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30-year risk of cardiovascular disease may help inform blood pressure treatment decisions

Research Highlights: A comparison of two tools for calculating cardiovascular disease risk found that if only the current 10-year risk thresholds are applied, fewer adults may be recommended for blood pressure-lowering medication. The tools, The...




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La atención coordinada en niños con síndrome de Down y cardiopatías congénitas reviste gran importancia

Prohibida su divulgación hasta las4:00 a. m., hora del centro / 5:00 a. m., hora del este, del jueves, 12 de septiembre de 2024   DALLAS, 12 de septiembre de 2024 - Según una nueva declaración científica de la American Heart Association (la Asociación...




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La nueva guía explica en detalle cómo manejar el riesgo de enfermedades cardiovasculares (ECV) antes, durante y después de una cirugía no cardíaca

Aspectos destacados de la guía: La guía conjunta de la American Heart Association (la Asociación Americana del Corazón) y el American College of Cardiology, que aborda el tratamiento y la evaluación cardiovascular de los pacientes antes, durante y...




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Popular home blood pressure monitoring cuff devices may not fit some US adults

Research Highlights: An analysis of at-home blood-pressure monitors estimates that the arm cuffs for 10 of the most popular potentially do not fit up to 18 million adults in the U.S. and nearly 12% of Black adults. To ensure accurate blood pressure ...




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Remote monitoring and pharmacist helped improve hard-to-control blood pressure

Research Highlights: A new study finds that up to 74% of participants with resistant or difficult-to-control high blood pressure, including those with chronic kidney disease, were able to improve control of their blood pressure within 12 months after ...




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Better cardiovascular health in early pregnancy may offset high genetic risk

Research Highlights: Favorable cardiovascular health in early pregnancy, as measured by the American Heart Association's Life's Essential 8 (LE8) cardiovascular health score, was linked to lower risk of preeclampsia and gestational hypertension, ...




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New Spanish language stroke prevention website aims to remove barriers to equitable health

DALLAS, September 9, 2024 — While stroke is the fifth-leading overall cause of death in the United States, it disproportionately impacts Hispanic people. It is the third leading cause of death among Hispanic women and the fourth leading cause of death ...




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Nuevo sitio web en español para la prevención de ataques o derrames cerebrales busca eliminar barreras a la equidad en la salud

DALLAS, 9 de septiembre de 2024 — Si bien el derrame cerebral es la quinta causa principal de muerte en los Estados Unidos, afecta desproporcionadamente a los hispanos. Es la tercera principal causa de muerte entre las mujeres hispanas y la cuarta ...




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Happy with your life? Research links contentment with fewer heart attacks and strokes

Research Highlights: People who are satisfied with their lives or feel contentment or well-being may be less likely to develop heart disease and stroke than their unsatisfied counterparts. The analysis of health records for more than 120,000 adults...




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Measure of body roundness may help to predict risk of cardiovascular disease

Research Highlights: Body roundness index — a measure to reflect abdominal body fat and height that some health care professionals believe better reflects the proportion of body fat and visceral fat than body mass index — may help to predict a...




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COVID-19 infection appeared to increase risk of heart attack & stroke up to 3 years later

Research Highlights: An analysis of UK Biobank health data that included adults who had mild to severe COVID-19 before vaccines were available found an increased risk of heart attack, stroke and death among those adults during the nearly three-year...




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Heart failure, atrial fibrillation & coronary heart disease linked to cognitive impairment

Statement Highlights: Previous studies have found that 14-81% of patients with heart failure experience some degree of cognitive impairment affecting language, memory or executive function. Evidence also indicates that people with atrial fibrillation...





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International research challenge to tackle knowledge gaps in women’s cardiovascular health

DALLAS, Sept. 25, 2024 — The American Heart Association, celebrating 100 years of lifesaving service as the world’s leading nonprofit organization focused on heart and brain health for all, is joining with other top cardiovascular research funders around...




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Nominate a stroke hero today: 2025 Stroke Hero Awards open for submissions

DALLAS, Oct. 1, 2024 - Strokes can strike at any age, challenging survivors to overcome physical, emotional and cognitive changes. Nominations are open now for the 2025 Stroke Hero Awards from the American Stroke Association, a division of the ...




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Nomine hoy a un héroe del derrame cerebral: Ya está abierto el plazo de presentación de candidaturas para los Stroke Hero Awards 2025

DALLAS, 1 de octubre de 2024 - Los derrames cerebrales pueden producirse a cualquier edad, lo que obliga a los supervivientes a superar cambios físicos, emocionales y cognitivos. Ya está abierto el plazo de presentación de candidaturas para los ...




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Free estate planning webinar provides tools for a secure financial future




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Nearly $10M investment will expand and enhance stroke care in Minnesota, South Dakota

DALLAS, October 10, 2024 — Across the United States, more than 90% of stroke patients have some form of disability as a result and more than 11% experience a second stroke within a year. This risk weighs particularly heavily on people living in rural...




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Hot news flash: Menopause can impact a woman’s heart health

DALLAS, Oct. 16, 2024 — The risk of heart disease increases with age for most people, however, for women that may be even more true. The menopause transition, those years leading up to and through menopause, is a time of increasing heart disease risk,...




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Dean of Weill Cornell Medicine Dr. Robert Harrington to receive the 2024 Chairman’s Award

Embargoed until 7 a.m. CT/8 a.m. ET, Wednesday, Nov. 6, 2024   DALLAS, Nov. 6, 2024 — Robert A. Harrington, M.D., FAHA, the Stephen and Suzanne Weiss Dean of Weill Cornell Medicine in New York City, will receive the 2024 Chairman’s Award at the...




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Dr. Lauren Sansing to receive the 2024 Basic Research Prize

Embargoed until 7 a.m. CT/8 a.m. ET, Wednesday, Nov. 6, 2024 DALLAS, Nov. 6, 2024 — Lauren H. Sansing, M.D., M.S., FAHA, professor of neurology at Yale School of Medicine in New Haven, Connecticut, will receive the Basic Research Prize from the ...




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5 health technology start-ups finalists in global heart disease solution competition

DALLAS, Nov. 8, 2024 – High blood pressure, obesity and other risk factors contribute to high rates of heart disease and stroke worldwide, including in the U.S. where cardiovascular disease is the leading killer.[1] While experts work to improve outcomes...




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Reviewing your photographs from Older Archives


Sometimes its just plain fun to go through your archive of older photos. Now with a distant memory of the scenes and events your photographs may appear better than previous scans. This is in part due to that at the time there are too many good photos and those not with the highest rating but still with merit tend to get drowned out.


This image was taken at one of the great Buddhas in Kamakura Japan. The hawk like bird may seem small but this Buddha is very large.  Without the bird it would be hard to understand the scale of this image. It could be in anyone’s home garden. Besides scale the bird helps to give height to statue as there is the appearance that the head is up high where birds soar.


The next image with people in it does convey the scale of the Buddha. In theses type of metal statues the green colors are soft and muted and it is easy for green foliage to overpower the scene. That is why I have mute the greens in the background to give the Buddha statue more visual punch.

The Great Buddha of Kamakura (Kamakura Daibutsu) is a bronze statue of Amida Buddha, which stands on the grounds of Kotokuin Temple.  It's the second tallest bronze Buddha statue in Japan, at a height of 13.35 meters, surpassed only by the statue in Nara's Todaiji Temple.
The statue was originally built in 1252 and located inside a large temple hall. The temple buildings were destroyed many times by typhoons and a tidal wave in the 14th and 15th centuries. So, since 1495, the Buddha has been standing in the open ground. 

Do take the time to review your collection as there may be hidden gold or at least fond memories of places you've been.


Niels Henriksen.




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What to do When a Photo is Missing Parts


There are times when I'm walking around enjoying the scenery and occasionally taking what I think are interesting photographs around town and I forget to compose correctly. This is normally not noticed until I review them later as I tend not to look at each shot when taken.

This is a different shooting mode than when I really want something special. Then the histogram is reviewed and for images with strong contrast several exposures may be taken. And if tripod is available it will be used.

The above image is the final edited version that I wanted but failed to capture correctly.

Part of the problem is that I wear glasses and sometimes I don't remove them when looking in the camera view finder. I do when the image is critical but for shoot and grab shots I tend to place viewfinder only on the glass face and if I don't line up correctly the image is off centre to what I see.

If you have taken several photos then there may be parts in others that you can use to correct test perfect sections.

In the 3 photos combined below, the far left image is the one I wanted (#1) but as you can see, it's missing parts like the feet and sidewalk. The 2 other photos (middle #2 and right #3) are ones I used to fill in missing sections and cover parts that needed to be removed. The big problem with the other photographs is that they are from different angles and perspectives and therefore, a direct overlay to match parts will not work. You will need to stretch, twist and rotate a little to make the parts fit.



In the next composite photo below with the main image, I extracted the parts of each section that was used to reconstruct the final photograph.

Image #1 provides a good frame-work (base layer) for the whole of photo, except I wanted the lady in image #2
Image #2 was cut and placed on a separate layer and set to difference mode to make it easier to see when frame matches as it all turns black. I needed her bottom feet from another image (#3) to finish off her legs.
There was still the problem of the missing parts of the steps from part #2 which was added by image #4.


Rather than placing a whole copy of another image on top and using masking for desired parts and moving around, I recommend only cutting out the main parts from another file and copying to the working file. The reason for this is that when you zoom in on a large image to examine the fit, the handles are no longer available to use for positioning as these are at the edges of image. By only using a cropped parts, the handles for positioning are now just outside the smaller part and available for use even when zoomed in.

This is a lot of work and not for everyone. It would be easier to retake the photograph, if possible, but if you're on vacation or it's an impromptu moment, it may not be possible. This process allows you to get the photograph that you wanted but somehow missed.
I do realize that I need to be more careful when using glasses and maybe a monocle for the other eye would work. This is one advantage that EV viewfinders on back of camera work well for people with glasses.


Niels Henriksen




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A Very Social Christmas and A Happy Connected New Year


I want to wish everyone, whether you celebrate Christmas or other seasonal festivities, a very happy holiday season and a great new year with many new opportunities for creative growth.
From the title you may guess that I am talking about social media, which I am, but more about how I try to fit within that world.

Taken in 1955 in Denmark at 4 years old and trying to be a grown-up

I believe that, like many people, I seem to have those social connections that you need to link with other people. This works fine if I need to talk or connect with someone but I’m not sure how my articles about photography and other art works all fit within the new worlds of social media. How do I remain fresh and new with all these social outlets competing for the same information.

I have My Camera World Blog this and there is a corresponding Facebook page

There is also my art blog ' Niels Henriksen Artworks ' where I post articles about my artwork, whether a painting, fine art photography or other mediums. This is again is matched on Facebook with Facebook - Niels Henriksen Artworks 

Who says all self portraits have to be ugly. Well maybe they are.

There is also just plain old me on Facebook at Niels Henriksen. This Facebook page was initially just to connect with people I talk to regularly but I find I do post mostly about my photography and paintings.
I have also loaded some of my photographs on Niels Henriksen on Flickr
Please take the time to connect and I'll connect back so I can see some of your photographs.

My first studio work where I placed my model battle ships and tried to created a war scene. DOF and focus what's that.


Then there’s my Linkedin page which is only visible if you are on linkedin and we have connected.

Since we are heading back to San Miguel de Allende for 3 months in Jan I have contacted people about conducting walkabouts with some basic photography lessons included. More than 20 people have shown an interest. To help co-ordinate these walk-abouts and share photos I created a Facebook page ' San Miguel de Allende Photography Club '.



Even at 12 years of age I had penchant for the abstract. Honestly this was not an accidental shot, at least that's what I say now.


And just lately I've signed on to Goolge+ but as yet haven’t posted anything and that’s the dilemma. How do I remain somewhat fresh across all the media outlets? I just don't want to re-post the same material available on other sites. I don't mind using some of the same images if there is some contextual difference for the audience.

This year I want to get a better handle on the whole social media culture and ensure that on each site there is something new and relevant to the reader.

I sure would like to here how you are handling your multiple media streams with your content or any ideas about what would work.

Please feel free to connect with me on any or all these social sites as I'm happiest when I'm connected with you.


Niels Henriksen












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The Making of a Fine-Art Print 'Man, Lantern and Orange Wall'


I am once again in San Miguel de Allende and for the last 2 weeks I've been like a young boy running around in a large candy shop. It feels great to be back and there have been so many favourite places to visit and most importantly eat some great food.  I have managed to photograph some new scenes and these will be the subject of future articles.

Last year I photographed the image below from the section of the Casa Mission on Cerrada de Pila Seca which is only a walking street that runs behind Cafe Monet. I was initially struck by the strong primary colors, the lantern and its shadow and the texture on the wall, but when I printed it, it seemed to lack something to give it extra punch. Some extra texture.

Man, Lantern and Orange wall   12” x 16.5”

Final image with texture added


I tried several generic textures that I had on file, mostly splatter type patterns but none provided the effect that I wanted. Not that I knew what I wanted but I felt that when I saw it, it would feel right.

From the article title you may wonder about the man. If you look closely at the image you should be able to see a man walking in amongst tall bare trees and their branches. It is subtle and that's what I wanted but it's there in the image. Only by accident, I decided to try other B&W images that were actual images. I came across one image with a man walking amongst tall trees and when I overlaid on colorful wall image it worked for me.

In the detailed close-up below the man becomes clearly visible.



The print I made is 12” by 16.5” and to all I showed the print, no one could see the man. In fact, several people showed other areas that they thought was man, which became an added twist to the print.


The overlay photograph is shown below.



A fine-art photograph is about what inspires you. It not about what others are doing with their art or what people think is right or wrong.

Don't be intimated with experimenting or concerned that others don't get it. If you like the results and it provides meaning for you then it's a perfect piece of art work.  With so many people on the planet you can be sure that there will be some that find your work inspirational.

When I printed my final proof photograph which I keep around to ensure that my impressions don't change, one was immediately spoken for.

This photograph is printed on 300 gram, 13” x 19:, Ilford pearl paper. Usually, I tend to print on textured fine-art matte/watercolor paper but this image called for more vibrancy in the colours.

My prints are limited within a series and these are normally sets to 5. If I do another series they will be different in some form, either paper selection and other tonal attributes or printed larger. But any future series will  be sold  at a price that is higher by a reasonable margin than the highest price for the previous series.

2 prints, unframed,  are currently available at the
Orange Gallery   near the Parkdale market in Ottawa


It's just a coincident that the major color of this print and the art gallery are the same.



Niels Henriksen





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Alien Skin Exposure 4 Photographic Software Review


There is nothing more wonderful than exploring new tools or ways for something you are passionate about.

 
A B&W Infra-Red (IR) processing of a red barn and green fields


What is the Purpose of this Software?
Exposure is an add-on photo-editing application for Adobe Photoshop, Lightroom and Elements that provides almost a complete list of film types, both B&W and Color, for processing for the digital darkroom. I say almost as I didn't count the list of film types in this application and I don't even know all the films that have ever been made, but they sure seem to be all here.
 
'Sepia – blue Finish (modified)' setting with a layer set to 'Lighten' mode (31%) for an Expsure 4 ver. of 'Kodak HIE (Halation moderate)'


One test of software is to see how it feels right out of the box. A lot like taking a performance sports car for a test drive. You may not know everything about it but you know how to drive and turn corners.

I never read the manual first as I believe that a person with reasonable skills on the computer and with digital editing should know how to turn it on and drive around a little. 
 
Exposure 4 did not fail here. It was easy to install and when launched, the layout and buttons were intuitive. The only problem I had was that it was almost 2 hours later when I realized how much I had been playing with the different types of films.





How would I use this Photo-Editing Software?

Exposure 4 has a great repertoire of classic, vintage and just plain old films both in color and B&W. Combined with these types of film selections are the various processing adjustments you might make in a wet darkroom, such as contrast, toning, bleaching, cross-processing, calotype, platinum and much more.

Some of these are obvious as the IR and Platinum and High contrast B&W I have shown above. Even old color films with faded color can provide unique approaches to the photographic images.


Without having access to the original old photograph, an older reproduction could be re-made. This could be cast against another image to create a story of 'then and now' and subject of an interesting photographic book.




In the image above I took 2 photos and I applied old color film technique to the bordered version to create the effect of laying an old photo on a new photo to show a change over time.


How well does it Perform?
Having a 7 processors and 12TB of RAM there should be no speed issues with loading and applying application settings. It was just over a sec to load and less to applying any film setting. The window is originally set up with 3 panels. Large central being the photo being edited. The panel on the right is the main adjustment panel color. See composite below. There is enough functionality to do almost everything you want.


A minor problem with the numbers dialog boxes. When you enter a number it doesn't apply until you click the panel and if you use the Enter key it applies the Exposure 4 application. I would rather have that only happen when I click the OK button.




The panel on the left are all the pre-set film settings which are based on some combination of settings on the right panel. This is great because once you found a style that suits your needs you can then tweak it to best suit the photograph.


I did find that using the color filter produced better color (brighter) for me than using the same color on a layer in Photoshop. It might be the preserve luminosity check box.


With my sample photos the rendering of effects was clean with no noticeable distortions unless of course you cranked the saturation way up.


I like that both side panels can be minimized and it's easy to zoom into a section for better clarity. With a 24” monitor some apps don't allow full screen editing.
I also like how you can save your own presets.



The above image is from one I tested since I had created a B&W version previously. The software did produce versions that I liked as well and maybe even better than the original.



Who is this Software meant for?
For anyone how wants to experience the look of chemical film technology and its variant processes.
Definitely for commercial ad type photographic needs. Here with the press of a button, a vintage effect can be created without much time spent by the user.
For creative types who may want to create story-line or books where the type of photograph is integral to the story experience
For fine-art photographers that require a specific look, as with my image of the tree and bench, that is not easily achieved in Photoshop.
To create new layers that can be set to one of the blend modes. There is a practice to create a B&W version of your image that looks best and then set this to luminosity for your color photo. While I haven’t experimented that much with these I suspect I will find some of the film output useful as a blend mode.




Recommendations
This is a good solid product that provides a wealth of film types and genres. It is easy to use and intuitive.
I would give this software a 4 – 4 ½ rating. The limiting factor would be price for a new user at approx $249. but an upgrade is only $99.
As an investment, I view software the same as a lens. It's a tool to help you meet your needs or goals. Many people find the cost of software somewhat prohibitive and yet see no problem with spending more on a new lens. I love a lens also as there's something about that precision instrument you are holding. But I photo-edit every photo I show to the public. I always want to bring out the very best and convey the feelings and experience I had at the time I took the photograph. The straight out-of-the-camera version doesn’t give me this. It is a mechanical device and not a human.



Definitely do download a trial version and play with it.



Niels Henriksen



Disclaimer: Other than receiving a copy of the software to review, I did not or will not receive any remunerations, gifts or any considerations from this review from the company, its agents or any of its distributors





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Photographing Metal Sculptures and Art Objects


I had the opportunity to photograph metal artwork for an artist friend who lives near Lynhurst Ontario. For those unfamiliar with this little village, it is about 45 km north of Kingston Ont. along Hwy 15.

Noah, the metal-sculpture artist, has a large manicured estate with a man-made pond that is just perfect to have his animal based artworks scattered all about. Almost like seeing a herd of deer in the fields. In fact I did mange to see one deer at the edge of his lawns. But having a couple of Noah’s dogs playing around me meant that I could not get close enough to the deer for a great shot.


The reflections on the screen worked to create great contrast with the darker pond water, which meant I didn’t have to do much to have the artwork stand out. Just moving about for greatest contrast. I cropped the right wind since it's a mirror of the other and including it would make it appear smaller.

Most of his sculptures are made out of scrap metal parts and therefore, for the most part, tend to have a dull rust color. Dark and mid-tone oranges do not usually stand out well against bright green fields.

Even the biker (bicycle and motorcycle) sculptures that have figures on them have muted tones in their clothing. To make them stand out better I desaturated the greens, as with the above example, to an almost grey tone to give the figures more prominence. There are 5 of these along the front near the road.

Some artworks, like the bug series below, are painted, but even here we still need to have darker background (hedge in shade) to give more punch to the colors.


Even in the above image with its strong yellow and reds, the green has been slightly muted.

Most of the bug pieces have long insect like legs but if you include the whole art piece then the main body parts become very small in the photo. Focus on the main sections but include just enough of other parts to give context to photo.

For some images I wanted the distortion created by a wide angle lens, where objects nearer are larger and distant objects becomes smaller than reality, to change the perspective in how we view the artwork.

I had to use HDR on the photos where I was looking up and a bright sky was behind the sculpture. In the above photo the rust is made more vibrant and the green and blue colors muted a bit.

I now know that I need to come back again when the sun is near the evening horizon so that for some sculptures the shadows will add to create a larger subject.

Who couldn't love this old Flintstones type car.


Some close-ups to focus on the texture of the artwork.


And finally a photo for the biker in all of us.

Many of his artworks can be seen on Noah's Metal Art and he also has a link with the Frontenac Arch Biosphere


And here's the photo of the deer in the field.


Niels Henriksen






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Any Fans of the Photographic Artwork of Niels Henriksen


That is certainty a self serving title and its fraught with many definitions of term 'fans' but it is also a chance for me to understand something about my readership.
This blog is just a few members shy of 1200 subscribers. I'm very grateful that so many find the photographs and articles enjoyable. There are also those who arrive by way of search engines, but from this total group I wonder how many committed fans of my photography I have.


Taken in San Miguel de Allende

I take many photographs, photo-edit them and then display these on the web just like millions of others do. But as a photographer the biggest pleasure is actually seeing the photo printed on photographic paper and how the texture and tone of the paper support the artistic vision.
But out of the entire collection of photographs I capture per year, only about 5 -10 actually have that extra quality or uniqueness that compels me to print large, frame and mount on a wall for display.

These fine-art photographs, as I describe them, go through a process of printing them on heavy mate papers (approx 300gsm). Depending on the detail and tonal qualities of the photograph I will print smaller versions (8”x10') on a series from 4-8 different papers to determine which paper best suits the image. After several weeks of just looking at them in different light settings I will select a paper for the final version.






In this image I combined 2 photographs to make the composite above as I wanted the boy to appear that he was searching for his princess.


Each of these fine-art prints are printed in a small edition series, currently 5, and then titled, numbered and signed and then made available for sale either through my Art web site ' Niels Henriksen Artworks' and through galleries.

As part of my marketing strategy, periodically (approx 18months), I increase my prices to reflect the larger, albeit still small, demand for my photographic prints.

Prior to this increase in November, I am offering to readers of 'My Camera World' a 25% discount on the current price for a period of 7 days after print is posted on this blog.

Guarantee
All prints purchased from me come with an unconditional full refund guarantee.  If you don't like it for any reason you get a full refund.
This makes purchasing a print from me completely risk free.
Each print comes with with a Certificate of Provenance. See example below






Over the next 2 weeks I will post an article about each of these prints that articulate my vision and story behind the photographs.

I hope that some of you will see a photograph that you enjoy and will sequentially purchase.  I think it's  important as a photographer and artist that we also collect other artists work and if not mine then someones else's. I am starting to have a decent collection of artworks already and will continue to collect new pieces every year.

By collecting several pieces I can then rotate them on the walls in my house and experience the same joy as when they were first hung.

Niels Henriksen




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Fine Art Print – Bicycle and Orange Wall

Fine Art Print – Bicycle and Orange Wall The photograph, which looks more like a watercolor painting, was taken at the entrance of Square of King Frederiksberg's Castle grounds in Copenhagen, Denmark.

Many layers were used to bring in the tones and textures, some detailed, others lost, to create the final version shown below.  See the original article about techniques used Painterly Effect with Photo Enhancement




Hahnemuhle ‘Sugar Cane’ Fine Art Paper
Weight: 300 gsm
Paper size:13”x19”
Image Size 9 1/4” x 14″
Print Series No. 1,
prints made 5

Availability 1

Special price only for readers of My camera World $100.

This price is only available until 5:00pm EST Friday 14 September, 2012

Shipping world wide $20.00 via regular mail.

Contact for price request if faster delivery is required.

Send email request to Niels Henriksen Artworks

Each print comes with a full refund guarantee and a Certificate of Provenance.

Each print is hand titled, numbered and signed and comes with a Certificate of Provenance

Regular Price $135., Price increase November 2012, $165.


Niels Henriksen




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Fine Art Print – Boat in Grass on Beach


This photograph is another image from my trip to Denmark. While the bicycle was taken in the large and historic city of Copenhagen. The image of the boat in the tall grass was taken on a secluded beach on the Isle of Mors which is situated within Jutland but is surrounded with salt water due to an opening on the west coast.



Denmark, especially on the Jutland peninsula jutting up from Germany, is mostly composed of sand and therefore relatively flat and low lying. This  creates wonderful long stretches of beaches and if there is not a lot of people traffic, then long swaying grasses reach down to the shore line.

Being an inland sea, with a short distance to the main part of Jutland, there is little fetch for waves to develop and erode the shoreline.

It was while I was doing my   8GB Walk-about Part 1 and 8GB Walk-about Part 2 as I called the article, that on a lonely stretch I found this overturned boat  in the tall grass.  It was the classic red color for boats but was definitely weathered and the bare wood of the hull showed through. I doubt it would ever sail again unless someone took the time to restore it.

While the boat is an anchoring point in the photo supporting interest is the swaying grass which helps to create movement within the photograph. By keeping it to B&W then the colors don't compete for other interest within the image.

This movement is hard to show in a web sized image but this is where a large print does justice to the sublet tones and movement of the grass.
 

Close-up of moving grass – 75% actual size


Hahnemuhle ‘PhotoRag’ Matte Fine Art Paper
Weight: 308 gsm
Paper size:11”x17”
Image Size 9 1/4” x 14″
Print Series No. 1,
prints made 5

Availability 4


Special price only for readers of My camera World   $100.


This price  is only available until 5:00pm EST Tuesday, 18 September, 2012


Shipping world wide $20.00 via regular mail. Contact for price request if faster delivery is required.

Send email request to Niels Henriksen Artworks



Niels Henriksen 




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Fine Art Print - 'Fire Within'

Peonies provide wonderful opportunities for close-up photography with their delicate streamer like petals. Almost like flags waving in the breeze.


There was a soft warm glow within the centre of the flowers which may either be due pollen tinting or the stronger blue sky light on the outer petal tips when adjusted to more neutral whiter of the petal, causing the inner parts to become warmer with temperature adjustments.

Either way, I focused on this yellowish-orange color cast as the dominante part of the image, with its strong contrast found here. Since one primary color is the yellowish-orange I then ensured that the darker greyer background petal had a slight blue hue to act as a compliment with the yellow.
The Sugar Cane paper has a warm tone to further enhance the yellowish-orange tones.

Print Details

Hahnemuhle ‘Sugar Cane’ Fine Art Paper
Weight: 300 gsm
Paper size:13”x19”
Image Size 11” x 14″
Print Series No. 1,
Prints made 5

Availability  5

Special price only for readers of My camera World   $100.

This price  is only available until 5:00pm EST Friday, 21 September, 2012

Shipping world wide $20.00 via regular mail. Contact for price request if faster delivery is required.

Send email request to Niels Henriksen Artworks


 Niels Henriksen




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Fine Art Print – 'Dancing Flames'

As with the previous print, this is also one of those lovely peonies flowers but from a closer view.

For this image, which I kept B&W, I wanted the soft petals to appear to be like dancing flames in a fire.


The image is low contrast and there is not a lot of fine detail. Therefore I wanted the paper to add tones in the soft areas. This paper, which I can no longer get, is very close to the water paper I use for my paintings



Ilford Smooth Fine Art Paper
weight: 190gsm
Paper size:13”x19”
Image Size 9” x 14″
Print Series No. 1,
Prints made 5



Price: $135.00
Availability 5 

Special price only for readers of My camera World   $100.
 

This price  is only available until 5:00pm EST Tuesday, 25 September, 2012
Shipping world wide $20.00 via regular mail. Contact for price request if faster delivery is required.

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Niels Henriksen Artworks

Niels Henriksen 




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