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How to Use the Vanishing Point Filter in Adobe Photoshop

Have you ever seen the realistic concept art of games with many buildings and tall towers? Or the pictures of busy markets with giant billboards and advertisements? Or the images with street perspectives, including Photoshopped texts and digitally painted graffiti? These images grab our attention and appeal to our eyes. For a designer, artist, or...

The post How to Use the Vanishing Point Filter in Adobe Photoshop appeared first on Bittbox.




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How to Use the Slice Tool in Adobe Illustrator

The Slice Tool in Illustrator is an excellent tool for dividing artwork into smaller pieces for various purposes, like web design, logo creation, creating interactive elements, and more. It separates parts of an element that can be saved as individual images. In this tutorial, we'll discuss the concept of the Slice Tool and provide a...

The post How to Use the Slice Tool in Adobe Illustrator appeared first on Bittbox.




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Koi Theme Has Moved

Please be advised that the Koi theme has been converted into a Themify theme. With the Themify framework and widgets integration, it gives you more options in term of theme settings, styling, layout options, and sidebar widgets. I also added some new WordPress 3.0 features such as custom menus and child theme support. Read this […]




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New Edmin Theme

I just designed another elegant WordPress theme at Themify called Edmin. This theme comes 4 different skins and 7 layout options. It is suitable for general blog and photography sites. Check out the demo now.




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Photobox Theme Design

Check out the latest theme that I just released yesterday on Themify named Photobox. It is a WordPress theme for photobloggers. The theme features a gallery slider on the homepage and a lightbox gallery in the posts using WordPress built-in media gallery feature. No additional plugin is required to install this theme. Read more details […]




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New Minimal & Responsive Theme Released at Themify

I just wanted to announce a new WordPress theme that I designed called Elemin. It is minimal theme coded with Google font, CSS3, Javascript and HTML5. The design is completely fluid and responsive (using CSS3 Media Queries). This means the layout automatically adapts based on the user’s viewport. To see it in action, visit the […]




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Another Responsive Theme – Tisa

I just released another responsive WordPress theme at Themify called Tisa. Check our the demo and resize the browser window to see the fluid and responsive layout. It works on most modern mobile devices such as iPhone, iPad, Blackberry, Android, etc. and desktop browsers: Chrome, Safari, Firefox, and even Internet Explorer!




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IconDock and Themify Coupon Code

If you are interested to buy icons from IconDock or themes from Themify, I have a coupon code for you. Use ‘ndesign’ coupon code on IconDock to save 20% off any icon sets. The discount code on Themify is also the same ‘ndesign’. You can save 20% off any WordPress themes.




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New Ajax Ecommerce Theme

Check out my latest WordPress theme, ShopDock, an ecommerce theme that replicates the Ajax features as seen on IconDock. Not only does it look cool, but also provides a pleasant user experience. Buyer can easily add or remove items to the cart with a single mouse click. No more “back to shop” or page reloading every time […]




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New Pinterest-Like Theme

Check out this new Pinterest inspired theme I designed – Pinboard. It incorporated infinite scroll as seen on Pinterest site. The posts are auto loaded and stacked as soon you hit the bottom of the page. It is also responsive. Check the demo and resize your browser window to see how the layout adapts.




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New Illustration: Redesign The Web

Below is the latest illustration, Redesign the Web Poster, that I did for Smashing Magazine’s poster design contest: Redesign the Web, Redesign the World. The work is done with Adobe Illustrator and then touched up with Photoshop.




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Themify Flow: WordPress Theme Builder

I haven’t updated this blog for the longest time. Today I have something very exciting to present. I’ve been working very hard with the Themify team on a new theme builder for WordPress called Themify Flow. It is a lightweight, fast performance framework, which allows you to build responsive themes. Everything is done within WordPress […]





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The Lost Generation, by Kevin Gilbert

880 billion images will be made this year, in the USA alone. How important is it to makes sure image loss is minimised not to have a Lost Generation?




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WordPress ecommerce plugins: The top platforms and tools for launching a successful store

Find the best WordPress ecommerce plugins. Compare top options: Are they worth the cost? Proven tools for a profitable online store.




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WooCommerce stores are revving up for Black Friday: The 2024 holiday trends survey

As ecommerce revs up for the holidays, it's time to prepare. Brand new survey data for Black Friday 2024 stats and trends from your friends at Woo.




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How to customize the WooCommerce checkout page

Beautiful, high-converting checkout pages: Customize your WooCommerce checkout page with these tools and tips! Video + step-by-step instructions.




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Prepare your checkout for the holidays: 5 ways to reduce cart abandonment with Amazon Pay

Make the most of the holiday shopping season — convert more visitors into customers. Quick changes that can make a big difference in 5 steps.




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What are digital products? How to sell them in 2024

Are digital products more profitable? How does inventory work? Examples you can start selling fast! The best tools to sell digital products.











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The Bartlett Summer Show 2020

The Bartlett School of Architecture celebrates the work of 700 students with a virtual Summer Show exhibition featuring 32 3D exhibition rooms of ambitious and creative student work




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The Araw Collection

Introducing Araw: a new modular jewelry collection brought by Limnia.




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Self-Host Your Identity Provider with authentik

Authentication! What a hassle!

Evans, where's that SAML from Earth!?

You start off simple enough — username / password authentication in your application. Then, well, someone mentions that traditional passwords are a security vulnerability, so maybe we should use one-time passwords. That inevitably leads to discussions about magic links and multi-factor authentication. Next thing you know, one dev is in a corner, rocking back and forth and muttering something about SAML, and another dev just left — walked out the door, never to be seen again.

Well, not to worry, we've got just the tool for you.

authentik is an open-source identity provider written in Python. I'm going to focus on the self-hosted version, but they also offer a paid enterprise plan if you want some extra support.

Self-Hosting

The philosophy of open-source tools and self-hosting is a big, complex topic for another post. In the world of SaaS products, you likely don't need to self-host. I quite like hosted identity providers like Clerk and Auth0. They're good and appropriate solutions for different types of apps and companies.

But I just love to self-host tools. Tinkering and toying with Docker, reverse proxies, and sometimes even server hardware is a lot of fun to me. It does add complexity in some (or many) places, but a little extra complexity means you've got a little more control over your tooling.

Self-hosting also allows me to disconnect from the Internet and still be able to work on features and enhancements in my projects. As long as I've already installed the relevant packages or pulled the right Docker images, I can keep working if I'm in a place where I can't (or don't want to) connect to the Internet. This is a small thing, but really important to me.

authentik makes it really easy to self-host your application. Right out of the gates, they provide a Docker Compose example and a Kubernetes example. Getting authentik running took me about 10 minutes using the Docker Compose example. Most of that was reading. This can make authentik a great tool during the proof-of-concept or beta phase of your application, getting authentication out of the way so you can focus on building the cool and unique features of your app.

Integrations

One of the great things that authentik has waiting for you is a bunch of documentation on integrating with a lot of tools you probably already use. These integrations range from other self-hosted apps like Outline (another favorite of mine) to cloud providers like AWS and even platforms like WordPress.

authentik's integration docs show you how to set up authentik for your existing providers and applications, so no need to dig around for the right configuration. Sure, if you're building your own application, you don't have the luxury of a README (until you write one, of course!), but don't worry — all the documentation you'll need for your choice of providers is at your fingertips. Personally, I'm fan of the OAuth2 provider for most my pet projects, but I also find the Proxy Provider to be a really great tool if you want to secure a static site that doesn't have any means of authenticating users.

Customization

This is a pretty nice default login screen, but maybe a mountain road isn't your vibe. You can change this background, add your own company logo, and add your own CSS. Just add your static files to your authentik deployment and modify to your heart's content.

But actually, that's not even the cool part of the customization to me.

authentik has the concepts of Flows and Stages that are used to determine what steps a user should take to log in, log out, and more. First, you define Stages that represent a single step of authentication — something like requiring a user to enter their username or a password. There's a whole lot to choose from. Once you've set up your Stages, you'll create a Flow, stringing those Stages together until you have a complete process to authenticate, register, or even delete a user. Flows can be imported and exported as .yaml files, making it easy to keep your Flows and Stages synced between different environments.

authentik comes with a pretty reasonable set of default Flows and Stages. If you're setting authentik up just to try it out, you might not need to add anything. They do have a couple of example Flows to get you started, though.

Flows and Stages can feel pretty intimidating. On your dev server, I'd recommend basically deleting all of the default Flows and Stages and building up new ones from scratch. It's the easiest way to learn how these pieces fit together. If you accidentally break something in dev, you can always just drop your database and spin up a fresh install.

Conclusion

authentik is an awesome tool and I've only scratched the surface of what it can do for you. As a self-hosted identity provider, it gives you a lot of control on how your services are authenticated. It's great for local development and beyond, and it has a lot of ready-to-go integrations for services you might already use.

If you're interested in further reading, I'd definitely recommend checking out the docs on Outposts and External Sources.

Hopefully this has given you some inspiration to spin up a local instance of authentik and try it out! It will definitely simplify your authentication needs.

Here's your SAML, Mr. Horrible Gelatinous Blob!




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The Keys to Successful Concept Testing: Planning

Concept testing is a research method that explores how a user perceives or interacts with a new idea. It usually takes place early in a project, and involves putting ideas into the “real world” to see how users will react to them.

Not every project needs to include concept testing, but it can make your solutions more user-centered. Involving users in the design process leads to products, sites, and experiences that are more aligned with user wants and needs — and ultimately more successful.

Concept testing is most useful when exploring ideas that are novel, complex, or risky. It can also help your team:

  • Generate more purposeful, user-centered ideas.
  • Identify which ideas provide the greatest value to users. 
  • Prioritize the most promising idea(s), saving time and money.
  • Evaluate any significant changes you make along the way.

I’ll cover how we use concept testing at Viget to help our clients gain clarity and develop user-centered solutions. 

This article will be part of a three-part series focused on concept testing. First, we’ll focus on planning out your concept testing. 

Form a clear plan

A successful concept test has a well-defined plan at its foundation from the start. At Viget, we work with clients to define what you want to learn, and who you want to learn from. 

Let’s imagine that you and your team are redesigning an online food delivery platform, and you have some new concepts that you want to test to see if they resonate with users.   

Focus on what you want to learn.

Start by defining research objectives. Think of these objectives as your north stars that will guide you and your team. You’ll use these for initial alignment, and then to frame what the prototype needs to do, and what feedback you really need.

You can create a strong set of objectives by asking:

  • What initially sparked the motivation to test?
  • Where do you have the most uncertainty about your concept?
  • What are the key things you need to know through testing?

Teams usually have a lot of questions, and feel pressure to answer all of them at once. Resist the pressure! Instead, focus on the most pressing and critical — it will allow you to dive deeper into the most important areas in a session. Otherwise, you may not have the depth you need to move forward when you finish the testing.

Let’s say you've developed new solutions that span the whole user journey of online food delivery. You could spend a whole research session asking questions that cover all that breadth, but you would get much more depth by focusing on one particular moment in the journey, like the online ordering experience.

Think about who you want to talk to (and be holistic).

If you aren’t intentional about who you test with, you can end up with feedback that may not be applicable. Ideally, you’re talking to existing customers or people who would use the website or product in the future. Look at behaviors, like whether they’ve used a competitor, or hold specific sentiments, when recruiting participants. Perhaps you’re trying to expand your audience for your new food delivery app, so you may want to talk to people who cook at home frequently as well. 

Don’t forget to think holistically. Consider every person who might interact with this solution, from beginning to end, and who might be affected by it. For your new app, you'll want to test with the diner, but your solutions may also affect the restaurant host/hostess, cooks and cashier’s workflows for example. So you may need to capture their perspectives. 

Opinions aren’t strong evidence.

You may gravitate towards seeking preferences or opinions about your concepts (i.e., “which concept is better?”). But rather than focusing on which concept users like most, it’s more important to uncover user behavior. Preference-centric concept testing won’t teach you about how someone might actually interact with this concept. 

For instance, you’ll learn much more about which new concepts for online food ordering are most beneficial to users if you ask about how they might use it in a scenario. Or even better, you actually have them interact with each one.   

Questions like the ones below will give you stronger indications of user behavior:

  • When was the last time you used [the competitor]?
  • How might this concept fit into your day to day?
  • How would you accomplish this task with the concept?

Avoid asking questions like “Which concept is better?” or “which one do you prefer?” Instead ask why one concept has advantages or disadvantages over another for a user, or how they actually envision it in their daily life. 

Even if the focus of the test is on preference (as is the case for branding or marketing research) it’s still helpful to dive deeper into what a user feels the design is communicating to them and why that prompts a specific reaction.


These key strategies that I’ve covered should get you a jump-start for successfully planning out your first concept test.

In the next article in the series, I'll dive into prototyping.




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Why the Cheapest Hourly Rate Often isn’t the Cheapest Option

When choosing an outsourcing partner for design and development, many decision-makers naturally start by comparing hourly rates. At first glance, it seems logical: a lower hourly rate means lower project costs, right?

The truth is, hourly rates can be a misleading metric. The actual cost of outsourcing is much more complex than the dollar amount tied to hourly rates. In this article, we’ll explore why focusing on hourly rates can obscure the true cost of a project and why it’s crucial to dig deeper when evaluating potential partners. I’ll end by suggesting a few things to focus on instead of or in addition to the hourly rate.

Efficiency vs. Hourly Rates

Imagine you have two outsourcing options for a specific task:

  • Pat: A developer who charges $100/hour and takes 3 hours to complete the task. 
  • Terry: A developer who charges $200/hour but only takes 2 hours to complete the same task.

Pat’s hourly rate is lower and Pat’s total cost looks cheaper. The total cost for Pat is $300, while for Terry, it's $400. But there's more at play than the hourly breakdown.

Terry may be faster because they are more skilled, experienced, or familiar with the problem. They produce a higher-quality output that might need little to no revision, while Pat may deliver work requiring additional oversight, rework, or fine-tuning.

This brings us to a crucial point: efficiency and expertise often outweigh raw hourly cost.

Hidden Costs of Oversight and Management

The cost of managing lower-cost teams can quickly add up. Inexperienced or less skilled developers often require more:

  • Guidance and supervision: You or your in-house team may have to spend significant time managing or directing work, which adds hidden costs to the project.
  • Rework and revisions: Less-experienced teams may not get it right the first time, and even small mistakes can snowball into major issues that need to be fixed later on.
  • Communication barriers: Some outsourcing teams might not be as effective in communicating progress or roadblocks, which can slow down the entire project and lead to missed deadlines.

Each of these factors chips away at the apparent "savings" from choosing a lower hourly rate.

Quality: The Long-Term Investment

Design and development work (insourced or outsourced) is an investment, not just a cost. High-quality work may come with a higher hourly rate, but the long-term savings are substantial:

  • Fewer bugs and technical debt: A more experienced development team will likely deliver better code, resulting in fewer bugs and long-term maintenance issues. A more experienced designer is more likely to think through and design for all edge cases, filling in all the gaps.
  • Faster delivery: A skilled team is often more familiar with best practices, frameworks, and tools that allow them to complete tasks efficiently.
  • Scalability: High-quality designers and developers think ahead and design systems that can scale with your needs, preventing costly future refactoring.

The Cost of "Cheap" Work

Sometimes, "cheap" work ends up being the most expensive in the long run. Lower-quality outsourcing might require you to:

  • Hire another team to fix or rebuild the work.
  • Delay product launches due to unanticipated project overruns.
  • Damage customer trust by releasing subpar products riddled with bugs or poor design.

In some cases, teams that seem "affordable" may not have the expertise to foresee potential pitfalls, which means costly issues arise later in the process.

Calculating the Total Cost of Ownership

To truly compare outsourcing options, decision-makers should consider the total cost of ownership (TCO), not just the hourly rate. TCO includes:

  • Efficiency: How quickly and effectively can the team complete the work?
  • Oversight: How much management and guidance will the team require?
  • Quality: Will the output meet your expectations, or will it need significant revisions or rework?
  • Maintenance: What will it cost to maintain or scale the system after the initial work is done?

A team with a higher hourly rate but lower total costs in these areas may be the more cost-effective choice in the long run. For a more complete example:

  • Pat: Your $100/hr developer completes a task in 3 hours ($300), requires 1 hour of oversight from an in-house Senior Developer ($150), and eventually needs to be refactored or rebuilt entirely ($1,000).
  • Terry: Your $200/hr developer completed a task in 2 hours ($400) based on a 10-minute overview from an in-house Senior Developer ($15), and makes an above-and-beyond measurable impact on page performance (priceless).

The best long-term investment becomes more clear when you consider all the variables. 

Conclusion: Think Beyond Hourly Rates

When investing in design or development, your goal should be to maximize ROI, not minimize hourly rates. When comparing outsourcing options, focus on the bigger picture—their efficiency, quality, and the hidden costs of oversight and management. Consider how your prospective partners measure up in terms of:

  • Results: can they point to clear results of their work in which they played some critical role?
  • References: would previous clients choose to hire them again (indicating they are worth their cost)?
  • Communication: do they respond quickly and with clarity?
  • Expertise: do they provide opinions and advice or are they simply order takers?
  • Relevance: is their prior experience directly relevant to your needs? 
  • If not, do they have a track record for navigating novelty well?

The right team might not always be the cheapest on paper, but they’ll deliver the greatest long-term value. Outsourcing isn’t about getting work done cheaply—it’s about getting it done right, and more often than not, the old mantra “you get what you pay for” holds.




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The Keys to Successful Concept Testing: Prototyping

This is part two of a three-part series on how to successfully conduct concept testing with users, focused on prototyping. Check out part one (planning) to learn more.
 

Prototype your concepts

Once a well-aligned research plan has been crafted, it’s time to create a prototype (or multiple) based on your concept. There are a plethora of ways you can create prototypes that communicate your concepts to users; I’ll cover strategies that will help spark meaningful reactions and conversation.

Provide context to ground your concept

We humans as a whole are poor predictors of our own future behaviors, so it’s really important that your concept testing simulates the future experience you’re trying to test. Ideally, you want to ground your concepts, so a participant can envision it in their own day-to-day. One of the best ways to do this is by building in context, whether into the prototype itself or in the way you actually test out the concepts.

You can ground a participant in what they would actually do by: 

  • Adding small contextual details into the prototype (e.g. the participant’s name or location). 
  • Providing the participant with a realistic scenario to frame the prototypes
  • Designing a certain scenario into the actual prototype (e.g. error messages appear in).  
  • Conducting the test in the actual or simulated environment where it will be used. 

Grounding a participant can make a difference in how someone interacts with your prototype. Let’s imagine you and your team are redesigning a part of an online food delivery platform for restaurants, specifically the parts that hosts and cashiers use. When you put your concept to the test, you can ground participants by “simulating” a lunch rush atmosphere (distractions, loud noises, etc).

Build real-ish prototypes

It might sound counterintuitive but you don’t need high-fidelity prototypes for concept testing. While high-fidelity prototypes may best simulate the future experience, that level of fidelity may not be feasible for a few reasons: 

  • You don’t have the time to create something at that level of detail or complexity before testing.
  • You don’t have the details fleshed out yet.
  • You want your users to help define these details with you. 

Low to mid-fidelity (or as I like to call “real-ish”) prototypes can still get you to the insights you need and even have some unexpected benefits. It’s easier for research participants to focus on overarching concepts when interacting with low-fidelity prototypes. Higher fidelity prototypes tend to invoke feedback hyper-focused on the details. With lower-fidelity, research participants are more likely to provide critical feedback on ideas, since they don’t seem as “final.” You can also leave out certain details in a low-fidelity concept, which allows you to brainstorm with participants.

Again, crafting context is a large part of building out an idea that starts to feel “real” enough for a user to invoke a response. Some examples of real-ish prototypes with just enough context include: 

  • Setting the stage with realistic scenarios for how and when research participants would reach out to an AI chat bot in a therapy app.
  • Creating initial wireframes for a ride-sharing app that research participants test out in a simulated car ride experience, to understand what info is most helpful at each moment on the ride.
  • Sending research participants “updates” on their food delivery order, to learn what participants might want to know about their order’s progress. 

Be selective about which concepts to show

You may have several concepts (or variations on a single concept) that you want to prototype out, and test through research. They may all feel exciting and important, but showing too many in one session can leave a research participant with decision fatigue. Even if you need to test multiple concepts to move forward, you don’t want to show every single one you’ve come up with.

Instead, you’ll want to be selective. One way to help you decide which concepts are best to test is by mapping them out on a matrix.

Let’s imagine again you and your team have generated multiple concepts for your food delivery app that aim to tempt users to order takeout more frequently. Perhaps some concepts focus on individualized recommendations, while other concepts show social trends. First, create a matrix that has extreme aspects of the concepts on each end and place them where you think they might belong. 

Then, ask yourself a few questions: 

  • Are there two concepts that are too similar to each other? 
  • Is this concept playing it too safe?

These kinds of concepts may not give you useful feedback because they’re not distinct enough or they’re too neutral over all. Instead, you’ll want to select concepts that are on the edges of your extremes. Those concepts will allow you to learn much more about your users and how they might interact with your concepts in the future.


These tips will help you craft prototypes that research participants can more easily and accurately react to. 

To end this series, I’ll discuss how to prepare for the actual testing in my next article.




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What Is The “.ACR” File Format?

This post: What Is The “.ACR” File Format? was first published on Beyond Photo Tips by Susheel Chandradhas

Recently while editing some images in Adobe Camera RAW (ACR), I noticed an additional, new, “.acr” sidecar file. In the past, I’ve written about the .XMP files that are created by Adobe Photoshop Lightroom Classic and Adobe Camera RAW when you edit raw images. This .ACR file was created in addition to the .XMP file, […]

This post: What Is The “.ACR” File Format? was first published on Beyond Photo Tips




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The Rise, And Fall, Of Adobe?

This post: The Rise, And Fall, Of Adobe? was first published on Beyond Photo Tips by Susheel Chandradhas

Many of us use Adobe tools regularly. I’ve used them since 1995, and I still do. But there was a time, a few years ago, when I was very frustrated with Adobe, and that I moved away from the Creative Cloud ecosystem. In the video coming up, Jazza explains why Adobe is so widely used […]

This post: The Rise, And Fall, Of Adobe? was first published on Beyond Photo Tips




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RIP a Livecast #643 – The Armorist

Rob, Sid and Darren kick off the show this week talking about what they like and dislike about Halloween. We have an update on Vince Neil, check with the Alec […]




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RIP A Livecast #650 – Splashing the Gooch

We kick things off talking about Warsteiner beer, and Rob recalls a notable part of his trip to Germany. Rob discusses a previous feature on the site, the Suicide Girl […]




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RIP a Livecast Bonus: The Matrix Resurrections Roundtable Discussion

As a special bonus, we have unlocked the first of two bonus episodes this month on the RIP a Livecast Patreon page, where we go through our thoughts on all […]




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RIP a Livecast #655 – This is the Hot Stuff with special guest Alex Skolnick

This will be the last episode of the Livecast posted to Metal Injection, get future episodes at ripalivecast.com Skoly-D himself, Alex Skolnick sits in with us to chat about our […]



  • RIP a Livecast

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The Psychology of Colour in Web Design: How to Influence Customer Perception

There are over 7000 languages spoken in the world today, and it’s constantly increasing. Without the help of translation tools, many of us would not be able to make friends or do business with people beyond our geographical borders due to language barriers. However, if there is one language everybody on this planet speaks fluently […]




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A Guide for Writing Brochures and Uploading Them to Your Website

Even though digital types of content have taken over the marketing landscape, brochures still hold an enduring relevance as a powerful communication device. These portable companions, often overlooked in the modern age, hold the potential to inform, inspire, and captivate, which is why they’re an indispensable asset for any business. Exploring the Evolving Role of […]




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The Apple TV 4K Device is a Deeply Flawed and Frustrating Product… for Me

About 12 years ago, in 2006, I had what at the time felt like the biggest technological change in my life. I switched from a PC to my first MacBook Pro. Switching computer operating systems at the time seemed like a massive chasm to overcome, but I did it and I’m glad I did. My …




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Chooch’s Branding Embraces Authenticity Through Playful Imperfection

Chooch’s Branding Embraces Authenticity Through Playful Imperfection

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Discover how amStudio’s branding and visual identity of Chooch captures authentic, handmade aesthetics for fashion accessories.

Chooch, formerly known as Flat Fifteen, has redefined its brand to better reflect its founder Francesca Kappo’s evolving vision. With the guidance of amStudio, this rebrand has transformed the brand’s identity from a broad handmade focus to one that is solely centered around fashion accessories. Chooch stands out with its playful name, unique backstory, and brand elements that weave together storytelling, imperfection, and tactile aesthetics.

The Meaning Behind “Chooch”

The rebranding from Flat Fifteen to Chooch came as Francesca Kappo shifted her focus. The name “Chooch” is personal, rooted in a nickname given to Francesca by her uncle. He also played a foundational role in the brand’s beginnings, supplying her first batch of deadstock fabrics from his 1990s fashion label. These fabrics continue to be a vital part of Chooch’s accessory designs today, emphasizing the brand’s commitment to sustainability and storytelling.

The name itself is more than just a rebranding—it’s a celebration of heritage and identity. Short, memorable, and fun to say, “Chooch” captures the playful spirit of the brand. As Alam Mohammed, founder of amStudio, notes, the name’s flexibility in pronunciation makes it a warm, approachable identity that consumers can connect with personally. This idea carried over to the logo design, where the doubled O’s have a playful, imperfect alignment, mirroring the brand’s handmade ethos.

Playful Imperfection: The Brand Identity

Alam Mohammed and his team at amStudio developed a brand identity for Chooch that prioritizes authenticity. Hand-painted illustrations are central to this, appearing across the brand’s packaging, website, and social media. This choice keeps the look grounded, tactile, and relatable, evoking the feel of handmade fashion. By maintaining this aesthetic, the brand sets itself apart in a market often dominated by hyper-polished digital imagery.

The branding extends beyond static visuals. Chooch’s social media and marketing leverage stop-motion animations, adding a dynamic yet still homemade feel. This use of motion emphasizes the brand’s accessible nature, where every element ties back to the concept of imperfection being perfectly beautiful. The stop-motion clips give life to the fashion accessories, highlighting the fun and creativity behind each product.

Chooch’s narrative goes deeper than playful design. By continuing to use deadstock fabrics, Francesca Kappo honors her roots and commits to a more sustainable future. The tactile branding elements mirror this philosophy, creating a seamless experience from the physical product to the digital space. The history of the materials and the personal touch behind the brand make each accessory more than just a fashion statement—they become a story in themselves.

The rebranding also came with strategic moves to elevate Chooch’s market presence. The bags are now featured at the Victoria and Albert Museum’s shop as part of the first-ever Naomi Campbell exhibition. This collaboration has not only introduced the brand to a wider audience but also solidified its standing as a contemporary, fashion-forward label. The exhibition has boosted Chooch’s brand awareness and increased its social media following, translating to more sales and a growing fan base.

The Chooch rebrand exemplifies a growing trend: the embrace of imperfection in design. By favoring hand-drawn illustrations, irregular alignments, and a conversational tone, amStudio has given the brand an inviting, human feel. This approach rejects the overly polished and instead celebrates the beauty of the handmade. It’s a move that resonates well in today’s world, where consumers value authenticity and transparency.

Chooch’s rebranding is a masterclass in how thoughtful design can reflect a brand’s core values. From its name rooted in personal history to its playful logo and tactile illustrations, Chooch stays true to its story. Alam Mohammed and the amStudio team have created a brand identity that isn’t just about looking good—it’s about feeling real, celebrating imperfections, and staying connected to tradition. As Chooch grows, its story continues to inspire, reminding us that the imperfect is often the most perfect of all.

Branding and visual identity artifacts




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Graphic Hunters: Pushing the Boundaries of Sports Visual Identity

Graphic Hunters: Pushing the Boundaries of Sports Visual Identity

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Explore how Graphic Hunters’ visual identity redefines sports branding through innovative design inspired by fashion and art.

Graphic Hunters, a Dutch studio dedicated to sports branding, isn’t playing by the typical design rulebook. Instead, their newly crafted visual identity steps outside the confines of traditional sports aesthetics, introducing elements drawn from fashion and high design. The result is a high-impact, versatile identity that positions Graphic Hunters as a creative club worth joining—whether as a client or a collaborator.

A New Playbook for Sports Branding

At the heart of Graphic Hunters’ approach is the idea that the sports industry deserves a more refined and exclusive visual experience. This belief is woven into every part of their branding, which Monga Design and Vogau led with a clear vision. The goal was to create a system that balances functionality with creative exploration, breaking conventions while still delivering practical, adaptable solutions for various applications.

This innovative take on visual identity isn’t just about aesthetics; it’s a strategy aimed at redefining the brand’s place in the market. Graphic Hunters has always described itself as a team hungry for new challenges, and now, their brand identity reflects that spirit. The new look aims to make the studio stand out in the sports arena and beyond, appealing to clients and team members who value originality and impact.

Graphic Hunters’ identity combines familiar elements from the sports world—like motion and heat—with unexpected treatments. The design team drew inspiration from fashion and abstract art to create a visual language that transcends typical sports branding. This cross-pollination of ideas manifests in several core elements:

1. Typographic Experimentation: Instead of relying on traditional sports typefaces, the team played with a variety of fonts that feel bold and contemporary. Typography serves as both structure and disruption, bringing energy to each layout.

2. Photographic Treatments: The identity includes photographs that have been creatively manipulated, breaking up the grid and adding an element of surprise. This technique turns static images into dynamic design features, echoing the constant motion of sports.

3. Grid System and Stickers: To keep the brand’s applications cohesive yet flexible, a structured grid underpins the design. However, this is cleverly offset by playful elements like stickers and graphical interventions, which keep the brand feeling fresh and exciting.

One of the biggest challenges was making the visual system adaptable yet creatively open. Sports branding often leans into themes of power and motion, but Graphic Hunters wanted to do more. The result is a brand that’s equally at home on a team jersey or a digital campaign, seamlessly moving between refined, impactful moments and bold, playful expressions. This adaptability speaks to the studio’s ethos of being a “creative club,” where everyone is encouraged to push the boundaries.

Another essential aspect was research. The design team explored references beyond the sports realm, looking at high fashion and experimental graphic design. This broader inspiration palette allowed Graphic Hunters to create something genuinely unique for the industry. The identity’s experimental typography and abstract motifs capture the feeling of heat and energy—core elements of sports—while grounding them in a sophisticated design language.

Elevating Sports Design Beyond the Field

By combining these unexpected references with a strong foundation of sports elements, Graphic Hunters has crafted a visual identity that is both striking and functional. It stands as a testament to the idea that sports design can be more than bold fonts and action shots. It can be a narrative of innovation and exclusivity, appealing to an audience that appreciates both the adrenaline of sports and the sophistication of high design.

Graphic Hunters’ reimagined branding proves that sports-focused design can be just as experimental and refined as any high-fashion brand. It’s a visual identity that elevates the sports studio into a space where design meets performance, art meets action, and innovation becomes the new norm. As the brand continues to grow, this identity will serve as a powerful statement of their ambition: to bring high-impact, original design to the world of sports, one project at a time.

Branding and visual identity artifacts

Credits

  • Authors: Monga DesignVogau and Clint Studio
  • Visual identity: Monga Design (Mateus Yuzo, Michel Refatti) and Vogau (Carlos Eduardo Marin, Gabriela Colebrusco Peres)
  • Motion: Clint Studio (Bruno Vitalino, Danilo Coelho, Gustavo Brazzalle, Lucas José Galego, Luciano Burger




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