Do you remember that one fanfic that kept you reading until dawn for the very first time? Or the fan art or video that led you to dig out all the works its creator shared? Have you ever tried to look into the stories of the authors who wrote fics before you were even born? You can find all this and more on Fanlore - the wiki for fanworks, fan creators, and fannish history!

Fanlore is a project run by the Organization for Transformative Works (OTW) with the goal of providing fans a place to record and share their histories, experiences and traditions. Fanlore records both the history and current state of our fan communities – fan works, fan activities, fan terminology, individual fans and fannish-related events. You can read about what fandoms were like in the olden days and document memorable events in your own fandoms, all on Fanlore! Check out the wiki’s New User Portal or join the Fanlore Discord server to connect with other editors and users.

We would not be able to preserve these cherished pieces of fandom history without the generous donations of our fellow fans and volunteers who work tirelessly behind the scenes to keep all our projects running. As always, we have some shiny new donation gifts!

You can choose to display your love for fandom with some of our new thank-you gifts. For a US$40 donation, we have a new sticker set featuring popular AO3 tags. You can show off a bumper sticker saying "my other car is a ship" for a donation of US$50. For a donation of US$75 or more, you could carry home your groceries with a white and red shopping bag or you can announce your love for AO3 with our rainbow kudos pin.

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A donation of US$10 or more will also allow you to become a member of the OTW. OTW members can vote for the Board of Directors – the OTW’s governing board. Donating now and checking the “I wish to be a member” box will make you eligible to vote in the 2025 OTW Board Election.

We hope that many of you will take this opportunity to donate and become a member to support projects like Fanlore, Open Doors, Legal Advocacy, Transformative Works and Cultures, and the Archive of Our Own. Your contributions help keep our projects successful for new and long-time fans alike!

This is the first solo exhibition of my work! I am very pleased and honored that the La Conner Quilt & Textile Museum offered me a show in their new Local Artist Exhibit Program's first-floor Landmarks Gallery.

Every Child Should Have Her Own Tree, hand-dyed, beaded, embroidered fabric collage

I hope some of you will be able to come see my work, as well as the work of the other two featured quilt artists in the upper floor galleries.
A couple of readers have contacted me asking if the above work, or any of the other pieces will be for sale...  Nope, afraid not... exhibition only, although the museum's excellent gift shop does carry my books.

 

It All Started with Hexie-lust!

Getting Hooked on Crochet

Original Crochet-Along, Frida's Flowers

Bored with making 6 identical flowers - Colors calling us!

Designing Our Afghans

Entering at the San Juan County Fair

When my brother, Thom Atkins, visited last fall, he showed me (and a few quilting buddies) his new method for designing and constructing "scrappy improv wall quilts," a technique that turned out to be a lot of fun for me, especially given my long history with an improvisational, intuitive approach to bead embroidery.

Basically, what we did was to empty our bags or boxes of scraps onto a large table and start pawing through them, pulling out ones that appealed to us at that moment. For me it was all about color - red, magenta, fuchsia, with hints of pink, golden-yellow, orange, lavender, and dark green. All of the fabrics were in my scrap box. We had two days of Thom's demonstrations and guidance. During that time, each of us in our small group produced a unique and very pleasing "piece" or "block," measuring roughly 18 x 21 inches, the size of a fat quarter.

One of my red scraps, cut in a nice arc at one end, was the start of it all because I liked the shape and the color. Next I picked up a small strip of yellow, and held it behind the arc of red. Ooooh! Nice enough to repeat. The scrap of orange/red batik was large enough to cut a similar arc, and the strip of yellow was long enough to go behind that one too. These two arcs formed the basis of my piece.

You can see the two arcs above; the lower right was the first. The yellow strip was only about 3" wide, not enough to go all the way around the arcs, but I cut two shapes that would echo the top of each of the arcs. I layered the remaining scraps from that on top of the arcs along the vertical edges of the design. Then I put a dark green scrap behind the arcs and the yellow, which set them off nicely. The rest was just filling to the edges of the quilt with more scraps, including fussy-cut leaves and flowers.

The next step was to glue it all together along the 1/4" seam overlap, working in layers from bottom to top, and cutting away the excess fabric from the underside after each piece is glued. Cutting away the excess fabric leaves a double layer of fabric only at the seams; the rest is a single layer. The glue is Elmer's School Glue, Disappearing Purple, as shown below. It is an organic stick glue, relatively easy to sew through, repositionable, (in case you change your mind), and purple when first applied, drying to transparent (so you can see where exactly you are putting it).

Thom's method is a type of raw edge applique, typically accomplished with heat-fusible web, such as "wonder under." The typical method, given a complex, layered design such as mine, would have resulted in a thick, stiff, multi-layer surface, which would be difficult to quilt, even with a machine. In Thom's method, there is no web, and in most places only one or two layers of fabric. Like all raw edge techniques, the raw edges must be sewn down, and the resulting quilts are not very suitable for bed quilts unless there is heavy stitching over the raw edges (for example, dense, zig-zag, machine stitching).

After gluing my original (shown above) quilt top, I assembled the quilt, using a spray glue to layer the backing, batting and top. The next step was to stitch along the "seams," the overlapping, glued edge of each piece. From there, it was up to each of us as to how to finish the quilt, perhaps with machine quilting, such as stippling or contour stitches, or perhaps with beading, all of which Thom does on his quilts.

A couple of months went by after getting to the unfinished stage shown above. I liked it, but didn't know what to do with it, until one day when I was at our Senior Center, getting foot care from a trained nurse who comes a couple times a week to help those who need it. Her treatment room, about the size of a walk-in closet, has no windows. Her client faces the door to the room, a plain, wooden door.  "That door needs a quilt," I told her. The rest is history; my scrappy improv quilt, Eclipse,  hangs there now.

Only first I had to finish it. Above is the finished quilt, Eclipse. Below I'll tell you some of the finishing steps and about how I transformed it from looking flat and ordinary to sharp and textured using embroidery embellishments. Please click on the photo so you can see the details!

You might have noticed that the finished quilt is longer (better suited for hanging on a door) than the original piece. That was a challenge, although less than you might expect, because Thom had demonstrated for us how he sometimes extends the size of his quilts. In short, I roughly planned out the addition, the mock-up shown below, then created it using the same process and scraps as the original piece.


I used fusible "tape" made for butt-joining pieces of batting, to add a new piece of batting to the bottom edge of batting on the original (upper) part of the quilt. The horizontal strip of striped fabric overlaps the two parts of the quilt and the joined batting underneath. As you can see below, I added a fussy-cut flower over the striped fabric to break up the horizontal strip and visually join the two parts.


Confession time... I'm not good at machine quilting, and don't even have a proper quilting foot for my old machine (1972 Pfaff). I tried stitching around the fussy cut flowers to secure the glued edges, but failed miserably. What to do? Ah, hand-sew with embroidery stitches and floss? Yes! It took a few tries, but eventually I found stitch and thread combinations that worked.

It looked so good that I decided to add stitching and knots to the yellow arcs next. Wow! That popped the eclipse look! In the photo below, you can see bits of all the embroidery stitches I added. Not only does the embroidery provide embellishment and emphasis, it also further quilts the piece. Click the photo to see the detail and better read the stitch identification.


Here are two more detail photos of the finished quilt (without the text boxes).



Lots of fun, and I like the results! Will I do another one? Well, right now I've finally returned to my hexie project, where I'm likely to remain for many months, but after that, scrappy improv may be just what I need!

Kenneth Strother Jr., director of operations in Princeton University's Department of Public Safety (DPS), has been named assistant vice president for public safety, effective June 1.

Charles (Charlie) Tennyson has been appointed Princeton’s new director of Transportation and Parking Services following a national search to fill the position. He previously served for five years as deputy director of the department.

Alban Forcione, an internationally renowned scholar of 17th-century literature of “Golden Age” Spain, the Walter S. Carpenter Jr., Professor of Language, Literature and Civilization of Spain, Emeritus, and Princeton alumnus, died Sept. 14 at age 82.

Ronald Surtz, professor of Spanish and Portuguese languages and literatures, emeritus, died peacefully at home in Cranbury, New Jersey, on Nov. 14. He was 75.

In honor of his parents, Chemistry Nobel Laureate David MacMillan has founded The May and Billy MacMillan Foundation to provide educational opportunities for financially disadvantaged students in Scotland.

As the James Webb Space Telescope delights stargazers with breathtaking images and groundbreaking discoveries, we connected with Princeton astrophysics luminaries Gillian “Jill” Knapp and Neta Bahcall, both contributors to a new book by women astronomers.

Simon Morrison, author of the new musical biography "Mirror in the Sky,” is a professor of music and Slavic languages and literatures, and a sought-after lecturer in the humanities.

Hisashi Kobayashi, whose steady leadership as dean guided Princeton's School of Engineering and Applied Science through a rapid expansion of programs and facilities in the late 1980s and early 1990s, died on March 9. He was 84.

Hubbard, the top-ranking information technology administrator at the Georgia Institute of Technology, will join the University in January.

Two full professors and four assistant professors have been newly appointed to the Princeton University faculty.

The Princeton University Board of Trustees has approved the appointment of 14 faculty members, including two full professors, two associate professors and 10 assistant professors.

The Princeton University Board of Trustees has approved the appointment of 22 faculty members, including five full professors, one associate professor and 16 assistant professors.

CSDP brings voices from across the political spectrum into conversation with Princeton social scientists and students. 

tataata has added a photo to the pool:

Come do Competitive Programming at Princeton! Improve your coding abilities. Increase your knowledge of algorithms and data structures. Learn problem solving skills.

The Princeton Latter-day Saint Student Association hosts a weekly study. The discussions explore various aspects of the gospel of Jesus Christ, scripture, His Church, and the modern application of His teachings. Visitors are welcome.

Euphoric Whispers This event is free, but a ticket is required to attend. To reserve a ticket, use the University Ticketing website. This concert features a rare NJ appearance of Ali Akbar Moradi and Pejman Hadadi, two of Iran’s most renowned musicians. Moradi is the greatest living master of the tanbour, an ancient 2-stringed long-necked fretted lute traditionally used in religious ceremonies. Hadadi is the innovative percussionist (tombak, daf) who has been a member of the Dastan Ensemble for over 20 years and has collaborated with countless master musicians in Persian and world traditions. They will perform ecstatic and trance-inducing Kurdish music from western Iran – music that is little known in the US. Featured are meditative improvisations based on the repertoire of the Yarsan people, and the beauty and complexities of the art of this region. “Love, spirituality, intoxication with the divine and the power of music…With one string providing a drone, everything else rides on a single string of the tanbour, and in Mr. Moradi’s hands, that string encompasses an expressive universe.” - New York Times "The masterful Hadadi delivers an astonishing array of sounds." - Los Angeles Times Aliakbar Moradi Aliakbar Moradi, often hailed as “the best tanbour player alive” (Songlines Magazine, Issue 26, 2004), was born in 1957 in Guran, near Kermanshah, the central city of Kermanshah Province, Iran. Encouraged by his grandfather and father, he began studying the Tanbur at the age of six. Under the guidance of masters such as Sayyed Hachem Kafashyan, Sayed Mahmoud Alavi, Ali Mir Darvishi, Allah Morad Hamidi, and Sayyed Vali Hosseyni, he not only mastered the instrument but also delved deeply into the Kurdish maqam repertoire. Moradi gave his first recital at the age of 14 in Kermanshah. A year later, he established the first Tanbur group within the cultural department of Kermanshah. He then embarked on tours across Iran and later co-founded the renowned Shams Tanbur Ensemble. In 1991, he won first prize at the String Instrument Festival. Starting in 1992, he conducted extensive research on the ancient maqams of the Tanbur, resulting in a significant publication: a set of four CDs and a booklet released in 2002 by Maison des Cultures du Monde. Over the years, Moradi has published more than 23 recordings and books. He has collaborated with numerous esteemed musicians, including Shahram Nazeri, Kaykhosro Pournazeri, Kayhan Kalhor, Ardeshir and Bijan Kamkar, Pejman Hadadi, Erdal Erzincan, Ulaş Özdemir, Pezhham Akhavass, Mehdi Bagheri, and Arash and Kourosh Moradi. In addition to his research, recordings, and performances, Moradi teaches Tanbur in Tehran and Kermanshah. Currently residing in Kurdistan, Iran, he founded the cultural center The House of Tanbur in Guran. This center offers year-round music classes and hosts annual Tanbur and Kurdish music festivals to preserve and promote the rich cultural heritage of the region. Pejman Hadadi Pejman Hadadi, a renowned percussionist from Tehran, Iran, began his musical journey at age 10, studying under Master Tombak player Assadollah Hejazi. Influenced by greats like Bahman Rajabi and Hossein Tehrani, he later mastered the Daf, inspired by Bijan Kamkar’s recordings. Moving to the US in 1989, Pejman began his professional career in 1991, collaborating with notable musicians such as Hossein Alizadeh, AliAkbar Moradi, Kayhan Kalhor, Shahram Nazeri, and joining the Dastan Ensemble in 1995. He co-founded ZARBANG, the pioneering Iranian percussion ensemble, in 2000. Pejman’s innovative techniques on the Tombak, including tunable frame drums, and his partnership with REMO to develop synthetic-skin Dafs, have significantly expanded the instruments’ global reach. Dedicated to education, he established Neyreez World Music Institute and has received the Durfee Foundation Master Musician Award twice. Pejman’s compositions span dance and film, including soundtracks for Prince of Egypt and Prince of Persia.

Early Music Princeton presents a melange of Italian and English masterpieces. The EMP Singers will present pieces representing the “Cult of Melancholy”- mournful pieces by Dowland, Tallis, and Campion that celebrate the beauty and artistry of romantic despair. The EMP Treble quintet will be performing pieces by Strozzi, Monteverdi and Morley: love songs of passion and torment! To complete the program, the EMP Chamber Players and Viol Consort will present spirited Italian works by Frescobaldi and Corelli alongside the rich textures of English composers Tomkins and Coperario.

About the Event Our resident ensemble of Princeton University performance faculty and talented students presents a Sunday-afternoon program of songs with and without words written by female composers on both sides of the Atlantic. Songs for mezzo-soprano and piano by prolific lieder composer Josephine Lang and for mezzo-soprano and mixed chamber ensemble by Dame Ethel Smyth bookend the program, with works for string quartet, solo piano, and flute, viola, and harp, that reference American, Jamaican, and European song and poetry in between. This event is presented by Princeton University Concerts. For a full event listing and tickets, please visit this link.

Featuring new and repertory works by nationally and internationally recognized choreographers, performed by 49 Princeton students in an energetic program of dances from a surprising range of dance forms. The work in the Festival includes a new hip-hop work by Rennie Harris, a new contemporary dance-theater work by Raja Feather Kelly, a new contemporary work by Rebecca Lazier, a new ballet work by Matthew Neenan, an excerpt from Stephen Petronio’s Lareigne (1995) staged by Davalois Fearon, and a restaged excerpt of Ripple, a 2021 contemporary work rooted in Chinese classical and folk dance by Yue Yin. Relaxed Performance on 11/24.

Featuring new and repertory works by nationally and internationally recognized choreographers, performed by 49 Princeton students in an energetic program of dances from a surprising range of dance forms. The work in the Festival includes a new hip-hop work by Rennie Harris, a new contemporary dance-theater work by Raja Feather Kelly, a new contemporary work by Rebecca Lazier, a new ballet work by Matthew Neenan, an excerpt from Stephen Petronio’s Lareigne (1995) staged by Davalois Fearon, and a restaged excerpt of Ripple, a 2021 contemporary work rooted in Chinese classical and folk dance by Yue Yin. Relaxed Performance on 11/24.

Music of Duke Ellington (The River) and Gustav Mahler (Symphony No. 4). Soprano soloist for Mahler will be Sara Shiff '25.

Princeton Jazz Vocal Ensemble, directed by Michelle Lordi, presents a series of jazz pieces from the year 1959.

Featuring new and repertory works by nationally and internationally recognized choreographers, performed by 49 Princeton students in an energetic program of dances from a surprising range of dance forms. The work in the Festival includes a new hip-hop work by Rennie Harris, a new contemporary dance-theater work by Raja Feather Kelly, a new contemporary work by Rebecca Lazier, a new ballet work by Matthew Neenan, an excerpt from Stephen Petronio’s Lareigne (1995) staged by Davalois Fearon, and a restaged excerpt of Ripple, a 2021 contemporary work rooted in Chinese classical and folk dance by Yue Yin. Relaxed Performance on 11/24.

Featuring new and repertory works by nationally and internationally recognized choreographers, performed by 49 Princeton students in an energetic program of dances from a surprising range of dance forms. The work in the Festival includes a new hip-hop work by Rennie Harris, a new contemporary dance-theater work by Raja Feather Kelly, a new contemporary work by Rebecca Lazier, a new ballet work by Matthew Neenan, an excerpt from Stephen Petronio’s Lareigne (1995) staged by Davalois Fearon, and a restaged excerpt of Ripple, a 2021 contemporary work rooted in Chinese classical and folk dance by Yue Yin. Relaxed Performance on 11/24.

Music of Duke Ellington (The River) and Gustav Mahler (Symphony No. 4). Soprano soloist for Mahler will be Sara Shiff '25.

Come do Competitive Programming at Princeton! Improve your coding abilities. Increase your knowledge of algorithms and data structures. Learn problem solving skills.

Wednesday, November 20, 2024 7-8:30PM: Speed Dating 9PM: Concert featuring the Isidore String Quartet Find your perfect harmony among music-loving singles* in your age group by participating in 8-minute speed dates while enjoying catered appetizers on the historic Princeton University campus! Everyone will then head over to the concert hall to experience the trailblazing Isidore String Quartet. May you enjoy Isidore with a fellow music-lover you adore! Age Groups: Group Do: 24-39 Group Re: 40-59 Group Mi: 60+ Tickets for the full evening—admission to both the Do-Re-Meet event and the ensuing concert—are $50 General/$25 Student (an $80 value). If you already have a ticket to the concert and want to add on this experience, please contact us. *This event is designated for individuals seeking heterosexual connections. There will be an LGBTQIA+ and Allies Mingle on Saturday, December 7, 2024. To learn more about the Do-Re-Meet program and see more of Princeton University Concerts' social events for music lovers, click here. This event is presented by Princeton University Concerts. For a full event listing and tickets, please visit this link. Presented in partnership with TheSinglesGroup.com and Olsson's Fine Foods.

About the Event Part of the Princeton University Concerts (PUC) Performances Up Close series, audience is seated onstage alongside the musicians in an hour-long program. Winners of a 2023 Avery Fisher Career Grant and the 14th Banff International String Quartet Competition in 2022, the New York City-based Isidore String Quartet was formed in 2019 with a vision to revisit, rediscover, and reinvigorate the repertory. The young ensemble will do just that when they make their Princeton debuts in a program featuring a recent string quartet by multiple GRAMMY-winner Billy Childs; Henri Dutilleux’s fascinating Ainsi la nuit (“Thus the Night”); and W.A. Mozart’s forward-thinking “Dissonance” quartet. This event is presented by Princeton University Concerts. For a full event listing and tickets, please visit this link.

The Program in Visual Arts hosts an info session for all sophomores interested in the program minor and the Art & Archaeology Practice of Art track major. Students will have the opportunity to meet current faculty, majors, and minors to ask questions about the program and application process.

"When the first notes of [the music] threaded their way into my consciousness, they seemed to come from inside me…music wound its way through me as sound turned pure sensation." —The New York Times on PUC's Live Music Meditation About the Event Breathe in sound and silence through guided meditation as you listen to music more viscerally than ever before, meditating to the playing of the Isidore String Quartet, guided by Matthew Weiner, Associate Dean in the Princeton University Office of Religious Life. This is a FREE, unticketed opportunity to indulge in attentive, focused, and mindful listening. No prior experience with meditation necessary. Capacity is limited, and we advise participants to arrive early—although the event officially begins at 12:30PM, doors to the hall will open and meditation instruction will begin at 12:00PM (noon). The event will conclude by 1:30PM. If desired, attendees may bring floor seating (mat/cushion/etc); seating will be on stage, with chairs provided. For more information about the Live Music Meditation experience, check out this New York Times feature and Performance Today segment. About the Musicians: Winners of a 2023 Avery Fisher Career Grant, and the 14th Banff International String Quartet Competition in 2022, the New York City-based Isidore String Quartet was formed in 2019 with a vision to revisit, rediscover, and reinvigorate the repertory. The quartet is heavily influenced by the Juilliard String Quartet and the idea of ‘approaching the established as if it were brand new, and the new as if it were firmly established.’ The quartet began as an ensemble at the Juilliard School. They are currently completing their final year as Peak Fellowship Ensemble-in-Residence at Southern Methodist University in Dallas. Additional Evening Concerts: The Isidore Quartet will also perform in the evening as part of the Performances Up Close series at 6PM & 9PM, with audience seated onstage. Concert info & tickets This event is presented by Princeton University Concerts. For a full event listing and tickets, please visit this link.

Gemma Peacocke’s ‘A Strange Power’ is a 45-minute cantata about the tangled web of romance, free love, creation, and death in the early lives of Mary Wollstonecraft Godwin Shelley and her step-sister, Claire Clairmont. Scored for two sopranos, clarinet, piano, percussion, and cello, the work will be performed by Sputter Box with guest vocalist Charlotte Mundy. The program also features new works for the performers by other Princeton University graduate student composers Aliayta Foon-Dancoes, Devin Greenwood, Gemma Peacocke, and Onche Rajesh Ugbabe.

The Princeton Latter-day Saint Student Association hosts a weekly study. The discussions explore various aspects of the gospel of Jesus Christ, scripture, His Church, and the modern application of His teachings. Visitors are welcome.

Refine your chops in 1-on-1 sessions with Yuval Boim! Sign up for a slot on Monday evenings to work on skills such as monologue preparation, scene work, and auditioning, or to discuss career and graduate school plans. Sign-up required.

Back for its 134th year, the Princeton Triangle Club premieres a brand-new Triangle Show: Pageant Pending! Welcome to America’s Most Wanted, the biggest pageant event in all 50 states! The lights are blinding, the competition is cutthroat, and the interview questions must be answered in twenty seconds or less. Dreams, schemes, and ripped seams are all exposed under a merciless spotlight in this new musical comedy about a series of sash decisions! Join us for Pageant Pending and discover what has made the annual Triangle Show one of Princeton’s favorite town/gown traditions for over 130 years!

Princeton Disability Awareness Carnivals provides Princeton students the opportunity to spend the day with kids with disabilities during a fun day of carnival games and activities.

Carnival for Princeton students to spend time with children with disabilities at a day of fun.

Carnival

Back for its 134th year, the Princeton Triangle Club premieres a brand-new Triangle Show: Pageant Pending! Welcome to America’s Most Wanted, the biggest pageant event in all 50 states! The lights are blinding, the competition is cutthroat, and the interview questions must be answered in twenty seconds or less. Dreams, schemes, and ripped seams are all exposed under a merciless spotlight in this new musical comedy about a series of sash decisions! Join us for Pageant Pending and discover what has made the annual Triangle Show one of Princeton’s favorite town/gown traditions for over 130 years!

Back for its 134th year, the Princeton Triangle Club premieres a brand-new Triangle Show: Pageant Pending! Welcome to America’s Most Wanted, the biggest pageant event in all 50 states! The lights are blinding, the competition is cutthroat, and the interview questions must be answered in twenty seconds or less. Dreams, schemes, and ripped seams are all exposed under a merciless spotlight in this new musical comedy about a series of sash decisions! Join us for Pageant Pending and discover what has made the annual Triangle Show one of Princeton’s favorite town/gown traditions for over 130 years!

Free and open to the public. Jacques Schwarz-Bart is a recording artist with seven albums to his name, as well as a composer and educator. His collaborations include work with Roy Hargrove, Danilo Pérez, John Scofield, Erykah Badu, and many others. In 2005, he released his first project as a leader, Sone Ka-La, which revisits his native Guadeloupean music through the prism of jazz and won worldwide critical acclaim. His latest release, Jazz Racine Haiti, made him an ambassador for a school of modern jazz rooted in voodoo music. He teaches at The Berklee College of Music while keeping up a steady touring schedule.

Come do Competitive Programming at Princeton! Improve your coding abilities. Increase your knowledge of algorithms and data structures. Learn problem solving skills.

Please note this event begins at 1pm and ends at 2pm. The Ludwig Princeton Distinguished Lectureship features world class cancer researchers. Jeff Rathmell, leading cancer immunologist from Vanderbilt University, will present his talk "Metabolic Control of Immunotherapy and Inflammation." T cells in tumors and other inflamed tissues accumulate signs of stress and mitochondrial damage that affect cell metabolism but remain poorly understood. The metabolism of T cells and other immune cells is dynamically regulated and influences biosynthesis, signaling, and cell fate. We have shown that CD4 T cell subsets are metabolically distinct and that each requires a specific metabolic program for their function. Immune cells do not act in isolation, however, and are subject to systems and microenvironmental factors that shape their metabolism and function. On a systemic level, obesity leads to a state of chronic inflammation and is a risk factor for cancer incidence and progression. However, cancer immunotherapy can be enhanced in obesity in the cancer-obesity paradox. We have shown that induction of the immune checkpoint molecule PD-1 on tumor associated macrophages contributes to this paradox and immunotherapy responses in obese individuals. At a microenvironmental level, tissue temperature changes with body location, fever, and inflammation. We tested the effects of elevated temperatures found that T cells broadly become more pro-inflammatory but a subset of CD4 T cells, Th1 cells, selectively experience mitochondrial stress that activates a heat-sensitive molecular circuit to shape T cell fate. The metabolic interaction of immune cells with their environment can both drive disease and offer new therapeutic opportunities.

Join us in an engaging workshop to learn how to think like a start-up and see if your research or innovation has the potential to effectively solve real-world problems. Our Novus I-Corps Program at Princeton University is a half-day introduction to I-Corps hosted by the NSF I-Corps Northeast Hub(Link opens in new window). The Novus I-Corps Program at Princeton University provides an opportunity for individuals and teams with innovations or ideas to: Shift the mindset from science and technology to the people who would benefit Understand how Customer Discovery drives innovation (and gets you out of the building!). Meet local leaders in NSF I-Corps and Princeton University's Office of Innovation to guide your journey. Learn tips for success from an I-Corps Alumni Panel sharing their experience. Network with innovation-minded individuals to help form teams or guide your next steps. Who Should Attend: (Individuals and teams from any campus are invited) Princeton University faculty, postdoctoral researchers, graduate students, undergraduates, and alumni who are developing a scientific discovery or technical innovation. Local academic researchers from nearby institutions are welcome to attend. Individuals, including community innovators & local entrepreneurs, who want to learn how innovation happens at the Rutgers University and potentially join a team. Student Organization / Program Leaders who want to learn more about how I-Corps can benefit their members. Potential Mentors looking to get involved in supporting Rutgers startups. Benefits: TRAINING: Three-hour training introducing the I-Corps Lean LaunchPad approach to evaluating technologies through customer-discovery research, focused on identifying the technology’s potential for development in a startup or other venture. NETWORKING: Build relationships with local I-Corps program leaders to get guidance and support. Individuals can form teams to be eligible to apply for the Regional I-Corps program. PREPARATION: Attendees will be prepared to begin a journey of Customer Discovery with their own team or with a team they newly created. FOLLOW-ON OPPORTUNITIES: Attendees can be fast-tracked to an upcoming 4-week regional I-Corps Program and have access to a $1,500 NSF grant to do Customer Discovery. Teams who complete 20+ interviews after Novus can become eligible to apply for the $50k National I-Corps Teams program.

About the Event Two of today’s finest string quartets become even more than the sum of their parts in octets by Felix Mendelssohn and George Enescu as they return to Princeton University Concerts the evening prior to heading to Carnegie Hall. These monumental works—each, incredibly, written by the prodigious composers in their teens—are quintessential representations of the form, showcasing the sonic power and rich, multilayered possibilities of an octet configuration. This event is presented by Princeton University Concerts. For a full event listing and tickets, please visit this link.