By Matt Solomon Published: November 12th, 2024

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By Keegan Kelly Published: November 12th, 2024

By Keegan Kelly Published: November 12th, 2024

Timothy Zahn's Star Wars novel Heir to the Empire was first released in hardcover on May 1, 1991.

Author-illustrator Ken Lamug has created award-winning picture books and graphic novels. Born in the Philippines, Ken moved to the US with his entire family during his teenage years. His debut middle grade graphic series, MISCHIEF AND MAYHEM #1: BORN TO BE BAD, launched this week from Katherine Tegen Books / HarperCollins!

Mischief and Mayhem is about Missy and her cat Gizmo. They were kicked out of superhero bootcamp. Now it's time for some super-villainy! I love the plot twist that the main character, Missy, decides she doesn't really fit into the labels the world she lives in has created; she's not really a villain, nor is she a superhero.  

Links where you can find out more: MischiefBook.com, Ken on Twitter, Facebook and Instagram. His website: Rabbleboy.com.

Q. I read that MISCHIEF AND MAYHEM started as a 32-page picture book story. How did it end up as a graphic novel?

Yep! The idea for Mischief and Mayhem started as a 32-page picture book - originally titled "Mischief the Supervillain". At the time, I was focused on my picture book ideas and wasn't even considering graphic novels. I had experience illustrating books, so I knew it was just a matter of time until something clicked for me. I went through the steps book creators are familiar with: writing the manuscript, creating dummies, and many rounds of revisions.

The dummy went through the submission process and even hopped to another agent (when I switched to a new one). We received a few rejections and a few interesting comments. One of the more resounding comments was that the idea was cool and needed to be expanded. But the picture book format limited what we could do.

We finally received an acceptance offer along with a caveat... turn it into a graphic novel! Yikes!

A few things scared me about this: it would have to be in full color, and at least 240+ pages. How does one turn a 32-page picture book into something that big?

And before anything was signed, I had to give the editorial team a few things: a fully illustrated first chapter, and a full outline for the book. This would give them a better idea of the story and my comic style. So I added new characters, expanded the moments from the story, and added a lot of jokes!

Once the editorial team gave the thumbs up, I was off to the races to get my debut graphic novel complete.

EXTRA: You can find out more about Ken's process as well as sample sketches in his Q&A with We Need Diverse Books.

Q. I've been thinking about a graphic novel middle grade project, but am intimidated by the amount of time the ART could take. Do you have any tips? How much time did MISCHIEF AND MAYHEM TAKE YOU in total? Were you working on anything else at the same time?

No kidding. Graphic novels ARE a lot of work. I've easily spent 1000 hours on Mischief and Mayhem (including creating marketing materials, videos, etc.). I also have a day job, so most of my after-hours are spent working on the book (typically around 5 hours on the weekdays). I basically stare at the computer screen all day!

During this time, I was also creating art for a picture book. And since the schedule for picture books are a bit more relaxed, I was able to squeeze it in without much problem.

Here are some tips I hope you'll find useful:

1. Working digitally has helped increase my productivity. It's easier to create dummies, inking, make revisions, and get feedback.

2. Scheduling and planning are very important. Find out the deadline, how many pages you can complete per day, and do the math.

In my case, I've determined that I am inking(outlining) about 1 page per hour. This means it will take me roughly 250 hours to outline a 250-page book. Based on that number, I can then determine if my deadline is a realistic goal. I know, it's a lot of math but it does help and you will be able to strategize how you approach the project.

3. Streamlining your art style. This varies depending on your abilities and time. Some artists are blessed enough to work full-time on their books and with longer deadlines. But if you're not one of them, then I would suggest streamlining the look of your characters, your drawing techniques so you can work faster and efficiently. Some artists are able to also hire a team to help support the rest of the task such as coloring, inking, letter, etc., but a majority of graphic creators are one-person operations.

4. Don't forget to take a break and enjoy life.

Q. What advice do you have for young graphic novel writers and illustrators?

Start small. You don't have to create a big "novel" length book right away. I started my comic book journey when I submitted a 4-page comic to an anthology. After I gained some confidence, I started creating 24-page comic one-shots (single issues). And it just kept growing from there.

Comics should be fun for both the creator and the reader, so make sure to enjoy the process and don't stress out about getting it right the first time.

Q. What's next for you?

I just finished illustrating a picture book called FAMILY BUSINESS (by Lenore Appelhans). It's about a raccoon family who seems to always get into trouble. I'm excited for that to come out (no dates yet).

I'm also in the middle of Mischief and Mayhem book 2. As I write this my hand is hurting from illustrating a "Where's Waldo-Esque" spread. Ha! But I'm proud to say the art has improved and the story is even bigger than the first one.

I've never really had a big plan for my drawing/art career. It's all a blessing and a humbling experience. I just hope that the readers love the stories and connect with the characters. So we'll see what happens next!

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For more interviews with children's book creators, see the Inkygirl interview archives.

Looking for a hugely entertaining alphabet book that also has an uplifting message of empowerment for young readers? I highly recommend T. REXES CAN'T TIE THEIR SHOES by Anna Lazowski and Steph Laberis, launching June 29th, 2021 from Doubleday Books For Young Readers. The back matter also has an alphabetized factoid list of "all the amazing things animals CAN do!"

This is an alphabet book that can be appreciated by grown-ups as well as young readers, with lots of potential discussion points. The illustrations of animals in ridiculous situations are so SOOOOO FUN --- omigosh, even as I'm writing this post, I went back to look through the digital ARC and can't decide which is my favourite, though I'm leaning toward the "Cheetahs can't chew bubble gum" page.

I asked debut picture book author Anna Lazowski if she had any advice for young writers, and here's what she said:

"Write what you want to write, because as you move through the publishing process, it will become incredibly important for you to truly believe in your work. The rejections in this industry are endless, and they come at every stage. Critique partners might reject elements of your manuscript, agents will reject your work, and once you're on submission to editors, they will reject your work. Then once you're finally published, some reviewers will reject your work. If you don't fully believe in your stories, this will be extremely hard to take. It's hard as it is, so make sure you're all in on the work you're doing. It will make the rest a little bit easier to navigate."

Wise advice. Thank you, Anna! And congrats to you and Steph on your upcoming launch!

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Also see other Advice For Young Writers and Illustrators From Children's Book Creators and my other Interviews With Children's Book Creators.

Image at the top of this post was created for my new #BookADay book journal. For more info about Donalyn Miller's #BookADay challenge, see Donalyn's post in the Nerdy Book Club blog.

By Sara Truuvert

When your novel is deemed "the greatest idea for a book ever", you're probably on to something. That certainly seems to be the case for debut author Victor Piñeiro, whose novel Time Villains has garnered a starred review from Kirkus and a spot as an Amazon Best Book of the Month. The book promises time-hopping high jinx, historic and literary Easter eggs, and even some one-sentence Puerto Rican recipes.

Time Villains follows sandwich-obsessed Javi Santiago, who has to nail his homework assignment if he wants to pass sixth grade. The assignment seems simple enough: if you could invite any three people to dinner, who would they be? Plus, Javi has his best friend Wiki and little sister Brady to help him. What could go wrong? Turns out, a lot! The trio accidentally uses an antique dining table to summon the dinner guests for real. Now, Blackbeard the Pirate is on the loose, and Javi, Wiki, and Brady must figure out how to send him back (perhaps with the help of other historical figures...). Time Villains is the first novel in a three-part series. It launched on July 6th, 2021 with Sourcebooks and is widely available to order. 

Victor Piñeiro is an author and a Creative Director at HBO Max. He has also done a multitude of other cool things, like teach, make documentaries, lead content/social strategies for Big Spaceship, YouTube, Hasbro, and Google, and answer these interview questions while caring for his two-week-old child. You can find out more about Victor on his website, Twitter, and Instagram. 

Q. A huge congratulations on your literary debut! Would you tell me a bit about your journey to publication?

A. Thank you! Being a published author has been the dream since I was a kid, so it’s been quite the journey! In my teens and twenties I couldn’t silence my inner critic long enough to write novels, so I turned to poetry and screenplays, writing and producing documentaries for a spell. I finally coaxed a book out in 2017 after writing daily on my (long) commute for three years. It was a very unconventional first book—the only kind I could coax out on my first try—so I shelved it and started working on Time Villains. 

Three drafts in I sent Time Villains to a bunch of agents, and after chatting with a few, a friend put me in touch with Elana Roth Parker. I feel so incredibly lucky to work with Elana—she saw the seed of something in my draft and we developed it into something far more compelling. When Annie Berger at Sourcebooks showed interest in the book, it felt like winning the lottery twice. Annie and the whole team have been the most incredible partners—thoroughly brilliant and a complete joy to work with. And here we are—the book just hit shelves this week and I’m not sure what to do with myself!

Q. Would you please introduce us to the novel’s hero, Javi Santiago? (I must know what level of dedication to sandwiches it takes to be classified as ‘sandwich-obsessed’!)

A. Javi’s an aspiring chef and sandwichéaste (think cinéaste but for sandwiches) who’ll do anything to pass sixth grade. He’s a zany kid with an overactive imagination and a penchant for asking deep questions about food (because what makes a sandwich a sandwich, really?). He peppers in one-sentence recipes throughout the book—some of Puerto Rico’s most delectable dishes, mixed in with his own recipes (like the Spanglish Sandwich aka The Spanglo Sando™). And while he’s fun and eccentric, underneath the silliness he’s a first generation Puerto Rican kid struggling with imposter syndrome as he tries to excel at something in his life. 

Q. You offer us such a hilarious dynamic between your protagonists – we have the almost-failing student, Javi, paired with his best friend, Wiki, the human Wikipedia/young professor (plus, Javi’s little sister, who wants to be the president’s bodyguard!). How did you land on this dynamic? Is it something you envisioned from the get-go?

A. The characters were floating around my head disparately but when I put them together I realized how fun their dynamic would be. 

I know a few folks who are so brilliant they seem weighed down by their intelligence—it’s made them world-weary. I thought that’d be really fun to capture in an extremely-precocious sixth grader. As I was coming up with the character I remembered a line in a hip hop song I love, “Catch me solving mysteries like Wikipedia Brown.” And that’s where Wiki’s name emerged and the character solidified in my head.

In terms of Brady, I knew I wanted a hot-headed sibling/partner to steal the spotlight and do much of the butt kicking because I love that dynamic in stories, going all the way back to Frodo and Sam. I also have a few friends with wild kid sister energy and they’re the life of any party, so I knew I wanted to bring that to the trio. 

Q. You had to develop a wide array of voices for this story, including kid Mozart, the Earl of Sandwich, and Blackbeard the Pirate. Was that a challenge? A joy? A spiralling research nightmare?

A. A spiralling research dream! This series gives me the best excuse to research my favorite folks in history and fiction, and it’s been a blast. I loved reading old texts on pirates, delving into the specifics of Mozart at age twelve and dusting off copies of old novels with iconic characters as I researched this book. And I knew nothing about the Earl of Sandwich before writing this, but how could Javi not invite him?

There was one aspect of research that was a bit frustrating. A big focus of this series is exploring characters more representative of the world’s history and fiction, because I’m hoping this book is ultimately a gateway to other books, characters and historical figures for kids to explore. Finding a wealth of information about some historical and mythological figures from other cultures was incredibly difficult. I knew it wouldn’t be easy, but I wasn’t prepared for it to be quite so challenging—which invigorated me to include more of them in the book!

Q. You have such lovely, concise, concrete writing advice available on your website. Is there any advice my-novel-is-getting-published Victor would give I’m-starting-to-write-a-novel Victor?

A. So much advice! I think there are a few super important things that would’ve had me writing novels decades ago, so I take any chance I can get to relay them to other aspiring/young writers.

1. An hour a day can be enough. I always thought I needed to quit my job and write eight hours a day to finish a novel, which held me back for years. Then I read a Murakami interview where he said he completed his first novel by writing an hour a day after work. In that moment I felt like the universe gave me permission to write mine. 

2. Lower the bar far lower than you’re comfortable with for that first draft. (No, lower!) There are passages in the first draft of my books that are barely intelligible, but I now know that’s okay. The first draft is about discovery and getting the story out of your head and onto the page. It’s far too early to be precious about anything. Just get it all out and see what you’ve got when you’re done.

3. Don’t dread rewriting—it’s far more fun than expected. Before writing my first book I was terrified of it, but it’s become one of my favorite aspects of writing. (Which is a good thing considering it’s 75-90% of what you do as a writer!) 

Q. Do you have any advice for young writers in general?

A. Absolutely. Besides everything I said above, read about writing and join online writing communities. Screenwriting books are great for story structure basics, Stephen King’s On Writing is great for process, Brandon Sanderson’s free writing course on YouTube is absolutely brilliant, Neil Gaiman and David Mamet’s Master Class courses are gold, and Reddit’s /r/writing is a fantastic place to learn alongside others in the trenches. I also love John Truby and Lisa Cron’s books. But maybe it’s best to start with this short Ira Glass video. Or this brilliant reflection on writing advice Chuck Wendig just wrote.

Q. Finally, I read that you used to be a documentary filmmaker and a blogger. What are some questions you would ask Blackbeard, if you met him?

A. It’d be one of those long interviews—the kind that take up the entire documentary and usually take the film crew multiple days to shoot—because I’d want to lead up to asking him how many people he actually killed. (Some historians say almost zero!) And I’d also want to ask him a lot of questions about Stede Bonnet, “The Gentleman Pirate” who was an equally fascinating and thoroughly hilarious character. He was rich, had a midlife crisis, became a pirate, and got thoroughly swindled by Blackbeard. (Side note: I was so happy when I heard the news that Taika Waititi would be creating a show about him!) Finally, I’d ask him to get battle ready. Before a skirmish Blackbeard would light fuses or small candles in his beard, since the smoke gave him a demonic appearance. It was his favorite scare tactic. I’d love to see it live!

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Sara Truuvert completed her MLitt in Creative Writing at the University of St Andrews. She also holds a Certificate in Creative Writing from the Humber School for Writers and a BA in English, Drama, and the History and Philosophy of Science from the University of Toronto. Her work has appeared in the Literary Review of Canada among other publications.

For more interviews, see the Inkygirl Interview Archive. Also see Advice For Young Writers and Illustrators, a compilation of tips generously offered by children's book creators Inkygirl.com has interviewed over the years.

I've been gradually adding new and older BookADay posts to my new Bookstagram. One of the most recent:

SOUP DAY by Melissa Iwai (Henry Holt): Celebrates the importance of making a nutritious meal and sharing in the process as a famly. Also be sure to check out Melissa's newest book, DUMPLINGS FOR LILI (Norton Young Readers).

Brian McLachlan is a cartoonist who's worked for Nickelodeon, The Nib and the New Yorker. He writes the monthly comic Spruce Street Squad for Owl Magazine. His book, Draw Out The Story: 10 Secrets to Creating Your Own Comics is an ILA-nonfiction award winner. Each Tuesday he hosts a group of artists in a PG-13 game of Dungeons & Dragons where they live draw what happens in game on Twitch, called Magical Marker ( MM ). You can find Brian at his website, on Twitter, and Instagram.

Synopsis of COMPLETE THE QUEST: THE POISONOUS LIBRARY (Imprint/Macmillan):

Save your kingdom in this interactive role-playing adventure, which reads like a graphic novel but also plays like a game! It’s perfect for fans of all ages who are interested in the exciting world of fantasy gaming.

Q. How did you come up with the idea for Complete The Quest?

Complete the Quest in a brand new mix of role playing game (RPG) and comic. It started as an experiment to see what would happen if I took a Dungeons & Dragons or Chose Your Own Adventure multi-path story and made it into a comic. How would the gameplay change by putting it into a visual space? For me, it was a literal game changer, turning the CYOA anxiety of multiple choices, into a laid-out, laid-back invitation to check all paths for your favourite way forward. It also encourages people to come up with their own, better solution if they want. While I always give the reader a clear path forward, I invite them to forge their own. It's a great introduction to co-operative storytelling.

Q. What was your writing/illustration process?

I draw a scene much faster than I can write about it. A picture's worth a thousand words and all that. So I draw my scripts in rough, laying out out the word balloons, figuring out how much space I need, how the page turns feel, etc. This was especially important for this comic gamebook which also filled with maps for the reader to navigate. We needed to see if the pathing was clear. Creating the tutorial was the most time intensive part, trying to make the most elegant, clear way to ease the reader into how the game part functions. I think we nailed it. I hear from parents who don't play RPGs that they were worried about the reading a gamebook, but they quickly "got it".

Q. What advice do you have for young writers and illustrators?

Advice is hard to give because everyone's different. Some people need to hear "finish what you start" and some need to hear "stop working on that thing, it's good enough". So my advice is to train your inner advice-giver and follow it. What is it about the way you work that you've been putting off improving, but could do right now? Because you know what type of story or art you're making, and if you're trying to make an apple, the best advice in making a banana isn't going to help. And the best advice in making an apple right-handed isn't going to help you if you're left-handed. Not all advice is for you, it's a skill to figure out what part is for you to take right now, later, or never.

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Also see my other Inkygirl interviews with book creators and advice for young writers and illustrators from book creators.

(Shortlink to this post: https://debbieohi.link/goodnight-ganesha)

I met Nadia Salomon through the SCBWI and am also familiar with her online. I love her enthusiasm, positive outlook, and the support she has shown fellow members of the kidlit community over the years! I was excited to get a sneak peek of GOODNIGHT GANESHA, her debut as a picture book author. The bedtime story celebrates nigthtime rituals as two young children visit their grandparents in India. SUCH gorgeous illustrations by Poonam Mistry. Thanks to both Nadia and Poonam for answering some questions about the book as well as their advice for young writers and illustrators!

Nadia Salomon lives in northern California with her family. Nadia writes picture book, middle-grade, and graphic novel manuscripts with themes of South Asian and Caribbean culture, STEM, non-fiction, and humor. Nadia is the winner of the 2020 SCBWI Service Award and the 2019 SCBWI WOOP Honor Award for work of outstanding progress on her non-fiction, picture book manuscript, MYRLIE: A VOICE OF HOPE. You can find out more about Nadia on her website, Twitter, Facebook, Instagram and YouTube. You can sign up for her newsletter here.

Poonam Mistry is a freelance illustrator living in the UK and graduated in 2010 with a degree in Graphic Design and Illustration at the University of Hertfordshire. Poonam creates her beautifully intricate images by hand using fine liners and then digitally alters them. You can find out more about Poonam on her website, Twitter, and Instagram.

Synopsis of GOODNIGHT GANESHA (Philomel, Aug. 31, 2021):

"As nighttime falls over the city, two children visiting their grandparents in India find there’s so much fun to be had! Whether it’s listening to epic stories or observing rituals in the puja room, there are many moments that make this time together special. In this beautiful, rhyming ode to bedtime, the only thing more universal than getting ready for bed and saying goodnight is the love between children and their grandparents."

Inspiration photo from Poonam Mistry.

Q. What was your path to publication?

Nadia: I'm a #PitMad success story. I landed my amazing agent, Ammi-Joan Paquette, through twitter pitching! That's about three years after joining SCBWI. But my debut, GOODNIGHT GANESHA, is not the story she faved, but instead what I call a 'hot potato' idea inspired by my child. I wrote the draft in October of 2017. I sent it to several editors and agents I had connected with through conferences, but received lots of champagne rejections before shelving it. It was one of 21 manuscripts I shared with my agent in March of 2018. She loved the concept, but asked me to write the story in lyrical prose. After rounds of revisions, in January of 2019, she finally accepted the manuscript. She sent it out on sub. Six months later, in July of 2019, we sold the manuscript to Liza Kaplan, a senior editor at Philomel Books. I am now traditionally published. From concept to release will be 3 years, 10 months, 14 days to be exact.

Q. What interaction did you have with the illustrator, if any, during the process?

Nadia: Poonam and I interacted behind the scenes, but we NEVER discussed GOODNIGHT GANESHA or the art for the book. I trusted her whole-heartedly. All work related communications went through our editor. We became friends behind the scenes - coping through the pandemic, bonding over shared culture, family, and everything else in between, but we NEVER had convos as she worked on the book. The one time was at the end, when Poonam completed the art and asked me, "DID YOU SEE THE FINAL ART YET?" And I was like, "Uhm...NO." She was so excited. She said she put a lot of extra details and hoped I liked it. I was so antsy, but stayed calm. A few days later I received the final art. It was just incredible! We had a good cry messaging back and forth over the final art and what this project meant to each of us. We're about to contribute a piece of Telugu Culture and Kalamkari art into kidlit; we're ecstatic and proud of what we created together.

Q. What was your illustration process for GOODNIGHT GANESHA?

Poonam: For Goodnight Ganesha, I began by actually taking photographs around my parent's house. They have a lot of decorative ornaments and wall hangings all around their home so this was the perfect starting point for the book. Nadia's text is so poetic and beautiful so I sketched the imagery I felt best represented each spread and would really showcase her words- usually I have several versions for each part of the text and pick the ones I like the most. Once this was approved, I sketched out larger versions on thick cartridge paper and used black ink to draw in the designs in neat. This is where I added all the patterns and details. Mostly I took inspiration from traditional Indian art such Kalamkari textiles and Madhubani art. I layered the patterned very much like you would see on sarees and fabrics. After completing the drawing, I used Photoshop to add colour and additional patterns to finish it off. Some of the spreads have a patterned border- this was because I wanted them to look like wall hangings and Kalamkari textile pieces- big pieces of art!

Q. What advice do you have for young writers?

Nadia: Read, read, read. Write your stories. Make writing a habit. Write, write, write. Use the power of storytelling to change the world through joy. Explore your emotions, your memories, and create new classics. There's someone out there, an adult, another child, a pair of hands waiting to read your story that may impact or influence their life. No matter your age, your size, your voice - your words have value.

Q. What advice do you have for young illustrators?

Poonam: My biggest piece of advice is to do art that is true to yourself. My style is a real reflection of the things I love and what makes me who I am. It is my visual voice. Also always keep drawing and be experimental in the media you use. Although my work is mostly digital, I love painting in my style!

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For more insights from book creators, see my Inkygirl Interview Archives.

This website has now been folded into my main DebbieOhi.com website, so please adjust your bookmarks. Thank you!

The IKEA NÄMMARÖ storage box serves as a practical solution for the garden and balcony, functioning well as an outdoor storage box and bench. Made from acacia, a naturally durable hardwood, it is pre-treated to withstand the sun, rain, stains, and general wear and tear. However, the loose lid can be a pro or con, depending on your specific needs and space configuration. For John Sharpe, the design was a bit of an inconvenience. “The original box has no hinges,” […]

The post A Quick Fix Makes This IKEA Outdoor Storage Box So Much More Accessible appeared first on IKEA Hackers.

Is it too early to start talking about Christmas decor? Probably. But when IKEA drops a genius item like the VINTERFINT Wall Decoration, we can’t keep it under wraps. This space-saving tree is exactly the kind of clever solution we at IKEAhackers love. While nothing quite matches the magic of a traditional live tree, the VINTERFINT offers a chic alternative for those with tight spaces. As homes shrink and urban living spaces become more compact, the traditional Christmas tree is […]

The post IKEA’s New Charming Christmas Tree Is Winning Over Small-Space Dwellers appeared first on IKEA Hackers.

Sometimes the best hacks are the ones hiding in plain sight, just waiting for a bright spark to shine light on it. Süreyya Tuncer of @sues_daily took a simple IKEA MOSSLANDA picture ledge and turned it into an affordable curtain pelmet. I’ve come across lots of picture ledge hacks over the years but this is the first time I’ve seen it used this way. It’s a straightforward repurposing of the ledge yet this simple twist made a stark difference. Süreyya […]

The post Elevate Your Curtains Instantly with This Simple Pelmet DIY appeared first on IKEA Hackers.

Have you ever stepped into a home and immediately felt that warm, welcoming atmosphere? It’s such a delightful experience, isn’t it? While IKEA offers lots of choices for cozy home decor, it can sometimes feel a bit overwhelming, making it easy to choose pieces that don’t quite fit together. Your space may end up disjointed and cluttered, which is the opposite of the relaxing atmosphere you’re aiming for. And as if navigating the IKEA maze isn’t tricky enough, sifting through […]

The post Can’t Get The Cozy Home Vibe? Here’s What You’re Missing appeared first on IKEA Hackers.

I couldn’t believe my eyes as I wandered through IKEA’s soft toy section. There, perched among the bins was Hedwig from Harry Potter. It was then I realized I was staring at IKEA’s new SKOGSDUVA snowy owl hand puppet. The resemblance to Harry’s faithful feathered companion was uncanny. While it might not deliver Hogwarts acceptance letters, it certainly brought a touch of magic to my shopping trip. With its fluffy white feathers and expressive eyes, this soft, cuddly version of […]

The post This Must-Have IKEA Item Completes Your Kid’s Harry Potter Costume appeared first on IKEA Hackers.

Norwegian designer Camilla Bakken repurposed the popular SNUDDA lazy susan into a chic, spinning wall sconce! This innovative repurposing might just be the most unexpected use of a turntable yet. The SNUDDA, known for its practicality in the kitchen, has found a new life in Camilla’s hands. By attaching strip LED lights to three SNUDDA units, she created a unique lighting solution that added ambiance and functionality to her space. The lights are controlled via a remote and can be […]

The post This Round Wall Sconce Hack Is Our New Favorite DIY Project appeared first on IKEA Hackers.

As the year draws to a close, the holiday season is upon us once again. Although we still have two months until Christmas, studies have shown decorating early is actually good for your mood. The vibrant colors and twinkling lights simply trigger the release feel-good dopamine, which in turn, boosts happiness and energy. I must admit, Christmas decor makes me grin like a kid with ice-cream, until I look at the price tag of tinsel and garlands and baubles. Yikes! […]

The post Deck Your Halls for Less: 14 Christmas Decor Ideas Using IKEA Finds appeared first on IKEA Hackers.

The area behind the door is frequently overlooked, often turning into a cluttered mess of hanging coats and bags. However, @corinas.leben found a way to change that. She took four basic IKEA FLISAT wall storage shelves, originally designed for organizing toys and books, and transformed them into a practical, behind-the-door storage system. By assembling the four shelves and attaching them to two vertical planks, she created a slim shelving unit that can be discreetly tucked away behind a door. The […]

The post An IKEA Hack That Works Wonders For This Often-Ignored Nook appeared first on IKEA Hackers.

In the IKEAHackers Facebook Group, Brianna shared how she turned basic KALLAX units into something totally unexpected — a gorgeous credenza that includes a perfect spot for her dog to lounge. Brianna took two 2×4 KALLAX units and set them up on either end of the nook. The middle section would be left open for a dog bed. But she didn’t stop at just placing the units – she snuck in a little hacking to give the credenza an upgraded […]

The post This IKEA KALLAX Hack Combines Storage and a Cozy Dog Bed in the Coolest Way appeared first on IKEA Hackers.

New Disney+ Star Wars TV series The Mandalorian premiered on Tuesday and people haven't been able to stop tweeting about "Baby Yoda." Can you blame them? He's just so goddamn cute. The catch here is that Baby Yoda isn't actually Yoda at all, but rather of the same species. Either way, people are positively freaking over him, and we don't blame them.

A much less famous, but just as squee, story than "The Tortoise and The Hare".

When Windows tells you it's out of memory, what does it mean and what can you do about it?

How Do I Tell Which Program Is Using So Much Memory? from Ask Leo!.
Get the Confident Computing weekly newsletter: https://newsletter.askleo.com

Having your email automatically or continually signed in to can be a security risk in some situations, but very convenient in others.

Is Automatic Sign-in Safe for My Email? from Ask Leo!.
Get the Confident Computing weekly newsletter: https://newsletter.askleo.com

If your format happened quickly, it's unlikely your data was actually erased. I'll show you the difference.

Will Formatting a Disk Erase All Data? from Ask Leo!.
Get the Confident Computing weekly newsletter: https://newsletter.askleo.com

CHKDSK can't check an empty drive, and Windows considers RAW to mean empty.

What Does “CHKDSK Is Not Available for RAW Drives” Mean? from Ask Leo!.
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Embed from Getty Images One long standing Christmas tradition at Fox news is perpetuating the mythological war on Christmas. While it is not a self-evident truth that Christmas is safe in the United States, the idea that there is such …Read more »

Embed from Getty Images Scottie Nell Hughes, a Trump surrogate, presented her view of truth on The Diane Rehm Show. As she sees it: Well, I think it’s also an idea of an opinion. And that’s—on one hand, I hear …Read more »

I’m a year and a half into the development of a new web application for managing complex data sets. Our boss has never been able to provide proper specifications for what he needs, just a flood of vague ideas with no real detail and constantly changing scope.

My job is to try and turn this into a comprehensible list of tasks that the dev team can actually follow. Each month, I have a planning session with the boss where we hash out the next period of work. Each session, I remind him that changing the scope means adding more time.

We agree and sign off the work to be delivered by the end of the month. So far, we’ve hit every deadline.

I thought we had a pretty good system in place until:

Boss: “I can’t believe we’re so far behind and how poorly you’ve managed this project.”

Me: “What do you mean? Haven’t we met all the agreed deadlines throughout the project?”

Boss: “I’ve made a spreadsheet of all the dates I wanted each feature done by. So far, you’ve missed every single one of them.”

Me: “Excuse me? We’ve always delivered what’s been agreed on time. Where have these new dates come from?”

Boss: “This is how long I thought the work should take and I made up my own timeline.”

Me: “I’ve never seen these dates before, let alone agreed to them. At a glance, many of them seem extremely optimistic.”

That’s business talk for “f****** mad”.

Me: “We agreed at the start this would be at least a three-year project.”

Boss: “Well, I decided it should take less time and you’re late. I’m going to have to pull the plug on this project if you can’t have everything wrapped up within the next month.”

I politely remind the boss that there was at least another year and a half of work left to complete the project. I’ll probably be looking for a new job shortly.

I do in-house design work for my boss. I’ve worked with her for ten years and she swings wildly back and forth from being surprisingly design-savvy (not for a literal decade of trying on my part) and being a client from Hell. Today, she swung somewhere in the middle.

I have spent the entire time I’ve known her explaining how you cannot just pull photos from Google; I’ve explained copyright, public domain, etc. She refuses to buy photos 99% of the time, so I usually use free stock photos when possible. When she absolutely needs to buy a photo, she emails our web guy and has him buy one for her and add it to her next bill.

Me: “I see you got [Web Guy] to purchase the photo for the ad and forwarded me the email with the file. Unfortunately, the file is too small. Unless he sent you a separate email with a larger file, I will just email him for the correct one.”

Boss: “Maybe it’s how I sent it. I’ll try again.”

She forwards me the same email.

Me: “No, no, it’s not you. The file he sent you is labelled “thumbnail,” which is a preview file. He probably just sent the wrong one by accident. I have emailed him.”

Boss: “What about this one?”

She sends an email with the same photo attached.

Me: “That’s the same one. I have emailed [Web Guy]. Don’t worry about it. You don’t have the correct file.”

She forwards the same original email from [Web Guy].

Boss: “What about now?”

Me: “No, boss, I’ll get it from [Web Guy].”

She forwards the individual email she sent me.

Boss: “How about now?”

Me: “Boss, no.”

Closure: She now has a stock photo account that I have access to.

I’m at a briefing with a client, along with a board made up of the client’s in-house developers and designers. While discussing an idea with some of the other people in the room, the client stands up and starts hitting the desk with the newspaper.

Me: “Excuse me, but what are you doing?”

Client: “Hush, this works on my dogs at home. It should work on you too.”

He beats the table with the newspaper for a few seconds.

Client: “Now, sit, and stay.”

He continues to beat the table. 

Me: “I’m sorry, this is ridiculous. I’m terminating you as a client.”

As I walked towards the door, the client jumped up from their seat and blocked the door.

Client: “If you want a snack, I’ve got some under my desk, no need to leave the meeting!”

At this point, I shoved him aside, and walked out, followed by him. Whistling, and shouting “come!”

Client: “We would like a drawing of a moose on skis.”

I send the art.

Client: “Why there were two feet on each ski?”

Me: “People ski on two skis and a moose has four feet so I put two on each ski.”

Client: “That is ridiculous!”

Me: “Which part? You’ll have to be more specific?”

Client: “Well, I’m pretty sure they don’t make skis that can accommodate two feet each!”

Me: “Right. That was a pretty big leap on my part, sorry.”

This story happened a few years ago. A friend refers me to his mother, a real estate agent who wants a new website for her business. I call her to set up an appointment.

Client: “So, what is your expertise in real estate?”

Me: “I’ve done two real-estate websites in the past, and they’ve been quite successful. I can provide you with a searchable database of listings where buyers can filter by price and other factors, as well as a homepage with featured listings, your bio, and anything else you’d like to include.”

Client: “Yes, but have you ever sold a house before?”

Me: “No.”

Client: “Why not?”

Me: “Because I’m not a real estate agent. I’m a web developer.”

Client: “So how do you expect to do a website for me if you don’t know anything about being a realtor?”

Me: “I know enough to build a website with a listing database which you can very easily populate with descriptions, photos, and any other info you wish to provide the buyers with. I can also provide other tools, such as a mortgage calculator and a lead-tracking system that allows potential buyers to contact you with listings they are interested in.”

Client: “I really don’t think you know what you’re doing. I think I’m going to have to pass and find someone who knows how to sell a house.”

Later, I discovered she had finished her website. On Geocities. Yellow background. 50pt font. Seemingly designed by a ‘real’ real estate agent…

I’m designing a photographic history exhibit for a prestigious university. The project requires a series of panels that each depict a different decade, from the 1930s to the present.

Client: “You know, this is all great, but it could use a little more diversity. Right now, there are a lot of photos of all white men, and we don’t want to send the wrong message.”

Me: “Okay, that’s a reasonable request. I could pull some photos of your black student organizations and women’s center and add those to the panels showing the school’s more recent history.”

Client: “Actually, we’d love more diversity in the early panels too.”

Me: “What do you mean?”

Client: “Like this panel depicting the university in the 30s. All the photos are of white men!”

The school did not admit black students until the 1970s.

Client: “I need the number for Jack. Can you give me his number, please?”

Me: “Jack? Jack who?”

Client: “The manual for the modem said that I need to connect to Jack, so if you could give me his number, then I can connect with him.”

The ways buildings are constructed has to change. It has become something else instead, something more sustainable, something newer. And it doesn't get much more modern than buildings that can actually move and adapt at will.[...]

Sotheby's is an iconic name in auctions, a decades-old seller of fine goods. Some of the world's most expensive jewels and rarest works of art have been sold here. Now, Sotheby's has put an entire island for sale. It's carbon neutral and already has some incredible buildings standing on it.[...]

RO54 is a split-level modern home perched on a Bel-Air hilltop. But this is not what your mind probably conjures when you think of a split-level home. RO54 by Arshia Architects is a dreamy façade of floating glass with view of the Pacific Ocean, designed in layers to allow a gradual ascent to the top of the roof with little effort.[...]

Between two ponds in Southampton, New York, you will find one home that looks different from all the rest. The location of Tamsen House posed a lot of environmental challenges and this design by Fernando Fisbein Architect truly rose to the occasion.[...]

You shop local and buy organic when you can, but how can you tell if your farmers market produce is really organic? There have been a few scandals in recent years where farmers market vendors were found to be purchasing and reselling grocery store produce labeled as locally grown. So how can you tell? Here's how to find a great farmers market vendor or food co-op for organic produce.[...]

With a focus on minimal site impact and environmental protection, the Darwin Bucky project sets a standard for sustainable modular architecture. [...]

Wedding season is upon us, and thanks to a slowly retreating pandemic, there seems to be more than ever. Whether you are attending a wedding this year or planning one for next year, it is important to recognize the environmental impact that such an event can have. There is an average of two million weddings a year in the U.S., and they are some of the most expensive parties thrown around the world. Between travel, single-use objects and food waste, weddings produce 400 pounds of trash and 63 tons of carbon dioxide per event.[...]

Castelar 75 is a boutique building designed by the renowned architect Fernando Donis. The building is located in Polanco, an exclusive residential area in Mexico City, and is considered to be one of Mexico's most state-of-the-art edifices. The architecture is a revamp of the typical commercial building and features large spaces for offices, reception areas and parking. Its colossal size covers a floor area of 1207 m2, which amounts to 18,314 m2 that is spread out vertically over 17 floors. Besides its immense size, it is well-designed and features several environmentally-friendly design elements that make it an elegant yet practical[...]

San Francisco has long been a destination for those who enjoy natural wonders. The incredible bay and sandy beaches, the towering redwoods, the mountains, it all gives this city a look that no other place has. And now, finally, the Bay Area will have a sustainable hotel that celebrates the environment of San Francisco with 1 Hotel San Francisco.[...]

Electrical grids in cities and countries are overburdened all over the country. Load reduction is no longer an idea, it's a necessity. Phuis is a nonprofit organization that is creating healthier buildings that are better for the planet and the people on it. They use passive building techniques and innovative design ideas to create energy-efficient homes, offices and public buildings. This breathtaking New York Forever House by Christina Griffin is an example of how Phuis is using its retrofit program to make homes from any era more eco-friendly for the modern homeowner.[...]