It will also invest 2 million pounds towards working capital.

Britain is blooming mad. And it shows. The writer visited London this summer and describes its garden policy

It is an advance warning mechanism of nature asking whether preparedness is in place to receive rain.

Bengaluru’s arboreal history records that trees were initially planted for spiritual reasons. They have followed the ornamental, archival and commercial trajectory since then

While citizens cast their votes, the actual selection of the president is determined by the Electoral College

This will smoothen the assessment process and reduce the piling up of appeals at the Tribunals

While the monetary policy normalisation is proceeding on expected lines, the change in regime in the US, following the Presidential elections is likely to pose currency related issues in particular for global central banks

Rajkumar Hirani has a mastery in bromance. In Dunki, Sukanya Verma doesn't feel that chemistry one bit, it's more like SRK babysitting a bunch of clueless kids running helter-skelter in a garden believing the grass is always greener on the other side.

Dunki doesn't have any repeat value unlike other Hirani films. And that perhaps is saying a lot, notes Mayur Sanap.

I was very happy to see the old Shah Rukh Khan back. Please, leave the action to Salman Khan, requests A Ganesh Nadar.

Guntu Kaaram doesn't deliver on its basic promise: Entertainment, sighs Mayur Sanap.

Sunil Grover and a perky Adah Sharma somehow salvage Sunflower 2, observes Deepa Gahlot.

Such a set of greedy and amoral characters have seldom been assembled in a Web series, observes Deepa Gahlot.

Despite its horror movie momentum, what draws us to Aditya Sarpotdar's narrative is Bittu's homely universe and sweet struggle to confess his feelings to Bela, not Munjya's malevolent antics.

Ishq Vishk Rebound is a drab romance and dull comedy that even the intended teen audience might have a hard time keeping up with, sighs Mayur Sanap.

This is the kind of film to watch with friends and maybe a six-pack. It has some risqué bits but nothing so vulgar that the pause button would need to be hit if Mummyji walks into the room, notes Deepa Gahlot.

Angry Young Men gloats in Salim-Javed's well-known attributes yet never gains access into the process or passion behind one of Indian cinema's greatest chemistries at work, observes Sukanya Verma.