of watching an adaptation of Agatha Christie's Go Back For Murder by the theatre group, Making Noise. The play follows the protagonist Chloe Miranda (played by director Laura Mishra), on her journey to prove her mother innocent of her father's murder.

The catch is, the murder happened 15 years ago, and her mother is no longer around to defend herself, having passed away in prison. So, Chloe joins hands with her lawyer Filip Calisto (male lead essayed by Navin Talreja) to piece together who really killed her father. They track down friends and family members who were present on the day of the murder. Everyone returns to the scene of a crime in Goa to recreate the events leading up to the murder.

True to form, the tight plot devised by the queen of crime writing keeps the audience guessing until the very end when the killer is finally revealed in the denouement.

Unfortunately, there is another murder that needs to be addressed — that of the play itself. The warning signs appeared from the very beginning: Actors stumbling over their words, even forgetting their lines at times; lacklustre delivery was a problem throughout the play. Direction was, dare we say, missing. Actors killed a ridiculous amount of time milling about on stage, unable to hold still even during conversations with other characters. As a result, even though the advertised run time was two hours and 15 minutes (including the interval), the audience was trapped for an extra 45 minutes. The delay did not go unnoticed by the director, who apologised for having taken up so much time.

It would not be an exaggeration to call the performance a snoozefest; many in the audience had nodded off within the first half hour, while others gave up and left the auditorium midway.

Actor-director Laura delivered one of the few believable performances but failed to draw out the same from her cast. There were other peculiar directorial calls, such as one of the characters holding the same cigarette to his mouth for over two hours. In all the scenes with multiple characters, several actors had visibly zoned out on stage while the lead actors droned on. A theatre aficionado who accompanied us said it was like a "school play", hardly the kind of fare one would expect to see at St Andrew's Auditorium.
When: May 27, 7.30 pm
Where: St Andrews Auditorium
Entry: Rs 200-Rs 1,000
Contact: 26410926

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London: While scientists agree that the Sun will die in approximately 10 billion years, they were not sure what would happen next, until now. A new study now says that it will turn into a massive ring of bright, interstellar gas and dust, known as a planetary nebula.

"This is a nice result... We even have found out what the Sun will do when it dies!" said one of the researchers Albert Zijlstra, Professor at the University of Manchester in Britain.

A planetary nebula marks the end of 90 per cent of all stars active lives and traces the star's transition from a red giant to a degenerate white dwarf.

But, for years, scientists were not sure if the Sun in our galaxy would follow the same fate as it was thought to have too low a mass to create a visible planetary nebula.

To find out, the team developed a new stellar, data-model that predicts the lifecycle of stars.

The model, detailed in the journal Nature Astronomy, was used to predict the brightness (or luminosity) of the ejected envelope, for stars of different masses and ages.

"When a star dies it ejects a mass of gas and dust - known as its envelope - into space. The envelope can be as much as half the star's mass. This reveals the star's core, which by this point in the star's life is running out of fuel, eventually turning off before finally dying," Zijslra explained.

The new models show that after the ejection of the envelope, the stars heat up three times faster than found in older models.

This makes it much easier for a low mass star, such as the Sun, to form a bright planetary nebula. The team found that in the new models, the Sun is almost exactly the lowest mass star that still produces a visible, though faint, planetary nebula.

"It is only then the hot core makes the ejected envelope shine brightly for around 10,000 years - a brief period in astronomy. This is what makes the planetary nebula visible," Zijslra said.

"Some are so bright that they can be seen from extremely large distances measuring tens of millions of light years, where the star itself would have been much too faint to see," Zijslra added.

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A frame from the series, Music for Everyone. Pic/Yuyang Liu

The town of Siem Reap in Cambodia is a fascinating blend of history, modernity and culture. While the magnificent temple complex of Angkor Wat is no more than 6 km away from the picturesque location, it is also home to artisan collectives and Cambodian Cultural Village that gives a glimpse of the country's diverse cultural heritage. Since 2005, the city has also been the venue for Angkor Photo Festival & Workshops (APFW), a non-profit cultural association founded by noted names in photography from across the world - including members of Magnum Photos - to nurture Asia's photographic community by providing an affordable and self-sustainable platform for professional training.

From the series, Two Eyes Good, Four Eyes Bad. Pic/Rebecca Chew

Over the years, emerging photographers from India, Bangladesh, Pakistan, Iran, Indonesia, Japan and Cambodia among other Asian countries have attended tuition-free professional workshops, worked on a photo story inspired by their surroundings and showcased their project at the end of the festival. The APFW alumni community is a thriving one, where collaborations and creative exchange is common. Photographers from Mumbai, too, have participated in the festival, and to introduce emerging lensmen from the city to its upcoming edition in December, APFW alumni will conduct an interactive session this Saturday. The session, being held in Mumbai for the first time, is part the Angkor Hangover series of events organised across Asia.

From the series, Bokator, on young Cambodians trying to resurrect a traditional form of martial arts. Pic/Zishaan A Latif 

"The mentors are people whose work I admire. And when a group of 30 individuals with eclectic practices and realities specific to their countries come to learn from them, they also learn from each other," says freelance photographer and filmmaker Aishwarya Arumbakkam, who participated in the festival in 2016 and is one of the organisers of the Mumbai session. Multimedia projections by photographers from the 2016 batch are also a part of the evening.

From the series, Ahp. Pic/Aishwarya Arumbakkam

While applications are shortlisted on the basis of merit, freelance photographer and alumna Karen Dias explains that to keep the programme accessible and inclusive, there is no upper age limit for applicants. Fellow alumnus of the 2009 batch, Zishaan Akbar Latif, recalls, "As a budding photographer, you are terrified of showing your work, but you realise that others are in the same boat, too. Being in that quaint part of the world at a workshop that's different from its uptight counterparts helps you loosen up," he shares.

APFW organising committee member Andrea Fernandes, who has been associated with the festival for five years, sums up its nature, "This event is initiated by alumni and this is the direction we want the festival to go in - where every person associated can have a space to speak about their work and collaborations."

ON: May 12, 5 pm to 7 pm
AT: Trilogy by the Eternal Library, Raghuvanshi Mills Compound, Senapati Bapat Marg, Lower Parel.
CALL: 8080590590

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New Delhi: Jewellery is timeless but when it comes to trends, every season, occasion and era brings with it a wave of intriguing new designs so make sure you are opting for the right pieces this season. Ishu Datwani, Founder of Anmol Jewellers, lists some tips.

• The big jewellery trend to look forward to in 2018 will be very classic European with designs and finish in an international tone.
• Classic diamond jewellery with statement diamonds and precious coloured gemstones like emeralds, rubies and tanzanite is expected to trend in 2018.
• Jewellery set in rose gold is another very popular trend as rose gold gives a very classy, elegant and luxurious look and works well for Indian skin tones.
• When it comes to bridal jewellery, diamonds will continue to shine as the eternal charm of Polki is here to lead the show.
• Samir Sagar, Director, Manubhai Jewellers, agrees that rose gold is expected to continue shining in 2018, especially in the lightweight segment.
• The metal has become popular as the warm pink hue brings with it a dash of luxury and can be clubbed with yellow gold and white gold jewellery too.
• Daily wear lightweight jewellery studded with diamonds in pink gold is trending amongst the young, urban, working women. The USP of these diamond collections is that they give the wearer the pleasure of adorning the luxury metal with diamonds on an everyday basis as the range starts from Rs 35,000 only.
• In bridal jewellery segment, Jadau continues to be in trend.
• Gold chokers with long kanthas studded in kundan karigari with colourful gemstones in hues of green, pink, red, blues and pearls have become a new trend, especially with Bollywood divas donning the same for reel and real life weddings.

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Sonam Kapoor and Anand Ahuja

Bollywood's resident fashionista Sonam Kapoor got married to entrepreneur Anand Ahuja in a star-studded ceremony on May 8. The fairytale wedding was filled with glitz, glamour and romance, as one of the hottest couples tied the knot in front family and Bollywood's best.

The theme was "Indian festive shades of white". Celebrity hairstylist Asgar Saboo who is the go-to stylist for Sonam shows you a step-by- step guide on how you can get Kapoor's glamorous hair for you to steal the show!

Step 1
Begin by centre parting your hair, and dividing it into three separate parts. Do this by making two at the front and one, which will be to accommodate the large braid, at the back.

Step 2
Start with the left section of your hair by French braiding it and attaching more from the sides as you go along. Then loosen the braid before you move on to the right side by setting it aside. Repeat on the right.

Step 3
After braiding, tie elastic at the end of your hair to keep it in place. Take the front sections and tie them to the back.

Step 4
Then take the gajra you have chosen for your hair and place a bobby pin at the top. Wrap the gajra in a zigzag manner down the braid and as you come to the very end, secure it with an elastic band. Fancy trying out others? Then check out some of these simple easy-to- do styles to get the ideal locks!

View Photos: Sonam Kapoor-Anand Ahuja's wedding reception: SRK, Salman, Akshay attend the grand bash

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New Delhi: With the summer heat scorching and the mercury level soaring, comfort is a serious concern for many. In this scenario, selecting the right fabric is a necessity so opt for the right clothing that makes you feel fresh. Designers Prarena Grover and Dhruv Sehgal list some must haves fabrics and few avoidable ones.

Must have fabrics
Cotton: Beyond any doubt pick up that cotton dress or the cotton shirt from your wardrobe. It not only makes you look smart and elegant but also scores high on the comfort level.
Reason: During summer it is a general tendency to sweat a lot and in such a situation cotton is just the apt fabric that absorbs this sweat. This helps in giving the much required relief and helps in cooling down your body temperature. In addition, cotton fabric gives you a relief if you are prone to any allergic reaction. Thus, cotton is just too apt for your sensitive skin.

Linen: The pastel coloured linen wear is just so perfect for your summer days. Fret no more and choose the right linen wear for yourself.
Reason: Tired of threat of unnecessary sweat? Considering that linen is highly absorbent and a good conductor of heat it helps in keeping your body free of moisture. So, the linen dress or blouse not just feels good to touch but also quickly removes your perspiration during the summer days.

Khadi: Khadi saris to the dress to shirts, it is the perfect wear for your summer evening.
Reason: Khadi is that handloom fabric which uses no chemicals in manufacturing. This skin friendly hand oven, organic fabric is just too perfect for your summer days.

Sheer: This is the ideal fabric for humid days. It is the fall and the interesting cut of the fabric makes it a must-have in your summer days.
Reason: As a fabric usually meant for wedding gowns or floral costumes or stockings or lingerie sheer does very little in the way of warmth for the wearer. This is the reason why it is one of the favourite fabrics for summer wear.

Avoidable fabrics

• Denim: Denim is a strict no for your summer days. It hugs your body too much and creates unnecessary suffocation in summer.
• Synthetic wear: Never indulge in a mix fabric in summer. It creates discomfort and may sometimes cause skin infections in this regard.

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Beards are to men what make-up is to women, and a quick Internet search of actors in a pre- and post-beard phase will confirm this. Such has been the impact and acceptance of facial hair that they have gradually crossed the barriers of hipsterdom to find their way to boardrooms. But are corporate firms with a strict formal dress code open to men with beards?

"We have a strict dress code, where a shabby demeanour is unacceptable. We even keep daily checks; employees cannot walk into the office in jeans or sports shoes, especially when they have client interactions. But full beards are not a concern. We have employees with full beards and twirled moustaches," says Sudhir Dhar, CHRO – director HR, Motilal Oswal Financial Services Ltd.

Dr Sujaya Banerjee

Rohan Vaswani, CHRO, Nexus Malls, a fully owned subsidiary of investment firm Blackstone Group, shares a similar thought. The company follows a formal dress code from Monday to Thursday and smart casuals on Friday. "You can't walk into the office with your shirt not tucked in or in bright blue trousers. But beards, if they are well-kept, are fine," shares Vaswani.

Dress to impress
"The first impression is created by the physical appearance of a person; it's later that you have an interaction and people get influenced by your personality. So, if you seem shabby, you create a perception even before you talk," says Dhar.

He adds that as long as one is confident of carrying it off and not look out of place, a beard is acceptable.

Rohan Vaswani

"We conduct training on executive presence — how to look, behave and dress like a leader. These aspects are now becoming increasingly important as often, you find that people are competent but they don't make it beyond a point because they don't look like the part or someone who can represent the organisation before multiple stakeholders. It's not about good looks but about appearance. A haircut and a well-groomed beard are a part of this understanding. You can't have a two-day stubble where you look like you have just woken up and come to work. We actually check if there's a valid reason behind an unkempt stubble: Is the employee unwell? Or is he battling a low?" says Dr Sujaya Banerjee, CEO and founder of Capstone People Consulting.

Do you shave before an interview?
Most HR personnel we spoke to felt there's no middle ground; you either opt for the clean-shaven look or wear a groomed full beard. "It's better to shave off a two-day stubble and not go in between. It can be interpreted as a sign of laziness," warns Dhar.

"I am more interested in knowing if a person has the right competence and capability for the job. The older generation, however, associates beards with carelessness and mistrust. Traditionally, even in films, the bearded guy will always be the villain or from the underworld. If a full beard is groomed, it's fine. Long hair is not allowed. You are not an artist or performer, you are corporate. Hence, certain norms remain. We allow personal freedom as long as you stay well-groomed," adds Banerjee.

Make a bearded impact
"Some people look smarter with a beard," says Dhar. Vaswani feels that real estate companies are often promoter-driven, and the vision of the promoter and the top management often reflects on the staff where people would go the extra mile to keep with the image. "Those with gaunt features can look fuller with a beard. It also saves you the trouble of having to shave every day. A good beard can actually help you appear stronger. Also, today, people look for organisations where individuality is encouraged, where you can bring your authentic self to work. It's motivating to be in an organisation where you can express who you are, as long as it doesn't hamper business. So, if the beard is within acceptable parameters, all's well," says Banerjee.

Grooming tips
Keep it clean
Wash your beard three times a week to prevent the build-up of dead skin cells.
Keep it moisturised Oil your beard daily to keep it soft and moisturised.
Shape it up
Trim your beard when you see stray hair or as desired to maintain the shape. Repeat this once every two weeks when you want to maintain a consistent length.
Kaushal Pratab, founder, Shepherd For Men 

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New Delhi: You may not be able to escape the sweltering heat when you are outside, but you can make your home a cool haven by playing around with colours and adding greenery to your walls, suggest experts. A colour palette, when used well, can help in creating a naturally refreshing environment at home.

Peeyush Bachlaus, Head of Marketing at Kansai Nerolac Paints Ltd, suggests four decor trends, in hues that range from cool blues and soothing greens to mellow yellows:

For a blissful green escape: Surround yourself with the colours of a secret garden, leaving everything else a pristine white. The colour green is well-associated with nature, allowing a room to feel relaxing to the eyes and refreshing for your mind. When paired with white, this palette can turn a bland room into a welcoming paradise. Green is also one of the easiest colours to adorn your interiors as pairing various shades of green with just about any other colour can work beautifully.

For a breezy haven: Large plants and strong colours are natural decor accents that bring lushness into one's home. This summer, transform your interiors into a cool breezy tropical paradise with the help of verdant aquatic colours with a cheerful palette of cool blues, mellow yellows, bright oranges and lush greens. These colours will make sure that your time home is a breeze and you feel the freshness of an aquatic theme.

For an eccentric summer makeover: Given our busy lifestyles and the sweltering heat to add to it, we all need an escape. Let your home be that much needed exotic escape by curating one area in your home. Mix and match cool blue and violet walls fearlessly, framing it with crisp white accents. Natural materials and details make this a room for all to enjoy. Colours such as blues and whites are cool colours as they help keep our mind cool and relaxed even during the sweltering heat of the summers.

For a refreshing classic look: A carefully curated palette of white and near white tones that form a blank canvas to your artistic home. As a trend, masterpiece white walls are refreshing. Radiant light coming in through the windows is the accent in these calm rooms. Bring artwork to focus by trying out alternative accent wall colours.

Sujit Jain, Founder, Griin, says vertical gardens can transform your dull walls immediately and purify the environment too.
"Vertical gardens not only add to the aesthetic value of the walls but they come with a lot of functional benefits also. The thick vegetation limits the movement of heat and helps to regulate sunlight and temperature even during the hot afternoons that makes it a perfect fit for summer decors.

"Some varieties of plants are also useful in absorbing potentially harmful gases and cleaning the air inside modern buildings. In addition to this, incorporating vertical gardens in the decor of any building brings a living element to the environment and being around greenery helps in reducing the stress levels also."

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Katrina Kaif is keen to work with Deepika Padukone and Kareena Kapoor Khan. The two have a connect with her ex-flame, Ranbir Kapoor. While Dippy is also his ex, Bebo is his cousin.

While on the chat show, Feet Up With The Stars, Kat was asked, who she would like to do a song with and Kat said, "Deepika Padukone." She would like Bebo to be her co-star as she is 'supportive'.

On the work front, Katrina Kaif will next be seen in the much-awaited film Bharat co-starring Salman Khan. Disha Patani will also be seen in the film portraying the role of a trapeze artist.

Sporting saris and long curly tresses, Katrina Kaif's on-screen avatar of Kumud Raina in Bharat is possibly one of the most distinct looks in her filmography. While there had been much curiosity around Salman Khan's five different avatars in the Ali Abbas Zafar-directed period drama, the leading lady too will be seen ageing from her late 20s to her early 60s in the course of the narrative.

Meanwhile, Kareena Kapoor Khan is currently gearing up for her next release, titled Good News, alongside Akshay Kumar, Kiara Advani and Diljit Dosanjh. Deepika Padukone, too, is busy with the Meghna Gulzar directorial, Chhapaak, based on the life of the acid attack survivor Laxmi Agarwal.

Also read: Katrina Kaif: Ali and I are good friends. Signing Bharat had nothing to do with our friendship

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Stretching from the imposing skyrises of Colaba and Malabar Hill to the fishermen's colonies in Worli, the prestigious VVIP Mumbai South Lok Sabha constituency is the richest in the country making it a high-stakes affair for the two main contestants - Shiv Sena sitting MP Arvind G. Sawant and rival Milind M. Deora of the Congress.

Despite being wealthy, the constituency is barely 'generous' in exercising its franchise - it was way back in 1967, when George Fernandes won on a single point agenda of providing sufficient water supply to all, that 67.42 per cent electorate voted.

Again in 1991, the voting percentage plummeted to an abysmal 38.65, giving credence to the belief that people in high-rises remain indifferent to the political process. But in 2014 the percentage went up to a modest 52.48.

The population of Mumbai South is approximately 20 lakh and the voter strength is 14,85,846 including 15 per cent of some of the country's richest, a large 70 per cent dollop of middle-class and a sprinkling of 15 per cent eking out an existence in slums in what is one of the few fully urbanized constituencies of India.

Unconcerned by the turnout figures, Shiv Sena's Sawant exudes is optimistic of winning again.

"I am the voice of the masses and the classes. I have been present whenever and wherever I was needed in the past five years," Sawant told IANS.

On his rival Deora, he shot back: "Where was he for the past four years and nine months? This is what commoners and business community ask me. It is my work for all sections and my contacts with the masses that will decide the election."

Though incommunicado despite repeated attempts by IANS, the former Union Minister Deora has remained unflustered by the opposition barbs.

After all, in a political-corporate coup of sorts, last fortnight, he secured the open support of key players from India Inc, sending panic waves in the ruling Bharatiya Janata Party-Sena combine.

Ranked as one of the most cosmopolitan constituencies, Mumbai South is beset with many problems that have remained unresolved over the years.

"There are hundreds of old buildings, ancient sewage lines, house gullies, traffic congestion and slum pockets in Darukhana, BPT, Colaba and Worli which are of great concern," Waris Pathan, All India Majlis-e-Ittehadul Muslimeen's sole Mumbai MLA, told IANS.

Though there is the ambitious Coastal Road project coming up, Patyan says "a lot will depend on its implementation, or it will be disastrous for the entire city".

Besides, there is the gnawing problem of security in the region which has witnessed two of the worst terror strikes in the country - the 1993 serial bomb blasts and the 2008 terror strikes.

Not surprising, since this constituency is home to the country's most affluent business districts which contribute hugely to the national exchequer, some of the poshest residential complexes, Indian and foreign banks, and national and international firms are headquartered here.

There are also offices of global corporates, airlines, embassies, luxury hotels, swanky restaurants and pubs, global tourist attractions, open shopping plazas, malls and multiplexes, reputed schools, colleges, an array of heritage buildings, the official residences of Maharashtra Governor, Chief Minister, the Chief Justice of Bombay High Court and other judges, the Legislature and the Mantralaya.

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Bringing out the BEST

BEST Stories Collective is an Instagram account co-founded by photographers Aslam Saiyad and Gopal MS. It documents nuggets of everyday life and history around the BEST buses in the city. In light of the general elections, Saiyad along with photographer Fahim Sayed have started a campaign on the page where they lay out placards encouraging people to vote to save BEST, the Aarey forest or even the Mumbai coastline.

Talking about how the idea was conceptualised, Saiyad told this diarist, "All the politicians are talking about national or global issues but nobody is talking about the issues of Mumbai, like the future of the Aarey colony, BEST or the Kolis. I wanted to grab the attention of the people, especially in the last days of the elections. Even after voting is over, we will continue to highlight these problems maybe in a different visual format."

From a son to his father

As you read these words with your morning cup of chai, a 100 musicians from the classical, folk and jazz traditions would already be performing at the NCPA as part of a day-long tribute to Ustad Allarakha on his birth centenary, beginning at 6.30 am until 10 at night. But before the live performance came a tribute from the legendary tabla player's son and noted percussionist Taufiq Qureshi, which was released recently.

An archival picture of Ustad Allarakha

The seven-minute long video, Alla ne Rakha, has been composed by Qureshi with lyrics by Rachna Dixit. And in the spirit of today's performance, the video features several well-known names including Ashwini Bhide Deshpande, Shankar Mahadevan, Ajay Gogavale, Salim Merchant and Neeti Mohan.

When Sabya endorsed Sabya

Things came full circle when renowned fashion designer Sabyasachi Mukherjee recently embraced a page named after him. An export of an international account called Diet Prada, Diet Sabya was started in 2018 and weeds out copies and plagiarists from the industry, and may we add, rather humorously.

So when Mukherjee said, "Well done, whoever you are," giving a thumbs up to the faceless folks behind DS, when he spoke to an entertainment website, it reiterated the caption that accompanied the video shared by DS, "That's all."

Austrian moves

After creating a full-length contemporary ballet piece with the Ballet Chemnitz in Germany in 2017, and a collaboration with Polish dance company Zawirowania Dance Theatre last year, Ashley Lobo has now become the first Indian to be invited to choreograph a piece for The Landestheater Linz, the state theatre for Linz in Austria.

Titled Yama, the performance is a full-length 55-minute contemporary ballet piece. "This is a huge opportunity and reassurance for me. Dance for me is about emotion and personal expression, and I look forward to extending that to the Austrians," the choreographer told this diarist.

Danes to the rescue

Even as news comes in of pilots of the grounded Jet Airways being humiliated by a senior official of Spicejet during a recruitment drive, when he called the act a "charity", another heartwarming development assured us that all's not lost in this cut-throat competitive world. The Indian operations of a Denmark-based apparel giant recently posted on social media a campaign titled Join the Family.

Pic/PTI

"Customer centricity is at the core of both retail and aviation industries. With several employees of Jet Airways having been affected due to the recent shut down of the airlines, we... are willing to extend opportunities to them, if you know anyone who would consider an industry change." If you, too, would like to spread the word, career.india@bestseller.com is where CVs can be emailed.

A look called love

Madhuri Dixit Nene looks fondly at husband Sriram during a day out at the movies. Pic/Satej Shinde

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Voting day is here, but not all of us remember how exactly to go about it. Don't worry, mid-day's refresher has it all covered. Among the most important things to remember is to not forget to carry any one of the 11 accepted identity proof documents (see: Valid proof of identity) and to not use your mobile phone in and around the polling booth. Voting begins at 7 am sharp and will last until 6 pm.

While some of us may have got the voting slips, those who haven't got theirs need not panic. All you need to do is go up to one of the helpdesks set up at street corners and look for your name. If your name is on the list, the corresponding voting booth number and other details will be mentioned there. You can also look for your name online before leaving the house on https://electoralsearch.in. If your name is not on this list, you cannot vote. No argument. Do remember to register yourself on https://www.nvsp.in before the assembly elections.

Police officers being briefed about bandobast duty a day before voting day in the city. Pic/Sameer Marakande

No mobile phones

Mobile phones cannot be used within 100 metres of the polling booth, but for the working population of the city, who either votes on its way to or from work, you may carry your phone with you but must remember to either switch it off or keep it on silent mode. Cars and bikes, too, will have to be parked 100 metres away from polling booths. Only designated vehicles carrying people with disabilities will be allowed close to polling booths.

Only 11 valid ID documents

Please remember that the voter slip is not proof of identity. You have to also carry any one of the 11 identity cards. If you have none of them, once again, you cannot vote.

Please do not argue with the election duty staff, they have no role to play in this.

Shivaji Jondhale, Mumbai City Collector, said, "If there is no name on the electoral list, then people cannot vote. It is very important to be a registered voter. Further, if there is no voting slip but your name is on the electoral list of the Election Commission and you have a valid ID card, then by checking with the help desk you can find out the polling station and can exercise your right to vote."

Wait for the beep

The confusion about the long press while registering your vote on the electronic voting machine was cleared by Collector officials. They said your vote is considered registered once the long beep is heard. Do keep your finger pressed on the button until you hear it or your vote will not be registered.

Live Blog: Elections 2019 Phase 4 Live Updates: Anil Ambani, Rekha cast their vote

Come out and vote!

The Election Commission has taken various measures to ensure citizens come out and vote. The total number of voters in the city, is 96.39 lakh. The EC and Collector offices of the city are aiming at a voting percentage of at least 61% this time from 41% in 2009 and 51% in 2014.

Citizens, too, have come forward to help increase voter turnout. An ALM from Juhu has organised a pick-up for senior citizens to the polling booths. The EC, too, has organised help for people with disabilities. Further, in order to ensure proper transport system during the voting process, the Collector offices have organised 2,985 vehicles in Mumbai suburban district and 1,769 vehicles in Mumbai Island City.

There is a staff of 15,000 working in the island city and over 60,000 in the suburbs on election duty. There are 2,601 polling stations in the island city which has two constituencies, and 7,472 polling stations in the suburbs that have four constituencies, said officials.

Also read: Elections 2019: Mumbai Police to deploy 40,000 cops on election duty; issue guidelines

Students, take that selfie!

This year, the EC and government officials have been explaining the electoral process to young students in the hope that it reaches their parents at home. One of the initiatives is the 'selfie' movement, where students have been urged to take their parents to polling booths and put up selfies on social media with their parents after voting.

96.39l
No. of voters in Mumbai

61
Voting percentage that the Election Commission is expecting in Mumbai

Also read: Elections 2019: 422 polling stations in Mumbai declared 'critical'

Valid proof of identity

• Passport
• Driving licence
• Identity card issued by the Election Commission/Central and state government/ Public Enterprises / Local Body Institutes
• Bank passbook with photograph
• PAN card from the Income Tax Department
• ID card given by the Census Commissioner
• Job Card under Employment Guarantee Scheme
• Health card from the labour ministry
• Pension passbook or pension payment order with photograph of the retired employee
• ID card of MLA/MP
• Aadhaar card, too, will be considered as identity proof

Also read: Elections 2019: Popular politicians and key battles in Mumbai

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

Cricket can seem like a tedious game. You don't just play it for days. You play it for seasons. Winter in India. Summer in England. "But it's also a multi-dimensional profession, like all other sports," sports and performance psychologist Shree Advani tells us, explaining that it takes a lot out of a person at a mental, physical, emotional and spiritual level. Many of the lessons that players pick up on the way, however, can also apply to individuals in other careers. Those insights are now in the public domain in the form of The Barefoot Coach (Westland), a book that Paddy Upton — mental conditioning coach of India's World Cup winning national team of 2011, and head coach of Rajasthan Royals — has written. We pick five of his key revelations from the title so that you, too, can gain from his experience, no matter what field of work you belong to.

1. Keep your ego in check
Upton comes clean about the biggest professional mistake in his life to illustrate how a person's ego sits like a monkey on his shoulder. He had let the comparatively greater media attention that head coach and fellow South African Gary Kirsten had been receiving, get to him, after the Indian team started performing better and better around 2009. So, "to set the record straight" as he says, he leaked a certain document that he had prepared for the Indian team to a journalist he trusted, hoping to get some positive press for himself. What happened instead is that this scribe misconstrued Upton's advice to the team about the importance of having a healthy sex life, and attributed it all to Kirsten, bringing him disrepute since the article was painted in a negative light. Upton writes, "I had acted out of self-interest, out of ego, in order to get recognition for myself. What I had succeeded in doing was to hurt one of the persons in this world whom I least wanted to hurt."

Paddy Upton and Gary Kirsten. Pics courtesy/Paddy Upton

2. Start from scratch
It can be easy to get caught up in the warm glow of success after a high in your career. Instead, it's a better idea to start from scratch straight away and focus on the next goal. Upton talks about tennis champion Rafael Nadal's concept of "getting back to zero". The idea is to treat winning a tournament as plus-five, and losing in the first round as minus-three. Either way, you have to get back to zero and reset the mind and body for whatever the next challenge might be. The Indian national cricket team, for instance, failed to do that after the incredible rush of winning the World Cup in 2011. They spent too long on the top of the mountain, metaphorically speaking, and thus tumbled soon after to suffer a string of defeats.

The Indian team after winning the 2011 World Cup, a success in which they basked for too long

3. Be the right alpha leader
Most leaders by nature are alpha persons. They have a sense of dynamism that puts them at the head of the herd. But this strong personality can assert itself in a negative manner sometimes. In the corporate world, that would be the definition of a bad boss. This person would treat his employees merely as resources who help him achieve his own selfish ends. As a result, his subordinates would go into survival mode and fail to work as a unit, which — in cricket — would translate into a batsman looking to stay at the crease at the cost of sacrificing his wicket for the greater good of the team. Healthy alpha leaders, on the other hand, would place high demands on juniors, but the latter would experience that as being fair. That's because this leader also embodies the crucial quality of empathy, since he is willing to listen to others and is sensitive to what they might be going through. Upton cites Graeme Smith as an example, under whose exemplary captaincy the South African side was a happy cricket team.

(From left) A happy frame of Indian cricket greats Virender Sehwag, Mahendra Singh Dhoni, Sachin Tendulkar and VVS Laxman

4. Let the feeling of failure go
It might seem like a clichéd phrase, but "this too shall pass" is an effective way of dealing with failure. Upton writes about a certain chat that he'd had with Kyle Mills, after the New Zealand cricket team had suffered a string of seven consecutive defeats, four of which were against cricketing minnows Bangladesh. The fast bowler's energy had been so morbid when he had been shaking hands with Upton at the end of their latest defeat, against India, that the Indian mental conditioning coach felt compelled to have a quick chat with him later on, even though he came from the opposing team. Upton told Mills that cricket is just a game, and for that matter, so is life. He told him, "Take yourself one year ahead of today, and tell me what you would say about this experience." Mills initially looked confused as "he tried to extract himself from the moment and project into the future". But after a few moments, he realised that the losses wouldn't feel as bad later on, and that he might even gain some valuable lessons from the experience. "This too shall pass," Mills understood.

Quick singles with the barefoot coach
How best can a person in a high-profile job put blinkers on to ward off the constant attention they have to deal with?
It's difficult for high-profile celebrities to separate their three lives — personal, public and professional. Some get too caught up in the public lives, basking in the glory of the limelight. These individuals run the risk of compromising their professional life, and if they fall into the easy trap of merging their personal and public lives, it could leave them vulnerable to post-career difficulties and even depression. Those who do best place their personal and professional lives as the priority, and avoid all the traps and attractions of living the public life as a celebrity. In this way, they maintain their professional processes of training, preparation and sleep. Players like Rahul Dravid and VVS Laxman are excellent examples of this.

How would you say that the impact of playing a sport like cricket professionally affects the way a teenager evolves into a person in his mid-thirties?
An athlete who goes into professional sports at a young age, and remains there for say two decades, will have varying degrees of ease or difficulty when exiting the career and returning to 'normal' life. This will be dependent on the degree to which they remain with their feet on the ground versus adopting the values and expectations that fans and the society places on them. The ideal way is for them to work on advancing their professional life as much as they work on being a good human being, of sound personal values. They should ideally not attach their personal identity to the talent they have, and the results that flow from it.

What are some ways for players to deal with the separation anxiety of being away from their families on lengthy tours?
Being on tour looks amazing from the outside, but from personal experience, living for long periods in a hotel room can be very lonely, even for the most celebrated public figures. What's important is that players have a strong connection to something important in their personal lives, and away from the game. It's probably best to have good friends and family relationships [or hobbies], where cricket is not the main focus of conversation or attention. Many players spend their hours on PlayStation or on social media. This temporarily hides the experience of loneliness, but does very little to overcome it when they walk away from that temporary distraction.

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates

With the city going to the polls today, a total of 422 polling stations has been declared 'critical', which includes 65 from Mumbai suburban and 357 from the Island City. As part of the special arrangements made at polling stations, live web-casting and video-recording will be done. The procedures will be monitored closely and immediate action would be taken in case of any suspicious activities.

As per the instructions given by the Election Commission (EC), the booths that polled more than 75 per cent votes in the last elections or where the same candidate got 75 per cent votes have been marked as 'critical'. Even the law and order situation of the last election has been taken into consideration before deciding on this.

According to sources, live web-casting will be done at more than 10 per cent (763) of the total 7,472 polling stations in suburban Mumbai. The procedure will be carried out based on the terms of the 65 'critical' polling stations out of the 763. Whereas, in proper Mumbai, of the 357 polling stations declared critical, web-casting will be conducted at 260. As part of the security arrangements, additional force, including teams of the Central Industrial Security Force, will be deployed within a 100-metre radius of polling centres.

Live Blog: Elections 2019 Phase 4 Live Updates: Anil Ambani, Rekha cast their vote

Speaking to mid-day, a senior official said, "No polling station has been found to be sensitive even after a detailed study, but even the critical ones will be monitored closely by us. The live web-casting will be continuously monitored by the EC-appointed observers."

Also read: Elections 2019 in Mumbai: Everything you need to know before you vote

763
No. of polling stations in suburban Mumbai where web-casting will be done

260
No. of polling stations in Mumbai where web-casting will be done

Catch up on all the latest Crime, National, International and Hatke news here. Also download the new mid-day Android and iOS apps to get latest updates

As absurd as it may sound, we love art more than we love food. And when we come across a café that combines the two, it surely gets our hopes up. Tucked in one of Linking Road's bylanes teeming with eateries is Me Time Cafe, an art studio-cum-café with a variety of vegetarian and vegan options on the menu.

When we enter the space on a Saturday afternoon, it is packed with students working on college projects, couples, business partners, and a family. No, we didn't intend to eavesdrop, but it's a relatively small space for the seating it offers, which makes it easy to hear all the talk.

Vanilla panna cotta

The decor is an eclectic mix — books hang as chandeliers and there's graffiti and framed doodles on the wall. The staff gives us a warm welcome and hands over the menu shaped like a palette. A glass wall divides the studio and the café.

There's an hourly charge of R700 if you wish to do artwork in the studio (all materials are provided). While the children inside seem occupied with their blank sheets, we decide to order the cashew cream cheese, smashed avocado and black sesame tartine (R320), which is subject to availability, and we're instantly told that it isn't our lucky day today.

Grilled vegetable lasagna with pesto cream

So, we choose the grilled vegetable lasagna with pesto cream (R350) and an apple and cinnamon iced tea (R120). The menu also has a key to dishes that are vegan, Jain or gluten-free. Our order arrives in 10 minutes.

The iced tea is perfectly blended and unlike most other places we've tried it, not loaded with ice cubes. A slight dash of lemon would've improved the overall flavour. The lasagna is an absolute delight. It isn't overloaded with cheese and the pasta slices melt in your mouth. We're positive that we have reached a point where we don't know if we want to finish the entire bowl and be filled with it or grab the menu again.

Apple and cinnamon iced tea

After sipping all the iced tea, we decide to do the latter. We choose the Thai-flavoured Asian bowl (R350), and the server asks us to pick between tofu and paneer as an addition to the dish. We go with tofu, and again, the café delivers with their prompt service. We lap up the mushrooms and tofu tossed in sesame, and the sautéed pakchoy that complements the soy chilli rice with coconut curry.

The dessert menu is also extensive ranging from fudge and fondant to cheesecake and ice cream sandwiches. We opt for a vanilla panna cotta (R250), and it arrives looking like a work of contemporary art with splatters of coconut dust. But it is too dense and could pass off as custard.

All in all, we are pleased with our experience. It proves to be a good hangout space for a diverse audience. With numerous haunts in the neighbourhood, we think this one is here to stay. Where else can you witness people talking share prices and having a heated debate over Frida Kahlo's artworks in the same space?

At Me Time Art Cafe, 467 Maya Building, Unit 1 ground floor, 14th Road, Khar West
Time 12 pm to 11 pm
Call 26054884

Catch up on all the latest Mumbai news, crime news, current affairs, and also a complete guide on Mumbai from food to things to do and events across the city here. Also download the new mid-day Android and iOS apps to get latest updates