Chunky Panday held a house party at his Bandra residence, and it was attended by his close family and friends. But Malaika Arora-Arjun Kapoor walking in together has already taken the internet by storm. The duo was clicked entering the party in the same car, and they were seen shying away from the camera when clicked by the paparazzi. 

Arjun Kapoor and Malaika Arora/picture courtesy: Yogen Shah

Arjun and Malaika were spotted twinning, and the duo shared the same colour of love, blue. While Arjun Kapoor was seen wearing a blue t-shirt, paired with blue denim, Malaika too looked pretty in a blue outfit. 

Malaika Arora just came back from her beachy vacations, and it is said that the actress was celebrating her bachelorette with the girl gang. In fact, Arjun Kapoor also accompanied the lady love to the Maldives. 

Arjun Kapoor and Malaika Arora are said to tie the knot soon. Though the details are yet to be out, the couple is not going to exchange the vows on April 19. Malaika-Arjun-marriage has been the talk of the town ever since they were spotted walking hand-in-hand at the Milan airport, where they were out to celebrate Malaika's 45th birthday overseas. 

In a media interaction, Arjun Kapoor, neither confirming nor denying, said - "One can pick how much information to share in the public domain".

Arjun was quoted saying, "It's your choice how much you put out there or yourself and your availability. Today, you have a lot of control over how much you want people to know about your life. Speculation and gossip is a part of it. I am not the first actor or the last. Our entire tribe is immune to it... because it is the nature of the business."

Also Read: Malaika Arora shares her piece of mind on Instagram; see photo

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If you are in the mood for some jokes or just want to take a break from mundane life, then this stand-up comedy act is for you. Featuring two boys and girls Shaad Shafi and Joel D'souza, and Sumaira Shaikh and Urooj Ashfaq respectively, the evening will see the four crack some of their favourite jokes and also try out new material.

ON April 27, 8.30 pm to 9.30 pm
AT The Habitat, 1st and 4th, Hotel Unicontinental, road number 3, Khar West
CALL 9833358490
LOG ON TO insider.in
Cost Rs 200

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The trailer of Student Of The Year 2 was launched today. The movie, which stars Tiger Shroff as the lead actor, marks the Bollywood debut of two pretty ladies - Ananya Panday (daughter of actor Chunky Pandey) and Tara Sutaria. While Tara is playing the character of Mia, Ananya is playing the role of Shreya in the 'SOTY' sequel.

While Tiger Shroff was seen doing his usual best - dance, action and power-pact dialogue deliveries, Tara and Ananya looked fresh and promising, throughout the trailer.

Check out Student Of The Year 2's trailer:

The first instalment of the movie, which released in 2012, marked the debut of actors Alia Bhatt, Varun Dhawan and Sidharth Malhotra in Bollywood. The film was directed by Karan Johar. SOTY2 has been directed by Punit Malhotra and produced by Karan Johar.

Director Shashank Khaitan, who has worked with Dharma Productions with films such has Humpty Sharma Ki Dulhania, Badrinath Ki Dulhania and Dhadak, took to Twitter, and wrote: "Go Puneet... let the high school games begin ... again ... @iTIGERSHROFF #TaraSutaria #AnanyaPandey @karanjohar @DharmaMovies".

Varun Dhawan also tweeted the trailer and wrote alongside: "Here’s wishing all the new student #tara #ananya and the tiger of our industry @iTIGERSHROFF congratulations on getting into st Teresa. Great job Punit #SOTY2Trailer"

Alia Bhatt wished the team luck and wrote: All the best guys!!!! Looking like soo much fun... @iTIGERSHROFF #AnanyaPanday #TaraSutaria.

Deanne Panday commented on Ananya Panday's Instagram post saying, "So proud of you Ani."

Bhavana Pandey, was all praises for her daughter, after watching the trailer. She wrote, "Fab" on Ananya's Instagram post.

While Warda Nadiadwala commented "Ananya... Kickass", Neelam Kothari wrote "All the Best"

Student Of The Year 2 is slated to hit the screens on May 12.

Also Read: Here's everything you need to know about Student of The Year 2

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It is easy to feel like a tourist in your own city. We know we feel that way when we reach Ranwar village on Bandra's Chapel Road — because we're wandering around staring at house numbers, until we finally find number 43. The space is called Cohostel — a hostel for backpackers that's around six months old.

The managers Ashu and Shekhar welcome us in, through a passage where doors on either side are named after Bandra's villages — Malla, Waroda, Ranwar, Boran, Pali, and others. "Our visitors are always curious when they observe the name plate, and ask us about Bandra's history. Some of the villages aren't even seen anymore but we thought it was important to at least put it out there," Ashu tells us. But there's a space beyond the standard dorm rooms, too. A rooftop area that plays host to comedy gigs by new collectives such as The Squibhouse Comedy that will host one called Knocktale Night tonight.

Managers Ashu (extreme left) and Shekhar (extreme right) interact with tourists

"Other venues tend to be more professional so they charge for the entry, equipment, etc. Our events are complimentary for the guests and for outsiders, we have a small cover fee for pizza and soft drinks. The comedians are also from small groups and we give an opportunity to anyone who wants to showcase their talents. It's an intimate setting," he says, while a backpacker from Iceland enters the room to check out.
Prashant Nihalani, who helms the hostel with his father and partner, tells us that the idea was to create a social space with cheap accommodation. "The rooftop setting is so fluid that when we host a movie screening, we just move the chairs by the kitchen to create a theatre setting. We wanted this to feel like home and not intimidate anyone as even travellers want to make friends." In addition to stand-up and screenings, the venue will continue to host storytelling and poetry performances.

The doors of each room are named after Bandra's villages — Malla, Pali and Boran among others. Pics/Atul Kamble

For comedians like Prasad Mathkar, who will perform tonight along with nine others, the hostel provides a diverse audience that you wouldn't get to meet at other mainstream venues. "It is fun to perform for an international audience. You have to try to get where they are from and tailor your set accordingly. This is the fourth time that I'm performing here and the audience has always been very receptive because they treat this like their own homes," he shares.

Prasad Mathkar

For Rs 800 a night, visitors get stay and breakfast, but they are free to order what they like or cook in the kitchen on the rooftop. Books and magazines are also stacked in a shelf and the managers, who have moved to the city from Varanasi, interact with guests as if they've known them for a long time — and that's perhaps what it means to be home away from home.

ON Tonight, 7.30 pm to 10 pm
AT Cohostel, 43, Chapel Road, Ranwar village, Bandra West.
CALL 9856564545
LOG ON TO www.eventshigh.com
Cost Rs 200

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San Francisco: Global wearable brand Fitbit has announced to use Google's new Cloud Healthcare API to help the company integrate further into the healthcare system, such as by connecting user data with electronic medical records (EMR). Combining Fitbit data with EMRs can provide patients and clinicians a more comprehensive view of the patient profile, leading to more personalised care, the company said in a statement late Monday.

"Working with Google gives us an opportunity to transform how we scale our business, allowing us to reach more people around the world faster, while also enhancing the experience we offer to our users and the healthcare system," said James Park, co-founder and CEO of Fitbit.

"This collaboration will accelerate the pace of innovation to define the next generation of healthcare and wearables," he added.

The companies will also look to help better manage chronic conditions like diabetes and hypertension by using services such as Fitbit's recently acquired "Twine Health".

Using Google's Cloud Healthcare API, "Twine" can make it easier for clinicians and patients to collaborate on care, helping lead to better health outcomes and positive returns for employers, health plans and hospitals.

"At Google, our vision is to transform the way health information is organised and made useful. By enabling Fitbit to connect and manage key health and fitness data using our Google Cloud Healthcare API, we are getting one step closer to this goal," said Gregory Moore Vice President, Healthcare, Google Cloud.

"Together, we have the opportunity to deliver up-to-date information to providers, enhancing their ability to follow and manage the health of their patients and guide their treatment," he added.

Google Cloud will provide Fitbit with next-generation cloud services and engineering support, allowing Fitbit to scale faster.

Fitbit products are carried in over 45,000 retail stores and in 86 countries.

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San Francisco: To help small and large businesses reach out to 1.3 billion people who use Messenger every month, Facebook has launched an Augmented Reality (AR) tool for them. With this tool, the businesses can leverage the "Camera Effects Platform" to easily integrate AR into their Messenger experience, bringing the virtual and physical worlds one step closer together.

"When a person interacts with your business in Messenger, you can prompt them to open the camera, which will be pre-populated with filters and AR effects that are specific to your brand," David Marcus, Vice President of Messaging Products, said in a blog post on Tuesday.

From there, people can share the image or video to their story or in a group or one-to conversation or they can simply save it to their camera roll.

"To date, there are over 300,000 active bots on Messenger, and over 8 billion messages are exchanged between people and businesses each month -- that's 4 times the amount of messages exchanged since just last year," Marcus informed as Facebook began its annual two-day F8 Developers' Conference in San Jose on Tuesday.

"Today, there are 200,000 developers actively building experiences, forging connections between people and the brands they love and bringing real value to their everyday lives," the post added.

To begin with, ASUS, Kia, Nike and Sephora will launch AR effects for their Messenger experiences.

Facebook also announced that buyers and sellers in its Marketplace will be able to communicate across languages with "M Translations".

"Now when people connected through Marketplace receive a message in a language that is different from their default language in Messenger, M will ask them if they want to translate the message.

"This will help drive commerce between buyers and sellers despite language barriers. At launch, translations from English to Spanish (and vice-versa) will be available in Marketplace conversations taking place in the US," the post further said.

Facebook will gradually roll out "M suggestions for translations" in additional languages and countries.

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If your grandparents are struggling with isolation, showing them how to use Facebook may help as researchers, including one of Indian-origin, have found that social networking sites offer tools and activities that may help older adults feel more empowered and less lonely.

Facebook and similar social networking sites could play a critical role in easing isolation and making them feel like they are part of a large community, said the study published in the journal New Media and Society.

"This is important, especially for older adults who might be aging in place, because they have mobility constraints that limit their ability to socialize," said study co-author S. Shyam Sundar, Professor at the Pennsylvania State University in the US.

For the study, the researchers recruited more than 200 participants who were 60 years and older and used Facebook for at least a year.

The researchers "friended" the participants on Facebook so they could count the number of times they used the various tools in the site during the past year.

The participants were also asked to respond to a questionnaire that captured the gratifications they obtained from Facebook.

Older adults who posted a lot of personal stories on Facebook felt a higher sense of community, and the more they customised their profiles, the more in control they felt, Sundar said.

The researchers also suggested that commenting on and responding to them gave older users a feeling of social interaction.

Sundar added that using social media is not a uniform experience that is either all bad, or all good, but offers multiple functions for diverse users.

Older adults are increasingly adopting social media, in general, and are a growing number of Facebook's total membership, said Eun Hwa Jung from National University of Singapore who worked with Sundar.

Facebook is considered the most popular social network among older adults, the researchers added.

The researcher also emphasised that developers of social media networks should consider the needs of this growing group of users.

For example, they should create features that enhance the identity of older adults while simultaneously protecting their privacy.

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iVOOMi on Thursday launched its first health band, 'FitMe', in India at Rs 1,999. The fitness band sports a 90mAh battery, scratch-proof display heart rate monitor, sleep monitor, running mode, vibration reminder, pedometer, GPS and other features, the Chinese electronics company said in a statement

"The 'FitMe' health band is sleek, smart, dust-proof and water resistant and features a display of 128x32 pixels resolution that makes it crystal clear from all viewing angles," said iVOOMi India CEO Ashwin Bhandari.

With "IP67," the watch remains water-resistant for 30 minutes, has auto-sync for "Smart Me OS 2.0" and is capable of OTA (Over the Air Software) updates.

"FitMe" is chargeable without a USB cable; the display can be directly connected to any USB port to charge the device. The health band on available on Flipkart and 

Available on Flipkart, the health band comes with a six-month warranty.

(Edited by mid-day online desk, with inputs from IANS)

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San Francisco: Facebook has announced a new tool for website owners and developers that will alert them about phishing attacks on their platforms. "We are extending the capabilities of our 'Certificate Transparency Monitoring' tool to make it easier for developers to learn about new domains that are maliciously created to implement phishing attacks," security engineer David Huang and software engineers Bartosz Niemczura and Amy Xu said in a blog post late on Wednesday.

Phishing websites try to trick people into revealing their passwords, credit card numbers, or other sensitive information.

The tool, announced during the F8 annual developer conference in San Jose, alerts website owners of these scams so that they can take action to protect their domain and the people who use their websites.

"Certificate Transparency Logs" are designed to keep a record of all valid security certificates issued by publicly-trusted Certificate Authorities.

"We have been using these logs to monitor certificates issued for domains owned by Facebook and have created tools to help developers take advantage of the same approach," the post said.

Using these tools, developers can learn about certificates that are mis-issued for the domains they control.

"We are extending the capabilities of our tool to send alerts when certificates are issued for potential phishing domains," the post added.

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New Delhi: Fasten your seat-belts - and log on. You may soon be able to call people up, send office emails, check Facebook as well as watch instant videos while air-borne, according to a proposal approved by the Telecom Commission allowing air travellers in India to access in-flight mobile and internet services.

Passengers, used to being told by the crew to switch of all electronic devices, have been wondering how the system would work. PTI answers some frequently asked questions.

What is in-flight internet technology?
In-flight connectivity systems primarily use two kinds of technology. In the first, an onboard antenna picks up signals from the nearest tower on the ground. The connection will remain seamless up to a certain altitude unless the plane passes over an area without ground towers.

In the second scenario, satellites beam signals directly to antennas installed on the airline. This is more effective when the airline is passing over a water body compared with ATG (air-to-ground)-based networks which use satellites to beam the signal first to a transmitter on the ground and then to the antennas on the airline.

What happens next?
The data is transmitted to a personal electronic device such as a smartphone or a laptop through an onboard router, which is connected to the plane's antenna. The antenna transmits the signals, through satellites, to a ground station, which redirects the traffic to a billing server that calculates the data consumption.

In case the internet services through onboard WiFi are permitted to be used only in flight/airplane mode, the plane's antenna will link to terrestrial Internet services provided by telecom service providers. When the aircraft has climbed to 3,000 metres, normally five minutes after take-off, the antenna will switch to satellite-based services. This will ensure continuity in the Internet services to passengers and prevent cross-interference between terrestrial and satellite networks. The airlines may depend on the services of either foreign satellites or ISRO's indigenous GPS-aided geo-augmented navigation system (GAGAN) for the purpose.

GAGAN was jointly developed by ISRO and the Airports Authority of India (AAI) with a view to assisting aircraft in accurate landing. The GAGAN signal is being broadcast through two Geostationary Earth Orbit (GEO) satellites - GSAT8 and GSAT10.

What are the challenges?
For the technology to function, airlines and service providers will have to put a server on the flight along with the equipment to convert satellite signals into data packets. They will also have to add the equipment to re-orient the antenna to face the satellite so the reception quality is not affected.

Interruptions, when the airline moves from the range of one satellite to another, are bound to happen. In general, in-flight WiFi is expected to be slower than on the ground. However, latest technologies may change that scenario.

Will users have to pay more?
Airline passengers may have to bear the initial cost of installing antennae on aircraft. It would be easier for airlines to have the equipment installed on the new aircraft rather than taking planes out of service for retrofitting. The additional costs could find a way into ticket fares, unless the airlines, despite rising jet fuel prices, decide to bear the costs themselves.The high cost of installing equipment for full-service carriers could discourage low-cost carriers.  Foreign airlines that service Indian airports or use Indian airspace may offer in-flight connectivity much before domestic carriers do so because some of them are already providing such services globally.

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Popular instant messaging platform, WhatsApp, has rolled out a new feature that allows users to view content from Facebook and Instagram within the app. The update is expected to increase user engagement in the messaging platform.

The latest update has been rolled out for select iOs users. WhatsApp support will allow users to play Instagram and Facebook videos within the app, without exiting the chat. Presently, a user who receives videos or images from Facebook, Instagram or any such app would be redirected to these apps to view the content. However, this is set to change with the new update, reports The Verge.

The latest update also introduced the ability to add and revoke admin privileges from users in a group chat. It empowers admins to edit the subject, description, and icon of a chat that is already underway. In November 2017, WhatsApp rolled out an update through which one can view YouTube videos directly inside the messaging app, in picture-in-picture mode.

If a YouTube link has been sent on a conversation, then users can directly view the video through the link on WhatsApp itself, as it will no longer be re-directed to YouTube. Instead, the YouTube clip will appear within a small floating window on your screen, thus implying that you can watch YouTube videos and message at the same time.

On a related note, the update is also expected to be rolled out to Android users in the coming weeks.

(Edited by mid-day online desk, with inputs from ANI)

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Popular photo and video sharing app, Instagram, rolled out an interesting "call-to-action buttons" for businesses on Wednesday. With the help of this feature, Instagram users can now book tickets, order food, make appointments and reservations from the app itself. 

With "Instagram Direct" and by adding these buttons to their profile, businesses would help customers connect with the third-party partners from the platform.

"Starting today, businesses will have a better way to manage their messages. Users will be able to see important new customer messages in the main 'Direct' inbox, instead of in the pending folder," the company said in a blog post.

"Users will also be able to star and filter conversations to come back to messages they would want to follow up on. Additionally, in the coming weeks we'll begin testing quick replies so that you can easily respond to common questions," the company said.

According to Instagram, over 200 million users visit a business profile every day and over 150 million people have conversations with businesses through Instagram's "Direct" every month. The Facebook-owned app plans to expand this list to cover partners across all countries aiming to help businesses have more opportunities to connect and communicate with their customers.

(Edited by mid-day online desk, with inputs from IANS)

Digital Transformation with 5G – 2nd 5G India 2018 International Conference & Exhibition. The conference will be held on May 17 and 18, 2018 at The Leela, Mumbai

Bharat Exhibitions is organising the 2nd edition of the 5G India 2018 International Conference and Exhibition, bringing together India’s telecom industry leaders, policymakers and telecom analysts to discuss how 5G will enable the future ushering in a new India. The conference to be held on May 17 and 18 at The Leela, Mumbai will focus on issues and opportunities related to the deployment of 5G and high-speed digital applications that will drive cross-industry applications and spur digital transformation and connectivity to catalyze growth.

With 5G promising to bring about a sea change in the digital ecosystem by servicing more industries through one architecture, the conference will address the tremendous growth that promises to take place in the next few years to revolutionize the Indian Data market and help India to emerge as a qualitative internet market as against a quantitative one. Leading experts will speak about the challenges and opportunities that operators and technology providers will face in the transformation of mobile broadband to 5G.

The event will witness the 5G Demo by various organization (BSNL, Reliance Jio, Intel, IIT Hyderabad, IIT Bombay). The conference will include sessions and panel discussions on what will it take for India to emerge as one amongst the leaders in standardization for 5G technologies and applications, enabling the positive use of Artificial Intelligence for all, global perspectives on 5G, preparing for 5G, trends and drivers shaping 5G, spectrum and technology for 5G and a CXO Round Table on Digital Transformation with 5G.

Shri Manoj Sinha, Hon’ble Minister of Communications (Independent Charge) and Minister of State for Railways, Govt. of India will be the Chief Guest, Smt. Aruna Sundararajan, IAS, Chairman, TC & Secretary (Telecom), Department of Telecommunications, Govt. of India and Mr. Malcolm Johnson, Deputy Secretary-General, ITU will be the Guests of Honour, Introductory Address by Mr. Adrian Scrase, CTO, ETSI and Keynote will be deliver by Shri Anupam Shrivastava, Chairman & Managing Director, Bharat Sanchar Nigam Limited. 5G India 2018 International Conference and Exhibition is being supported by the Department of Telecommunications, Ministry of Communications, Govt. of India and the Ministry of Electronics and Information Technology, Govt. of India. With Broadband India Forum as the Knowledge Partner, the conference is also being supported by the industry associations including 3GPP, TSDSI, CEWiT India, COAI and TAIPA.

With plenary sessions, technical tracks in an innovative show formats and international case studies, the agenda will include visionary presentations from 30+ speakers across the globe including Mr. Klaus Pendl, First Counsellor – ICT, Delegation of the European Union to India, Mr. Sebastien Soriano, Chairman, ARCEP France, Mr. Daniel Brower, Vice President, Program, Deutsche Telekom, Mr. Julius Knapp, CTO, FCC USA and Dr. Wu Yong, Senior Standards Expert, 3GPP as well as Senior Spokesperson from BSNL, INTEL, Google, Savitri Telecom Services, Syniverse, Keysight Technologies, UTStarcom, Cambium Networks, CSG International, Rohde & Schwarz, Commscope, Infineon and Siae Microelettronica.

About Bharat Exhibitions

In a world where technology is erasing borders, it is indeed ironical that professionals find it increasingly difficult to maintain peer to peer contact on regular basis. Bharat Exhibitions fills in this space by managing and hosting some of India’s premier Telecom & IT events. We own niche and prestigious conference properties in the new generation technology arena such as 100 Smart Cities India, Cloud & Network Virtualisation India, 5G India, Data Centre India, Broadband Tech India, Smart-Sustainable Cities Technology & Innovation Summit, Cyber Security India, SMC Technology India and Telecom CXO Summit. We have a simple mission: Establish & deliver contacts that create value for your business.

For further details, please visit http://www.bharatexhibitions.com

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YouTube has begun rolling out support for high dynamic range (HDR) video content for iPhone X, the media reported.

For iOS users, YouTube videos in HDR can be viewed on the iPhone X, but the feature does not yet appear to be working on the latest iPad Pro models, MacRumors reported late on Thursday.

HDR videos provide a broader range of colours and also supports quality video playback on a variety of screen sizes. YouTube has platforms like "The HDR Channel" that provides HDR videos for iOS.

Apple debuted HDR support last year with the "Super Retina" display in the iPhone X, which became the first HDR OLED display incorporated into one of Apple's smartphones, the report added.

On the iTunes Movies Store on Apple TV 4K, select films also support 4K, HDR10, and "Dolby Vision" when paired with compatible 4K television sets, the report added.

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Google

Google has rolled out a new series of controls that will allow YouTube users to set limits on their video viewing, and help them set "Take a Break" reminder from browsing the channels for too long, a media report said.

The new feature will enable the users to set a reminder for every 15, 30, 60, 90 or 180 minutes, at which point the video will pause and users will receive "Take a Break" notification that they have been binge-watching videos for longer than they decided to.

Users can then choose to dismiss the reminder and keep watching, or close the app, the TechCrunch reported late Friday.

The changes announced during Google's I/O keynote will roll out in the latest update of YouTube, along with YouTube's ability to send notifications.

The reminders will come with an option of being dismissed and the feature will also allow users to disable notification sounds during a specified time period each day.

The new features are first expected to hit the 13.17 and higher versions of the YouTube mobile app on both iOS and Android, the report said.

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Baidu Facemoji Keyboard. Pic courtesy/YouTube

Chinese tech company Baidu, populary known as China's Google, on Monday said that its third party app "Facemoji Keyboard," has reached over 30 million downloads since its launch.

The keyboard, that is slowly gaining popularity in India, comes with emojis, GIFs, stickers and emoticons, and supports over 100 languages, out of which 22 are Indian dialects, Baidu said in a statement.

The "customisable" keyboard features voice-recognition for easy speech-to-text functionalities and themes designed for special occasions.

With "Facemoji Keyboard," Baidu expects to achieve a three times growth by the end of this year.

"Facemoji Keyboard" was first launched in Japan under the name "Simeji" in 2008.

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Do you also start watching a video on YouTube and lose track of time following the recommended/autoplay list? Google wants to tell you that it is concerned over this habit of yours and has inserted a nifty new feature to its video service.

As part of its focus on digital well-being, Google has added a feature to YouTube called 'take a break' which notifies you when you have exceeded a specific amount of consecutive viewing time, The Verge reports.

The feature is optional, and just like how you might scold a little one for exceeding their television viewing time, the feature will show you a prompt when you lose track of time.

You can enable it through the Settings menu and selecting 'Remind me to take a break'. You can choose from options ranging from 15 minutes to 180 minutes.

Whether or not it really contributes to a healthy digital well-being is something we are yet to see, but it surely gives an easy way of timing the consumption of the addictive video service.

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San Francisco: A data set of over 3 million Facebook users collected via a personality app was available to download freely for anyone for almost four years, New Scientist reported. The data set was collected via the personality quiz app "myPersonality" by academics at the University of Cambridge.

"The data was highly sensitive, revealing personal details of Facebook users, such as the results of psychological tests.

"It was meant to be stored and shared anonymously, however such poor precautions were taken that deanonymising would not be hard," the report said.

The data sets were controlled by David Stillwell and Michal Kosinski at the University of Cambridge.

"More than 6 million people completed the tests on the myPersonality app and nearly half agreed to share data from their Facebook profiles with the project," said the report.

Alexandr Kogan, at the centre of the British political consultancy firm Cambridge Analytica scandal, was previously part of the project.

"Cambridge Analytica had approached the myPersonality app team in 2013 to get access to the data, but was turned down because of its political ambitions," the report said.

Facebook last month suspended "myPersonality" from its platform, saying the app may have violated its policies.

The social media giant on Monday said that is auditing each and every app that has access to the data of its users and has already suspended 200 apps which failed to comply with its policies.

The company CEO Mark Zuckerberg had promised a thorough investigation and audit into apps that had access to information before Facebook changed its platform policies in 2014 -- significantly reducing the data apps could access.

"To date, thousands of apps have been investigated and around 200 have been suspended -- pending a thorough investigation into whether they did in fact misuse any data," Facebook said.

If Facebook finds evidence that these or other apps did misuse data, it will ban them and notify users via Help Centre on its website.

Appearing before the US Congress in April, Zuckerberg told lawmakers that his own personal data was part of 87 million Facebook users that was improperly shared with Cambridge Analytica.

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Targeted at millennials, Chinese smartphone maker OPPO on Tuesday debuted its sub-brand "Realme 1" smartphone in India for Rs 8,990 (3GB RAM and 32GB internal storage model).

The 6GB RAM and 128GB internal storage variant is priced at Rs 13,990.

The smartphone comes with the world's first 12-nm Artificial Intelligence-based MediaTek Helio P60 chipset with "AI shot" technology.

"Realme 1 is focused at young online consumers and is primed to be a market disruptor with a stylish design," Madhav Seth, Chief Executive Officer, Realme India, said in a statement.

The device will be available on Amazon India, starting May 25, in diamond black and solar red colour variants.

A third variant with 4GB RAM and 64GB onboard storage, in moonlight silver and diamond black colours for Rs 10,990 will go on sale in June.

Realme users will have access to over 500 OPPO service centres across the country with guaranteed 90 per cent repair cases resolved within an hour.

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Facebook has rolled out new updates in its Stories feature that are available for the users in India first and will reach the global users later.

One such update is "Voice Posts" that will let users share their thoughts via audio to their friends and families.

"Voice posts lets you share in the moment without having to share a photo or video. This could also help people who can't necessarily write in the language they want to share in," Connor Hayes, Director of Product Management, Facebook Stories, wrote in a blog post on Wednesday.

People will now be able to save the photos and videos they capture through the Facebook camera, where only they can see them when they log into their Facebook account.

"This allows people to save the photos and videos they capture without taking up space on their phone," the post read.

It can also be used to save photos you might want to share later, so you don't have to edit or post them while you're out with your friends and instead enjoy the moment and share them later.

"In the coming weeks we're rolling out an archive for people to save the stories most important to them. After a photo disappears from your story, you can find it in your story archive - a place only you can see. You can always choose to not save them," said the post.

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Keeping up with the promise made at its I/O Developer Conference last week, Google has now officially rolled out its "Google News" for iOS, the media reported.

The new Artificial Intelligence (AI)-powered app is designed with machine-learning technology to make news finding, analysing and fact-checking, crisp and to-the-point, Engadget reported on Wednesday.

"Google News" comes with three options, "For You, "Full Coverage" and "Newsstand," to help users find news of relevance based on their reading habits, let them have an in-depth read of a topic and give access to users to subscribe to a publication and view its content.

Additionally, the app comes with a "favorites section" for users to star topics across entertainment, news and academia and save stories for pocket-style reading later.

The newly launched "Google News" has replaced the previous "Google Play Newsstand" launched on iOS in 2014 as a news and magazine subscription hub.

A law firm has filed a class-action lawsuit against Apple alleging that MacBook and MacBook Pro's "butterfly" keyboard design is "prone to fail".

According to a report in Forbes, Apple was hit with the lawsuit over the design and functionality of its "butterfly" keyboard system after a string of complaints that alleged defects in the keyboard's design.

Law firm Girard Gibbs filed the lawsuit on behalf of two MacBook Pro owners after nearly 25,000 people signed a petition requesting Apple to address the problem.

The owners of these devices have complained that the "butterfly" mechanism under each key causes keys to stick and fail.

The lawsuit also takes issue with Apple's repair process for faulty keyboards, saying it doesn't permanently fix problems during the repair process.

Apple first introduced its "butterfly" keyboard with the 12-inch MacBook three years ago.

Apple claims that when a user strikes a key on this keyboard, it goes down and bounces back with a crisp motion -- unlike the traditional scissor mechanism.

This is not the first time Apple has been sued for its products. Earlier this year, it was sued for deliberately making iPhones slower.

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Samsung Galaxy Note 9. Pic courtesy/YouTube

South Korean electronics giant Samsung has confirmed that its flagship Galaxy Note 9 would have a new version of company's Airtificial Intelligence (AI)-powered assistant "Bixby 2.0".

Speaking to The Korea Herald, Gray G. Lee, Head of the AI Centre Under Samsung Research, revealed that the Galaxy Note 9 will be the launch device for "Bixby 2.0", Forbes reported.

Lee said that "Bixby 2.0" would be more than just a personal assistant.

It would be an 'artificial intelligence platform' which enhances the performance and user experience across the phone.

Bixby itself would also have enhanced natural language processing, improved noise resistance capability and faster response times.

According to the executive, Samsung now has a 1,000-strong AI workforce and would consider merger and acquisitions of promising AI businesses.

He also revealed Samsung expects Bixby to be running on 14 million Samsung devices by the end of 2018.

The German research firm GfK has revealed that Samsung became the leader in the Indian flagship smartphone market, garnering 49.2 per cent share in the first quarter of 2018.

In the full financial year (April 2017-March 2018), Samsung registered 55.2 per cent market share in the Rs 40,000 and above price segment, said GfK that reports final consumption of the devices and not only shipments.

In March alone, the South Korean giant registered a massive 58 per cent market share in the flagship segment, riding on the success of Galaxy S9 and S9+ smartphones that were available for sale in India from March 16.

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Representational Image

Surgeons are developing a new smartphone-based tool that can detect urethral or urine blockage, potentially making it easier for patients to test themselves for the condition from the comfort of their own homes.

The novel technique could take high-speed photography which could capture subtle differences between a normal steady stream of liquid and a stream of liquid with an obstruction.

Urethral strictures are a slowing or blocking of the natural flow of urine due to an injury or infection. It is normally diagnosed by uroflowmetry, a test administered at a physician's office.

"The problem is that patient follow-up after we treat this condition is very poor," said Matthew Gretzer, Associate Professor at the University of Arizona in the US.

"But we need patients to come back to our clinic for a uroflow test to determine if the obstruction is still present," he added.

In order to test Gretzer's hypothesis on high-speed photography, the team created a model of a urethral structure using tubing hooked to a saline bag that could drain through.

Saline fluid was passed through the tubing with and without blockages, created using 3D printed strictures,placed within the tubing. High-speed photography captured both the regular and blocked stream of liquid exiting the tube.

Gretzer contended that photos can be a medium to diagnose blockages and he hopes that patients could send him these images to analyse and make the diagnosis. He plans to create a mobile app which can be downloaded by the patients.

"All patients would need to do is take high-speed images of their urine flow using a strobe light," Gretzer said.

"Strobe light apps are readily available right now for people to use on their phones".

According to the researchers, as fluid exits an opening, a natural breakpoint occurs where the liquid stream forms droplets, but with obstructions in place, it changes.

The results showed that by analysing photos, they could measure the length to this point of droplet formation. This length then directly related to the presence of an obstruction in the tube.

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Illustration/Uday Mohite

So, dear reader, I don't know about you, but I'm a little confused about certain big words that fly around these days. I don't mean words like say, 'farrago' or 'webaqoof' or 'rodomontade' or 'snollygoster' that his eminence Shashi Tharoor has made famous. I mean we know that 'webaqoof' means — it's someone who has no clue how social media works.  Most of you, my X-ennial readers, will identify with this malady — What's an X-ennial, you ask?! Nahin nahin, it not a prequel to the X-men series or the next instalment of 'Avengers Infinity Wars' (that's subject for another column).
Anyway, to get back to the subject at hand — big words. Do you know, for example, what 'Debdumbfoolery' or 'Biplabpolarism' mean — it's the art of talking utter nonsense, making outrageous statements with shameless ignorance and confidence on a public platform.

Like, say, I said something really foolish like, "Modern day internet existed during the times of the Mahabharata" or "Narad Muni was like Google" or, something even more preposterous, like "Darwin's theory was scientifically wrong and shouldn't be a part of college curriculum". You get it, dear reader. This is also called 'Satyapalfootinmunh'.

So it's like — "Hey, that Jigesh thinks no end of himself, always giving these biplabtripupistic fundas."

What else? Let's look at some other big words that made me reach for the thesaurus. How about 'Pappupasshogayalitis' — this tongue twister is the art of dynastic entitlement, when the entitled has no clue what he's doing or saying. So let's say two employees are b***hing about a third, "Really pissed off with my job. Can't get a promotion, that Akash is the boss's son, real pappupasshogaya dufus, but, kya karega, baap ka raj na!"
Dear reader, there's 'Rayaduplessis' — any idea what this means? Okay, it means, 'you finally do well at something in a particular position and a South African annoyingly takes your place to fulfill a quota.

Okay, here's another killer — 'Trumpjong-un' — cool, huh? So any guesses? Okay, it has multiple meanings —

1. An ancient Oriental board game
2. When two mentally unstable people meet and each one
cannot believe they've met their match
3. An American Nuclear Bomb made in North Korea
How about this one — Cosbynski. I'll give you a hint — it has to do with 'molestation' — okay, I won't give it away — email me your answers and you get a free Woody Allen movie DVD as a prize.
And finally there's 'Indranirritatausaurus' — so I'll let you decide what this word means.
Choose between —
1. A member of the pre-historic animal family
2. An issue that annoyingly goes on and on well past its interest value date
3. A story with more deceit,
betrayal and murder than all the seasons of Game of Thrones (GoT) put together
This word is also referred to as 'boradom'.
I'm off, dear reader, see you 'Banuvasarahdimanche'. Huh? What does that mean? It's so simple.
It's a word coined by Messrs Modi and Macron.

Rahul da Cunha is an adman, theatre director/playwright, photographer and traveller. Reach him at rahuldacunha62@gmail.com

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A while back, we had the opportunity to meet an influential and acclaimed US-based Indian restaurateur cum chef who was visiting the city to catch up with his team in the city, where he also runs a couple of popular and innovative restaurants.

Unaffected by all the lights, accolades and glitz of New York, he was still a pucca Bandra boy at heart. He hadn't forgotten his roots, and his mother and grandmother's recipes, evidence of which had peppered the warm chat, from a recent fish preparation that his mum had whipped up, to taking poee - those pillowy cushioned bread portions - to the West. We went on to discuss the ever-changing cityscape, from the Metro to a quaint abandoned bungalow near St Andrew's Church that had been razed since the last time he was home. Expectedly, there was a lot of 'Bombay' food that was discussed - a topic close to our soul.

The restaurateur-chef's passion for the city, his Goan ancestry, and the dynamic diversity of India are pretty obvious in the menus at his restaurants, and there were plans to go all out and celebrate it even more at these spaces. It made for an engaging afternoon, no doubt, especially when our favourite city's flavours and aromas were put on the table. It was a promising sign. At least, for Bombayphiles like us, who been yearning for more of the city on its menus, and has often been a topic-stirrer in this very same column space.

Around the same time, we had got wind that a restaurant in SoBo, coincidentally also owned by a Goan chef, and which was one of the earliest eateries to give the city a wonderful mix of food from Bombay and the sunshine state, was rechristening itself into all-out restaurant that would pay tribute to the city's food - from kheema pao and bombil fry (are you salivating?). The picture was getting rosier.

We jogged our memory a bit more, to roughly two months back, to another chat with a celebrated chef-restaurateur who had stirred many gastronomic revolutions in the city, and is now running a successful fine-dine. Turns out, the veteran culinary wiz would love to start his very own Bombay restaurant. Of course, there was nothing final to it but his wide smile made us do a little virtual jig about the possibility of his opening such a space. Food from the city had always impressed him, he told us, from Bohri Mohalla favourites to Maharashtrian staples, and the city's fresh catch. Like millions who arrived in this city and made it their own, he too was inspired with its variety, and was keen to celebrate it for the world to savour.

All these three instances - albeit borrowed from different scenarios - were adding up to something that should have happened a long time ago. The city's very own brand of cuisine ought to be put out there, a unique confluence of its thriving local inspirations, its migrant flavours and countless techniques from its many communities. Most world-class, cosmopolitan cities, from Toronto to Singapore flaunt it, so what has been stopping us so far? We'd love to see more entrepreneurial minds stir this melting pot and showcase Bombay's flavours, the way only we know of it.

mid-day's Features Editor Fiona Fernandez relishes the city's sights, sounds, smells and stones...wherever the ink and the inclination takes her. She tweets @bombayana Send your feedback to mailbag@mid-day.com

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The city is shaken up by the brutal murder of a young woman working with an upmarket chain of salons. In what has been dubbed as a case having parallels with the Sheena Bora murder, this beautician's body was kept in a car post the murder and then disposed off in marshy land at Wadala. Police teams are trying to recover the body, but have been unsuccessful so far.

It's time to focus on the reason for this murder. According to the police, two colleagues, who have been caught, killed the young woman because she refused to take back a notice sent to one of the accused because of his shoddy performance at work. Despite their entreaties, the victim had not relented about withdrawing a notice sent to one accused till the last day when his employment may have been terminated.

Both colleagues claim, according to reports, that the murder was done in the heat of the moment. The family of the accused, though, insist they are innocent. What has shocked the city is the triviality of the motive. A life has been lost simply because somebody was going to lose his job. As one tries to absorb this, a much smaller report recently was indication of a society, which is weaned on instant gratification and instant rage. A young gym owner was stabbed to death and his female friend hit with a beer bottle over a quarrel with a Disc Jockey (DJ) over which songs to play.

We have been seeing murders happening over slightest provocations. Bring back regard for human life, which has been cheapened considerably. Cherish patience, logic and encourage our children to think before they act. Put an absolute premium on human life. These seem like knee-jerk murders, where rage consumes the murderers, who are mostly ordinary men and women who have no criminal record. Speed kills and in more ways than one.

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Australia's new head coach and former batsman Justin Langer interacts with the media at Melbourne on May 3. He replaced Darren Lehmann. Pic/Getty Images

Australia have a great coach in Justin Langer to guide them through one of their worst cricketing crises. Correction: They have a batting great as coach. The majority of permanent coaches of the Australian cricket team were not Test greats. In fact, the last batting great to wear the coach's cap was Bob Simpson; their first ever coach.

It was under Simpson that newly-appointed coach Justin Langer made his Test debut for Australia — in the summer of 1992-93 — when the West Indies were still the number one team in the world. Langer will not forget it. How could he? The first ball he faced in Test cricket, off the swift Ian Bishop, landed firmly at the back of his helmet. The blow left him dizzy and dazed at the Adelaide Oval. Interestingly, he was also knocked down in his 100th Test — at Johannesburg in 2006 — when he was hit hard behind the right ear by South African Makhaya Ntini to play no further part in the match.

Much like that delivery, Langer's entry into international cricket in the early 1990s was hard. He expected to be on the flight with Allan Border's England troops in 1993, but he didn't find favour with the selectors. He only became a regular one-drop batsman for his country five years down the line, before combining splendidly with Matthew Hayden in the opening position.

He was part of the 1997 Ashes series in England, but did not feature in any of the five Tests. That did not stop him from playing the perfect team man. Mark Taylor was in the throes of a treacherous slump that got the critics dissecting every one of his innings. Langer and his skipper happened to be batting together in the side game against Derbyshire, who were captained by former teammate Dean Jones. Taylor slashed at one off Philip DeFreitas and Jones dropped the catch at slip. At the end of the over, Taylor exclaimed to his junior partner, "That's bloody it, mate. I just can't f****n play!" The young bull (that's what Taylor called Langer when he related this incident in his autobiography Time to Declare) refused to accept the negativity from his skipper. "Mark, that's bloody rubbish," Langer shot back and added, "Of course, you can play. You know that. Just watch the bloody ball really close, stick in here and it will come."

Taylor listened to Langer's advice and ended up hitting his first straight drive in six months to score 63 in 181 minutes. In the next game — the opening Test of the 1997 Ashes — Taylor helped himself to a second innings hundred. The following year, while Langer continued to deal with his in-out, in-out situations, he toured Pakistan where his teammates nicknamed him Arthur Morris.

In The Power of Passion, one of Langer's four literary works, he revealed that Morris (who was part of Don Bradman's 1948 Invincibles) used to be asked often by cricket lovers about how it felt to be in the same team as Bradman. Now, Morris happened to be at the non-striker's end when Bradman was famously bowled by Eric Hollies for a duck in his last Test innings at The Oval in 1948. The dismissal prevented The Don from ending up with a three-figure batting average. Morris used to remind his audience about the fact that while Bradman's duck was most talked-about, people forget that he scored 196 in that same innings. Similarly, Taylor's 334 not out is celebrated as an epic performance, but Langer scored a hundred in that innings — his first in Test cricket — at Peshawar, but it never gets talked about. Given the shared irony of their stories, the Arthur Morris moniker stuck.

Langer ended his career in 2006-07, when Australia claimed the Ashes back after England regained the urn in 2005. Gripping cricket notwithstanding, not many Australians will look back on that contest, their first Ashes series loss since 1986-87, with pleasure. While the Australians were playing poorly in 2005 and were made to follow on at Trent Bridge, my Australian friend Andrew Ramsey, who was reporting the series for The Australian newspaper, was asked to pen a piece for The Times in London.

The guest writer was critical of Australia's performance. As Ramsey left his room for the breakfast lounge in the team hotel at Nottingham, he bumped into Langer, who told him that he read the article. Ramsey was expecting a negative reaction, but Langer called Ramsey's analysis "spot on." He patted him on his shoulder twice and ran towards the elevator to join his teammates in the team bus.

Acceptance is a great trait to have. Langer has many more, developed ever since his 11-year-old eyes watched on television his Western Australian hero Dennis Lillee shatter Viv Richards' stumps off the last ball on Boxing Day in 1981 at Melbourne. Lillee's incredible inswinger made Langer yearn to play for Australia someday. Doubtless, he'll want to be a great coach now.

mid-day's group sports editor Clayton Murzello is a purist with an open stance. He tweets @ClaytonMurzello Send your feedback to mailbag@mid-day.com

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Illustration/Uday Mohite

So let me just come to the point, dear reader — I have a problem with our Indian media journalists and scribes — my grouse is they just don't cover Bollywood adequately… Shouldn't there be much more media fanfare about our stars? Who wants to only see them in the movies? I want micro details about their lives — their idiosyncracies, food habits, holiday destinations, personal recipes for aloo paratha and Creme Brulee, and quotes from them about everything, should bombard our lives.

I mean let's just take Sonam Kapoor's Shaadi last week — here there's this huge star getting married, and I'm ignorant about who she's marrying, where the various wedding functions were held, who attended the 'mehendi', and stag party, who designed her 51 wedding outfits, what does she think of her hubby's Instagram pictures, what he thinks of hers, what Karan Johar and cousin Arjun Kapoor wore… Why don't I have all this vital information? Why didn't the media fill the virtual world, our broadsheets and the air waves with all this absolutely important news? Really not fair to deprive us of all this! Why are they wasting time writing about stone pelting in Kashmir and elections in Karnataka? Surely this is not as important as that. Totally mistaken priorities, I feel.

And why don't our media photographers shoot our Bollywood stars more in their private lives — why aren't they 'spotted' coming out of movie houses, multiplexes, gymnasiums and airports? Why aren't their tiny tots being 'captured' with their nannies, in parks, through the windows of their school buses, on their iPads. But, singly, my biggest problem is with our Indian advertisers and marketers. Guys come on, why aren't our film icons endorsing brand after brand in your advertising campaigns?

Why aren't copywriters in ad agencies saying to themselves, what is the one USP that my client's water purifier has over the competition? Is it a better germ killer? No… It's Hema Malini.

I mean, do you honestly feel that film stars should only act in movies, is that really enough? Like why can't we see SRK asking us if we know what he smells like in deo ads?

I mean, the great Amitabh Bachchan, I really feel we don't see him enough — are we satisfied merely watching him as a Gujarati in '102 not out', speaking with the same Bengali accent he had in 'Piku'?

Why doesn't his baritone and charisma come out at us through our TV screens, billboards, newspaper supplements and magazines? Surely we want to also see him advertise Direct-To-Home cable facilities in a Bengali accent, tell us that we can control the temperature on our Air Con at home, from our mobile phones while sitting at the airport, and convince us to visit Gujarat. Is that so difficult?

To sum up, I want to be Bolly-wooed much more. Or I will just boycott all brands that don't have a film star endorsing it. And stop buying newspapers that don't have many more Bollywood pages. We just aren't Bollywoodised enough as a country.

Rahul da Cunha is an adman, theatre director/playwright, photographer and traveller. Reach him at rahuldacunha62@gmail.com

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Illustration/Devdutt Pattanaik

In the beginning, people said homosexuality is unnatural. Then scientists showed them that hundreds of species of animals do indulge in homosexuality. So people started saying homosexuality may be natural, but it is best restricted to animals. Amongst humans, it is a social disease. This unscientific understanding is popularised by many religious leaders, who are clueless about science, though they insist that the Vedas/Quran/Agama/Tripitaka/Talmud are essentially scientific.

These religious leaders fall into two categories. The first category is the 'liberal' guru who says sex is great for spirituality, provided it is heterosexual. The second category is the 'conservative' guru who says sex is not great for spirituality, and if you must indulge in it, do it for babies.

A gay man heard how a broad-minded Indian guru presented sexuality as an integral part of spirituality, and so decided to read a bit more of the guru's writings. He was suitably impressed, there was a lot of talk of how exploring sexual desires authentically enhances spiritual growth. But then came the horror! When the guru spoke of sexuality, he was referring only to heterosexuality and was essentially promoting orgies as a tool to liberate yourself. He saw homosexuality as a social disease resulting from heterosexuality being suppressed when men are locked with men in monasteries and prisons and women are locked with women in nunneries. This was his fantasy, which he marketed as mystical knowledge of the East!

A lesbian woman came upon a guru who gave her a sympathetic ear, and who confidently asserted that ancient mystical sages (all male, of course) had revealed to him that natural sexual activity is for making babies only, and that pleasure is just nature's way of incentivising you to make more babies. It is the human perversion to bypass the baby-making and focus on pleasure. Such value placed on pleasure comes from stress, hormones, and a lack of spiritual grounding. He insisted that homosexuality is a social pathology, not a natural physiology. She could stay a single woman if she did not wish to be a man's wife, but she had to engineer her life towards spirituality rather than sexuality if she sought fulfilment and happiness. Her libido, he insisted, was in dire need of fixing!

Most of these gurus do oppose the criminalising of homosexuality, and so appear to be modern. However, they do see homosexuality as a deviance (or its Sanskrit equivalent), or a 'fluidity' that needs explanation, management and re-alignment. They mirror the homophobia directed at queer people (pandakas, napunsakas) that we find in ancient monastic orders such as Buddhism and Jainism. Their discomfort with queerness is similar to their well-disguised discomfort with gender equality: 'Women are as good as men, provided they put the man's needs first.' Essentially, these gurus preach qualified equality, where their personal comfort zone (heterosexuality, celibacy, masculinity) remains privileged.

It is important to recognise gurus as political figures. They are today clearly political vote banks, with a vast number of followers who do whatever the guru tells them to do. Hence the power of their spiritual discourses to influence social and political direction needs to be acknowledged.

We must also recognise the power of followers over gurus. Gurus are expected to be superhuman, and 'pure and pious'. We don't mind them dancing to Bollywood songs or playing golf. But if they were to talk too much in favour of sex and pleasure, we will see them as less than spiritual. In our hearts, many of us are convinced spirituality is an adversary of sexuality. We see Shiva who burnt Kama to ash. We refuse to see Shiva who was enchanted by Kamakshi and Mohini.

The author writes and lectures on the relevance of mythology in modern times. Reach him at devdutt@devdutt.com

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Illustration/Uday Mohite

Believe it or not, exciting things are happening in Konkani cinema. I am familiar with Indian films in at least 10-12 languages, but it was a real discovery watching the best Konkani films on the jury of the 9th Goa State Film Festival Awards, that was given last week. To know who the top Konkani stars are, what subjects interest them — the church often looms large. The Best Film (Konkani) went to Nilesh Karamunge’s Mahaprayan (The Last Journey), Best Director (Konkani) to Rajiv Shinde’s K Sera Sera (Ghodpachem Ghoddtelem, Whatever Will Be Will Be), and Best Film (Marathi) to Sainath Parab's Disha (Direction). Mahaprayan was a real discovery, of which more anon. K Sera Sera, which swept nine awards, told two parallel stories of an ambitious career woman and a retired man, struggling to keep his family together, starring actor-producer Rajesh Pednekar and Palomi Ghosh. It had rich technical and acting credits, some ‘imported’ from outside Goa. Sadly, Miransha Naik’s powerful Juze was not in competition, but Nilesh Malkar’s Soul Curry smartly ‘imported’ Bollywood star Jackie Shroff for wider appeal. Shroff even dubbed for himself in Konkani and won a Special Jury Award for Best Actor.

Mahaprayan is one of those rare films, that makes a powerful social critique while accomplishing an amazing technical feat: the whole 83 minute-film is a single take, shot by Sameer Bhaskar. What’s more, it is the debut feature of an ex-army man, Nilesh Karamunge. Inspired by a real incident in Odisha, the film is about Tulsidas (Dhananjay Amonkar) who, unable to afford a hearse to take his dead wife from the hospital to his distant village for cremation, walks home all the way, carrying her corpse on his shoulders, accompanied by his young daughter Kaalika (Aarya Ghare). The pair meet many people who refuse to help — hospital staff, passengers in a bus, the police, and when a kind forest official finally helps them, the media pounces on him for ‘misusing’ a government jeep. The crew did many rehearsals, shooting in real time as they walked 3.5 km in the noonday sun. The film is a scathing attack on the government and our society. The charming and mature Aarya Ghare, just nine, won Best Actress.

Mahaprayan vaults to one of the year's most gratifying discoveries in Indian cinema, its accomplishments far exceeding its modesty and flaws. K Sera Sera is a polished work, given Konkani cinema’s constraints. And let's get some perspective here: while most regional Indian cinemas started in the 1920s or earlier, the first Konkani film, Mogacho Anvddo, was released only in 1950. The Hindi and Tamil industries make, on average, 250-350 feature films a year, but the fledgeling Konkani industry makes barely five to seven features a year. And there is no doubt that Konkani cinema got kick-started since the International Film Festival of India (IFFI) was held in Goa since 2004, and the locals were consistently exposed to world cinema. And look what it's offering now — you do a double take.

Meenakshi Shedde is South Asia Consultant to the Berlin Film Festival, award-winning critic, curator to festivals worldwide and journalist. Reach her at meenakshishedde@gmail.com.

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Just months after the newly revamped Kamala Nehru Park reopened, a little girl was left with a crushed thumb after she fell from a broken swing in the handicapped section. While the girl's parents alleged that the play area is not maintained properly, the authorities claim that the handicapped section was off bounds and the parents ignored the guards' warnings.

The park was reopened on February 23 this year, a little less than a year after it shut for a makeover. While the main section of the park was being renovated, the handicapped section remained shut. When the park was opened again, the children's facilities earned high praise. However, in mid-day's report on Saturday, a few parents came forward to say that the swings and see-saws were not well-maintained either.

Let us put the accent on quality at our parks. We have to remember that given the paucity of outdoor play venues for kids, there is a great rush to use parks that are available, and equipment is stretched thin because of the sheer traffic of children.

From the very beginning, the authorities need to focus on play facilities with endurance. They must also ensure that the rides are kept in top order, leaving no risk of such horrific accidents. Park authorities must keep a medical kit with basic supplies.

Having said that, children and their parents, too, need to respect park rules. They must follow instructions issued by the park officials and security. Parents must also ensure that facilities meant for differently abled kids are not used by everyone, as that defeats the purpose. Guardians have to remain alert and stop their wards if they try to access parts of the park that are not meant for them.

Blame games are counterproductive. Only quality rides, maintenance, security and respect for rules can ensure a great outdoors experience.

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In the two days of staged photographs, there is not one photo of Modi hugging Xi, his trademark personalised diplomacy of forcibly embracing other leaders. Pic/AP

One of the better things during the Karnataka Assembly election, no matter who emerges the single largest party tomorrow, was Congress president Rahul Gandhi's press conference in Bangalore. You may not have seen it on TV. It is on YouTube, however. Rahul again comes across in a light different to the whispers about him during the past two decades, proving how it was all the doing of a well-oiled BJP machine. My favourite part was Rahul's take on Prime Minister Narendra Modi's recent visit to Wuhan in central China for an "informal" summit with President Xi Jinping.

Here's what he said:
"I expected the PM to go to China as the leader of our country [and] speak to them about Doklam... He didn't say a word. [He] had a conversation with the Chinese President with no agenda. Are you telling me there's no agenda? There is an agenda, it's called Doklam; there is an agenda, it's called the Maldives; there is an agenda, it's called Nepal... The agenda is that we're surrounded on all sides; it's pretty clear. But you guys don't like to raise that, I don't know why.

"Our foreign policy has been completely decimated. And it's because the PM views foreign policy as an individual exercise. He's of the impression that he can go have a conversation with the president of China, or he can go have a conversation with the president of Nepal, and everything will magically happen.

"The PM needs to carry his own people with him. Are there any conversations going on with the finance minister, with the defence minister about this type of strategy? No. It's a one-man show."

Briefly: China tried to seize the Doklam plateau in Bhutan last year but after a 73-day standoff against our troops, it backed down. It has reportedly since built an infrastructure leading to Doklam. In the Maldives, China is displacing India: President Abdulla Gameen last year welcomed three Chinese warships, and last month hosted the Pakistan army chief. In Nepal, despite Modi's visit this weekend to promote Janakpur, Sita's birthplace, as a religious tourism spot, the Nepalese have drifted from us after India's five-month blockade in 2015 - we were pushing for greater political inclusion of the Madhesis. Modi is a villain for the Nepalese, as evident on social media.

China has seized advantage of India's pathetic neighbourhood behaviour, and, as Rahul said, has India surrounded. No wonder many think Modi went to beg Xi to keep relations calm in the run-up to the 2019 parliamentary election. That Modi's governance is election-oriented is no secret. Will the Chinese will play ball? When the two-day "informal" summit ended, the Indian side issued a statement and reportedly urged the Chinese to issue their own. Compare the two and you see a difference: while India mentioned a strategic direction to our respective armies to avoid tension on the Line of Actual Control, China only said the armies would follow past protocols. Joint statements are never easy, but individual statements are a piece of cake.

Modi had to supplicate himself because he cannot afford to go into the 2019 election after a showdown with China. Even a short skirmish will humiliate India. Unlike tension on the Line of Control with Pakistan, which benefits Modi since it can be dovetailed into communal rhetoric, tension with China gives Modi no benefit. Modi cannot help but humour China.

The Chinese were amenable to being humoured since they have now what they wanted in Doklam. China nowadays also wants to be seen as a responsible global power: hence it has nudged North Korean leader Kim Jong-Un into meeting his South Korean counterpart and, next month, with Donald Trump. China has also reached out to Japan, with whom relations are more complicated than with India.

Mainly, it was because Modi agreed to humiliate the Dalai Lama, the Tibetan Buddhist spiritual leader who has lived in India since 1959. India prohibited its ministers from attending a Dalai Lama function (ironically, to thank India) and asked him to shift it from Delhi to his base in Dharamsala, Himachal Pradesh. It was an insult; worse, he privately expressed the fear that he might be expelled.

The Chinese gave us time but they did not give Modi a hug. In the two days of staged photographs, there is not one photo of Modi hugging Xi, his trademark personalised diplomacy of forcibly embracing other leaders. Rahul Gandhi is right: Modi has decimated India's foreign policy. It's too bad that this and other aspects of his press conference were ignored by the TV media. But then, after Gujarat, Karnataka has been good practice for him. Modi's obsession with the 2019 election means that governance will suffer, so Rahul will get more occasions to show the public his mettle.

Aditya Sinha's next book, The Spy Chronicles: RAW, ISI and the Illusion of Peace, co-written with a former RAW chief and a former ISI chief, is out next week. He tweets @autumnshade Send your feedback to mailbag@mid-day.com

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The Roman Forum in the center of Rome. Pic Courtesy/Rosalyn D'mello

I did not account for what now seems like the inevitable consequence of so much travel: the blurring of existential categories that define my raison d'etre as I continue my Italian sojourn. What am I first, writer, tourist, traveller or pilgrim? To which of these vocations do I owe my primary allegiance?

Starting out in the northern region of Bolzano, within which I somehow managed to ensconce myself, thanks to my residency at Eau&Gaz, within exactly 30 days I have found myself in the deep south - the autonomous Mediterranean island of Sicily; a lived repository of continuous histories dating two millennia. I accessed the regions of Tuscany, Veneto, Neapolitan and Lazio through my explorations of Firenze, Venezia, Napoli and Roma, before taking a flight to Palermo, from where I am transcribing this dispatch. By the time you will have read this, I will already have returned to Roma where I will spend another night before I make my way to Ortona and Assisi, thereby initiating the more pilgrim end of my travel. I am deeply aware that I now have less than two weeks left in Italy, and I am struggling (really, really struggling) to make sense of everything I have encountered through my witness. How to distil the vast everything-ness of my recent realities into bottled significance; something that is easier to swallow, digest, imbibe, share?

I was grateful to land in Palermo; grateful to have found a cheap flight that got me here from Rome in under an hour, grateful to avoid what would otherwise have been a 14-hour journey. But, mostly, I discovered I was grateful to be in a city that felt like the opposite of Rome; un-pretentious, unabashed about its past, non-ostentatious and aesthetically more austere. Here I felt I could allow my body to recover from the sensual assault of the spectacle that is that city of grand beauty, magnificence, un-mindful excess. No guide I'd perused had prepared me for my sensory dyslexia, particularly on the perceptual front, like the difficulty I would experience in simply focussing my gaze.

As a sightseeing tourist, one is mentally prepared to encounter a monument; a spectacle; a historic site. In Rome, however, you are condemned to stumble upon multiple. You walk into a street and your eyes rest first on a fountain, then naturally zoom out to witness the larger frame, except you spot, next door, an opulent church façade, and across from it another, but perhaps from another century altogether, and for a moment you feel like you're experiencing a glitch in a time-travelling machine. You walk later at night to catch your bus back to your Airbnb and come upon a vast excavation site bearing just a two-paragraph description and you empathise with the historians and archaeologists who seem themselves to be struggling with this excess; this dense populace of relic, debris, pagan vestige and Catholic worship sites.

Each night my feet, exhausted and overwhelmed from walking, cried themselves to sleep as my mind, unable to still my still-restless body, tried to make sense of what I'd seen, thought, remembered, and referenced: the Sistine Chapel, the wonders of Bernini, the cinematic odes by Fellini, Rosselini, Passolini and Sorrentino; and the more obscure works of writers like Malcolm Lowry. I had to re-read one of his protagonist's visit to the Keats and Shelley Memorial Museum next to the Spanish Steps as I sat by the side of The Pantheon, after having been to that museum, and in preparation for the next day's visit to the Non-Catholic cemetery containing both poets' tombs. Had I not had the sense of mind to seek solace in relatively more obscure churches and smaller chapels, both to escape the madding crowd of tourists and to offer my body an indulgent moment of pause, I'm sure I would have been defeated by that city.

It was the only reason why, despite being drained of all energy, I could make one final schlep towards the Coliseum and also convince Mona to meet me there. After a very leisurely stroll at what felt like perfect timing, when the final rays of the sun hit the millennia-old façade, we found a corner to park ourselves for a while. I couldn't help, but show her a clip from Sorrentino's The Great Beauty; of Sister Maria on the balcony of the protagonist's home in front of the Coliseum, gathering the flamingos in the thick of night, then blowing into the air to gesture at them to fly away. I felt as though I'd finally 'got' Sorrentino's film, despite having seen it a while ago. I had to come to Rome to solve its mystery.

I cannot shake off this lingering feeling that something beyond my own free will is designing my itinerary, is customising each imprint my feet make. Whether I am either or interchangeably a writer, tourist, traveller or pilgrim has become inconsequential. All that matters now is that I willingly surrender in order to be remade.

Deliberating on the life and times of Everywoman, Rosalyn D'Mello is a reputable art critic and the author of A Handbook For My Lover. She tweets @RosaParx Send your feedback to mailbag@mid-day.com

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A day after this paper published a report about a couple who has been left in limbo because a financial institute has misplaced their Sale Deed or Sale of Agreement papers, there have been a few readers who have written in claiming that they experienced a similar situation. They, too, had a harrowing story to tell.

According to our report, an Andheri couple who had taken a loan from a financial institution years ago to buy a home and were paying it off over years, finished paying their loan. They asked the institute to return their documents and that is when they learnt that the Sale of Agreement has been misplaced. Their nightmare began, but it has been months the paper has not been found and they have subsequently been unable to sell a home on the outskirts of the city because buyers are wary of buying a home without the original Sale Deed.

Finance institutes cannot afford to misplace such important documents. Institutes might have misplaced the documents while shifting or the file has been lost when being transferred from one centre to another.

If this happens, and from the responses we learn that this is unfortunately not very rare, it is the organisation's responsibility to give the affected a way out. There has to be a redressal mechanism. If the true copy of the document does not work for certain people, the institute has to step in and provide them a solution.

They need to be held liable and accountable. You cannot expect the affected people, who are already suffering considerably and have also spent time and money, to do all this on their own. Those who have erred cannot wash their hands off the matter. They need to be there with the people, whose papers they have irresponsibly, though inadvertently, misplaced, right till the bitter end.

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Illustration/Uday Mohite

I knew two Mumbai cops. Two Mumbai cops who went to the same college as me. Yeah, Ashok Kamte and Himanshu Roy were marginally junior to me at St Xaviers' College. Two Bombay boys who became police officers and subsequently looked after the city they grew up in.

One who followed in his father's footsteps as a policeman. The other who chose not to become a doctor like his parents. There was an incredibly tragic irony when Ashok was shot on 26/11 in the narrow lane that separated our college from Rang Bhavan. (It's no surprise that Ashok and Himanshu considered each other brothers — and Himanshu always regretted not being in Mumbai, standing side by side with Ashok, when he was gunned down).

I knew Himanshu Roy a bit. Mumbai is a small city in spite of its size. And, South Mumbai an even smaller world. Himanshu was born and brought up in Colaba, schooled in Campion, and graduated from our college.

I first met him in 1995 at a friend, Mark Manuel's home. He was then an incredibly, lean, bespectacled man — wiry and tall. And I remember thinking he was very gangly for a cop. But he exuded great hunger. There was a glint in his eyes, a manner in his demeanour, a strength in that stick-like figure. I'll never forget that bristling energy. He was like a coiled snake, ready for action, ready to change the world, ready to catch the bad guys, a superhero without the cape and mask. He was idealistic and worldly wise at the same time. (It perhaps requires those two qualities, to join the force and survive). He was about to leave for Nashik, from where he returned two years later, with rippling Popeye arms and a barrel chest.

There is something incredibly brave in deciding to become a Mumbai cop. Not just because of the valour required in handling criminals. But, of the skill needed in navigating a system run by politicians.

It was no surprise that the cases he handled were of a diverse nature. IPL spot-fixing, the J Dey and Pallavi Purkayastha murders, the riots of Khairlanji. He devised anti-dacoity measures in rural Maharashtra, cracked the Shakti Mills rape case. He set up Mumbai's first Cyber Crime Cell, and established a special cell to deal with crimes related to women.

So, the news that he'd shot himself in his flat, was incredibly sad. Cancer had wreaked havoc on his body and perhaps he saw no other way out. But suicide is always a many-sided Hydra. The debate on whether it is a brave move, a cowardly act, a desperate measure or a selfish resolution will rage on forever.

But for me, there is always one trait linked to killing oneself — loneliness. Whether Himanshu 'Hercules' Roy was lonely in his final hour we'll never know. But, a man who'd spent his life protecting a city, ultimately couldn't protect himself.

Goodbye, big man, I'm sure you're out there somewhere, looking out for us.

Rahul da Cunha is an adman, theatre director/playwright, photographer and traveller. Reach him at rahuldacunha62@gmail.com

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Mayor Vishwanath Mahadeshwar, the first citizen of Mumbai, recently visited Metro III construction sites, and a front-page report in this paper has already highlighted how he blamed the wrong agency (Mumbai Metropolitan Region Development Authority rather than the Mumbai Metro Rail Corporation) for the possibility of flooding in the city.

While that was one aspect of the mayor's tour, it was his answer to our reporter's question about his view about the Metro work, that is cause for concern. The mayor said that although the BMC is the main planning authority of the city, the Metro authorities did not take permission from them before starting the Metro 3 work. They allegedly did not even take the civic body into confidence before beginning the project.

The mayor's answer was especially disturbing, considering the damage caused by the work to BMC's stormwater drains and sewerage lines. Because of this, there will be flooding if there is a rainfall of more than 300 mm. The state government will be responsible for the same, said the mayor.

Citizens are tired of the blame game that seems to have ensued even before the monsoon. They do not care which agency has done what, they only want to see that there is no major flooding this monsoon. If there is, the authorities need to work swiftly to ensure it is dealt with. Other service arms have to work to ensure the city does not go off the rails.

Every authority must be geared to if not prevent, then at least combat, all the challenges that the monsoon is sure to bring with it. We want to hear and see actions that reassure the public, rather than discouraging finger-pointing and statements loaded with ominous portent.

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If you're sharp-eyed about rivets, you'll know that dust gathers on the top half, but not on the bottom. Pic Courtesy/CY Gopinath

In the house where i lived in Andheri Lokhandwala, I'd wipe a finger along the window sill in the morning, and a layer of dust would come away. The domestic help would wipe it clean every morning; 24 hours later, it would be grimy again.

But it was 1982, we were children then and had simple theories about things. Mine was that with so much crazy construction going on in Lokhandwala Complex, well, what would you expect if not clouds of dust? And thus, dust became another little thing we stopped questioning in Bombay. And then Bombay became Mumbai. But the dust remained dust.

I wouldn't be writing this today if I hadn't moved to Bangkok, on work first, but finally just to live. And the questions began coming. Bangkok and Mumbai are very similar, both urban, crowded and sleepless world cities with local life and culture richly woven into cosmopolitan sensibilities. Question 1 was why Bangkok didn't have swarms of flies despite being the world's street food capital. I wrote about that in this column on April 17.

The second question was why my window sills never got dusty in Bangkok — or more accurately, why nothing ever got dusty in Bangkok. After a hard day's toil, you could wash your hands clean without creating rivulets of grime.

I began paying special attention to public places where you'd normally expect dust. For example, on the outside of pedestrian overpasses across busy streets, large hexagonal rivets hold down steel barriers left and right of the walkway. If you're sharp-eyed about rivets, you'll know that dust gathers on the top half, but not on the bottom.

So I began checking Bangkok's outside rivets: they sparkled like freshly painted. And not because it had rained either. Next, I checked those ugly black nests of telephone and electricity cables that hang between lamp posts — another place where dust, cobwebs and pigeon s**t build up. In Bangkok, they were spotless. A week later, I saw several old women in municipal uniform with mops and swabs whose job apparently was to specifically clean dust and grime from all hard-to-reach places. Such as rivets on the outside.

I checked out one of Bangkok's many construction sites, which process the same materials as any Indian site — gravel, cement, bricks, concrete mixers. But miracle of miracles, no dust, thanks to the simplest of strategies. One worker on the site has just a single, simple task all day: he stands with a hose pipe watering the grounds every 15 minutes. Damp dust doesn't fly.

ON MY NEXT VISIT to Mumbai, I became a student of dust. Building construction sites are not the only dust devils. Major culprits are the mounds of debris that lie where utility companies have dug up the earth to lay cables. Since their job is not road cleaning, they leave the debris where it is when they're done.

By the time the department for debris-removal has slowly moved its creaky bones, passing winds have stirred the dirt and dust and blown it everywhere. The debris-removers finally come, but they do not fix the road, since that it is the roadworks department's job.

Meanwhile, more winds blow more dust around. In most cases, the roadworks people never show up. Mumbai has looked like a war zone as long as I've lived there, a bit like Aleppo after some barrel bombs.

And then I noticed another little dust-maker: the cute zig-zag paving tiles that give many Mumbai crossroads a faux European look. With just some basic geometry, you'd have seen the glaring mismatch between the kerb and the pavestones. The kerb is a straight edge, while the paisley tiles are curved.

When a curved object meets a straight one, gaps are guaranteed. A good road maker would know what to do about those gaps. He'd pack them tight with concrete cement, and they'd be gap-free when it dried. But Mumbai's heritage is of roads with beautiful tiles that are abandoned inches before they touch the pavement. Those are the tiles that go loose first, exposing dusty road. One by one, the rest follow.

Soon, the happy roadmaker has to be re-hired to repair his own work. Meanwhile, more and more dust flies around as more and more tiles come loose. I ASKED A ROADMAKER why his work was so shoddy. He shrugged and said, "It's how the system works. To win the contract, I have to pay someone in the municipality first, almost one-third of the amount. But after that, I don't have enough money left to deliver the job as I promised once I deduct the bribe and my profit. So I have to cut something somewhere. We just leaves the edges incomplete." And voila! Another cloud of dust.

Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com Send your feedback to mailbag@mid-day.com

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This paper ran a disturbing front page story on the weekend. It cited how, for several months, the Mumbra Police have been at their wits' end over bikes and scooters going missing from various parts of the suburban township. Last week, however, the police tracked the culprits, who were a gang of 10- to 15-year-olds.

All the nine boys who were apprehended by the police were minors. All of them hail from poor families in Mumbra and they are passionate about bikes and just wanted to ride them for fun. While the boys have been put in a home, what is worrying is that a couple of parents are in denial about their boys being involved in the theft.
The report said that Mumbra residents had complained to the police about rash driving by young children, who didn't have a driving licence. A social activist in the area had even said that many children here start riding bikes when they are as young as 12.

Most of these kids have not been to school. There is also the prospect that this crime may be a stepping stone for them and it may escalate to bigger crimes once they are out of this home. Parents need to pay much closer attention to what their children have been doing. They may not know about the crime, as it is natural these children will hide this from their parents. But, as a parent, they must try to investigate and question their children in case they suspect an unusual pattern in their behaviour.

It is unacceptable that 10-year-olds are riding bikes, putting not only themselves, but also other bikers and pedestrians in danger. Report them, if you suspect it's an underage boy riding a bike.

Finally, much more social awareness, sustained campaigns, and acceptance rather than denial by parents, can counter this menace. The bike robberies are not all innocent fun, it has grave ramifications for the future.

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Richa Kaul Padte

When I set out to write this book, I expected to find that Indian women were watching, making and enjoying porn. And indeed, I found that! What I didn't expect, though, was how comfortable and open they would be while talking about it," says Richa Kaul Padte of her debut non-fiction, Cyber Sexy (Penguin Random House). Through an intimate tour of online sex cultures — from camgirls to fanfiction writers, homemade videos to consent violations — the book investigates what it means to seek out pleasure online. Padte grew up in Kodaikanal and has lived most of her life in Brighton, England. Apart from being the co-founder of the award-winning publication Deep Dives, her writings have appeared in several publications. The well-researched book is full of interesting anecdotes, which had us questioning what we think we knew of porn. We spoke to her about women who romantacise porn, what inspires her, and if women would rather read erotica than watch the act on screen.

Excerpts from an interview:

In retrospect, what would you say the true vision of the book is?
Looking back on the project, what has come to the surface is that Cyber Sexy allows readers to feel less alone. Many people I interviewed said that the experience of sharing their stories removed a sense of isolation, and I know for sure that I as the listener felt a lot of relief, just hearing them. It's a comfort to know how varied desire is; that no matter how strange what's inside us can feel, we're never truly alone.

You have had intense, deep conversations with varied women for this book. Share some anecdotes that really stayed with you.
Not just with women, but with men too. For example, I spoke to one man who said he had always been embarrassed and bullied about the size and shape of his penis, but through participating in nude photoshoots, he came to terms with and started loving his body. This stayed with me, because men are often under pressure to be a certain type of masculine — and they rarely express these vulnerabilities. So, whenever men were able to talk about these gentler, less confident parts of their sexualities, it stood out for me.

What revelations did you have about the Indian woman and her sexuality?
As girls and women we're not encouraged to talk about sex, so I thought there would be some degree of reservation in interviews. I was so heartened to find this was not the case – women were happy to openly share their experiences, and I was more than happy to hear about them.

In your experience, how do men and women consume porn? For example, one may watch porn to please themselves, but quite often, we also think of people we desire. Do you think woman romanticise porn?
I think this might be more of an individual preference than a gendered thing. Desire is constantly shifting, just like fantasies, just like porn preferences. And I don't think romaticising porn is a gender-specific experience. Having said that, I think where women and men's porn preferences do differ is on the question of consent. Almost every woman said that as soon as porn seemed non-consensual, they were instantly turned off. I think as women we are constantly worried about having our consent violated, so our porn consumption reflects this fear.

Do you think women prefer reading porn rather than watching it?
I don't think I've surveyed enough women to make this claim definitively, but what I can say for sure is that erotica, fanfiction, and other sexy writings on the Internet are predominantly women-led spaces. Personally speaking, sex scenes in novels was how I first started exploring my own desires as a teenager, and I think for many women the written word is a safe, intimate space in which to express sexuality — both as readers and as writers.

Women usually find it easier to go without sex for long periods of time. Could this affect their desires?
My point is, everyone can survive without sex, but sex is also a deep human need. I think what does affect women's desires is fear — fear of unwanted pregnancies, abuse, violence, etc. We think twice — or 50 times —before we go home with unknown men. Not because we want sex any less than them, but because gender violence is a reality we have to perpetually contend with. So we often forgo desire because we want to, you know, stay alive.

Also Read: Married? This Dating Site Is Meant For You

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Two years ago, Jaidwaj Malhotra was running a Google search for a motor for his model airplane when he instead started reading about drones and how to build them. He was immediately taken in by the little object that could fly at 120 km per hour. Today, the 18-year-old is working for an organisation, helping them design surveillance drones for the Indian Army.

Malhotra is part of a tight-knit community of young drone racers in the city that came into being around the time the Indian Drone Racing League (IDRL) was founded by Karan Kamdar in 2016. Over the past two years, the field has gained a sizeable traction with IDRL having 875 pilots registered with them from all over India. The pursuit is expensive.

Building a drone can cost as much as '40,000, and the not-so-cheap batteries must be replaced every three months. The police continues to remain suspicious of fliers. However, for these pumped up youngsters, no obstacle is too big. Even with the odds stacked against them, they are finding ways to let their dreams fly.

'Burnt the circuit board while building my first drone'
Jaidwaj Malhotra, 18

His father being into aero-modelling, Juhu resident Jaidwaj Malhotra has always had a fascination for flying objects. Two years ago he participated in an aeromodelling competition held by Boeing, at the IIT TechFest. Around the same time, he came across the drone, or the "quadcopter". "If you want to fly a drone, it is important that you build it as well. You need to understand the mechanics, to ensure best control. And, in case of trouble, you must know how to fix it in a second," Malhotra says. Like Nayak, he too is a self-taught drone-maker, who got all his knowledge from the Internet.

Jaidwaj Malhotra. Pic/Satej Shinde

"My first attempt was not successful. I burnt the circuit board. But, you live and learn," says the first-year mechanical engineering student. He spread the word on his drone-making abilities on social media and soon people began to approach him. "That's how I got roped in by a startup to design UAVs (Unmanned Aerial Vehicle) for the Army." When he doesn't have exams, he practises six hours a day on a track that he builds himself, on the Jamnabai School Grounds. "A racing track comprises elements like gates, flags and cones that act as obstacles. I practise on one track, then change it completely and practise again."

One Race I want to participate in: World Drone Prix

'I am the first pilot to register from the country'
Siddharth Nayak, 26

Employed in the construction sector, Nayak is currently neck-deep into the Mumbai Metro project. It's only in the weekends that he manages to fly. "Sometimes, it's not even that, as there are working Sundays too," he tells us. Nayak, who grew up in Nala Sopara and got a degree in instrumentation engineering from a Vasai's Vartak college, has always been keen on robotics. "But, that was mostly stuff on land; I had a craze for flying."

Siddharth Nayak. Pic/Datta Kumbhar

Randomly stumbling upon a drone-racing video on YouTube in 2016 was a deciding moment for him. Nayak, of course, had no experience in drones up until that point. He went through several tutorials online and managed to build his first drone. "I tried it out in the dried salt pans in Vasai, where there were no people. It went up till about 30 feet," he says, speaking of his test run.

The height is not the point of importance in drone racing, where they race not more than seven feet above the ground. "It's precision and control that counts, because you're flying at 120 kmph. It's a lot tougher to control drones at a lower height." Nayak had his first race in IIT Gandhinagar in 2016 and his latest victory was last month at Smaaash, besides three races in Kochi and Pilani. "I had once quit my job to do this professionally, but that didn't work," he says with a smile. Nayak's next aim is to represent an organisation as a drone racer. "My dream is to represent India as a drone racer in an international league, someday."

One Race I want to participate in: Drone Champion League

'I sold my first drone to build my second one'
Himadri Roy, 21

When he was in Std X, Himadri Roy asked his father for money to build his first drone. "I had done my research. I showed him the outline of my plan, which I had developed after going through hundreds of tutorials and blogs. When he saw that I was not talking out of thin air, he agreed," says Roy. The first drone that he built had a larger frame and was heavy. It took him over a month to finish, with help from his father. "Now, I can build it in a week." In the years that followed, he upgraded his machine. "I learnt about more sophisticated methods online and then I sold my first drone to a friend who is an engineer, and used that money to build my second one. This one is a racing drone. It's smaller, faster and more agile." Roy, who was a member of an online forum called Remote Controlled India, came across IDRL on it. He got invited to his first race in Gandhinagar in 2016. "I did a few laps and crashed. It's crucial to keep your mind steady in this race. If you worry you'll crash, you will. I have become calmer now."

Himadri Roy. Pic/Sneha Kharabe

He uses the same calm to deal with authorities when they come in the way. "The laws regarding droning are not clear in India. So, the police continues to stop us. Last week, a police vehicle followed me while I was flying. When something like that happens, I try to explain that it is a sport. I also let them watch the video feed that has recorded what the drone has seen, so they know that we are anything but troublemakers." Currently, he is employing his drone knowledge in his fourth year project. "We are trying to develop drones that can be used for industry surveillance, to identify defects in mobile towers, in particular," he says.

One Race I want to participate in: Smaaash Drone Race at Gateway of India

Tight jackets and tunics in diaphanous materials replaced the more pragmatic, flowing qabas, Jahangir did not marry anyone after Noor Jahan, Women wore jamas of fine muslin, so sought-after that they were named running water and night dew. Pics/Courtesy Aleph

While we all remember the story of 16th century Timurid warrior and scholar Babur's arduous journey from Kabul to Punjab, from where he waged war on Delhi to become the first Emperor of the Mughal dynasty, little is known of the wives, sisters, daughters and aunts, who travelled with him, and helped him establish his empire in the Indian sub-continent.

A new book by Gurgaon-based author Ira Mukhoty, Daughters of the Sun (Aleph Book Company), is a first-of-its-kind attempt to chronicle the role of the women in building the empire, and whose stories have suffered the neglect of both, history and memory. "Women, in general, are a misremembered group in history," says Mukhoty, in an email interview. "Their achievements are constantly ignored or diminished in favour of the histories of men. For the Mughals, it is further complicated by the fact that a lot of the works are in Persian, a language that is seriously out of favour in India. There is a Persian document called the Pilgrims' Confidant, about the Haj pilgrim to Mecca, sponsored by Aurangzeb's daughter Zeb-un Nisa. I tried very hard to have the document translated into English, but was unable to. This is a beautifully illustrated manuscript, which may have interesting references to its imperial patron. The original document is, moreover, in a collection abroad, as are many Mughal documents following the great plunder by the British. So there are many layers obscuring the legacy of the Mughal women; language, despoliation and disinterest," she adds.

Ira Mukhoty

For Mukhoty, the idea of researching this book came to her when she stumbled on the story of Jahanara Begum, daughter of Emperor Shah Jahan, who reigned from 1628 to 1658. "The over-arching scope of her ambition, so clearly spelt out in all her works, took my breath away. At a time when even globally women were expected to live lives of quiet submission, Jahanara blazed such a fiery trail. And yet we really don't remember the extent of her achievements at all," she says.

The book is split into three parts. The first discusses the peripatetic queens, who travelled from Persia to Hindustan, and includes Khanzada Begum, Babur's elder sister, and his wife Dildar Begum, among others. The next talks of the wives during the imperial splendour. Here, Jahangir's wife Mehr-un-Nisa Begum alias Noor Jahan and Mumtaz Mahal — Shah Jahan's wife — find mention. The last section of the book takes us into the waning years of the Mughal empire, fraught with greed and overreaching ambition. The story of Jahanara Begum, the beloved eldest, unmarried daughter of Shah Jahan stands out here.

An interesting source for Mukhoty's book was Gulbadan Begum's Humayun-nama. Gulbadan was sister to Humayun and daughter to Babur, who arrived in Hindustan at the age of five. "She was asked many decades later by her grandnephew, Akbar, to write a biography of Babur and Humayun," Mukhoty writes in the book. "Gulbadan's account is a fascinating insight into the households of Babur and Humayun as seen by an insider. Her writing is forthright, frank and rambunctious," says Mukhoty. "It is her lack of a self-conscious eye on posterity, which made her account so invaluable. She gives us details which help us imagine a living, breathing space instead of a splendid, but unknowable place which the male biographers wrote about. Male historians of that time wrote in grave and obscure prose, about battles and ancestors. Gulbadan wrote about Humayun's opium habit and his relationship with one of his feisty wives," says the writer.

Among the Mughal women, whom Mukhoty has most affection for is Khanzada Begum, who at 65, rode on horseback through 750 km of icy passes to parley on behalf of her nephew, Humayun. "This fearless and indomitable lady made sacrifices all her life for the legacy of her younger brother Babur, and for the future of her family. She was constantly sent as peace ambassador to warring brothers and travelled endless miles through icy terrain on horseback. She wept upon seeing the infant Akbar, because he reminded her of her long dead 'baby' brother Babur. This gives us such a different insight into Babur too, no longer the marauding foreigner of legend but a dearly beloved and mourned brother," she says.

Mukhoty, however, finds Mumtaz Mahal to be the most voiceless of the lot she researched about — the irony being that she was also the most famous. "I think the Taj Mahal, and the 20th century construct of an 'exclusive love' that it generated is definitely the reason Mumtaz Mahal is viewed with affection by so many. But she left no writings, no substantial buildings, no clear evocation of an ambition. She was busy raising 14 children in 19 years, travelling the length and breadth of the country with her restless husband. She will forever be hidden by the splendour of the Taj Mahal."

Also Read: Mughal-Era Artefacts Seized From Antique Smuggler's Secret SoBo Godown

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Vishnudas Bhave. Pic/Premji Sosa

The next time you book your tickets for a play, think of this name: Vishnudas Bhave. An important figure in the history of Indian theatre, Bhave is best known for his pioneering work in the mid-1800s. Born in Sangli, Bhave arrived in Mumbai in 1852, only to change the face of not just Marathi theatre, but the whole infrastructure surrounding the industry. "He didn't invent theatre, but he certainly innovated it," says historian and researcher Murali Ranganathan.

Bhave will form the core of a talk on the modernisation of theatre in Mumbai that Ranganathan will deliver this Friday as part of arts and science conversation platform, Mumbai Local's first curated session by playwright Ramu Ramanathan. For over a decade, Ranganathan has been extensively researching the history and development of the entertainment industry in Mumbai, and this session is a leaf borrowed from the pages of his larger project. He says, "Bhave looked at the theatre infrastructure available in then-Bombay. He decided that, instead of staging plays in the backyards of the rich or through building temporary sheds, where people could just walk in, he could change the non-ticketed scene to actually charging for plays at Grant Road Theatre."

Interiors of Grant Road theatre. Pic/Drama Queens Representation purposes

The Bhave-fication of theatre in Mumbai also meant that people wanted value for money. Before Bhave's arrival, says Ranganathan, instead of tickets, an aarti plate was passed around at the end of a show, on which people would place a patron sum voluntarily. "Buying a ticket meant that audiences expected more from plays. Hence from semi-religious plots, the plays shifted to pure entertainment," he explains. A byproduct of this entertainment factor was the introduction of the genre of farce, in which the foibles of the rich and contemporary issues were critiqued through the veil of humour. Bhave and his company staged farces on widow remarriage, children's education, English missionaries, and, oddly, a cautionary tale to raise awareness on a series of murders of children that happened for robbing them of jewellery.

Stating that he is interested in "excavating" libraries with an archaeologist's enthusiasm, Ranganthan's research draws extensively from news archives. The reason is that Bhave's methods paved the path for previews, reviews, and ads, many of which are to be found in these archives. "Mumbai's theatre scene in the 20th century has been well-researched, but the times before that still need more work," says Ranganathan. He adds that his talk will also cover other theatre groups that followed Bhave's suit, a maverick balloonist who drives mass entertainment, and how practices like yoga caught the modern imagination. It all sounds intriguing, and best heard from Ranganathan himself.

Where: Kitab Khana, Somaiya Bhavan, Flora Fountain, Fort
When: May 18, 5.30 PM
Free
Call: 61702276

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Pic Courtesy/Sameer Malhotra

Why am I biking so much? Maybe, because I work only as much as I need to," says actor Satyadeep Misra, who you will remember as Rosie's suitor Johnny from Bombay Velvet and TV series P.O.W. — Bandi Yuddh Ke, where he played a soldier. We are sitting at his Versova home talking about bikes over a glass of gin.

Kemmu and Misra's social media is full of riding clicks, including those taken outside Café Monza in Kharghar, where they ride down on Sundays. Pics/Instagram

The cupboard next to us in the living room, is topped with helmets, which he says will grow in number. If you follow Misra on Instagram, you know that over the last year, he has biked to Uttaranchal, Himachal, Goa, Nepal and Hampi. His biking friends include actor Kunal Kemmu, who will next be seen in Karan Johar's Kalank, and whose social media feed is also full of riding clicks. Some of these see him posing with his bike, and some are taken with Misra outside Café Monza in Kharghar, where they ride down early on most Sunday mornings for breakfast.

Satyadeep Misra

Misra has a Ducati Scrambler, and Kemmu used to have a MV Agusta Brutale 1090 RR, and now has a Ducati Scrambler too. Their retail indulgences include biking jackets, one helmet after another, gloves and of course, biking boots. "After the Uttaranchal trip, riding became a big part of my life. I wake up only thinking of riding. The question on my mind always is 'when is my next biking trip going to be?' I think I work, just so I can ride," says Misra.

Kunal Kemmu

Unlike Misra, who caught the bug last year, Kemmu harboured the dream of biking since school, because he thought it was "cool". "My uncle bought me a bike, but the day it got delivered, I was in college, and my father sent it back," he tells us. "I have always been a rider. But, it's only in the last six months that I have started to enjoy what it's all about. I have made friends with those who ride with me. And I have been getting all this gear that improves the riding experience," says the new father, who is quick to tell us that the one thing wife Soha Ali Khan tells him, is to be careful.

In Robert M Pirsig's Zen and The Art of Motorcycle Maintenance, the author writes, "In a car, you're always in a compartment, and because you're used to it, you don't realise that through that car window everything you see is just more TV. You're a passive observer and it is all moving by you boringly in a frame. On a cycle the frame is gone. You're completely in contact with it all. You're in the scene, not just watching it anymore, and the sense of presence is overwhelming."

When Misra speaks of riding on a bike, he compares the feeling to flying. "If you see my bike, which is an off-roader, it's high up there, and as you are sitting on it, you too are sort of squatting in air. So, when you are cruising along, it does feel like you are flying," he says. When we ask, what he thinks about when he rides, he says, "It's hard to think because you are focussed on the road. All your instincts are tuned to the road, and keeping the bike in control. But as you start doing it more, it gets easier to disconnect and ride. As I said, it's the closest I have come to flying."

For Kemmu, it started off by being about the sound, speed and how the bike looks. But, in recent times, he has felt it become a stress buster. "There are days when you will be stuck in traffic, and feeling baked in all that gear, but then, there will be days where it will be a breeze. The risk factor also adds to the romance. At the end of the day, it's about the relationship between man and machine, and that's priceless."

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Gallery Art & Soul

How often have we heard friends say, "Let's grab a drink?" and the next thing you know, you are headed to Lower Parel? That same enthusiasm, purposefulness, and the promise of an evening well-spent are what art spaces in and around that part of the city are gearing up for this year.

Priyasri Art Gallery

Starting June 29, art lovers can say hello to the Mumbai Midtown Arts Collective (MMAC). An initiative by Anupa Mehta and Rashmi Dhanwani, the MMAC will bring together seven spaces in Worli, Dadar, Byculla and Lower Parel to build upon a format that their counterparts in South Mumbai have cracked over the past few years.

Tao Art Gallery

In this city, artists and visitors mark their calendars for Art Night Thursdays, the second Thursday of every month, when galleries have extended hours instead of their usual closing time of around 6 pm. Similarly, the MMAC will host Art Night Fridays, to be held on the third Friday of the month once every quarter. There will also be Art Sundays, when galleries will remain open, and workshops and sessions will be held in public spaces.

Volte Art Projects

Art Night Thursdays was conceptualised in 2011, along with Mumbai Gallery Weekend, by a group of about eight galleries in South Mumbai. It continues to visibly draw more visitors than what they would have on most other days. To boil it down to basics, it is a mix of two factors — geography and programming.

Piramal Museum of Art + their Byculla gallery

For most Mumbaikars, a weekday visit to South Mumbai, particularly Colaba and Kala Ghoda, where a number of galleries are located, usually means wrapping up early from work, and making at least a 45-minute trip from the suburbs. Art Night Thursdays mean that visitors from Jogeshwari or Mulund can spend more time with exhibitions, walkthroughs and talks.

Anupa Mehta Arts & Advisory

"There is a reason why we are planning for Fridays and not Thursdays. That's the day most professionals working in this part of town will step out and unwind," says Dhanwani, founder of The Art X Company, an arts management consultancy, which will drive MMAC.

Saffronart

There's enough for everyone
Mehta and Dhanwani tell us that the idea to form a central Mumbai collective is not new, and has been on their minds for some time now. And, then, last year, some of the midtown art spaces got a massive push for the first time during Mumbai Gallery Weekend, an outreach programme with a series of art events. Mehta, an arts consultant, who runs Anupa Mehta Arts & Advisory from the studio that earlier used to be a gallery, The Loft, at Lower Parel, could see the difference.

Anupa Mehta and Rashmi Dhanwani

"We had a tea party here, and I expected the regular audience to turn up. Instead, a different crowd dropped by — people who had heard that there was something going on," she says. Lower Parel and Mahalaxmi now have a number of creative clusters, such as indie design studios, today. These areas also house and employ well-travelled aesthetes with disposable incomes.

Dhanwani cites a report by KPMG in India and FICCI (February 2018), titled Visual arts industry in India: Painting the future, which stated that 'a new segment of art buyers in India consists of entrepreneurs, company executives and professionals... An increasing number of young art enthusiasts in their late 20s to early 40s are attending shows at art galleries and festivals, to both participate in workshops as well as buy original artwork.

Pics/Ashish Raje; Map/Deshna Mehta; Imaging/Ravi Jadhav

"Lower Parel has a sizeable presence of such professionals, who are open to different experiences such as catching a comedy or music gig or a new exhibition. Although there is the perceived notion that art is an elite preoccupation, these barriers can be lowered to open arts spaces even further," she says.

Focus on accessibility
In recent years, Lower Parel and its surrounding pincodes have turned into the great corporate heart of the city, drawing thousands through railway networks and SUVs for work and leisure. Mehta says that history always speaks through, as the place that was once devoted to mills, and mill workers. It is reason why accessibility is a key focus of the MMAC — how do you draw the waiting staff from the nearby pub as much as corporate consultants? "We forget that art is the great equaliser, and Lower Parel is a constant reminder that different classes co-exist here," says Dhanwani.

The MMAC, interestingly, is not a homogenous clutch of galleries, but has, under its umbrella, a museum, an arts advisory, an auction house, and galleries that have been around for more than a decade, and those that are fairly new. More are likely to join hands in the near future (check MMAC's Facebook page for more info).

The MMAC, thus, strategically, means more visibility to these spaces, and the recognition of the presence and growth of another art district, co-existing with the one in Colaba. "We are complementing our friends in South Mumbai. We hope that many more area-specific art circles may occur, and cater to local communities," says Mehta. She adds that with galleries showcasing a range of artistic practices, there is a growing audience for all.

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A still from Bioscopewala, featuring Danny Denzongpa in the lead

When we dial up Danny Denzongpa's number on a Friday evening, we are greeted with a faint "hello". The network is choppy, his voice drifts in and out. "I am in a cool place," he says, referring to Sikkim, where the actor is at the moment. His film, Bioscopewala, based on Rabindranath Tagore's renowned story Kabuliwala, is prepping for release, but Denzongpa chooses to stay far from the hustle and bustle of promotion. "I like it here," says the man of few words.

The 70-year-old actor was a little boy when he saw the Balraj Sahni-starrer Kabuliwala (1961). He had also seen the Bengali film earlier, starring Chhabi Biswas. The Sahni film, however, had an impact on him altogether. "I remember our teacher had taken us to see the film and I was howling in the theatre," Denzongpa says. When he first read Tagore's story in school, he made a drawing inspired by it. "There was a man with a pagdi, standing in a hilly backdrop. There was a stream flowing by, and across it, was a little girl." Bioscopewala, he tells us, was originally supposed to star Amitabh Bachchan. "But somehow, that did not materialise. I have always been a huge fan of the film, so, when Sunil (Doshi, producer and co-writer) approached me, I jumped at the chance," he says.

Doing the film was like going back to his college days. "Most of the crew was from my film institute (FTII) — the director, writer, sound designer Resul (Pookutty). I was the senior most among them. I remember when we were shooting in Ladakh, and I would go jogging at early morning, they'd be surprised and tell me 'you're supposed to rest for two days'. But, I am from the hills!" laughs Denzongpa. He also knew his co-actor Geetanjali Thapa, who plays Minnie, well. His other co-actor Tisca Chopra also doubled up as his Afghani tutor. "I had a tutor on sets to correct my diction, but I would always turn to Tisca. She has stayed in Afghanistan for over 10 years and is fluent in the language."

Unlike the original film that was set in the 1940s, Bioscopewala comes forward in time, in the '80s, during the Taliban regime in Afghanistan. Having also wrapped up shooting for the Kangana Ranaut starrer Manikarni: Queen of Jhansi, where he plays an army general who was like a father to the queen, the actor is now enjoying the quiet. He is not Mumbai-bound anytime soon, not even for the premiere of Bioscopewala. "This is the person I am. I'm very shy, I don't party, I stay away from events, I have not had a PR in 45 years. You don't see me talking to the press either, nor I am on television. It's not on purpose. I just don't like attracting attention towards myself." And of course, he's not on social media either. "The only thing I am on is my phone, and that also I forget about at times," he laughs.

Also Read: 7 Memorable Roles Of Danny Denzongpa

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Cousins Ayush, Aryan and Arjun Asher enjoy some quiet book reading time with their friend Rudra Shukla at their Worli residence. Pic/Ashish Raje

Of gods and humans

Author Arshia Sattar is no stranger to mythological retellings. Best known for her English translation of Valmiki's Ramayana, Sattar recently released a new children's collection titled Garuda and the Serpents (Juggernaut Books), which draws from the Puranas, the Mahabharata and the Ramayana to deliver stories that will evoke both wonder and delight. From tales of why the gods and the asuras churned the ocean, to how Vishwamitra and Vasishtha became enemies for life, these marvellous adventures of gods and humans is not to be given a miss. And, with Sattar, who has a PhD in South Asian Languages and Civilizations from the University of Chicago, helming the narrative, these stories, we know, rest in safe hands.

Garuda and the Serpents by Arshia Sattar
Age Group: 10+
Price: Rs 350

A rare friendship

The recently-released graphic novel, Indira (Context, Westland), definitely has a special place in history. The young adult novel, which has been brilliantly executed by writer Devapriya Roy and animation filmmaker and illustrator Priya Kuriyan, begins with the story of Indira Thapa, a Std VI student at a government school, who is given an assignment to write an essay around her namesake. Over the course of a long, hot summer and a curious friendship with an artist who is working on a biography of Gandhi, Thapa gets tangled up in the life and times of the country's only female prime minister Indira Gandhi. Through graphic panels and beautiful prose, Roy and Kuriyan lead us through Gandhi's rich legacy, including her rise during the Bangladesh War (1971) and fall, post the Emergency (1975-77). This one is for teenagers who'd like to revisit history differently.

Indira by Devapriya Roy and Priya Kuriyan
Age Group: 13+
Price: Rs 599

Magic on wheels

Lavanya Karthik's Neel on Wheels (Duckbill) is what we think, should be on every kid's must-read list. The book, illustrated by Habib Al, tells the story of Neel, who is wheelchair bound. But, that's hardly holding him back. Neel's wheelchair transforms itself to fight dragons and monsters and chase away scary creatures of the night. One of the prize winners in the Children First contest — started to create more books featuring children with disabilities as protagonists — this book deals sensitively with his challenges and the lovely relationship between Neel and his younger brother, who regards him with awe and respect.

Neel on Wheels by Lavanya Karthik and Habib Al
Age Group: 5+
Price: Rs 299

Family matters

Sharanya Manivannan's poetry is a sheer delight to read. With The Ammuchi Puchi (Puffin Books), the poet and writer has collaborated with illustrator Nerina Canzi to tell the story of Aditya and Anjali, who love listening to their grandmother's stories. Unfortunately, their lives fall apart on the night their grandmother passes away. Suddenly, her stories seem to lose their meaning. It's only when something magical happens that they feel their grandma is with them, after all. The dreamy illustrations complement the poetic prose, for a poignant story.

The Ammuchi Puchi by Sharanya Manivannan and Nerina Canzi
Age Group: 4-7
Price: Rs 199

Grandma knows best

No summer reading is complete without escaping into the stories by author Ruskin Bond. In his new book, Memories of Hills and Dales (Rupa), Bond's protagonist is an affectionate, brimming-with-stories grandmother, who shares tales of the past with her granddaughter Koki. From a mysterious kiss by a stranger in the dark to schoolboys taking off for a trek to a glacier, an old kite-maker reminiscing about his heydays and a beautiful village girl whose charms a city boy can't resist, this slice-of-life collection — many of which are autobiographical — takes us through the life in the hills and the joys, sorrows and excitement it holds.

Memories of Hills and Dales by Ruskin Bond
Age Group: 8+
Price: Rs 195

Suitcase memories

Nidhi Chanani's heart-warming debut graphic novel, Pashmina (HarperCollins India) weaves a tale about the hardship and self-discovery that is born from juggling two cultures. The story revolves around Priyanka Das, who has many unanswered questions — why did her mother abandon her home in India? What was it like there? And, most importantly, who is her father, and why did her mom leave him behind? Pri's mom avoids all these questions. For Pri, her homeland only exists in her imagination, until she finds a mysterious pashmina tucked away in a forgotten suitcase. When she wraps herself in it, she is transported to a fantasy world more vivid and colourful than anything she could have ever imagined. But to know whether this world is for real, she needs to travel further. For young readers, Chanani creates a world that magical through her prose and illustrations.

Pashmina by Nidhi Chanani
Age Group: 8+
Price: Rs 399

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Order of the day
Start your week with Before Sunset
8 pm – 11 pm: Some films one can never watch enough. If you call yourself a die-hard Richard Linklater fan then you wouldn’t want to miss the chance of watching this film. Join Ethan Hawke and Julie Delpy as they meet nine years after they first found each other serendipitously, on the streets of Vienna. One of the finest performances from the lead pair, this one never gets old.
14 Monday
WHERE: Drishyam VFX, Andheri West
Entry: R200
log on to: www.1018mb.com

Enjoy some spontaneous laughter
7.30 pm: Tired of the same old rehearsed lines? Then this act is for you. Mosey on to Bandra this evening where you will be treated to some improv comedy. There’s no pre-written material and your stand-up for the day, Max Fernandes, will pick up from you to bring humour on the go. You can be a participant (recommended) or a passive audience. Take your pick.
15 Tuesday
where: The Cuckoo Club, Bandra
Entry: Rs 200
Call: 9619962969

Give in to some waffle pleasure
1 PM onwards: You’ve managed to make it through Monday and Tuesday. So, you need a little treat. Celebrate the day at The Waffle Factory and avail their offers on shakes and iced teas. The offer is on every Wednesday right up until August 29. So, if you have a friend you meet only mid-week, this can become a standing date. Sweet idea? We think so, too.
16 Wednesday
where: The Waffle Factory (across outlets)

Hear the women out
9.30 PM: It’s not often that you hear women take the stage in India’s Indie music scene. Which is why #ladiesfirst is an initiative that needs your support. This evening, Social Offline x nrtya will host the Nush Lewis band and Ladies Compartment. Your ears, tonight, will be treated to jazz, blues, American folk, indie, and Carnatic Indian classical traditions.
17 Thursday
Where: Todi Mill Social, Near Viva Center, Lower Parel West
Entry: Rs 400
Call: 65110361

Relive Bollywood’s golden melodies
6.30 pm: Why should every evening out be about Western music? Relive some good old Bollywood memories as a host of playback singers along with live musicians bring to the stage, the tunes of Laxmikant-Pyarelal. And, if you are a fan, then one more reason to not give this a miss: Pyarelal Sharma Ji himself will conduct the whole 40 piece orchestra team and singers.
18 Friday
Where: Shanmukhananda Hall, Sion
Entry: Rs 250-Rs 3,000
Call: 24078888

Make your own organic make-up
2 PM to 5 PM: This is what we have always wanted. Make-up that’s organic, not tested on animals and perfectly suitable for our own skin. The Mumbai Fashion Academy is hosting this workshop where you will learn how to make your own concealer stick, liquid foundation, powder cake, make up remover and more. All material will be provided.
19 Saturday
Where: Mumbai Fashion Academy, Parel
Entry: Rs 2500
Call: 9769671960

Take it slow this time
If you think speed dating is not quite your thing, there’s the option to try this. Life of Line, a speed-dating company is slowing things down with this unique event. Participants will get to spend 30 minutes with the eligible singles of their choice, as opposed to the regular eight minutes. The custom category has been created following feedback from over a 1,000 people. The idea is to give more time to the right person. Life of Line verifies the profiles, both professional and social. The profiles of your date is shared ahead of the meet.
When: 3 pm, May 26 
Where: Hoppipola, 5th Lane, Ramkrishna Nagar, Khar West
Entry: Rs 3,999
Log on to: bookmyshow.com

See flowers in all their arty glory
Bas Meeuws is a Dutch photographer known for his photographic still life series. This exhibition titled Spring In The Wintertime is being presented in India for the first time. It’s a selection of 43 photographs that also includes a previously unseen work.
When: 11 am to 6.30 pm, 
till May 31 
Where: Tarq, Colaba 
Call: 66150424

Enjoy handcrafted cocktails
Here are the drinks that promise to take you through the heat. The summer-themed drinks at Nara are inspired from those in Thailand. Sip on cocktails like Chiang Rai (Mango and Galliano), Chiang Mai (Mango mojito), Mae Sot (pineapple and Bacardi). For a fruity mix, try the Kerff Rot Spritz and the raspberry and cranberry drink. There’s also the Thai Monk and the Fangs Tonic, which is a spin on the gin and tonic.
When: 12 pm to 1 am 
Where: Nara, Raheja Towers, BKC 
Call: 61378080

Catch the Boyzlife
The two-member band Boyzlife featuring Keith Duffy and Brian McFadden, formerly of Boyzone and Westlife respectively, are in India for the first time. Their concert titled Boyzlife Live will feature a blend of the greatest hits for their former bands. The Boyzlife show has been performed several times since 2016 and Mumbai will get to see it finally. For 90s kids especially, this concert would make for an ideal trip down memory lane.
When: 7 pm onwards, May 19
Where: Dublin Square, Phoenix Marketcity, Kurla
Entry: Rs 1,000-Rs 1,750
Log on to: bookmyshow.com

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Have a love for ice-creams but don't want the calories to settle it into those arms? Perhaps slurping on a Michelle Melt might be more appetising. In 2009, a Washington based restaurant named a ice-cream after the then First Lady. But, why look as far as America? Here in Mumbai alone, various restaurants have named dishes after not just Bollywood celebs but even famous painters. Here's where to go celeb-hopping for your tummy.

The Big Bachchan Slider Bombay Bronx, Breach Candy
The Bombay Bronx at Breach Candy is known for all things Mumbai. Apart from the community table inspired by the dabbawalas, a railway map and a huge painting of Amitabh Bachchan on the wall, the food too is an ode to the city and its people. Therefore, it's not surprising to see a chicken slider dedicated to Big B.

Pic/Bipin Kokate

"The idea came to us when we were making a wall poster dedicated to him," says owner Nakuul Kumar. The grilled slider is made with chicken keema, caramalised onions, tomato slices, cheese, lettuce and served with gun powder mayo. Having named it after one of the biggest names in the country, naturally makes the appetiser a crowd puller. "It gives you a direct hint that it's going to be big and fabulous just like Bachchan," he laughs.

Da Vinci Tini Hoppipola, Khar
No prizes for guessing that  Hoppipola's dessert cocktail, made with Baileys, cream and vodka espresso, is inspired by Leonardo Da Vinci. The drink is served with a painting brush and palette, where the "colours" include three types of chocolate — dark, white and caramel. Patrons are encouraged to paint inside and outside the glass, in a manner of getting playful with chocolate.

Rs 495

Sandeep Sharma, bartender, says, "The idea is to engage our customers, be it through games, or through our drinks?" Initially, they would ask customers to slip in behind the bar counter and try out the activity. "But, that proved tedious. So, we came up with this concept. And because it's to do with painting, who better than Da Vinci, to salute?"

RajiniKhanth Dosa The Junction, Mahim
Formerly an economics teacher at HR College, Vikram R Jumani has always been a huge film buff. When he introduced a line of experimental fusion dosas at his restaurant, he was clear that he wanted to doff his hat to the cinematic greats of Bollywood and also down South.

Rs 99

"In the South it's of course Rajinikanth and here, it's the three Khans. That's why the name is RajiniKhanth." The dosa in question is a spin-off on the pav bhaji dosa, wherein the bhaji is cooked on the dosa and the process is a spectacle for the customers to see. Jumani was aware that the name would catch on. "The taste was a deciding factor in the popularity of the dosa. It's a superhit item," he says.

Sonam Kapoor's cake Healthy Treats, Pali Hill
Divya Ranglani's patrons include Kareena Kapoor Khan, Jacqueline Fernandez, Shahid Kapoor and Farhan Akhtar. But it's a Sonam Kapoor cake that made her go viral in 2016. "She would order cakes from us quite often. And one day, she decided to post a testimonial where she said the orange and dark chocolate cake is to die for. This was when nobody knew about us," she says.

Rs 1,200 per kg

After that, calls started pouring in to order the 'Sonam Kapoor cake' and before they knew it, the orange and dark chocolate cake had been rechristened. Now that Kapoor has turned vegan, Ranglani has started baking gluten-free and vegan version of the same.

Dylan's Galouti Kebab Raasta, Khar
Since music is second nature to Raasta, owner Joy Singh wanted a dish named after American singer-songwriter, Bob Dylan.

Rs 355

"He is a revolutionary artiste. But we wanted the dish to be of Indian origin, because he loves the country," he says. Singh chose the galouti kebab and gave it a vegetarian twist as Dylan is rumoured to be a vegetarian. "His love for 'magic mushrooms' — fungi famed for their psychedelic effects — led us to choose mushrooms as the main ingredient. After a number of trials we finalised this galouti and named it as Dylan's Galouti," he says.

Lord Brown's Gift Gymkhana 91, Lower Parel
At Gymkhana 91, you can drink to Lord Burdoch Brown's legacy. Concocted using Jim Beam, pineapple juice, peach juice and smoked cinnamon, it is a refreshing and not-too-potent drink dedicated to the British officer for his contribution to spices.

Rs 595. Pic/Ashish Raje

"Brown established the Ancharakany Cinnamon Estate in 1767 under the East India Company. It's reputed to be Asia's largest Cinnamon estate," says owner Aditya Hegde, who introduced the cocktail last September. Since then, it has naturally got guests curious.

"They do ask about the name and story behind it as the drink also involves drama and theatre, because the smoking of the drink is done in front of the guests at the table," he adds. Hegde says it is common practice at Gymkhanas to dedicate dishes and drinks to somebody iconic, but not so in stand-alone restaurants. "We believe in giving due credit to the person to whom the dish belongs and that's how the trend started," he says.

Dara Singh Thali Mini Punjab's Lake Side, Powai
The Dara Singh thali is not for the weak-hearted. It packs in the best of unlimited eating. It has aloo paratha, chur chur de naan, makki di roti, murg mussalam rice, lamb  yoghurt curry, chicken Amritsari and lot more.

Rs 1,600 (non-veg) and Rs 1,200 (veg)

The accompaniments include four types of beverages, three chaat options, a soup, pickle, chutney and seven desserts. In all, the thali packs in 40 items. Jagjit Singh, co-owner says, "It needs a champion to finish it. And who better than our famous Indian professional wrestler Dara Singh.

Indians looked up to him as a role model." From Uttar Pradesh, to Punjab, Delhi and Rajasthan, the thali brings together the best of North Indian flavours. While they have not met Dara Singh, his son Vindu Dara Singh has sampled this thali. "He was happy to see a thali named after his father. While eating, he was remembering nuggets about him and his father eating together from one plate during his childhood. Vindu loved the lamb yoghurt curry in the thali,"  adds Singh.

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Pics/Gautam Benegal

The setting of Gautam Benegal's A1 Chiken Sope cartoons is largely familiar to those who get their meat from the local market. The air is thick with down feathers, and dismembered bits of chicken scattered about, with butchers being none too fussy about our sensitive nerves. In Benegal's hands, however, this scene is turned into a humorous commentary of our contemporary socio-political scenario.

A1 Chiken Sope series, where we meet a butcher named Salim Bhai and his rather chatty coop of chicken, has been one of Benegal's longest series. The National Award-winning animation filmmaker and cartoon first invented A1 Chiken Sope in 2006 for the supplement of a newspaper, after a bird flu scare, when people had stopped consuming chicken. The poultry business was evidently suffering. A minister smuggled in a tandoori chicken leg into the Lok Sabha, and started eating it to prove that it was perfectly safe. "I drew a cartoon of a chicken shop where one bird boasts to another, showing the headlines, 'Hey guys check this out, my second cousin, twice removed, made it to the Lok Sabha'," says Benegal, 52. In 2009 A1 Chiken Sope found more takers, the year when Benegal joined Facebook.

Having made nearly a thousand cartoons in this series, he says, "On social media, you can post a rough sketch and it becomes a mass pool of conversation with several people contributing to it, which is not the case with mainstream media," he says. The chicken, or chiken as Salim Bhai's shop terms them, play the role of both the naive public and the court jester. In one cartoon, the chicken bid adieu to their former coop-mate, bundled in a black bag, as Salim Bhai hands it over to a customer. "There goes Sonu... recruited into the militia," says one hen. "The chicken's work is to get slaughtered. They are a captive population, but a large percentage is happy at being kept. There is a person who is their benefactor, and is selling them out. We are all chicken," he says, adding, "There is an existential angle to this. The only way to escape is to stop being chicken," he says.

About 35 of these cartoons will be shown at Chemould Prescott Road, Fort, starting May 25, for 10 days. You may want to pay close attention to Benegal's caricatures, where the strength of these cartoons lies. Rather than state the obvious visually, Benegal thrives on allusions and references. Everything is an open secret. "I draw a lot from the earlier part of the century, when cartoons were couched in symbolism and stylised references. The latter is true in my case — it's like guerrilla warfare. You won't be able to put your finger on it, but everybody knows and everybody smiles about what they are seeing," says the cartoonist, whose first brush with the art was as a 15-year-old with Satyajit Ray's children's magazine, Sandesh.

There is a certain rawness to them, with a lack of standardisation that we may see with daily cartoons in mainstream media. And Benegal is not interested in polishing them up either. His taste in cartoons, for that matter, is very James Thurber, the American cartoonist who was featured regularly in The New Yorker, and the late Abu Abraham, whose worked for several publications, including Punch and The Observer. "We are used to a very gentle form of cartooning in India, be it themes or visuals. I wanted A1 Chiken Sope to be very ad hoc, much like how politics in India is," he says.

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