I briefly interrupt this parade of elephants and bears (not usually a wise thing to do) to bring you news of a new project of mine. 

It's a murder mystery. But really, it's a set of very difficult, interconnected puzzles. But really... it's a box of one hundred picture postcards. I mean, if that's all you need to hear, by all means go straight here to buy it. But for a little more explanation, read on.

In 2020, I spent some of my lockdown trying to solve the newly republished murder mystery / puzzle Cain's Jawbone, written by the famous cryptic crossword setter Torquemada in 1934. The puzzle consisted of a box of one hundred pages of a novel, in a random order. The solver had to work out the correct order of the pages, and then interpret the strange and allusive narrative so as to deduce the killers and victims in the six murders in the story. It turned out to be ridiculously difficult, as it was meant to be; but if the spring of 2020 was good for anything, it was for spending far too long on almost impossible puzzles. Eventually, I submitted a solution, which to my enormous surprise turned out not only to be right, but also the only correct one submitted.  I won a thousand pounds, bought a piano, and thought that was that.  

But then, two things happened. The first was, thanks in part to TikTok, Cain's Jawbone took off in a surprisingly big way. And the second was, I found I missed it. I really wanted to try solving another puzzle in that style. But Torquemada never wrote another one, and nor did anyone else. So it seemed the only thing to do was to try to create one myself.

So this year Unbound, the publishers of Cain's Jawbone, are publishing a new mystery puzzle box by me, the title of which is still secret for now. This time, solvers will receive a box of one hundred picture postcards. As with Cain's Jawbone, they will need to arrange the text sides in the correct order, and understand the story told there, in order to identify the killer and victim in a series of ten murders; as well as a certain crucial address. But in order to do this, they will also need to solve the various puzzles presented by the picture sides.

The picture side puzzles allow me to do two things: firstly, compensate for the arrival of the internet since 1934. You may now be able to google an obscure Walt Whitman quotation, but you can't google 'How on earth is this picture of a tree a puzzle?' Secondly, if Cain's Jawbone had a flaw (which I don't admit) it's that it's a little off-putting and seemingly impenetrable until you make a certain breakthrough. I think a lot of people had a brief look through the cards, thought 'Well, that's impossible' and gave up. I certainly did, before lockdown came along and invited me to have another go. So the picture puzzles - which are also, to be clear, ridiculously difficult - give the solver something they can immediately get their teeth into, while they're grappling with the madness on the other side.

Lastly, they're there because they have to be. There is, within the story, a reason why these cards exist, why they have puzzles embedded in them... and why one of the murderers now keeps them safely locked in a drawer. I hope you enjoy trying to work out what it is. 

For more information, to pre-order a copy, and to gaze in wonder at some exhilaratingly expensive pencils... step this way.  

Oh, and the postcards shown here are not solvable with the information given, so don't torture yourself. Yet. 

 

- Scarper; British slang for 'run away'. From Scapa Flow - Go. 

- Grass; as in informant. From Grasshopper - copper (and from there to copper's nark) 

- Dukes; slang for fists, as in 'duking it out'. From Duke of York - Fork. ('Forks' being now-forgotten slang for hands.) 

- Donkey's years; a long time. From Donkey's Ears, rhyming slang for Years... but then the Y crept back in. 

Alt Text: Donkey's ears. And between them, a donkey. Well, I suppose there's always a donkey between a donkey's ears. I mean: another one, framed in the photo between the ears of the first donkey. Glad we've got that clear. It doesn't matter in the least.

 

Alt text: A trailer, made by the excellent people at Stage Fright Films, which eventually tells you it's called 'The Researcher's First Murder', and revealing the excellent cover illustration by Tom Gauld.

You can pre-order it here, and I won't at all mind if you do. 

Shiva Baby [US, Emma Seligman, 4] The ambient social pressures of a post-funeral gathering skyrocket for a directionless college student (Rachel Sennott) when attendees include not only the expected ex-girlfriend (Molly Gordon) but also the sex work client she’s caught feelings for. Knife-edge comedy of emotional suffocation uses a plucky suspense score for that extra frisson of social anxiety.

If you've been missing family events during the pandemic, this film is the cure for that. Polly Draper and Fred Melamed appear as the loving but insufferably intrusive parents.

Night of the Kings [Côte d'Ivoire/France , Philippe Lacôte, 4] When the red moon rises over MACA, the Ivory Coast’s toughest prison, its inmate boss appoints the new arrival as storyteller—a post that results in death if the tale ends before sundown. Prison drama with compelling narrative hook widens out to encompass ancient warfare, contemporary politics, and even a wizard duel.

Spring Blossom [France, Suzanne Lindon, 4] Bored with her classmates, an awkward 16 year old (played by the writer-director) pursues her attraction for a ruggedly handsome stage actor (Arnaud Valois.) Character drama sets aside the sexual aspect of this staple French cinema situation to focus on the emotion, periodically breaking from naturalism to have its characters express their feelings through dance.

This year’s Q&As are Zoom interviews between the programmers and filmmakers, which drop on YouTube when the films become available for online viewing. In the Q&A for this one we discover that the director wrote it when she was 15, a year younger than her character. She’s 20 now. Lindon is the daughter of well-known French actors Vincent Lindon and Sandrine Kiberlain.

Get the Hell Out [Taiwan, I-Fan Wang, 4] Taiwan’s notoriously pugilistic parliament tips into arterial spray when the effluent of a controversial chemical plant triggers a zombie epidemic. Zombie comedy features an eye-searing palette and an onslaught of optical overlays, and is paced like a quarter kilo of crushed Adderall. 

It’s quite an achievement to find the worst hue of every color on the visible spectrum. Fortunately the underlying message, that government officials would respond to a pandemic by idiotically making it worse, has no bearing on anything that comes to mind.

---

Capsule review boilerplate: Ratings are out of 5. I’ll be collecting these reviews in order of preference in a master post the Monday after the fest. Films shown on the festival circuit will appear in theaters, disc and/or streaming over the next year plus.

Wildfire [UK/Ireland, Cathy Brady, 3.5] After going missing for a year, a bipolar woman (Nika McGuigan) drops in on her sister (Nora-Jane Noone), opening the wounds of shared tragedy. Raw, unsubtle family drama against the backdrop of Northern Irish politics as Brexit threatens a fragile peace.

The film is dedicated to the memory of lead actor McGuigan, who died of cancer last year.

40 Years a Prisoner [US, Tommy Oliver, 4] Documentary recounts the 1978 standoff between members of radical Black back-to-nature organization MOVE and Philadelphia police through the efforts of the son of two of the group members to secure their parole. A strong emotional hook greatly assists in telling a tenaciously complicated story.

I would like to have seen more on the genesis of the group and the first stages of their conflict with the mayor and police. So much needs to be unwound in the 1978 standoff that the even more astonishing story of a 1985 confrontation, which resulted in Philadelphia authorities dropping a satchel bomb from a helicopter, killing 11 and burning down 65 houses, goes unmentioned here. Another doc I haven’t seen, Let the Fire Burn, focuses on that part of the story.

True Mothers [Japan, Naomi Kawase, 4.5] Parents of a kindergartner react with dismay when a woman contacts them claiming to be his birth mother. Luminous, delicate drama of shifting perspectives.

Limbo [UK, Ben Sharrock, 4] Syrian oud player grapples with guilt over family left behind as he cools his heels with other refugee claimants at a center in the bleak and isolated Outer Hebrides. Moments of deadpan humor and stark landscapes layer this exploration of displacement.

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Capsule review boilerplate: Ratings are out of 5. I’ll be collecting these reviews in order of preference in a master post the Monday after the fest. Films shown on the festival circuit will appear in theaters, disc and/or streaming over the next year plus.

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Last weekend my class and I headed to the Black Canyon of the Gunnison National Park for a Leave No Trace Trainer Course. The training was a part of a Wilderness Ethics class being offered by San Juan College. We were all super pumped to be headed to a beautiful place like the Black Canyon for a “class”.

If you have ever been on a Leave No Trace Trainer Course, then you will know that the first topic talked about is Plan Ahead and Prepare. Our instructor mentioned that it might be the most important principle as it will set you up for success for your next outdoor adventure. Included in the discussion were the hiking/backpacking 10 Essentials, in which a map is one of those ten. As a self-proclaimed “map geek”, I was pretty excited to see our instructor pull out the Trails Illustrated Black Canyon of the Gunnison National Park and Curecanti NRA Map.

The map was a vital resource for planning our hikes for the weekend. By studying the contour lines and trail distances on the map we were able to determine which trails were the most suited to our group’s physical abilities and the class’ educational purposes. The map provided basic details like restroom locations, but was also detailed enough to show us what areas of the park required a backcountry permit. The map made several appearances during our hikes and quite a few more back at camp while students planned a return trip later this fall.

David Whitford – Student, San Juan College

New and Complete Map of Cuba, supplement to National Geographic magazine, October 1906; NG Maps.

Since our first post, this blog has addressed the history of cartography at National Geographic, geographic names (toponyms), and even the cartographic exploits of James Abbott McNeill Whistler, the American artist best known for the painting "Whistler's Mother." I hope that these topics have proven of interest to some if not all of you. But what we have not addressed is the personal more intimate side of cartography here at the Society.

Unquestionably, National Geographic is the place to be if you love the science as well as the art of mapmaking. Our production schedules are full of stimulating and challenging projects that often test our knowledge of the cartographic profession. Once in a while, we will be assigned a project so close and near to our hearts that it becomes an overriding passion. Several months ago, I was given such an assignment—a large format (36" x 24") political map of Cuba.

The last time the Society published such a map was in October 1906! Those of you in the exiled Cuban community, both in the U.S. and abroad, know the significance of this map. Anyone who has visited Miami's Little Havana, Tampa's Ybor City, or even Union City, New Jersey, can't avoid seeing maps of Cuba painted on walls, plastered on windows, or even printed on the sides of grocery bags.

Read more:

Словосочетание «польские партизаны» периода Второй мировой войны традиционно ассоциируется с бойцами подразделений Армии крайовой, подчинявшейся польскому правительству в эмиграции. В 1944 г. под эгидой левых сил возникла еще одна партизанская сила – Армия людова. Но в этой книге речь пойдет о еще об одной, наименее известной категории польских партизан – советских.
В 1943—1944 гг. политическим и партизанским руководством БССР предпринимались активные попытки вовлечь многочисленное польское население Белоруссии в советское партизанское движение. Отчасти на территории Пинской, Барановичской и Вилейской областей БССР эти усилия увенчались успехом. Работа кандидата исторических наук С.В. Благова основана на документальном материале российских, белорусских и польских архивов, а также опубликованных документах и электронных базах данных белорусских партизан.
В формате PDF A4 сохранен издательский макет книги.

В поименном регистре авторов «ПТЖ» написанное рукой Анны Федоровны значится только со ссылками на бумажные номера журнала. Для «ПТЖ» она автор особенный, уникальный, от которого ждешь и получаешь несуетное проникновение в ткань спектакля, суть проблемы. В образе ее мысли — ценнейший симбиоз традиции, энциклопедических знаний, филигранной точности оценок, концепций и анализа. Она словно видит серебристую паутину синапсов вселенского разума, связывающую наше периферическое настоящее с сердцевиной мировой культуры. Любая беседа с ней — интереснейший, вдохновляющий, заряжающий опыт для студентов и состоявшихся ученых. Анна Федоровна по-прежнему генерирует энергию, словно солнце, готовое освещать и просвещать всех, независимо от возраста и опыта. Главное, чтобы был интерес к знаниям, чтобы было желание ухватиться за традицию, которую с такой яркостью представляет она сама. «Петербургский театральный журнал» поздравляет Анну Федоровну Некрылову, своего ценнейшего автора и друга, с юбилеем и присоединяется к сердечным словам ее коллег по науке и театру.

О Режиссерской лаборатории «Вперед в прошлое / Назад в будущее» в Городском театре

Городской театр, долгое время интеллигентно прятавшийся в саду Сен-Жермен, обрел вторую площадку на Галерной улице. Пространство освоили символично — жизнь Галерной началась с показа эскизов V Режиссерской лаборатории. В последний раз Городской театр проводил лабораторию в 2021 году. Получается, назад в новую жизнь? По крайней мере, театр предлагает такую возможность, обозначив тему «Вперед в прошлое / Назад в будущее». Об искажениях-отражениях времени и исторических рифмах рассуждали молодые режиссеры, а вместе с ними и молодежная редакция «ПТЖ».

«Камера обскура». В. Набоков.
Санкт-Петербургский государственный театр «Драм. площадка».
Постановка и инсценировка Сергея Бызгу, сценография Анвара Гумарова.

«Камера обскура» Сергея Бызгу напоминает кабаре, цирк и бродвейское шоу одновременно. В каком-то смысле это спектакль-головоломка: сюжет выдает такие крутые виражи, что ответить на вопрос «что здесь происходит?» не так-то просто. Возможно, все дело в том, что Магда Петерс снимается в кино. Или попросту во всем виноват швейцар главного героя? Кстати, после этого спектакля вы точно запомните, как его зовут: Шиффермюллер.

«Сутра золотого света».
Театр-лаборатория Эрмитажа «Чудесный источник».
Мастерская Яны Туминой.

Спектакль «Сутра золотого света» наполнен светом. Он буквально везде. В кукольном представлении о принце Шакьямуни. В словах-молитве о счастье всех людей. В трепетном отношении к культуре Востока.

«Сутра золотого света» — священный текст махаяны, одного из направлений буддизма. Считается, что пока слова сутры не перестанут звучать, в мире сохранится учение. В тексте рассказывается несколько легенд о Будде Шакьямуни, есть наставление царям и исповедь. В спектакле истории из сутры не разыгрываются. Священный текст становится скорее поводом, вдохновением для авторов постановки.

Переписка Марины Дмитревской и Максима Каменских о Лаборатории воронежской драматургии

Марина Дмитревская — Максиму Каменских

Максим, привет!

Вот уже несколько дней, как мы вернулись и закрутились с делами, а ведь пора отдавать долг чести и рассказать читателям и коллегам о двух насыщенных и, я бы сказала, радостных днях, которые мы провели в Воронеже на лаборатории так называемого «Драмкружка».

Суть дела в том, что четверо — Станислав Смольянинов, Екатерина Рыжкова, Анна Колтырина и Арик Киланянц, называющие себя «Драмкружок», — решили создать в Воронеже движение драматургов. Собрали людей, полгода работали, написали пьесы, много пьес, руководителем позвали Ярославу Пулинович, она приглашала к занятиям то Дмитрия Данилова, то Олжаса Жанайдарова...

«Перевал Дятлова». И. Васьковская.
Серовский театр драмы им. А. П. Чехова.
Режиссер Александр Сысоев, художник Владимир Кравцев.

Информация о готовящемся в уральского городе Серове спектакле о гибельном походе студентов Политехнического института в горы северного Урала зимой 1959 года меня, честно говоря, нехорошо «напрягла». История дятловцев (по имени руководителя похода Игоря Дятлова) стала в последние годы частью бума масскультовской конспирологии в кино, худлите и нон-фикшене.

«Преступление и наказание». На музыку Г. Малера и Б. Тищенко.
Театр балета Бориса Эйфмана.
Хореограф Борис Эйфман, художник Зиновий Марголин.

Кто в последние двадцать лет видел один балет Бориса Эйфмана — тот видел их все. Хореограф собирает спектакли из привычных кубиков: у главного героя всегда будет темный двойник, толкающий его на всяческие непотребства, герой всегда будет выделяться, выбиваться, физически выпрастываться из однородной покачивающейся толпы, а героиня всегда будет жертвой мужского насилия. «Преступление и наказание» — мировая премьера, свеженький спектакль, представленный Борисом Эйфманом петербургской публике, — строго следует этому канону. Но есть и одно важное отличие — и оно огорчает больше всего.

Сегодня в Санкт-Петербурге завершил гастроли, приуроченные к своему 85-летию, московский Театр «Сатирикон». Наш автор Ирина Селезнёва-Редер побывала на спектакле «Государь-стендап» в режиссуре Александра Локтионова и делится своими впечатлениями об увиденном.

«Однажды в кабаре».
Музей-квартира актеров Самойловых.
Режиссер Виктор Тихонович, драматург Иван Орлов, художник Мария Дудина.

«Однажды в кабаре» Виктора Тихоновича — экскурс в историческое прошлое начала ХХ века, время, когда назревала революция и режиссеры ощущали глобальные изменения в жизни и жаждали изменений в искусстве, занимаясь поиском новых форм. Спектакль начинается лекцией: к зрителям выходит Виктор Тихонович, изображающий старца — на голове будто посыпанный тальком парик. И этот парик — единственное внешнее средство, превращающее лектора в старца, вещающего зрителям об истоках кабаре. Все остальное «старческое» передано через пластику и интонации, причем нарочито — согнутая спина, мешающий говорить кашель. Он будто современник той эпохи, доживший до наших дней. Но рядом с лектором появляются другие герои, со слегка набеленными лицами и в элегантных нарядах. Они снимают с него парик, и «старец» предстает молодым интеллигентом в зеленом жакете — это перевоплощение оказывается зримой метафорой идеи обновления театра и жизни.

Сегодня на сцене Театра юных зрителей им А. А. Брянцева прошла торжественная церемония награждения лауреатов XXХ Высшей театральной премии Санкт-Петербурга «Золотой софит». Ниже публикуем список победителей со ссылками на рецензии наших авторов.

1. Trailer: "Bridget Jones: Mad About the Boy"  Dark Horizons
2. Trailer for Bridget Jones: Mad About the Boy released  The Guardian
3. ‘Bridget Jones: Mad About the Boy’ Trailer: Renée Zellweger Falls for Leo Woodall in Final Installment of Rom-Com Franchise  Variety
4. What's happening in entertainment news today  TODAY Show
5. ‘Bridget Jones: Mad About The Boy’ Trailer Released By Peacock  Forbes

1. Beijing and Washington stops provide clues for Indonesia's direction under Prabowo Subianto  ABC News
2. Prabowo pledges co-operation with Trump  The Australian Financial Review
3. Indonesian president meets Biden and speaks with Trump  The Canberra Times
4. At White House, Indonesia's new leader straddles US-China rivalry  VOA Asia
5. Will Prabowo Subianto cosy up to Donald Trump or to China?  The Economist

1. Germany to hold snap election in February after government's coalition collapse  ABC News
2. The briefcase, the Porsche and the collapse of the German government – podcast  The Guardian
3. Germany set for snap election following collapse of Olaf Scholz’s coalition  The Conversation
4. President calls German early election plan 'realistic'  DW (English)

1. Cindy Crossthwaite's estranged husband faces Supreme Court murder trial over mother of three's death  ABC News
2. 'Deep-seated hatred' for estranged wife led to killing, jury told  9News
3. 'Deep-seated hatred' for estranged wife led to killing, court hears  9News

"To what extent is science a strong-link problem?", Sauropod Vertebra Picture of the Week, 10/30/2024 [emphasis added]: Here’s a fascinating and worrying news story in Science: a top US researcher apparently falsified a lot of images (at least) in papers that helped get experimental drugs on the market — papers that were published in top […]

The Autumn 2022 issue of Agapé, the official journal of U.S. Grand Lodge O.T.O., is now available. This and all previous issues can be found here.

The Winter 2022 issue of Agapé, the official journal of U.S. Grand Lodge O.T.O., is now available. This and all previous issues can be found here.

The Spring 2023 issue of Agapé, the official journal of U.S. Grand Lodge O.T.O., is now available. This and all previous issues can be found here.

The Summer 2023 issue of Agapé, the official journal of U.S. Grand Lodge O.T.O., is now available. This and all previous issues can be found here.

Hello again,

This month I've been plugging away on the project I mentioned in the previous post which involves among other things a PDF generator and now an implementation of ML (as in Standard ML, but also the other one). This is probably the 10th "compiler" I've written in my life, and it's kind of fun to revisit these problems that you've done many times and try out different approaches, although this time one of the approaches is "Use C++" (for reasons of making good on a joke, but also for reasons of mlton doesn't work on my computer any more). And although C++ is a fine tool for many applications, it does have some deficiencies for the task of writing a compiler (one of the most irritating: a very modest limit on the stack depth? Like my computer has 256 Gigabytes of RAM and 2^64 virtual addresses and somehow it can only manage 1 megabyte for the stack and there's no standard way to increase it? Get off my lawn). But then you can also experience new ways of struggling with C++, like: A middle of the night power failure wrecked my computer's GPT (as in GUID Partition Table, but also the other one) and I was deep in the depths of taking the computer apart to reset its parts, its BIOS (its Basic In/Out System, which is where it stores its biography) and its hard drives were everywhere on the floor, and it could not be saved, and this after I already broke my computer this year by trying to put the world's biggest video card in it, too hard. And I could not merely perform recovery because of Unknown Error, so I had to begin anew again and restore from backups. But when you restore from backup and you're in the mood of "why is this so complicated and I don't understand how computers work any more?" it occurs to you (me) to also change your underlying development environment instead of reinstalling the devil you know. So I ended my friendship with Cygwin64 and switched to new best friend MSYS2. Both of these things are different ways of wishing that you were using Linux while you're using Windows. The main reason I tried this new way of struggling is that Cygwin is very behind on its version of x86_64 clang (C++ compiler), which I wanted to try because it supports AddressSanitizer and clangd on Windows, and I wanted to give LSP in emacs a shot (it's finally good!). There were a few growing pains, but I think MSYS2 is what I would recommend now. One of the nice things they did was create multiple different environments depending on what you want to do (e.g. "I want to use clang to compile x86_64 code" or "I want to do 32-bit cross compilation for ARM") and in that environment, you just say "g++" and it invokes the compiler you want, instead of the weird contortions I've been doing for years with manually invoking x86_64-w64-mingw32-g++. I was also able to get clblast working before being too filled with rage to continue, so that is nice for the ML inference on the world's biggest graphics card. I made these graphics to help me tune the correct settings of GPU layers (y axis) and number of threads (x axis):

tune-single
tune-batch

In some sense the results are obvious (more threads and more layers is faster) but it was interesting to me how the cliff of performance drops off at a different number of layers for single and batch mode (I guess because the batch needs some memory itself?) and how it's clearly better to use fewer threads than cores for batch as well. I was not surprised to see performance drop off for >32 threads (everybody knows that hyper-threads kinda suck) but I was very surprised to see performance pick up again when it gets back up to 64? And only for single mode? I wish I understood that better. But mostly I'm a sucker for the custom visualizations.

Right but when writing this compiler I realized that I wanted to use some Greek letters, and I can't handle it when some characters are in a different font in my source code, so I finally made some space for those in my programming font FixederSys. These certainly still need some tweaks, but it's already better than just being in some other weird font:


{{{caption}}}

You can also see that I have been adding some "useful" emoji at the top. It is an interesting puzzle to try to make these things recognizable (especially for the 1x version, whose charboxes are 8x16 pixels). I am pretty sure I will not try to do all of the emoji (like, the flags are totally hopeless at 8x16), but it is tempting to round out the Unicode support somewhat. Like I was trying to make a ¯\_(ツ)_/¯ today and had to settle for ~\_( :) )_/~ which is pretty much (ノಠ益ಠ)ノ彡┻━┻.

Also: Adam revived our old game jam game Headcat, which I described in post 927, now over 16 years ago. You can play it online at Headcat.org. It is harder than I remember, perhaps explaining why it did not reach #1 on the One Appstore Per Child charts.

Also: I started and finished (true ending, but just with one character) Slay the Spire. Good game, but you don't need me to tell you that. Same for Alwa's Legacy, which is the sequel to Alwa's Awakening. Both of these are very true-to-form "8-bit" and "16-bit" platformers that I enjoyed and would recommend for genre fans, though I did not try to 100% them. The graphics are the highlight and I thought it was very cute how these could easily have been a pair of games from the NES and SNES. The good old days. And speaking of good-old days, I am now playing Katamari Damacy, which I had played at a friend's house many years ago, and always wanted to spend more time with. It totally holds up (aside from stuff like: You have to play through the tutorial and first level before you can access the menus at all, like to make the game fullscreen?) and it's honestly inspiring how unhinged the game design and writing are, and how fun it manages to be. What an accomplishment!

Oops! Usually when I fail to post on time and then illegally backdate the post, yielding a penalty of -1,000 points, it's shortly after midnight. Like, as I'm trying to fall asleep (which of course involves and involuntary inventory of everything I may have failed to do), I'm struck with a panic and then get back out of bed to write some dumb pro-forma apology post. This time I just went to bed and actually fell asleep and now here I am noticing that it is May 1. Still, the whole point of doing this every month is to make the grid of months line up nicely, so the post is backdated by 9 hours and nets -1,000 points.

Speaking of lining up nicely: I did get my SIGBOVIK papers in on time and gave a lightning talk at the conference. SIGBOVIK was very popular this year, with our longest-ever proceedings (see SIGBOVIK 2024 PDF or bound volume). This year my project is a paper about a new typesetting system that I wrote to produce the paper (and the talk's slides). That system is called BoVeX and the paper is called Badness 0, which you can read as Badness 0 (Knuth's version) and/or Badness 0 (Epsom's version). You can also maybe find a recorded livestream of the breakneck 5 min presentation, but I would wait for the proper video (in progress now!), which is the same content with much better pacing and details.

Speaking of details: I also presented at An Evening of Unnecessary Detail, which is one of Matt Parker ("Standup Maths")'s live shows. Other than the part where I tried to pack a dense months-long technical project about details into 12 minutes, this was a blast! Lots of cool, interesting people. This took place in a proper comedy club in Brooklyn, like with posters of people that I watch on TV (e.g. Taskmaster legend Fern Brady is performing there in a few weeks, so it seems I'm a mere 5 or 6 steps away from my dream of being a contestant on Taskmaster now), and was sold out (due exclusively to the eminence of others, since it was sold out before I even joined the bill). I finally hung out with Grant Sanderson ("3blue1brown") and told him about math. The audience was amazingly attentive and wholesome, and quite a few of them recognized me and wanted to talk after the show, which is fun. (I do not envy the queue that Matt and Grant endured, though!) Enjoy my technically deficient vacation photography:

I'm photobombing, but Matt is so used to this act that he is reflexively crouching down so as not to appear twice my height

Speaking of technically deficient photography: An additional reason why my video is not done yet (or indeed, why it currently has status Filming 0) is that I finally pulled the shutter release on a new video camera. After much deliberation (and visiting the B&H showroom while in NY, etc.), including on far more ridiculous options, I settled on the Canon R5C. After a complex week-long courtship ritual with the FedEx guy, that finally arrived last night, at which point I immediately realized that I need further accessories. But I'm excited to shoot on this thing and to make my computer suffer with 8k video. It seems to have gotten too complacent with "Full HD."

Finally, I think the main reason I failed to post on time last night was that I was up late playing Balatro. This game is all over the place so you probably don't need me to tell you about it, but it is indeed a good (and addictive) deck-building game that I am enjoying instead of sleep. I am not interested in 100%ing this one, but there are still lots of appealing challenges left for me to do. I'd recommend it if you have the self control to avoid firing it up "for a quick game" when you should be working on your projects or sleeping.

Hello team!

I turned 45! It happens every year (not the same age, but the same feeling, of time marching forward, with me along with it) so no big surprise. This weekend was the Great Race, also every year, but I unsubscribed from their e-mail list at some point months ago because they seem to operate this list under the misconception that subscribers want to think about Great Race 24/7 all year round. I thought: It should be easy to just remember when the Great Race is, as it always falls on the weekend near my birthday, and I do not need a list constantly mailing me reminders. Easy. But then I forgot about the Great Race, so I didn't run it.

I did take the day off for my birthday despite this being the busy time of year at work, which was worth it: I made some good progress on some projects that had been backed up in my anxiety-brain for some time. Of course they are confidential, but here is a graphic of some significant progress:

Minusweeper

I forgot to mention this one when I did it, but did you know that you can "buy" a Unicode codepoint, by making a donation to the Unicode consortium? So of course I bought ASCII 0x37, which is the digit 7.

True story: I did a lot of film photography when I was younger, and although I do miss film, I'll admit that the saddest thing I feel about its obsolescence is actually that those little black plastic film canisters are no longer all over the place to be repurposed to hold little objects. I found them very satisfying and useful! Fortunately now that I'm old I found another similar ubiquitous shape, which is these orange prescription medicine bottles. I've been using those for a while to "organize" small parts like screws (e.g. when I take something apart that I might want to put back together, I put the screws in the medicine bottle and label it) but then they just roll around in the drawer of crap. So this:


RxBox, Unpopulated
RxBox, Populated

A very simple part, of course, but what could be more satisfying than 3d printing your own holder for canisters for fasteners that goes in a drawer in a cabinet?

And speaking of satisfying, I finally finished Chippy (regular difficulty) which was really quite hard. Several of the last bosses I had to practice over several evenings before I beat them! It was a good and creative game, though. I'm mid-way through Solar Ash, which is good (but it's no Hyper Light Drifter IMO!) and just started playing Satisfactory, since they finally put out a 1.0 version of that. It's quite well done, but I'm not sure if I actually like it (seems a bit heavy on the cookie crafting; in fact I'm letting it craft in the background as I write this). I am getting a kick out of allowing thinking about my messy design as the "saddest factory," a joke which I'm sure occurs to everyone, but that's Game Design!

A judge who was verbally abused by a defendant reciprocated at a court hearing where he was being sentenced for breaching an antisocial behaviour order.

John Hennigan, 50, who had breached the order by using racist language towards a black woman and her two children told Chelmsford crown court judge Patricia Lynch QC that she was “a bit of a cunt”. And Judge Lynch replied: “You are a bit of a cunt yourself.”

When Hennigan screamed back “Go fuck yourself”, the judge replied: “You too.” He reportedly also shouted “Sieg Heil” – a pro-Hitler chant used in Nazi Germany – and banged the glass panel of the dock as he was jailed for 18 months.

Hennigan, from Harlow, Essex, has dozens of previous convictions for offences including drug and firearm possession and common assault.

An asbo was previously imposed on him in 2005 when a swastika was discovered daubed on the front door of his council house.

I can understand the Judge's  reaction, but I have never used that word in court, other than in direct quotation from the evidence.


Perhaps a quiet word from the circuit presider might be in order here.

The House of Commons has just refused to allow pardons to men convicted decades ago of sex offences that are no longer illegal. The issue has stirred up the inevitable hornets' nest of Twitter and Press comments, and we are left with the illogical situation that those men (yes, all men) who have died will be pardoned but the living remain with a stain on their character.

I suspect that the furore is largely a matter of semantics; a 'pardon' has a defined legal meaning, but in common parlance it has different implications. If I offend someone, or tread on their toe in error, they my well pardon me for the wrong that I have done them, and that is that. However, a pardon for  a crime looks to the layman as if the offence was indeed committed , but the Queen will overlook it. That is not at all what the convicted men are looking for, but rather an apologetic wiping clean of the slate. Only the archaic concept of a  royal pardon looks to be possible in law, unless legislation can be changed.

Common compassion suggests that the huge shift in public attitudes to same-sex relationships should be reflected in the law. It is a small  matter in the great scheme of things, but means a great deal to the men affected. Parliament is rammed to the doors with lawyers: surely a couple of them could draft a swift form of words to clear up this relatively minor injustice? 

Ski Sunday presenter Ed Leigh is wowed by Sochi two years ahead of the 2014 Winter Olympics

Today's Pizza a Day Diet pizza is technically not a pizza.  It's a flatbread. NB: All pizzas are flatbreads but not all flatbreads are pizzas (A flatbread has an unleavened crust).

I happened to be up north during rush hour so I decided to find the closest Italian place and see what they had that resembled a pizza. :-). This happened to be the Maggiano's in the Domain.  The place has sort of a Disney-fied feel of a downtown Italian restaurant, which is not surprising since the first Maggiano's was founded in Chicago by the Lettuce Entertain You chain whose specialty is theme restaurants. 

Anyway, I took a table in the bar and ordered a Caesar salad and the sausage flatbread.  The sausage was removed from the casing but still distributed in large chunks and had that good Italian-sausage flavor.  The cheese was also abundant and flavorful.  And the crust? Nice and crispy at first and then steamed through. 

Here are a couple pics: