Updated at 4:02 p.m. ET The White House on Friday confirmed a second case of coronavirus this week, now in Vice President Pence's office, as both the president and his No. 2 have recently begun traveling again. Pence spokeswoman Katie Miller tested positive for the virus on Friday, after having tested negative Thursday. President Trump told reporters Friday that Miller hasn't come into contact with him but has "spent some time" with the vice president. "She is a wonderful young woman, Katie," he said. "She tested very good for a long period of time. And then all of a sudden today she tested positive." "So, she tested positive out of the blue," he continued. "This is why the whole concept of tests aren't necessarily, right, the tests are perfect but something can happen between a test where it's good and then something happens and then all of a sudden, she was tested very recently and tested negative." The discovery caused Pence's departure to Iowa on Friday morning to be delayed by

Copyright 2020 NPR. To see more, visit MARY LOUISE KELLY, HOST: Adjusting to life on the virtual campaign trail has been a challenge for both Joe Biden and President Trump. It's been a particular struggle, though, for the former vice president. Here he is kicking off a virtual campaign rally this week with supporters in Florida. (SOUNDBITE OF ARCHIVED RECORDING) JOE BIDEN: Just me? Am I on? UNIDENTIFIED PERSON: Yes. BIDEN: Good evening. Thanks so much for tuning in. KELLY: Ouch. Joining us now is NPR political correspondent Asma Khalid. She covers the Biden campaign. Hey, Asma. ASMA KHALID, BYLINE: Hi there. KELLY: So clearly some technical difficulties for the former vice president there. What is his strategy for campaigning when he can't go out and campaign? KHALID: Well, you're right. I mean, he's been hunkered down at his house in Delaware. So we should point out he has not been able to physically go out and campaign because of the virus. This week, the campaign announced this new

Copyright 2020 NPR. To see more, visit MARY LOUISE KELLY, HOST: Nurses and doctors have been at the epicenter of the coronavirus pandemic. And yet even as health care workers fight back against the virus, the health care industry is crumbling around them. Today we learned that of the more than 20 million jobs that vanished last month, nearly 1 1/2 million were in health care. AILSA CHANG, HOST: And despite this dismal news for American workers, we heard a more optimistic message from the president today, who spoke about his belief that the country may soon turn an economic corner. (SOUNDBITE OF ARCHIVED RECORDING) PRESIDENT DONALD TRUMP: So we're looking at the transition to greatness, and I think it's starting right now. CHANG: Meanwhile, the virus is inching closer and closer to the president, with another White House aide testing positive today for COVID-19. All right. To talk more about all of this, we're joined now by NPR chief economics correspondent Scott Horsley, science

Pennsylvania's governor wants to attempt a New Deal-inspired solution for getting the state's more than 1.7 million unemployed residents back to some semblance of regular work. This week, Democrat Tom Wolf announced a still-vague plan for a "Commonwealth Civilian Coronavirus Corps" which, he said, would ideally be a broad program to train workers to test for COVID-19 and conduct contact tracing to monitor infection rates, while simultaneously reducing unemployment. Wolf's spokeswoman, Lyndsay Kensinger, said it's no accident that the proposed program's name is reminiscent of President Franklin D. Roosevelt's Great Depression-era Civilian Conservation Corps , which focused on the preservation of state parks and forests. "The governor will announce more details in the coming weeks, but the corps would be a 21st-century approach to historic programs like those in the New Deal," Kensinger said. Still unknown: When exactly the program would start, how many people the state might hire and

The Census Bureau says it is continuing the gradual relaunch of limited field operations for the 2020 census next week in nine states where the coronavirus pandemic forced the hand-delivery of paper forms in rural areas to be suspended in mid-March. On May 13, some local census offices in Florida, Georgia, Kansas, Kentucky, Missouri, North Carolina, Oregon, Pennsylvania and Washington are scheduled to restart that fieldwork, according to an updated schedule the bureau published on its website Friday. All workers are expected to be trained in CDC guidance in preventing the spread of COVID-19, and besides a new reusable face mask for every 10 days worked and a pair of gloves for each work day, the bureau has ordered 2 ounces of hand sanitizer for each census worker conducting field operations, the bureau tells NPR in an email. The announcement means more households that receive their mail at post office boxes or drop points are expected to find paper questionnaires left outside their

Marc Lipsitch, a professor of epidemiology at the Harvard School of Public Health, answers questions about access to testing for COVID-19, false-negative results and the challenges of mass testing.

For the first time in its 231-year history, the Supreme Court justices heard oral arguments remotely by phone and made the audio available live. The new setup went off largely without difficulties, but produced some memorable moments, including one justice forgetting to unmute and an ill-timed bathroom break. Here are the top five can't-miss moments from this week's history-making oral arguments. A second week of arguments begin on Monday at 10 a.m. ET. Here's a rundown of the cases and how to listen. 1. Justice Clarence Thomas speaks ... a lot Supreme Court oral arguments are verbal jousting matches. The justices pepper the lawyers with questions, interrupting counsel repeatedly and sometimes even interrupting each other. Justice Clarence Thomas, who has sat on the bench for nearly 30 years, has made his dislike of the chaotic process well known, at one point not asking a question for a full decade. But with no line of sight, the telephone arguments have to be rigidly organized, and

Dr. Grace Farris is chief of hospital medicine at Mount Sinai West in Manhattan. She also writes a monthly comics column in the Annals of Internal Medicine called "Dr Mom." You can find her on Instagram @coupdegracefarris . Copyright 2020 NPR. To see more, visit https://www.npr.org.

Copyright 2020 NPR. To see more, visit https://www.npr.org.

A lot is going on this week in the world of cinema, including the nods for next year's Golden Globes! In this week's "Cinema Chat," WEMU's David Fair meets up with Michigan and State Theater executive director Russ Collins to discuss the latest movie news and all of the new flicks arriving at your local movie house this weekend.

You can find a good flick anywhere this week, whether it's just down the street or in a galaxy far, far away! In this week's "Cinema Chat," WEMU's David Fair sits down with Michigan and State Theater executive director Russ Collins to talk about the latest movie news and all of the new films coming to the silver screen this pre-holiday weekend.

A new year--in fact, a new decade--has begun. So what does your local movie theater have in store? And what can we expect from the upcoming awards season? In this week's "Cinema Chat," WEMU's David Fair and Michael Jewett meet up with Michigan and State Theater executive director Russ Collins to talk about what the world of cinema has to offer in 2020.

The Golden Globes were handed out this past weekend, and that's just the beginning for what's going on in the movie world. In this week's "Cinema Chat," WEMU's David Fair sits down with Michigan and State Theater executive director Russ Collins for a conversation about the latest movie news and the latest flicks landing on the big screen this weekend.

Hollywood's biggest night is on the way, and if you want information on nominations, snubs, and Vegas odds, we have them for you. In this week's "Cinema Chat," WEMU's David Fair sits down with Michigan and State Theater executive director Russ Collins to talk about the latest movie news and all of the new films coming to your local movie house this weekend.

It's cold outside, so let a good movie keep you nice and warm! For this week's "Cinema Chat," WEMU's Michael Jewett sits in for Michigan and State Theater executive director Russ Collins to talk about all of the new films opening this weekend with WEMU's David Fair.

Michigan and State Theater executive director Russ Collins is back from Park City, Utah with a lot of great stories to tell! He joins WEMU's David Fair to talk about this year's Sundance Film Festival, as well as all of the new movies opening in theaters, for this week's edition of "Cinema Chat."

There's only a few days left until this year's Oscars are handed out, so now's a good time to catch up on your film viewing. In this week's "Cinema Chat," WEMU's David Fair talks to Michigan and State Theater executive director Russ Collins about the latest movie news and all of the new flicks landing on the big screen this weekend.

The 92nd Academy Awards ceremony is now in the books! In this week's "Cinema Chat," WEMU's Michael Jewett and Michigan and State Theater executive director Russ Collins discuss this year's winners and surprises. Plus, they'll talk about all of the new films heading to the silver screen this weekend.

A touch of Sundance descended upon Ann Arbor this week, and we have the rundown! In this week's "Cinema Chat," WEMU's David Fair and Michigan and State Theater executive director Russ Collins discuss last night's "Direct from Sundance" event and all of the new films landing on the big screen this weekend.

In this week's "Cinema Chat," WEMU's David Fair sits down with Michigan and State Theater executive director to discuss the latest movie news and all of the new flicks landing at your local movie house this weekend. Plus, Leslie Raymond stops by to talk about this year's Ann Arbor Film Festival, including precautions being taken amidst the current public health crisis.

The COVID-19 pandemic has affected so many industries worldwide, and the movie business is no exception. In this week's "Cinema Chat," WEMU's David Fair and Michigan and State Theater executive director Russ Collins discuss how movie theaters, especially those found in Ann Arbor, are adapting to this difficult situation.

Movie houses across America are still closed, but Ann Arbor's specialty theaters are still finding ways to give you your movie fix. In this week's "Cinema Chat," WEMU's David Fair talks to Michigan and State Theater executive director Russ Collins about the latest movie news and all of the films you can catch in the comfort of your own home, including some first-run films not available anywhere else!

We all have to stay home these days, but the show must go on. In this week's "Cinema Chat," Michigan and State Theater executive director joins WEMU's David Fair by phone to talk about the latest films that you can watch online and, in some cases, share with others in the virtual world!

There's no better cure for cabin fever than a good movie! In this week's "Cinema Chat," Michigan and State Theater executive director Russ Collins joins WEMU's David Fair to discuss the latest films the Michigan Theater is offering online. Plus, a few special screenings and events are in the forecast, as well!

Theaters may still be closed, but the movie world is still open to you! In this week's "Cinema Chat," WEMU's David Fair talks with Michigan Theater director Russ Collins about the newest films and special screenings offered through the magic of your very own televisions and computers.

Entertainment has become extremely valuable during this difficult time, especially when it comes to a good flick. In this week's "Cinema Chat," WEMU's David Fair gets on the phone with Michigan and State Theater executive director Russ Collins to talk about the newest films and special screenings becoming available this weekend for your online streaming pleasure.

Bay Area Artist Journee Premieres "Options" on All Streaming Platforms and Creates the #OptionsChallenge.

Biography

Journee is a 21 year old singer, songwriter, and model from San Jose, CA and is one of 5 brothers and sisters. She’s currently in college at UC Riverside and has immersed herself onto the LA music scene, perfecting her craft, and frequently collaborating with creatives making her one of the most exciting new acts from the region. Her single “This and That” was recently added to the Emerging R&B Playlist on Sound Cloud where out of 55 records she has the 6th most streams overall trailing only major artists. Often being compared to Aaliyah as a vocalist her lyrics are edgy but her voice is smooth and leaves any listener wanting more.

The post Bay Area Artist Journee Premieres “Options” on All Streaming Platforms and Creates the #OptionsChallenge appeared first on Singersroom.com.

STREAM HERE: https://open.spotify.com/track/0ZuUEeXuSvg4uupbGRqzxu?si=YTak2s4-SaafSkR1vG0b4w

Exciting new rapper, singer and songwriter BVNK is a musical product of his environment, having been born in Nigeria, raised in the UK, and now residing in North America – his music is a melting pot of lush R&B, heavy-hitting hip hop, and melodic rap/sung, flavoured with indie music sensibilities, with his life experiences across three different continents informing his storytelling and songwriting. After dipping his toes into the waters last year with two mixtapes including fan-favourite ‘Promises’, Bvnk is set to take 2020 by the scruff of its neck, starting with his brand new single titled ‘SITUATIONS’.

Produced by burgeoning LA-based musician and beatsmith Twelve 92, and taken from his forthcoming debut EP titled XX/XX (pronounced 20/20), Bvnk’s ‘Situations’ sees the Denver rapper-singer taking responsibility for failures in his past relationship, as he croons, “I did something to you, I never said sorry to you”, before kicking off his rap verse with, “tell me what I did to make you feel like I was breaking you”. The track is led by dreamy R&B guitar licks, minimalist drum arrangements, groovy melodies, and an infectious bassline, over which Bvnk showcases his dual singing and rapping talents, and undeniable songwriting dexterities.

Speaking about the inspiration behind the ‘Situations’ track, Bvnk says, “In a time where the world is full of one sided stories, and men thinking that taking responsibility is weak for some reason or the other, with women left having to deal with their toxic masculine energy, I wanted to take the truthful route on ‘Situations’. The song is about me looking into the mirror, taking responsibility, and apologising for the hurt I had caused. Amidst it all, ‘two wrongs don’t make a right’ is the perfect quote that explains ‘Situations’, because I’m ultimately asking for a second chance”.

STREAM HERE: https://open.spotify.com/track/0ZuUEeXuSvg4uupbGRqzxu?si=YTak2s4-SaafSkR1vG0b4w

CONNECT WITH BVNK
Instagram: http://www.instagram.com/bvnk_official
Twitter: http://www.twitter.com/bvnk_official
Facebook: http://www.facebook.com/bvnk_official

The post Denver Rapper & Songwriter BVNK Releases New Single “SITUATIONS’ appeared first on Singersroom.com.

Aliza Li Releases New Single 'Bit a Lemon".

Listen to the song on Spotify: https://open.spotify.com/track/30giEStQMHnB4wiawDuKHH?si=bKr4Kpa9RFGaj8Bx2BNd6g

Aliza Li is an Atlanta based singer-songwriter known for her soulful vibes with blends of Neo-Soul, RnB, and TrapSoul. She recently released her first EP titled "Sometimes I Get High".

IG: @h3yalizali https://www.instagram.com/h3yalizali/
Facebook: https://www.facebook.com/h3yalizali
Spotify Artist page: https://open.spotify.com/artist/0AloD8IYrcnleR7KtfMmwM?si=NWsFsLTTQfuEE6KUyF3aCQ

The post Aliza Li Releases New Single ‘Bit a Lemon” appeared first on Singersroom.com.

TEENEAR RELEASES NEW "COME SEE ME" SINGLE.

About TEENEAR:

Hailing from Miami, Florida, by way of Jamaica, singer-songwriter Teenear, is already laying the groundwork for a career that bucks the status quo. Inspired by artists ranging from Rihanna to SZA, Kiana Lede, and more, her genre-bending offerings run the gamut from future-pop to experimental R&B and soul. Not only that, they’ve already caught the ear of collaborators like Sage the Gemini, Lil Baby, Fetty Wap, and her labelmate rap veteran Trina, who was featured on the singer’s dancehall inspired “Streetlights” remix in 2016.

From childhood music has been hugely influential in Teenear’s life; she spent much of her time in the church, something that still inspires her approach to songwriting today. “My first memories of singing for people were in my church and that really instilled confidence in me, and it also made me eager to not grow up too fast in my music” the singer said, crediting her close-knit community for her creative development. Not only did she find her voice in the church choir, Teenear also joined the praise dancing team, honing a singing and dancing foundation that would help her transition into her role as the first-ever singer signed to legendary Miami-based record label Slip N’ Slide, home to Miami legends Trick Daddy and Trina,

Encouraged by her parents, who have supported her dream of being an entertainer since her early teens, Teenear launched a YouTube channel in 2013. The channel was meant to show the labels who were already expressing preliminary interest that she was serious about artist development. The young Teenear soon racked up a following performing covers of songs from her favorite artists, and within a year, Teenear’s rendition of Rihanna’s hit single “Stay” had gone viral. With several labels knocking at her door, the Miami native eventually chose Slip N’ Slide, which immediately felt like home. “We’re like a real family,” Teenear explained. “I just knew it was important for me to be somewhere where I felt like people were really looking out for me and Trick and Trina have been amazing mentors,” she continued.

In 2015, the same year she finished high school, the then 18-year-old singer debuted her first single through Slip N’ Slide, “Friday Night”. Featuring rapper Sage the Gemini the uptempo, pop-inflected offering also marked Teenear’s debut as a songwriter, a skill she would continue to refine in 2016’s “Streetlights” as well as “Something Else” and the Fetty Wap featured “Love Me or Leave Me” in 2017.

Last year, Teenear also debuted “Dolla Signs”, a track that she describes as a step in a more grown up direction. “I think a lot of times we hear songs about the guy going out and getting the money and hustling so I wanted to make a song that’s like that from a woman's point of view. I wanted it to kind of get at the idea that even though you can be a boss and all that you still want to get away and have those special moments with someone,” she explained. This year Teenear is set to release her debut EP, which will explore themes of love and relationships with a fresh, more adult set of eyes.

For additional information about Teenear, please visit www.teenear.com or www.slipnsliderecords.com and follow Teenear on Instagram, @Teenearr.

The post TEENEAR RELEASES COME SEE ME SINGLE appeared first on Singersroom.com.

It is normal for college students to find it difficult to understand an essay topic. But the big issue is how to write an essay according to the instructions of the paper. An essay topic related to the role of R&B music may pose a little challenge. Students often need a well-written sample to get the perfect picture of what to write. If you are a student with a similar topic, go through this sample essay, and use it as a guide.

Sample Paper: The Role of R&B Music in Culture

Music connects human beings irrespective of culture, ethnicity, or race, and this has become accepted in many regions of the world. Rhythm and Blue or R&B is of African-American origin born popular in the 1940s but has a growing fan base in contemporary times. The role of the R&B lies in connecting with the people, expressing personality, and asserting cultural freedom.

Rhythm and Blues provide the avenue for musicians in this genre to find expression and connect with the people of a particular culture. Like every human on earth, these musicians have encountered life problems. They face racial discrimination and continuous harassment from law enforcement agents. 

Since R&B had its origin from the Black experience (Shaw 71), the emotional connection is often intense. An example of the experience that triggers the same emotional expression is the case of Trayvon Martins.  George Zimmerman shot and killed Martins on February 26, 2012. R&B uses an incidence like this to find expression and create a familiar voice, especially for the black community. 

The intimacy and the ability to relate to the content of R&B music play an essential role in culture, especially in black communities. Most musicians in this genre use their songs as a platform for passing a message or expressing their personal beliefs. 

Although it can turn into a civil movement or used for political propaganda (Higgins 1), in some cases, it has a humanizing end. Imagine how influential the voices and personality of R&B musicians would be in a time of the global pandemic. These powerful voices can make governments begin to care for the masses. Thus, the outcry will yield better healthcare and lasting infrastructure. 

Freedom to live and practice inherited culture can come under threat by social and political forces. R&B, and the movement it drives, can be a force for good and help in liberating cultures considered to be less civilized.

 Limited understanding of the culture of other people can cause social frictions and the inability to live in harmony. With well-written lyrics and well-presented songs, R&B can articulate the grievances by lesser cultures. This will unite different cultures and generate mutual understanding and respect for all cultures of the world. 

The role of R&B music in culture goes beyond the melody, sweet voices, and instrumentals. It connects people who share a common history, presents an avenue to pass global messages, and becomes a tool for racial and ethnic freedom. With the discouragement of the use of arms and ammunition and the approval of non-violent means, R&B can use its popular music genres to forge unity and understanding between cultures. 

Rounding Off

Once you have written your essay according to the above format, you should go ahead to choose a style of reference. If you look at the sample essay, you will notice some in-text citations. This is in the MLA style or Modern Language style, but you may pick APA style or ASA style depending on the requirements of the paper. 

Some supervisors give students the freedom to choose the style of their choice. The important thing is to pay attention to the instructions for the paper. The lack of following instructions can lead to a failed paper. Thus, you will lose the efforts and money spent. 

It is impossible to downplay the importance of proper research, as this serves as the bedrock for an excellent paper. There are many offline books and tons of online resources that can serve as authentic sources of information. When you gather the necessary ideas and materials, writing an essay on R&B will be easy. 

The reason most students claim to not get materials for their essay is that they did not search in the right places. Google Scholar and JSTOR Research are some of the right places to find materials for academic research. 

The bottom line is to view the sample essay, take note of the thesis statement, and understand how to write the topic sentence and detailed explanation of each point in the paragraph. But sometimes the pressure of academic work can be overwhelming, or you needed to come to terms with the technicality of essay writing. At that point, you may seek help from AffordablePapers to get your essay written for you at a reasonable price.

Reference(s)

1. Tell It Like It Is: A History of Rhythm and Blues

Curled from https://folklife.si.edu/talkstory/2016/tell-it-like-it-is-a-history-of-rhythm-and-blues

2. The Origins and History of R&B Music

Curled from https://www.liveabout.com/what-is-randb-music-2851217

3. Category: R&B

Curled from https://official.fm/rb/

4. How Modern R&B Revitalized Pop Music

Curled from https://www.udiscovermusic.com/in-depth-features/modern-rnb-revitalised-pop-music/

5. Rhythm and Blues' influence on Pop Culture

Curled from https://prezi.com/pf2hsd-bwfhf/rhythm-and-blues-influence-on-pop-culture/

6. R&B CULTURE

Curled from https://prezi.com/tpv5nhfoz5ls/rb-culture/

7. The History Of R&B Music

Curled from https://www.indiegogo.com/projects/the-history-of-r-b-music#/

The post Essay about the Role of R&B Music in Culture appeared first on Singersroom.com.

Welcomes Grammy Award-Winning Superstar Lyrica Anderson For Latest Edition

Invites Viewers To Donate Live To Historic Memphis Community Orange Mound

April 30th 2020 (Memphis, TN) – Triple threat Grammy Award-winning singer, songwriter, and producer, Lyrica Anderson will appear on Beatroot Music’s The Beatroot Suite for a live performance of her new single “Marriott” and Q&A on Thursday April 30, 2020 at 9:30pm ET/6:30pm PT. 

In addition to this fan experience, Lyrica invites viewers to donate live to support COVID-19 relief efforts in Orange Mound—the oldest African-American community in Memphis, TN. Beginning May 2nd, the team will supply residents of the community affected by the pandemic with care packages comprised of food and hygiene items as part of the Zone 6 CAReavan. All residents in Zone 6 are eligible to the generosity of those who donated across the country. 

Tune in and watch on Instagram Live HERE

The Beatroot Suite is a new music initiative launched by artist-centric label services platform Beatroot Music. In addition to empowering artists with tools and resources to succeed independently, the company hosts this innovative online venue as a stage for its talent roster to showcase and discuss new material. Last week, The Beatroot Suite welcomed award-winning, multi-platinum selling songwriter and artist Elijah Blake.

The post Beatroot Music Presents The Beatroot Suite Live Performance + Q&A Series appeared first on Singersroom.com.

Je’Melody Releases Hot New Album 'JADED'

JE'MELODY DEBUT EP "JADED" PREVIEW : https://soundcloud.com/jemelody/sets/jaded/s-PGpVih8fpvY

WEBSITE: https://www.jemelodymusic.com

SOCIAL MEDIA: IG: https://www.instagram.com/jemel0dy/
STREAM Je’Melody: https://songwhip.com/artist/jemelody
“JADED” by Je’Melody - Official Trailer: https://www.youtube.com/watch?v=r0ALxZBnVKc

The post Je’Melody Releases Hot New Album ‘JADED’ appeared first on Singersroom.com.

CHAMPIONED BY BBC 1XTRA, RINSE FM, SPOTIFY, KINGSIZE MAGAZINE, DSTNGR

STREAM ‘CIRCULATE’ HERE: https://open.spotify.com/album/06XeOLQyZ8FSRTjtqgcw05

Coming on the back of the success of her debut single ‘Slowzy’, which has been garnering support from the likes of BBC 1Xtra, Rinse FM, Spotify, DSTNGR, Kingsize Magazine, and PUMA, among others, fast-rising Swedish songstress and creative NÁPOLES is excited to release her brand new single titled ‘CIRCULATE’, serving as the second offering from her forthcoming debut EP Slowin It, which is due for release later this summer.

Raised in Stockholm, with Cuban and Russian heritage, Nápoles has always been surrounded by music, but her love affair with music started at the very young age of 8, after her first family visit to Cuba. She grew up on hip-hop, house, dancehall and gospel music, whether it was as a young street- style dancer, or as a 15-year old singer in youth choirs such as Joyful Noise and the Tensta Gospel Choir, which helped her develop her own musical language.

Fast-forward to 2020, and alongside her blossoming music career, Nápoles is also one-third of the popular Swedish-based DJ and creative collective Ladieslovehiphop, with whom she has opened for Beyonce and Jay-Z on their ‘On The Run II’ European tour, collaborated with adidas and PUMA, toured with Sweden’s biggest female rapper Silvana Imam, and collaborated with Red Bull Music to host the Ladieslovehiphop Music Festival, among other accomplishments.

Her new single ‘Circulate’ is produced by fellow Swedish creatives Chapee and Wihib Sulaiman, and co-written by herself and Joe Lefty, and the track sees Nápoles excellently weaving her laidback musical stylings, enchanting vocals, and captivatingly vivid songwriting, together with her lush soul, hip- hop, R&B and jazz sensibilities, to create an undeniably smooth and infectious offering, making the Swedish rising star two for two on homeruns in 2020.

For the ‘Circulate’ visuals, Nápoles has collaborated with fellow Ladieslovehiphop member Namarijana, video director Gustav Andersson, and cinematographer Daniel Edin, to capture a portrait of a night out with Nápoles. The visuals showcase the vibrant energy of a Ladieslovehiphop evening, underpinned by laughter, love and community. Shot in Stockholm, where Nápoles is currently based, the sensual and lively visuals showcase the transcendent feel-good energy and essence, not only of the track, but also of her Ladieslovehiphop movement.

Speaking about the inspiration behind ‘Circulate’, Nápoles says, “the inspiration comes from my everyday life. I wrote ‘Circulate’ at a time when I was thinking about the universe, space and how everything is connected. At night, I would watch ‘Cosmos: A SpaceTime Odyssey’ and read books of that nature, and during the day at work, I would daydream a lot about these themes. I was also figuring myself out as an artist, and the exploration of my sound, combined with all these thoughts, led to the making of ‘Circulate’. I want my music to be fun, smooth and energetic at the same time, and I think that comes across on this song”.

STREAM ‘CIRCULATE’ HERE: https://open.spotify.com/album/06XeOLQyZ8FSRTjtqgcw05

CONNECT WITH NÁPOLES
Instagram: http://www.instagram.com/nvpoles
Twitter: http://www.twitter.com/nvpoles
Facebook: http://www.facebook.com/nvpoles

The post SWEDISH RISING STAR NÁPOLES UNVEILS NEW SINGLE ‘CIRCULATE’ appeared first on Singersroom.com.

CHAMPIONED BY CAPITAL XTRA, REPREZENT RADIO, MNM BELGIUM, TARMAC, PULSE88 RADIO

STREAM HERE: https://open.spotify.com/album/7m6DPu3m1iE76vZDiWRaJ9?si=O7cOB7WgSviNrtRfou8ICA

Introducing 23-year old London-based Belgian Congolese songstress LYNE, who – after teasing us with three well-received introductory singles in the past couple of years that have seen her garner strong support from the likes of Capital Xtra, Reprezent Radio, MNM Belgium, Tarmac, and Pulse88 Radio, among others – is excited to unveil her brand new debut EP titled Bipo Feels, a phrase which Lyne coined about the way relationships can have us feeling bipolar, with completely opposing emotions all the time.

Produced by frequent collaborator D.E.W.I, Lyne’s Bipo Feels EP is an exquisite and expansive R&B offering, with lush afrobeats, soul and rap sensibilities sprinkled across the project, to make it all the more interesting of a listening experience for fans and critics alike. Led by Lyne’s angelic and immersive voice, and her honest and relatable songwriting, as well as D.E.W.I’s glorious musical backdrops, the Bipo Feels EP sees Lyne at her most vulnerable, as she opens up about an undecisive time in her life, which she describes as “those moments where you can have different feelings towards a man you love”.

From Lyne expressing how she is hopelessly in love with her man on the opening track ‘Together’, to the following track ‘Not Sorry’, which sees Lyne expressing her frustration with this same man, leading her to even switch between English and her native French language to convey her annoyances, the theme of the EP quickly flips on its head, and by the third track ‘All Mine’, Lyne has done a complete 180-degree switch, as she now professes to want this same man all for herself, but on the EP’s final track ‘9PM’, she finds out her man is cheating on her, and all hell breaks loose, with seemingly fatal consequences.

Speaking about the inspiration behind her Bipo Feels EP, Lyne says, “Writing this EP really helped me release some thoughts I feel like I couldn’t really open up about. Having doubts, and not being able to see clearly, while feeling different emotions at the same time, all caused by the same person, can be very frustrating. We say that there is a thin line between love and hate and I totally believe that. Intense love can seem so lasting and forever that it’s almost surrealistic when we realize how quickly it can turn into anger. I want this EP to be a message of support to anyone feeling that confusion about what their heart is saying, at times. You are not alone but keep praying and God will show you what you need to see”.

‘BIPO FEELS’ EP TRACKLIST

1. Together
2. Not Sorry
3. All Mine
4. 9PM

CONNECT WITH LYNE

Instagram: http://www.instagram.com/lynensongo

Twitter: http://www.twitter.com/lynensongo

Facebook: http://www.facebook.com/lynensongo

Website: http://www.lyne.tv

STREAM HERE: https://open.spotify.com/album/7m6DPu3m1iE76vZDiWRaJ9?si=O7cOB7WgSviNrtRfou8ICA

The post LYNE EXPLORES LOVE’S CONTRADICTIONS ON HER DEBUT EP ‘BIPO FEELS’ appeared first on Singersroom.com.

MODEL DEVYN ADAIR RETURNS WITH HOT NEW SINGLE “MY LOVE” TODAY

STREAM "MY LOVE" HERE: https://www.listen.lt/DevynAdairMyLove

Over a lull of dreamy guitars and minimalist beats, her voice instantly enchants and entrances. The track ebbs and flows as her vocals flutter towards a seductive and soulful hook. The soft ballad illuminates the artist’s dynamic range and highlights her natural charisma. Be on the lookout for the premiere of the music video in the near future.

“My Love” sets the stage for the arrival of her new EP, coming soon.

Devyn Adair has quietly established herself as an enchanting presence. In addition to a successful career modeling, the Korean-American chanteuse continues to build a consistent catalog. 2018’s “Maybe” [feat. AD] attracted acclaim from RESPECT Magazine, and The Hype Magazine, which wrote, “Don’t think for a second Dev will be slow up from here!” Last year, she made waves with Filters, garnering looks from RESPECT. Magazine and more.

STREAM "MY LOVE" HERE: https://www.listen.lt/DevynAdairMyLove

Biography:

Devyn Adair is a contemporary R&B singer and songwriter with a voice that is soothing, smooth and soulful. From a young age, Devyn discovered she had a deep rooted passion for being creative, and a strong interest in the arts. Her urge to be involved in the arts led her to Korea to pursue vocal training and dance. Devyn chose to train in Korea, because of their notable artist camps, and because of her Korean heritage. After completing her training in Korea, Devyn made her way back to the states to pursue modeling and also jump started her process of becoming the artist she is today. Her music is sultry, soothing, and versatile due to her variety in both R&B and pop sounds; drawing inspiration from Chris Brown, Jhene Aiko, Ariana Grande, and more.

Follow Devyn on Social Media:

https://www.instagram.com/devynadair/

https://twitter.com/devynadair

https://web.facebook.com/devyn.adair

https://www.youtube.com/channel/UC65heYYee3utJyahMMGRUvA

The post MODEL DEVYN ADAIR RETURNS WITH HOT NEW SINGLE “MY LOVE” TODAY appeared first on Singersroom.com.

im losing my mind. there is no way you're going to be able to predict what this ad is trying to sell you

finally, now more than ever, women can buy our product

In the vein of Subway's bizarre ad from last year.

Dad: "Remind me again what you will do with a degree in conservation biology?"

Hello everyone! We're the Clark family. Colt (the Dad) is a professional musician and Aubree (me, the Mom behind the camera) is a photographer. Together we home school our three children (even when we're not in the middle of a pandemic). :) We're keeping busy during our time at home by

"The black feminist Combahee River Collective manifesto and E. Franklin Frazier's Black Bourgeoisie share the diagnosis that the wealthy and powerful will take every opportunity to hijack activist energies for their own ends."

On the origins of identity politics with black feminist activists:

The term "identity politics" was first popularized by the 1977 manifesto of the Combahee River Collective, an organization of black feminist activists. In a recent interview with the Root and in an op-ed at the Guardian, Barbara Smith, a founding member of the collective, addresses common misconceptions about the term. The manifesto, she explains, was written by black women claiming the right to set their own political agendas. They weren't establishing themselves as a moral aristocracy—they were building a political viewpoint out of common experience to work toward "common problems." As such, they were strongly in favor of diverse people working in coalition, an approach that for Smith was exemplified by the Bernie Sanders campaign's grassroots approach and its focus on social issues that people of many identities face, especially "basic needs of food, housing and healthcare." According to Smith, today's uses of the concept are often "very different than what we intended." "We absolutely did not mean that we would work with people who were only identical to ourselves," she insists. "We strongly believed in coalitions and working with people across various identities on common problems."

The concept of elite capture originated in the study of developing countries to describe the way socially advantaged people tend to gain control over financial benefits meant for everyone, especially foreign aid. But the concept has also been applied more generally to describe how political projects can be hijacked—in principle or in effect—by the well positioned and resourced, as Yang's "step up" demand exemplifies. The idea also helps to explain how public resources such as knowledge, attention, and values get distorted and distributed by our power structures. And it is precisely what stands between us and Smith's urgent vision of coalitional politics.

To better understand the broader dynamic, we can look to philosopher C. Thi Nguyen's work on games. As he explains in his new book Games: Agency as Art (2020), confusing the real world with the carefully incentivized structure of game worlds can lead to a phenomenon he calls "value capture," a process by which we begin with rich and subtle values, encounter simplified versions of them in social life, and then revise our values in the direction of simplicity. Nguyen is careful to point out that value capture doesn't require anyone's deliberate or calculated intervention, only an environment or incentive structure that encourages excess value clarity.

Nguyen stops short of noting that another risk of gamifying values is the unequal distribution of power across participants. But outside of the world of games, power differentials do shape outcomes. Value capture is managed by elites, on purpose or not. In other words, elites don't simply participate in our community; their decisions help to structure it, much in the way that game designers structure the world of games. After all, elites face a simpler version of oppression than non-elites do: whereas working-class black folk are pressed by racial slights and degradation alongside economic problems that might require "socialized medicine" to solve, elites's economic position makes them comfortable enough to focus on their own status and cultural power—often at the expense of non-elites.

The Congressional Black Caucus's cosponsorship of Ronald Reagan's 1986 Anti-Drug Abuse Act helped supercharge mass incarceration by establishing mandatory minimum sentencing guidelines and adding $1.7 billion toward the drug war while welfare programs were cut. This legislation solved the problem for the black elites of the CBC of how to seem involved with respect to the crack cocaine epidemic. But with the law's passage, working-class African Americans went from dealing with one very complex problem to weathering two interlocking ones: the drug epidemic itself—unsolved by this draconian measure—and the surge of discriminatory law enforcement the legislation unleashed.

Elite capture is not unique to black politics; it is a general feature of politics, anywhere and everywhere. I could just as easily have focused on the world of elite universities. In Philosophy of African American Studies (2015), for example, Stephen Ferguson II makes a similar argument about the elite capture of black studies, which owes its existence to the radical student movements of the 1960s and '70s but has since been "turned into a bureaucratic cog in the academic wheel controlled by administrators, with virtually no democratic input from students or the black working-class community." I could also have kept the general perspective but reversed the role of race and class. In socialist organizations, for example, we might find that white people likewise tend to capture the group's politics.

Or we could look away from race to a different set of identity characteristics altogether. In the Buzzfeed article "You Wanted Same-Sex Marriage? Now You Have Pete Buttigieg," Shannon Keating laments the trajectory of mainstream queer politics away from the more radical elements dramatically on display in the Stonewall riot of 1969 and ACT UP. Or take how The Wing, a coworking space touting itself as a "women's utopia," exploits the women who work for it.

And, of course, elite abuse of identity politics isn't limited to the United States. It is also a particularly salient problem in Global South politics, where national, ethnic, and caste identities are shaped by an unstable mix of indigenous and colonial history. Peace studies scholar Camilla Orjuela argues that, from Sri Lanka to Kenya, politics in multiethnic Global South societies easily fall into cycles of expecting elites to allocate resources along blatantly ethnic and regional lines. After all, the thinking going, the elites of every other ethnic group will do the same when they're in power. Journalist John Githongo describes such ethnic elites as "creatures of patronage and . . . influence peddling" who treat the state as a ladder to their own goals rather than an institution of collective responsibility. These conceptual strands are vividly illustrated by the history of the U.S.-backed Haitian dictators "Papa Doc" and "Baby Doc" Duvalier. The Duvaliers cynically used tropes drawn from the Vodou religion, popular with the country's poor, to intimidate the citizenry while enriching themselves. At the same time, they unleashed unspeakable violence upon actual Vodou practitioners, fearing the revolutionary potential of the religion, which was instrumental in ending slavery on the island.

As the Combahee River Collective acknowledged, simply participating in activism is no guarantee that we will develop the right kind of political culture; its founding members were veterans of important radical political movements that nevertheless made crucial oversights along the way. Elites have to get involved—actually involved—but that involvement needs to resist elite capture of values and the gamification of political life.

We have our work cut out for us, but fortunately we aren't starting from scratch: there's a rich history to draw from. In the 1960s, feminists held regular group meetings, in houses and apartments, to discuss gender injustice in ways that would have been taboo in mixed company. A set of such "consciousness raising" guidelines by Barbara Smith and fellow activists Tia Cross, Freada Klein, and Beverly Smith provides an example of identity politics work as the Combahee River Collective envisioned it. The exercise starts by asking participants to examine their own shortcomings ("When did you first notice yourself treating people of color in a different way?"), but ends by asking how they can use an element of shared oppression as a bridge to unite people across difference ("In what ways can shared lesbian oppression be used to build connections between white women and women of color?"). Because, in the end, we're in it together—and, from the point of view of identity politics, that is the whole point.

"Fuck the Bread. The Bread Is Over." Sabrina Orah Mark reflects on fairy tales, the academic job market, and being a mother during the COVID-19 pandemic. (SLParisReview)

Kiss From A Rose, by Seal...by seals.

The Beatles guitarist visited his sister in southern Illinois just months before he'd become world famous.

Brian May hospitalized after injuring buttocks in 'over-enthusiastic' gardening incident.

Techmoan looks at a unique music format from Poland - records pressed into thin plastic, originally with a cardboard backing. They were designed/intended for mailing. More from PRX.

He also branches off into a discussion of and comparison with Russian records cut into old radiographs - 'ribs' or 'bones' music - previously 2012 / previously 2014

What happened when six boys were shipwrecked for 15 months

The "obscure blog" he refers to is probably this article by Jay Griffiths.

Little Richard, rock'n'roll pioneer, dies aged 87. Richard Penniman began performing in his teens but didn't find success until his 40s when he released a string of wildly popular singles— Tutti Frutti, Long Tall Sally, Rip It Up, The Girl Can't Help It, Lucille, Keep A-Knockin' and Good Golly, Miss Molly, among others. He was known for his outrageous performance style – eyes lined with mascara, brightly coloured clothes – which was echoed later by Prince.

What does 'mild' mean in the context of Covid-19? Geographer Felicity Callard details the multifarious meanings of mildness in this pandemic; how the term is used by different actors and what it comes to mean to those experiencing 'mild' cases. The mild, Callard argues,

will likely continue to be used for multiple Covid-19 purposes – whether adjudicating clinical symptoms, assessing the virus's impact on the body, determining the need for formal healthcare services, or judging the likely time of return to functional normality, whether inside and outside the labour market. I therefore predict on-going epistemological, ontological and political contestation over the scope and definition of the mild.

Scott was a slave to punk rock and worldly parties. But through your gifts, this lost sinner discovered God’s truth and was transformed into a soul-winner for Christ! When you give to the work of Amazing Facts, you cooperate with heaven by creating even more gospel workers for the kingdom. Please send a gift today to multiply evangelists and disciple-makers throughout the world. Thank you!

This is simply stunning! The Vatican has just made an unprecedented, audacious overture for religious unity.