The following is an interesting extract from Straw Dogs by John Gray (pp. 109–116) discussing some of the differences between Western and Taoist philosophical traditions.

The fetish of choice

For us, nothing is more important than to live as we choose. This is not because we value freedom more than people did in earlier times. It is because we have identified the good life with the chosen life.

For the pre-Socratic Greeks, the fact that our lives are framed by limits was what makes us human. Being born a mortal, in a given place and time, strong or weak, swift or slow, brave or cowardly, beautiful or ugly, suffering tragedy or being spared it – these features of our lives are given to us, they cannot be chosen. If the Greeks could have imagined a life without them, they could not have recognised it as that of a human being.

The ancient Greeks were right. The ideal of the chosen life does not square with how we live. We are not authors of our lives; we are not even part-authors of the events that mark us most deeply. Nearly everything that is most important in our lives is unchosen. The time and place we are born, our parents, the first language we speak – these are chance, not choice. It is the casual drift of things that shapes our most fateful relationships. The life of each of us is a chapter of accidents.

Personal autonomy is the work of our imagination, not the way we live. Yet we have been thrown into a time in which everything is provisional. New technologies alter our lives daily. The traditions of the past cannot be retrieved. At the same time we have little idea of what the future will bring. We are forced to live as if we were free.

The cult of choice reflects the fact that we must improvise our lives. That we cannot do otherwise is a mark of our unfreedom. Choice has become a fetish; but the mark of a fetish is that it is unchosen.

Animal virtues

The dominant Western view…teaches that humans are unlike other animals, which simply respond to the situations in which they find themselves. We can scrutinise our motives and impulses; we can know why we act as we do. By becoming ever more self-aware, we can approach a point at which our actions are the results of our choices. When we are fully conscious, everything we do will be done for reasons we can know. At that point, we will be authors of our lives.

This may seem fantastical, and so it is. Yet it is what we are taught by Socrates, Aristotle and Plato, Descartes, Spinoza and Marx. For all of them, consciousness is our very essence, and the good life means living as a fully conscious individual.

…

Western thought is fixated on the gap between what is and what ought to be. But in everyday life we do not scan our options beforehand, then enact the one that is best. We simply deal with whatever is at hand. …Different people follow different customs; but in acting without intention, we are not simply following habit. Intentionless acts occur in all sorts of situations, including those we have never come across before.

Outside the Western tradition, the Taoists of ancient China saw no gap between is and ought. Right action was whatever comes from a clear view of the situation. They did not follow moralists – in their day, Confucians – in wanting to fetter human beings with rules or principles. For Taoists, the good life is only the natural life lived skillfully. It has no particular purpose. It has nothing to do with the will, and it does not consist in trying to realise any ideal. Everything we do can be done more or less well; but if we act well it is not because we translate our intentions into deeds. It is because we deal skillfully with whatever needs to be done. The good life means living according to our natures and circumstances. There is nothing that says that it is bound to be the same for everybody, or that it must conform with ‘morality’.

In Taoist thought, the good life comes spontaneously; but spontaneity is far from simply acting on the impulses that occur to us. In Western traditions such as Romanticism, spontaneity is linked with subjectively. In Taoism it means acting dispassionately, on the basis of an objective view of the situation at hand. The common man cannot see things objectively, because his mind is clouded by anxiety about achieving his goals. Seeing clearly means not projecting our goals into the world; acting spontaneously means acting according to the needs of the situation. Western moralists will ask what is the purpose of such action, but for Taoists the good life has no purpose. It is like swimming in a whirlpool, responding to the currents as they come and go. ‘I enter with the inflow, and emerge with the outflow, follow the Way of the water, and do not impose my selfishness upon it. This is how I stay afloat in it,’ says the Chuang-Tzu.

In this view, ethics is simply a practical skill, like fishing or swimming. The core of ethics is not choice or conscious awareness, but the knack of knowing what to do. It is a skill that comes with practice and an empty mind. A.C. Graham explains:

The Taoist relaxes the body, calms the mind, loosens the grip of categories made habitual by naming, frees the current of thought for more fluid differentiations and assimilations, and instead of pondering choices lets the problems solve themselves as inclination spontaneously finds its own direction. …He does not have to make decisions based on standards of good and bad because, granted only that enlightenment is better than ignorance, it is self-evident that among spontaneous inclinations the one prevailing in the greatest clarity of mind, other things being equal, will be best, the one in accord with the Way.

Few humans beings have the knack of living well. Observing this, the Taoists looked to other animals as their guides to the good life. Animals in the wild know how to live, they do not need to think or choose. It is only when they are fettered by humans that they cease to live naturally.

As the Chuang-Tzu puts it, horses, when they live wild, eat grass and drink water; when they are content, they entwine their necks and rub each other. When angry, they turn their backs on each other and kick out. This is what horses know. But if harnessed together and lined up under constraints, they know how to look sideways and to arch their necks, to career around and try to spit out the bit and rid themselves of the reins.

For people in thrall to ‘morality’ , the good life means perpetual striving. For Taoists it means living effortlessly, according to our natures. The freest human being is not the one who acts on reasons he has chosen for himself, but one who never has to choose. Rather than agonising over alternatives, he responds effortlessly to situations as they arise. He lives not as he chooses but as he must. Such a human has the perfect freedom of a wild animal – or a machine. As the Lieh-Tzu says: ‘The highest man at rest is as though dead, in movement is like a machine. He knows neither why he is at rest nor why he is not, why he is in movement nor why he is not.’

The idea that freedom means becoming like a wild animal or machine is offensive to Western religious and humanist prejudices, but it is consistent with the most advanced scientific knowledge. A.C. Graham explains:

Taoism coincides with the scientific worldview at just those points where the latter most disturbs westerners rooted in the Christian tradition – the littleness of man in a vast universe; the inhuman Tao which all things follow, without purpose and indifferent to human needs; the transience of life, the impossibility of knowing what comes after death; unending change in which the possibility of progress is not even conceived; the relativity of values; a fatalism very close to determinism; even a suggestion that the human organism operates like a machine.

Autonomy means acting on reasons I have chosen; but the lesson of cognitive science is that there is no self to do the choosing. We are far more like machines and wild animals than we imagine. But we cannot attain the amoral selflessness of wild animals, or the choiceless automatism of machines. Perhaps we can learn to live more lightly, less burdened by morality. We cannot return to a purely spontaneous existence.

Using within-page links presses the jumped-to content right at the very top of the viewport. This can be a problem when using a fixed header. With a bit of hackery, there are some CSS methods to insert space between the top of the viewport and the target element within a page.

Demo: Jump links and viewport positioning

Known support: varies depending on method used.

This experiment is the result of a post Chris Coyier made on Forrst. Chris’ method was to add an empty span element to the target element, shift the id attribute onto the span, and then absolutely position the span somewhere above it’s parent element.

That method works but it requires changes to the HTML. The comments on Chris’ post suggested the use of psuedo-elements or padding. This experiment expands on, and combines, some of those suggestions to show the limitations of each method and document their browser support.

Simplest method

If you need to jump to an element with simple styling then using the :before pseudo-element is a quick and simple approach.

#target:before {
   content: "";
   display: block;
   height: 50px;
   margin: -30px 0 0;
}

The drawbacks are that it requires browser support for pseudo-elements and it will fail if the target element has a background colour, a repeated background image, padding-top, or border-top as part of its rule set.

More robust method

The more robust method uses a transparent border, negative margin, and the background-clip property. If a top border is required then it can be mimicked using a pseudo-element, as described in Multiple Backgrounds and Borders with CSS 2.1.

#target {
   position: relative;
   border-top: 52px solid transparent;
   margin: -30px 0 0;
   -webkit-background-clip: padding-box;
   -moz-background-clip: padding;
   background-clip: padding-box;
}

#target:before {
   content: "";
   position: absolute;
   top: -2px;
   left: 0;
   right: 0;
   border-top: 2px solid #ccc;
}

There are still drawbacks: it requires browser support for background-clip if there is a background color, gradient, or repeating image set on the target element; it requires browser support for pseudo-elements and their positioning if a top border is desired; and it interferes with the standard use of margins.

To see these methods in action – as well as more details on the code, browser support, and drawbacks – have a look at the demo page. Please let me know if you know of better techniques.

Future CSS implementations should allow for some form of responsive images via CSS alone. This is an early idea for how that might be done. However, a significant drawback is that it would not prevent both “mobile optimised” and larger size images from being requested at larger screen resolutions.

Note that the CSS presented here is not supported in any browsers at the time of writing.

This method relies on the use of @media queries, CSS3 generated content, and the CSS3 extension to the attr() function.

The principles are basically the same as those underpinning Filament Group’s work on Responsive Images. The source image is “mobile optimised” and the urls of larger size images are included using HTML data-* attributes.

<img src="image.jpg"
     data-src-600px="image-600px.jpg"
     data-src-800px="image-800px.jpg"
     alt="">

Using CSS @media queries you can target devices above certain widths. Within each media query block, images with larger alternatives can be targeted using an attribute selector.

CSS3 generated content allows you to replace the content of any element using the content property. At the moment, only Opera 10+ supports it. In CSS 2.1, the content property is limited to use with the :before and :after pseudo-elements.

By combining the content property with the CSS3 extension to attr(), you will be able to specify that an attribute’s value is interpreted as the URL part of a url() expression. In this case, it means you will be able to replace an image’s content with the image found at the destination URL stored in a custom HTML data-* attribute.

@media (min-device-width:600px) {
  img[data-src-600px] {
    content: attr(data-src-600px, url);
  }
}

@media (min-device-width:800px) {
  img[data-src-800px] {
    content: attr(data-src-800px, url);
  }
}

Fork the Gist

Issues

Unfortunately, there are a number of issues with this technique.

1. It doesn’t prevent multiple assets being downloaded at larger screen widths because network activity kicks in before CSS is applied. That means, for example, that desktop environments would make 2 HTTP requests for an image and have to load more assets than if they had been served only the larger image in the source.
2. It makes the assumption that wider screens are tied to better internet connections.
3. It forces authors to create and maintain multiple image sizes for each image.
4. At present, using the context menu (or drag and drop) to copy the image will result in the source file being copied and not the replacement image.
5. It doesn’t account for devices with different pixel densities.

I’ve started using a backup strategy based on that originally described by Jamie Zawinski and subsequently covered in Jeff Atwood’s What’s your backup strategy? article. It works by incrementally backing up your data to a bootable clone of your computer’s internal drive, in order to replace the internal drive when it fails.

This script is maintained in my dotfiles repo. Please report problems or improvements in the issue tracker.

This post is mainly to document – for myself as much as anything – the process I went through in order to implement an incremental backup strategy in OS X 10.6+. Use at your own risk. Feel free to suggest improvements if you know of any.

Formatting and partitioning the drive

With your backup drive in its enclosure, connect the drive to your Mac and open the Disk Utility application.

1. Click on the disk’s name. This should bring up a “Partition” tab in the right panel.
2. Click on the “Partition” tab.
3. Under “Volume scheme” select the number of partitions you need. Probably “1 partition” if it is to match your internal disk.
4. Under “Name” enter the volume name you want to use, e.g., “Backup”.
5. Under “Format” select “Mac OS X Extended (Journaled)”, which is necessary if the disk is to be bootable.
6. Click “Options” and check that “GUID Partition Table” is selected.
7. Click “Apply”.

This will format and partition the disk. The partition(s) should now show up in the Finder and on the Desktop.

Enable ownership permissions

The new partition needs permissions to be enabled to avoid chown errors when using rsync. To do this, select the partition and view its information page (using “Get Info” or Command+I). Expand the “Ownership & Permissions” section and uncheck “Ignore ownership on this volume”

Backup script

The backup script uses rsync – a fast and versatile file copying tool – to manage the copying and moving of data between volumes. You need to install rsync 3 (this is easily done using Homebrew: brew install https://raw.github.com/Homebrew/homebrew-dupes/master/rsync.rb). Rsync offers a wide variety of options and only copies the differences between the source files and the existing files in the destination, making it ideal for incremental backups. You can find out more about rsync in the rsync documentation

The following is the contents of a script I’ve named backup. I’m using it to backup all of the data on my internal disk, with a specified set of exceptions contained within a file called .backupignore.

#!/bin/bash

# Disc backup script
# Requires rsync 3

# Ask for the administrator password upfront
sudo -v

# IMPORTANT: Make sure you update the `DST` variable to match the name of the
# destination backup drive

DST="/Volumes/Macintosh HD/"
SRC="/"
EXCLUDE="$HOME/.backupignore"

PROG=$0

# --acls                   update the destination ACLs to be the same as the source ACLs
# --archive                turn on archive mode (recursive copy + retain attributes)
# --delete                 delete any files that have been deleted locally
# --delete-excluded        delete any files (on DST) that are part of the list of excluded files
# --exclude-from           reference a list of files to exclude
# --hard-links             preserve hard-links
# --one-file-system        don't cross device boundaries (ignore mounted volumes)
# --sparse                 handle sparse files efficiently
# --verbose                increase verbosity
# --xattrs                 update the remote extended attributes to be the same as the local ones

if [ ! -r "$SRC" ]; then
    logger -t $PROG "Source $SRC not readable - Cannot start the sync process"
    exit;
fi

if [ ! -w "$DST" ]; then
    logger -t $PROG "Destination $DST not writeable - Cannot start the sync process"
    exit;
fi

logger -t $PROG "Start rsync"

sudo rsync --acls 
           --archive 
           --delete 
           --delete-excluded 
           --exclude-from=$EXCLUDE 
           --hard-links 
           --one-file-system 
           --sparse 
           --verbose 
           --xattrs 
           "$SRC" "$DST"

logger -t $PROG "End rsync"

# Make the backup bootable
sudo bless -folder "$DST"/System/Library/CoreServices

exit 0

Adapted from the rsync script at Automated OSX backups with launchd and rsync

This is the contents of the .backupignore file.

.Spotlight-*/
.Trashes
/afs/*
/automount/*
/cores/*
/dev/*
/Network/*
/private/tmp/*
/private/var/run/*
/private/var/spool/postfix/*
/private/var/vm/*
/Previous Systems.localized
/tmp/*
/Volumes/*
*/.Trash

Adapted from the excludes file at Automated OSX backups with launchd and rsync

Every time the script runs, messages will be written to the system log.

Check that the source (SRC) and destination (DST) paths in the script are correct and match the volume name that you chose when partitioning the disk. Wrapping the $SRC and $DST variables in double quotes ensures that the script will work even if your volume names contain spaces (e.g. “Macintosh Backup”).

The command option --exclude-from tells the script where to find the file containing the exclude patterns. Make sure you either have .backupignore in the home directory or that you update this part of the command to reference the full path of the excludes file.

Running the backup script

You can run the script from the command line, or make it executable from the Finder or the Desktop:

1. Type the following into the command line to ensure that you have permission to execute the script:

   chmod +x /path/to/rsync_backup.sh
   

2. Remove the .sh extension from the script.

3. Create an alias of the script and move it to the Desktop.
4. Double click the icon to run the backup script.

It’s important to run the script regularly in order to keep the backup in sync with your internal disk. If you have a desktop computer, or you never turn off your laptop, you can automate the running of the script by setting up a cron job.

Checking the disk is bootable

Once you’ve run the backup script, you should test that the backup disk is bootable. To do this, restart your computer and hold down the Alt/Option key. Your backup disk should be presented, with the volume name you chose, as a bootable disk.

When I first booted my backup, the terminal displayed the following line:

dyld: shared cached file was build against a different libSystem.dylib, ignoring cache

According to this article, the fix for this is to update the cache by entering the following into the terminal:

sudo update_dyld_shared_cache -force

That should be everything you need to start implementing an incremental backup strategy when using OS X.

I recently moved from London to San Francisco to work at Twitter, as a Software Engineer. This is a rough guide – in the spirit of @chanian’s tutorial for Canadians – based on my experience of relocating, the mistakes I made along the way, and some information I wish I’d had. Use it at your own risk – don’t assume any legal truths; research things for yourself before making decisions!

I’m not going to cover anything about the US visa process. The company that has offered you employment in the US is likely to work with immigration lawyers who will handle (or guide you through) the visa application and processing. I’m also going to assume that your employer is providing temporary accommodation or that you are organising your own (e.g., via Airbnb) while you search for an apartment. Most of this article relates to things you will need to do once you arrive in San Francisco and soon after, but that you should spend some time thinking about beforehand.

Get a phone

You’ll need a US mobile/cell number pretty quickly, especially if you’re apartment-hunting.

The US telecom market isn’t great and will leave you nostalgic for the halcyon days of the EU-regulated, pro-consumer market you’ve left behind. For example, it’s now illegal to unlock a phone from a carrier unless you have that carrier’s permission to do so. Furthermore, if you do get a phone from a carrier (as part of your contract deal), you should be aware of whether or not you will be locked into a proprietary network, like Verison’s CDMA. Without a US credit history, you should expect to pay a sizable deposit when entering into a contract.

One way to reduce the cost of a phone contract is to bring your own phone to the party. If you bring a phone from the UK, make sure to check that your charger will work on US voltage. With an unlocked, GSM-supporting phone you can look to carriers like T-Mobile who offer various “value” and no-annual-contract plans. These prices are significantly cheaper because they don’t subsidise the purchase of a new phone. You’re likely to find “unlimited” data plans easier to come by than they are in the UK.

You’re shit-out-of-luck if you’re thinking you’d prefer a European-style pay-as-you-go (PAYG) approach. The options are thin on the ground. Any airtime you buy means just that – any time you spend talking or texting – so you pay to send and receive calls or SMS’s. My experience suggests that some networks recycle phone numbers or sell on your details. I still receive random texts addressed to previous owners of my phone number, and get messages from marketing companies who have miraculously acquired my personal details, an irritation that is compounded by the fact that it costs you money to be harassed.

If you’re determined to go the PAYG route, the nearest US equivalent is probably AT&T’s GoPhone SIM or Net10. You’ll have to purchase a phone and credit up front; top ups can be purchased in store, at some supermarkets, or done over the phone. This may also be the first time you encounter the US concept of a “restocking fee” – a method of dissuading you from returning items by charging you to do so. The restocking fee for the burner phone I first purchased was almost as much as the phone itself.

Open a bank account, transfer money

Make this a top priority. You should open a bank account as soon as you arrive in the US, especially as some banks will initially let you do so without a Social Security Number or permanent address.

Until you open a US bank account, you’ll be haemorrhaging money on fees levied by your UK bank for dollar transactions, and subject to poor exchange rates.

Choose a bank

San Francisco has a large range of different bank brands to choose from, but you’re probably best sticking to the big name banks that have branches and ATMs throughout the city, such as Bank of America, Chase, or Wells Fargo. There are co-ops and niche services if that’s your thing. Be sure to do some preparatory research on which bank is best suited to your needs. It’s also worth checking if your bank in the UK has a reciprocal agreement with any bank operating in San Francisco; it may cut down the cost of moving your money. Friends recommended going with either Bank of America or Chase. I went with Bank of America, where the customer service was personal and friendly.

Banking fees are a matter of course in the US. In contrast to the UK, you’ll almost certainly be charged for withdrawing money from any ATMs that aren’t owned by your bank. You have to buy cheque books (“check” in American English) and pay a fee to transfer your money to accounts outside your bank. Accounts usually involve a monthly fee, although this is waived in certain situations, such as setting up your salary to be directly deposited. Expect to set up a current (“checking”) and savings account, and to be asked to make a minimum cash deposit to complete the process (at Bank of America it was $100).

Once you’re all set up, your debit card will be sent in the post – so make sure you’ll be at that address for at least another week. In the meantime you may get a temporary cash card to get at what you’ve already deposited. Even if you transfer more money in, your bank can limit the amount you can withdraw within the first 30 days of the account being open – presumably to combat fraud/laundering.

Transfer money

It’s essential that you transfer money from your UK bank as soon as possible. There are many factors to consider when calculating how much money you want to transfer.

• You may enter the US up to 10 days before your visa is valid and you can start work.
• You need money for food, transport, going out, a phone (and deposit), apartment applications, an apartment deposit, buying furniture, etc.
• You might not be able to get paid until you have a Social Security Number.
• You’re unlikely to get paid until the middle or end of the month you start working.
• You’re very likely to get your first pay cheque given to you as a real cheque; your bank is then likely to withhold the vast majority of the cheque’s value for up to 28 days.
• It will cost you several thousand dollars – a deposit and at least one month of rent – to secure an apartment. In general, landlords will not accept a UK banking cheque.
• You’ll have to buy furniture and general household items if you aren’t shipping any from the UK.

All in all, this means you may end up without any significant US-earned money in your account for 30-45 days while making some of the biggest expenses you’re likely to have made for a while.

Transferring money to a US bank account can be done online via wire transfer between banks. Unfortunately, my bank in the UK – Santander – didn’t allow online wire transfers so I had to look for alternatives. You may want to research this prior to leaving the UK!

The Post Office provide a simple, secure, and fee-free service, but a poorer exchange rate. Looking around, I came across Currencyfair – a peer-to-peer currency exchange service. They provide online quotes without the need to sign up, they were very prompt and helpful in their replies to questions I had, and the exchange rate was very good. Overall, I saved quite a bit of money and I’d rely on them in the future.

Get a Clipper card

The Clipper card is San Francisco’s equivalent of London’s Oyster card. Getting one will take some of the pain out of using the various modes of public transport in San Francisco. You can get a Clipper card online and I’d suggest setting up “Autoload” (you’ll need a bank account) to get the card for free and never worry about remembering to top up your credit. Alternatively, you can buy them on the high street from shops like Walgreens.

Get a Social Security Number

Social Security recommend that you only apply for a Social Security Number once you’ve been in the US over 10 days.

My experience was that the process is quick and simple. You complete a short SSN application form ahead of time and take it to the nearest Social Security office along with the documentation they advise you to bring. Arrive first thing in the morning to avoid any wait. It can take a few weeks for your Social Security card to arrive so you may want to have it sent to your employer’s address if you don’t have a permanent address yet.

Once you have your Social Security Card, you should keep it safe and be judicious in giving your SSN out. However, you should provide it to your bank and employer as soon as possible.

Find somewhere to live

Living in the city of San Francisco is just one of the (more expensive) options available to you. I chose to live in the city but many of my friends and colleagues live in other areas, like the East Bay. Have a look around before making up your mind.

Rent is very expensive in San Francisco, even compared to prices in London, especially since it’s very rare to find furnished accommodation. It also appears to be rising at a staggering rate. However, buildings constructed before June 1979 are covered by San Francisco Rent Control which heavily constrains the rate at which your rent can increase once you become a tenant. Therefore, it’s worth taking the time to find somewhere that you could imagine living for a few years.

The rental market is extremely competitive. Many places rely on one-off, brief, herd-style viewings where you’re in the apartment with half a dozen other desperate people at the same time, and more arriving every minute. People hand over all their paperwork and a cash application fee (if applicable) there and then.

Things are made slightly harder because you’re unlikely to have any US credit history, which is something quite important over here. But an offer letter and salary details from a tech company seems to put you in good shape. It’s in your best interest to put together a dossier of papers to provide alongside any application you make. You should include scans of your employer’s offer letter, your visa, and ideally character references from a previous landlord, etc. Print out several copies to take with you to viewings. You might have to pay $30-$40 to make an application (which is meant to cover credit history checks), but I never did.

I found that using Craigslist or a listing aggregator like Lovely was the best way to find apartments for rent in the city. They will also help you to narrow your focus to the neighbourhoods that you’re most interested in (spend some time learning about the city). Before moving to San Francisco, I heard a lot of stories about how it was essential – if you are to have any hope – to be “first” to make contact with the poster of a listing, but my experience was that you’re generally given the date and time of a mass-viewing to attend. This means that making a good impression in person, and having a bit of a chat with your potential landlord or building-manager, is likely to improve your chances and help you make a decision. Be prepared for it to take a while to find an apartment – it took me over a month of searching.

Once you’ve found a place to rent and signed all the paperwork, call PG&E to create an account to pay for your heat and electricity. You can set up e-bills and automatic payments online once your account has been processed. It’s a good idea to sort out an ISP before you move in – I went with Sonic.net. Again, the monthly cost (which I was told includes 17 different taxes and “renting” of the router) is a little higher than you’d expect in the UK, and you can expect to pay an installation fee. Other things to do: get Renters Insurance and have your bank automatically mail out your monthly-rent check to your landlord or building manager. All these things are quick and easy to do.

If you’re interested in your renters rights, you can search the California Department of Consumer Affairs for information.

Buying stuff for your place

You’re going to need furniture and basic household items. There’s always Ikea, which is located in Emeryville across the bay. If you have any previous Ikea experience, you’ll know that it’s one of the most stressful shopping experiences imaginable. The Ikea in Emeryville is even worse but the prices are pretty good. You can get there by bus from San Francisco and have large items delivered, or sort out your own transport.

Other stores to look at include West Elm and Crate & Barrel; they sell nicer things but are significantly more expensive. Alternatively, there are a lot of independent and second-hand furniture shops in San Francisco, particularly in the Mission district and a few along Van Ness. They’re well worth checking out. Van Ness also has 3 or 4 stores that sell mattresses – Sleep Train came particularly well recommended. I’d suggest that you leverage the lower costs of similar mattresses online in order to significantly reduce the price of your purchase, while benefiting from the great service, free delivery, and returns policy of the high-street stores. And if you have no idea what you’re doing: home decor tips, infographics, and cheat sheets

Get a California I.D.

Once you have your SSN and have found a permanent address, you should apply for a California I.D. at the DMV. This is handy if you don’t want to carry your passport (with visa) around and don’t have alternative I.D., such as a driver’s licence. You should register for an appointment to avoid a long wait in line. It can take up to 60 days for your California I.D. to arrive.

Get a credit card

The U.S. revolves around consumer credit. You need to start building up a credit history as soon as possible if you want to avoid paying large deposits or higher prices. Ask your bank about the soonest that you can apply for a credit card and then start using it – buying on credit even if you don’t need to.

Inform HMRC and the Student Loans Company

Once you’re settled, you should make time to inform HMRC that you’ve left the UK. They’ll be able to assess your tax status. If you are repaying student loans, after 3 months in the US you’re expected to contact the Student Loans Company by completing an overseas income assessment form. They will then work out your repayments.

Welcome to the United States of America

Hopefully you settle in within a couple of months and get to know San Francisco. There are many faces to this city, but the social scene is pretty diverse and there are many restaurants, bars, cafes, parks, and attractions – plenty of places to explore and things to do while you find your feet.

I recently included the option to add a large cover image, like the one above, to my posts. The source image is cropped, and below specific maximum dimensions it’s displayed at a predetermined aspect ratio. This post describes the implementation.

• Demo: Flexible CSS cover images

Known support: Chrome, Firefox, Safari, Opera, IE 9+

Features

The way that the cover image scales, and changes aspect ratio, is illustrated in the following diagram.

The cover image component must:

• render at a fixed aspect ratio, unless specific maximum dimensions are exceeded;
• support different aspect ratios;
• support max-height and max-width;
• support different background images;
• display the image to either fill, or be contained within the component;
• center the image.

Aspect ratio

The aspect ratio of an empty, block-level element can be controlled by setting a percentage value for its padding-bottom or padding-top. Given a declaration of padding-bottom:50% (and no explicit height), the rendered height of the element will be 50% of its width.

.CoverImage {
  padding-bottom: 50%;
}

Changing that padding value will change the aspect ratio. For example, padding of 25% results in an aspect ratio of 4:1, padding of 33.333% results in an aspect ratio of 3:1, etc.

Maximum dimensions

The problem with using this aspect ratio hack is that if the element has a max-height declared, it will not be respected. To get around this, the hack can be applied to a pseudo-element instead.

.CoverImage:before {
  content: "";
  display: block;
  padding-bottom: 50%;
}

Now the main element can take a max-height. It should also clip the pseudo-element overflow.

.CoverImage {
  display: block;
  max-height: 300px;
  max-width: 1000px;
  overflow: hidden;
}

.CoverImage:before {
  content: "";
  display: block;
  padding-bottom: 50%;
}

This aspect ratio pattern is provided by the FlexEmbed component for SUITCSS. That component is primarily for responsive video embeds, but it’s flexible enough to be useful whenever you need an element rendered at a predetermined aspect ratio. It comes with modifiers for 2:1, 3:1, 16:9, and 4:3 aspect ratios. The cover image component can extend the FlexEmbed component.

<div class="CoverImage FlexEmbed FlexEmbed--2by1"></div>

Background image

The cover image is applied as a background image that is sized to cover the entire area of the element. This makes sure the image is clipped to fit the aspect ratio of the element.

.CoverImage {
  ...
  background-repeat: no-repeat;
  background-size: cover;
}

If you want different cover images for different instances of the component, they can be applied via the style attribute.

<div class="..." style="background-image: url(cover.jpg)"></div>

The image can be fully centered by using background positioning and block centering. This makes sure that the image is centered in the element, and that the element is centered within its parent (when it reaches the max-width value).

.CoverImage {
  ...
  background-position: 50%;
  background-repeat: no-repeat;
  background-size: cover;
  margin: 0 auto;
}

Final result

If you depend on the FlexEmbed module, the amount of additional code required is minimal. (See the demo for all the code, including the FlexEmbed dependency.)

/**
 * Requires: suitcss/flex-embed
 */

.CoverImage {
  background-position: 50%;
  background-repeat: no-repeat;
  background-size: cover;
  margin: 0 auto;
  max-height: 300px;
  max-width: 1000px;
}

<div class="CoverImage FlexEmbed FlexEmbed--3by1"
     style="background-image:url(cover.jpg)">
</div>

You can add further customizations, such as setting the accompanying background color, or providing a means to switch between the cover and contain keywords for background-size.

Internet Explorer 9–11 suffer from various bugs that prevent proper scaling of inline SVG’s. This is particularly problematic for SVG icons with variable widths. This is the canvas-based hack I’ve been using to work around the issue.

A popular way to use SVG icons is to generate a spritemap of SVG symbol‘s that you then reference from elsewhere in a document. Most articles on the topic assume your icon dimensions are uniformly square. Twitter’s SVG icons (crafted by @sofo) are variable width, to produce consistent horizontal whitespace around the vectors.

Most browsers will preserve the intrinsic aspect ratio of an SVG. Ideally, I want to set a common height for all the icons (e.g., 1em), and let the browser scale the width of each icon proportionally. This also makes it easy to resize icons in particular contexts – just change the height.

Unfortunately, IE 9–11 do not preserve the intrinsic aspect ratio of an inline SVG. The svg element will default to a width of 300px (the default for replaced content elements). This means it’s not easy to work with variable-width SVG icons. No amount of CSS hacking fixed the problem, so I looked elsewhere – and ended up using canvas.

canvas and aspect ratios

A canvas element – with height and width attributes set – will preserve its aspect ratio when one dimension is scaled. The example below sets a 3:1 aspect ratio.

<canvas height="1" width="3"></canvas>

You can then scale the canvas by changing either dimension in CSS.

canvas {
  display: block;
  height: 2rem;
}

Demo: proportional scaling of canvas.

Fixing SVG scaling in IE

This makes canvas useful for creating aspect ratios. Since IE doesn’t preserve the intrinsic aspect ratio of SVG icons, you can use canvas as a shim. A canvas of the correct aspect ratio provides a scalable frame. The svg can then be positioned to fill the space created by this frame.

The HTML is straightforward:

<div class="Icon" role="img" aria-label="Twitter">
  <canvas class="Icon-canvas" height="1" width="3"></canvas>
  <svg class="Icon-svg">
    <use fill="currentcolor" xlink:href="#icon-twitter"></use>
  </svg>
</div>

So is the CSS:

.Icon {
  display: inline-block;
  height: 1em; /* default icon height */
  position: relative;
  user-select: none;
}

.Icon-canvas {
  display: block;
  height: 100%;
  visibility: hidden;
}

.Icon-svg {
  height: 100%;
  left: 0;
  position: absolute;
  top: 0;
  width: 100%;
}

Setting the canvas height to 100% means it will scale based on the height of the component’s root element – just as SVG’s do in non-IE browsers. Changing the height of the Icon element scales the inner SVG icon while preserving its 3:1 aspect ratio.

Demo: proportional scaling of svg in IE.

Creating an Icon component

The hack is best added to (and eventually removed from) an existing icon component’s implementation.

If you’re generating and inlining an SVG spritemap, you will need to extract the height and width (usually from viewBox) of each of your icons during the build step. If you’re already using the gulp-svgstore plugin, it supports extracting metadata.

Those dimensions need to be set on the canvas element to produce the correct aspect ratio for a given icon.

Example React component (built with webpack):

import iconData from './lib/icons-data.json';
import React from 'react';
import './index.css';

class Icon extends React.Component {
  render() {
    const props = this.props;
    const height = iconData[props.name.height];
    const width = iconData[props.name.width];

    // React doesn't support namespaced attributes, so we have to set the
    // 'use' tag with innerHTML
    const useTag = `<use fill="currentcolor"
                      xlink:href="#icon-${props.name}">
                    </use>`;

    return (
      <span className="Icon">
        <canvas className="Icon-canvas"
          height={height}
          width={width}
        />
        <svg className="Icon-svg"
          dangerouslySetInnerHTML={{__html: useTag}}
          key={props.name}
        />
      </span>
    );
  }
}

export default Icon;

When I introduced this hack to a code base at Twitter, it had no impact on the the rest of the team or the rest of the code base – one of the many benefits of a component-based UI.

Using SVG is currently the best way to create icon libraries for apps. Icons built with SVG are scalable and adjustable, but also discrete, which allows them to be incrementally loaded and updated. In contrast, icons built as fonts cannot be incrementally loaded or updated. This alone makes SVG icons the better choice for high-performance apps that rely on code-splitting and incremental deploys.

This post describes how to make a package of React components from a library of SVG icons. Although I’m focusing on React, making any other type of package is also possible. At Twitter I used the approach described here to publish the company’s SVG icon library in several different formats: optimized SVGs, plain JavaScript modules, React DOM components, and React Native components.

Using the icons

The end result is a JavaScript package that can be installed and used like any other JavaScript package.

yarnpkg add @acme/react-icons

Each icon is available as an individually exported React component.

import IconCamera from '@acme/react-icons/camera';

This allows your module bundler to package only the icons that are needed, and icons can be efficiently split across chunks when using code-splitting. This is a significant advantage over icon libraries that require fonts and bundle all icons into a single component.

// entire icon library is bundled with your app
import Icon from '@acme/react-icons';
const IconCamera = <Icon name='camera' />;

Each icon is straightforward to customize (e.g., color and dimensions) on a per-use basis.

import IconCamera from '@twitter/react-icons/camera';
const Icon = (
  <IconCamera
    style={{ color: 'white', height: '2em' }}
  />
);

Although the icons render to SVG, this is an implementation detail that isn’t exposed to users of the components.

Creating components

Each React component renders an inline SVG, using path and dimensions data extracted from the SVG source files. A helper function called createIconComponent means that only a few lines of boilerplate are needed to create a component from SVG data.

import createIconComponent from './utils/createIconComponent';
import React from 'react';
const IconCamera = createIconComponent({
  content: <g><path d='...'></g>,
  height: 24,
  width: 24
});
IconCamera.displayName = 'IconCamera';
export default IconCamera;

This is an example of what the createIconComponent function looks like when building components for a web app like Twitter Lite, which is built with React Native for Web.

// createIconComponent.js
import { createElement, StyleSheet } from 'react-native-web';
import React from 'react';

const createIconComponent = ({ content, height, width }) =>
  (initialProps) => {
    const props = {
      ...initialProps,
      style: StyleSheet.compose(styles.root, initialProps.style),
      viewBox: `0 0 ${width} ${height}`
    };

    return createElement('svg', props, content);
  };

const styles = StyleSheet.create({
  root: {
    display: 'inline-block',
    fill: 'currentcolor',
    height: '1.25em',
    maxWidth: '100%',
    position: 'relative',
    userSelect: 'none',
    textAlignVertical: 'text-bottom'
  }
});

Setting the fill style to currentcolor allows you to control the color of the SVG using the color style property instead.

All that’s left is to use scripts to process the SVGs and generate each React component.

Creating icon packages

A complete example of one way to do this can be found in the icon-builder-example repository on GitHub.

The project structure of the example tool looks like this.

.
├── README.md
├── package.json
├── scripts/
    ├── build.js
    ├── createReactPackage.js
    └── svgOptimize.js
└── src/
    ├── alerts.svg
    ├── camera.svg
    ├── circle.svg
    └── ...

The build script uses SVGO to optimize the SVGs, extract SVG path data, and extract metadata. The example packager for React then uses templates to create a package.json and the React icon components shown earlier.

import createIconComponent from './utils/createIconComponent';
import React from 'react';
const ${componentName} = createIconComponent({
  height: ${height},
  width: ${width},
  content: <g>${paths}</g>
});
${componentName}.displayName = '${componentName}';
export default ${componentName};

Additional packagers can be included to build other package types from the same SVG source. When the underlying icon library changes, it only takes a couple of commands to rebuild hundreds of icons and publish new versions of each package.

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