Kangana Ranaut once again turns in a bravura performance- sincere, believable and watchable all the time.

Diljit Dosanjh is affable but profoundly bland as Arjun Patiala. Varun Sharma as Arjun's side-kick Onida and Kriti Sanon as Ritu Randhawa are tolerable.

In 'Judgementall Hai Kya,' Kangana Ranaut is solid, and Rajkummar Rao brings a real element of mystery to his character, never allowing us to feel like we’ve entirely figured the guy out.

The movie makers stay true to their promise of, “The Only Sex Film for the Whole Family” and the film ends up being a straitjacketed one for it.

AndhaDhun's most noticeable performance comes from Tabu. She is delightful to watch.

Based on Nickelodeon's wildly popular Dora The Explorer series, this live-action adaptation is engaging and entertaining, but silly at times.

Scary Stories to Tell in the Dark is a clever and well-crafted adaptation of Alvin Schwrtz's ubiquitous horror series of three books of short stories.

Akshay Kumar's Mission Mangal recounts the story of this mammoth event in the tried and tested, personal anecdotal style.

Mission Mangal is enjoyable and entertaining. With Akshay Kumar and Vidya Balan, director Jagan Shakti delivers a space movie that lifts off and frequently soars.

Thurop Van Orman, a voice actor and cartoonist, makes his debut as a director and a reasonably competent one at that.

On the technical front, the film is astutely mounted with all the trappings of an A-grade action film. The fight sequences are brilliantly choreographed, picturised and layered.

The impressively staged but ultimately exhausting action sequences take up the bulk of screen time, but they can’t salvage this soulless film that has all the depth and emotional wallop of a video game.

Chhichhore is all about its characters, frankly, and the hoops they're made to jump. In them you'll likely find traces and memories of your own youth.

Shraddha Kapoor and Sushant Singh Rajput bring a touch of glamour and of course, the much sought after romance to campus life.

This film is another example of how filmmakers lose grip on the story in the sequel. IT Chapter 2 is a letdown, and isn’t worth your penny.

Dream Girl will surely entertain the film going audiences while sparking off an important conversation on gender constructs in Indian cinema.

For most part of it, Section 375 keeps you confused about the possible outcome of the case, and that’s a moral victory the director can claim.

In Dream Girl, Ayushmann plays Karam, an unemployed young man in Gokul, Mathura, who takes a job at a call centre. Read our review of the film here.

Section 375 is a well-made film with a persuasive argument that is nevertheless disturbing. read our review of the film here.

Fortune favours the brave and this one with all the talent it's equipped with plus 'The Zoya Factor' certainly seems to hold the promise of box office success. Read our full review below.

Sonam Kapoor and Dulquer Salmaan's The Zoya Factor is not an unwatchable film by any measure. But it squanders the opportunity to say something about the world we live in, and our reliance on luck as both a crutch and an excuse.

Bard of Blood, directed by Ribhu Dasgupta, presents Emraan Hashmi as a rogue spy who goes inside Balochistan for a dangerous mission.

Bulbul Can Sing unfolds unhurriedly, as if matching the pace of life in a small village. It can get testing especially in the later half, but stay with it.

Director Todd Phillips has borrowed from many neo-noir Hollywood films for Joker. Joaquin Phoenix's performance has made it an excellent film.

Coming at a time when graphic and lurid on-screen violence are being questioned and and even condemned, Asuran would appear needlessly falling back to the old formula.

Having an almost picture perfect cast can sometimes get in the way of a natural storytelling style but this family scores well on that front.

At no point in the film, the audience gets a grip of the story or why it’s told one more time. Directed by Ang Lee, Gemini Man stars Will Smith in the lead role.

Downton Abbey, is a reboot of the television series of the same name. The film picks up the saga of the Crawley family and their mostly loyal servants in 1927, a year and a half after the series ended.

In 'Laal Kaptaan', Saif Ali Khan's performance suffers for want of a tighter script. Read our full review of the latest Bollywood film below.

It may not appear more than an extension of the original sleeper hit, but it’s mostly meant for fans. You won’t get some jokes if you don’t remember what happened in the first film.

Mistress of Evil never manages to justify the return of all its characters and it delves deeper into its fantasy world.

'A Son', which was part of the ongoing Mumbai Film Festival, talks about a family in turmoil. Read our full review of the film below.

The simple storytelling is well aided by with an upbeat background score and competent production design that faithfully recreates the simple, village setting.

Kaithi plays at multiple levels. Karthi's Dilli is a murder convict out on parole to meet his 10-year-old daughter whom he has never seen.

Had there not been Akshay Kumar, it would have become a really painful watch. He has barely managed to stop Housefull 4 from becoming another Tees Maar Khan.

'Saand Ki Aankh' is based on the amazing true story of two of the oldest sharpshooter champions in the world-- Chandro and Prakashi Tomar. Read our full review of the latest Bollywood film below.

'Eeb Allay Ooo' is about the monkey menace in New Delhi and how men are employed to scare them away, keep them away from important Government buildings.

Despite a meaty premise, there are too many missed opportunities in 'Ujda Chaman'. Read our full review of the movie below.

The problem is that this whole thing is an idea in search of a script. There’s just not a lot to work with.

Bala starring Ayushmann Khurrana, Bhumi Pednekar and Yami Gautam, certainly gets your attention but does not manage to sweep you off your feet.

Ayushmann Khurrana, who’s cornered the market when it comes to playing flawed, insecure men with confidence issues, continues his winning streak with Bala.

Last Christmas may not be remembered as one of the great holiday rom-coms – it’s no Love, Actually – but it’s a perfectly satisfying one-time watch.

House Arrest, the way we generally understand the term, is really not a nice word, and connotes horror in its most basic form.

Blame it on our perception but it seems Sidharth Malhotra needs more time to come out of his decent boy next door image.

Watching 'Marjaavaan', the stench of creative bankruptcy is hard to miss. Read our full review of the latest Bollywood film below.

Overall, the film, while speaking about "girl power", is wildly entertaining despite not letting you get emotionally invested. Read our full review of the latest Hollywood film below.

In the cinematic world run by superheroes, it is increasingly difficult for the audience to be impressed by the exploits of regular, on-screen heroes.

In the face of it, The Irishman is Scorsese's final farewell to those immigrant hitmen who ruled suburban America in the 1950s.

Performance wise, Aamir Bashir, Angad Bedi and Vivek Oberoi are the frontrunners but the show has potential to carve out new story drivers, Sapna Pabbi could be one of them.

Panipat, a film about Maratha warrior Sadashiv Rao Bhau who staves off Afghan ruler Ahmad Shah Abdali, disappoints only because of a linear screenplay that fails to rouse dramatic emotions so important to historicals.