'When it comes to work, he forgets his sleep, his food, everything.''He is too involved in the process and that gives him strength.'

'Instead of getting rehabilitated in Bollywood, I have forced into legal hassles while everyone else watches the drama.'

'My character in Special Ops has changed me a lot.''It has made me a stronger person.'

'This is not like a one quarter hit; it will take time.'

'Listen to my songs if they make you happy at home.'

'That's how you keep yourself alive and young.'

'With Malang, I knew I had a chance to give the audience a new version of myself which they hadn't seen before.'

'I miss my grandparents the most. Though they are no more, I wish they were here. Quarantine would have been heaven.'

'We are so busy in our lives, there is never any time.'

'Everyone's going to come out on few kilos (heavier).'

'Count your blessings, feel gratitude for the medical and essential services providers and police forces who are staking their lives to fight this invisible enemy.'

'Prayers are magic that can help you pull through anything.'

'I will not take anything for granted now.'

'A very big film director had said yes to me for two-three films.''When daddy got to know I am going to be opposite the main guy, he got cold feet.''They don't want their investments to get sabotaged by somebody like me who can overshine their son.'

'We don't know when things will get back to normal, even if the lockdown gets over.'

'When you're an outsider, the journey to make it to your first film is a movie by itself.''It has struggle, pain, rejection, transformation...'

'... the restaurant industry, our industry... Everyone is in the same boat.'

'The entertainment industry is on the verge of a big, big, change over the next few months and years.'

'Hard work and talent finds its way even through the darkest tunnel.'

Please us for our next Homegrown Concert:

Jones Benally Family Dancers
Navajo (Diné) traditional dance from Arizona
TUESDAY, SEPTEMBER 10, 2019, 12:00 PM
Coolidge Auditorium, Ground Floor
Thomas Jefferson Building
The Library of Congress

World Champion hoop dancer and traditional healer Jones Benally, his daughter Jeneda, his son Clayson, and his three young grandchildren form the Jones Benally Family Dancers. Navajo dance is a sacred tradition encompassing a wide variety of forms, all of which aim to heal the body, mind, or spirit. When presented outside the Navajo community, these dances are modified for public viewing, but they retain their deep capacity to move hearts and minds. The family sings, chants, plays traditional rhythm instruments, and performs a repertoire of over 20 dances, including traditional forms such as basket dance, eagle dance, feather dance, and corn grinding. They are particularly well known for the hoop dance, in which they evoke traditional figures and shapes using five, nine, a dozen, or many more hoops.

Jones Benally is a respected elder of the Navajo Nation in northeastern Arizona. His skill as a hoop dancer has won him worldwide acclaim and multiple world champion titles as well as the first Heard Museum Hoop Dance Legacy Award. Jones was featured as a singer in the 1993 film Geronimo. He works as a traditional healer, and was among the first traditional medical practitioners to be employed by a "Western" medical facility, where he worked for nearly 20 years. Jones Benally is also recognized by the state of Arizona as an Arizona Indian Living Treasure. Jeneda and Clayson Benally have performed with their father for over three decades, and have also made their mark (along with brother Klee) as the Native American Music Award-winning "alter-Native" punk band Blackfire. The siblings' newest project is the duo Sihasin ("hope"). Jones Benally's grandchildren are the next generation to take up the family legacy of Navajo music and dance.

Request ADA accommodations five days in advance at 202-707-6362 or ADA@loc.gov

More information is at this link!

Please join us for a day-long symposium:

Women Documenting the World
Women as Folklorists, Ethnomusicologists & Fieldworkers
Thursday, September 26, 2019 
9:30 am -5:00 pm
Mary Pickford Theater, James Madison Building, Library of Congress

The American Folklife Center launches its multi-year initiative to highlight, explore, and celebrate the contributions of women as ethnographic fieldworkers and scholars with Women Documenting the World, a day-long program of talks, interviews, and discussions on Thursday, September 26. 

The free event, which is open to the public, calls attention to the role of women in establishing many of the foundational collections that enrich the American Folklife Center archive as well as other ethnographic archives throughout the world. It features presentations by contemporary researchers who are currently engaged in both national and international fieldwork, and includes brief presentations by American Folklife Center staff about important fieldwork collections in the American Folklife Center archive that were created by women, and that are too often overlooked.

Request ADA accommodations five days in advance at 202-707-6362 or ADA@loc.gov

Find further information at the link!

You're receiving this email because you subscribed to the American Folklife Center's "News and Events" updates.  But did you know there other ways of keeping in touch? In addition to this list, we have the Folklife Today blog, the Folklife Today podcast, and a facebook page, with more podcast series on the way. Now that our heavy event season is slowing down, we thought we'd use the list to alert you to some of these other ways to learn about folklife and the mission of the AFC. 

Let's begin with the Folklife Today Podcast, since a new episode was released today for Halloween! Folklife Today tells stories about the cultural traditions and folklore of diverse communities, combining brand-new interviews and narration with songs, stories, music, and oral history from the collections of the Library of Congress's American Folklife Center. The new episode features scary stories for Halloween, including Jackie Torrence's "The Golden Arm," Mary Celestia Parler's "The Witch who Kept a Hotel," and Connie Regan-Blake's "Mr. Fox." The very first episode, from a year ago, featured spooky songs. In between, there was a whole year filled with audio goodies!  Find it all at the link.

Click here for the Podcast homepage.

African American Dollmaking and Puppetry: Renegotiating Identity, Restoring Community
Various speakers and artists, moderated by Camilla Bryce-Laporte

February 18, 2020, 11:30am-2:00pm
119 First Floor
Thomas Jefferson Building

African American artisans utilize ancient skills and innovative technologies to create dolls and puppets that are both whimsical and starkly serious. Their creations — incorporating clay, textiles, wood, glass, and found objects — embrace the somber reality of African American experiences and optimism for a boundless future. Working alone and in communities these artisans create dolls and puppets that articulate Black beauty, strength, style, spirituality, and truth. Their works, embodying older traditions and innovative vocabularies for storytelling, are designed to amuse, educate, and heal. Dolls of each of 8 makers will be displayed on tables from 11:30-12:00 pm and 1:30 pm-2:00 pm.

Folklorist Camila Bryce-Laporte will present six makers as they discuss their work and the stories behind that work. This will be followed with a question and answer session from 12 noon to 1:30 pm.

This program may deal with sensitive subjects and is aimed at adults rather than children.

Some of the dolls will be for sale through the auspices of the Library of Congress sales shop.

Click here for more information.

Please join us for an afternoon symposium:

James Hogg: Scotland's Shepherd Poet
February 21, 2020 1:00 pm - 6:00 pm
Whittall Pavilion, Thomas Jefferson Building, Library of Congress

This symposium will explore the work of James Hogg, “The Ettrick Shepherd” (1770-1835), an influential Scottish song-maker, folklore collector, novelist, and poet. Inspired by Robert Burns, colleague of Walter Scott, and friend of Lord Byron, Hogg played a major role in creating and promoting Scottish culture, within Scotland and internationally.

This free event, which is open to the public, will compare his work with that of more recent American performers and collectors, who also served as intermediaries between the worlds of folk, popular, and literary culture for the first time. Speakers will explore issues around field collecting, song transmission and creation over the past three centuries. An afternoon of presentations and discussions will be capped by a performance featuring renowned singer Sheena Wellington, who has recorded and performed some of Hogg’s best known songs.

Request ADA accommodations five days in advance at 202-707-6362 or ADA@loc.gov

Find further information at the link!

This is a reminder that the American Folklife Center at the Library of Congress invites applications for the Henry Reed Fund Award, which supports activities directly involving folk artists such as recording projects, apprenticeships, or performances. Find information about the Henry Reed Fund Award and other fellowships at the link--scroll down for the Henry Reed Fund. The past recipients link will also help provide a useful history of the award.

The deadline is 12:00 midnight, March 2, 2020.

Click here for more information.

L'affaire Papon reveals the dark underbelly of talent hunts on TV

On the Neta app, which describes itself as “Leaders ka report card”, users can also share their opinion in the form of video reviews and comments, tag their MLA and conduct polls, with the most active users being highlighted in a separate section called ‘star citizens’

When conditions are warm and moist, such as those near a sweating body, the fabric allows heat to pass through. When conditions become cooler and drier, the fabric reduces the heat that escapes, researchers said.

Barker Library - TA442.5.D33 2012

Barker Library - TA440.N68 2013

Hayden Library - TA439.J26 2011

Barker Library - TA439.C366 2012

Barker Library - TA439.E36 2013

Barker Library - TA440.N86 2011

Barker Library - TA440.E358 2012