Google says most of its employees will likely be allowed to work remotely through the end of year. In a companywide meeting Thursday, Google CEO Sundar Pichai said employees who needed to work in the office would be allowed to return in June or July with enhanced safety measures in place. The rest would likely continue working from home, a Google spokesperson told NPR. Google had originally told employees work-from-home protocols would be in place at least through June 1. Facebook also said it would allow most of its employees to work remotely through the end of 2020, according to media reports. The company had previously announced it was canceling large events through June 2021 due to the coronavirus pandemic. Both companies began telling employees to stay home in March . Copyright 2020 NPR. To see more, visit https://www.npr.org.

Balaam's name appears over 60 times in the Bible. He is an interesting character with a somewhat tragic story but there are good and positive things we can learn about God and the choices we make.

There are many differences in Christian church doctrines. Some are more important than others. If there is anything that is most essential to understand, it would be what God's Ten Commandments say. The Sabbath is one of the Commandments.

There are many stories in the Bible about how God saved people from the pit. The Pit is also a symbol of when we are lost in sin, overwhelmed by Passions, Possessions, and Positions.

God is our safe shelter in the last days. We don't have to be afraid. God loves us and He will welcome us and protect us.

Is Calvin’s doctrine of predestination biblical—or could it actually lead a soul to eternal loss? Pastor Doug explores the ramifications of once saved, always saved.

Posting on behalf of my boyfriend, who's looking to fill this position and having a hard time finding candidates. They're targeting a fresh high school or college grad but are open to anyone with enthusiasm for Asian Art. It's a super-cool, high-end museum store. Not a bad gig for an young creative type, and they'd technically be a University of Dallas employee.

Position Title Sales Associate
Functional Title Lotus Shop Sales Associate
Department Crow Museum
Salary Range Up to $27,955.00
Pay Basis Monthly
Position Status Regular full-time
Location Dallas
Posting Open Date 09/25/2019
Posting Close Date
Open Until Filled Yes
Desired Start Date 10/21/2019

Job Summary
As an integral member of the team, the sales associate provides best in class service while assisting customers with their selections and purchases. Sales associates are also responsible for re-stocking the floor and for keeping the store clean and presentable. Work hours include weekends and evenings.

Minimum Education and Experience
High school graduate or equivalent. A minimum of six months of office and/or customer service experience.

Preferred Education and Experience
1 year boutique/luxury retail experience.

Essential Duties and Responsibilities
• Greet customers and provide a welcoming atmosphere.
• Actively engage store guests on the sales floor.
• Know and provide information about the museum, current exhibitions, store merchandise, and Asian cultures.
• Present merchandise and explain significance, use, and care of merchandise to customers.
• Know current sales and promotions, policies regarding payment and exchanges, and security practices.
• Open and close the cash register, which includes: counting money, separating charge slips, and balancing the cash drawer.
• Transact sales in Counterpoint and process cash, check, or credit card payments.
• Maintain records related to customer counts, sales, and inventory.
• Recognize security risks and assists to control shrink through customer service.
• Providing gift wrapping when requested.
• Re-stock the sales floor and keep clean and tidy.

Physical Activities
Working Conditions
Additional Information
The Lotus Shop at the Crow Museum is an indoor, climate controlled, cool environment that is designed to provide a comfortable experience for visitors of the museum and staff. Occasionally, you will be requested to work outdoors at public festivals and events. Noise and crowd levels fluctuate depending on internal and external programming

Special Instructions Summary
Important Message
1) All employees serve as a representative of the University and are expected to display respect, civility, professional courtesy, consideration of others and discretion in all interactions with members of the UT Dallas community and the general public.

2) UT Dallas does not discriminate on the basis of race, color, religion, sex (including pregnancy), sexual orientation, gender identity, gender expression, age, national origin, disability, genetic information, or veteran status in its programs and activities, including in admission and enrollment. For inquiries regarding non-discrimination policies, contact the Director of Institutional Equity at InstitutionalEquity@utdallas.edu or the Title IX Coordinator at TitleIXCoordinator@utdallas.edu, or call 972-883-5331.

Application link here:

https://jobs.utdallas.edu/postings/13085?fbclid=IwAR2KGBrgVAQHzbhu6G5F_-1snQKz4zVwwuvLz2K-EmZAL1AUsEA_CVnwxiA

Indiana University's Global Network Operations Center is looking to hire multiple people into their systems engineering and software development group. Are you a sysadmin who's capable of dev? Are you a dev who's capable of sysadmin? Know some of both? Want to learn more? Want to have a hand in supporting research and education-focussed networking in the US and across the world?

Full time, professional, permanent appointments. Great benefits.

Have questions? You can reply to this post, memail me, or send email to careers@globalnoc.iu.edu.

Lots more info and how to apply.

My employer is used to meetings in person, but during the CoronApocalypse has begun taking meetings in Zoom like many others. I just got through with a 2-hour (actually 1:51) meeting and my employer would like a summary -- not a transcription, but a summary -- of what was said. The idea is that they would be able to look at this summary and recall the flow of the discussion, what people were communicating at different points, we do not need word-for-word.

Challenges: (1) Recorded via a voice dictation stood up next to a laptop.
(2) 4 voices doing most of the talking, with a few others occasionally coming in. Unfortunately the main voices interrupt and try to talk over each other, which went poorly over Zoom. Fortunately the voices are distinct, and I can let you know who's who so you can label them appropriately.
(3) Some technical jargon related to construction, land/soil shifting and the law regarding buildings.

Let me know your estimate for this work, and when we reach agreement I can send you an 80MB MP3 file through Dropbox or Google Drive.

Deadline: done by this Friday evening

We also have another meeting with the same people scheduled for next week.

Copyright 2020 NPR. To see more, visit AILSA CHANG, HOST: There is mixed reaction today to new federal rules on how schools from kindergarten all the way through college must respond to cases of sexual assault and harassment. The Trump administration says their sweeping changes to Obama era guidelines will make the process fairer and help better protect accused students. But many others object both to the changes and to the timing. To talk about more details, we're joined now by NPR correspondent Tovia Smith. Hey, Tovia. TOVIA SMITH, BYLINE: Hi. CHANG: So first tell us what are some of these changes that have just been announced? SMITH: So these are largely meant to address what DeVos calls the kangaroo courts that have been handling or, in her view, mishandling these cases, and most of the changes aim to beef up protections for the accused students. So for example, at the college level, schools must now allow live cross-examination of students by the other student's lawyer or

New federal regulations on how schools – from kindergarten all the way through college — must respond to cases of sexual assault and harassment are drawing swift and mixed reactions. Education Secretary Betsy DeVos announced what she called historic changes Wednesday to Obama-era guidelines that she said will make the process fairer and better protect accused students. While some welcome the changes to Title IX as long overdue, survivors' advocates are panning the new rules as a throwback to the days when sexual assault was seldom reported or punished, and schools are protesting they can't possibly implement them by summer, as required. Among the most significant changes are new regulations aimed at beefing up protections for accused college students, by mandating live hearings by adjudicators who are neither the Title IX coordinator nor the investigator, and real-time cross examination of each student by the other student's lawyer or representative. "Cross examination is an important

Primary schools in France are reopening next week. There will, of course, be social distancing measures in place. Class sizes will be limited to 15 and no games at recess. It's a gradual three-week process beginning with preschoolers. The government says the reopening is voluntary and students won't be forced to return. Still, many parents and administrators are against the plan. More than 300 mayors in the Paris region signed an open letter to President Macron, urging a delay in reopening and saying the timeline is " untenable and unrealistic ." They said schools needed more time to implement the required sanitary measures. Jean-Michel Blanquer, France's minister of education, talked with Mary Louise Kelly on All Things Considered about bringing students back to class for the first time since mid-March. Here are selected excerpts: Do you think they will come? Do you think you will have 15 students in classrooms come next week? Yes, because we are asking the parents during the last

Tara Reade beschuldigt Joe Biden, er habe sie 1993 in einem Senatsgebäude gegen eine Wand gedrückt, unter ihren Rock gegriffen und sei mit seinen Fingern in ihre Vagina eingedrungen. Nun hat sie sich vor laufender Kamera zu ihren Vorwürfen geäußert.

Ab Juni will die Lufthansa-Gruppe ihren in der Corona-Krise minimierten Flugplan wieder ausbauen und zu beliebten Ferienzielen fliegen. Kunden zeigen wachsendes Interesse. Einschränkungen wird es an Bord trotzdem geben.

Am Samstagabend haben sich am Alexanderplatz über Tausend Menschen zu einer unangemeldeten Demonstration gegen die Corona-Maßnahmen versammelt. Anja Dierschke von der Berliner Polizei informiert über die Entwicklungen vor Ort.

Bay Area dog shelters are seeing a huge increase in interest despite being closed to the public. We’ll find out how dog adoptions work while we’re sheltered in place. Then, Oakland singer Melissa Jones says there’s no one sound for black artists. And, we hear a reading from San Francisco author Wendy Liu .

How is the pandemic is changing immigration courts in San Francisco? We'll hear from Francisco Ugarte , an immigration attorney with San Francisco’s Public Defender’s Office. Then, after almost a month of sheltering in place, we’ll hear from people all around the Bay Area about daily life during the coronavirus epidemic.

First, an update on how the City of Oakland is handling the coronavirus pandemic. Then, a teen in Los Gatos creates a space where her peers can safely reveal some of their deepest personal struggles. And, from the Uncuffed team at San Quentin , we’ll hear how a man who grew up in Cambodia and ended up incarcerated in the U.S. Plus, a reading from a Bay Area author for our series " New Arrivals ."

As Minnesota Gov. Walz weighs his decision on when to let nonessential businesses reopen, he's facing a lot of pressure from a frustrated workforce, especially from small business owners who are trying to stay afloat during the economic crisis caused by the coronavirus outbreak. "The frustrations that they have are real. These are businesses that, they may have been in families for generations or they built up," the Democratic governor says in an interview with Morning Edition . The state is under a stay-at-home order until at least May 18 . In reopening the economy, he says, businesses will face another challenge: consumer confidence. Walz worries that — even with stay-at-home orders lifted — many consumers will be skittish about reengaging with businesses until they feel safe. Walz says many businesses should remain closed until the state ramps up its testing capacity. Achieving that goal will help contain the virus's spread, as well as bolster the public's confidence, he says.

Entertainment has become extremely valuable during this difficult time, especially when it comes to a good flick. In this week's "Cinema Chat," WEMU's David Fair gets on the phone with Michigan and State Theater executive director Russ Collins to talk about the newest films and special screenings becoming available this weekend for your online streaming pleasure.

It is normal for college students to find it difficult to understand an essay topic. But the big issue is how to write an essay according to the instructions of the paper. An essay topic related to the role of R&B music may pose a little challenge. Students often need a well-written sample to get the perfect picture of what to write. If you are a student with a similar topic, go through this sample essay, and use it as a guide.

Sample Paper: The Role of R&B Music in Culture

Music connects human beings irrespective of culture, ethnicity, or race, and this has become accepted in many regions of the world. Rhythm and Blue or R&B is of African-American origin born popular in the 1940s but has a growing fan base in contemporary times. The role of the R&B lies in connecting with the people, expressing personality, and asserting cultural freedom.

Rhythm and Blues provide the avenue for musicians in this genre to find expression and connect with the people of a particular culture. Like every human on earth, these musicians have encountered life problems. They face racial discrimination and continuous harassment from law enforcement agents. 

Since R&B had its origin from the Black experience (Shaw 71), the emotional connection is often intense. An example of the experience that triggers the same emotional expression is the case of Trayvon Martins.  George Zimmerman shot and killed Martins on February 26, 2012. R&B uses an incidence like this to find expression and create a familiar voice, especially for the black community. 

The intimacy and the ability to relate to the content of R&B music play an essential role in culture, especially in black communities. Most musicians in this genre use their songs as a platform for passing a message or expressing their personal beliefs. 

Although it can turn into a civil movement or used for political propaganda (Higgins 1), in some cases, it has a humanizing end. Imagine how influential the voices and personality of R&B musicians would be in a time of the global pandemic. These powerful voices can make governments begin to care for the masses. Thus, the outcry will yield better healthcare and lasting infrastructure. 

Freedom to live and practice inherited culture can come under threat by social and political forces. R&B, and the movement it drives, can be a force for good and help in liberating cultures considered to be less civilized.

 Limited understanding of the culture of other people can cause social frictions and the inability to live in harmony. With well-written lyrics and well-presented songs, R&B can articulate the grievances by lesser cultures. This will unite different cultures and generate mutual understanding and respect for all cultures of the world. 

The role of R&B music in culture goes beyond the melody, sweet voices, and instrumentals. It connects people who share a common history, presents an avenue to pass global messages, and becomes a tool for racial and ethnic freedom. With the discouragement of the use of arms and ammunition and the approval of non-violent means, R&B can use its popular music genres to forge unity and understanding between cultures. 

Rounding Off

Once you have written your essay according to the above format, you should go ahead to choose a style of reference. If you look at the sample essay, you will notice some in-text citations. This is in the MLA style or Modern Language style, but you may pick APA style or ASA style depending on the requirements of the paper. 

Some supervisors give students the freedom to choose the style of their choice. The important thing is to pay attention to the instructions for the paper. The lack of following instructions can lead to a failed paper. Thus, you will lose the efforts and money spent. 

It is impossible to downplay the importance of proper research, as this serves as the bedrock for an excellent paper. There are many offline books and tons of online resources that can serve as authentic sources of information. When you gather the necessary ideas and materials, writing an essay on R&B will be easy. 

The reason most students claim to not get materials for their essay is that they did not search in the right places. Google Scholar and JSTOR Research are some of the right places to find materials for academic research. 

The bottom line is to view the sample essay, take note of the thesis statement, and understand how to write the topic sentence and detailed explanation of each point in the paragraph. But sometimes the pressure of academic work can be overwhelming, or you needed to come to terms with the technicality of essay writing. At that point, you may seek help from AffordablePapers to get your essay written for you at a reasonable price.

Reference(s)

1. Tell It Like It Is: A History of Rhythm and Blues

Curled from https://folklife.si.edu/talkstory/2016/tell-it-like-it-is-a-history-of-rhythm-and-blues

2. The Origins and History of R&B Music

Curled from https://www.liveabout.com/what-is-randb-music-2851217

3. Category: R&B

Curled from https://official.fm/rb/

4. How Modern R&B Revitalized Pop Music

Curled from https://www.udiscovermusic.com/in-depth-features/modern-rnb-revitalised-pop-music/

5. Rhythm and Blues' influence on Pop Culture

Curled from https://prezi.com/pf2hsd-bwfhf/rhythm-and-blues-influence-on-pop-culture/

6. R&B CULTURE

Curled from https://prezi.com/tpv5nhfoz5ls/rb-culture/

7. The History Of R&B Music

Curled from https://www.indiegogo.com/projects/the-history-of-r-b-music#/

The post Essay about the Role of R&B Music in Culture appeared first on Singersroom.com.

Hello everyone! We're the Clark family. Colt (the Dad) is a professional musician and Aubree (me, the Mom behind the camera) is a photographer. Together we home school our three children (even when we're not in the middle of a pandemic). :) We're keeping busy during our time at home by

Amazing Facts is experiencing tremendous growth in our radio and TV audiences, a surge in web traffic, and a doubling of requests for Bible lessons and materials. Especially today, God wants to advance the work of spreading His truth to a planet reeling in fear and confusion. Your timely gift right now will truly transform people who are now open to the truth. Let’s not pullback in these difficult days but press ahead!

http://www.musicxray.com/xrays/1319789 washizawa - kimi-sumu-machi-e ????? ???? ??? ??? cover oda kazumasa

http://www.musicxray.com/xrays/1319791 washizawa - kotoba-ni-dekinai ??????? ???? ??? ??? cover oda kazumasa

By Josh Goodwin

Mobile POS solutions can prevent losing a sale by providing endless-aisle capability.

Billy Bragg is many things: a poet, punk rocker, folk musician, and singer-songwriter. He’s also an activist, music historian, and best-selling author. In the words of another poet, he contains multitudes. Bragg’s newest work, The Three Dimensions of Freedom , is a slim volume that makes a weighty argument. It’s a pamphlet in the tradition of Thomas Paine, whose influential polemics helped spark the American Revolution, and later got him convicted of sedition.

The Greek philosopher Heraclitus is noted as having said,  “No man ever steps in the same river twice, for it’s not the same river and he’s not the same man.” But what does that mean for us today? On this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk...

There are many reasons we might not be happy with the decisions we make, but it turns out not many of them have to do with the actual choice. In this edition of Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about the psychology of disappointment.

KUT’s Two Guys on Your Head, Dr. Art Markman and Dr. Bob Duke talk about when and why to say “thank  you.”

Listen back to a live taping of This is Just to Say with KUT’s Rebecca McInroy and Carrie Fountain as they welcome actor Richard Robichaux, scholar Dr. Carra Martinez, playwright Kirk Lynn, and poet August Huerta for a reading and tribute to the late poet Tony Hoagland.

In this episode of Free as in Freedom, Karen and Bradley discuss in the first segment recent press coverage of sexist attitudes at Free Software conferences, and in the second segment, discuss the public filings related to the Novell sale.

Show Notes:

Segment 0 (00:40)

• Karen and Bradley discuss an article called The Dark Side of Open Source Conference, which was covered some in the tech press, in press outside of technology. Deb Nicholson wrote a blog post about it, as did Valerie (the original article's author. (01:06)
• Bradley mentioned his blog post where he discussed issues of gender equality across all Computer Science, not just the Free Software community. (05:29)
• Karen mentioned Kirrily “Skud” Robert. (10:27)

Segment 1 (32:18)

• There was an announcement that Novell will be sold (32:15)
• Karen mentioned that Andy Updegrove blogged twice on the subject (32:30)
• Karen talked about the 8K filing that Novell made regarding the purchase. (34:30)
• Karen mentioned a post on groklaw. (42:43)
• Bradley mentioned that the OIN patent license is incredibly narrow and not particularly useful, because the definition of the “Linux system“ is so narrow, and because OIN is a pro-patent, for-profit company that doesn't have the interest of Free Software at its heart. (45:30)
• Karen disagrees with Bradley's comments on OIN and thinks his characterization of the patent pool is a serious exaggeration. (46:00)

These show notes are Copyright © 2010, Karen Sandler and Bradley M. Kuhn of Free as in Freedom, and are licensed under the Creative Commons Attribution-Share-Alike 3.0 Unported license (CC-By-SA-3.0 Unported).

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

This episode is a recording of Jeremy Allison's talk, Why Samba Switched to GPLv3 from the 2011 Linux Collaboration Summit, with some commentary from Bradley and Karen on the talk.

Show Notes:

Ironically (or perhaps appropriately), Bradley was at Samba XP with Jeremy the day this show was released. So, there he wasn't able to get show notes together in detail for this show.

However, Jeremy's slides from the talk are available (in PDF), and also ODP format. So, you can follow along with it in the talk.

Also, you may be interested to read Bradley live-dent'd Jeremy's talk, so the discussion there might be useful to read as well.

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley discuss RMS' essay on FSF's website, Ubuntu SpyWare: What To Do, and Shuttleworth's Slashdot interview that responds somewhat to RMS' comments.

Show Notes:

Segment 0 (00:36)

• Karen and Bradley discuss RMS' essay on FSF's website, Ubuntu SpyWare: What To Do (08:50)
• Bradley mentioned how Fab discovered (and discussed on Linux Outlaws 280) how a search for “ter” in efforts to find a terminal window in Ubuntu yields [slightly NSFW] gives results for Rachel Ter Horst DVDs. (09:44)
• Bradley mentioned his blog post about Nokia's problems interfacing with Free Software communities. (14:50)
• Bradley and Karen discuss Shuttleworth's Slashdot interview (18:25).
• Bradley and Karen also briefly mentioned Jono Bacon's comments about RMS's essay and Jono's apology. (19:30)
• Bradley mentioned Shuttleworth's comments during his LinuxCon 2011 keynote. (20:14)
• Bradley mentioned Douglas Rushkoff's article, Teach U.S. kids to write computer code (29:30)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen Sandler interviews Lennart Poettering and Alan Day during the GNOME Asia Summit 2013. Bradley and Karen comment on this interview.

Show Notes:

Segment 0 (00:38)

Bradley and Karen introduce Karen's interview with Lennart Poettering and Alan Day.

Segment 1 (02:06)

Karen interviews Lennart Poettering and Alan Day about Lennart's Sandboxed Applications for GNOME talk at GNOME Asia Summit 2013.

Segment 1 (35:24)

• Bradley mentioned his comment during the GPLv3 process regarding the Ty Coon issue. (41:20)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Bradley and Karen discuss the key differences between 501(c)(3) and 501(c)(6) organizations in the USA, and discuss recent refusals by the IRS to grant such statuses to Open Source and Free Software orgs.

Show Notes:

Segment 0 (00:34)

• Bradley mentioned the 501(c)(3) vs. 501(c)(6) difference came up on FaiF 0x41. (03:35)
• Bradley mentioned that in 501(c)(3) status from the IRS is based on receiving some status governed by §170(b)(1)(A) of the tax code. (Most Free Software charities, such as Conservancy, are classifed as non-profit charities under §170(b)(1)(A)(vi).) (05:10)
• Bradley mentioned this issue had been discussed on FLOSS Foundations' mailing list (05:50)
• Bradley discussed that at the OSCON 2013 tutorial, Community Foundations 101, most of the 501(c)(6) representatives who spoke argued incorrectly that the differences between 501(c)(3)'s and 501(c)(6)'s were not substantive. (10:50)
• Karen referenced how the TV show Silicon Valley parodies the irony of for-profit software companies claiming they make the world a better place. (11:58)
• Bradley mentioned he was inspired by Michael Moore in his work on Free Software. (15:02)
• Bradley mentioned Karen's talk called Identity Crisis (15:21)
• Karen mentioned that open source was on the list of items the IRS gave additional scrutiny. (16:51)
• Bradley mentioned a blog post by Jim Nelson where Yorba's rejection was discussed; Yorba's 501(c)(3) application was previously discussed on was discussed on 0x1C, and covered in many other places. (17:46)
• Karen wrote a blog post about why she isn't worried for Conservancy's 501(c)(3) status at this time. (18:30)
• Bradley mentioned that IRS decisions don't make precedent, and if there's a dispute, it would go to USA Tax Court (19:00)
• Mozilla Foundation's odd hybrid for-profit/non-profit model was audited by the IRS, and Mozilla Foundation settled with the IRS. (20:22)
• Open Stack Foundation was initially denied 501(c)(6) status, as reported on Mark McLoughlin's blog. (25:10)
• Bradley promised links to both Yorba's 501(c)(3) denial letter from the IRS and Open Stack Foundation's 501(c)(6) denial letter from the IRS. (The response to the IRS from OpenStack, written by DLA Piper, OpenStack Foundation's law firm, is also available, too. (27:15)
• Bradley and Karen discussed Board of Directors meetings in FaiF 0x45: I'm Board (31:40)
• Bradley mentioned the How fresh stays fresh campaign, which includes the Nature's Pause Button television commercials by the American Frozen Food Institute, which is a 501(c)(6) organization. It's FY 2012 Form 990 is the most recent on available.
• Bradley also mentioned the Beef: It's What's For Dinner advertisting campaign that has existed for decades in the USA, which is sponsored by the National Cattlemen's Beef Association, Inc. which is a 501(c)(6) as well. It's FY 2012 Form 990 is the most recent on available.
(35:40)
• Bradley further mentioned the Pork: the other white meat advertising campaign, which has also existed for decades but is now called the Pork: Be Inspired campaign, seems a bit more dubious in its non-profit existence. It appears to be funded by the National Pork Board Foundation, which is ostensibly a 501(c)(3) but has no assets, revnue nor expenses, and appears to be a front for an org called the America's Pork Producers / Pork Checkoff, which appears to be some quasi-govermental agency related to pork (in other words, it's pork for pork). More research would probably be needed to figure out better what's going on here with regard to non-profit status, but it seems that unlike the Beef ads, which are clearly funded by a 501(c)(6), this campaign is funded by a separate legislation, presumably unrelated to §501(c). There is, BTW, also, a 501(c)(5) called the National Pork Producers Council, which appears to be where the big money is (— not surprisingly — 501(c)(4)'s and 501(c)(5)'s often make 501(c)(6)'s and 501(c)(3)'s look tiny by comparison). (36:13)

Segment 1 (39:43)

Conservancy and OSI jointly announced a working group on IRS applications and denials. (40:49)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Karen and Bradley interview Richard M. Stallman on the occasion of the 30th Anniversary of the GNU Project.

Note: Episode 0x5B was released out of sequence, but they are in the order of release date on faif.us (rather than numerical order by episode number).

Show Notes:

Segment 0 (00:34)

Note: Episode 0x5B was released out of sequence, but they are in the order of release date on faif.us (rather than numerical order by episode number).

Bradley and Karen introduce the interview.

Segment 1 (01:20)

• This segment is an interview with Richard M. Stallman on the occasion of GNU's thirtieth anniversary.
• RMS mentioned the LibreJS project. (26:10)

Segment 2 (33:58)

• Bradley and Karen discuss the interview.
• Bradley mis-rememered, RMS said he would start on Thanksgiving in the original announcement (38.40).

---

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).



Full Article

Karen and Bradley discuss the end to Microsoft's e-book platform and generally the dangers and disasters that Digital Restrictions Management (DRM) cause for software users and developers.

Show Notes:

Karen and Bradley discuss the end to Microsoft's e-book platform and generally the dangers and disasters that Digital Restrictions Management (DRM) cause for software users and developers.

Segment 0 (00:35)

• Bradley mentioned that Microsoft ended their e-book platform. He said this was “last month” but we ended up releasing this show late, so it was in August 2019 (01:31).
• Bradley mentioned the analog hole. (09:50)
• Karen discussed the exception process under DMCA, which Conservancy participated in regarding “Smart” TVs. (12:30)
• Bradley mentioned this historical burning of the Library of Alexandria as a Roman weapon, comparing it to DRM. (15:07)
• Bradley talked about how Netflix and Microsoft used Silverlight initially as the method of DRM, and that Microsoft was a leader in the entertainment industry in providing DRM (20:00)

Segment 1 (26:31)

• Bradley and Karen discuss how DRM and other lock-down of devices, including medical devices, are creating problems in society generally.
• Karen noted that the role of for-profit companies is not to safeguard the public interest. (41:10)
• Bradley mentioned you can turn off DRM on the Google Play store for your book (as the publisher). (43:04)

Send feedback and comments on the cast to <oggcast@faif.us>. You can keep in touch with Free as in Freedom on our IRC channel, #faif on irc.freenode.net, and by following Conservancy on on Twitter and and FaiF on Twitter.

Free as in Freedom is produced by Dan Lynch of danlynch.org. Theme music written and performed by Mike Tarantino with Charlie Paxson on drums.

The content of this audcast, and the accompanying show notes and music are licensed under the Creative Commons Attribution-Share-Alike 4.0 license (CC BY-SA 4.0).

Raphael Saadiq is a Grammy-winning songwriter, producer, and artist from Oakland, California. He was the lead singer of the legendary ‘90s R&B group Tony! Toni! Tone!. As a producer, he’s worked with D’Angelo, TLC, Mary J. Blige, Whitney Houston, Solange Knowles, and John Legend.

In August 2019, Raphael released his fifth solo album, Jimmy Lee, which is named for his late older brother. In this episode, he breaks down a song from he made with his nephew, Dylan Wiggins, called “Kings Fall.”

songexploder.net/raphael-saadiq

Slipknot is a Grammy-winning metal band from Des Moines, Iowa, who first formed in 1995. They’ve sold over 30 million records. In this episode, guitarist Jim Root breaks down how Slipknot made the song, “Unsainted,” from their 2019 album We Are Not Your Kind.

songexploder.net/slipknot

Can a saved person be lost?

Discover how the lives of Old Testament characters often mirror and reflect the life and work of the Messiah. The whole Bible reflects the life and ministry of Jesus.

There are many differences in Christian church doctrines. If there is anything that is most essential to understand, it would be what God's Ten Commandments say. The Sabbath is one of the Commandments.

How much trouble do we bring into our lives when we compromise how we know we should live? Part 1 of 3

The story of Samson is a good reminder to be courageous and trust God. Part 2 of 3

Yes, that is how it works - advantage being that you can see your message was being read .. erm .. seen .. erm .. opened. Glad I could solve it this easy :lol:

Special guest Daniel Jalkut returns to the show. Topics include app notarization, nonconsensual technology (including Zoom, Dropbox, and Superhuman), and more.

Special guest John Siracusa finally returns to the show. Topics include the Siri voice recording fiasco, Siracusa’s epic Mac OS X reviews, and making good ice.

For your holiday listening enjoyment, very special guest Rich Siegel joins the show to talk about BBEdit's past, present, and future, the state of developing for the Mac, and more.