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I illustrate the dramatic difference in perception of the protests between news reports and on-the-scene live-streams

Landmarks and statues around the world: old, boring and could use an update. In this weeks Phriday, SA Forum goons photoshop the change they want to see in the world.

Alam-Pedja looduskaitseala, Alam-Pedja Nature Reserve, Estonia.

I took a break from my craft series for a couple months. And then I handed in the first draft of a new book this week! Which means that this weekend I can finally turn my attention to writing about craft in The Housekeeper and the Professor, by Yoko Ogawa.

Yoko Ogawa's slender, stunning book, translated from the Japanese by Stephen Snyder, is a challenging one to use as a writing lesson, because while I can describe a hundred smart and wonderful things about it, that doesn’t mean I know how to translate its beauty into advice to other writers. It’s not helpful for me to say, “See how perfect this is? Now go do that." 

And it is that kind of book, the kind that pulls you into a narrative dream and holds you there so gently, with such soft hands, that it's hard to figure out how you got where you are. When did it happen, and how?

For me, it had already happened by the time I'd gotten to the end of page 3. And I think that the "how" has something to do with a sense of spaciousness.

What do I mean by a sense of spaciousness? Well, it's pretty hard to nail it down exactly, but I've been considering this a lot, and I think it has to do with a combination of things. One is unflowery, unfussy prose. Another is revelation of character through brief, searing lines of plot or observation. (You know those beautiful moments in books when a single sentence seems to capture the essence of a character, and just like that, you feel like you can see into their soul?) Another is a gentle, no-rush kind of pacing. Another has to do with themes that lend themselves to spaciousness. And another is the way Ogawa hooks this story into two real-world entities that have power, meaning, and spaciousness outside any book: mathematics and baseball.  

You didn't think this was going to be simple, did you? :o) The Housekeeper and the Professor is a book that seems spare and uncomplicated as you read it, but I think it's deceptively so. There's a lot packed into its 180 pages. The reader who feels suspended in a narrative dream is actually perched on top of a lot of strong, invisible foundations. Today I'll try to look at those foundations a little closer.

I'm not going to harp on the unflowery, unfussy prose, because I think you'll see that for yourself when I share examples from the text. Instead I'll talk first about the revelation of character, then get into pacing and themes, then say a little about the allusions to mathematics and baseball.

All page references are to the 2009 English-language paperback edition published by Picador.

First, a brief overview, with no spoilers: A housekeeper is assigned to work in the house of a professor of mathematics who lives in a small city on the Inland Sea. The professor, who's sixty-four, sustained a brain injury in an automobile accident seventeen years ago and lost his ability to form new memories. "He can remember a theorem he developed thirty years ago, but he has no idea what he ate for dinner last night" (5). He can only remember new things for eighty minutes. 

As a consequence, every morning, when the housekeeper arrives at the home of the professor, she's a stranger to him, as is her son who often accompanies her. And every day is predictable in some ways, yet thoroughly unpredictable in others. 

Told from the perspective of the housekeeper, the book is about the inner lives and growing relationships of four people, all of whose real names are not used: the housekeeper; her son; the Professor; and the professor's sister-in-law, who lives in the main house across from the professor's cottage. The book contains small, quiet, satisfying revelations. You learn more information about all of the characters over time. But the journey is as satisfying as the destination. This is one of those books where I wasn't reading to find out what happens; I was reading for the pleasure of spending time with the book.

Now, let's talk about character.

In the hands of a clunky writer, a character's inability to form new memories would be a gimmick. There are no gimmicks here. Almost from the first line, these are people you believe in, with thoughts and dilemmas that suspend you in a state of wanting, along with these characters, to understand what it means to be human. 

Here's how the book opens:

We called him the Professor. And he called my son Root, because, he said, the flat top of his head reminded him of the square root sign.

"There's a fine brain in there," the Professor said, mussing my son's hair. Root, who wore a cap to avoid being teased by his friends, gave a wary shrug. "With this one little sign we can come to know an infinite range of numbers, even those we can't see." He traced the symbol in the thick layer of dust on his desk.

This opening is the first of many times when the Professor embarks on an explanation of a mathematical concept. You, the reader, might immediately groan, thinking, Oh no, he's going to lecture, he's going to mansplain math… But only two pages later, on page 3, our narrator, the housekeeper, addresses that concern with this description:

But the professor didn't always insist on being the teacher. He had enormous respect for matters about which he had no knowledge, and he was as humble in such cases as the square root of negative one itself. Whenever he needed my help, he would interrupt me in the most polite way. Even the simplest request—that I help him set the timer on the toaster, for example—always began with "I'm terribly sorry to bother you, but…" Once I'd set the dial, he would sit peering in as the toast browned. He was as fascinated by the toast as he was by the mathematical proofs we did together, as if the truth of the toaster were no different from that of the Pythagorean theorem.

It's this description of the Professor peering in as the toast browns, caring about it as much as he cares about everything else, that captured my heart on page 3. With that tiny act, Ogawa shows us something essential about the Professor's character. And Ogawa repeats this method of revealing character over and over again, sharing small, isolated moments of searing revelation.

Here's another example of a small moment, one where we learn the Professor's particular, yet socially clueless, sympathy toward children:

Just then, there was a cry from the sandbox. A little girl stood sobbing, a toy shovel clutched in her hand. Instantly, the Professor was at her side, bending over to comfort her. He tenderly brushed the sand from her dress.

Suddenly, the child's mother appeared and pushed the Professor away, picking the girl up and practically running off with her. The Professor was left standing in the sandbox. I watched him from behind, unsure how to help. The cherry blossoms fluttered down, mingling with the numbers in the dirt. (46-47)

I'm not sure the professor understands what's just happened in that moment, but we do. And we can see him and feel for him (at the same time as we might feel frustrated with him).

Here's one more, shorter example: "I wondered how many times I had said those words since I'd come to work at the Professor's house. 'Don't worry. It's fine.' At the barber, outside the X-ray room at the clinic, on the bus home from the ballgame. Sometimes as I was rubbing his back, at other times stroking his hand. But I wondered whether I had ever been able to comfort him. His real pain was somewhere else, and I sensed that I was always missing the spot" (169-170).

Maybe when I use the word "spacious" to describe this kind of characterization, what I mean is that nothing is crowded, every detail is illuminated and clear, and allowed to be the star of the scene it's in. Every description is given the space it's needed. As a result, the characterizations seem clean and spare, but not because the characters are simple people with simple lives. They are complex people with difficult, tragic, sometimes frightening lives. But we can see them clearly, because Ogawa draws them with precise lines on a spacious page. 

I almost want to say that it's like each character is standing alone, visible to us in a bright, uncrowded room, but that makes the characters and the book sound sterile, which is completely wrong. In fact, they live in rooms full of things, especially books, papers, baseball cards, and food. And their lives, thoughts, and feelings are deeply entangled. But reading this book, the reader does not feel entangled. The reader has room.

This is partly because Ogawa gives every moment in this story the same weight as any other part of the story. The moment with the browning toast, for example, is just as important as other longer, more emotionally fraught scenes in the book. And this gets us into pacing. 

This book is composed of a lot of different kinds of passages. Tiny plot moments, like the Professor watching the toast brown. Longer scenes, like one where Root gets injured and the Professor and the housekeeper rush him to the hospital; one where they all go to a baseball game together; one where they have a party. Passages where the housekeeper is musing about the life of the Professor; passages where she's doing a little snooping in the Professor's house, hoping to learn about his past. Occasional passages where the housekeeper is telling us something about her own past. Also, lots and lots of passages about math.

Pacing isn't something I can demonstrate using short examples, because it depends upon how all the parts of the text sit in relation to each other. But I can try to explain what Ogawa does, and what it's like to read: She simply and straightforwardly lets every passage take as much time and space as it needs. It's okay if a math explanation fills up several pages. It's okay if some of the most beautiful and revealing character moments for the Professor — like his ability, every afternoon, to see the evening star before anyone else can (page 79) — take less than a page. There's a way in which the weight of any one part of this book has nothing to do with its length. All the different needs of the text are balanced in their significance. 

How does a short description manage to carry as much weight as a many-paged scene? I think it's partly because of what this book is telling us — its themes. Browning toast is, in fact, as important as the Pythagorean theorem. The housekeeper tells us so. A child is as important as a mathematician. A moment when a man with a brain injury is sad and confused is as important as the most fundamental mathematical discovery. Everything is connected, everything matters, and everything gets to take up space.

One thing I took away from the pacing of this book is that I want to try to worry less about the moments when my text feels uneven. I'll always listen to feedback from my readers when it comes to my pacing — but ultimately, there are other aspects of a text, particularly its style, mood, and themes, that can bind seemingly disparate parts of a book together. Maybe that's something I can talk about more sometime using one of my own books. It comes down to a book being a web, and that's a really complicated thing to try to talk about!

Here's another interesting thing Ogawa does with pacing: While it becomes pretty easy, pretty quickly, for the reader to know who the Professor is, this makes a fascinating contrast with the other characters in the book, who come into focus much more slowly. Especially the housekeeper herself, who's the narrator, but who's always talking about everyone else, hiding herself in the background (much like a housekeeper). Honestly, it took me a while to even notice the housekeeper as a character. And then I began to care about her experience deeply.

A lot of our revelations about the housekeeper's character relate to math. With a quiet, patient kind of wonder, the housekeeper absorbs every math lesson the Professor gives, and we see what that's like for her. We watch it touch her daily life—and reshape her entire outlook. 

"There was something profound in his love for math," the housekeeper says. "And it helped that he forgot what he'd taught me before, so I was free to repeat the same question until I understood. Things that most people would get the first time around might take me five, or even ten times, but I could go on asking the Professor to explain until I finally got it" (23).

Just as the Professor explains math to the housekeeper, Ogawa explains it to the reader, and explains it well; we understand it because we're sharing the housekeeper's growing understanding of it. Consequently, we can understand the way it's changing the housekeeper. One day, while cleaning the kitchen, she finds a serial number engraved on the back of the refrigerator door: 2311. Unable to help herself, she pulls out a notepad and gets to work trying to figure out whether this is a prime number. "Once I'd proved that 2,311 was prime, I put the notepad back in my pocket and went back to my cleaning, though now with a new affection for this refrigerator, which had a prime serial number. It suddenly seemed so noble, divisible by only one and itself" (113).

Later, she reflects on the relationship between math and meaning: "In my imagination, I saw the creator of the universe sitting in some distant corner of the sky, weaving a pattern of delicate lace so fine that even the faintest light would shine through it. The lace stretches out infinitely in every direction, billowing gently in the cosmic breeze. You want desperately to touch it, hold it up to the light, rub it against your cheek. And all we ask is to be able to re-create the pattern, weave it again with numbers, somehow, in our own language; to make even the tiniest fragment our own, to bring it back to earth" (124).

(It's worth mentioning that this book's sense of spaciousness is also aided by descriptions of actually spacious things. It's hard to imagine something more spacious than infinite lace!)

Slowly, we watch the housekeeper's relationship with the Professor—and with math—change her entire concept of herself. Here, the Professor has just watched her cook dinner with utter fascination and respect: "I looked at the food I had just finished preparing and then at my hands. Sautéed pork garnished with lemon, a salad, and a soft, yellow omelet. I studied the dishes, one by one. They were all perfectly ordinary, but they looked delicious—satisfying food at the end of a long day. I looked at my palms again, filled suddenly with an absurd sense of satisfaction, as though I had just solved Fermat's Last Theorem" (135).

Honestly, the mathematics in The Housekeeper and the Professor is one reason it's tricky to use this book as a craft lesson. It's clear Ogawa has enormous mathematical expertise, which breathes life and meaning into this story — but not many writers are going to have that expertise at their disposal, and not all stories can be about math. I also wonder what it's like to read this book if you're indifferent to math, or even hate it? Baseball, which is extremely math-based, plays another huge part in this book — I wonder how the book reads to people untouched by both math and baseball? I happen to adore both; I lap up baseball movies and math plays like Arcadia or Proof with the purest joy; so it's impossible for me to imagine reading this book from the perspective of a baseball-hater or a math-hater. It's hard to imagine that reader having the same experience I'm having.

Nonetheless, the point remains that Ogawa is harnessing the essence of other disciplines, math and baseball, and using them to expand her story — and it works for a lot of readers. It creates a kind of magic similar to Victor LaValle's use of fairytales in The Changeling. Things that we understand in a different context, like math or fairytales, can expand the meaning of realities that otherwise don't make sense, or hurt too much. Like a person who's lost a part of their brain that they need in order to make new, sustained relationships. Or a housekeeper who's been alone, unsupported, and unappreciated for most of her life.

And here again, Ogawa makes spacious choices. Is anything more spacious than math? Math defines space, and the infinity of space. And one of the complaints most often brandished at baseball is that there's way too much empty space in the game :o). Math and baseball serve as themes helping to create the book's spaciousness.

So. I'm not convinced that this post is the most useful entry in my craft series, especially for any of you looking for nitty-gritty writing advice. But I do hope you'll read Ogawa's The Housekeeper and the Professor, and maybe my thoughts will combine with your own to help you come to some conclusions. I'll end this post with a spacious image:

"As we reached the top of the stairs that led to the seats above third base, all three of us let out a cry. The diamond in all its grandeur was laid out before us — the soft, dark earth of the infield, the spotless bases, the straight white lines, and the manicured grass. The evening sky seemed so close you could touch it, and at that moment, as if they had been awaiting our arrival, the lights came on. The stadium looked like a spaceship descended from the heavens" (88).

Happy writing!

 

Reading like a writer.

We’re expanding flood forecasting to over 100 countries and making our breakthrough AI model available to researchers and partners.

Here are four new Chrome iOS features making it even easier to use this browser across devices.

We’re reprinting the Seventy Maxims “defaced” edition, and the crowdfunding project for that wraps up in just under a week.

As part of this project I’m designing two posters, both of which will have all seventy maxims on them. Yesterday I spent a few hours tweaking various text attributes like kerning and quote height, and finished up the two-column version of the poster. It’ll be a 16″x20″ thing, and will look something like this…

If you want to get your hands on one of these posters, perhaps for the wall of your office, or maybe the local kindergarten, jump in on the Backerkit project today. We’ll be printing extras, of course, but backing the project is the only way to ensure that we set one aside for you.

And speaking of Backerkit… this project is an experiment, a stress-test of a new soup-to-nuts crowdfunding service, an alternative to Kickstarter. For several projects we’ve used Backerkit in conjunction with Kickstarter, because Backerkit makes fulfilment easier for complex projects. They’ve been around for a while, and we love working with them.

We still like working with Kickstarter, but it’s good to have an alternative—especially since Kickstarter briefly flirted with adding NFTs to their blockchain infrastructure, sending much of their community scrambling for other options. They’ve backed away from that ledge, at least for now, which makes us happy. Also, we are happy to be trying out a different service. We like having options.

Unsurprisingly, there are a couple of maxims that may apply here:

50: If it only works in exactly the way the manufacturer intended, it is defective.
30: A little trust goes a long way. The less you use, the further you’ll go.

(You, too, can cite maxims as if from memory… all you need is one of these fancy new posters on a wall where you can see it.)

Following its return last Saturday, Netflix has finally shared the Arcane Season 2 Act 2 trailer for the next three episodes of the hit action fantasy series, based on Riot Games’ League of Legends video game. The second half of the final season will be available for streaming this Saturday, November 16. “The aftermath of […]

The post Arcane Season 2 Act 2 Trailer Previews What’s Next for Jinx & Vi appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.

Kevin Federline is a popular disk jockey, dancer, and actor, arguably best known for his first marriage to pop star Britney Spears. As a dancer, he has worked with the likes of Michael Jackson, Justin Timberlake, and Pink. He also appeared alongside Spears on a reality TV series called Britney and Kevin: Chaotic. But, Federline […]

The post Who Is Kevin Federline’s Wife? Victoria Prince’s Job & Relationship History appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.

Ахтям Сакаев из компании Яндекс предложил изменение для включения в Java-библиотеку Reactor, связанное с добавлением в объект Flux метода "unfold" для генерации последовательностей в стиле Scala и Haskell. Несмотря на то, что изменение содержит всего несколько строк кода, поведение которого очевидно, сопровождающие проект отказались принимать изменение по юридическим причинам. Библиотеку Reactor развивает проект Spring, контролируемый компанией VMware, которая год назад была поглощена Broadcom. Майкл Минелла (Michael Minella), занимающий в Broadcom пост директора по развитию открытого проекта Spring, пояснил, что компания Broadcom должна соблюдать экспортные ограничения США и не может принимать изменения от источников из России.

My latest short story is out in The Magazine of Fantasy & Science Fiction. When I first started writing short stories, back in the 90s, F&SF was one of the ‘big three’ that I really wanted to get a story in to cross off my bucket list. The big three were Asimov’s, F&SF, and Analog. […]

I had the honor of being the Guest of Honor at the science fiction convention Capricon in Chicago just a little over a week ago...

So this is a test blog entry to see if Ulysses is synched up to my blog. I’ve not been blogging much, but as I recently withdrew a bit from Twitter and Facebook in order to finish a novel and wrap up another really cool freelance project, I started to think about ways to optimize […]

As voters across the United States head to the polls, we speak with New York Times writer Jim Rutenberg about how Donald Trump may try to preemptively declare victory and challenge election results. The former president has ramped up claims Democrats are “a bunch of cheats” and preemptively cast doubt on a win by Vice President Kamala Harris, following a similar playbook as 2020 when he baselessly claimed the election was stolen. Rutenberg spoke to pro-Trump election officials in battleground states of Arizona, Georgia, Nevada and Pennsylvania who say they are ready to refuse to certify local election results as part of a wide-ranging effort to throw the system into disarray. Rutenberg says after the failed insurrection of January 6, 2021, many in Trump’s orbit had a clear goal for 2024: “We have to go local.” He also discusses the Electoral Count Reform Act of 2022 that makes it harder to stop the final certification of results.

In a major piece for Mother Jones magazine on “Why Ballot Measures Are Democracy’s Last Line of Defense,” voting rights correspondent Ari Berman discusses abortion ballot measures in 10 states, important down-ballot races in Wisconsin and elsewhere, and the movement to abolish or reform the Electoral College.

As Latino voters are a key voting bloc in the 2024 presidential election in battleground states like Nevada, Arizona and Pennsylvania, they have been targeted by a rise in Spanish-language misinformation. Most of the false messaging disparages Kamala Harris and supports Donald Trump, says Pulitzer Prize-winning journalist Maria Hinojosa, host of Latino USA, which investigated the phenomenon in a new episode called “The Misinformation Web.” She interviewed some of the content creators in this “blob” of online vitriol and says there is almost no effective content moderation online, nor many reliable fact-checking sources in Spanish to counter the lies.

Donald Trump has been reelected president of the United States. Ahead of Kamala Harris’s expected concession speech, we speak to professors Carol Anderson and Michele Goodwin to discuss Harris’s historic campaign — and historic loss. “The Confederacy won,” says Anderson, a professor of African American studies at Emory University. “It paints a picture of what Americans are willing to embrace,” says Goodwin, a professor of constitutional law at Georgetown and an expert on healthcare law, who warns of the public health dangers of a second Trump administration and discusses the election’s implications for reproductive rights.

In the Arab American-majority city of Dearborn, Michigan, Donald Trump beat Kamala Harris by over six percentage points, with third-party candidate Jill Stein capturing nearly one-fifth of the vote. During the primary elections, a majority of Democratic voters in Dearborn selected “uncommitted” over then-presumptive nominee Joe Biden, citing disapproval of the president’s handling of Israel’s aggression in the Middle East. “Uncommitted” voters continued to press the Harris campaign to shift its Israel policy as the election went on, but were routinely ignored. Democrats “made a calculation that they did not need Arab American, Muslim American and Palestinian American voters,” says Palestinian American organizer Linda Sarsour, who was in Dearborn on election night. We speak to Sarsour about the Harris campaign’s failure to secure the support of a previously key part of the Democratic base. “We are going to be in big trouble, and I blame that solely on the Democratic Party and one of the worst campaigns I have seen in my 23 years in organizing.”

While Democratic candidates suffered major losses in this year’s U.S. elections, elsewhere on the ballot voters supported liberal positions. In the wake of tightening federal and state restrictions on abortion, historic ballot measures enshrining the right to an abortion passed in seven states, while other initiatives to raise the minimum wage and codify marriage equality also won by wide majorities. We’re joined by Chris Melody Fields Figueredo of the Ballot Initiative Strategy Center to examine the role of ballot measures, a form of direct democracy, in elections, and why this “powerful tool” may be at risk as conservatives flood elected office. “Because we are resisting, we are winning on these progressive issues, they are trying to take that power away from us.”

The FBI is investigating a spate of racist text messages targeting Black Americans in the wake of Donald Trump’s election victory last week. The texts were reported in states including Alabama, North Carolina, Pennsylvania and Virginia, addressing recipients as young as 13 by name and telling them they were “selected to pick cotton at the nearest plantation” and other messages referencing slavery. For more, we speak with Robert Greene II, a history professor at Claflin University, South Carolina’s first and oldest historically Black university in Orangeburg, where many students were targeted. “Initially when I heard about the texts, I thought it was a bit of a hoax, but … it quickly became clear that this wasn’t just a Claflin problem, it was a national issue, as well,” says Greene. We also speak with Wisdom Cole, senior national director of advocacy for the NAACP, who says “this is only the beginning,” with a second Trump administration expected to attack civil rights and embolden hate groups.

We speak with Dutch Palestinian analyst Mouin Rabbani about the latest developments in the Middle East as Israel continues its deadly assaults on Gaza and Lebanon. Qatar recently announced it will no longer act as mediator for ceasefire talks, saying the two sides were not serious about reaching a deal to stop the fighting. “This entire process from the outset has been a complete charade,” Rabbani says of the U.S.-backed ceasefire negotiations, urging Egypt to follow suit and also stop acting as a mediator. Rabbani also discusses how a second Trump administration could deal with the region, saying Trump’s “erratic” behavior makes predictions difficult, but that signs point to a more aggressive posture toward Iran.

Incoming President Trump’s vow to deport millions of undocumented immigrants when he starts his term has sent private prison stocks soaring. Immigrant rights advocates, including our guest, the executive director of Detention Watch Network, Silky Shah, are preparing for the Trump administration’s threats of mass deportation, a central tenet of his presidential campaign. “The first Trump campaign was defined by the border wall, and this one is really defined by mass deportations,” says Shah. If the Biden administration wants to protect immigrants’ rights before Trump takes office, she adds, it must begin reducing detention capacity by “shutting down facilities now.”

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The Hon'ble Delhi High Court in the case of JV Creatives (P.) Ltd. v. Principal Additional Director General, DGGI, Gurugram Zonal Unit [W.P. (C) No. 10042 of 2024 dated July 23, 2024] dismissed the writ petition filed against the order of provisional attachment passed under Section 83 of the Central

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Reliance Jio's ambitious rollout of its True 5G network across India is not just about faster internet speeds or improved connectivity. One of the less talked about, yet significant benefits is the potential enhancement of smartphone battery life. During the company's

Hi,

I had bought a RHP1 on 04/01/2024 (FY 23-24) for 50 lakhs. I have sold a RHP2 on 10/11/2024 (FY 24-25) and computed a capital gain of 45 lakhs.
1. Can I take exemption u/s 54 by showing the capital gain of 45 lakhs in RHP1?
2. Any particular details to be mentioned in ITR of FY 24-25?

Thank in Advance.

My ITR3 for AY 2023-24 has been processed by CPC under OLD REGIME without recognizing the Taxation Option exercised undersection 115BAC for NEW REGIME by filing FORM 10IE during AY 2022-23 on 01-Jun-2022, which has been CONTINUED for AY 2023-24, as EVIDENT in the ITR3 filed for this Assessment Year. I have also Registered my grievance in this regard in the e-portal of the IT Department and have sought RECTIFICATION FIVE TIMES under Section 154 but have got the same RECTIFICATION ORDER repeating the same MISTAKE with processing done under OLD REGIME with TAX DEMAND of Rs.87,000. (Similar thing had happened in AY 2022-23 but it was corrected by RECTIFICATION). I am in continuous correspondence through email and written communication several times with the Department, including grievances raised on E-PORTAL, but the issue remains UNRESOLVED. I have also registered my grievance in this regard in CPGRAMS Portal of GOI which is pending.
I request advice on further course of action to resolve the issue including as to whether i can file an Appeal under Section 264 .
G S Prakash

As per sources within the Finance Ministry, the Centre is likely to maintain its original budgeted estimate of ₹22.07 lakh crore for direct tax collection when it revises estimates in February. ...

The National Financial Reporting Authority (NFRA) has convened a board meeting scheduled for November 25, where it will examine and potentially set audit standards for limited liability partnerships (LLPs), according to official sources. ...

NFRA recommends revision of the Standard quality control (SCQ1) and Standard quality management (SQM1 and SQM2), on the lines of the global Standards...

For January, the most recent month for which data is available, the TCI came in at -1.71, a significant improvement over December’s -6.1 and November’s -7.94. That was preceded by October’s -11.25, its lowest level since the April 2020 all-time low, at -28.66. The September TCI reading came in at -2.35.

Ready to welcome a steady incoming flow of conference attendees, introduce the world to a host of new industry innovations and provide a full lineup of fun events all week long, ProMat 2023 opened its doors to the world at 10 a.m. CST this morning.

More than 500 fires have burned across Colombia, including in its delicate and unique highland wetlands, one of the fastest evolving ecosystems on Earth

Charlotte, a stingray in a small North Carolina aquarium, is taking a DIY approach to reproduction

En Colombia han ardido más de 500 incendios, incluso en sus delicados y únicos humedales del altiplano, uno de los ecosistemas de más rápida evolución de la Tierra

The release of Apple’s mixed-reality headset raises questions about hours spent in a virtual replacement of our world

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Outside experts found that two studies cited in a federal case on medication abortion had serious design problems and that their authors had undisclosed conflicts of interest

Comet 12P/Pons-Brooks will make its closest approach to the sun this April—right after North America is treated to a total solar eclipse

Two Shell “(rock✧solid)” Two Shell make exciting music about feeling excited. Like, if there’s any other point to a song like “(rock✧solid),” I can’t discern it. They want to make people excited, so they built a track that piles on exciting sounds so it sounds like the excitement is eternally escalating, and you can feel […]

В мире литературы и кино зачастую происходит интересное взаимодействие между книгами и их экранизациями. Читатели нередко влюбляются в атмосферу произведений, персонажей и сюжетные линии, а затем с нетерпением ожидают, когда же их любимые истории будут адаптированы для большого экрана. Однако, как показывает практика, не всегда экранизации оправдывают ожидания поклонников. Но в этой статье мы рассмотрим несколько фильмов и сериалов, которые, по мнению зрителей, напротив, превзошли свои литературные оригиналы, добавив новые краски и впечатления.

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Wear something like this out in public and folks'll know you're not one to be messed with. It'll show people you know what you like and even if there's only one season of it, you're still loyal. In fact, you like Firefly so much that you yearn to have some kind of video game where you can live in the world of Firefly and leave the real world behind if only for a minute. This lo-fi rendering of Serenity signals to others that you're a good man with a good moral compass and anyone who doesn't agree with you can eat lead. Wrap this cunning piece of cloth around your torso and proclaim to the world "we aim to misbehave." $10-13 | URL | Paypal Credit | S - 3XL ')}

Jon recently started a new project. When setting up his dev environment, one of his peers told him, "You can disable verbose logging by setting DEBUG_LOG=false in your config file."

Well, when Jon did that, the verbose logging remained on. When he asked his peers, they were all surprised to see that the flag wasn't turning off debug logging. "Hunh, that used to work. Someone must have changed something…" Everyone had enough new development to do that tracking down a low priority bug fell to Jon. It didn't take long.

const DEBUG_LOG = process.env.DEBUG_LOG || true

According to the blame, the code had been like this for a year, the commit crammed with half a dozen features, was made by a developer who was no longer with the company, and the message was simply "Debugging". Presumably, this was intended to be a temporary change that accidentally got committed and no one noticed or cared.

Jon fixed it, and moved on. There was likely going to be plenty more to find.