An Illinois-based congregation has agreed to pay more than $1.4 million in order to disaffiliate from The United Methodist Church following litigation over who owned its property.

A congregation based in New York City has filed a lawsuit against an entity of the Indiana-based Disciples of Christ, accusing it of refusing to provide $7.3 million in loan funding advances.

Here are seven hymns that are relevant to the themes of Veterans Day, such as the desire for peace and the importance of service.

The Rev. Bernard Randall, an ordained Church of England chaplain, has taken legal action against Archbishop of Canterbury Justin Welby for blocking a disciplinary case against the Bishop of Derby who labeled him a safeguarding risk due to his traditional Christian views on gender identity..

Weeks after failing to reach an agreement with Pastor Matthew Queen to vacate his position after he pleaded guilty to making a false statement to federal authorities about a sexual abuse investigation, Friendly Avenue Baptist Church in Greensboro, North Carolina, announced that he has resigned.

Pastor and bestselling author Voddie T. Baucham announced Monday that he and his family will be returning to his native United States after a decade living abroad in Lusaka, Zambia.

Here are seven people who wrongly predicted that Vice President Kamala Harris was going to win the presidential election. They include a widely respected election predictor, a veteran Democrat strategist, and a conservative columnist.

The 2024 election yielded mixed results for the pro-life movement, with voters in several states supporting pro-abortion ballot measures as such referendums came up short in other states. 

Leaders of pro-life advocacy groups are celebrating former President Donald Trump’s victory in the 2024 presidential election, citing his win as evidence that the American people do not support the unfettered abortion access endorsed by the Democrats.

Here's a list of seven people who predicted that former President Donald Trump was going to win the election. They include a widely respected election predictor, a former adviser to Bill Clinton and a conservative columnist.

The Republican Party has secured a majority of the seats in the United States House of Representatives, having already secured the White House and the U.S. Senate.

The U.S. State Department reportedly offered a therapy session and mental health services for employees distressed by President-elect Donald Trump's recent electoral victory last week, including what one source described as a "cry session."

Vice President Kamala Harris’ unsuccessful presidential campaign ended with over $20 million in debt, a report has revealed, as the introspection following the 2024 presidential election continues. 

A Christian counselor is asking the U.S. Supreme Court to block enforcement of a Colorado law that regulates what licensed professionals can say while discussing unwanted same-sex attractions with clients, arguing that the state government censors speech it disfavors. 

The details of an unsealed Iranian murder-for-hire plot to kill President-elect Donald Trump raise questions about how the current administration will act, as President Joe Biden previously warned Iran that the United States would consider its targeting of the Republican nominee as an "act of war." 

Suzannah Clark (Harvard University) Title and description TBA A reception will follow.

Jennifer Iverson (University of Chicago) Title and description TBA A reception will follow.

Gavin Steingo (Princeton University) Title and description TBA A reception will follow.

“In spite of cold weather”: music for winter17th- and 18th-century music for the winter season from England, France, and ItalyDavid H. Miller, directorSafety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required.Purchasing tickets in advance is highly recommended Social Media Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter: @ucbmusicdept Youtube: Berkeley Music channel Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu with as much advance notice as possible and at least 7-10 days in advance of the event. PERFORMANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE

Saint Nicolas, BrittenChichester Psalms, BernsteinWei Cheng, conductorSafety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

Javanese Gamelan-New and Traditional:An afternoon of Javanese Gamelan featuring a variety of works for traditional gamelan instruments.Midiyanto, director Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

Swingin’ the GospelAn evening of gospel featuring jazzy & contemporary renditions of spirituals, hymns, & moreCandace Johnson, director Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required.Purchasing tickets in advance is highly recommended Social Media Facebook: @ucbmusicdept Instagram: @ucberkeleymusic Twitter: @ucbmusicdept Youtube: Berkeley Music channel Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu with as much advance notice as possible and at least 7-10 days in advance of the event. PERFORMANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE

dj sniff (Takuro Mizuta Lippit) Composition Colloquium (CNMAT) – Nov. 22Title of your talkParallel Traces - Records that stoped the war, trained the ear, and gave birth to turntablismshort abstractFor this occasion, I will talk about how my practice in turntablism and free improvisation led to the creation of my latest works that deal with historical narratives manifested through vinyl records and their playback devices. Namely, I will talk about Parallel Traces of the Jewel Voice (2022) and The Inverted Listening of Explosive Enemy Aircraft Sounds (2023) which both examine the critical roles that phonograph records played during WWⅡ Japan and its colonized territories, and Transformer (2023) - a sound installation that is constructed by reinterpreting stories about Grandmaster Flash’s early experiments with sound technology.short biodj sniff (Takuro Mizuta Lippit) is a musician and curator in the field of experimental electronic arts and improvised music. His work builds upon a distinct practice that combines DJing, instrument design, and free improvisation. Over the years, he has collaborated with artists such as: Evan Parker, Otomo Yoshihide, Tarek Atoui, Senyawa and many others. He holds a B.A. from Keio University Department of Aesthetics and Science of Arts, M.P.S. from NYU Interactive Telecommunications Program, and Ph.D. from De Montfort University Faculty of Computing, Engineering and Media. Alongside his artistic work, he has held positions at various institutions such as Artistic Director of STEIM – Studio for Electro-Instrumental Music Amsterdam (2007-2012), Visiting Assistant Professor at City University of Hong Kong School of Creative Media (2012-17), and Associate Professor at Kyoto Seika University (2020 - 2022). Currently based in Los Angeles, he is the Co-Director of Asian Meeting Festival (AMF) - an international music festival that brings together experimental musicians from Asia since 2005, instructor at Shared Campus Summer Schools led by Zurich University of the Arts, and a part-time lecturer at Kyoto Seika and Tokyo University of the Arts Graduate School of Global Arts.

‘Un Matisse Qui Chante’: Image, Sound, and Story in The Umbrellas of CherbourgWalter Frisch (Columbia University)The year 2024 marks the sixtieth anniversary of the release of Les Parapluies de Cherbourg(The Umbrellas of Cherbourg, 1964), which has since become a beloved classic in France and around the world. Diverging in many respects from the aesthetics of the contemporary Nouvelle Vague, Umbrellaswas a bold experiment by writer-director Jacques Demy and composer Michel Legrand that also departed markedly from traditional film musicals. Umbrellaswas sung from beginning to end, without any spoken dialogue. The creators aimed for a “transposed realism” that also bore little resemblance to opera. Legrand’s score, composed in close collaboration with Demy, was recorded before any filming began. The painterly costumes and sets were also coordinated with the music and screenplay. Umbrellashas been recognized as reflecting important cultural, political, and social issues of the France of its day, including modernization and commodification in the decades after World War II, the pervasive impact of Algerian War of 1954–1962, and changing family values during an early wave of feminism in France. More recently, Umbrellashas been interpreted within the framework of queer cinema. This talk will explore the genesis and unique qualities of Umbrellas, as well as some of these important contexts.Note: Frisch recommends watching Les Parapluies de Cherbourgin advance, if possible. It is available with subtitles on several streaming platforms. A reception will follow.

Students of the Vocal Studies Program perform English Art Songs from the 19th and 20th centuries.Jeffrey Sykes, pianoNikolas Nackley, director Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

The Department of Music holds an annual concerto audition in the fall semester, open to current members of the UC Berkeley Symphony Orchestra and to music majors performing on non-orchestral instruments (i.e. piano, voice, instruments from other cultures). Free and open to the publicInformation for Applicants: The deadline to submit application forms is Wednesday, November 6, 4pm in the Music Department office, 104 Morrison Hall. The application form can be found here(PDF file). Copies of the form are also available in 104 Morrison Hall. The audition jury is made up of Music Department faculty and outside professionals. Winner/s will be chosen to perform their concerto with the symphony, usually by the end of the next calendar school year.General audition rules:Applicants performing on standard orchestral instruments must be current members of the UC Berkeley Symphony Orchestra. The auditions are also open to Music majors who perform on non-orchestral instruments including piano, voice, guitar, instruments from other cultures, etc. Applicants must currently be studying privately with department faculty. Concerti for single and multiple soloists, arias, concert songs, song cycles are all permitted. Repertoire must be suitable for the normal symphony orchestra, otherwise there is no restriction on style, length or period. The normal audition duration is 10-12 minutes at the jury panel’s discretion. Applicants are required to arrange for their own piano accompanist to play the orchestral reductions at the audition; the accompanist’s name must be included in the application. In cases of difficulty finding or affording an accompanist, the music department will provide one – this service includes ONE rehearsal the week of the audition and possible additional time for warm-up on the day of the audition. Applicants may present excerpts of their choice (which should be representative of the whole work), but must be prepared to play any part of the entire work if asked to do so by the panel. Memorization is preferred but not mandatory. Lengthy extended orchestral tuttis should be omitted during the audition. The jury panel reserves the right to choose several winners or none. Winner(s) must be prepared to attend all rehearsals and performances as arranged with the conductor. Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Javanese Gamelan-New and Traditional: An afternoon of Javanese Gamelan featuring a variety of works for traditional gamelan instruments.Midiyanto, director

SCOPE III is an experimental audio-visual concert featuring six new works by graduate composers at UC Berkeley. The concert will take place in the newly renovated Wu Performance Hall, which is located in Morrison Hall room 125 on the UC Berkeley campus. Works by: Andrew Blanton Alois Cerbu Nathan Corder Luke Dzwonczyk Kevin Lo Aine Nakamura Poster by Eda Er

Strum - Jesse MontgomerySymphony No. 2 - BeethovenSymphony No. 1 - BrahmsThomas Green, conductorNoam Elisha, conductor  Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Karola Obermueller Composition Colloquium (Morrison 250) – Nov. 15time, timbre, and transformation  abstractMy creative research revolves around a collection of themes which I return to again and again in my composing. I will discuss these areas of inquiry, how they connect to each other, and in which ways they form / govern / appear in my compositions. short bioKarola Obermüller’s composing, described by the NYT as “hyperkinetic music”, is constantly in search of the unknown. Her unique voice began forming in collages of sound made with tape recorders and evolved later with composition degrees obtained in Nuremberg, Saarbrücken, and at the Mozarteum Salzburg. Her sense of rhythm and form was forever changed by studying Carnatic and Hindustani classical music in India. Since receiving a doctorate from Harvard, Obermüller taught composition and co-directed the composition area at the University of New Mexico before joining the Department of Music at UC San Diego in 2023. Her music can be heard on CD (WERGO, New Focus Recordings, Brilliant Classics) and at karolaobermueller.net.

Featuring spirituals & anthems sung by Candace Johnson and the University Gospel Chorus. Concert also includes spontaneous improvisation based on audience input from the “idea box” provided at the start of show. Bring your favorite uplifting quote or share your own daily musing! Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

"God in Eternity and Time" has been well received by all segments of the Evangelical community, and its irenic spirit has been much appreciated, drawing accolades from across the Evangelical theological spectrum.

For me, someone raised in the segregated South, having attended segregated schools, a segregated church, and living in a segregated neighborhood, his sermon to America was a clarion call to commitment and action in support of a cause that was demanded both by our founding documents and, more importantly, by the Gospel proclaimed in the New Testament.

The UDHR articulates in its 30 articles every human being’s basic, fundamental rights and freedoms and affirms those rights as universal and unalienable. The UDHR directly led to the development of the concept of international human rights law.

My lefty dinner guests who were chowing down on Coq Au Vin and pumpkin cobbler around my table the other night recounted how they have seen behind the Woke Left curtain and they detest it in the same way I loathe the rot in my sphere. The parallels were uncanny. 

It takes far more guts to confront your ideological compatriots than your foes and a recent book documenting the assault of gender ideology on women’s rights from a leftist perspective exhibits such courage in spades.

This is a test of American resolve, a test of whether we will keep our commitments to our NATO allies and to our allies in Ukraine, Israel and Taiwan or whether we will shrink back into the neo-isolationism that was a catalyst for world war a century ago.

The woman who journalistically captured a burgeoning epidemic of self-harm among teen girls suddenly identifying as transgender has confronted yet another colossal behemoth: the mental health industry.

This is America’s only real hope for a real and positive change.

If American Evangelical Christians want any moral legs to stand on in the sexuality debate, we must own up to our sordid racial past.

It is notable that those who most vociferously denounce Christian nationalism often seem to be the ones intent on keeping Christian voices out of politics.

We are thrilled to say the 10-Minute Writer's Workshop has picked up a ton of new listeners, so, we're bringing you this bonus episode to say thank you! and welcome...we are ecstatic to have you! On this episode, author, columnist and critic Olivia Laing. Her most recent work, The Lonely City, is part memoir, part searching exploration of loneliness and artists whose outsider experience inspired their creativity, from seeming social gadfly Andy Warhol to the reclusive Henry Darger. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, married co-authors Kevin Flynn & Rebecca Lavoie. Together, they have written four true crime books, most recently Dark Heart: A True Story of Sex, Manipulation, and Murder. They are also two of the eponymous crime writers behind the podcast Crime Writers On... Learn more about your ad choices. Visit podcastchoices.com/adchoices

Victoria Schwab... VE Schwab... V... the author's name depends on her audience, which, like the dark worlds she builds, is a well-thought out design. Ms. Schwab, we'll say, burst onto the scene in 2011 with The Near Witch. A dozen books later, adult, young adult and middle grade readers have followed her into supernatural worlds, sinister scenarios and richly formed fantasy worlds. A self-described pagan, Victoria managed to survive a happy, independent childhood, with a morbid streak. "I definitely hung my teddy bears from the stair railing, execution-style,” she told Book Page. That slightly twisted imagination has served her well, and she continues to build speculative worlds and cutthroat characters that probe the human capacity to be monstrous to each other - and to the natural world. Her newest novel, A Conjuring of Light, is part three and the culmination of the Shades of Magic fantasy series. We reached her at her home in Nashville via Skype. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Anita Shreve had a small, but devoted following as a literary author when her second novel, The Pilot's Wife was named an Oprah Book Club pick. The recognition propelled her into a New York Times bestselling novelist. Two days after her 18th novel, The Stars Are Fire, was released, she canceled her extensive book tour, later writing on her Facebook page that she would be undergoing chemotherapy. This most recent novel uses wildfires that raged through coastal Maine in 1947 as the backdrop for the story of one woman’s extraordinary resilience. Music by Tyler Gibbons Ad Music by Uncanny Valleys Find Anita Shreve on Facebook at https://www.facebook.com/anitashreve/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ohio State's Women's Basketball team has played one of the toughest schedules in the country and still hold a top 10 spot. Will the success continue to grow with the new year?

Ohio State has sold the name of a building before. Actually, several times before. But the naming rights to a job title? That seems a bit different.

A new movie about OSU alumnus Jesse Owens debuts in theaters this weekend, so we get the whole story on the life of Jesse Owens.

This week on After The Score the guys talk about the slim chance Ohio State basketball has at making the NCAA Tournament, and how the hopes may be all but over before they even get off the air.

Brackets are busted. Hopes are high. Cinderella's are born. This is March Madness.