Many artists have had a difficult time during the pandemic, while they've also brought joy to other people who are struggling. For NHPR's series, The Show Goes On , we're talking with artists across New Hampshire about how they're making it through the pandemic. NHPR's Morning Edition host Rick Ganley spoke with Rhonda Besaw , a beadworker from Whitefield, about her work and what's she's learned this past year.

All this week, NHPR is talking with artists about their work and how the past year has changed the way they create art. For the latest installment of “ The Show Goes On ," All Things Considered host Peter Biello explores the colorful streetscape of Nashua.

For NHPR's series, The Show Goes On , we've been talking with artists across New Hampshire about what inspiration they've found and how they've been making it through the pandemic. Jim Tyrrell is a musician based here in New Hampshire. NHPR first reached out to him about a year ago to ask how he was doing when everything was first shutting down. Morning Edition host Rick Ganley checked in with him recently to find out what he's been up to since then.

The Currier Museum of Art 's latest exhibition features the work of Philadelphia-based potter Roberto Lugo. Lugo finds inspiration for his work in his upbringing and his cultural heritage. His new collection, Te traigo mi le lo lai -- I bring you my joy , will be on display at the Currier Museum through September. Lugo will also be in Manchester this summer for a residency with the museum, where he'll be teaching pottery classes. Below are some excerpts from Robert Lugo's conversation with NHPR's Rick Ganley. On Lugo’s inspiration: “ I've always found that it's important for me as a person to not forget where I'm from. I'm from Philadelphia in a really impoverished neighborhood, mostly made up of Black and Latinx people. And so I identify and associate that as a culture and as almost its own society. And so in the tradition that people have represented their cultures in pottery, I do that.” On his new exhibition, Te traigo mi le lo lai -- I bring you my joy : “ One of the reasons why I

“Nobody really comes here,” the waiter at my hotel said. “People only stop when they’re driving through.” I heard that a lot during my recent three-night visit to Thunder Bay on the north shore of Lake Superior in Ontario, Canada.

Christian author and pro-life activist Ryan Bomberger has announced that his cancer is in remission three months after surgery.

Victoria Sinis used to recruit women to sell their bodies on OnlyFans, but the strange fetish requests and pornographic content led her to question her career, an inner conviction that ultimately led her to Christ.

Theologian and Pastor John Piper weighed in on a question from a listener struggling with guilt after having an abortion in an episode of his podcast "Ask Pastor John."

With a strong focus on tackling burnout and compassion fatigue, Hope Together conference offered essential tools and support for ministry leaders and individuals seeking renewed strength and purpose.

People suffering as a result of unwanted same-sex attraction or gender confusion should be allowed to seek professional help, and the Church must offer a more hopeful message than simply telling them to be celibate for the rest of their lives.

A North Carolina couple who survived Hurricane Helene by using their couch as a flotation device thanked God for protecting them and revealed how their faith has buoyed them amid the aftermath of the disaster that ravaged their community.

Gateway Church in Texas has removed multiple elders as the result of a four-month investigation into allegations the church's founder, Robert Morris, sexually abused a minor female for years beginning when she was 12 during the 1980s. 

The group GAFCON has demanded that Archbishop Justin Welby publicly repent for comments that contradict the “doctrine of Christ.”

Members of the Lakes Area Vineyard Church in Detroit Lakes, Minnesota, where the late Beau Shroyer and his family were longtime members before moving to Lubango, Angola, to serve as missionaries in 2021, are now reeling in a complex web of emotions after learning that Beau’s wife, Jackie Shroyer, was arrested in connection with his murder in the southern African country just over a week ago.

An Illinois-based congregation has agreed to pay more than $1.4 million in order to disaffiliate from The United Methodist Church following litigation over who owned its property.

A congregation based in New York City has filed a lawsuit against an entity of the Indiana-based Disciples of Christ, accusing it of refusing to provide $7.3 million in loan funding advances.

Bill Johnson’s Bethel Church in Redding, California, announced Sunday that it has planted a new church in Sydney, Australia, where Hillsong Church is headquartered. 

Here are seven hymns that are relevant to the themes of Veterans Day, such as the desire for peace and the importance of service.

Events that occurred this week in Christian history include the martyrdom of a Georgian king, a social reformer claims to have a vision, and the founding of a Baptist denomination.

The Rev. Bernard Randall, an ordained Church of England chaplain, has taken legal action against Archbishop of Canterbury Justin Welby for blocking a disciplinary case against the Bishop of Derby who labeled him a safeguarding risk due to his traditional Christian views on gender identity..

After promising to refund the donations of members who questioned the stewardship of his church's finances, outspoken Tennessee Pastor Greg Locke has reneged on that offer. His attorney has allegedly threatened at least one donor who asked for their money back.

Here are seven people who wrongly predicted that Vice President Kamala Harris was going to win the presidential election. They include a widely respected election predictor, a veteran Democrat strategist, and a conservative columnist.

In a historic political comeback on Tuesday, former President Donald Trump was reelected for a second, nonconsecutive term to serve as the 47th president of the United States, and he has promised to “help our country heal” after a bruising campaign during which he escaped two assassination attempts.

Vice President Kamala Harris has conceded the election, promising Americans that there will be a “peaceful transfer of power” and stressing loyalty “to our God,” while also promising to keep fighting.

After President-elect Donald Trump was declared the 47th president during the early morning hours Wednesday, many U.S. political and business leaders have weighed in to congratulate him for his historic political comeback.

The 2024 election yielded mixed results for the pro-life movement, with voters in several states supporting pro-abortion ballot measures as such referendums came up short in other states. 

Leaders of pro-life advocacy groups are celebrating former President Donald Trump’s victory in the 2024 presidential election, citing his win as evidence that the American people do not support the unfettered abortion access endorsed by the Democrats.

A CNN panel discussion about the 2024 presidential election results got heated Friday night as one guest faced allegations of "transphobia" for asserting that the Democratic Party's staunch support for allowing trans-identified males to compete in women's sports contributed to the election loss.

President-elect Donald Trump has asked Rep. Elise Stefanik, R-N.Y., to be the U.S. ambassador to the United Nations.

The Republican Party has secured a majority of the seats in the United States House of Representatives, having already secured the White House and the U.S. Senate.

The U.S. State Department reportedly offered a therapy session and mental health services for employees distressed by President-elect Donald Trump's recent electoral victory last week, including what one source described as a "cry session."

A Christian counselor is asking the U.S. Supreme Court to block enforcement of a Colorado law that regulates what licensed professionals can say while discussing unwanted same-sex attractions with clients, arguing that the state government censors speech it disfavors. 

Delaware elected 34-year-old Sarah McBride as the nation's first trans-identifying individual to serve in the U.S. Congress.

Jennifer Iverson (University of Chicago) Title and description TBA A reception will follow.

Cecily Nicholson is an Assistant Professor in the School of Creative Writing at University of British Columbia. Nicholson is the author of four poetry books, Triage, From the Poplars, Wayside Sang, and Harrowings, and past recipient of the Dorothy Livesay Poetry Prize (2015) and the Governor General’s Literary Award for poetry (2018). She is the first honouree of the Phyllis Webb Memorial Reading award from the Poetry in Canada Society (2023) and 2024/2025 Holloway Lecturer in Poetry and Poetics at UC Berkeley.Ana María Ochoa Gautier is Professor and Chair of the Department of Music, and faculty member at the Center for the Study of Ethnicity and Race at Columbia University. Her recent book, Aurality, Listening and Knowledge in Nineteenth-Century Colombia (Duke University Press, 2014) was awarded the Alan Merriam Prize by the Society for Ethnomusicology. She is also the author of Músicas locales en tiempos de globalización (Buenos Aires: Norma 2003) and Entre los Deseos y los Derechos: Un Ensayo Crítico sobre Políticas Culturales (Bogotá: Ministerio de cultura, 2003). She writes on music and cultural policy, forced silence and armed conflict, and genealogies of listening and sound in Latin America and the Caribbean. Her current projects explore the bioacoustics of life and death in colonial histories of the Americas. She has been a Distinguished Greenleaf Scholar in Residence at Tulane University (2016) and a Guggenheim Fellow (2007-2008). She has served on the advisory boards of the Society for Cultural Anthropology, the Démos project at the Cité de la Musique - Philharmonie de Paris, and the Smithsonian Center for Folklife and Cultural Heritage. She will be a visiting professor in UC Berkeley’s Department of Music in Spring 2025.Tom McEnaney is Associate Professor in the departments of Comparative Literature and Spanish & Portuguese, and the Director of the Berkeley Center for New Media. His research concerns the intersection of literature, sound technology, and politics. He is the author of many articles and the book Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas. His new book, with Judith Peraino, will be out in August and is titled We’re Having Much More Fun: Punk Archives for the Present from CBGB to Gilman and Beyond. The 2024/25 series includes: Rizvana Bradley (Film & Media), Asma Kazmi (Art Practice/BCNM), Tehmina Khan (College Writing Program), Roshanak Kheshti (TDPS), SanSan Kwan (TDPS), Fae Myenne Ng (Ethnic Studies), Cecily Nicholson (English), Ana María Ochoa Gautier (Music), Andy Shanken (Architecture/Art History), and Stephanie Syjuco (Art Practice).

Perú Negro, LopezDaphnis and Chloe No. 2, RavelMusic from Studio Ghibli, HisaishiDavid Milnes, conductor Join us for this end-of-year concert that includes a special performance of classics from the Studio Ghibli catalog. Featuring a full orchestra and visual accompaniment, this three-day event is a fan-favorite that is certain to sell out. Get your tickets early!Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Perú Negro, LopezDaphnis and Chloe No. 2, RavelMusic from Studio Ghibli, HisaishiDavid Milnes, conductor Join us for this end-of-year concert that includes a special performance of classics from the Studio Ghibli catalog. Featuring a full orchestra and visual accompaniment, this three-day event is a fan-favorite that is certain to sell out. Get your tickets early!Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Perú Negro, LopezDaphnis and Chloe No. 2, RavelMusic from Studio Ghibli, HisaishiDavid Milnes, conductor Join us for this end-of-year concert that includes a special performance of classics from the Studio Ghibli catalog. Featuring a full orchestra and visual accompaniment, this three-day event is a fan-favorite that is certain to sell out. Get your tickets early!Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Piano students from the studio class, Music 168CS, perform a variety of solo works Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

Pasolini, World Music, and the Demise of the Film ComposerWhile somewhat neglected in the English-language literature on film music, Pasolini’s daring use of pre-existing music in his early films—most notably Bach’s sacred music and Vivaldi—marked a watershed in the history of the subject. It also places him alongside such figures as Godard and Kubrick (among others) in an ideal pantheon of mavericks who broke away with the traditional division of labor that underpinned the creation of film soundtracks. Pasolini’s decision to hire Morricone for the music for The Hawks and the Sparrows(1966) could have signaled a change in direction. In fact, following that first collaboration, the relationship between Pasolini and Morricone soon turned into something of an embarrassment for the composer. By the early 1970s, Morricone’s role was to merely arrange already-existing repertoires “scavenged” on various recordings by the omnivorous and ever up-to-date poet/director. Pasolini’s gleeful embrace of reproduced music calls to mind André Malraux’s “museum without walls” and his celebration of the library as both a cabinet of curiosities and workshop. Focusing on Medea(1969) and the so-called “Trilogy of Life,” this talk examines Morricone’s work as mediated and indeed guided by Pasolini the consumer, curator and ultimately producer—for Arabian Nights(1974)—of recordings.Short BioGiorgio BiancorossoGiorgio Biancorosso’s work investigates the boundaries of music and sound in the theater, cinema and digital media. He is the author of Situated Listening: The Sound of Absorption in Classical Cinema(Oxford University Press, 2016) and Remixing Wong Kar Wai: Music, Bricolage, and the Aesthetics of Oblivion(Duke University Press, 2024). Biancorosso is the co-founder and editor of the journal SSS (Sound-Stage-Screen) and the co-editor of Scoring Italian Cinema: Patterns of Collaboration(Routledge, forthcoming).Biancorosso is Professor of Music and inaugural director of the Society of Fellows at The University of Hong Kong. He is currently 2024-25 Luce East Asia Fellow in Musicology at the National Humanities Center, N.C.

Javanese Gamelan-New and Traditional:An afternoon of Javanese Gamelan featuring a variety of works for traditional gamelan instruments.Midiyanto, director Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

dj sniff (Takuro Mizuta Lippit) Composition Colloquium (CNMAT) – Nov. 22Title of your talkParallel Traces - Records that stoped the war, trained the ear, and gave birth to turntablismshort abstractFor this occasion, I will talk about how my practice in turntablism and free improvisation led to the creation of my latest works that deal with historical narratives manifested through vinyl records and their playback devices. Namely, I will talk about Parallel Traces of the Jewel Voice (2022) and The Inverted Listening of Explosive Enemy Aircraft Sounds (2023) which both examine the critical roles that phonograph records played during WWⅡ Japan and its colonized territories, and Transformer (2023) - a sound installation that is constructed by reinterpreting stories about Grandmaster Flash’s early experiments with sound technology.short biodj sniff (Takuro Mizuta Lippit) is a musician and curator in the field of experimental electronic arts and improvised music. His work builds upon a distinct practice that combines DJing, instrument design, and free improvisation. Over the years, he has collaborated with artists such as: Evan Parker, Otomo Yoshihide, Tarek Atoui, Senyawa and many others. He holds a B.A. from Keio University Department of Aesthetics and Science of Arts, M.P.S. from NYU Interactive Telecommunications Program, and Ph.D. from De Montfort University Faculty of Computing, Engineering and Media. Alongside his artistic work, he has held positions at various institutions such as Artistic Director of STEIM – Studio for Electro-Instrumental Music Amsterdam (2007-2012), Visiting Assistant Professor at City University of Hong Kong School of Creative Media (2012-17), and Associate Professor at Kyoto Seika University (2020 - 2022). Currently based in Los Angeles, he is the Co-Director of Asian Meeting Festival (AMF) - an international music festival that brings together experimental musicians from Asia since 2005, instructor at Shared Campus Summer Schools led by Zurich University of the Arts, and a part-time lecturer at Kyoto Seika and Tokyo University of the Arts Graduate School of Global Arts.

Students of the Vocal Studies Program perform English Art Songs from the 19th and 20th centuries.Jeffrey Sykes, pianoNikolas Nackley, director Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

The Department of Music holds an annual concerto audition in the fall semester, open to current members of the UC Berkeley Symphony Orchestra and to music majors performing on non-orchestral instruments (i.e. piano, voice, instruments from other cultures). Free and open to the publicInformation for Applicants: The deadline to submit application forms is Wednesday, November 6, 4pm in the Music Department office, 104 Morrison Hall. The application form can be found here(PDF file). Copies of the form are also available in 104 Morrison Hall. The audition jury is made up of Music Department faculty and outside professionals. Winner/s will be chosen to perform their concerto with the symphony, usually by the end of the next calendar school year.General audition rules:Applicants performing on standard orchestral instruments must be current members of the UC Berkeley Symphony Orchestra. The auditions are also open to Music majors who perform on non-orchestral instruments including piano, voice, guitar, instruments from other cultures, etc. Applicants must currently be studying privately with department faculty. Concerti for single and multiple soloists, arias, concert songs, song cycles are all permitted. Repertoire must be suitable for the normal symphony orchestra, otherwise there is no restriction on style, length or period. The normal audition duration is 10-12 minutes at the jury panel’s discretion. Applicants are required to arrange for their own piano accompanist to play the orchestral reductions at the audition; the accompanist’s name must be included in the application. In cases of difficulty finding or affording an accompanist, the music department will provide one – this service includes ONE rehearsal the week of the audition and possible additional time for warm-up on the day of the audition. Applicants may present excerpts of their choice (which should be representative of the whole work), but must be prepared to play any part of the entire work if asked to do so by the panel. Memorization is preferred but not mandatory. Lengthy extended orchestral tuttis should be omitted during the audition. The jury panel reserves the right to choose several winners or none. Winner(s) must be prepared to attend all rehearsals and performances as arranged with the conductor. Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Strum - Jesse MontgomerySymphony No. 2 - BeethovenSymphony No. 1 - BrahmsThomas Green, conductorNoam Elisha, conductor  Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510-642-4864 or HertzHallMgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic Twitter/X: @ucbmusicdept Youtube: Berkeley Music YouTube channel

Karola Obermueller Composition Colloquium (Morrison 250) – Nov. 15time, timbre, and transformation  abstractMy creative research revolves around a collection of themes which I return to again and again in my composing. I will discuss these areas of inquiry, how they connect to each other, and in which ways they form / govern / appear in my compositions. short bioKarola Obermüller’s composing, described by the NYT as “hyperkinetic music”, is constantly in search of the unknown. Her unique voice began forming in collages of sound made with tape recorders and evolved later with composition degrees obtained in Nuremberg, Saarbrücken, and at the Mozarteum Salzburg. Her sense of rhythm and form was forever changed by studying Carnatic and Hindustani classical music in India. Since receiving a doctorate from Harvard, Obermüller taught composition and co-directed the composition area at the University of New Mexico before joining the Department of Music at UC San Diego in 2023. Her music can be heard on CD (WERGO, New Focus Recordings, Brilliant Classics) and at karolaobermueller.net.

Featuring spirituals & anthems sung by Candace Johnson and the University Gospel Chorus. Concert also includes spontaneous improvisation based on audience input from the “idea box” provided at the start of show. Bring your favorite uplifting quote or share your own daily musing! Admission to all Noon Concerts is free. Registration is recommended at music.berkeley.edu/register.Safety The UC Berkeley Department of Music is committed to the health and safety of our students, staff, and patrons. Measures to protect concertgoers and musicians will be informed by state, local, and UC Berkeley Public Health policies and are subject to change. Social distancing, masks, and proof of COVID 19 vaccination may be required. UC Berkeley does not promise or guarantee that all patrons or employees on site are vaccinated. Unvaccinated individuals may be present as a result of exemptions, exceptions, fraudulent verification, or checker error. None of these precautions eliminate the risk of exposure to COVID-19. Registration is strongly encouraged for noon concerts at music.berkeley.edu/register.Accessibility If you require an accommodation for effective communication (ASL interpreting/CART captioning, alternative media formats, etc.) or information about campus mobility access features in order to fully participate in this event, please contact the Hertz Hall Manager at 510.642.4864 or hertzhallmgr@berkeley.edu. with as much advance notice as possible and at least 7-10 days in advance of the event. Facebook: @ucbmusicdept Instagram: @ucberkeleymusic  Twitter @ucbmusicdept Youtube: Berkeley Music YouTube channel

"God in Eternity and Time" has been well received by all segments of the Evangelical community, and its irenic spirit has been much appreciated, drawing accolades from across the Evangelical theological spectrum.

In one of the last public addresses Dr. Adrian Rogers delivered before his untimely demise at the age of 74, he warned pastors of the mortal threat presented to their ministries by the sins of lust and pride.

The UDHR articulates in its 30 articles every human being’s basic, fundamental rights and freedoms and affirms those rights as universal and unalienable. The UDHR directly led to the development of the concept of international human rights law.