This episode, we have a two-fer. We begin with a really awesome interview with a true West Coast legend, DJ Quik. He has a new album, The Midnight Life, and we talk to him about that, his relationships with longtime collaborators Suga Free and guitarist Robert Bacon, “Hitler microphones,” that time Dr. Dre broke his speakers, and a lot more.

In the second half of the show, we introduce a new artist. Eric Biddines is a Florida-based rapper whose new project, Planet Coffee Bean 2, came to our attention recently. Eric’s futuristic, imaginative, and caffeinated music — and personality — are not to be missed.

See http://theciphershow.com/episode/77/ for full show notes and comments.

This episode, we talk to author Brian Coleman. Coleman has written three volumes of what he calls “invisible liner notes” — blow-by-blow accounts of the making of classic hip-hop records from the people who were there. The newest entry in the series is Check the Technique, Vol. 2, which you can (and should!) cop here.

We discuss KMD, the differences between the two emcees in Black Star, the reason Licensed to Ill never made it into his books, why first or second albums are always a group’s best, and plenty more.

See http://theciphershow.com/episode/80/ for full show notes and comments.

This episode, we have a truly great conversation with Sage Francis. Rising up out of the battle-rap and poetry slam scenes in the late 1990s, Sage first came to many fans’ notice with his incredible 2002 debut album Personal Journals. That started a non-stop grind of running his own record label while putting out five albums and doing countless tours over the next eight years. After 2010’s Li(f)e, he took a four-year hiatus from recording and touring — one that ended with this year’s Copper Gone.

We talked to Sage (who was in the midst of a European tour) about what he does and doesn’t owe his fans, how he makes ideas rhyme, what it took to get through hard times and make a comeback, and tons more.

See http://theciphershow.com/episode/81/ for full show notes and comments.

Live from Bed Stuy’s Restoration Plaza, we bring you a very special event with Buddha Monk and Mickey Hess, authors of a new biography of the Wu’s Ol’ Dirty Bastard. Occurring only blocks from Dirty’s childhood home, this conversation features not only the authors, but also special appearances from the Wu member’s family and friends. Buddha Monk was Dirty’s close friend since they were children, and had a front row seat to the artist’s rise and fall. His book, co-written with Rider professor Mickey Hess, is The Dirty Version: On Stage, In the Studio, and In the Streets With Ol’ Dirty Bastard, published by Harper Collins. You can buy it here.

If you like this episode, be sure to check out our recent article on the Wu for Radio.com

See http://theciphershow.com/episode/83/ for full show notes and comments.

Our 2nd annual Christmas episode features former Def Jam exec and noted Christmas music obsessive Bill Adler. We discuss the 30th anniversary edition of his yearly Christmas mix (available EXCLUSIVELY from us — visit here) and his part in the new holiday music documentary Jingle Bell Rocks.

We also find time to talk about the Rock & Roll Hall of Fame, protest movements past and present, and plenty more. Happy holidays from The Cipher! Again, you can listen to Bill Adler’s 30th anniversary Xmas Jollies mix ONLY on our Soundcloud page.

P.S. We’re honored to have been chosen as one of Slate’s “Best Podcasts About Music” this year. You can see the complete list here. And, as mentioned in the show’s introduction, you can find Cornell University’s online exhibit of Bill’s Def Jam materials on the university’s website.

See http://theciphershow.com/episode/86/ for full show notes and comments.

This week, we celebrate the new year by bringing you an improved, remixed version of our talk with Ron Isley. Isley is the legendary lead singer of The Isley Brothers, and a soul music icon who has been a vital force in popular music for over half a century.

The Isley Brothers first reached the charts with the 1959 hit “Shout,” and had an amazing run all the way through 1983’s oft-sampled “Between the Sheets.” Ron’s career was revitalized by a series of collaborations with R. Kelly starting in 1996, including 2001’s memorable hit “Contagious.” His most recent solo album, released right around the time of this conversation, was This Song Is For You, which featured the single “Dinner and A Movie.”

We talked to Ron about his whole career, from his early years singing gospel straight through to today, with stops in Motown, his influential songs of the 1960s and 70s, the inside scoop on working with R. Kelly, and lots more.

See http://theciphershow.com/episode/87/ for full show notes and comments.

Our interview with the enigmatic Divine Styler starts with him present, via his DJ father, at the very beginnings of hip-hop. He then became a part of Ice-T’s Rhyme Syndicate crew, which included a pre-House of Pain Everlast. His second album, Spiral Walls Containing Autumns of Light, drastically expanded the range of what a hip-hop artist could do with its spoken word-industrial-rock hybrids.

His latest record Def Mask comes after a 15-year hiatus. From NYC park jams to getting arrested the day after signing a record deal to having a front-row seat for “Jump Around“‘s massive success to pushing musical boundaries to making pilgrimages to Mecca, Divine Styler shares his whole fascinating story.

See http://theciphershow.com/episode/88/ for full show notes and comments.

This week, we sit down with Harlem’s own Smoke DZA and Bluntsmoker, a member of his R.F.C. crew. They’ve just released an album called The Outsiders. Talking in a studio just down the block from DZA’s native “911” (Harlem’s 119th Street), we discuss how Harlem has changed, the overlap between pro wrestling and hip-hop, how his style and voice have mutated over the years, and tons more.

See http://theciphershow.com/episode/89/ for full show notes and comments.

Shea Serrano is a Houston-based writer and illustrator whose funny, insightful work on rap, sports, and even action movies has appeared almost everywhere – you undoubtedly saw his brilliant holiday piece Three Wise Migos. In addition, he wrote Bun B’s Rapper Coloring and Activity Book and created the viral Tumblr sensations Drake-ing Bad and Sex Questions From Seventh Graders.

We spoke to Serrano about his life and career, why ‘94 will always be r&b’s peak year, and why he’s okay with you loving J. Cole, even if you’re wrong.

See http://theciphershow.com/episode/90/ for full show notes and comments.

Robert “Rocky” Ford Jr. got his start at Billboard in the 1970s. A busy nightlife (and a chance encounter on a Queens bus) led him to Russell Simmons and NYC’s burgeoning hip-hop scene. Rocky gave the genre its very first mainstream coverage with his 1978 article “B-Beats Bombarding Bronx.” From there, it was a quick move to writing and producing hits for Simmons’ good friend Kurtis Blow – and then for Full Force, Hi-Five, and even Tom Hanks!

We talk to Ford about writing hits like “The Breaks,” his relationships with Simmons and one-time roommate Nelson George, and why he cast Full Force as House Party’s villains. Ford did it all in the 1970s and 80s, and shares his story here.

See http://theciphershow.com/episode/91/ for full show notes and comments.

Lisa Cortés lives up to her self-description as a “hip-hop Zelig.” She began her career in 1986 as one of the first employees of a then-tiny record label called Def Jam. From there, she went on to manage legendary producers; discover hit rap, reggae, and r&b acts; and even run a label herself.

After her time in the music industry came to an end, Lisa re-invented herself as a successful film producer, starting at the bottom and working her way up to playing a key role in the Oscar-winning movie Precious: Based on the Novel “Push” by Sapphire. She is currently producing, writing, and directing a number of fascinating film projects, which we discuss here.

See http://theciphershow.com/episode/92/ for full show notes and comments.

We speak to the rapping team at the head of the powerful rap/rock group ¡Mayday! – Ben “Wrekonize” Miller and Bernardo “Bernz” Garcia. Since the early 2000s, the band has been delivering powerful music to a growing legion of fans. That fan base was dramatically increased when the Miami group teamed up with Tech N9ne’s Strange Music label a few years ago. The most recent album released by the hardworking collective is a joint project with West Coast legend Murs called, appropriately enough, Mursday.

Wrek and Bernz talk about their career and songwriting process, but also find time to discuss their famous relatives, partying with Lil Wayne, and which group member is best with a slow cooker.

See http://theciphershow.com/episode/93/ for full show notes and comments.

Tanya Morgan, as the title of one of their mixtapes states, is a rap group. Von Pea and donwill have been putting out classics since their 2006 debut Moonlighting. They’ve gone through successes, failures, lineup changes (original member Ilyas left in 2012), and more while continuing to reach for new sounds and concepts. Their most recent release is the EP 12 Minutes at Karriem’s. We talked to the group about touring disasters, childhood friendships, Google Maps, that time donwill almost ended up on Cops, and much, much more.

See http://theciphershow.com/episode/94/ for full show notes and comments.

Mr. Lif has had a key role in a number of music success stories, from the rise of the Boston hip-hop scene to the reign of underground rap empire Def Jux to the continued worldwide popularity of Thievery Corporation. We explore his entire career, from the very first songs and freestyle sessions to his newest group, Terra Bella.

We make plenty of stops along the way at his key moments – his fiery 9/11 response “Home of the Brave,” the powerful 2002 concept album I Phantom, his development into a celebrated live performer, and more.

See http://theciphershow.com/episode/97/ for full show notes and comments.

“Prince” Paul Huston is one of hip-hop’s most notable producers. He began in the mid-1980s as a teenage DJ with Stetasonic, “the hip hop band.” But his career really took off in 1989 when he produced De La Soul’s classic debut 3 Feet High and Rising.

Paul helmed the group’s first three albums, and went on from there to release a wide variety of projects under his own name, as a producer, and as part of a group. Just a short list of his collaborators reads like a who’s-who of musicians and comedians: RZA, Queen Latifah, Bernie Worrell of P-Funk, Chris Rock, Dave Chappelle, Big Daddy Kane, and even Cat Power, to name only a few.

In the first half of our conversation, we talk about Stetsasonic, De La Soul, his relationship with a pre-Wu-Tang RZA, his surprising-sounding 2003 solo album Politics of the Business, and much more.

See http://theciphershow.com/episode/98/ for full show notes and comments.

In Part 2 of our epic sit-down with Prince Paul, we talk Psychoanalysis and A Prince Among Thieves; making records with Everlast, MF DOOM, MC Paul Barman, and Dino-5; and even the cult tv show that cemented his bond with Dan the Automator. 

We also find out what was behind his most disturbing song, what it’s like at the lows between career peaks, and, of course, the kind of presents John Waters sends to his daughter. Plus, he shares his reaction to the “Blurred Lines” verdict, and gives us an exclusive peek into his upcoming projects.

If you missed Part 1 of our interview with Paul, you can find it here.

See http://theciphershow.com/episode/99/ for full show notes and comments.

Our special 100th episode finds us with a flood of special guests. We have Metermaids, an NYC rap duo signed to Sage Francis’ Strange Famous label. Their newest album We Brought Knives is a powerful examination of fatherhood, legacies, changing times, and the awesomeness of Bruce Springsteen.

They’re followed by Gabriel Roth. Roth is the co-founder of Daptone Records, a Brooklyn-based label that has released some of the finest soul, funk, Afrobeat, and other roots music of this generation. The band he leads, The Dap-Kings (who normally back the powerful singer Sharon Jones), played a key part in one of the most popular records in recent memory, Amy Winehouse’s Back To Black.

This being an anniversary party, we start the show with a special surprise guest.

See http://theciphershow.com/episode/100/ for full show notes and comments.

Rapper Big Pooh got his start in the critically beloved North Carolina trio Little Brother. But over the past decade, he’s made a series of excellent and increasingly ambitious solo records, culminating in the new EP Words Paint Pictures.

We talked to Pooh about Little Brother’s early success and major-label stumbles; the truth about radio; the demise of the middle class; and the bizarre cease-and-desist letter that put one of his albums on hold for almost three years.

See http://theciphershow.com/episode/101/ for full show notes and comments.

Oliver Wang is a writer, critic, audio blogger, and DJ. He is best-known among hip-hop fans for his features and reviews for LA Weekly, Urb, NPR, and basically everywhere else. We discuss his new book Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area.

The fascinating book looks at a previously unexplored and nearly forgotten scene from the late 1970s through the early 90s. Young people in the Bay Area, almost entirely Filipino, were inspired by the disco craze to form DJ crews and start throwing parties. At its height, there were scores of crews throughout the entire Bay. Some of the scene’s most prominent alumni were QBert, Mixmaster Mike, and Apollo. The three of them would form the Invisibl Skratch Piklz and go on to invent an entirely new kind of DJing, where virtuosic scratching took center stage.

See http://theciphershow.com/episode/103/ for full show notes and comments.

Brad “Scarface” Jordan first came to the public’s attention as a member of Houston’s controversial group The Geto Boys. The trio - Scarface, Willie D, and Bushwick Bill - made dark, edgy, and often disturbing music. Their songs like “Mind Playing Tricks on Me” and “Damn It Feels Good to be a Gangsta” gained them legions of both fans and critics.

Scarface released his first solo album in 1991, and has since put out classics like Mr Scarface Is Back, The Diary, and The Fix, that continue his career-long streak of well-crafted storytelling and unflinching honesty and self-examination. Now he has a new project - a memoir written with Benjamin Meadows-Ingram called Diary of a Madman: The Geto Boys, Life, Death, and the Roots of Southern Rap, published by Harper Collins. The book covers his life with the same directness and power we’ve seen in his raps.

Our talk with Face covers his musical influences in great detail, and also finds time to cover his own career, the book, how he felt trapped by his own name, and lots more.

See http://theciphershow.com/episode/104/ for full show notes and comments.

RJD2 began his career as a DJ in the mid-1990s, but it wasn’t until his 2002 solo album Deadringer that he really started making noise. That record got a ton of attention for its creative sample-based approach to instrumental hip-hop, and RJ became an important part of the El-P led Def Jux label, which was a huge force in the underground rap scene of the era.

Since then, he has released a ton of wildly varying, but always worthwhile and interesting, projects, from hip-hop records to synthesizer-based soundscapes to pop songs with his own vocals. One of RJ’s tracks, “A Beautiful Mine,” is best-known to most people as the theme for AMC’s hit show Mad Men. His brand-new album with rapper Sugar Tongue Slim is called STS X RJD2.

See http://theciphershow.com/episode/105/ for full show notes and comments.

John Lydon, a.k.a. Johnny Rotten, is a true punk legend. He was the singer of the Sex Pistols, the ground-breaking British punk band. The Pistols formed in 1975, and their raw sound combined with Lydon’s powerful, unfiltered lyrics taking shots at the Queen, the music industry, and the system as a whole created something entirely new – a sound, look, and attitude that would quickly be picked up and copied by legions of bands to follow, and would spark the punk rock revolution.

The Sex Pistols broke up in early 1978, and Lydon went on to form the influential group Public Image Limited, or PiL. The group went in an entirely different direction, making often-danceable, experimental music. Their second album, 1979’s Metal Box, is generally regarded as a landmark release, and was chosen as one of the 500 Greatest Albums of All Time by Rolling Stone.

Lydon’s new memoir, which covers the entirety of his life and career, is called Anger Is An Energy: My Life Uncensored (Dey Street).

We were joined by legendary photographer Janette Beckman (soon to be a Cipher guest herself), who took some pictures – the first time she had photographed Lydon since she took now-famous shots of him with the Sex Pistols and in the early days of PiL, like the image you see above.

See http://theciphershow.com/episode/106/ for full show notes and comments.

Nicholas “Murs” Carter is a rapper who has seen and done it all. He began his career in the Los Angeles underground scene as a teenager in the early 1990s with his friends in the Living Legends collective. By the early years of the next decade, he had become a major player in the world of underground rap.

His subsequent solo albums on both indie and major labels, as well as his collaborations with artists like Slug and 9th Wonder, have cemented his status as one of the most notable rappers out there, underground or otherwise.

His brand-new album is Have A Nice Life.

See http://theciphershow.com/episode/107/ for full show notes and comments.

Al “Blueprint” Shepard is a Columbus, Ohio-based emcee and producer. He got his start in that city’s vital scene in the late 1990s, along with talents like RJD2, Copywrite, and Camu Tao. However, most rap fans first heard his unique voice, freestyle skills, and creative, melodic beats either via his work on the influential Rhymesayers label, or in his duo with RJ called Soul Position.

Blueprint has been all over the map musically – from straight ahead boom-bap to electronic experimentation to jazzy instrumentals to full-length tributes to his favorite bands. But he’s brought his unique musical sensibilities and inquisitive, ever-searching nature to all of it.

His latest album, released this past April, is King No Crown.

See http://theciphershow.com/episode/110/ for full show notes and comments.

This week, our guest is Benjy Melendez, founder, President, and singer of the Ghetto Brothers. He is joined by his co-author and friend, Amir Said.

The Ghetto Brothers were one of the largest and most powerful street gangs in the Bronx in the late 1960s and early 70s - a time when the borough, and New York City as a whole, had plenty to choose from. At its height, the organization had around 2,000 members city-wide.

But after one of their key figures got killed by rival gangs, Benjy devoted his efforts to peace, and held a now-famous peace treaty meeting at the Hoe Avenue center in the Bronx in 1971 - a gathering that set the stage for the ending of the gang era and the beginnings of hip-hop.

In addition to being a powerful organization, the Ghetto Brothers were also a rock and roll band. They only released one album, 1971’s Power Fuerza, but it became a prized collectors item, notable for its surprisingly sweet lyrics and Beatle-esque melodies, Latin percussion, and unique backstory.

While parts of Benjy’s story have been shared in the new documentary Rubble Kings and even in a graphic novel, the new book by Benjy and Amir Said, Ghetto Brother: How I Found Peace in the South Bronx Street Gang Wars, is the first place Benjy shares his entire life story.

See http://theciphershow.com/episode/114/ for full show notes and comments.

Luther Campbell needs no introduction. Since starting his career as a DJ in Miami in the late 1970s, he’s been an innovator musically, culturally, business-wise, and even legally. As the mastermind behind 2 Live Crew, Campbell guided the group’s change from a California-based conscious rap group into a pioneering Southern crew who popularized Miami bass music, and whose raunchy lyrics were often imitated.

It was those same raunchy lyrics that would land Campbell and the group in repeated legal hot water. Luke fought and won legal battles not only for his group’s right to be, as his most popular and controversial record would have it, “as nasty as they wanna be,” but also for record stores’ right to sell his work. He also took a battle to parody songs all the way to the Supreme Court - and won. Simultaneously, he was running the fiercely independent Luke Records, which was for a time the largest black-owned record label in the country, and discovering acts like Poison Klan, Trick Daddy, and Pitbull.

Luke has also been fiercely devoted to the children of his native Liberty City neighborhood, starting a popular youth football league, coaching teams himself, and even running for Mayor of Miami in 2011. His latest venture is a memoir (with Tanner Colby) that covers his wild life and times, as well as the history of his hometown. It’s called The Book of Luke: My Fight for Truth, Justice, and Liberty City, published by Amistad.

See http://theciphershow.com/episode/116/ for full show notes and comments.

Denaun Porter is best-known as a member of the group D12 – a collective that also featured one of his best friends, a fellow Detroit rapper named Eminem. But Denaun’s real passion has always been for production.

Porter got his start as a beatmaker (after some tips from a young Dilla) with Em’s hard-to-find debut album Infinite, which he produced in its entirety. But as his pal teamed up with Dr. Dre, so did he. Denaun quickly began producing songs for Xzibit, 50 Cent and G-Unit, Busta Rhymes, Rakim, Pharoahe Monch, and lots more.

After the death of fellow D12 member and longtime Eminem hypeman DeShaun “Proof” Holton in 2006, Porter took a break from music. But he’s returned stronger than ever, releasing a brand-new solo EP, Stuff in my Backpack, and taking up his late friend’s hypeman job on top of it.

See http://theciphershow.com/episode/119/ for full show notes and comments.

This week, we talk to MF Grimm, along with his producer and group-mate Drasar Monumental. Grimm is a rapper, producer, and now an award-winning comic book writer, who is just now making some of the greatest music of his long and storied career.

After growing up in the New York City of the 70s and 80s - and making a short stint as a child actor on Sesame Street - Grimm began his hip-hop career on the city’s battle scene. He quickly gained attention, started ghostwriting for more successful acts, and was on the verge of solo stardom when he was shot and paralyzed in 1993, in an incident that also killed his brother.

Grimm recovered, and even executive produced his friend MF Doom’s 1999 solo debut Operation: Doomsday, which was recorded in the basement of Grimm’s Rockland County house. Starting in 2001, he began releasing a string of powerful solo albums that molded the ups and downs of his life into powerful artistic statements. He also moved into another medium, writing the autobiographical graphic novel Sentences: The Life of MF Grimm.

Since 2012, he has been working on the Good Morning Vietnam trilogy of albums with our second guest, producer Drasar Monumental.

See http://theciphershow.com/episode/123/ for full show notes and comments.

Prof is a Minneapolis-based rapper whose fun and deceptively intricate tracks and entertaining, sometimes chaotic live shows have been entertaining fans since the mid-2000s. He has an outsized, outrageous comic persona, but that doesn’t stop him from frequently rapping movingly and artfully about his difficult childhood and family life.

Prof quickly rose through the hip-hop ranks in his hometown, and is one of only a handful of rappers - local or otherwise - who can sell out Minneapolis’ biggest venues. His success led to him joining forces with the city’s pre-eminent hip-hop label, Rhymesayers. Prof’s debut album on the label, Liability, just dropped this past Friday, October 16th.

See http://theciphershow.com/episode/125/ for full show notes and comments.

Raquel Cepeda is an author, journalist, filmmaker, podcast host, and a whole lot more. She grew up in both the Dominican Republic and the New York City of the 1980s. In 2001, she became the Editor-In-Chief of Russell Simmons’ One World magazine. She left the magazine in 2004, just in time to edit the definitive anthology of rap writing, And It Don’t Stop: The Best American Hip-Hop Journalism.

Raquel would go on to make the documentary Bling: A Planet Rock, where she took Paul Wall, Raekwon, and Tego Calderon to Sierra Leone in order to learn the truth behind the country’s diamond trade. Her most recent book is a memoir, Bird of Paradise: How I Became Latina, and she’s also a “co-discussant” on the podcast Our National Conversation About Conversations About Race.

See http://theciphershow.com/episode/127/ for full show notes and comments.

Darlene Ortiz is best-known for her iconic pose on the cover of Ice-T’s 1988 album Power, a shot that no one who has seen it has ever forgotten. But there’s far more to her than bathing suits and guns.

She was right by Ice-T’s side during his rise to the top of the rap game. The two met when Darlene was a 17 year old hip-hop obsessive, and she and Ice quickly became rap’s first power couple. She appeared on his album covers and in his videos, and was right by his side for tours, TV appearances, movie roles, and the infamous “Cop Killer” controversy.

Darlene has a brand-new memoir called DEFINITION OF DOWN:My Life with Ice T and the Birth of Hip Hop, published by Over the Edge Books.

See http://theciphershow.com/episode/131/ for full show notes and comments.

This week, we talk to April Walker. She’s the founder of Walker Wear, a clothing brand that was worn by all of the top entertainers and athletes of the early 1990s, from Tupac to L.L. to Mike Tyson to her neighbor Biggie Smalls.

Walker began her career with a small custom shop in Brooklyn. But early on, she started attracting hip-hop’s elite, and she soon began a styling division that dressed artists in countless videos, motion pictures, album covers, tours and photo shoots.

She began her own line, Walker Wear, in 1992. It became a huge success, and a favorite brand of many, many stars. Walker Wear ended in 1998, after the oversaturation and subsequent collapse of the urban fashion world. But in 2013, Walker brought back her eponymous company, and now sells both retro and new pieces online.

See http://theciphershow.com/episode/133/ for full show notes and comments.

It’s that time of year! We sit down with Bill to talk about this year’s edition of his world-famous Christmas music mix Xmas Jollies 2015, which you can stream EXCLUSIVELY from us here.

We also discuss how Bill’s extensive hip-hop archives ended up at Cornell University, despite the wishes of his pal Lyor Cohen; why you’ll soon see his photos at the Smithsonian; and the story of how a noted civil rights activist was outed as an FBI spy.

See http://theciphershow.com/episode/134/ for full show notes and comments.

Oscar “Paris” Jackson Jr. is a rapper, songwriter, and producer who has been a militant voice for justice in the rap world since the 1980s. He came out of the Bay Area’s small but diverse and creative hip-hop scene towards the end of that decade, and made a splash with his 1990 debut album The Devil Made Me Do It, which mixed innovative musical choices with Black Panther-inspired politics and a Nation of Islam-influenced spiritual bent.

But it was his second album, 1992’s Sleeping With the Enemy, that really brought Paris to the notice of the masses. A song from that album called “Bush Killa,” about assassinating then-President George H.W. Bush, and another one about revenge killings of police officers called “Coffee, Donuts and Death,” got him attention from the Secret Service and dropped from his label.

But that didn’t stop Paris, who continues to release albums, including this fall’s Pistol Politics, and to rail against injustice in his rhymes.

See http://theciphershow.com/episode/136/ for full show notes and comments.

This week, we talk to Kevin Coval and Nate Marshall. Kevin and Nate, along with Quraysh Ali Lansana, are co-editors of the new poetry anthology The Breakbeat Poets. The book is billed as being “the first poetry anthology by and for the Hip-Hop generation,” and features the work of 78 different poets, representing several different generations of hip-hop fans and practicioners. The book is a first step in creating a Breakbeat Poet movement – a way of bringing the poetics and aesthetics of hip-hop into the world of poetry.

Kevin, who longtime Cipher listeners may remember from his appearance on Episode 52, is the author of many book including Schtick, L-vis Lives: Racemusic Poems, Everyday People and Slingshots: A Hip-Hop Poetica. He is the founder of Louder Than a Bomb: The Chicago Youth Poetry Festival, Artistic Director at Young Chicago Authors, and teaches at the University of Illinois at Chicago.

Nate is the author of NAACP Image Award-nominated book Wild Hundreds. He is a founding member of the poetry collective Dark Noise, and is also a rapper.

See http://theciphershow.com/episode/137/ for full show notes and comments.

Raqiyah Mays is a journalist, radio personality, author, and activist. She has been a major voice in hip-hop on the airwaves, on the page, and behind the scenes, and has now turned her attention to fiction. Her debut novel The Man Curse was just published by Simon and Schuster Digital.

Raqiyah began her career at Vibe, working closely with then-editor in chief Danyel Smith during the magazine’s Golden Age. She then became a freelance journalist, before moving onto radio, where she worked for both of NYC’s giant hip-hop stations, Power 105 and Hot 97.

The Man Curse, released this past November, chronicles the struggles of a young woman who works at a suspiciously familiar-seeming urban magazine under a glamourous EIC, as she attempts to become the first woman in her family to find true love.

See http://theciphershow.com/episode/138/ for full show notes and comments.

Torae Carr has been a mainstay on the underground hip-hop scene since his debut mixtape, 2008’s Daily Conversation. Since then, he has released a number of excellent and varied projects, both solo and with collaborators like Marco Polo and Skyzoo. He also hosts his show The Tor Guide six days a week on Sirius XM satellite radio.

Torae’s superb brand-new album is called Entitled. We talk about that, but also take it way back to his earliest raps, his wild ride through the record industry, and much more.

See http://theciphershow.com/episode/139/ for full show notes and comments.

Quelle is a rapper and producer who originally hails from Detroit – though he’s also passed through St. Louis, Los Angeles, Chicago, Brooklyn, and more. He got his start with Detroit’s Wasted Youth crew, teaming up with artists like Denmark Vessey, Big Tone, and even Danny Brown, the last of whom used two of Quelle’s beats on his breakthrough album XXX.

Quelle’s music runs the gamut from banging rap beats to experimental synth pop, and his subject matter from raunchy humor to conversations with God. His most recent solo album, last year’s Innocent Country, is his most powerful and wide-ranging work yet.

See http://theciphershow.com/episode/141/ for full show notes and comments.

Saul Williams is a man of many talents - an actor who has starred in hit movies and Broadway shows; a poet who made a huge impression on the spoken word and poetry slam scenes and has published multiple volumes; and a musician who has recorded five albums with collaborators like Trent Reznor and Rick Rubin.

It is this last talent that brought him to us for this episode. Saul has a brand-new album called MartyrLoserKing that brings together many of his career-long themes into its story. The record, along with an accompanying graphic novel and film, both in the works, tells the story of the titular character, a cyber hacker living in the East African country of Burundi. He builds a Frankenstein’s Monster-like super-computer from the parts of abandoned desktops, teaches himself how to code, and develops an online cult following. He’s in love with a transgender woman named Neptune Frost and hosts a cryptic and anarchist podcast. His eventual hacks into Google and the Pentagon turn him into Public Enemy No. 1, a kind of militant Edward Snowden. We talk to Saul about how the story came about, where it’s going, and his thoughts on recent events from David Bowie’s passing to the Paris terrorist attacks.

See http://theciphershow.com/episode/142/ for full show notes and comments.

Eligh Nachowitz and Corey Scoffern, a.k.a. The Grouch, are rappers best known for their affiliation with the Living Legends crew. The group, which also included our recent guest Murs, were pioneers in the independent West Coast rap scene in the 1990s. Eligh began his career with Murs and fellow future Living Legend member Scarub in a group called Three Melancholy Gypsys while still a teenager. That crew joined with another group called Mystik Journeymen, picked up a few members including The Grouch, and formed the Living Legends. Their lo-fi albums, made initially on four-tracks, plus their self-booked international tours, set a template that independent rappers follow to this day.

Eligh and The Grouch began releasing music as a duo in in 1998, and have released a number of albums together, most recently 2014’s triple album The Tortoise and the Crow. Together, separately, and with the rest of the Living Legends, their sprawling discography is one of the finest of the era.

See http://theciphershow.com/episode/143/ for full show notes and comments.

Adrian Miller is the manager of Anderson .Paak, the rapper/singer/musician who rose to stardom after his show-stopping appearances on Dr. Dre’s new album, Compton: A Soundtrack By Dr. Dre. But there’s a whole lot more to Adrian’s story than helping to guide Anderson from obscurity to overseas tours and late-night television appearances.

Adrian was at the epicenter of the Los Angeles rap scene throughout the 1990s. He played a key role in the rise of acts like Coolio, Freestyle Fellowship, Funkdoobiest, Cypress Hill, House of Pain, The Pharcyde, and many, many more. His time in LA reads like a who’s-who of artists, producers, executives, and even movie moguls. After helping to get the L.A. rap scene on its feet, Miller took a job at Warner Brothers as the Senior Vice President of A&R, working directly under legendary executive and manager-to-the-stars Benny Medina. We talked to him about his entire crazy journey, from getting his first real radio job in Oklahoma all the way to making deals with Dre.

See http://theciphershow.com/episode/144/ for full show notes and comments.

Ruste Juxx is a long-time affiliate of the Boot Camp Clik, the long-running underground rap powerhouse collective. His work solo and with producers like Marco Polo, VS the Best, and Kyo Itachi has helped to keep BCC’s rough, powerful, and smart aesthetic alive and vital.

Ruste also served for years as onstage foil to one of BCC’s key members, the late Sean Price. Ruste toured with Sean all over the world, and had a bird’s eye view of his memorable - and often unpredictable - performances.

Ruste has two new projects - Meteorite, with the producer Kyo Itachi, and Def By Stereo, with the Beat Bruisers and Pawz One.

See http://theciphershow.com/episode/145/ for full show notes and comments.

Idris Goodwin is an award-winning playwright, poet, rapper, essayist, and spoken word artist. His plays have been put on all over the country, and he has performed on HBO, Discovery Channel, and even Sesame Street. His book of poems and essays, These Are The Breaks, was published in 2011.

Idris’ most recent project has been a series of “breakbeat plays” - works of theater that are influenced by and reflect both the content and the form of hip-hop music and culture. His latest breakbeat play The Realness is at the Merrimack Repertory Theatre in Lowell, Massachusetts through April 10th.

See http://theciphershow.com/episode/148/ for full show notes and comments.

Fat Joe and Remy Ma are longtime friends and collaborators who have been making music together since the heyday of their crew The Terror Squad in the early 2000s. Their 2004 Grammy-nominated smash “Lean Back” was number 1 for three weeks and became one of the most popular songs of the decade.

But as any hip-hop fan knows, both of their stories go much deeper than that. Joe first came on the scene in the early 1990s as part of the powerhouse Diggin’ in the Crates crew. Joe’s first verses were on DITC member Diamond D’s classic 1992 debut Stunts, Blunts and Hip Hop, and Diamond would produce most of Joe’s own debut record, Represent, the following year.

As Joe’s career developed, he started his own crew called the Terror Squad, which came to include Remy and her mentor, the late Christopher “Big Pun” Rios.

Pun’s death in 2000 took a toll on crew morale, and the group gradually split apart. By the time of Remy’s 2006 debut There’s Something About Remy: Based On A True Story, Joe and Remy had fallen out completely.

In July 2007, Remy was arrested for shooting an acquaintance outside a Manhattan nightclub. She served six and a half years behind bars, and was released in August 2014. A reconnection with Joe soon followed, and the two began working together again. Joe and Remy’s latest hit single is “All The Way Up,” and they have a duo album coming out very soon.

See http://theciphershow.com/episode/150/ for full show notes and comments.

Allah B is a longtime member of the Nation of Gods and Earths, formerly known as the Five Percenters. He grew up in Harlem in the 1950s and 60s, a time when the Nation of Islam had huge influence thanks to its minister, Malcolm X. Clarence 13X Smith was an NOI member who became disenchanted with the group around 1963, and formed his own organization the following year. Clarence quickly became known as “Allah” or “The Father,” and most of his early disciples were teenage boys, Allah B among them.

The group, originally known as the Five Percenters and now as the Nation of Gods and Earths, grew steadily until Allah’s murder in June 1969. It would have a rebirth in the 1980s and 90s, as many of the young children raised in the group’s beliefs would go into hip-hop and spread Five Percenter beliefs, slang, and practices far and wide.

If you’ve ever listened to Rakim, Big Daddy Kane, or the Wu-Tang Clan, said “Peace” or “word,” or stood in a b-boy stance, you owe a huge debt to the Gods and Earths, whether you realize it or not. Allah B has been there for the group’s whole history, and shares it with us in this interview.

See http://theciphershow.com/episode/151/ for full show notes and comments.

Krizz Kaliko first became known to hip-hop fans in the early 2000s as the ever-present hookman and onstage foil to Tech N9ne and other Strange Music artists, lacing tracks with both singing and rapping. His solo career would begin in 2008 with the album Vitiligo, and each record after that would reveal a diverse musical personality, equally comfortable with double-time raps, r&b hooks, and even Sinatra-style crooning.

Krizz’ latest album, released this past April, is called GO.

See http://theciphershow.com/episode/153/ for full show notes and comments.

Dame is a producer who has sold tens of millions of albums in his storied career. He got his start working with The LOX, and had his first big hit with their tribute to Biggie, “We’ll Always Love Big Poppa.” After giving The LOX several of the biggest songs on their debut album Money, Power, Respect, Dame started working with another member of the Ruff Ryders camp, DMX. He produced almost the entirety of X’s 1998 debut It’s Dark and Hell Is Hot, beginning a working relationship and friendship that continues to this day.

That album sold over five million copies, and moved Dame into the ranks of superstar producers. He made hits for Cam’ron, Nas, Noreaga, Freeway, and countless others. Then he moved on to a whole sound, helping Max B and French Montana define their “wave” movement. Today, he’s still making songs at a record clip – and we do mean that literally.

See http://theciphershow.com/episode/154/ for full show notes and comments.

Sput is a drummer, keyboardist, and producer who consistently plays with the top acts in the world. Hip-hop fans have heard his work with Snoop Dogg, Timbaland, and Kendrick Lamar. But in addition to that, the Dallas native has played with everyone from Erykah Badu to Celine Dion to his main gig, the instrumental powerhouse band Snarky Puppy.

But back before all that, Sput got his start as a part of Kirk Franklin’s Grammy-winning group God’s Property, which he played in as a teenager - and whose lineup, incidentally, was a who’s-who of future star musicians.

See http://theciphershow.com/episode/155/ for full show notes and comments.

Robert Aguilar, a.k.a. Rob Swift, grew up in Queens, New York and was already DJing by the age of 12 thanks to the influence of his father and older brother. In 1991, he was recruited to join a prestigious Harlem-based DJ crew called The X-Men. In 1992, Swift won the prestigious DMC East Coast title, and gained recognition within the DJ community. He soon started recorded with artists like Fat Joe, Akinyele, and Chi-Ali.

The X-Men eventually changed both their personnel and their name. They became The X-Ecutioners and narrowed down to Rob, his longtime friend Roc Raida, and Mista Sinista. That lineup released successful albums like Built From Scratch and Revolutions, toured the world, and worked with artists like Linkin Park, Big Pun, Everlast, Rob Zombie, and even the Blue Man Group.

Since leaving the X-Ecutioners, Rob has continued his experimentation. He’s worked with jazz artists like Herbie Hancock and Bob James, released an album inspired by classical music, and even started teaching DJing at the New School in New York City.

See http://theciphershow.com/episode/161/ for full show notes and comments.

David “Chino” Villorente is not only one of the foremost graffiti artists ever to pick up a spray can, he’s also a true historian of the art form. His work has been seen on television, in magazines, and in galleries. He has also written numerous books about different aspects of graffiti culture (including several with our Episode 124 guest Sacha Jenkins) , and served a huge role in popularizing the culture as the editor of The Source’s influential “Graf Flix” column.

To see all of the art we talk about during this episode, check out this episode’s image gallery.

In addition, Chino gave us a very special playlist of music that inspired him during his writing days. You can check it out on our YouTube page.

See http://theciphershow.com/episode/162/ for full show notes and comments.