Coronavirus prompted an emergency operation to house rough sleepers in Travelodges and Holiday Inns. In many ways it has been a success – but what happens next?

To begin with, Clare Sutcliffe found the shift from sleeping in a doorway in Soho to a king-size bed in a central-London hotel very disorientating. After 15 months sleeping rough, she found it hard to relax and really believe she was in a safe space.

“The first couple of nights, I couldn’t sleep with the light off,” she says. “This might sound mad, but I was a bit scared. It was different; when you’re used to sleeping out in the open outside and then all of a sudden you’re in a bed, in a room, with a door that shuts.” When she arrived at the hotel five weeks ago, she was a skeletal six-and-a-half stone; since then, with three meals delivered to her room every day, her health has begun to improve.

(Atlantic)
The singer whose personal life has become a public spectacle drowns out the noise with these bold yet subtle R&B tracks

By anyone’s standards, Kehlani Parrish has experienced a pretty tumultuous rise to fame. She pulled off the not-inconsiderable feat of emerging from a TV talent show with her musical credibility intact. While still a teenager, her cover band PopLyfe reached the final of America’s Got Talent – on YouTube you can still see her belting out We Will Rock You for the edification of Piers Morgan – but when they failed to win, she quit the band, declined an offer from the show’s host Nick Cannon to join a rap group he was assembling and rescued herself from a life of penury by releasing her own mixtape.

In the UK and Ireland, Samaritans can be contacted on 116 123 or email jo@samaritans.org or jo@samaritans.ie. In the US, the National Suicide Prevention Lifeline is 1-800-273-8255. In Australia, the crisis support service Lifeline is 13 11 14. Other international helplines can be found at www.befrienders.org.

For his latest drama, Corneliu Porumboiu revived a language unique to the valleys of La Gomera in the Canary Islands; a steep learning curve for his actors – and our writer

Try to imagine the least film-noir scene possible and you might come up with a group of five-year-olds learning to whistle. It is late morning, pre-lockdown, in a classroom at Nereida Díaz Abreu school on La Gomera in the Canary Islands, and the teacher – a bent knuckle crammed in his mouth – is relaying instructions in a piercing, swooping, set of whistles. The kids look quizzically skywards, then collapse in hysterics, although most eventually nail it.

“Touch your left ear with your right hand,” the teacher reiterates in Spanish.

Related: The Whistlers (La Gomera) review – thrilling Romanian corrupt-cop noir

We say to the kids: when you go to Tenerife and say you’re from La Gomera, people will ask you if you can whistle

Grigory Sokolov
(Deutsche Grammophon, 2 CDs, 1 DVD)
He last gave a concert in the UK in 2007, so any opportunity to hear one of the world’s finest pianists is welcome, though this is uneven

For over a decade now, the British government’s stringent visa requirements for visiting musicians from outside the EU have ensured that Grigory Sokolov has not played in Britain. The Russian gave his last recitals here in 2007, and as he no longer performs concertos, and shuns studio recordings, opportunities to hear a pianist who many regard as one of the finest alive today get fewer by the year. This compilation at least brings us more or less up to date, with performances taken from recitals that Sokolov gave in 2019 in Zaragoza, Wuppertal and in the Tyrolean village of Rabbi, where the great Italian pianist Arturo Benedetti Michelangeli had a house, and where a festival is now held in his memory.

Her freaky, filthy tracks frequently break the internet – most recently with a guest spot from Beyoncé – but the Houston rapper won’t let the internet break her

• ‘We do what we want, for ourselves’: why it’s a golden age for women in rap

Given that her lyrical prowess has made her one of the hottest rappers in the US, it’s hardly surprising that Megan Thee Stallion is good at anecdotes. We’re talking over Zoom – Megan looking impeccably high-glam, worthy of a Real Housewives reunion – as she regales me with how she ended up recording a remix with her idol.

“I got a call: Beyoncé wants to do a remix to Savage,” she says, shaking her head with disbelief. “And I was like ... what? Shut up. Shut up. You’re lying. Beyoncé don’t want to get on nothing with me. Come on, it’s me! I know I’m Megan Thee Stallion, but dang!”

I can’t be mad at the next girl for wanting to be the best. Why can't we both agree that we bad?

(New Deal)
With his fourth solo album the acclaimed producer faces down the confusion of modern life with intoxicating calm

Blake Mills has picked up Grammy nominations for his production work on Laura Marling’s Semper Femina, John Legend’s Darkness and Light and Perfume Genius’s No Shape. However, the fourth solo album by the 33-year old Californian former touring guitarist should turn the spotlight towards his own work. Mutable Set is intended as a “soundtrack to the emotional dissonance of modern life”. Themes range from precious people and experiences to disappointment and isolation, though this isn’t conventional singer-songwriter fare.

(Air Texture)
Shuffling Mestizo melodies meet eerie techno in this stellar compilation taken from Ecuador’s pulsating club scene

While most would name Colombia as the home of South America’s forward-thinking club scene, neighbouring Ecuador has quietly been carving out its own dancefloor identity in recent years. The country has produced breakout talents such as DJ Nicola Cruz and home-grown labels like ZZK and Wonderwheel Recordings, operating under the social restrictions of a largely Catholic state and in the midst of devastating austerity measures. Most of its key players reside in Quito, and bring together a community at the capital’s inclusive nights, including Cruz’s La Sagraria.

Often marked by downtempo, undulating house rhythms and samples of Andean pan flutes and instruments such as the lute-like charango, their output is organic-sounding. Yet Place: Ecuador, a new charity compilation, showcases a grittier and more kinetic side to the scene. It’s the fourth release in New York label Air Texture’s location-specific charity series (previous editions have covered Georgia, Colombia and the Netherlands), benefiting the indigenous Waorani people’s legal battles against the Ecuadorian government’s sale of their land for mineral rights.

I have always maintained a professional relationship with my two female lodgers but spending more time together recently led to a lapse in judgment

I share my house with two female lodgers. We’re all single at the moment but we have always maintained a professional relationship with each other. In the current circumstances, we are obviously spending more time together. The other week, the inevitable happened. After a few drinks, I ended up getting intimate with one of them on the sofa. The following day, she didn’t bat an eyelid but we agreed to put it down to too many beers.

The thing is, I now see her in a new light. She is 20 years younger than me and I find her sexually attractive. I’m struggling to keep that line drawn. We still have a great relationship, sharing drinks and a chinwag, but I feel different. Should I tell her how I feel and run the risk of everything going pear-shaped?

People who love boozers always said it was the atmosphere, not the alcohol, that attracted them. The lockdown has proved us right

Some forgotten heroes – or mistreated victims, if you prefer – of the coronavirus outbreak are pubs. People who love pubs always said it was the atmosphere, not the alcohol, and people who didn’t love them thought we were just spinning them a line. Now we have proof, because we are drinking as much as we ever did and yet we complain almost constantly.

That debate has ended, anyway, because the people who miss pubs now talk only to each other. We start off complaining about the pub, then segue, almost shyly, into: “Are you managing to drink quite a lot?” “Jesus Christ, you should see the state of my recycling bin. It only got collected two days ago. Today I had to climb into it to compress the cans with my body weight.” “I actually can’t carry as much beer as I want to drink,” said one friend. “One night, I ended up buying a bottle of gin.”

Zoe Williams is a Guardian columnist