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Category	Equity Scheme - Mid Cap Fund
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Category	Equity Scheme - Mid Cap Fund
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Category	Equity Scheme - Mid Cap Fund
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Category	Equity Scheme - Mid Cap Fund
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Category	Equity Scheme - Large & Mid Cap Fund
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Category	Equity Scheme - Large & Mid Cap Fund
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Category	Equity Scheme - Large & Mid Cap Fund
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Category	Equity Scheme - Large & Mid Cap Fund
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Category	Equity Scheme - Large Cap Fund
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CA Final AIR 1- SHADAB HUSSAIN- Examination Tips and Tricks for CA Final Students

Every CA Aspirant Must Follow This Mantra | CA Kapil Malhotra | Josh Talks

Shubham Malhotara, AIR-1 IPC Nov18 Exams in an Exclusive Talk with CAclubindia

Analysis of CA Final FR Old Syllabus Nov'19 paper by CA Sumit SardaClick here to download CA Final FR (Old) Syllabus Nov'19 Paper

Analysis of CA Final FR New Syllabus Nov'19 paper by CA Sumit Sarda Click here to download CA Final FR (New) Syllabus Nov'19 Paper

Today, inspired by a loved-one who did it first, I'm sending a thank you note to Josh Shapiro, the Attorney General of Pennsylvania, to thank him and his team for the 1000+ page report listing 300 predator priests in Pennsylvania and detailing decades of illegal coverups and lies. This report changed my life; it was a step toward justice, validating the reality of so many people, not just in Pennsylvania. I'm sharing this thank you idea with you all, because it didn't even occur to me to write a thank you note until someone else showed me hers. Maybe you're like me. If so, you too could send a grateful red monster to the Attorney General of PA.

Here's the mailing address:

Pennsylvania Office of Attorney General
Strawberry Square
Harrisburg, PA 17120

 (Oh and I got my cute thank you cards from this Etsy shop.)

Those promised adventure pics are coming very soon. Until then, be well, everyone.

Look what just arrived in the mail. My UK/Australia/NZ tenth anniversary edition, from Gollancz, is ready to release on September 20! I knew about the new colors and classic look, but I didn't know about the hint of map in the background, or that was it was going to be a hardcover. I'm so pleased. Happy birthday, Katsa!

We set out very early...

and drove through the fog.

The sun rose before us.

I was wearing pretty great socks.

Our destination was Quechee, Vermont.

It was pretty foggy there too.

Oh look! It's Kevin's sister, Heather! And something interesting in the background...

What's that guy doing?

Dude, weird basket.

Did you know that when a hot air balloon is being inflated, you can walk inside it?

In fact, it's like a stained-glass cathedral in there. (Without the patriarchy! ^_^)

Reader, I married him.

Happy siblings.

Happy married-for-ten-minutes-so-far people.

Of course, that's not all, right?

But it was still awfully foggy...

and hot air balloons aren't safe in fog...

unless they're on a tether!

We did a tethered ride, safely attached to the ground.

Afterwards, our fabulous pilot, Chris Ritland, toasted us with the balloonist's blessing...

I cut the amazing orange cake Heather had made...

And as is traditional, the married couple fed wedding cake to their hot air balloon pilot. Of course, one thing was missing from our day. So, about two weeks later, we went back to Quechee...

On an unfoggy, perfect-weather, untethered-ride day.

And we flew.

Trees look amazing from this distance, and at this speed.

That dot in the river is the reflection of our balloon!

When I told my friend Judy Blundell about our hot air balloon elopement, she said, "Marriage is an untethered ride."

We're ready.

I've just gotten home and am going through my mail. It's a day for unpacking, organizing, trying to remember and reinstate my routines, and figuring out which way is up. I like days like this. They're cozy and slow, and I don't put a lot of pressure on myself. Especially since I handed in a draft right before I left, I have the added pleasure of deciding what I'm writing next. This thing that I probably should work on, or that thing that's knocking on my door, begging to be worked on? And, now that Arctic Trip Prep is no longer my biggest extracurricular activity, I finally get to dive into some other projects that have been on hold. You know your life has opened up a little when you're actually looking forward to tasks like choosing new health insurance now that you're married, and figuring out whether you need to keep paying for long-term disability insurance. Sigh.

This morning, I find myself spending some time with my favorite piece of mail -- the Spanish version of Jane, Unlimited, published for Mexico, Central and South America by V&R Editoras.

This edition contains some lovely design details! The designers, artists, and editors did some very clever and nice things with the umbrella metaphor -- closed umbrellas, open umbrellas, depending on what part of the book you're in. Here's the title page:


The table of contents:


The beginning of the first, "closed" part:


Here's the attractive design on the first page of each section:


Every single page of the book has an umbrella at the bottom! Be still my beating heart. And a key-like shape between parts:


Now we reach the end of the first section and enter the part of the book where the "umbrella opens" into all the different simultaneously-occurring stories:


More design as Jane decides:


The subsequent sections of the book are marked with an open umbrella:


And here are the parts of the umbrella at the end:


I am delighted. Thank you to my Spanish-edition team, which includes Marcela Luza, Marianela Acuña, Melisa Corbetto, Erika Wrede, Julián Balangero, Luis Tinoco, translator Graciela S. Romero, and many others whose names aren't listed inside the edition. I am so happy!

Arctic stuff soon :o). And actually, these pictures look a little foggy to me -- I may need to clean some salty, foggy, misty layers of grime from my iPhone. So much to do. Taking my time.

Be well, readers.

In the coming weeks, I want to blog about a typical day on board; tell little stories of routines and big stories of adventures, in pictures; introduce you to some of the characters from my journey; familiarize you with the beautiful Antigua; and talk a little about my writing work on board.

I want to start, though, with a simple series of landscape photos, just to give a sense of atmosphere. For two weeks, with the exception of one day when we docked at the research station in Ny-Ålesund, we were alone on both land and sea. At the beginning of our trip, on October 1, we had about 10 and a half hours of daylight. As the trip progressed, we began to lose daylight steeply, as much as 40 minutes per day, such that when we returned to Longyearbyen on October 15, we had about 6 and a half hours of daylight. Can you imagine such a change, over the course of two weeks?

It made for some dramatic and moody skies.

Notice, in these pictures, how often my camera would reach for the Antigua in the distance :o). While I took these pictures, I was cold, in a remote and vast place where wind and ice were the only sounds. Often I was on land, a Zodiac-ride away from the ship, for hours. The Antigua in the distance meant warmth and home.

I'll start with the map of our route around the western and northwestern coast of Spitsbergen. I won't be identifying locations in this post -- forgive me, but it would add a couple of hours to this posting, and I don't have that tonight -- but I do want you to have a general idea of where we were. Please do click on the pictures to embiggen and also see them in higher resolution/better quality. These pictures are insufficient to express the range of what we saw -- but I will fill that out more in coming posts!

Hopefully, if you embiggen this, you'll be able to make out our route, numbered along the black line.

A day of still waters.

One of many glaciers, glowing blue.

Artists dotting the landscape.

Sailing through sea ice in the north.

The sun was always low.

Ridges, glacier, ice, snow.

Sunset.

Color!

Clouds creating a matching formation with the peaks below.

Not much light, on one of the short days near the end of the trip.

The Antigua is tiny in this picture, can you find her?

More coming soon! :o)

You might be wondering what it was like to live inside a ship for two weeks as we explored western Spitsbergen. For a sense of our day-to-day inside lives, here are some pictures from inside the Antigua. Please keep in mind that it was HARD to take these particular shots, because all the spaces are small and strangely-shaped, no space on a ship is designed for easy photographing, and also, the ship is never, ever still. It's tricky to take in-focus pictures when the floor is moving!

Our food was delicious, warm, and plentiful at every single meal. Good thing, because we were spending hours outside every day -- sometimes 8-10 hours -- in below-freezing temperatures, so we were burning a lot of calories and needed a LOT of fuel. Here's some birthday cake.

I have another post of Arctic pics lined up, but I wanted to change to the subject for a moment to something closer to home. Here's something we received from some of my dear people at Penguin after we got married.

 Umbrellas, magical worlds, and joint adventures! My editor, Kathy Dawson, found the card, and my artist and mapmaker for Bitterblue and Jane, Unlimited, Ian Schoenherr, revised it :o). Jane, Unlimited readers will hopefully understand why.

My mouth fell open when I saw it, and I promptly burst into tears. Thank you to those involved -- you know who you are :o).

More soon!

Today Kevin’s game, Starcom: Nexus, releases in Early Access on Steam. It’s a thing of beauty, and also a lot of fun. If you like games that take you into outer space where you get to explore mysterious worlds, build a powerful ship, and explode bad guys, you should buy it, and play it, and let your gamer friends know about it. Yes, I’m biased, but reviewers and streamers  - who are not his spouse  - also love it :o). (FYI those last two links go to youtube streaming vids.)

***

Conversation at the dinner table:

Kevin: How was your day?

Me: Okay, I guess. I still can’t figure out how to get this girl to accidentally set her house on fire, then cause an explosion and get stuck in a window grille.

Kevin: I believe in you.

Me: Thank you. How was your day?

Kevin: Okay. When my enemy ships get within a certain distance of each other, they spontaneously explode.

Me: Oh!

Kevin: It’s not supposed to happen. It’s a bug.

Me: Oh.

Kevin: I can’t figure it out.

Me: I believe in you!

***


There are a lot of similarities between the work Kevin and I do. We both create complicated worlds with characters and plots. We’re both entertainers.

Meet your commander.

We have some processes in common: for example, we both study the books/games we love, then try to learn from them. We both think about the things we don’t like in other books/games, then try to come up with alternatives we prefer. We both know how to wear the creator hat; then switch to the reader/gamer hat, reading/playing our own project with a critical eye; then go back to the creator hat to fix what isn’t working. We’re both extremely familiar with the phenomenon wherein you change one little thing, then a ripple effect passes through the entire work, complicating/breaking things in ways you didn’t anticipate.

Meet the Ulooquo, an underwater alien race.

We can also get similarly overwhelmed by our own projects. I’ve talked a lot on the blog about how a book has many parts, and writing a book involves many jobs. Well, a game has SO many parts. It has music and art, visual effects, numerous interfaces, plot and character, mysteries and rewards. It must be able to support and absorb the choices of individual gamers, over which the creator has no control. It has SO many (literally) moving parts!



We also both work by ourselves for years on self-directed projects… then put our creations out into the world, hoping they’ll find the people who will love them.

These similarities are deep. They help us to understand each other’s frustrations and joys, and support each other meaningfully. This is awesome. However, I want to talk a little bit about the differences, which are many.

For example, in my writing career, I have an agent. She connects me to an editor who helps me craft the right words. Then, my editor works with my publisher to create a beautiful physical book, publicize and market that book, and sell that book for me.

An indie game developer, on the other hand, does everything himself, in an extremely saturated market with a lot of roadblocks. He can hire other people to help. Kevin hired a composer and an artist, to help him with his music and his characters (like the Commander and the Ulooquo above). He hired a marketing consultant to do a few things too. But he worked closely with those people, because he knew exactly what he wanted. And everything else has been the work of his own hands. He’s done SO much marketing and publicity work on his own that’s made me appreciate my own marketing and publicity departments even more than I did before. Self-promotion in a saturated market is really, really hard. It’s also stressful for a guy who happens to be humble and was raised with the good-old New England ethos of not bragging about himself :o).

Here’s another big difference: Kevin can release his game while it’s still in production, then use the feedback from early players to shape it and make it better. He can write code into the game that allows him to see how long players play; where they decide to drop out of the game; which options are being chosen more often than others. (He receives this information anonymously, in case you’re starting to worry that he can actually tell what you’re doing inside his game!) As a writer, I definitely don’t know where someone decides to abandon my book. Nor do I want to know, because once people are reading my book, it’s final! If everyone is bailing at a certain point, there’s nothing I can do about it. The words in my book are not going to change. Kevin’s game is more of a living, growing creature, even after it releases, and based on player reactions.

Another big difference is that while I am a wordsmith, Kevin is a programmer. A lot of the time, when I step into his office, he’s working with programming language on his many screens, and I don’t understand the smallest bit of it. My readers read my actual words. His gamers play a game built on a framework of programming that looks and feels very different from the actual game. He also works with a lot of complicated software (like, for 3D modeling) and does a lot of math. He uses trigonometry to [I just asked him to explain it and he said something about spaceships shooting at each other, vectors, and cosines. ???]. I can come home and tell him practically everything I struggled with at work that day. A lot of what he does is too technical for me to understand—though he is really good at creating analogies and explaining things to me when I ask (and when I'm not rushing to finish a blog post!).

Another difference is that he is a visual artist. For example, he created Entarq's Citadel below, which is one of the worlds his gamers get to explore.


Here's another.


Another difference:  I can do my work anywhere. All I need is my notebook and a pen. Kevin needs his fancy computer and his big monitors. So he works from home. Home office and self-employed means he’s working most of the time. Most mornings, he’s working by the time I get out of bed. By the time I leave for my office, he’s put hours in. I come home and he’s making me dinner; after dinner, he works for a few more hours. I go away on trips without him; he works while I’m gone! I always thought I worked really hard. I have a new standard now.

And now his work has created this beautiful, fun game that’s getting really positive attention from gamers and streamers :o). Today, you can buy it in Early Access, and become one of the players who contributes to what it will ultimately become.

And that's my little explanation of what it's like to live with an indie game developer. Check out the links if you’re interested! The trailer is below.

Dear Susan,

You were one of the caretakers of my life. The moment you saw me, you recognized me as one of yours and brought me under your wing. What a big wing it was—you brought so many people under there. I found some of my best friends under your wing, where you were sheltering them, as you sheltered me. We were all lovers of that “impractical” thing, children's literature. Until I came to Simmons and met you, I didn't know there was a place where people like us could go.

I think—I hope—I told you, before you died, that I have the best job in the world for me. It's not possible to be happier about one's daily work than I am about mine. Do you know who held the lantern and lit my way to this work? I would not be here without you. You changed my life, enormously. Do you have any idea how many women and men are thinking about you right now and saying to themselves, “She changed my life?”

You were so unique. You were a person who could never, ever be mistaken for anyone else. If faced with a line of your clones, it would’ve take me the briefest glance into your expressive, thoughtful face, the slightest sound of your careful grasping for the right words, for me to know which one was you. I would recognize your hug, too. I would certainly recognize your skirts and your earrings. I think I would recognize your perfume. After I got married last summer, you surprised me at tea. (Thank you, Cathie, for arranging that marvelous surprise.) You and Cathie gave me a bouquet that contained a beautiful flower and a beautiful umbrella (because you knew how much I love umbrellas). I brought them home to Kevin. As I showed the umbrella to him, trying so hard to express how much it meant to me, I exclaimed, “It smells like Susan!”

Last weekend, I was in Vermont by myself when I got the news that you’d died. I spent the day sitting on the porch of the cabin, looking out over the mountains, watching for hummingbirds, and reading a mystery novel by A. A. Milne. But really, I was thinking about you. I wondered if you knew that A. A. Milne wrote mysteries. I bet you did know that. I would've liked to talk to you about it. The story I read was just exactly the smart, funny (and annoyingly man-centered) sort of mystery you would expect A. A. Milne to have written, though Pooh is better. I wanted to know what you would have thought of it. You would’ve offered some perspective it wouldn’t have occurred to me to have. I would’ve gone to my friends, the ones I found under your wing, and told them, “Listen to what Susan said about this mystery by A. A. Milne.” And they would've laughed, delighted, then said, “That's so Susan.”

While I was thinking about you, a hummingbird landed on my foot. It's less surprising than it sounds; I was wearing pink and red socks with flowers on them. I thought to myself, “I hate that I can't show this gift to Susan. It would have delighted her.” Like Edna St. Vincent Millay in her poem “Dirge Without Music” that was read at your service yesterday, I am not resigned to your death, and I do not approve. The best was lost when you died. “More precious was the light in your eyes than all the roses in the world.”

And now I'm writing this letter because you are gone, and I don't know what else to do. How else can I express what you meant to me? I'm writing it to myself, and for all the people who loved you. I think—I hope—it helps to share grief, and to hear one's own gratitude expressed. There's no tidy way to wrap things up when someone dies, so I'm not going to try. I'll just say thank you, Susan, for that place under your wing. I love you, I miss you, and I'm not resigned. I will never, ever forget you.

Susan Parker Bloom, 1938-2019

For Susan.

Have you seen "I'm Gay," Eugene Lee Yang's music video/dance performance, dedicated to the LGBTQIA+ community? It is stunning.

Trigger warning: it contains representations of violence toward the LGBTQIA+ community.

About a year ago, I finished knitting a blanket that was a gift for someone else and realized I missed its pieces piled up in my lap. I decided it was time to knit a blanket for myself :o). Wanting something cheerful for the cold, dark months, I chose this free pattern at Lion Brand.... and got started.

This blanket is knitted in three parts: the reds and oranges in one big triangular corner; the yellows and greens in a stripe across the center; and the blues and purples in another triangular corner.


The pieces are worked in intarsia colorwork. This means that most of the time, I was actively knitting with more than one color, which I admit can become a bit of a tangled headache. Below, I'm knitting the center stripe in three different greens and one yellow, and I have all four colors attached to my needle at the same time.




Below, I've knitted the red/orange triangle and the yellow/green center strip, and am just starting the  purple/blue triangle. All five of those purplish balls of yarn are attached to my needle as I work. Constant tangles! But pretty colors.


I had a bit of a hiccup at this point in the process, because after working for MONTHS, I discovered that I'd knitted my purple/blue corner piece much, more more tightly than my red/orange corner piece -- which meant it was far too small to fit with the other blanket pieces. Why did I do that? Because I was in the middle of a really difficult revision with a stressful deadline. When I'm relaxed, I knit loosely. When I'm stressed, I knit tightly. SIGH. I had to take it all out and start again. I was so depressed about this that I put the whole project aside for the entire summer!



 I attached them together, then, on the advice of several sages, chose yellow as the border color. All done!

photo taken March 2020

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