WASHINGTON, D.C. -- TheNational Association of Broadcasters Leadership Foundation (NABLF) today announced the recipients of the 2024 Celebration of Service to America Awards, which recognize outstanding service to their communities by local television and radio stations. Winners will be honored at the awards ceremony on June 4, 2024, at The Anthem in Washington, D.C.

Washington, D.C. – NAB President and CEO Curtis LeGeyt has agreed to a contract extension that will keep him at the helm of NAB through 2029, NAB Joint Board Chair Perry Sook announced today.

The National Association of Broadcasters (NAB) announced today that Kirsten Donaldson has joined NAB as vice president of public policy. Donaldson will report to Shawn Donilon, executive vice president of Government Relations.

Washington, D.C. – Today, the National Association of Broadcasters Leadership Foundation (NABLF) proudly announces a groundbreaking partnership with the Foundation For A Bright Future (FABF), a nonprofit organization dedicated to supporting underprivileged and underrepresented children. This collaboration, rooted in shared values and objectives, aims to provide students with unparalleled educational opportunities and sustainable employment prospects in the media industry.

Washington, D.C.— The National Association of Broadcasters Leadership Foundation today announced Mutual of Omaha as the recipient of the Corporate Leadership Award. They will receive the honor during the 2024 Celebration of Service to America Awards, presented by Bonneville International and Hearst Television and held in Washington, D.C., on June 4 at The Anthem.

The National Association of Broadcasters (NAB) has announced the results of the 2024 NAB Executive Committee elections. 

Today, the National Association of Broadcasters (NAB) announced the appointment of Nexstar Media Group, Inc., President and Chief Operating Officer Michael Biard to its Television Board of Directors, effective immediately. Television Board Chair Pat LaPlatney made the appointment in accordance with NAB by-laws.

Washington, D.C. – The National Association of Broadcasters (NAB), in collaboration with members of the Hispanic Media GOTV Coalition, today launched Martes de Acción (Tuesdays of Action), an initiative aimed at encouraging Hispanic voter participation and strengthening civic engagement ahead of the November elections.

NEW YORK — The 2024 NAB Show New York officially opens its doors at the Jacob K. Javits Convention Center, showcasing some 250 Exhibitors and welcoming attendees to the premier East Coast event for the broadcast, media and entertainment industry. With hundreds of new products on display, 20 new product launches and nearly 50 first-time Exhibitors, this year’s Show promises to deliver the latest innovations in AI, sports media, and content creation.

In response to the 2024 presidential and congressional election, NAB released the following statement.

One of the many things that I do outside of teaching is organize a local race called the Bucket of Blood Races. Great name no? While it is a great name we do not have a great logo... yet.

Last year I had this crazy idea -

Creating Viral Videos (A Classroom Project)

This is a near impossible task to narrow down all of the youtube videos I have seen to pick only my top 3. So I am going to break this into sections.

Today - Top 3 Youtube Videos I Have Uploaded of my Daughter Macy.

You know, I never thought to mention this, but I am left handed. Now this may not seem important to most, because there are certainly a lot of guitar players our their who are left handed, but most left handed guitar players who are capable of great technique and guitar speeds, typically choose to string and hold their guitars completely opposite.

This is not me. I play guitar the same way that most right handed guitarists play. What is the correct approach if you are a left handed person is just starting to play guitar? well, naturally there is no right or wrong way to go about it. I can remember when I first started playing, for the first 3 months, I couldn't do what most right handed guitar players had accomplished in that same amount of time.

So, if it was that difficult for me, then why did I go this route? because I was told that I had too, and that playing my guitar in reverse would be harder to practice on. What do I think now? its rubbish of course. Just because a right handed guitar player might imagine it to be a difficult task, doesn't mean that a left handed person will have a hard time with it. I mean, asking someone to go against their physical or genetic design, is like asking them to walk on the ceiling.

Oh, it gets better!!

This is really quite fascinating. The other night I was reading about being ambidextrous, because I claimed to be so to a particular person once. She told me that I was not ambidextrous, but that their was a different name for my capabilities, and that I was only "half" ambidextrous. So, I put it out of my mind, but when I read this article the other night, I was blown away by what it had to say about ambidextrous people.

The article explained that basically if you can do one thing that you shouldn't be able to do with your unfamiliar hand, then you are technically ambidextrous. Here's where it gets good. The article went on to explain that most people who are ambidextrous, start out as left handers, and learn to become ambidextrous because we live in a right handed world. Fascinating!

This tells you that what you believe someone can do is only based on them being "gifted", "lucky", or "blessed" is total B.S. I've said it for years, but people just like to make excuses for themselves, I think. I mean that's easier to do, right?

Anyways, imagine that you wanted to become ambidextrous for some reason - could you do it? hell yes you could! When I was six I broke my left arm, and it was in a cast for a very long time. I loved to draw, and spent most of my time doing this. So, I had to learn how to write and sketch with my right hand. I'm way out of practicing now, but at the time I learned to develop my right hand pretty well.

Before I begin, I wish that I could give you some sort of formula for transcribing guitar parts from songs, but I really can't because its done on intuition and from focus. Plus, I have no idea what song or what type of music you may be interested in tackling.

However, I am well aware that many guitar players, both young and old are out right intimidated by the thought of, or word of "transcribing".

As someone who continues to do it to this day, I have learned quite a bit about doing so, and have been proven time and time again that there are tricks that can aid you. I will do my best to help you, but first, why should a guitar player learn to transcribe music?

First, in my opinion, the ultimate goal of any musician should be to find their own voice, and throwing away the tabs and buckling down will unlock the whole world for you. Everything that I teach by way of videos, article lessons, or even rants was born from trying to figure it out on my own. I can't even begin to emphasize this, and words cannot describe.

Second - even if you simply wish to play pre-written songs for the rest of your life, learning them the old fashioned way makes things like soloing, and improvising a total synch. If someone puts you on the spot in front of a bunch of people and you are expected to learn a song right then and there, as that person is playing it, it will be no problem anymore.

So now we begin...

STEP ONE

The first thing is where DO you begin? most people could listen to one note, and they can't picture where its at, and so they assume that its going to be anywhere, and yet it is in one
specific place as expected.

If you do the math, you've got 6 strings, and on a full 24 fret guitar, 2 octaves per string. Let's take a random note. Say G#. On the low E string alone there will be 2 G#'s - remember, two
octaves per string. Now you've got 6 strings - 2 x 6 = 12. So you've got 12 of each note on the guitar - pretty cool.

Even if your guitar doesn't have 24 frets, thinking like this makes playing so much easier.

Now, let's imagine the fretboard as being divided into 4 sections.

We'll say that from frets 0 to 6 are section 1, 6 - 12 are section 2, 12 - 18 are section 3, and 18 - 24 are section 4.

There is a HUGE difference in pitch when a note like G# is played in section 1, 2, 3, or 4. Its the same note, but the sharpness grows as you move on up the neck. By the way, we're not just sectioning off one string, we're handling all of them.

I don't expect you to get it right away, but playing around with this mindset could very well mean that you will be able to go to the correct area of the fretboard, even if you don't have
perfect pitch and know what note it is that you are trying to find.

STEP TWO

Since man does not sport monstrous hands, nor 13 fingers on each hand, you can pretty much assume that the next set of notes will be in close proximity to the one that you first found. The first note by the way gets it started. In my opinion, if you can find the very first note of a guitar solo or melody, you can crack the code for the entire thing.

You should put a LOT of emphasis on that very first note and remember where its at, because if you get lost - this is your starting point again.

The next question to ask yourself is, are the next notes higher or lower, and how much so?

Let's say that you've come to the conclusion that the next note is lower. Even if you have to do half steps, or one fret at a time to find that next note - do it. Once you find the next note, again - lock it in. Go back and play those 2 notes over and over again. We'll worry about the mechanics
of how the notes are played/expressed later.

Even for me, if I encounter a song that's pretty fast and hard to keep up with I will tend to have trouble, but you and me both have a secret weapon. The pause button on our computer or CD player. where ever you are at in the song, hit the pause button immediately after the part that's got you hung up. Don't let those other sounds interfere and throw you off. One block at a time.

Though this process might seem confusing now, if you take my advice of breaking it down, over time it will tend to happen on auto pilot. Hope this helps - best of luck.

Its been a little while now, but roughly a month ago I went to the Alice Cooper Theater Of Death show, and I would have written about it then, except that things have been nuts lately. I must say, if you enjoy Alice Cooper's music and you want to go to the best show that you've ever been to in your life - check him out on tour.

I had seen video of him and his famous, eccentric stage shenanigans before, but seeing the master himself live blows everything else out of the water. There was no shock rock vaudeville stone left unturned as he truly commanded the stage like only a mascara running, self resurrecting, bad boy can.

My brother had always described to me the atmosphere of the show so I did have a little bit to go off of, but then when you are actually witnessing the flow of an Alice Cooper concert, you really don't give an F about any other show. Seriously, everything else is just boring to me now, and the man is in his early sixties now, so now is the time to enjoy what he has to offer, because again - his work is made to be spontaneous, or in other words - live!

Don't let the early sixties part fool - Alice is like a fine wine - he gets better with age.

traducido por Angel Chavez Una de las partes más gratificantes de la creación de esta edición de Urtext ha sido descubrir una nueva pieza. Al principio pensé que debía ser un nombre alternativo para Capriccio di Bravura, pero al inspeccionarlo, era una obra sustancial que no había visto antes. A primera vista, la pieza parece […]

The pedagogical influence of Francois Rabbath on the double bass world has been tremendous. Once seen as a dramatic departure from traditional bass technique, the Rabbath approach has become mainstream and perhaps the most commonly used method for young bassists. The story behind the Rabbath Institute Cielito De Jesus started the Rabbath Institute Los Angeles […]

Andrew Kohn takes a deep dive into bass mutes, demonstrating 13 of them! Find Andrew’s compositions and editions in our sheet music store.

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