Know Your Stats� PSA

AACR Survey and Cancer Progress Report 2015 Video

Aspen Dental & Danica Patrick unveil a salute to more than 2,200 veterans at Chicagoland Speedway to honor their service and raise awareness about the need for oral health care.

Purple Purse PSA

Top Breast Cancer Surgeons Discuss Advanced Surgical Options

The Wheels Up Pink Plane is the first-ever pink Beechcraft King Air 350i. Proceeds benefit the Dubin Breast Center at Mount Sinai in New York City. Westchester County Airport, White Plains, NY

Closer Relationships Live Here Every Day

Video 1 Preview Image Caption

Time to Talk CINV� Video

Meet Kommah

The Amgen Biotech Experience empowers teachers to bring biotechnology into their classrooms to spark students� love of science and features a hands-on curriculum that introduces students to the excitement of scientific discovery.

Robert Kuske, MD

2nd Annual Women�s Lung Health Barometer Animated Video

The World of Autism

Joey Fatone: IN SINK

AspireSR Video

Brad & Jenny Lost 400 lbs. Together

Gout as a Serious Health Issue

Help Kids Defeat the Mouth Monsters

Health Center Partners: The New Face of Community Health

Ask About the Curve Public Service Announcement

St. Jude Rock �n� Roll Nashville Marathon

Lenine Cunha, Portuguese Paralympian and Win for Meningitis campaign ambassador

STOUFFER�S�, FIT KITCHEN� headed to Tempe, Arizona to host Fit City Event featuring a competitive softball game with a twist coached by two of baseball�s biggest stars encouraging fans to find their fit

Tim McGraw wants to hear from you!

Ryan Lochte explains the feeling of Gentle Laser Hair Removal

�I think it is an opportunity for nurses to learn a skillset you don�t learn in nursing school.� � Jeffin Bush

without evidence, and the responsibility to prove the same lies with the complainant.

GST Returns which are to be filed in November month, those returns are very important as in this month you need to reconcile them thoroughly.

Hello Members,In one of the client case, he is partner at different firms. In one of the firm, the interest given to him on his Capital is consider as infusion of Capital since they had missed deducting TDS on the same. Now when we are filing his personal ITR, how do we con

Download CA Final Advanced Auditing, Assurance And Professional Ethics Question Papers Nov 2024 in PDF. For older question papers of CA final May 2024, Nov 2024, May 2023, Nov 2022, May 2022, Dec 2021, July 2021, Jan 2021, Dec 2020, Nov 2020, Nov 19, May 2019, Nov 2018, May 18, Nov 2017, May 2017, May 16, Nov 2015, CA final may 2014, CA final Nov 2014 check similar section. Previous years CA final Advanced Auditing and Professional Ethics question papers can also be downloaded using Search. You can also search and download may 2015 IPCC & IPC question papers here. We are providing ca final question papers of may 2016 for Financial Reporting FR, Advanced Financial Management AFM, Advanced Auditing, Assurance And Professional Ethics, Direct Tax Laws DT, Indirect Tax Laws IDT, Integrated Business Solutions (Multidisciplinary Case Study with Strategic Management) and IPCC/IPC Nov 2023 question papers for Accounting , Business, Law, Ethics & Communications , Cost Accounting & Financial Management CAFM, Taxation, Advanced Accounting , Auditing & Assurance, Information Technology & Strategic Management ITSM.

Jurassic Park was based on actual events. Specifically, the time that Steven Spielberg stumbled and yelped in surprise at the sight of a small lizard on top of a fence.

Advice you don't want from a maniac you don't trust.

Every now and then a forum member posts something so creative and impressive that I stop shouting in anger at my monitor. Today I'd like to highlight a particularly amazing post.

some are born great, some have greatness thrust upon them. once in a while a magnificent bastard comes along and changes the whole damn game.

I had to kill a young enemy scout with the detached head and neck of a giraffe. Afterwards, in a powerful moment, Ellie realized it was the giraffe from the first Last of Us. In a more powerful moment, Ellie realized the giraffe's neck was tattooed with the words I BET THAT KID HAD A FAMILY

We have to do better. If you feel attacked, it's about you.

Welcome, you have arrived at: Yourself

Üks tänahommikusel loodusretkel kohatud tiivulistest – väike nunnukas.

Winterkeep is now out in the world, and can be purchased at your favorite book retailer. I am happy for you to buy the book wherever you prefer, but do keep indie retailers bookshop.org, Libro.fm, and Kobo in mind!

This week, I'm on the podcast First Draft with Sarah Enni... Sarah is so skilled at insightful conversation, and so warm, too. We had a lovely chat. Check it out!

I have two more virtual events to round off book release week, and you're invited. The first is Sunday at 5PM ET (2PM PT), with Malinda Lo, moderated by Tui Sutherland, and presented by Mysterious Galaxy Books in San Diego. The nice thing about this event is that Malinda, Tui, and I are all in the same book group. So we're used to getting together to talk about books. Just not usually our own books! Of course, our last eleven meetings have been virtual, but normally, the group meets in one of the homes of our lovely members. If I were hosting book group in January, I would have a fire roaring in the fireplace… So I'm going to light a fire for Sunday's event.

It's free to join us, but you do need to register ahead of time. Also, note that though I'm not personalizing books via my local indie during the pandemic, you can purchase books through this event and get signed or personalized bookplates. But you need to do so pretty soon, so if you're interested, follow the links! Instructions for ordering are here.

My final event, on Monday at 6PM ET, will be a conversation with my agent Faye Bender, moderated by editor Andrew Karre, who is my new editor! So this conversation will certainly involve some publishing talk. This event is hosted by Books & Books and the Miami Book Fair. This event is free, but you do need to register ahead of time.

Finally, for those of you not on Twitter, I'll share some pictures of my Winterkeep-writing process. Here's a drawing I made on November 10, 2013, while I was planning this book while on a writing trip in Akureyri, Iceland. At the time, I'm pretty sure I imagined that this picture encapsulated the entire plot of the book. (Don't worry, there are no spoilers! Especially since most of the stuff didn't make it into the final draft…)

Next up, here's a picture from the first page of my first draft, started on April 21, 2014. I wanted to share this because at the top, I've written, "I am writing a book and today I will write 2 pages." That's something I learned from Linda Sue Park, who gave a speech about writing once years ago in which she talked about the emotional weight of trying to make progress through such a long and gigantic project. You don't sit down thinking to yourself, "I need to write this entire book." You sit down thinking to yourself, "today I will write two pages." When Linda Sue said those words, it changed my writing life. So much pressure disappeared! (By the way, if you enjoy seeing pictures of my notebook, you might like the detailed post I wrote about writing Bitterblue.) (Oh! And if you read that post, then read the writing carefully below, you will notice that ONCE AGAIN, I tried to write an earthquake into a book. Like the earthquake in Bitterblue, this Winterkeep earthquake did not make it through to the final draft. Why am I obsessed with earthquakes?)

Finally, years later — almost 3 years ago, in February of 2018 — I was far along in the writing process, but I still hadn't figured out what this place was called, what this book was called, what the undersea beast was called…. At a writing retreat with friends, I kidnapped this gigantic easel notepad thingamajig and started writing down possibilities. Everyone voted. You'll note that "Winterkeep" isn't even on this list (though some pretty silly things are; I wrote down every possibility, no matter how bad), but you'll also see that I was getting pretty close to "Winterkeep!" I don't remember exactly, but I must have come up with "Winterkeep" while we were at dinner one night, and everyone agreed it was the winner. (For a while after that, I was calling the book Winter Keeper, but when it came time to decide for sure, my team at Penguin decided to go with Winterkeep, so that the title would line up nicely with the other single-word Graceling Realm titles.)

And that's my Winterkeep update for today! I hope we'll get to see you at one of my upcoming events!

Hi everybody.

The question I get most is: "Where do you get your ideas?"

Generally, when I'm asked this question, it's at a book event where it's difficult to answer, because… Well, the answer is long, and complicated, and hard to pin down, and most of the time, I don't really remember how it happened. When an idea starts to arrive, I get to work. I'm not paying attention to how it's happening, or how it would look to an outsider. 

But — a few weeks ago, a new book idea started knocking on the door of my mind. And this time, I decided to pay attention!

What follows is probably the most detailed explanation I'll ever give of where my ideas come from. More specifically, where this particular idea came from, because it's not always the same. But my experience of the past few weeks has been fairly typical for me, and I'll add that there are a few activities I need to engage in every single time, if I want an idea to take root. Namely: PATIENCE. LISTENING. And, LABOR. Book ideas require a certain honed receptiveness, and they require a LOT OF WORK. 

I'm yelling because I'm trying to push back against the idea that ideas simply come to writers. Yes, some parts of ideas come to writers. But when I first get a book idea, what "comes to me" probably comprises about 0.1% of what could properly be called a book idea. Often, it's little more than an inchoate feeling. With patience, listening, and labor, I transform the idea into something I can grasp, and work with.

I'll add that yes, we do hear sometimes of writers whose ideas "simply came to them," fully formed. I'm going to take a guess that (1) this doesn't happen very often, if ever, with books that have complicated structures or plots, and (2) writers who are blessed by ideas in this way probably have a long-honed practice of receptiveness.

Anyway. Warning upfront that this may be a little unstructured, because the process is a little unstructured. It's challenging to describe, and I'm still in the middle of it. But here's what my last few weeks have been like.

A few weeks ago, while watching a TV show that had a certain mood/aura that'd really sucked me in, I found myself drawn to the idea of a story involving three characters. I'm not going to tell you what TV show I was watching, and I'm not going to tell you anything about my three characters, because story ideas are intensely, intensely private. The first time I say anything publicly about it will probably be years from now, if and when this book is ever scheduled for release. But let me try to explain a bit about that moment when the first glimmering of the idea appeared. 

Like I said, I'd been watching a TV show when it happened. But my three characters weren't characters in that TV show. Nor did anyone in that TV show relate to each other the way my three characters seemed to want to relate. Nor did my three characters seem to live in a world like the world of the TV show. The TV show helped to launch the idea at me because of the show's mood and its feeling, and how much I cared about the people in it. But my idea? As is often the case, my idea came from something I saw missing in the TV show. Not missing because there was a flaw in the TV writers' story; I loved their story! But missing (for me and possibly only me) because their story was not the story I would have told.

I think that a lot of my idea seeds come from my adoration of other people's stories, but also from my noticing what's missing in those stories, for me. What story I would've like to have seen told; what characters the story lacked.

Anyway. So this idea of these three characters came to me. But when I say "idea of these three characters," already that sounds more substantial than it was. I knew they were three humans (or humanoids; I didn't know what genre the story was, so they could've been aliens on another planet, for all I knew. In fact, I actively considered whether they might have different biology than ours). I knew they cared about each other, but I didn't know in what way. I knew they were facing a challenge that would strain all of their relationships. I thought they might be grown-ups, but I wasn't sure. I thought I knew at least two of their genders, but I wasn't sure. I knew they lived in a world with magic, but I didn't know what "magic" meant in the context of their world. I didn't know where they lived, or when they lived (past? future? futuristic past? postindustrial future? any of about a hundred other possibilities). I knew a whole lot of things that the characters weren't, and that the world wasn't — which is another way of saying that my sense of what this story was was actually more defined by all the things I knew it wasn't. (Apologies if this is vague. I'm not being intentionally vague! I'll try for some concrete examples: I knew I didn't want to write a story where partway through, someone suddenly discovers they have an inborn power they didn't know they had. I knew I didn't want to write a love triangle. There's a certain kind of high-handed fantasy tone that I knew wasn't right for this story. But I didn't know what I did want yet at this point.)

Really, all I knew was that I seemed to be having an idea.

So, like a writer, I did what I needed to do: 

• I made space in my mind for receptiveness. (I scheduled uninterruptable alone time. I stopped listening to podcasts while I was out walking, and instead, just walked, so my mind could wander. I put aside non-urgent tasks for a while so that I didn't have the feeling of a to-do list hanging over my head. I gave myself permission to wool-gather, to become vague and absent-minded. I set three timers any time I cooked anything so I could feel free to forget I was cooking, but also not burn the house down. I remembered to thank my husband frequently for being willing to live with a space cadet.)
• I thought about what fertilizer might help the idea to grow, especially fertilizer in the form of books, TV, and movies. I put all other books, TV, and movies aside. (I kept watching that same TV show, and I also began reading almost exclusively one writer who had a narrative tone — and also subject matter — that helped me sustain a mood that felt concurrent with the mood of my own idea. Why does this kind of intake help? It keeps my mind in a story space, while also giving me something to bounce my own ideas off of. It's a kind of reading, or watching, that involves a state of constant interactivity and reactivity. Everything I'm consuming becomes about something else that I'm looking for. It's difficult to explain, maybe because it gets back to that inexplicable moment when new ideas form.)
• I made sure that every single time I had any new thoughts relating to my idea, I wrote them down. (This meant making reminders on my phone; sending strings of emails to myself; choosing a notebook where I began to jot things down; sending texts to myself on my husband's phone, if his phone was closer to hand than mine.)
• I looked at my schedule to give myself a sense of if and when I might have a few days soon to put my current writing project aside and give some true, devoted time to this new idea. (I was, and still am, in the middle of revisions of the next Graceling Realm book when this happened, and that was, and still is, my absolute first priority. As exciting and intense as a new idea can be, it can't unseat me from my current object of devotion.)

By chance, last week, I did in fact have some time away from my revision while it was briefly with my editor. I was able to devote an entire week to the new book idea. So, next, I'll try to describe what a week of intense idea-gathering looks like for me! (Though I should say that this will differ from book to book. It's been pretty clear to me from the beginning that this new idea is going to be slow to grow — planning this book will take way more than a week. In contrast, last fall, I found myself with a new and sudden book idea that coincided with the end of another project, so I had some free time and was able to sit down and hammer out the entire book plan, which took only a few days. I think this is because that book was shorter and less emotionally complicated than this new book will be, and was set in a less complex world. Also, at the time, I was absolutely thrumming with the adrenaline and momentum of having just finished a writing project, so book-planning became a way to channel that energy. Often these processes are subject to whatever else is going on in my life.)

So. My week of intense idea-gathering looked a lot like what I've already described — reading, watching TV, but now also with long hours of sitting staring at a blank page and/or lying on my back staring at the ceiling — but with a more specific goal. Namely, I was trying to figure out what my main questions were. For me, every book starts (and continues, as I write) with an extremely long list of questions that I'm trying to find the answers to, but it takes work to figure out what the questions are. The questions can be very different from book to book. And it's essential, at the beginning, to identify what the main questions are.

When I'm first idea-gathering, I use very short notebooks in which I scribble down all my random thoughts as they come (I like using these twenty-page notebooks from Laughing Elephant, because they're short enough not to feel intimidatingly important). Then I have one longer, thicker notebook which is for my more coherent thoughts — my more serious book planning. During my week of active idea-gathering, I came up with the following list of major questions, worthy of being written down in my thick, "serious" planning notebook:

MAJOR QUESTIONS.

• What is magic?
• How does bad human behavior manifest in this world? (for real *)
• Where/what culture does each of them come from? What family?
• How is society governed?
• Who is each of them — as a person and as a power manifestation?
• How is the narrative positioned?
• What is the plot?
• How do humans relate to the rest of the natural world?
• What is gender? (for real *)

* and by societal definition

As I began to hammer out my questions, I continued to read, watch things, and wool-gather, but with more intense focus. Because now I was also trying to answer these questions as they came. It was interesting to observe the order in which I began to find the answers. Not surprisingly, probably since my novels tend to be character-based, it was the character-based questions that drew me in first. “What is gender" in particular, because I have a sense that in this story, my characters' relationships to gender are absolutely integral to who they are, and I can’t get very far with a book plan if I don’t know who my characters are. I also started to gather some clues about their personalities and their strengths. Enough that after a couple of days, I got to the point where I suddenly knew I needed their names. Names ground everything, and they can also change some things; at a certain point, I can't make any further progress without names. I spent one entire day last week mostly just trying to figure out three people's names. Once I had the names, I was able to return to my questions.

Then, not too long after that, a moment arose where I knew, again quite suddenly, that what I needed next was at least the broad strokes of a plot. If I’m a little scornful about the concept of inspiration — because it’s a concept that dismisses how hard I work! — I do believe in intuition, and also in experience. Intuition and experience told me that I'd reached the point in my planning where the needs of my plot would hold the answer to a lot of my other questions. Like, how this place is governed; what constitutes bad behavior; and even some character things, like what culture each of my characters is from. Sometimes, once you know what needs to happen in a story, it becomes easier to picture the structure of your world. Because a plot comes with needs; once a plot exists, it limits some of your other options. For example, let's say your plot involves a particular kind of government-based corruption. Well, thinking about that corruption will probably start to show you some of your options for the structure of the government. Once you know the structure of the government, you might begin to understand who holds governmental power — which can lead to answers about how families are structured. Which can lead to answers about culture, which can lead to answers about the societal definition of bad behavior, etc.

So. I reached the point where I needed at least a sense of my plot. But: plotting is a HUGE job. I knew it wasn't something I could do in just a few days, and at this point I also knew that I was going to need to return to my revision soon. So, intuition told me that it was time to stop. Not stop being receptive; not necessarily stop reading or watching the helpful things; not stop sending myself emails, texts, and reminders; but stop trying to make any real, meaty, major progress on this book idea. I needed to save the job of plotting for when I next had a stretch of uninterrupted worktime. Maybe another free week or two somewhere, between other projects.

So, I did some final organizing of my notebook. I transferred things into it from other notebooks and I designating a huge number of empty pages in it for future plot thoughts and future character thoughts. I did this even though in this book, as in most of my books, I sense that character and plot will ultimately end up being the same thing, so it's not going to matter much which thoughts I file where. (In other words, most of my plot is going to spring from who my characters are, and many of my characters will spring from the needs of the plot.) But at this messy stage in planning, it's important to me to feel organized. The illusion of organization stops me from feeling as overwhelmed as I probably should be feeling. So I label things, and delude myself that I can contain this messy process inside a nice neat notebook ????. 

I organized my notebook, and then I put it aside. Today I'm still open to thoughts about my new book idea, but it's not my entire worklife anymore... it's more of a promise for the future. It'll probably be good to have it simmering on the back burner for a while. I'll be able to approach it with a new freshness when I sit down with it again one day.

So. I'm not sure how satisfyingly I've answered the question "Where do you get your ideas?" After all, this idea is still very much in progress. I figured out a lot of stuff last week, but mostly what I figured out is a long list of all the things I don't know yet. There will be many, many more workweeks to go before I'll be able to claim that I truly have an idea for a book. 

But this is my best shot at an answer to the question of where my ideas come from! I guess the point I want to convey is this: I don’t necessarily believe in inspiration. But I believe that sometimes a writer will start to get the merest sense of a story that's missing from the world, and find herself wanting to write that story. At that point, if circumstance allows her the time and space to enter a state that is extremely internally-focused and possibly involves a lot of intake (reading, watching other stories), or if not that, at least an extreme level of sensitivity and receptiveness, of seeing, of listening... And if she puts in the work… her idea-seed will start to take root, and grow into a real, workable idea that might one day be the beginnings of a book! 

And of course, every writer does this differently. Many writers don't plan or plot ahead of time. They figure out the idea as they write. So there's no right or wrong way to do it. 

But this is my best explanation of how I do it.

Godspeed to all writers.

Here are a few organizations that need our support right now: 

Fund Texas Choice. A nonprofit organization funding abortion travel for people in Texas. 

Frontera Fund. Making abortion accessible for people in the Rio Grande Valley. 

Clinic Access Support Network. Providing transportation, lodging, emotional support, and more to those seeking abortion care in Houston, TX. 

Bridge Collective. A full spectrum doula collective, nonprofit organization based in Austin, TX. 

The Afiya Center. An advocacy organization based in Dallas, TX, dedicated to transforming the lives of Black womxn and girls through reproductive justice. 

Texas Equal Access Fund. Providing financial and emotional support to people seeking abortion care in the north, east, and panhandle regions of Texas. 

Lilith Fund. Financial assistance, emotional support, and building community spaces for people who need abortions in Texas — unapologetically, with compassion and conviction. 

West Fund. Working to make abortions accessible and affordable to people in West Texas. 

Thank you to the folks at @FundTexasChoice who helped me compile this list.

I'm so very happy to announce that my next Graceling Realm book, Seasparrow, will release on November 1, 2022. Scroll down for my beautiful covers in the US and the UK! I'll also include links for pre-ordering at the bottom of this post.

Seasparrow is told from the point of view of Hava, Queen Bitterblue's secret sister and spy, who has the Grace of changing what you think you see when you look at her. In other words, the Grace of hiding in plain sight. In Seasparrow, Hava sails across the sea toward Monsea with her sister, the royal entourage, and the world's only copies of the formulas for the zilfium weapon Hava saved at the end of Winterkeep. As in all of my books, adventure ensues — the kind of adventure that will cause Hava to do some soul-searching. While Bitterblue grapples with how to carry the responsibility of a weapon that will change the world, Hava has a few mysteries to solve — and a decision to make about who she wants to be in the new world Bitterblue will build. Seasparrow was edited by Andrew Karre. Thank you, Andrew, for helping me help Hava find her wings!

Prior to today, I've only been talking about this book on Twitter, where I don't have a lot of space to say meaningful things. I have space on this blog, so here are a few non-spoilery bits of info about Seasparrow.

* Unlike my other Graceling Realm books, this one is told from the first-person point of view. Why? Because it was right for this book. Hava is a character who's so internal that often other people don't even know she's there. I suppose I can't entirely explain why, when I started writing, I knew I needed to write in first person, but maybe it's because in order to write about Hava, I needed to get deep inside, where she was. I don't think I've ever written a book from the perspective of someone so hidden before. And yet, from the start, Hava let me in. It felt like she was the one making the decision about what point of view we needed.

* Though the page count is higher (624!), the word count is not higher than any of my other Graceling Realm books. That's because Hava's story is told in a lot of pretty short chapters. That felt right for Hava and the way she processes things; again, it felt like she was the one making this decision. Short chapters have a way of creating a sense of empty space inside a printed book, which is an effect I've always liked, so I went with it.

* The interior art that Ian Schoenherr created for Seasparrow is spectacular. Maybe more than any of my books prior to this, I'm excited for the day when I'll have the finished product in my hands.

* Four years ago, I spent some time in the Arctic on a tall ship. I planned this book while I was on that trip. I started writing it the moment I got back. I could not have written this book were it not for my experience doing an artist residency with the organization The Arctic Circle. Here's a link to the blog posts I wrote about my Arctic experience, which are mostly compilations of pictures. Click on "More Posts" at the bottom to see them all.

And now for the covers! Here's the US/Canada cover for Seasparrow, which will be published by Dutton/Penguin Random House. Kuri Huang is the cover artist. Jessica Jenkins is the cover designer. And as I've already said, the interior will include beautiful art by Ian Schoenherr.

And here is the UK/Australia/New Zealand cover for Seasparrow. My editor at Gollancz is Gillian Redfearn. Micaela Alcaino is the cover artist and Tomás Almeida is the in-house designer.

Finally, here are some direct pre-ordering links! Seasparrow can be ordered in the US at:

Bookshop.org

barnesandnoble.com

Target

Amazon

And in the UK at:

UK.Bookshop.org

Waterstones

Blackwells

...and wherever books are sold.

Happy holiday weekend for those celebrating. And happy reading!

We’re expanding flood forecasting to over 100 countries and making our breakthrough AI model available to researchers and partners.

Google is committed to make benefits of AI more accessible and inclusive for everyone in the Middle East and North Africa.

We recently launched a completely reimagined version of Machine Learning Crash Course.

Following its return last Saturday, Netflix has finally shared the Arcane Season 2 Act 2 trailer for the next three episodes of the hit action fantasy series, based on Riot Games’ League of Legends video game. The second half of the final season will be available for streaming this Saturday, November 16. “The aftermath of […]

The post Arcane Season 2 Act 2 Trailer Previews What’s Next for Jinx & Vi appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.

UPDATE NOV. 13, 2024: While Deadline said on X that a previous version of the publication’s article “incorrectly stated Lupita Nyong’o had also joined the cast of Nolan’s next film,” The Hollywood Reporter is now saying that Nyong’o has indeed been tapped to play in undisclosed character in the movie. Original article: Anne Hathaway and Zendaya […]

The post Lupita Nyong’o Joins Anne Hathaway & Zendaya in Cast of Christopher Nolan’s Next Movie appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.