While Season 1 makes you reflect upon your actions, Season 2 established that there's another side to every story. Season 3 tries to explain that nothing's black and white.

On the technical front, the film is astutely mounted with all the trappings of an A-grade action film. The fight sequences are brilliantly choreographed, picturised and layered.

The impressively staged but ultimately exhausting action sequences take up the bulk of screen time, but they can’t salvage this soulless film that has all the depth and emotional wallop of a video game.

This film is another example of how filmmakers lose grip on the story in the sequel. IT Chapter 2 is a letdown, and isn’t worth your penny.

For most part of it, Section 375 keeps you confused about the possible outcome of the case, and that’s a moral victory the director can claim.

Fortune favours the brave and this one with all the talent it's equipped with plus 'The Zoya Factor' certainly seems to hold the promise of box office success. Read our full review below.

Sonam Kapoor and Dulquer Salmaan's The Zoya Factor is not an unwatchable film by any measure. But it squanders the opportunity to say something about the world we live in, and our reliance on luck as both a crutch and an excuse.

Bard of Blood, directed by Ribhu Dasgupta, presents Emraan Hashmi as a rogue spy who goes inside Balochistan for a dangerous mission.

Bulbul Can Sing unfolds unhurriedly, as if matching the pace of life in a small village. It can get testing especially in the later half, but stay with it.

Downton Abbey, is a reboot of the television series of the same name. The film picks up the saga of the Crawley family and their mostly loyal servants in 1927, a year and a half after the series ended.

In 'Laal Kaptaan', Saif Ali Khan's performance suffers for want of a tighter script. Read our full review of the latest Bollywood film below.

It may not appear more than an extension of the original sleeper hit, but it’s mostly meant for fans. You won’t get some jokes if you don’t remember what happened in the first film.

'Upstarts' is very contemporary and contemplative take on our times. Read our review of the new Netflix film below.

The simple storytelling is well aided by with an upbeat background score and competent production design that faithfully recreates the simple, village setting.

'Saand Ki Aankh' is based on the amazing true story of two of the oldest sharpshooter champions in the world-- Chandro and Prakashi Tomar. Read our full review of the latest Bollywood film below.

Rajkummar Rao and Boman Irani's characters in 'Made in China' sell Magic Soup to men suffering from performance issues. Read our full review of the Diwali 2019 release below.

'Eeb Allay Ooo' is about the monkey menace in New Delhi and how men are employed to scare them away, keep them away from important Government buildings.

Despite maverick filmmaker James Cameron on board as writer and producer, Dark Fate relies only on set-pieces. The script never goes beyond the obvious.

Despite a meaty premise, there are too many missed opportunities in 'Ujda Chaman'. Read our full review of the movie below.

The film is mounted with ace production values. The era is aptly recreated by production designer Jan Roelfs and captured by cinematographer Chung-Hoon Chung.

The problem is that this whole thing is an idea in search of a script. There’s just not a lot to work with.

Bala starring Ayushmann Khurrana, Bhumi Pednekar and Yami Gautam, certainly gets your attention but does not manage to sweep you off your feet.

Ayushmann Khurrana, who’s cornered the market when it comes to playing flawed, insecure men with confidence issues, continues his winning streak with Bala.

'Motichoor Chaknachoor' could have been a blockbuster comedy. But alas, with its ambling laidback storytelling style, it falls short. Read our full review of the latest Bollywood film below.

Blame it on our perception but it seems Sidharth Malhotra needs more time to come out of his decent boy next door image.

If you need a break from crime and thrillers, Out of Love should be accommodated on your watchlist before year end.

The script does subsequently veer down a predictable path, but the tone remains upbeat. Read our full review of the film below.

In the face of it, The Irishman is Scorsese's final farewell to those immigrant hitmen who ruled suburban America in the 1950s.

Hotel Mumbai isn’t cheap or exploitative in its recreation of the tragedy. Yet it never goes beyond the obvious.

TVF has worked with less and delivered more previously. However, in Cheesecake, it seems to not look beyond paying homage to pets for redemption and that is its main flaw.

Pati, Patni Aur Woh is the remake of the 1978 film of the same name. Directed by Mudassar Aziz, the film banks upon Kartik Aaryan’s image and his brand of tier 2 city comedy.

In a very roundabout, over-simplistic way, the film is actually progressive. Thank you for small mercies. Plenty laughs are guaranteed.

'Panipat' ultimately is overlong and unwieldly. Filmmaker Ashutosh Gowariker can’t seem to recreate the magic of his finest films.

Overall, while the film is mega-mounted and technically impressive. It does not offer anything that's new and exciting. Read our full review of 'Star Wars: The Rise of Skywalker' below.

Dabangg 3 review: The challenge to a popular movie franchise like Dabangg is that it requires novelty and sameness in equal parts and the team does get its balance right.

Even if you’re not a hardcore fan, there’s enough visual wizardry to keep you entertained for the duration of Star Wars: The Rise of Skywalker's running time.

Kareena Kapoor deserves special mention for rooting her character in believability. There's a lot to enjoy in the film despite its bumps. Not a bad way to end the year.

Sab Kushal Mangal Movie Review: The film does have a few redeeming features but it is unlikely to make the list of memorable comedies in Hindi cinema. A pity really, for a good comedy, would have been the perfect way to kick off the New Year.

Tanhaji Movie Review: Ajay Devgn and Saif Ali Khan ensure that the viewers get enough dose of high-voltage dialogues, along with fascinating action scenes.

A Beautiful Day in the Neighborhood Movie Review: The movie is among those rare films of post-truth era that makes you believe that good people do exist-- even among television hosts.

Though there are some funny one-liners but they aren’t capable of sustaining our interest for long. Navjot Gulati’s film must have looked better on paper.

Given its Modern Familyesque tilt, Saif Ali Khan, Tabu and Alaya F starrer Jawaani Jaaneman seems poised to score well with the old-in-the-tooth as well as the young at heart city slickers!

A proper character sketch of Malala Yousafzai never really happens over Gul Makai's runtime of around 130 minutes, and the life story of the film's titular protagonist remains a shallow sideshow in her own biopic.

In Jawaani Jaaneman, Saif Ali Khan is in good form once again, but saddled with the kind of material he knows inside out.

Makers of 'Birds of Prey' are trying to free the protagonist Harley Quinn once and for all from her ex-boyfriend, the Joker, and plant her firmly within a girl gang. Read our full review of the latest Hollywood film below.

To All the Boys I Have Loved Before was a guilty pleasure you'd turn to every time you wanted to take a break from the regular sci-fi films and mafia thrillers. But To All The Boys 2 PS: I Still Love You doesn't fit here.

Imtiaz Ali'sLove Aaj Kal’s reprised version of the same theme of love across different generations starring Kartik Aaryan, Sara Ali Khan, Randeep Hooda and Aarushi Sharmais disappointing.

Love Aaj Kal 2.0, if you like, is largely contrived and superficial. It’s a love story in search of a conflict. Read our full review of the latest Bollywood film below.

The gay characters are self-respecting men dead against the idea of marrying a woman out of convenience. Parental denial is also addressed head-on, and frowned upon using clap-trap dialogues.

Thanks to Vicky Kaushal and the screenplay, Bhoot serves the basic demands but it never rises beyond the obvious.