Adrian Miller is the manager of Anderson .Paak, the rapper/singer/musician who rose to stardom after his show-stopping appearances on Dr. Dre’s new album, Compton: A Soundtrack By Dr. Dre. But there’s a whole lot more to Adrian’s story than helping to guide Anderson from obscurity to overseas tours and late-night television appearances.

Adrian was at the epicenter of the Los Angeles rap scene throughout the 1990s. He played a key role in the rise of acts like Coolio, Freestyle Fellowship, Funkdoobiest, Cypress Hill, House of Pain, The Pharcyde, and many, many more. His time in LA reads like a who’s-who of artists, producers, executives, and even movie moguls. After helping to get the L.A. rap scene on its feet, Miller took a job at Warner Brothers as the Senior Vice President of A&R, working directly under legendary executive and manager-to-the-stars Benny Medina. We talked to him about his entire crazy journey, from getting his first real radio job in Oklahoma all the way to making deals with Dre.

See http://theciphershow.com/episode/144/ for full show notes and comments.

Allah B is a longtime member of the Nation of Gods and Earths, formerly known as the Five Percenters. He grew up in Harlem in the 1950s and 60s, a time when the Nation of Islam had huge influence thanks to its minister, Malcolm X. Clarence 13X Smith was an NOI member who became disenchanted with the group around 1963, and formed his own organization the following year. Clarence quickly became known as “Allah” or “The Father,” and most of his early disciples were teenage boys, Allah B among them.

The group, originally known as the Five Percenters and now as the Nation of Gods and Earths, grew steadily until Allah’s murder in June 1969. It would have a rebirth in the 1980s and 90s, as many of the young children raised in the group’s beliefs would go into hip-hop and spread Five Percenter beliefs, slang, and practices far and wide.

If you’ve ever listened to Rakim, Big Daddy Kane, or the Wu-Tang Clan, said “Peace” or “word,” or stood in a b-boy stance, you owe a huge debt to the Gods and Earths, whether you realize it or not. Allah B has been there for the group’s whole history, and shares it with us in this interview.

See http://theciphershow.com/episode/151/ for full show notes and comments.

Elzhi got his start as an emcee in the now-famous Detroit rap scene of the 1990s, going to shows and open mics alongside some of the city’s great talent like Guilty Simpson, Royce da 5’9”, Phat Kat, Invincible, Proof, Eminem, and Slum Village. In 2001, Elzhi would join Slum Village after J Dilla left the group. He would remain with them for nearly a decade, leaving in 2010 amidst drama with the other members and their record label.

In 2011, Elzhi released an album-length reinvisioning of Nas’ Illmatic, entitled Elmatic, which met great critical and popular success. His brand new album, inspired by his struggles with depression, is called Lead Poison.

See http://theciphershow.com/episode/152/ for full show notes and comments.

Krizz Kaliko first became known to hip-hop fans in the early 2000s as the ever-present hookman and onstage foil to Tech N9ne and other Strange Music artists, lacing tracks with both singing and rapping. His solo career would begin in 2008 with the album Vitiligo, and each record after that would reveal a diverse musical personality, equally comfortable with double-time raps, r&b hooks, and even Sinatra-style crooning.

Krizz’ latest album, released this past April, is called GO.

See http://theciphershow.com/episode/153/ for full show notes and comments.

Keith is best-known as a member of the Bomb Squad, the historic production team that changed hip-hop in the late 1980s and early 90s with their incendiary work for Public Enemy, Ice Cube, Slick Rick, Bel Biv DeVoe, and countless others – not to mention their hit remixes for pop stars like Paula Abdul and Janet Jackson.

But before Keith was helping to create some of the greatest rap albums of all time, he was part of a successful mobile DJ crew called Spectrum City, based out of his hometown of Roosevelt, Long Island. The crew consisted of most of the people who would go on to form the core of Public Enemy and the Bomb Squad.

See http://theciphershow.com/episode/156/ for full show notes and comments.

David “Chino” Villorente is not only one of the foremost graffiti artists ever to pick up a spray can, he’s also a true historian of the art form. His work has been seen on television, in magazines, and in galleries. He has also written numerous books about different aspects of graffiti culture (including several with our Episode 124 guest Sacha Jenkins) , and served a huge role in popularizing the culture as the editor of The Source’s influential “Graf Flix” column.

To see all of the art we talk about during this episode, check out this episode’s image gallery.

In addition, Chino gave us a very special playlist of music that inspired him during his writing days. You can check it out on our YouTube page.

See http://theciphershow.com/episode/162/ for full show notes and comments.

!llmind first gained notice for making beats for some of underground rap’s best talent like Little Brother, Akrobatik, Heltah Skeltah, and two-time Cipher guest Skyzoo. But it didn’t take long for him to break into the mainstream, creating songs for Kanye West, Drake, J. Cole, Ludacris, and more.

!llmind also has a group of businesses aimed at helping aspiring producers, from his B.L.A.P. beat battles to his Blap-kits drum sound packages to personal mentorships. In addition, he’s an accomplished educator, and now a label head with his Roseville Music Group.

See http://theciphershow.com/episode/163/ for full show notes and comments.

Slim Thug has been at the center of his city’s rap scene since he started his career in the late 1990s. He was one of the first artists on the iconic label Swishahouse. After years of success both on Swishahouse and independently, Slim found himself at the epicenter of a Houston rap explosion, caused in no small part by his memorable performance on Mike Jones’ hit “Still Tippin’.”

Around the time that song became a hit, Slim signed to Interscope Records. While there, he worked closely with Pharrell Williams, released the album Already Platinum, and jumped on songs with Beyoncé, Gwen Stefani, and more.

After his time in the majors, Slim moved back to independence, and has continued to release music at a steady clip. His latest album is Hogg Life Vol. 4: American King.

See http://theciphershow.com/episode/168/ for full show notes and comments.

Monica Lynch is a woman who truly was at the center of it all during hip-hop’s Golden Age.

Monica started out in late 1981 as the very first employee of a small record label called Tommy Boy, which was releasing early rap and electro singles by the likes of Afrika Bambaataa and the Jonzun Crew. She quickly worked her way up to becoming the label’s president, and oversaw its most fertile period during hip-hop’s golden age of the late 1980s and early 90s. Under her tenure, the label released classic albums by Queen Latifah, De La Soul, Naughty By Nature, Stetsasonic, Paris, Digital Underground, CNN, House of Pain, and many more.

Monica was a key part of bringing Tommy Boy to the attention of the masses. She oversaw the label’s clothing line, its successful compilation albums, and also played a key role in the development of careers of artists, executives, and more ranging from The RZA to Dante Ross to Prince Paul.

See http://theciphershow.com/episode/171/ for full show notes and comments.

TC is a DJ, emcee, and producer who began his career as a teenager in the mid-1980s, releasing several singles. But even back then, he was already an important member of the Zulu Nation, and eventually became a surrogate son, confidant, and musical collaborator of the organization’s leader, Afrika Bambaataa.

TC’s main musical contribution is combining hip-hop with dance music to create a unique hybrid he calls “hipstep.” Hipstep, which has its roots in both UK dance music and Bambaataa’s early experiments with electro, takes the tempos and sounds of drum and bass, jungle, and other dance genres, and brings them together with TC’s inimitable rhymes and song concepts.

The Zulu Nation, of course, has been rocked by scandal ever since a former member, Ronald “Bee Stinger” Savage, came forward this past spring with allegations of sexual abuse against Bambaataa. We’ll get TC’s comments on that as well, and his thoughts on the inner workings of the organization.

See http://theciphershow.com/episode/173/ for full show notes and comments.

Robert is a pianist and producer who has straddled the worlds of jazz, r&b, and hip-hop his entire career. He has toured and recorded with the likes of Q-Tip, Kanye West, Mos Def, Talib Kweli, Snoop Dogg, Kendrick Lamar, Lupe Fiasco, and countless others. He has also been a key collaborator with his college buddy, the singer Bilal, and has won several r&b Grammys. But he first earned his musical stripes as a jazz player, releasing albums on the iconic jazz label Blue Note Records.

But no matter what genre he’s playing in, or what band he’s working with, Glasper brings his unique style, knowledge, and passion to anything he’s working on. His most recent album, with the Robert Glasper Experiment, is ArtScience.

See http://theciphershow.com/episode/174/ for full show notes and comments.

Sean “Slug” Daley of Atmosphere is a proud son of Minneapolis whose devotion to that city shines through not only in his music, but also in the label he co-founded in large part to help bring shine to his city’s scene, Rhymesayers.

Atmosphere started when Daley was in high school (see above), but the group really started making waves in the early 2000s, with the release of music that would be collected on the album Lucy Ford: The Atmosphere EPs.

The introspective, personal songs on Lucy Ford and follow-up projects like God Loves Ugly and Seven’s Travels struck a chord with a huge audience, and Atmosphere’s constant touring, of a kind much more akin to rock bands than rap acts, helped the group’s following grow to a point where they received airplay on MTV2, performed at large festivals, and received serious attention from big record labels. Rhymesayers, meanwhile, released well-regarded projects from the likes of Brother Ali, Eyedea and Abilities, Blueprint, MF DOOM, and many others.

Atmosphere’s latest album, released this past August, is Fishing Blues.

See http://theciphershow.com/episode/178/ for full show notes and comments.

It’s the most wonderful time of the year—if you love soulful Christmas music! We sit down with Bill to talk about the 2016 edition of his world-famous ‘Xmas Jollies’ mix, which you can stream EXCLUSIVELY from us here.

We also discuss Paul Simon, vaudeville, Atlanta, record shopping in Bayou country, the raunchiest Christmas song of all time, and much more.

See http://theciphershow.com/episode/181/ for full show notes and comments.

Salaam is a producer who is behind some of the most popular hip-hop, r&b, pop, and dancehall songs of the past several decades. His work with icons like Nas, Amy Winehouse, and The Fugees has been on the airwaves and on the charts consistently since the 1990s.

Salaam is the son of a musician, and got his start early, working on songs with the likes of Kurtis Blow as a teenager in the mid-1980s. By the early 90s, he was already producing hip-hop and dancehall. He did some remixes for an under-appreciated rap group called The Fugees whose first album was on the verge of flopping, and that quickly led to him producing the song “Fu-gee-la” on their monster hit follow up album The Score.

But it was in the early 2000s that Salaam really hit his commercial stride, as he began working closely with Nas on, including many others, the iconic single “Made You Look.” And Remi began working closely with a young singer from London named Amy Winehouse on her 2003 debut Frank, and also produced five songs on her smash hit follow up Back to Black. Miraculously, that’s only the beginning of Salaam’s track record as a producer, musician, composer, and executive.

See http://theciphershow.com/episode/183/ for full show notes and comments.

Thirstin is a Brooklyn rapper who came on most rap fans’ radar during the underground hip-hop boom of the late 1990s. His comic songs like “I Still Live With My Moms” and “How Many Babee Muvas” caught the attention of listeners who liked their lyricism and tales of New York City street life with a side of humor.

But as much as for rap, Thirstin is also well-known for his long-running obsession with Polo. As a teenager, he played a key role in uniting two disparate Brooklyn crews into the Lo-Lifes, a group that would become notorious for both their boosting sprees and their fashion. Thirstin has a new book documenting the worldwide reach of the Lo-Lifes, called Bury Me With The Lo On.

See http://theciphershow.com/episode/187/ for full show notes and comments.

Stretch and Evan are the co-authors of the new book No Sleep: NYC Nightlife Flyers 1988-1999. The book, as its title suggests, is a collection of flyers from the prime years of New York City nightlife, mixed with recollections from people who were there.

But both guests are known for far more than the book. Evan was the driving force behind Evil Empire mixtapes, and currently runs the popular Up North Trips, which has a website, Twitter, and Instagram devoted to hip-hop memorabilia, anniversaries, and history.

Stretch, of course, was the co-host of one of the most influential radio shows of all time, the Stretch Armstrong and Bobbito show. The show, co-hosted by Bobbito Garcia, ran on WKCR starting in 1990, and defined the sound of underground rap. Just a short list of artists who appeared on that show in the early years of their career would include Nas, Common, Jay Z, Eminem, Busta Rhymes, Big Pun, Big L, the Notorious B.I.G., and the Wu-Tang Clan. Many of those artists, and a ton more, revisited their experiences in the 2015 documentary Stretch and Bobbito: Radio That Changed Lives.

See http://theciphershow.com/episode/188/ for full show notes and comments.

Brothers Eric and Jeff Rosenthal have been merging comedy and hip-hop since 2007, when they began by making short sketch videos poking fun at (and, in short order, with) rappers. They took their comedic vision and love of hip-hop culture through a bunch of different projects: sketches, absurdist interviews with artists, podcasts, and even their own original music.

Most recently, the brothers have their own podcast, A Waste of Time With ItsTheReal. They also have a brand-new album called Teddy Bear Fresh, and an upcoming live show at the New York City nightclub SOBs on February 23rd.

See http://theciphershow.com/episode/189/ for full show notes and comments.

Boldy James is a Detroit rapper who first came to many peoples’ attention in 2009 after appearances on songs by his cousin Chuck Inglish’s group, The Cool Kids. But Boldy took that initial burst of interest and ran with it, releasing a slew of mixtapes and guest appearances leading up to his 2013 debut album My 1st Chemistry Set, produced entirely by The Alchemist.

Just over a year later, Boldy was signed to Nas’ then-new label Mass Appeal Records. Boldy’s latest project, out this past February, is House of Blues.

See http://theciphershow.com/episode/194/ for full show notes and comments.

Bill Stephney grew up playing in bands, but found his real intro to the music business in college, when he got involved in Adelphi University’s radio station WBAU. He became the music director as well as an on-air personality, overseeing a crew that included a young Chuck D, Flavor Flav, Doctor Dré, and more. Out of those connections, he became a key member of the legendary production collective The Bomb Squad, best-known for their game changing work with Public Enemy.

After college, Bill went to work as the first employee of a new record label called Def Jam, co-founded by his longtime friend Russell Simmons. Bill’s job was to get the label’s artists on the radio—something that sounds comparatively simple today, but was bordering on impossible back in 1985.

After his time at Def Jam, Bill went on to found two record labels, produce albums for comedy legend Paul Mooney, act as music supervisor for movies like CB4 and Boomerang, and even partner with Chris Rock on a humor newspaper.

See http://theciphershow.com/episode/195/ for full show notes and comments.

Skeff is a producer and engineer who worked on some of the best hip-hop to come out of New York in the 1980s and 90s. He started out as the in-house engineer for the label Strong City Records and its associated recording studio, both of which were run by the legendary Bronx DJ Jazzy Jay.

Skeff has worked on records by Brand Nubian, De La Soul, Mos Def, Heavy D, MC Serch, D-Nice, Busy Bee, Diamond D, Tragedy, and countless others. But he is perhaps best known for his work with A Tribe Called Quest. On the group’s classic second and third albums, The Low End Theory and Midnight Marauders, Skeff was one of only two non-group-members to produce songs—the other one was Large Professor. Skeff also worked very closely with the late Phife Dawg in the vocal booth, helping to turn Phife into the iconic rapper he is remembered as today.

See http://theciphershow.com/episode/198/ for full show notes and comments.

This is episode 200, and features a return from Kevin Coval. However, since it is our 200th, our producer Josh got Kevin, who’s also a big fan of the show, to turn the tables without us knowing and interview the show’s host Shawn. So if you’ll excuse a little self indulgence here’s the episode 200 with Kevin Coval, Shawn Setaro AND Josh Kross.

Kevin is a poet and educator who is the artistic director of Young Chicago Authors, and the author and editor of a whole bunch of great books. The latest of these is A People’s History of Chicago. The book, true to its title, covers the entire history of the city, while focusing on the experiences and victories of its working people and those struggling for justice. The book’s foreward is by a young artist who has learned a lot from Coval, Chance the Rapper.

See http://theciphershow.com/episode/200/ for full show notes and comments.

Alan is the head of rock and urban at Entertainment One Music, a record label you may know better by the name it had until 2009, Koch Records. Koch is a label that had hits with veteran artists like Fat Joe’s Terror Squad, KRS-One, The Game, and Snoop Dogg; while also breaking new artists like Unk, Rich Boy, and even a then-new DJ Khaled. Hip-hop fans will remember the period in the mid-2000s where they had huge hits with Jim Jones, the Ying Yang Twins, Unk, Khaled, and more.

But Entertainment One is only a part of Alan’s story. He started out at Sony getting the Fresh Prince his first millions, and then worked at Relativity Records in the early 1990s just as the label was first getting into hip-hop, with artists like Fat Joe, the Beatnuts, and a young guy out of Chicago who called himself Common Sense. Alan was also responsible for helping to make then-regional acts like Three 6 Mafia and 8Ball & MJB rise to national prominence. He even played a key role in Eazy-E’s Ruthless Records during the period of its greatest success.

See http://theciphershow.com/episode/203/ for full show notes and comments.

Ron is a producer who is best known for his time as part of Bad Boy Records’ Hitmen production collective. Ron teamed up with Deric “D Dot” Angelettie, Diddy, Stevie J, and Nashiem Myrick to create iconic hits for Biggie, Mase, Diddy, Faith Evans, Mary J Blige, The Lox, and many more. After that run ended, Ron made beats for the likes of Beyoncé, Aretha Franklin, and Luther Vandross.

Ron is also a hip-hop historian and documentarian, and has made several films dealing with unjustly ignored aspects of hip-hop’s history. Most notable among these is the documentary Founding Fathers, which deals with the mobile DJ scene of the 1970s in Brooklyn and Queens. Any fan of the genre needs to see the movie in order to understand that there was a lot more to DJing in that era than just what was happening in the Bronx.

See http://theciphershow.com/episode/207/ for full show notes and comments.

Tom is the “Tommy” in Tommy Boy Records—he founded the label in 1981. After several early hip-hop and dance records, the label found success with “Planet Rock.” But it was in hip-hop’s Golden Age of the late 1980s and early 90s that the label would really blow up, signing acts like Queen Latifah, Digital Underground, House of Pain, Coolio, Naughty by Nature, and De La Soul.

Silverman also founded the New Music Seminar, the influential and long-running music conference whose annual rap and DJ battles would become the stuff of legend. His latest project is Tracklib, a whole new way of dealing with sampling.

See http://theciphershow.com/episode/208/ for full show notes and comments.

Welcome to a special episode of The Cipher. This is an episode dedicated to Houston. Like countless people around the world, we were devastated by news of Hurricane Harvey and its effects on the city. If you’re a regular listener, you’ve noticed that we have many episodes discussing Houston music and culture with the city’s artists, businesspeople, and authors.

So, because of that love for Houston’s music, culture, and most of all its people, we decided to reach out to three H-town rap legends and find out what’s really going on in the storm and its aftermath, and to find out what you can do to help. We caught up by phone with Trae tha Truth, Killa Kyleon, and Z-Ro. All three have been involved in recovery efforts —in fact, you may have seen Trae on the news, rescuing people by boat. And all three have seen first-hand the devastation the storm has caused.

See http://theciphershow.com/episode/213/ for full show notes and comments.

Lecrae is a rapper whose Christian faith is central to his music and his message, but don’t dare call him a “Christian rapper.” From the very beginning, as you’ll hear, Lecrae was determined to be both, as he frequently puts it, “authentically hip-hop and authentically Christian,” and his music, which has incorporated everything from Southern rap sounds to soul samples to rock guitars, shows that he has stayed true to that aim.

Lecrae has managed to expand far outside the confines of religious music in order to bring his message to a mainstream audience—as you can tell from his number one, gold-selling album, two Grammys, and best-selling memoir.

Lecrae’s brand-new album, All Things Work Together, is out September 22nd.

See http://theciphershow.com/episode/215/ for full show notes and comments.

Richard “Crazy Legs” Colon is a b-boying pioneer and the longtime president of the Rock Steady Crew, arguably the most famous b-boy crew in the world. He joined the Rock Steady crew in its early days, and quickly rose to become its leader. As early as 1981, he was already getting press attention as one of the best dancers out there in the still-new form of b-boying or breaking, and he invented many of the moves we still associate with breaking today.

Crazy Legs and the Rock Steady Crew would make a series of genre-changing appearances: in movies like Wild Style, Beat Street, and Flashdance; bringing hip-hop to Europe as part of the historic New York City Rap Tour; and even recording a hit album.

After b-boying’s popularity dipped and many of the original dancers retired, Crazy Legs reinvigorated the Rock Steady Crew in the early 1990s, spurring them and b-boying on to even greater heights - performing at Lincoln Center, winning a prestigious New York Dance and Performance Award, and much more.

We spoke to Crazy Legs at on on the playground AND in the Principal’s office at PS 163 in on the Upper West Side, the home of Rock Steady Park.

See http://theciphershow.com/episode/218/ for full show notes and comments.

Kurtis Blow was the first rap superstar. He was the first rapper to be signed to a major label and the first one to have a gold single with “The Breaks.” But his career is a whole lot more than just that song and “Christmas Rappin’.” Even before stardom, Blow was a busy DJ and performer who was sharing bills with the likes of old-school legends DJ Hollywood and Eddie Cheeba.

And after he broke big—with the help of his manager Russell Simmons—Blow stayed on top, releasing a long string of albums through most of the 1980s and also producing for other artists like the Fat Boys and Oran “Juice” Jones.

See http://theciphershow.com/episode/219/ for full show notes and comments.

Jack Thriller is a comedian who most people know from his time doing funny—and often outrageous—interviews on 50 Cent’s website ThisIs50. He’s talked to everyone from porn actors to fellow comedians to rap stars to athletes and beyond.

But in addition to that, Jack is also a talented sketch comedian and writer, stand-up, and even a singer. He got his start working as a writer, warm-up act, and all around right hand man to comedian Lil Duval, before breaking out on his own and moving from Atlanta to New York City. 50 quickly noticed his popular skits, and soon Jack had become the website’s breakout star.

He quickly moved from the computer screen to the television screen, starring in several seasons of Nick Cannon’s show Wild ‘N Out. And his latest venture is a singing career. He’s released a song with Nore, and has shared the stage with Musiq Soulchild.

See http://theciphershow.com/episode/221/ for full show notes and comments.

Lil’ Flip is a Houston rapper and member of DJ Screw’s famed Screwed Up Click who has more than earned his title of the “Freestyle King.” Flip began his career in the late 1990s, mixing solo and group projects, mixtapes, guest appearances, and, of course, countless freestyles. But it was his 2004 album U Gotta Feel Me, which included the massive hits “Game Over” and “Sunshine,” that really launched him to stardom.

Since then, Flip has had his share of ups, downs, and notorious beefs, but he’s never stopped making great music. His latest project is the K EP.

See http://theciphershow.com/episode/223/ for full show notes and comments.

DJ Statik Selektah has been on his grind since he first started DJing in his very early teens. He made a name for himself as a mixtape DJ, but really broke out once he started making beats on his own. He has released seven solo albums, with his latest, 8, coming out this Friday, December 8th. Those records have featured guest appearances from almost everyone in hip-hop, from Kool G Rap and Bun B to Smoke DZA and 2 Chainz. In addition, he has released collaborative albums with Bumpy Knuckles, Termanology, Freeway, KXNG Crooked, Freddie Gibbs, and others.

As an artist and producer, Statik has played an important role in the careers of Mac Miller, Action Bronson, and countless other up-and-coming stars. And he has had a special role as a big brother for Joey Badass and his Pro Era crew, serving as the collective’s tour DJ for years and producing many of their best-loved songs.

See http://theciphershow.com/episode/226/ for full show notes and comments.

Bill Adler is…well, you probably already know who Bill is. Publicist, journalist, author, gallery owner, archivist - Bill has done it all. From helping to popularize acts like Run-DMC and the Beastie Boys to defending free speech alongside Luther Campbell to boycotting the Grammys with Public Enemy and the Fresh Prince, there’s very little Bill hasn’t done.

But most importantly, Bill Adler is a Christmas music obsessive. Every year since 1982, he’s created a mix of seasonal music that he actually likes, called the Christmas Jollies. And the past five years, we’ve been lucky enough to sit down with him to discuss the music on it.

You can find this year’s collection here, and several other past volumes can be found elsewhere on our SoundCloud page.

See http://theciphershow.com/episode/228/ for full show notes and comments.

Skyzoo is a fantastic Brooklyn rapper whose sophisticated lyrics and ear for soulful beats has long made him one of our favorites. Longtime listeners will no doubt remember that he’s been a guest on the show twice before. But this is different.

Sky approached us last month with the idea of having an in-depth conversation to tease out the themes and ideas in his awesome new record. In Celebration of Us, easily his most topical project to date, deals with police violence, gentrification, discrimination, validation, and ultimately what it means to be, as Sky is, a black man raising a black boy in America today.

He wanted to have the talk at a place near to his heart, so we met at Mike’s Coffee Shop. Mike’s is a Brooklyn diner that has been a staple of the rapper’s life since childhood, and remains one now that he has a child — his newborn son Miles — of his own.

See http://theciphershow.com/episode/231/ for full show notes and comments.

Sage Francis and B. Dolan are both from Providence, are both rappers who have roots in spoken word, have toured and sporadically recorded together for years, and even share a label—the Sage-founded Strange Famous Records. But it has taken them until 2018 to release a full project as a duo: the Epic Beard Men.

Sage is a beloved underground rap veteran who has been releasing albums of his smart, introspective, and emotional music consistently since 2002, and touring the universe maniacally to support them—all while running Strange Famous. B. Dolan is an equally talented wordsmith whose solo work is as likely to give new life to old union hymn as it is to pay tribute to the Ol’ Dirty Bastard. The group has a new EP, Season 1, and an album on the way.

See http://theciphershow.com/episode/234/ for full show notes and comments.

Jean Grae was our show’s first-ever guest back in 2012. She is one of the finest rappers out there, and a great producer as well. But in recent years, she’s expanded her horizons even further, pushing into comedy, sitcoms, instructional albums, audiobooks, talk shows, variety shows, and even her own church.

Quelle Chris joined us in 2016. Since then, he’s released the acclaimed album Being You Is Great, I Wish I Could Be You More Often and the instrumental project Lullabies for the Broken Brain.

Now Jean and Quelle have joined forces for the incredible new album Everything’s Fine. The project has been met with critical raves from pretty much everywhere, and rightly so. It shows Jean and Quelle in absolute top form: rapping, singing, producing, and playing on a group of songs that respond to today’s often-frightening world with humor, sadness, and a reminder that when we tell people that everything’s fine, we almost never mean it.

See http://theciphershow.com/episode/236/ for full show notes and comments.

MC Paul Barman first started making songs in the late 1990s, during his time at Brown University. His wild rhymes about topics like a slacker college student who becomes half man, half goat in order to become a star quickly caught the ear of legendary producer Prince Paul, who produced Barman’s 2000 EP It’s Very Stimulating. That project introduced Paul Barman to the hip-hop masses as a guy as likely to drop a reference to a Polish filmmaker as LL Cool J, and to write lyrics that incorporate elaborate rhyme schemes, acrostics, and even Morse code.

Since It’s Very Stimulating, Barman has released two full-length albums and several mixtapes. His brand-new album (((echo chamber))) is out Friday, May 18th on Mello Music Group.

See http://theciphershow.com/episode/238/ for full show notes and comments.

Kalyn is a rapper and the leader of the eclectic Denver-based group Wheelchair Sports Camp, who have garnered critical acclaim for their music and their energetic live performances almost since their founding in 2009.

Wheelchair Sports Camp - named after a real camp that Kalyn, who has brittle bone disease and has been in a wheelchair her whole life - used to attend, is a group that pushes the boundaries in sound and subject matter. Most performances consist of Kalyn, drums, and trumpet, and their latest album No Big Deal explores everything from gentrification to the pressure artists put on themselves to important social issues.

In addition to being a great rapper, Kalyn is also an activist, and now a politician. She participated in a big protest against the repeal of the ACA that had her and other activists taking over a senator’s office. And now she’s running - or rather, as she puts it, rolling - for Mayor of Denver.

See http://theciphershow.com/episode/240/ for full show notes and comments.

Soundset is a festival in the Minneapolis area put on by the Rhymesayers label. It’s been running since 2008, and has grown from a show in a warehouse to a day-long outdoor event featuring some of music’s biggest acts.

This past May, we went to the festival to hang out and talk to the performers, and on this episode and the next one, you’ll hear the results. This time, you’ll find conversations with Rapsody, Grieves, K-Salaam, Sa-Roc, and Prof. So sit back, relax, and enjoy the first half of The Cipher’s Soundset special.

See http://theciphershow.com/episode/241/ for full show notes and comments.

K-Salaam is a producer and DJ who, both by himself and with his production partner Beatnick, has made beats for some of your favorite artists. A short, by no means complete list includes Nas, Freddie Gibbs, Talib Kweli, Trey Songz, Lil Wayne, Murs, Bun B, Sizzla, and Young Buck.

K-Salaam got his start in Minneapolis, where he was an integral part of the early years of the Rhymesayers label. He DJ’d for many of the label’s acts, as well as for their signature radio show. In recent years, he and Beatnick also worked extensively with Ms. Lauryn Hill, and even had one of their tracks featured in the 2016 Summer Olympics.

See http://theciphershow.com/episode/246/ for full show notes and comments.

Jericho Jackson is a group made up of producer Khrysis and rapper Elzhi. Khrysis is best known for his work with the rap collective the Justus League, which counts among its members 9th Wonder. He is currently a member of 9th’s production team the Soul Council. In addition to his North Carolina crew, Khrysis has produced for Sean Price and Heltah Skeltah, Jean Grae, Evidence, Talib Kweli, Black Thought, and many others.

Dedicated Cipher listeners will remember Elzhi from our talk with him on episode 152. The Detroit rapper came to a lot of fans’ attention during his time as a member of Slum Village. He followed that up with a staggering series of solo albums, including the Nas reinvention Elmatic and the deeply personal Lead Poison.

Khrysis and Elzhi’s recent joint album is called Khrysis and Elzhi Are Jericho Jackson.

See http://theciphershow.com/episode/247/ for full show notes and comments.

Mid90s, which opened this past Friday, October 19th, is a film Hill wrote and directed about a group of skateboarding friends in—you guessed it—the mid-1990s. The incredibly authentic period piece features plenty of nods to the skateboarding scene and the music of the time period, including songs from the Pharcyde and the Gravediggaz, and a memorable cameo appearance by Del the Funkee Homosapien.

This is Jonah’s first film as a writer/director. He has, of course, starred in tons of films, from Superbad to Moneyball to The Wolf of Wall Street. For this interview, Hill was joined by Sunny Suljic, who plays Stevie; Na-kel Smith, who plays Ray; Olan Prenatt, who plays Fuckshit; Gio Galicia, who plays Ruben; Ryder McLaughlin, who plays Fourth Grade; and Alexa Demie, who plays Estee. To rap fans, Na-Kel Smith’s name and voice may sound familiar—he has a music career of his own, and has appeared on songs with Tyler, the Creator and Earl Sweatshirt.

See http://theciphershow.com/episode/248/ for full show notes and comments.

Masta Ace is a legendary rhymer whose career began with the Juice Crew and has continued through a series of beloved solo and group albums. Marco Polo is a Toronto-born producer who moved to New York City in the early 2000s, and took his adopted hometown’s traditional boom-bap aesthetic to heart. Marco has brought his rugged sound to Torae, Pharoahe Monch, Ruste Juxx, Sean Price, Vinnie Paz, Rah Digga, and many more.

Now, Marco and Ace have joined up for a new album. A Breukelen Story combines a set of incredible songs with a series of skits that follow Marco’s journey from Toronto to NYC—an Ace-written storyline that both mirrors and features people from the producer’s real life.

See http://theciphershow.com/episode/250/ for full show notes and comments.

Every Christmas since 2013, we’ve sat down with Bill—who is the former head of PR at Def Jam, among numerous other accomplishments—to talk about his world-famous Xmas Jollies mix. Bill spends the whole year scouring record stores, flea markets, the internet, and everywhere in between to find the perfect batch of great holiday music, and then shares it with his select mailing list, and with us. Now, we talk to him about some of this year’s selections.

You can hear Bill’s mix in its entirety at our Soundcloud page.

See http://theciphershow.com/episode/251/ for full show notes and comments.

What better way to celebrate the potential arrival of warmer months than with a Halfmoon Walking & Writing Workshop over Cannock Chase.

The University of Birmingham is set to host its first Arts & Science Festival to showcase the wealth of ideas, research and collaboration across its campus.

Leaders from some of Europe’s largest companies will be gathering in Birmingham to discuss the role that open innovation and collaboration can play in boosting the economy

Financial advisers from across the West Midlands attended a course on auto enrolment yesterday – the new regime for workplace pensions that has begun to roll out.

How Welsh National Opera is helping city music students

The Midlands based rail champion, Campaign for Rail will be holding its inaugural Annual General Meeting tomorrow at the Atrium, Moor Street Station

Birmingham-based Cure Leukaemia has announced record financial results that will see the charity double the amount of funding for research nurses in the West Midlands.