Thackeray
U/A: Biopic
Dir: Abhijit Panse
Cast: Nawazuddin Siddiqui, Amrita Rao
Rating:

Rather than a biopic, Nawazuddin Siddiqui's Thackeray tends to become a hagiography that doesn't offer an insight into the larger-than-life personality that was Balasaheb Thackeray. If you've wondered what lay beneath this powerful leader, or how he rose when the odds were against him, be warned this film doesn't answer those questions. Which is not to say it doesn't work.

Director Abhijit Panse's offering is an interesting drama for those who don't know much about Thackeray. The protagonist's journey from being a cartoonist at a newspaper to becoming a ruthless leader, insistent on the progress of the Marathi manoos, is captured well. But is this movie an image makeover exercise for the party, which is at loggerheads with its long-time ally, the Bharatiya Janata Party, ahead of the Lok Sabha elections this year? It definitely feels so. Interestingly, while the film starts with a disclaimer which reads that the makers don't support violence in any manner, they haven't shied away from showing Thackeray as someone who was in favour of using violence as a means to instill peace.

The film opens with the leader's trial in a Lucknow court as he is being questioned about his role in the demolition of Babri Masjid. When he is asked about his supporters tearing down the mosque, he replies, "Nahi, nahi. Toda nahi, saaf kiya." The film then travels between Thackeray's past — stylishly shot in black and white — and the courtroom where he has to justify his deeds and decisions.

From the rise of the angry Marathi consciousness against the dominant South Indians in Mumbai to the killing of Krishna Desai, a member of the Communist Party, to Thackeray supporting the Emergency because he believes that the country would finally be disciplined — various chapters present the protagonist as a tyrant.

The problem, however, lies in the most important chapter — the '93 Bombay riots. The film skims over the matter, and shows it as a conspiracy to kill Thackeray rather than people avenging the post-Babri riots, as is popular knowledge. The storyline then leaps to the bomb blasts that shook the city, and unsurprisingly, Thackeray and the Shiv Sena, rather than being depicted as the instigators of the communal riots, are shown as the city's saviours.

Siddiqui is riveting as Thackeray. It is his terrific performance that makes you invested in the film even when it trudges down a predictable path. But he falters with his voice; he can't match the deep baritone of his subject. Amrita Rao is convincing as Meena Thackeray. The movie ends with the victory of the Sena-Bharatiya Janata Party alliance in the 1995 state elections; the makers also use the opportunity here to announce the sequel. Produced by Shiv Sena Member of Parliament Sanjay Raut, the film barely goes beyond being the audio-visual version of Sena's official newspaper.

Watch Thackeray Trailer

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The Escape Room

U/A: Drama, Mystery, Sci-Fi
Director: Adam Robitel
Cast: Taylor Russell, Logan Miller, Deborah Woll, Jay Ellis, Tyler Labine
Rating: 

These so-called 'live' reality game movies occupy a sub-genre of their own and Hollywood has been churning out quite a few of them following the Young Adult's obsessive fixation with material that encompasses it in entirety. But they are not all as thrilling or compelling as the first few that made it to hit franchise levels.

'Escape Room' is basically a set-up to get rid of six nondescript lone survivors through a series of life-threatening puzzles designed to test their survival instincts. And why pray does that have to happen? There's not much explanation here for that. Just swim with the tide, is all they ask. Unfortunately, it's not that easy for the audience because the viewer has to constantly suppress the disbelief that springs up every time the participants go through haranguing moments that willy-nilly put their lives in peril.

Check out the trailer here:

This is a far more perilous version of the more recent spurt of high-risk Telly games and since we don't get to know or understand the participants' motives (other than the 10,000 dollar prize money) it's difficult to empathize or find a reason to pay attention to their trauma. The writers also use some uninteresting physics theory to justify the random six players' participation in a largely predictable schema of disjointed thrills. They are made to go from intense heat to intense cold, then to a gas chamber, a space crusher and a few more vicarious routines before the winner can be decided.

While the production design is vivid, there's not much holding it together. Nik Dodani as nerd Danny, Jason Ellis as irritating yuppie Jason, Tyler Labine as trucker Mike, Deborah Ann Wolf as the tough, capable war vet Amanda, Logan Miller as a young alcoholic Ben and Taylor Russell as a withdrawn college student Zoey put in imminently indistinct, forgettable performances. The writing is largely formulaic too and the helming lacks serious edge. There's really nothing here to hold your attention for the near 100 min runtime.

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Ek Ladki Ko Dekha Toh Aisa Laga
U/A: Drama, Comedy, Romance
Director: Shelly Chopra Dhar
Cast: Sonam Kapoor, Anil Kapoor, Juhi Chawla, Rajkummar Rao
Rating: 

Towards the film’s climax, Rajkummar Rao, who plays playwright Saahil Mirza in the film, tells those watching his play to do so ‘from the heart’. It’s imperative that we follow this instruction, because, like with every Bollywood film, it’s easy to dismiss this one on many technical frailties. But, what you can’t fault, is its intention to depict a love story for what it truly is — a love story. Why does it matter if it is about a woman falling in love with another woman?

Written beautifully by the prolific Gazal Dhaliwal, Ek Ladki Ko Dekha Toh Aisa Laga breaks perceptions to introduce to us what normal truly implies — being compassionate about one another’s uniqueness. The point, in this case, isn’t to merely celebrate homosexuality and treat it as the regular. It attempts to reiterate that even personal choices, like those of marriage, career, or love, must be respected. Being rendered claustrophobic shouldn’t be the outcome of accepting an emotion that goes against the tide of societal norms. The narrative’s tapestry is woven with care and compassion; it evidently comes from a personal space, for Dhaliwal.

Watch the trailer here...

The film kicks off with a play about love in the age of Tinder. Leading lady Sonam K Ahuja’s Sweety brutally criticises this as “upar-upar ki love story”. Sweety is forced to live a life of shame. A closeted lesbian, she struggles to come to terms with her own orientation. Her family’s unwillingness to acknowledge it, a brother who pressurises her to ‘fix’ herself, and persistent loneliness, makes her journey cumbersome.

Sonam plays Sweety with charm and earnestness, and is yet uninhibited when she must be fierce. It takes courage to back a script of this nature, and she gets full marks for doing so. Rao’s Saahil shows compassion in his scenes with Sweety. Another cast-member, Anil Kapoor is affable. Given that he is as closeted as his daughter in the film — Anil’s character is a chef at heart who is stuck in a business of garment — the final scene of acceptance seems to come from a place of empathy.

What doesn’t work, however, is director Shelly Chopra Dhar’s constant ploy to whip up mystery around Sweety’s orientation. Her big revelation comes with orchestrated music, a futile attempt given that the title and trailer are revealing of the plot. There is also a latent desire to underplay the theme. Sweety’s partner, Kuhu (played beautifully by Regina Cassandra) gets a mere 15 minutes of screen time. Yet, it doesn’t particularly take away from the final product.

Commendably, Dhar manages to keep the film from becoming preachy. But, what she achieves with this feat, she instantly loses when Sweety says Saahil must be a saviour for others like her. It is offensive, given that it treats heterosexuals as the all-powerful, while the unique as those who need rescuing. Despite the faltering and the flaws, this one is a hit for every romantic. It’s never too late to celebrate love without labels, right?

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Alita: Battle Angel
U/A: Action, Adventure
Director: Robert Rodriguez
Cast: Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali
Rating: 

This film, which has Robert Rodriguez and James Cameron working together with Peter Jackson's visual effects, has wonders never experienced before in cinema. The film may have taken a long while (twenty years) coming to screen, but the end result is fantastic enough to keep you asking for more. A manga-based action thriller, James Cameron's $200 million-worth, long cherished dream is aimed at young adults seeking fresher pastures from that of The Hunger Games variety and hopes to make it to bigger box-office returns than that sub-genre hit-starter.

Cameron started on the cinematic adaptation of Yukito Kishiro's original manga comics way back in the late 1990s, (much before Avatar), but the phenomenal success of Avatar had him relinquishing directorial control to Rodriguez while holding firm as screenwriter (with Jon Landau and Laeta Kalogridis) and producer.

The resultant kick-ass cyberpunk adventure may not be as original as he imagined it, but it has certainly got all the chops to make it to a long-term fan-following on its own.

The filmed adventure is set 500 years from now, in Iron city - a junkyard that is a wasteland for the flying citadel of Zalem. The city is peopled with AI controlled cyborgs mingling with real humans in a community so tech-spangled that it's hard to decipher one from the other. Kindly Doctor Dyson Ido (Christoph Waltz) reconfigures a former robot superweapon and rechristens her Alita (Rosa Salazar), after his own daughter. I do, who moonlights as a hunter-warrior, tries to protect the young Alita, but her mind has memories of a past that keeps haunting her present. She even develops a crush on handsome robo-junk dealer Hugo (Keean Johnson) and eventually ends up becoming the super weapon she once was.

The plotting here is a little too jumbled up, ensnared as it is in creating set-piece thrills and out-of-this-world experiences. Stereotype characters and genre tropes make the engagement less than wondrous. The tech-specs are certainly the best we've seen in a long time, the IMAX imagery is splendid and beguiling and the vivid expressions of the actors make it feel all the more real and intimately experiential.

Watch the trailer of Alita: Battle Angel

Even though Salazar is the most riveting and fascinating of characters, she does feel a little artificial at times. The CGI blends in effortlessly with digitally morphed motion-capture performance, but the artifice can be felt - too strongly at times. The array of side characters also feels like old hat killing the originality of the experience and allowing déjà-vu to creep in. Even so, there's no belittling this explosive cutting-edge adventure that takes cinema thrills to never-seen-before heights!

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The Wife
Director: Bjorn Runge
Cast: Glenn Close, Jonathan Pryce, Christian Slater
Rating: 

The two lead performances are what make The Wife so special. In this unsettling drama - an adaptation of the 2003 Meg Wolitzer novel by Jane Anderson - Glenn Close plays Joan, the wife of a Nobel Prize-winning writer Joseph Castleman (Jonathan Pryce).

Directed by Bjorn Runge, The Wife opens in 1992 when Joe and Joan Castleman, in their Connecticut home, are trying to fall asleep when they get a call from the Nobel academy, informing them of the prize. It's their moment of triumph after 40 years of struggle with the written word, in which Joan, supposedly, has played a largely complementary role. Of course, there are flashbacks that hint at her own phenomenal ability to write prose, stifled by a marriage that demands she subjugate her talents to a life of reflected glory in a period (late '50s and early '60s), where women writers were not given the importance they command today.

There's no great suspense or mystery powering this tale of a breakdown that spirals into tragedy at the crowning moment of an author's accomplishments. In fact, Runge doesn't appear to be as interested in developing the suspense as he is in showcasing the unravelling of a suppressed human mind.

Close literally steals the thunder with her role as the devoted wife of a celebrated novelist. She is the keeper of his deepest, darkest secret; a stunningly nuanced expressionism that is more than likely to take your breath away. The restraint and modulation she brings to the role are simply phenomenal. It's a performance that is deservedly walking away with a slew of awards.

Pryce is no mean performer either. His role may not garner much sympathy, but his act complements that of Close so well that you begin to believe in their togetherness.

The Wife is a little compact and contrived, given its novel origins. The attempt to complicate matters for the Castlemans by showcasing their troubled relationship with their budding novelist son, David, seems passé. Also, Joan's seething frustrations don't seem completely justified, even whilst considering the period they take wings in. While the movie is not a great piece of work, the lead artistes definitely are worthy contenders for the awards.

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Total Dhamaal
U: Action, Adventure, Comedy
Director: Indra Kumar
Cast: Ajay Devgn, Anil Kapoor, Madhuri Dixit Nene, Arshad Warsi, Jaaved Jaaferi, Riteish Deshmukh, Sanjay Mishra
Rating: 

The first thing you notice about this Hindi film (or at least I did) is that it plays with English subtitles. Not that most need it; but great relief, nonetheless. For I had returned from the same Mumbai theatre only the evening before, within the first minute of a Malayalam film (a heavily recommended Kumbalangi Nights), having realised that the pic had no English subs, and people were laughing at jokes (presumably), that I couldn't access.

Would Total Dhamaal, in a language you didn't understand, be watchable still? Technically there is hardly a plot/story. So you'll follow what's going on, regardless. But this is the sort of deliberately-sasta, kaam chalau comedy that works on simplest set-ups, and pay-offs - or punch-lines - that you ought to be in sync with. Some jokes work - at a pure comic timing level. Several don't. But that's really what you walked in for. For the record, the first Dhamaal (2007) had entered theatres hot on the heels of the fab Golmaal (2006), with Arshad Warsi common to both - making the former seem like pretty much a sequel to the latter. Modelled along the lines of the Spencer Tracy epic It's A Mad Mad Mad Mad World (1963), Dhamaal actually had a lot of dhamaal going for it.

Ever since, Golmaal has turned into a four-part, money-spinning franchise (or as Devgn calls it, his "retirement plan"). As have similar all-star comedies from the time - Housefull (the fourth instalment is on its way), Kya Kool Hain Hum (in the screwball, sex-com space), Masti (there've been three so far - directed by Indra Kumar, as well).

This is the third in the Dhamaal series, and as a ride, perhaps mainly intended for kids, if you consider the amount of slapstick (instead of adult) humour, stereotyped 'Madrasi', Bihari, Gujju kinda gags, and tonnes of fine VFX paraphernalia - collapsing bridge, rickety helicopter, cute animals bumbling around in the farm, folk either hanging or flying off ledges… This is besides a lot of self-referential Bollywood one-liners that appear as stuck in time as, of course, the picture itself.

And so the password to open a door is 'one-two ka four; four-two ka one' as Lakhan, or Anil Kapoor, jumps off a wall. 'Ek do teen' as in the Madhuri Dixit Nene song is referred to, since Dixit is in the movie, along with Kapoor. Rohit Shetty is summoned in a line while cars fly. Ajay Devgn is of course the dude. His sidekick, Sanjay Mishra, whose refrain, "Dhondu, just chill," made him a superstar with Shetty's All The Best (2010), a similar mad-cap comedy, gets, "Bro," a new takia-kalaam here.

But my favourite guys in this movie have got to be Adi, and his man-child partner Manav (Arshad Warsi, Jaaved Jaaferi). Glad they've survived the franchise's original line-up (the only ones to, besides the perennial ensemble-com favourite, Riteish Deshmukh).

The entire lot is after a Rs 50 crore booty. All they know is that it's kept at a zoo. And with presumably someone called OK, which is what you must feel like - never mind what happens in the movie thereafter. Anything I say about this expectedly total dumb maal, should be construed as boring old me, coming in the way of your heightened, harebrained entertainment. Already have; read no further!

Also Read: Exclusive: Ajay Devgn on Total Dhamaal: It's very difficult to make people laugh

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2019 Oscar Nominated Short Films
U/A: Action, documentary
Director: Reyka Zehtabchi, Rodrigo Sorogoyen, Marianne Farley, Jeremy Comte, Vincente Lambe, Guy Nattivi
Ratings: 

This anthology film features five Oscar-nominated short films each in the Live Action category and one short documentary set in India. The live action line-up includes Madre, Fauve, Marguerite, Detainment, and Skin.

The documentary film Period. End of Sentence by Reyka Zehtabchi from the USA, tells the story of women, in a rural village just outside of Delhi, fighting the deeply rooted stigma of menstruation in India. It's factual, hard-hitting and exposes India's hinterland underbelly that puts premium on dogmatic tradition and self-defeating old school beliefs.

Stills from Detainment

Madre (Mother), a stirring short from Spain directed by Rodrigo Sorogoyen, has a single mother enveloped in a living nightmare - having to deal with her seven-year-old son, who tells her he can't find his father who he was vacationing within the French Basque Country. The film is a taut, frightening thriller that grips you till the end.

Marguerite, the short from Canada, by Marianne Farley, opens up locked-up memories through an evolving friendship between an ageing woman and her nurse, thus allowing her a sort of redemption from all the hurt and guilt accumulated over long lonely years. It's a human story that allows emotions to creep in steadily and eventually makes the precarious journey through memory lane a fulfilling one.

Fauve, another Canadian short, by Jeremy Comte, deals with an innocent, seemingly harmless power game between two boys that eventually turns scary. It's a stirring indictment on the brash, confrontational, competitive arrogance that has enveloped every aspect of young life today.

The most shocking of the lot are, of course, Detainment and Skin. Vincent Lambe's Detainment, a short from Ireland, based on the James Bulger case - for which two 10-year-old boys are detained by police under suspicion of abducting and murdering a toddler. It's a gruesome and harrowing tale told through interview transcripts of the case and the tension-ridden treatment is bound to leave you disturbed and despondent.

Skin, a short from the USA by Guy Nattiv, spins a horrific drama that has its origins in racial incrimination. A black man smiles at a 10-year-old boy in a small supermarket in a blue-collar town, and all hell breaks loose. This one's a blinder about how conditioning rules the way we think and behave even in such harmless, innocuous moments.

This entire package is a delightful showcase of talent and diversity and therefore, rightfully enshrined in the nominations for the best and worthiest shorts of 2018. They are definitely winners!

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Isn't It Romantic
U/A: Romantic comedy
Director: Todd Strauss-Schulson
Cast: Rebel Wilson, Adam DeVine, Liam Hemsworth, Priyanka Chopra Jonas
Ratings: 

How fresh can a rom-com be? Well, at least, Rebel Wilson attempts to lend a fresh perspective to the genre with Isn't It Romantic. It's interesting to witness how the film's writers have parodied the commercial prism through which love is depicted on celluloid.

Wilson plays Natalie, a closeted rom-com lover who wears the irreverent 'Love-is-bulls**t' veil to hide her softer side. After suffering a head injury from being mugged, she wakes up in an alternate universe - one that is straight out of a rom-com where the roses are brighter, her apartment resembles the enviable houses that are featured in glossies and she, too, is a peachier version of herself. Even her dog is less mischievous and better groomed.

But instead of being delighted at the situation, Natalie feels suffocated with the perfection around her. With its sharp writing, the film gets across the larger message that love isn't all peaches and cream in real life.

You can play spot-the-rom-com too -there are several references to major hits like Pretty Woman (1990) and La La Land (2016). The comedy offers more than its share of fun moments; my favourite is the scene where Blake (Liam Hemsworth) walks out of the shower and it is suggested that Natalie had spent the night with him. But like in the movies, the steamy details are snipped - a deliberate play on the inherent need to keep the rom-coms clean, never upping the passion despite it being an integral part of romance. The writers' ability to question the romanticism around happily-ever-after without letting the grime of cynicism seep in, is commendable.

Wilson does a top notch job of headlining a cast of fine actors - Liam Hemsworth, Adam DeVine and our very own Priyanka Chopra Jonas. For the desis, the last song and dance sequence will be a brutal reminder that we haven't seen her in a Bollywood film in four years. This dose of mush attack is strongly recommended; at least, it doesn't let you lose sight of logic in the face of love.

Watch trailer:

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Badla
U/A: Thriller
Dir: Sujoy Ghosh
Cast: Amitabh Bachchan, Taapsee Pannu, Amrita Singh
Ratings: 

Sujoy Ghosh takes us back to the basics with his latest offering. Badla, as the title suggests, is a revenge-drama loosely based on the Spanish thriller, The Invisible Guest. Like with the original, it's not too difficult to decipher the end a good while before we get there.

Yet, Badla isn't predictable. What it certainly does lack, though, is the smarts that could be expected. Ghosh designs this film as more than just a whodunit. He lays out his cards neatly, unfolding one incident after another. So, it's all about cracking codes in the wobbly story, narrated by Naina (Taapsee Pannu), a top-notch businesswoman embroiled in a murder case.

She was found injured in a hotel room, with her lover lying dead on the floor. There is no sign of anyone else entering or leaving the room. Naina maintains, she didn't kill her lover. The film revolves around a single meeting with her potential lawyer, Badal Gupta.

Badla soars because of its unpredictability before we arrive at the end. The key lies in the names of its lead characters - Naina (eyes), a play on how truth depends on whose point of view is being considered. There is an inherent Rashomon philosophy in the narrative. Badal's name is a play on the film's title itself. Ghosh uses these props to confuse his viewers, create mirages that they are frequently misguided by in their tryst to keep the guessing game going.

At one point in the midst of this rigmarole, we look towards the screen and wonder why Bollywood doesn't exploit the terrific Amrita Singh enough. As Bachchan and Pannu battle it out in a verbal duel, it's Singh who does the emotional heavy lifting. Of course, both Bachchan and Pannu are terrific actors, but Pannu's Naina is played in a rather single note. Naina wins awards, is intoxicated by power, and is guilty about her affair. But the required nuances demanded by the narrative are missing from Pannu's act. There are a few genuine shockers, but it is largely a simplistic tale put together in a complicated fashion.

As admirers of thrillers, we are not failed by Ghosh. The tapestry of tension that he weaves is unparalleled. The camerawork by Avik Mukherjee deserves a mention. Set in Glasgow, the setting plays a part that's as essential as the characters. I was sold to the ride that Badla took me on; but, does it live it up to the thrill of Ghosh's Kahaani? Nah, that will need cleverer writing. Yet, this is worth a watch.

Also Read: Exclusive - Taapsee Pannu on Badla: I am a very vindictive person by nature

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Milan Talkies
U/A: Drama romance
Dir: Tigmanshu Dhulia
Cast: Ali Fazal, Shraddha Srinath
Ratings: 

This film is so inherently inconsistent, uneven in its storytelling that you feel like rooting for it still, simply because of the scattered set-pieces full of humour and insights/mannerisms of a small town, north India that you encounter once in a while.

It's almost like spotting diamond among the roughs - whether that be the local uncle breaking into nostalgic songs after a few pegs of whisky, or the street goon, wannabe Vidhayak (legislator) - both being the same - desperate to test his skills as a Hindi film star.

We're referring to Uttar Pradesh in particular, and Allahabad (now Prayagraaj) to be more specific - effectively a land of bakchods (blabber-mouths), with tonnes of tashan (exhibition of bravado) dictating mofussil male lives.

I know this isn't as true anymore, but another aspect that has geographically remained common to Indian towns is the cinema hall (or talkies) as the all-important landmark (there are usually two or three max in a district), where both the rich and the poor, predominantly young, but also the old, merge for their movie entertainment, and other accoutrements that naturally surround it.

Check out the trailer here:

Milan Talkies, that the film is named after, is one such adda/theatre in Allahabad where a young dude spends most of his time in the projection room, aspiring to become a Mumbai filmmaker when he isn't shooting low-budget films with neighbourhood talents himself. One assumed this would be some sort of a version of Giuseppe Tornatore's Italian classic Cinema Paradiso (1988) - ultimate tribute to the movies.

Hell, no. This is a full-on, wannabe-classic romantic story about that boy, and the girl with an authoritarian dad, and the fact that they can't get together - even as the film doesn't care to explain exactly why. And the two are happy to elope - not once, but several times in a row, and oh my god, 'will they, won't they,' just go on, and frickin' on.

The film is directed by Allahabad boy Tigmanshu Dhulia (Paan Singh Tomar, Saheb Biwi Aur Gangster), who whether he likes it or not is probably better known for the dialogue, "Jab tak Hindustan mein saneema hai, log c****iye bante rahenge," that he delivered as an actor in Anurag Kashyap's iconic Gangs Of Wasseypur (2012). Such is how crisp dialogues (like tag-lines in ads) work on us anyway.

Whether this film itself is part-autobiographical or not, Dhulia got noticed as a filmmaker with his debut Haasil (2003) - at the time a rare, robust insider's account of his home-town, and campus politics in a north Indian small-town. Over the years, that script (or the premise, if you may) has been milked so much to death, that it's turned into a tiring genre of its own.

Ali Fazal (similarly seen as a UP ruffian in the Amazon Prime series, Mirzapur) plays the protagonist here - a role that I'm told has been through several replacements (Imran Khan, Shahid Kapoor, etc) in the past. Although at some portions he sounds/behaves a lot like Dhulia himself, Fazal is competent to the core (no doubt). As is the female lead (Shraddha Srinath), making her Hindi film debut.

The film itself though does little to the genre, besides deliberately revisit some old-world Bollywood cliches. Maybe there's some subversion (that I'm unable to see). Maybe a full-blown, big-screen romance hinges much on the scale, for effective suspension of belief, which is sadly missing. Either way, one suspects, much of this movie pretty much remains in the filmmaker's imagination/head. Rest of it, quite honestly, gave me a bit of a headache.

Also Read: Sonu Nigam's soulful voice in Shart from Milan Talkies will tug at your heartstrings

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How to Train Your Dragon: The Hidden World
U/A: Animation, Action, Adventure
Director: Dean DeBlois
Cast: Jay Baruchel, Gerard Butler, America Ferrera, Jonah Hill, Christopher Mintz-Plasse
Rating: 

The much-awaited Hiccup and Toothless' return to the big screen may not be as scintillating and effortless as the first two editions but it's certainly no slouch in terms of form and technique. The cutesy appeal of the ameliorating animation craft adds to the poignancy developed on the unlikely pairing of a rare Night Fury dragon with a brave young Viking. This CG animated feature that finds its inspiration in Cressida Cowell's children's books, is as vividly artistic as its predecessors and culminates in an emotionally resonant finale that apparently puts the cap on any further sequels in the offing.

The storyline finds Hiccup (Jay Baruchel), Chieftain of the tribe, having taken over the title from his late father, Stoick (Gerard Butler) - alongside the fearless Astrid (America Ferrera) and his newly found mother Vulcan (Cate Blanchett), engaged in the noble pursuit of freeing caged dragons and bringing them to the Isle of Berk. But the villainous Grimmel (F, Murray Abraham) is hell-bent on destroying their new-found tranquillity – so the tribe agree to leave in search of their Hidden kingdom, with Grimmel hot-on-their-heels, in pursuit. Amidst this hullabaloo, enters a new pure white lioness known as the Light Fury and she catches Toothless eye, and they engage in a hide-n-seek courtship that forces Hiccup to reassess his own abilities and his relationship with his favourite dragon.

Check out the trailer of How To Train Your Dragon:

Returning director-screenwriter Dean DeBlois, with able help from visual consultant Roger Deakins, presents an opulent harvest of computer-generated visuals – exquisite in details, bathed in a light and shadow so dramatic as to look almost heavenly. The eye-pleasing look of the Light Fury, the mating dance sequence between Toothless and his new love, the flickering flames, the resplendent panoramic and scenic views from the skies are all rendered with an unerring artfulness that is simply splendid to behold. Forget the ennui borne from a repetitive and familiar plotting. This one has the power to give flight to your imagination!

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Dumbo
U/A: Family, Fantasy
Cast: Colin Farrell, Michael Keaton, Danny DeVito
Director: Tim Burton
Rating: 

Disney's attempt to lend more darkness and quirks to this live-action remake of its 1941 animated classic about a baby elephant whose ears double as wings, Dumbo, pays off with loads of cuteness but the director Tim Burton's signature strangeness is missing. Burton's craft is more simplistic here - even though the film is a sort of circus fantasia with all the aspects of an imagination running wild.

The owner of a struggling circus, Max Medici(Danny De Vito) enlists a man(Colin Farrell) and his two children to care for a new born elephant that can fly. Of course, the contretemps are not merely about a flying elephant but also about those opportunistic times when diabolical people sought to make their fortunes off the sweat of lesser mortals.

Check out the trailer here:

With Michael Keaton and Danny DeVito on the same page here, one would have expected something more whimsical and intriguing but this production doesn't quite fit the bill. Burton's attempts to stuff up the visuals with a surrounding darkness doesn't set flight to the imagination. Ehren Kruger's screenplay is inconsistent and chaotic. Character development is uneven so even the leads don't come across as engaging. Burton's attempts to give vein to the freakish performer doesn't have much impact because the plotting is quite wayward. Even the presence of snake charmer Pramesh Singh (Roshan Seth) and the resident circus "mermaid," Miss Atlantis (Sharon Rooney), who strums a ukulele by the fireside and sings "Baby Mine," feels out of place in this extravaganza that lacks connect and soul!

Also Read: Disney's 'Dumbo' will take you to new heights

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Notebook
U/A: Romance
Dir: Nitin Kakkar
Cast: Zaheer Iqbal, Pranutan Bahl
Ratings: 

I, for one, am not of the belief that remakes are a bad thing. If made well, they can stand their ground and even shine, in some cases, better than the original. Given that Notebook is directed by Nitin Kakkar (the man behind the luminous gem Filmistaan), I had a fair share of expectations, despite the underwhelming trailer. Kakkar's powerful storytelling in the unassuming Filmistaan played in my mind as I walked in to watch Notebook, an adaptation of the Thai film, The Teacher's Diary that released in 2014.

It's not a good sign when, in a love story, children steal your heart over the lead pair. Individually, both debutants Zaheer Iqbal and Pranutan Bahl sparkle, but they meet only at the fag end of the film. Kakkar draws out adequate performances from both, playing to their strengths, using the naivety of the novices to build on some screen charm. But with so much solo heavy lifting and a wobbly screenplay in tow, Kakkar delivers far short of what he is capable of.

Watch the trailer here:

As a plus, the film uses the picturesque settings of Kashmir, blending it with good music. The story, much like the original, traces the unlikely love life of Firdaus (Bahl) and Kabir (Iqbal). She leaves behind a notebook full of sketches and doodles; he is her replacement in a school where they teach. The notebook becomes a source of hope for Kabir, who connects deeply with her over the pages. She is an unusual teacher in an abusive relationship. As Kabir struggles to bond with the children, the notebook comes handy. The rest of the film paves the way to their final interaction.

Kakkar remains faithful to the original design, transporting his viewers into a world of innocence. It is concerning that the director never delves deep into the problems of the state, bringing forth its elements for a pure cosmetic use. A child with a fundamentalist father is a needless addition to the plot. Kabir's former job as a soldier, and his Kashmiri pandit background, also do little to add to the larger plot. It's a balanced view, but not a bold one; too simplistically handled, which is unlike Kakkar's risque style.

Watch it for the adorable kids, and if you are excited about star children in general, Pranutan is a good deal as a first timer.

Also Read: Notebook celeb review: Bollywood unanimously touts the film as a sweet and genuine

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The Least Of These
U/A: Drama
Dir: Aneesh Daniel
Cast: Sharman Joshi, Stephen Baldwin, Shari Rigby
Ratings: 

Aneesh Daniel's attempt to relook at real-life events that triggered the grisly murder of Graham Stuart Staines - Australian born evangelist/poor leprosy patients' caregiver, living and working in the remote regions of Orissa - is a rather tame experience.

It's obvious the filmmakers were eager to avoid any confrontations with right-wing fanatics, who had a major role to play in triggering the gruesome killing of Staines (Stephen Baldwin) and his two sons. Don't know how much of a spoiler the censor board played in this regard, but needless to say, this is a largely sanitised version of the truth and does a great disservice to the lives lost in the throes of a communal crossfire. Defanged of the court ordained facts, including the name of the convicted killer (Dara Singh) and his right-wing Hindu fundamentalist political affiliations, this film merely plays around with the 'conversion' issue.

The narrative device employed here is in itself flawed. It's the late 1990's. Journalist Manav Banerjee (Sharman Joshi) moves with his pregnant wife to a small town in Orissa. The editor (Prakash Belawadi) of the New Orissa Daily treats him like a stringer and expects him to coerce stories about forced conversions from the villagers. Manav, who shuns lepers and is clearly biased against Christian groups, would rather do the exposé without being personally involved. But his editor deems it necessary that Manav himself play victim to the conversion hoax to expose the Australian missionary's so-deemed unlawful activity. With his wife delivering prematurely and costs of hospitalisation mounting by the day, Manav is forced to toe the line.

While forgiveness plays an important part in this misrepresented drama, it doesn't have the effect of a great act here. It is depicted so ineffectually that there is little impact on the viewer. The actors are either over-the-top or inconsistent. Joshi overstates his eagerness by repeating phrases like 'I am a journalist' and 'He is a leper'. Scripting by Andrew E Mathews is so slack that his turnaround defies logic. Even Baldwin and Shari Rigby fail to arouse empathy. Technically too, this film is not upto the mark. The direction, editing and cinematography lack distinctive focus. This unaccomplished production doesn't amount to anything!

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No Fathers In Kashmir
U/A: Drama
Dir: Ashvin Kumar
Cast: Kulbhushan Kharbanda, Soni Razdan, Zara La Peta
Ratings: 

So grim and unnatural are the goings-on in Kashmir, that it's almost hard to find yourself not questioning the films that claim to mirror the realities in the Valley. Ashvin Kumar's No Fathers In Kashmir is empathetic in its approach, but critiques the militarisation in the state. Kumar narrates the story through the eyes of Noor, a teenager oblivious to the situation in the Valley.

Like those of her kind, she continues to showcase her life on social media, ever so often posing with a terrorist because... Well, why not? Unaware of the repercussions of her actions, Noor eventually stumbles upon some harsh truths pertaining to her family. Her father, Basheer was picked up by the Army, and never returned. The more she delves into the details, the more the skeletons she finds in the closet - literally!

Kumar uses Noor's naïvety to explore the plot from the perspective of a third person, elucidating how Kashmir's normal is actually bizarre, claustrophobic and heartbreakingly inhuman. At the crux of the film is an innocent love story involving Noor and Majid, who bond over their unfortunate but common fate as both their fathers were taken away by the Army.

Lucidly shot, and wonderfully executed, the film seems to evade the point that it attempts to make at first, but is more aligned post-interval. Shots involving the goings-on in interrogation rooms, graves that see militants dumped in masses, and the common sighting of stray dogs roaming around with severed parts of the human body, successfully invoke the fear that the makers desire. It's a matter that should most certainly be discussed in mainstream media.

To drive home this point, Kumar successfully highlights the effects of the situation on children when he showcases one kid elaborating on the difference between a terrorist and a militant, to his friend, and attempts to state how those perceived as enemies of the state, have clarity of intention in their heart. The actors are perfect, especially the children.

Kumar's film, however, isn't without loopholes. But you are willing to let them pass because the film makes a brave point - no one deserves to be woken up in the midst of the night by the resounding noise of bullets. Can this be rectified? The film makes an earnest plea, urging us to do our best.

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Shazam!
U/A: Action, Adventure, Comedy
Director: David F. Sandberg
Cast: Zachary Levi, Michelle Borth, Djimon Hounsou, Mark Strong
Rating: 

Moving from dark and foreboding (Batman, Batman Vs Superman, Suicide Squad) to bright, frothy and fun (Wonder Woman, Aquaman) and now Shazam!, DC Comics appears to have gotten a lead on its entreaty. This film based on a lesser known comic book, in which Zachary Levi plays Billy Batson a.k.a Shazam, a superhero who is actually a 14-year-old boy magically transformed by uttering the titular incantation, is kid-friendly, has a strong jocular vein and advocates family values at a time when families are breaking apart because of selfish, individualised pursuits.

Watch the Shazam! trailer here: 

Directed by David F. Sandberg, Shazam!, is an origin story of the titular character as well as the villain, Dr Thaddeus Sivana (Mark Strong). The villain, in fact, is first shown as a little boy bullied and blamed for all calamities that befall, by his older brother and domineering father. So when he believes and actualises in taking control of the dark powers of the Seven Deadly Sins, you still empathise with his need to prove himself worthy. It's only when he pursues Shazam that we get conflicted and confused about whom to root for. More so because Shazam, being just a kid and forced to play in the adult league, takes a long time getting a handle on himself, his powers and eventually coming into his own.

Billy Batson's own history comes into play to swing empathy to his side. Separated from his unwed, teen mother at a carnival and subsequently sent to a series of Philadelphia foster homes - from which he continually runs away, he eventually winds up with an extended foster family of five, including disabled Freddy (Jack Dylan Grazer), who walks with the aid of a crutch and is obsessed with all things superhero. With Freddy as the wonder-struck side-kick, the duo embarks on theatrical antics that are delightfully fantastic.

The battles between Shazam and Dr Sivana don't amount to much other than CGI driven plot mechanics. The CGI incarnations of the seven deadly sins and those highlighting the powers of Shazam and his siblings never get distinctive enough to keep us hooked. The rather long 131 mins runtime also takes a toll on the overall enjoyment. Despite the negatives, this film manages to drum up anticipation and leave a smile on your face after the end credits!

Also read: Zachary Levi roped in for The Marvelous Mrs Maisel

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Romeo Akbar Walter
U/A: Action
Director: Robbie Grewal
Cast: John Abraham, Mouni Roy, Jackie Shroff
Ratings:

John Abraham's latest nation-in-peril movie is set against the backdrop of the 1971 India-Pakistan war. Releasing nearly a year after Raazi, this one suffers from an acute hangover of the Alia Bhatt-film. It even ends with a song that seems inspired (read blatantly copied from Ae Watan…).

Romeo Akbar Walter (RAW) has a confusing structure, is supported by a blaring background score, and lacks both the smarts and the menace of being a good espionage thriller. The problem here lies with director Robbie Grewal (also director of Aloo Chaat, Mera Pehla Pehla Pyaar, and Samay), who botches his own script.

Given the twists and turns, the film comes across as a convoluted and tedious mess. For a major portion of the film, you find yourself trying to decipher where it is leading. In order to fit the sub-plots, the script is stretched to a point that you stop caring. The first part revolves around Romeo's (Abraham) induction into the task force and imbibing the nuances of Akbar as he enters Pakistan. What could have been an interesting depiction, is reduced to a clichéd montage of training. In the second half, our super-spy hero is in pursuit of getting details of the Pakistani Army which threatens to set a bomb in a part of East Pakistan (now Bangladesh).

Watch the Romeo Akbar Walter trailer:

The sequence is shot so casually that it makes you wonder if walking on the streets of Pakistan while trying to gather sensitive information, is a cakewalk. The attempt to create a sense of urgency and intrigue are undermined by the lack of coherence. The film manages to pick up the pace in the second half, but by then, it is too late to salvage the situation.

Also Read: Romeo Akbar Walter director shoots across the country in 46 days

The screenplay moves at a snail's pace and is devoid of tension. The unnecessary inclusion of a love story between Romeo and Parul (Mouni Roy) makes it further lethargic. That's not all, amidst the supposed high-tension situation, a lovemaking scene seems like a desperate attempt to titillate the audience.

Grewal tries to bank on the emotional side of Romeo as he remembers his mother. The scene is almost an ode to Darsheel Safary from Taare Zameen Par (2007). It comes across as pretentious and dreary. It seems, the director hoped to present the film as a complete package, and failed miserably. Had he stuck to the narrative of a spy, the outcome would have been very different.

Sikander Kher is the only one who has attempted to salvage the film. Jackie Shroff as the director of Research & Analysis Wing (RAW) sails by. Abraham's deadpan expressions are a hindrance but he somehow manages to hold his ground. And Roy should stick to doing Naagin instead of a gratuitous role like this. As for RAW, YAW(n).

Also Read: John Abraham: RAW: Romeo Akbar Walter isn't a jingoistic, flag-saluting film

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The Tashkent Files
U/A; Drama, Mystery, Thriller
Director: Vivek Agnihotri
Cast: Mithun Chakraborty, Naseeruddin Shah, Shweta Basu Prasad, Mandira Bedi, Pallavi Joshi, Rajesh Sharma, Vinay Pathak, Pankaj Tripathi, Vishwa Mohan Badola, Prakash Belawadi, Achint Kaur, Prashant Gupta
Ratings: 

Based on true incidents, director Vivek Agnihotri's Tashkent Files, is a fictionalised film with cinematic liberties. In form, it is a blend between a courtroom drama and an online game with different task levels. In purpose, while seeking answers to the mysterious death of India's second Prime Minister, Lal Bahadur Shastri, who died on January 11, 1966, in Tashkent, it implores you, as a citizen of the nation, to question for, "your right to truth".

The film has a kind of stark simplicity: Apart from a brief set-up and a briefer epilogue, a major portion of the film takes place within the four walls of an inquiry commission which is so akin to a jury room, as nine prominent and responsible citizens headed by politician Shyam Sundar Tripathi (Mithun Chakarobarty) debate on the "common conspiracy theory", that surrounds Shastri's demise.

It is an open fact, and no denying it, that there have been various theories surrounding the mysterious death. The Shyam Sundar Tripathi Commission is set up after the investigative journalist Raagini Phule (Shweta Basu Prasad) is coerced by an anonymous well-wisher cum source, into writing an article that digs into the nation's past.

The well-wisher dishes out nuggets of information via a telephonic conversation which appear like stages of an online game.

Soon, Raagini is also roped into the Commission for being a journalist who has done a lot of investigation on the subject. She propels the narrative and drives home her point based on the Mitrokhin Archive II, which is a collection of handwritten notes made secretly by the Russian KGB defector Vasili Mitrokhin.

Dedicated to the journalists of India, the film, on the face of it appears balanced, but the tone and texture of the narrative definitely appear slanted. Sample this; "Gau bhakt, topi pehnewala baba, kaun the?" This question subtly and surely ignites a sense of underlying brotherhood that forces an ignorant viewer to seek the truth.

And so, on the pretext of speaking the truth, the narrative digs out the bitter and indigestible political history of our country. Also, while smirking at our democracy and our education system, the film makes each one of us feel guilty as it opens a Pandora's Box but shows us nothing that we are not aware of. And the last frame, stating that the facts mentioned in the Mitrokhin Archives have not been proved or verified till date, clearly shows that the plot along with the dialogues, is clever and manipulative.

This is a film where tension comes from personality conflict, dialogue and body language, not action. The drama within the confines of the claustrophobic room appear forced and staged.

On the performance front, the film is Shweta Basu Prasad's canvas. She is effective as the ambitious, yet vulnerable Raagini. She holds her steady against the dynamic Mithun Chakraborty, who gives an equally new and varied dimension to his Shyam Sundar Tripathi.

The duo are aptly supported by an ensemble cast which includes; Pankaj Tripathi as Gangaram Jha, Mandira Bedi as the social activist Indira Joseph Roy, Pallavi Joshi on a wheelchair as the historian Aiysha Ali Shah, Rajesh Sharma as a prominent government contractor Omkar Kashyap, Vishwa Mohan Badola as the aging Justice Kurian Abraham, Prakash Belawadi as the senior bureaucrat GK Anantha Suresh and Prashant Gupta as Vivendra Pratap Singh Rana, all members of the commission.

Naseeruddin Shah as the master brain politician PKR Natrajan and Vinay Pathak with a scarred visage as Mukhtar, the person who helps Shweta unearth the mystery in Tashkent, have their moments of onscreen glory.

Mounted with ace production values, the visuals of the film do not boast of any cinematic brilliance. The songs with the lyrics, "saare jahan se achcha" and "sach jalta hain" are lost in the narrative.

Overall, with aggressive pacing, the film is well-researched and potent in nature. But with the timing of its release and the undertones in its messaging, this film appears to be a propaganda film that neither ignites any patriotic fervour nor journalistic appeal.

Also Read: Vivek Agnihotri's The Tashkent Files lands in legal trouble

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Pet Sematary

U/A: Horror, Mystery, Thriller
Director: Dennis Widmyer, Kevin Kolsch
Cast: Jete Laurence, Hugo Lavoie, Jason Clarke, Lucas Lavoie, Amy Seimetz
Rating: 

The 1989 version of Pet Sematary based on the 1983 Stephen King novel, was certainly no classic but it was a cheesy horror tale powered by a solid performance from Fred Gwynne and the title song from the Ramones was quite rage. Given the cult popularity of horror films today, it's no surprise that even such an unremarkable representative of the genre gets recast for the GenNext voyeurs of horror thrills. Co-directors Kevin Kölsch and Dennis Widmyer don't have much of a challenge on their hands, given the fact that there's no attempt being made here to tell the story from a different vantage point.

Dr Louis Creed (Jason Clarke), wife Rachel (Amy Seimetz), eight-year-old daughter Ellie (Jete Laurence), two-year-old son Gage (Hugo and Lucas Lavoie) and pet cat Church—relocate to a rustic home in the quaint rural town of Ludlow, Maine. Though there's plenty of land, with a mysterious pet cemetery and a strange bog behind the home there's not much of it in front - with a state highway running through right at the curb just off their driveway. So one would think that responsible parents would take the trouble of checking out their abode and taking the necessary precautions before moving in.

Check out the trailer here:

Such deliberate contrivance is of course a given for a horror film attempting to spook you by suggestions rather than facts. Soon enough the pet cat gets crushed under a speeding mammoth and the grieving Dr Clarke, helped on by friendly neighbour Jud Crandall(John Lithgow) takes the cat to be buried near the mysterious bog which apparently has mystical powers of resurrecting the dead. A rather convenient ploy to give wandering souls a rejuvenated body to do evil. The rest of it is rather brutal.

The film, as the book, is riddled with plenty of plot holes but King's book at least had a descriptive set-up that kept the interest going. The film doesn't have much exposition. The wife's torment from a traumatic experience during childhood is represented through hallucinatory flashbacks and the tragedies that befall the Creed family just keep piling up soon after they move in. The directors and writer Jeff Buhler, make a few deviations but they play out as altogether facile and non-requiting. The actors do their job well but the narrative doesn't create enough empathy for us to be worried about their fate. Closing it out with a Starcrawler cover of the Ramones's original theme may stir up some nostalgia but that's not going to spook you. Even King's original denouement gets replaced and that makes this particular effort altogether superficial.

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Hellboy
U/A: Action, Adventure, Fantasy
Director: Neil Marshall
Cast: David Harbour, Ian McShane, Milla Jovovich, Sasha Lane, Daniel Dae Kim
Rating: 

This latest adaptation of the Mike Mignola comic book is a reboot and not a sequel. Most of the sequences and plot points take for granted that- the viewer is familiar with the story. This film has a rather peculiar blend of history, myth, supernatural and occult playing peekaboo in a narrative that opens up in the past and flashes forward to the post-modern present with rather too much haste. We see a time when everything is acceptable including the paranormal, the other-worldly, different dimensions and the freak. We see Hellboy with horns, crimson skin, and thorny attitude passed out in a Mexican bar or observing a wrestling match and he doesn't raise any eyebrows. And just as we get familiar with the characters and interested in the theme we are subjected to a flashback and that's the pattern we are exposed to throughout this rather jerky, coarse re-imagining of the Hellboy universe. The real problem here is that there's just too much back story and not much of going forward.

Hellboy of course looks more or less the same. The overall look is replicated from the original – this one though looks more worn and unkempt. Hellboy (David Harbour) works with his adoptive father Professor Broom (Ian McShane) at the B.P.R.D, an organization devoted to investigating and generally exterminating paranormal threats. The gruff Superhero heads to England when called upon by the Osiris club to help nullify the Blood Queen's(Milla Jovovich) demonic plot to resurrect herself and bring ruin upon the world.

Check out the trailer here:

The narrative jumps from one plot point to another without acquiring much coherence. We get it that the Blood Queen is part of the main conflict here but by the time she gets into her stride the narrative gets all rushed up and the ensuing melee doesn't have much engagement. Andrew Cosby's screenplay writes in some inner conflict for Hellboy but it doesn't translate all that well on screen. Even the other main characters don't have smooth enough arcs. Neil Marshall is no Guillermo Del Toro and his vision for the action here is also not consistent enough- even though there are a few flashes of brilliance. David Harbour's performance, lacks the confident stamp of authority that Ron Perlman's did. Some of the CGI effects are good but there are moments when they look conspicuous and patched on. Too many characters, too many plot threads and just as many merges between the unimaginable, plagues this tale of a superhero winding his way through tales of legends and destiny - ending it with cataclysmic bedlam that works out to be a rather chaotic gory mess!

Also Read: Milla Jovovich said yes to Hellboy for this reason

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Avengers: Endgame
U/A:  Action, Adventure, Fantasy
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
Rating: 

Avengers: Endgame, undoubtedly the most anticipated film of recent year's, lives up to most expectations. This film is a befitting finale for the decades-old, 21 films, Marvel Cinematic Universe that heralded the likes of Iron Man, Captain America, Thor, Hulk, Black Widow and Hawkeye. Together they formed the original Avengers team while the newer allies and villains added more power to subsequent outings. This may not be a non-stop action spectacle. Instead, what we get is a well- proportioned, engagingly structured narrative that spreads out its content and thrills in momentous expansiveness, End game basically posits a finale worthy of the superhero characters it promotes. Marvel's time-travelling sci-fi adventure saga throws up a few surprises too along the way.

The story is rather basic - After the devastating events of Avengers: Infinity War (2018), which ended with Thanos getting all of the six Infinity Stones and then using them to wipe out half of existence, including beloved heroes like Black Panther, Star-Lord, and Spider-Man. The surviving heroes go through a period of self-recrimination, hopelessness, heartache and self-doubt before they take the necessary steps to reverse Thanos' actions, they're fatalism keeps us grounded.  

Also Read: Box Office report: Avengers: Endgame sells 1 million advance tickets in India

The script by Christopher Markus, Stephen McFeely among others, is surprisingly inventive, fraught with emotion and funny. The performances live up to the iconoclastic expectations of the fans while the CGI and effects lend whole new meaning and dimension to quantum physics and chaos theory. The film is a sort of nirvana for the thousands of people who sweated night and day to make such a unique and unprecedented experience come good. Endgame has a much slower, deliberate pace allowing for deeper character development and strong motivations while developing intensity and attachment all the way through. A major portion of the action happens only towards the last half hour of a nearly 3-hour runtime – yet, doesn't feel bloated or unnecessarily expanded.

Also read: Avengers: Endgame Box Office Prediction: Will the film open at Rs 50 crore in India?

This film incorporates beloved elements from earlier outings and recalls character beats, origins, and sub-plots while adding texture and complexity to the inter-galactic drama envisioned as homage to the never-say-die superhero spirit. Alan Silvestri's amazing background score elevates the intensity and involvement. The helming by the Russo brothers is also quite remarkable – creating a well-sprung of entreaty that is truly an event!

Also Read: Avengers Endgame release: A look at how Avengers films fared at the Indian box office

Check out the Avengers: Endgame trailer here:

Also Read: Critics review Avengers: Endgame, say it's 'everything you want it to be and more'

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Avengers: Endgame
U/A: Action, Adventure, Fantasy
Director: Anthony Russo, Joe Russo
Cast: Robert Downey Jr, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson
Rating: 

How does one put together words about a film that, for all practical purposes, anything and everything you write, is likely to be misconstrued/diagnosed as a spoiler?

Suffice it to know that this expectedly dramatic conclusion of Marvel's three-part Infinity Saga is a relatively internalised, deep and sober film, concerned more with the motivations of super-heroes, the choices before them, and what they should pick, in order to take on super-villain Thanos—of course.

For one, the earth is a much quieter place, since as you're aware, its species have been annihilated, decimated by Devil Thanos, ever since he got his hands on the infinity stones, and went on to execute the bizarre plan of supposedly ethical ethnic cleansing—randomly ridding planets of half its populations, to make them more sustainable, by restoring balance of sorts, as it were.

Of course, there will be survivors. And Iron Man or Tony Stark (Robert Downey Jr), to start with, is thankfully rescued or reunited with the human family back home. So is Hawkeye (Jeremy Renner). Both of them, like all the others, seem to be somberly dealing with the aftermath of a universal tragedy.

Surely, you have your own favourites from this cinematic universe (and how can Iron Man not top that list?). But there's something about the inherent cuteness of Hulk (Mark Ruffalo) that saves this franchise's final installment from turning into a complete depresso—left to be downed over rounds of espresso, what with the screen-time running three hours plus.

Also Read: Box Office report: Avengers: Endgame sells 1 million advance tickets in India

Indians might thank their theatres for the usually hated interval. I caught it without one, but didn't miss it either. There's enough material here to keep you engaged, even if to wonder, on occasion, if some of it makes any sense. You may or may not be impressed with the long drawn explanations, but you're only too happy to go with it.

Frankly, I'm no Marvel fanboy/fanatic—if the movie-world is indeed divided into two types, then more the DC demographic. That said, there is an infectious verve and energy that multiple super-heroes bring to this cinematic universe that is hard to not be swayed by, even if an individual or sub-set, Guardians Of Galaxy in particular, may be difficult to appreciate on their own.

Check out the Avengers: Endgame trailer here:

Avengers: Endgame does a fine job of navigating a reasonably cogent script without over-populating the screen. Avengers: Infinity War seemed more overwrought in comparison. I re-watched portions of the 2018 prequel on my phone (for quick revision), which of course means I didn't watch it at all.

For, at the end of the day, battle sequences and pyrotechnics is the point of it all, isn't it? Endgame, despite all the philosophy, is not an exception. It shines gloriously as 3D spectacle on the IMAX screen, ideally viewed from the third-row, from the back—and if you're not on IMAX, then the third row from the front—for a stunningly immersive experience, with such depth of field that the points where the camera focuses on a river, the ripples flowing towards you, you almost feel like you can wade through the frickin' water!

I know, don't need to put in a word (spoilers be damned). Suffice it to know that seldom has the excitement of audiences entering a theatre, matched by those exiting, after a hugely hyped pic. Endgame equals its astounding anticipation. And that's saying a whole lot!

Also read: Avengers: Endgame Box Office Prediction: Will the film open at Rs 50 crore in India?

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Amid the rising number of coronavirus cases across the city, the Mumbai Police on Monday took to Twitter to thank Bollywood actor Akshay Kumar for his humble contribution towards the Mumbai Police foundation amid the COVID-19 crisis.

Mumbai Police thanks @akshaykumar for contributing Rs. 2 Crore to the Mumbai Police Foundation. Your contribution will go a long way in safeguarding the lives of those who are committed to safeguarding the city - the men and women of Mumbai Police!#MumbaiPoliceFoundation

— CP Mumbai Police (@CPMumbaiPolice) April 27, 2020

While extending a thank you note to the action-superstar of the B-Town industry, Mumbai Police said that the contribution will help to safeguard the lives of the Mumbai Police personnel who are committed to safeguarding the city to fight the global pandemic.

In the past too, Sooryavanshi actor donated Rs 3 crore to help the Brihanmumbai Municipal Corporation (BMC) in order to help them to make rapid testing kits, personal protection equipments and face masks in its battle against the deadly virus.

#RohitShetty has facilitated eight hotels across the city for our on-duty #CovidWarriors to rest, shower & change with arrangements for breakfast & dinner.

We thank him for this kind gesture and for helping us in #TakingOnCorona and keeping Mumbai safe.

— Mumbai Police (@MumbaiPolice) April 21, 2020

Besides helping Mumbai Police and the country's richest civic body, Akshay also contributed Rs 25 crores to the PM CARES fund to help the country fight the epidemic. Earlier, Mumbai police expressed gratitude to Bollywood director Rohit Shetty for facilitating eight hotels across the city for Mumbai police personnel.

Thanking Rohit Shetty for his kind gesture, Mumbai Police said that the facility would help on-duty corona warriors to rest, shower and change with arrangements for breakfast and dinner.

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Brihanmumbai Municipal Corporation (BMC) Mayor Kishori Pednekar on Monday informed that the total number of containment zones in the city is now 1036.

"There has been a significant drop in the number of containment zones in Mumbai," Pednekar said. The Mayor said that many zones are out of the list as they reported zero COVID19 cases in the last two weeks. "231 zones are out of the containment zone list after they didn't record a single COVID-19 positive patient for the last 14 days," she added.

According to the Union Ministry of Health and Family Welfare, the total number of positive COVID-19 cases in Maharashtra is 8,068. Till now, 1,076 people have either been cured and discharged, while 342 deaths have been reported in the state.

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Your mother gets more and more confused these days. She forgets names, does not recognise usually familiar faces and often starts speaking only to forget the rest of the sentence. She gets tired easily and slumbers a lot. Sometimes she drools like a baby while asleep on the easy chair. You feel a little sadness inside: she is 73, poor thing.

Old age sucks.

Your father, who ran marathons and stayed fit all his life, can hardly take a reliable step any more. His gait is unsteady, he seems wobbly and you constantly fear that he will fall. He has taken a couple of tumbles already and been injured. Poor man, he is 79.

This is how the end begins, you think, with halting steps and frequent falls. It will lead, you suppose, to dementia, forgetfulness, perhaps Alzheimer's, dignity pads, nannies and probably finally pneumonia through too much food going down the wrong way.

You realise both of them will need more care and probably more of your time. One day you might notice a tremor in his hand which makes it impossible for him to feed himself — and an ayah will be hired for the job. This will only get worse, you tell yourself, until the day they find release through death. With any luck, it will not be a lingering, painful one.

This, you tell yourself, is what ageing and senility look like. You don't look forward to the day it will come to you.

My mind has been on the elderly in our lives ever since COVID-19 entered our world. It has a particular appetite for taking away our senior citizens, particularly those over 60, we are told, and more especially if they have underlying conditions. No matter who you are, how young you are, you will one day watch a beloved parent or senior relative decline — and like the overwhelming majority of us, you will dismiss it as creeping old age.

What if you were very very wrong about the signs of old age? What if all the things we call ageing are the result of a single missing vitamin called B12?

My digging began around 2010 when my mother started falling forward every time she stood up. Her hands were unsteady, her once 20-20 vision was blurry, she misheard things, spoke disjointedly, frequently forgot names and faces and frequently dozed off while watching TV. She was then 77, and I thought — she's getting old.

I began reading and googling, meanwhile, and one day, I made a list of all the behaviours and symptoms that I naturally assumed were a part of normal ageing.

Clumsiness
Irregular gait, stumbling
Frequent falls
Forgetfulness
Depression and moodiness
Deteriorating vision
Disorganised speech
Tangential or incoherent thinking
Easily tired, needing more sleep
Being feeble, anaemic
Trembling
Being incontinent (not being able to hold pee in)

Guess what? Every one of these is a symptom of a deficiency of vitamin B12, otherwise known as cobalamin. It is one of the most complex vitamins, with a single cobalt atom in the centre, and the only one that your body does not synthesise. Vegetarians and vegans must get it through dairy or soy products. Eating meat and animal products like dairy products, milk and cheese provide your body with the 2.4 or so micrograms you need every day.

That microscopic amount, it seems, is all your body requires to maintain a healthy central nervous system, produce healthy DNA and make red blood cells.

And then old age starts creeping up on you. Unknown to you, your stomach starts producing less gastric juices, and this directly affects your body's ability to synthesise vitamin B12 from the food you eat. Some people turn into belch and fart factories as they age, struggling with acid reflux at night, popping proton pump inhibitors and antacids. These pills make it even harder for your body to synthesise and absorb vitamin B12.

Your near and dear see what they suppose are signs of senility but they're actually the first signs of a developing B12 deficiency in your ageing parents — weakness, fatigue, shakiness, unsteady gait, incontinence, low blood pressure, depression and other mood disorders, and cognitive problems like poor memory. Since B12 is water-soluble and stored by the body in the liver along with other B vitamins, the deficiency cannot be detected in a blood test until the level drops below 250 picograms per millilitre of blood serum.

There is no good estimate of how many senior citizens we label as aged without checking if they are actually only displaying signs of vitamin B12 deficit. Once detected, it can often be fixed with a single injection once or twice a year.

My mother did have a vitamin B12 deficiency. Injections restored her to a semblance of a more normal life for some years till she died of other causes.

Here, viewed from there. C Y Gopinath, in Bangkok, throws unique light and shadows on Mumbai, the city that raised him. You can reach him at cygopi@gmail.com
Send your feedback to mailbag@mid-day.com

The views expressed in this column are the individual's and don't represent those of the paper

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The fight against Coronavirus is a constantly evolving one and is mainly reactive at the present moment in many contexts.

The BEST authorities are putting into place a plan which reduces the number of conductors in the few big, reds plying the city.

This is because, as a report stated in this newspaper, a few from the BEST workforce have contracted the Coronavirus. They are now going to run buses, some being already operational in this manner, with a driver and no conductor. The commuters will have to pay at the end of the journey.

It is important that the few passengers we see in buses today, follow rules whether there is a conductor or not. Maintain social distance in the bus, even if there is no conductor to enforce this.

Adults must know that the distancing is mandated for their safety and the security of their family too, so one surely does not and should not need somebody literally telling them to observe social distancing.

Ride in the bus wearing a mask, and do not slip it off your face or hang it around the neck during the journey. Do get on at the proper stop and follow correct etiquette even while alighting. Do pay the correct fare for the journey you took.

We must recognise that this is special, though necessary, service for workers and those providing essential services, thus necessitating commuting during these times.

The report also cited a BEST Kamghar Sanghatna official opposed to keeping conductors out, saying this was a ruse to start one-man operations amid Coronavirus.

Dialogue must ensure that there is transparency and talks within the Undertaking which is facing so many challenges — Coronavirus or not. May all do the BEST for Mumbai.

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A 26-year-old woman in labour was turned away from one hospital after another in Kalwa and was forced to deliver inside the autorickshaw that was ferrying them. The baby's father Janak Joshi, 25, then held the baby tight until the family reached Lakhmichand Fatichand Hospital in Thane, which finally admitted the woman and cut the umbilical cord.

Janak, a native of Nepal, works as watchman at Saurabh Towers in Thane's Kolbad Naka where he also lives with his wife and son in a small room allotted to him. His wife Geeta, 26, was due in April and Janak had been very worried about how to take her to hospital in the lockdown. He had then spoken to auto driver Mangesh Jadhav who lives in the same residential building, who agreed to ferry Geeta in case she went into labour. But the had no idea that Jadhav's rickshaw would be the place where the baby would finally be born.

Mangesh Jadhav who ferried Janak and Geeta Joshi from one hospital to another and in whose auto their baby was born

Janak said, "The civil hospital is just a kilometre away from where we live. So, we first went there to get Geeta admitted, but we were told that there are Covid-19 patients and so it would not be possible to admit her. From there we rushed to Shivaji Hospital in Kalwa where, too, we were denied admission and were told to take her to Lakhmichand Fatichand Hospital in Thane. We began our journey to Thane, but meanwhile, Geeta delivered the baby right on the Kopri Bridge inside the auto. Our son, too, was with us in the auto and was confused at first with not knowing what was happening. But, he was soon thrilled when he learnt he had a baby sister to play with."

Janak was overwhelmed and could not stop thanking Jadhav who took his family from one hospital to another and finally waited as Janak's wife delivered the baby in the rickshaw. "I held my daughter as she was delivered and held her tight until we reached the hospital in Thane where both were finally taken in and the umbilical cord was cut. Both are healthy now and we will be discharged soon," said Janak, adding that both mother and child are COVID-19-free.

"I was so tense about Geeta's delivery but Jadhav was so helpful in our time of need. We were also stopped at many checkposts which wasted a lot of our time."

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After the death of three police personnel due to COVID-19, the Mumbai police are telling constables aged above 55 years and those having existing ailments to immediately proceed on leave. The option for the paid leave was made available on Monday and will last till the lockdown.

Accordingly, the police top brass has directed police stations and traffic divisions to give leave to such constables. If a constable still wishes to come to work, he will be allowed to.

Traffic cops are most vulnerable as their work involves highest people-to-people contact

The three deaths in the Mumbai police workforce occurred within 48 hours. Wanting to save the rest of their colleagues who might be especially vulnerable, senior officers have given clear instructions.

"We have given orders to police stations and traffic divisions to give leave to constables aged beyond 55 years. Those having serious health issues have also been advised to take rest," said Param Bir Singh, commissioner of Mumbai police.

A policeman checks a car at Bhendi Bazar. Pic/Ashish Raje

"On Sunday, we asked for information from the headquarters about constables aged between 50 to 52, 52 to 55 and 55 to 58 years and any ailments they might have," said a senior police officer on condition of anonymity.

Health experts have observed that people aged above 50 and having health issues such as diabetes, asthma and heart conditions are more susceptible to the Coronavirus. "Since the beginning of the lockdown, we had asked our senior inspectors and traffic division in-charges to assign desk duties to constables aged above 50 years, with minimal contact with outsiders," said another officer. "Yet we lost three personnel. Hence, we are enforcing the policy further to avoid more fatalities," added the officer.

Deputy Commissioner of Police and spokesperson for Mumbai police, Pranaya Ashok said, "The message is loud and clear — cops aged above 50 should not be posted in hotspots or in containment zones. In fact, they should serve for tasks that involve minimum social contact. Now we are going a step forward by giving constables aged above 55 years the option to go on leave."

"Enforcing law and order is our priority but saving the lives of our men is also our duty. Therefore, we have given such constables the option to stay home April 27 onwards till the end of the lockdown. Traffic cops have the most contact with people, making them the most vulnerable," said a senior officer from the traffic police.

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To increase efficiency, effectiveness of patrolling and to give the city's foot soldiers some much-needed rest, the Mumbai police department has decided to adopt a new duty pattern.

Under the new pattern, the constabulary and officers will have to work 12 hours post which they will get a 24-hour break. Apart from doctors and health workers, cops too have been busy fighting the COVID-19 pandemic on the frontline. However, after constables (three already) started losing their lives to COVID-19, the top brass decided to set up a new duty pattern.

Accordingly, a new 12-hour shift has been introduced in the force. In this, personnel at police stations will be divided into three units, each working a 12-hour shift. "Duty will start at 8 am and end at 8 pm, when the next batch will come for night duty," a senior police officer said. "Whichever cop finishes his/her 12-hour duty at night, they will go home and come back to work the next day at 8 pm," added the officer.

This duty pattern will give each officer rest of a good 24 hours. "Even if this duty looks like 12 hours, a lot of multitasking is expected on this job as it includes patrolling, nakabandi and other activities. This makes cops new duty timings doable in such tough situations. As there are hardly any crimes happening in the area, the duty load has reduced," another a senior police officer said.

"Also, when an officer or constable gets more than 12 hours off, they can look after the families and their own health which will improve their immunity," the officer added.

Out of 94 police stations, 74 have adopted the new duty pattern and the rest will follow. "This duty pattern does leave me with a smaller force, but it reduces their exposure to the virus. As a frontline worker, we can't think about avoiding crowded places, but we can be well prepared for it," a senior Inspector from Eastern Region said.

"We have given instructions to all Zonal DCPs to chalk out a plan which will give a 12-hour duty and 24-hour rest to cops. We have to take care of our men, too. Currently, feedback from cops is good," Mumbai Police Commissioner, Param Bir Singh said.

Third cop succumbs to COVID-19

A third cop has died from COVID-19, taking the casualty toll among city cops to three. Head Constable Shivaji Sonawane, 56, attached to Kurla Traffic division, died on Monday. He was turned down by four hospitals on April 21, when his 25-year-old son tried tp get him admitted. Sonawane, a resident of Kurla's Kamani area, had a fever since April 20. The GP gave him medication and advised him to visit a hospital if he did not get relief. His fever did not subside and he started to feel breathless.

Sharad, Sonawane's son, took him to Rajawadi Hospital, Ghatkopar, on April 21, to get him admitted, but was told to take him to Kasturba. He was turned out at Kasturba, over no beds and at Nair and KEM too. Finally, it was after Kurla traffic division in-charge spoke to the Bhoiwada senior inspector that Sonawane was admitted at KEM Hospital.

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COVID-19 has now reached the doorstep of the state government, with four Mantralaya staff members testing positive for it. The state health department officials confirmed 27 deaths in Maharashtra, which was the highest number reported in a single day and the state's count of cases climbed to 8,590.

Civic officials said that of the four Mantralaya staffers, three tested positive on Sunday while one was confirmed on Monday. "They were on duty and include a sweeper and a driver. Contact tracing is underway and we will test the high-risk contacts," said a civic official. The official added that a portion of Mantralaya may be cordoned off if necessary. Guardian Minister Aslam Shaikh said that the staffers were taken to Kasturba Hospital for testing.

Four more ward boys of the TB Hospital in Sewri tested positive on Sunday taking the total count of infected staff members to 14. "One of the ward boys had directly gone to Kasturba Hospital and was admitted with symptoms. He has been shifted to the ENT Hospital. Two others are Thane residents and had sore throats," said Dr Lalitkumar Anande, medical superintendent of the TB Hospital, adding that two of the ward boys have been kept in isolation at the staff quarters.

No new cases in Mahim, Dadar
The number of cases in Dharavi continued to rise with 13 new cases reported on Monday. Majority of the new patients were senior citizens taking the total count in the area to 288. Civic officials said that no new cases were reported from Dadar and Mahim for three consecutive days and while 17 patients were discharged from Dadar, nine were discharged from Mahim on Monday.

The cumulative cases in Mumbai city are 5,776 while the total cumulative deaths here are 219. State health officials said that there were 522 new cases in Maharashtra, of which 369 were from Mumbai. Of the 27 deaths, 15 were from Mumbai, six in Amravati, four in Pune and one each in Jalgaon and Aurangabad. Among the deceased patients, 22 suffered from other ailments including diabetes and hypertension.

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No one informed us that my brother had been killed. We heard about his death on news," said Rakesh Tiwari, the brother of Kalpavrishkgiri Chikne Maharaj who was lynched in Palghar earlier this month, from Uttar Pradesh's Bhadohi taluka where the deceased priest's family lives.

On the night of April 16, a frenzied mob of close to 450 tribals lynched 70-year-old Chikne Maharaj, another priest and their driver, suspecting them to be thieves, at Gadchinchale village. While the incident made headlines across the nation, Chikne Maharaj's family learnt about his death only two days later.

Rakesh told mid-day over the phone that neither the police nor the authorities in the state informed them about his demise. We learnt through the news two days later that Kalpavrishkgiri had been brutally murdered in Palghar, he said.

Kalpavrishkgiri had left his home in Uttar Pradesh at the age of nine and was reunited with his family after 20-long years. When Kalpavrishkgiri was nine years old, he left home for Gramsabha Bhusavla school at Bhadohi one day, and never returned. We searched for him across the town but didn't find him." After reuniting with him 26 years later, the family learnt that he had gone to Nashik to become a monk, Rakesh said.

"We found his address when Kalpavrishkgiri was about 35-year-old and learnt that he had become a priest. After leaving UP, he had gone to Trimbakeshwar Shiva Temple to become a monk and later moved to Mumbai. He was a priest at Vandevi temple at Jogeshwari East. We accepted him and I used to meet him whenever I visited Mumbai."

Kalpavrishkgiri wanted to attend the last rites of our mother, who died on March 22, said Rakesh, adding that he couldn't make it to Uttar Pradesh due to the lockdown in Mumbai announced by the Maharashtra government in an attempt to contain the spread of the novel Coronavirus.

"On March 22, I called to my brother to inform him about our mother's demise, but due to the restrictions he could not attend her funeral. He was our mother's favourite son," Rakesh told mid-day. Rakesh said, "Our wish was to attend my brother's final rites but we received the information very later and that too from the media."

He also accused the police of failing to save his brothers and the two others with him. The videos clearly show that the police surrendered my brother to the mob, who then brutally thrashed him to death, said Rakesh, adding that the police could have saved Kalpavrishkgiri.

"Not a single police officer informed us about his death," Rakesh told mid-day.

Tilghate was driving Chikne Maharaj and Sushil Giri to Surat where the duo were headed to attend the last rites of a head priest, Ramgiri Maharaj. However, they came across the tribals, who were enraged by the rumours that a gang of child lifters were active in the region. While the police maintain that close to 450 people were part of the mob, a local leader had said as many as 2,500 tribals had gatheredthat night.

16 April
Day the two priests and their driver were lynched

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The Aurangabad bench of the Bombay High Court on Monday pulled up the state for its claim that the novel Coronavirus could spread through newspapers. The state had, accordingly, banned the distribution of newspapers, while allowing its printing. The court, in an order dated April 20, directed the state to justify its claims with evidence and expert opinions instead of meagre statements.

A suo moto public interest litigation (PIL) in this regard was filed at the Nagpur bench of HC after the distribution ban was announced on April 18.

Government pleader DR Kale told the court that the order was amended on April 21 to allow "door-to-door distribution except in MMR, Pune, and other containment zones."

While Kale said that the virus stayed on surfaces for a while, and hence newspapers could be potential carriers when passed from hand-to-hand, the court said that there was no evidence to prove this.

It, however, added that door-to-door delivery could be restricted in some areas while asking the government to respond to its queries along with a report by amicus curiae advocate Satyajeet Bora.

The next date of hearing in the case is June 11.

11 June
Date of the next hearing in the case

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The Maharashtra cabinet has reiterated its recommendation, that Chief Minister Uddhav Thackeray be made a member of the legislative council from the governor's quota, which has two vacancies. The cabinet had requested this to the Raj Bhavan following a decision taken on April 9, but the delay has created a political tussle between the Bharatiya Janata Party (BJP) and Maha Vikas Aghadi at a time the state needs a stable government.

It is necessary for Thackeray to become a member of either house within six months of taking charge of the CMO (before May 26). The elections to the council were postponed because of the pandemic, and the CM was left with no option but to seek a seat in the governor's quota. The term of the vacant post will end in the first week of June, but that will save the CM's resignation, because he could be in the office without being a member of the either house till he gets elected in the rescheduled upper house polls.

In a stunning statement some days ago, Shiv Sena MP Sanjay Raut had accused the Raj Bhavan of being part of a political conspiracy. In view of the tussle, the cabinet met on Monday under the chairmanship of Deputy Chief Minister Ajit Pawar, to pass a resolution to send Governor Bhagat Singh Koshyari the recommendation again. Since Pawar's authority of chairing cabinet meetings in the absence of the CM was challenged before the high court on the ground that the Dy CM position had no constitutional validity, and the CM had not authorised him to conduct the cabinet meeting, Tuesday's reiteration is considered as making the state's case stronger. But a minister said Pawar was authorised by the CM on April 9 and the MVA detractors were making false claims. The cabinet has decided to tell the governor that the state government was fighting the pandemic with all its might and teamwork.

"The pandemic is intensifying and in such a grave health crisis the state needs a stable government," said its statement.

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The Palghar pot is boiling with the Communist Party of India Marxist (CPI-M) saying they are going to file defamation cases against a couple of BJP leaders for defaming CPI-M, by making baseless claims against them for the lynching of the two priests and their driver in Gadchinchale village. Mumbai's Ashok Dhawale, Central Committee member, CPI-M said, "We will file the case shortly. When the CPI-M says something, it always goes ahead and never backwards."

The roots
Dhawale explained that the Communists have had their imprint in the whole of Dahanu and Talasari tehsil. "It has been our base since 1945 when Comrade Godavari Parulekar led the revolt of the tribals against landlordism and bonded labour. This is how deep our roots go into this land. We have the MLA seat in Dahanu, with the dashing Vinod Nikole defeating the BJP sitting MLA in 2019."

Work done
On accusations that it is the Communists and this party that foment violence, leading to mob frenzy and agitation, Dhawale shot back, "We have worked for drinking water and water for irrigation. We drive movements for uplifting the health infrastructure in the region, we have schools, colleges and hostels in Talasari district. We have worked for women's issues, rations..."

Long march
Dhawale added as a Mumbai example, "It was the CPI-M that was at the forefront of the long march of farmers from Nashik to Mumbai in 2018. One of the demands was better implementation of the Forest Rights Act. There was no violence on that march, not a single car window was smashed. It was during this time that a BJP leader spoke about Urban Naxals and that term has stuck."

Bullet train
Another name swirling in the Palghar blame game is that of the Kashtakari Sanghatana. Dhawale said, "The Kashtakari Sanghatana and the CPI-M have had a prickly relationship.

However about three years ago, we came together to galvanise people in the area against the Bullet Train project. We have buried the hatchet so to speak, since."

Parliamentary process
In the end, Dhawale said that the CPI- M was totally against the Maoist violence in fringe pockets, "We have always been part of the Parliamentary process, right from Independence. We have unequivocally condemned the Palghar lynching; for the right wing to link it to us, to defame us, is simply nonsensical."

Go and file
Mumbai's Shriraj Nair, national spokesperson Vishwa Hindu Parishad (VHP), slammed the CPI- M saying, "If any villager is innocent we support him. We are for tracking down the culprits of this crime. For years though, the CPI-M has been brainwashing villagers and conducting anti-Hindu activities. They are also anti-development."

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Thje city is facing many challenges amid the Coronavirus lockdown, but the one thing in its favour is the water stock. The lakes that provide water to the city have enough water to fulfil the city's needs through the summer.

As of Monday, the lakes have 29 per cent of the water stock, which will last for almost another 80 days, that is, until July.

This means, there will be no water cut this summer. Last year, when the city was facing a water cut, the total water stock was 19 per cent on the same date.

The BMC had imposed a 10 per cent water cut from November 2018 till July 2019. During the last monsoon, the lakes received rain till early December and as such, the water stock is still

The seven lakes — Bhatsa, Tansa, Upper Vaitarna, Middle Vaitarna, Modak Sagar, Tulsi and Vihar — supply water to the city.

Their total water storage capacity is 14.47 lakhs MLD (million litres per day). As of Monday, there is 4.31 lakh MLD water in the lakes.

Last year, on the same date, the water stock was 2.88 lakh MLD.

The BMC supplies 3,800 MLD water to the city every day. Around 700 MLD water is being used by industries while the floating population — people coming from other cities — use around 50 MLD water.

"After the lockdown, the industrial water supply is obviously reduced but the city gets normal water supply. It means there is more water for residential areas," said Ashok Rathore, chief of the Hydraulic Engineering Department.

Due to the manpower crunch, the meter reading has not been taken and the exact use by industries and residences has not been measured.

As per the IMD forecast, the monsoon will be normal this year.

29
Percentage of water stock currently available

Available water stock (in mn litres)

Upper Vaitarna: 2,802
Modak Sagar: 61,632
Tansa: 38,539
Middle Vaitarna: 89,953
Bhatsa: 224,881
Vihar: 10,133
Tulsi: 3,478
Total: 4,31,418

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Ruling out lifting of lockdown after May 3 from across the country, Prime Minister Narendra Modi has asked states to decide on their lockdown guidelines depending on the prevailing situation on the ground. He said the pandemic was far from over and hence the country needed a balance between the lockdown and the efforts of keeping normalcy in daily life.

Modi told chief ministers on Monday that the lockdown had yielded positive results and the country had managed to save thousands of lives in the past 45 days.

"Our aim must be rapid response, and 'do gaz doori' (physical distancing)," he said, adding that the states where positive cases were higher should not be treated as criminals.

Maharashtra CM Uddhav Thackeray is reported to have supported the lockdown where it is needed most. He also said on Sunday that the lockdown could be lifted after May 3 only if the situation allowed. Union Home Minister Amit Shah reaffirmed the need to enforce lockdown so that maximum lives were saved.

Amid rising concerns about a weakening economy, Modi said that efforts of states should be directed towards converting red zones into orange and thereafter to green zones.

"We have to be brave and bring in reforms that touch the lives of common citizens. We have to give importance to the economy as well as continue the fight against COVID-19. The impact of Coronavirus will remain visible in the coming months, masks and face covers will be part of our life," he said.

"India's population is comparable to that of the combined population of several countries. The situation in many countries, including India, was almost similar at the beginning of March. However, due to timely measures, India has been able to protect many people," the PM said, emphasising that the danger of the virus was far from over and constant vigilance was of paramount importance.

Cabinet meet tomorrow
He said, "This is the time we used technology as much as possible and utilised time to embrace reform measures," the PM said.

Sources said the Union cabinet would discuss the matter on Wednesday. In all likelihood, the decision on lifting or easing lockdown is expected to be announced at least four days before the deadline of May 3.

State home minister Anil Deshmukh who also participated in the CM's interaction with PM said in Nagpur that the red zones where higher cases of COVID existed would in probability continue to have lockdown."Orange and green zone may get lockdown relaxed and CM himself would announce about it," he said.

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With most areas in the city marked as COVID-19 hotspots and no transport available, residents feel that the Brihanmumbai Municipal Corporation's (BMC) circular allowing pre-monsoon repair work and waterproofing in buildings before the onset of monsoon, is nothing but an eyewash. They are of the opinion that if the lockdown continues beyond May 3, it will be practically difficult to complete work before the rains, as no shops selling cement, sand, brick and waterproofing chemicals will be open.

Speaking to mid-day, Somasunderan Nair, director, Intercons Tectonic (Pvt) Ltd, a Vashi-based firm doing engineering and civil construction work, said, "It is just impossible for the labourers to go to different locations with no transportation available. They can't travel between construction sites located in different areas of Mumbai and Navi Mumbai."

Rekhi Sai Daffodils has been undergoing repairs since January

'All going to waste'
"Also, I had stored raw materials (cement and sand) worth a few lakhs of rupees at different buildings undergoing repairs, but all of it got stalled due to the lockdown," added Nair. He further said, "At one of our Kharghar site, the Pimpri-Chinchwad Municipal Corporation (PCMC) staff had asked the site supervisor to wind up all repair work, and at that time, a ready-mix cement mortar consignment was being offloaded from a Gujarat registered truck. Since the municipal staff warned of '15,000 fine per staff, the workers had no option but to leave the site. Nearly 700 bags of ready-mix cement mortar were offloaded, but I fear that all of it will go to waste. They have been lying unused for over one month and if the lockdown continues, we might have to dispose of the raw materials."

While the BMC has come out with a circular allowing work to be carried out, the NMMC and PCMC are yet to provide any clarity on such repair works.

Exposed beams of Rekhi Sai Daffodils in Kharghar

A Ghatkopar West resident, whose building is under repairs, said, "We have stored some materials in our building premises and have allowed some workers to stay on the compound. Even the contractor is ready to buy construction materials like bricks, cement etc from the local market, but for that we need to know where such outlets are open."

'Apply for online permissions'
When contacted, a senior official from BMC's Development Plan department said, "We have issued the circular which clearly states the directives. As per the directions of the state government, certain activities are being allowed during lockdown. However, the said guidelines were stayed by the government vide GR dated April 21, 2020 for Mumbai Metropolitan Region and Pune Metropolitan Region. However, to save some existing structures/buildings and prevent flood like situations during monsoon, certain construction activities within MCGM limits may be allowed in non-containment zones."

Navre Premises Cooperative society in Sion West

When asked that if the entire city is under lockdown, then how will the circular be implemented, the official said, "It is a fact that most of the areas in Mumbai are containment zones and no work will be allowed there. If the situation is under control after May 3, then as and when the lockdown is lifted, work can be started. Meanwhile, the contractors/societies concerned should apply for online permissions."

And if monsoon sets in by then, the official said, "The contractors can cover the open terraces with tarpaulin sheets and permission can be given for repairs post monsoon."

Expert speak
When contacted, senior lawyer, Vinod Sampat, said, "As far as the BMC is concerned, everyone is interested in protecting their own skin. There is no coordination between government departments. A simple solution can be easily worked out by designating one responsible official for the job. He would ensure that the residents' requirements are easily met and the construction materials are made available to those whose buildings are getting repaired. Secondly, there is no accountability among government officials and they are unpredictable. As far as possible, repair work should not be undertaken immediately. A better way would be to put tarpaulin sheets on the buildings and postpone repair work to the post-monsoon time."

He further said, "Moreover, it is very difficult to get skilled labourers now as most of them want to return home. And lastly, if any of the contractors or their workers test positive for COVID-19, the society managing committee members may be held responsible for not taking proper precaution."

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In a first, the Central Railway (CR) seems to have come up with a permanent solution for the falling boulders in the ghat section known for disrupting services during monsoon. Accordingly, CR has recreated steel tunnels which will trap falling boulders and protect the passing trains below.

Last year, CR deployed 60 additional CCTV cameras, posted gangmen, rock-bolting at 750m stretch and drone cameras to alert approaching trains, but all were of limited help.In 2017, three passengers on the Hubli-Lokmanya Tilak Terminus (LTT) Express suffered injuries after a boulder came crashing through the roof while it was passing through Khandala ghat.

After the problem was analysed last year, it was revealed that the increased incidents of boulders falling on tracks along with mud had been due to heavy monsoon.

So, officials started working on the steel tunnel portal extension last year in four tunnels. "The work has been progressing with the lockdown in place and will be completed before the monsoon sets in," CR chief public relations officer Shivaji Sutar said. "Work of removing loose boulders is still underway and at present, we are running boulder special trains, and patrolling the mountains to scan loose boulders and tunnels," he added.

In the history books
Historically, the Indian Railways has been dealing with the problem of boulders in this stretch since its inception. But they never cancelled these many trains to manage the situation as they have done in recent years. The archival records of the Great Indian Peninsula Railway, which is now called Central Railway, on the initiation of passenger rail service on the ghat section in 1864, had issued a notice on the operation of the 'terrain section' by dividing the entire stretch into 13 parts with three watchmen deputed for each.

4
Total no. of tunnels in which steel tunnel work is underway

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No net gains

The poor are left to protect themselves in tents on a skywalk in Powai on Monday. Pic/Sameer Markande

Paisa vasool with Pant

At a time when uncertainty hits most industries around the world, writer Meghna Pant's first-ever podcast on Audible hopes to bring some clarity on money matters. Titled Show Me The Money, the podcast is a personal finance audio show that addresses the basics of saving, investing and spending with experts and top investment houses such as SBI, HDFC, and DSP. The recording began last December and about the importance of the show now, Pant told this diarist, "The deepest learning from this pandemic is that life is unpredictable and we need to be prepared for anything. And the only things that can help us tide over tough times, downturns and job losses, are our savings and investments. What are smart financial decisions? How can women, millennials, artists, freelancers and influencers become richer? What's worth spending on and what's not? The idea is to give people money advice that actually works, while they're sitting at home in their PJs. All for free!"

Party all night

This diarist watched DJ Ivan offer his friends a treat when they were starved of their fix of weekend dancing recently. A bunch of them were on a video call when one person directed them to a mammoth set that the city-based musician was playing live on Instagram, where he started spinning old-school electronic tunes around midnight and went on for seven hours straight. The friends logged in to the music from home, showing how the definition of partying in Mumbai has changed during the lockdown. "This is for those who are missing the club right now," the gracious DJ said.

Some signs of the times

Although we're all finding ways to comprehend the current scenario we're living in, an emoji that accurately represents what we're going through can always help. So, the New York-based creative agency &Walsh has launched hundreds of emojis that can be downloaded for free — because they were "frustrated by the limitations of the current emoji set." Too scared to text your crush? Just send them the "Be My Quarantine?" emoji. Tired of people reminding you to wash your hands? Show them the graphic depiction of bubbles emerging from your hands instead. And if you can't deal with anything or anyone at the moment, simply send the banner that says, "Hello I Am Going Insane". We understand.

Why you should swing into this auction

After the pandemic struck artist Raju Sutar took up the brush up in a bid to help with relief work. It started off with 30 paintings that he posted on social media, appealing to followers to pay R500 or more for each. "I asked them to pay the money to either the Maharashtra Chief Minister's (CM) Relief Fund or any other COVID-19 fund. The paintings were sold out in 20 hours and some people paid more than R3,000 for them," he told us. This is what led him to kick-start an auction on Instagram. The circular paintings, each 3.5-inch in diameter, are inspired by the popular card game Ganjifa. "I've posted four paintings so far. Each day, one painting goes under the hammer and I take bids till 10 pm in the comments section. The winner is declared after that and they need to send the money to the CM's Fund. I'll send the artworks to the winners by post once the lockdown ends," he said, adding that R23,000 has been raised so far.

A mindful debut

Singer, actor and speaker on mindfulness, Raageshwari Loomba Swaroop is set to make her literary debut next month as her book Building a Happy Family (Penguin India) will be launched digitally by Oxford Bookstore. The title comes with a foreword from Dr Shashi Tharoor and the author focusses on the impact books, music, art and positive reinforcement has on the lives of children. "I always believed that parenting is about bringing up the parent and not the child. I wrote the book so we adults can re-visit our childhood through our children's unique eyes," Loomba Swaroop told this diarist. In doing this, she also stated that we will magically realise that these "little masters" are our greatest teachers in mindfulness. About the motivation to delve into mindfulness per se, the London-based author added, "I starting collecting notes on it soon after my recovery from facial paralysis. It's been 20 years since then. But when I started the journey of being a mother, in my mind first, I knew I wanted to be a non-judgemental and easygoing mother. Mindfulness made me realise that for it to happen I would first have to start by being non-judgemental and easy going with myself and everyone around me."

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Mumbai police personnel on lockdown duty were attacked by a mob at a Govandi market on Sunday. A police officer suffered injuries to his right wrist when a person from the 25-strong crowd tried to hit him on the head with an iron rod. The officer managed to block the blow with his right hand.

The incident occurred at 6.50 pm on Sunday when a large number of people had stepped out of their homes amid the Coronavirus lockdown and 10 police personnel on the spot asked the people to disperse. Senior Police Inspector Sudarshan Paithankar said that the "illegal crowd" had refused to listen when they were asked to return home.

"There was a large crowd with 25 to 30 active members. A person who was in the crowd tried to kill the police officer by aiming for his head with an iron rod, but the (officer) managed to block the blow with his hand, which got injured," he said. "They also pelted stones at the authorities, chanted anti-police slogans, and damaged a police vehicle, hence we had to resort to lathi-charge."

An FIR has been registered at Shivaji Nagar police station against 25 unknown men and two women, under Sections 307 (attempt to murder), 353 (Assault or criminal force to prevent public servant from discharging his duty), 332 (Voluntarily causing hurt to public servant to deter him from doing his duty) and other sections.

"The problem of people not observing lockdown has increased in the past few days since Ramzan began," said Paithankar, adding that six people had been arrested in connection with the case so far. "We are looking for the rest of the accused."

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The Maharashtra Jail Administration has allowed prisoners to talk to their families over landlines. as family visits to jails have been disallowed due to the lockdown. 

There are a around 36,000 prisoners across jails in Maharashtra, out of which 8,500 prisoners have been convicted. The total capacity of these jails is 24,000 so most jails in the state are overpopulated. In an attempt to create social distancing within the prisons, 4,611 accused who were serving jail sentences for non-serious crimes, were released on bail. However, the state administration continues to keep those involved in serious crimes behind bars.

According to a jail official, allowing inmates to communicate over phone was allowed so that they could be in touch with their families. The officer said, "We have details of all the accused and on the basis of those, we call their houses and allow them to speak to their families." Otherwise the accused could meet their families once a month.

The phone call facility between the accused and their family members are being allowed in every jail in the state. Around 25 accused are able to talk to their families every day. Every accused gets to make a phone call once a month.

IG Prisons, Deepak Pandey told mid-day, "The jailer first confirms that the person on the other side of the phone is a member of the family of the accused, only then the call is allowed. A duration of 5 minutes is given for each conversation between the inmate and their family."

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A doctor working at a hospital for treatment of coronavirus patients here in Maharashtra has revealed the tough task and challenges they face in collecting swab samples of the suspected patients. The process of swab sample collection of a person does not take more than 30 to 40 seconds, but it is a "high-risk job", Dr Pushkar Dahiwal, who collects 80 to 100 swab samples in a day at the government hospital in Aurangabad, told PTI.

"We work for three days and then remain self- quarantined for 14 days," he informed. During the six-hour duty, doctors have to keep wearing the personal protective equipment (PPE) and amidst the fast-paced work, they do not even get a chance to drink water, he said. "We need to finish the work in a short time to avoid contact with patients and also with those who come to give their swab samples," the doctor said. A 10 to 12 cm long stick is used to collect a sample from a person's throat, while the stick used for collecting a sample from the nose is comparatively longer and thinner, he said.

"Before the person coughs or sneezes, we need to finish the sample collection. Being a dentist, I have the practice of handling the patient's mouth area," he said. Dahiwal also said that at times they need to counsel coronavirus suspects as some of them think they don't have the infection but carry fear in mind. "Some of the people think the test is something different and dangerous. But, we explain the procedure to them so that there should be no need to collect another sample of the person," Dahiwal said.

The nurse and other accompanying staff also need to stay alert as the swab samples are to be sealed immediately and kept in a proper storage facility, he said. "If the swab sample falls, it would be a problem. All these things have to be completed in a very short span of time. So, there is no scope for mistake," he added. Dahiwal also recalled that he took care of victims of the 26/11 terror attack in 2008 at the Saint George Hospital in Mumbai. "I left the Chhatrapati Shivaji Maharaj Terminus in Mumbai just 20 minutes before the attack began. At that time, we had feared the attackers may come from any side. That incident keeps coming to my mind every time when I collect swab samples of suspected coronavirus patients," he said.

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A 36-year-old man was arrested for beating his 70-year-old father in Bhandup to death after an argument on Sunday night. According to the police, the man, identified as Sachin Gorivle was having an argument about his employment with the deceased, Krishna, The Times of India reported.

Sachin did odd jobs for a living and was at home since the lockdown due to coronavirus outbreak in March. When Krishna argued with Sachin about his job, the latter attacked the former in a fit of rage. His mother and sister were in a different room when the incident happened.

Krishna was rushed to a hospital where he succumbed to his injuries.

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A nine-months pregnant woman was turned away from hospitals in Bandra for not having the COVID-19 reports with her. According to her family, 24-year-old Misbah Shaikh was experiencing cramps on Sunday night after which they visited the Holy Family Hospital where she had registered for delivery. The family members alleged that they were made to wait at the hospital for six hours while requesting to admit her, but the staff did not budge, The Times of India reported.

Shaikh said that she had already paid the hospital the deposit for her delivery and was in touch with a gynaecologist for the past four months. She also alleged that the hospital did not tell her to do the test during their previous visits. The family visited the hospital at 9 am on Monday after Shaikh felt cramps, but the staff did not allow them to enter the hospital without the COVID-19 test report. While Shaikh waited in the car and her family in the hospital, at 3 pm, a doctor at the emergency section agreed to see her and prescribed her a COVID-19 test.

The family then went to Bhabha Hospital to get the test done but the staff there asked her to get admitted, which they did not agree upon. "The cramps have reduced but haven't gone. My due date for delivery is close," Shaikh was quoted as saying by the newspaper. The family then took an appointment at a lab Andheri to take the test on Tuesday.

As the newspaper was not able to contact the authorities at the Holy Family Hospital, a staffer at the gynaecology ward was quoted as saying that pregnant women nearing their delivery due date are asked to get admitted here two days in prior. "We carry out a Covid-19 test and if she comes negative, we go ahead with the delivery. If the woman is positive, we refer her to another hospital. We also ask one attendant accompanying the woman to take the test," the staffer was quoted as saying.

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Social distancing and lockdown may have impacted each one of us mentally, emotionally and psychologically but it is the children and teenagers who have had to cope with sudden closure of schools, cancellation of exams and a prohibition of face-to-face interaction with their friends and teachers.

Anusha Manjani, Manager, Counseling Services at Akanksha Foundation, says, "Children are acutely aware of the sudden changes and panic in the environment around them. Younger children can feel confused, uneasy and scared; older children express feelings of anxiety, sadness and helplessness."

She added, "The uncertainty and chaos of the pandemic impacts all aspects of children's lives- it is not just a threat to their physical health- but to their learning, their home environment, their interaction with peers, their emotional well-being. Moreover, economic hardships, the overcrowding in homes, the lack of access to resources in low income communities can lead to higher incidence of neglect, violence and abuse- making staying at home itself a risk to some children's safety."

In such a time, it is crucial that children have support of their parents and teachers to help them in having a routine and structure to their day. Anusha says, "Parents and teachers can be key caregivers and anchors during this time to support the mental well-being of children- by reassuring them of their safety, creating a space to share feelings and using art, play, fun learning activities to engage with them."

Akanksha Foundation has started a helpline number called 'The Listening Space' for all the stakeholders such as students, teachers and parents to express themselves or just discuss about what's happening. While younger children have more questions about whats happening outside, older  children are venting out their frustration, their anxiety about their parents etc.

Parents and teachers are also coming up with interactive tasks and new ways of learning. Worksheets are sent to the students everyday and once the child solves it and shares it, the teacher reverts with the corrections as well. 

It is not just academics that are taken care of amid lockdown, things such as maintaining gratitude journals and 'doing a good deed everyday' are also being imbibed in the children to maintain their mental and emotional health.

A creative snakes and ladders

"At Akanksha, teachers, counsellors, social workers and parents are working together to support the children- whether it is checking in for the child's well being, spreading awareness of safety measures, encouraging learning through low-cost tech or doing parent-child activities- we are keeping the lines of communication and connection open and strong to navigate these difficult times together," says Anusha.

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The 73-year-old mother and wife of a police constable have tested positive for COVID-19 in neighbouring Navi Mumbai, an official said on Tuesday. The constable, who is attached to the Mumbai police, had tested positive for the infection earlier, while swab reports of his elderly mother and wife came out positive on Monday, public relations officer of the Navi Mumbai Municipal Corporation Mahendra Konde said.

In another development, a 42-year-old heart patient, who died while being shifted to a hospital in Navi Mumbai, tested positive for coronavirus post death, the official said. A 57-year-old medical personnel of a civic hospital in Mumbai has contracted the infection, and at least 12 civic workers, who came in contact with her, were quarantined, a release from the Palghar district administration stated.

As per reports, the number of positive cases in Palghar stood at 146, of which 10 patients have succumbed to the infection. Meanwhile, as many as 41 new COVID-19 cases were reported in Maharashtra''s Thane district, taking the tally to 728 in the region and toll to 21, after two more died on Monday, an official from the district administration said.

With 41 patients, Mumbra town has recorded the highest number of cases in the district.

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While the world is grappling with the impact of the horrific COVID-19, and the entire nation is under the lockdown, there are people who are finding it difficult to make both ends meet. Mumbai’s Dabbawalas, who ensure that a delicious, warm ,home cooked meal reach in time every single day at work, today are battling to have a meal in their own plates. Radio City, India’s leading radio network, has launched a fund raiser initiative, Dabbewale ka Dabba Bharo, and have been urging Mumbaikars to come forward and contribute towards the initiative.

Radio City in Mumbai, kick started this initiative on 22nd April, where all the RJ's across their shows have been sharing the current state of Dabbewale's, with around more than 5 thousand of them are finding it difficult to feed their families since the lockdown was announced. Radio City has been urging Mumbai city to come forward and contribute towards the initiative. There has been an overwhelming response from the citizens and uptill now, approx. 62 thousand rupees has already been collected

To garner a wider reach and raise more funds, Radio City has created a video (https://youtu.be/e1XCjt8FSBI) that has been promoted across Radio City’s social media handles. Radio City has always been at the forefront to help the city and its citizens through various initiatives like these and spread a wave of positivity.

If you wish to contribute Please click on the link: www.ketto.org/radiocity

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Central Railway and Western Railway joined hands to ensure a two-year-old child in Telangana received camel milk — a mandatory medical requirement needed urgently. In a 28-hour-long operation, the two zones of the Indian Railways coordinated to deliver the item in Secunderabad from Falna in Rajasthan.

On April 25, the nodal officer of Falna on WR contacted us and told us that they needed to send a parcel of camel milk to Secunderabad urgently for a medicinal requirement and sought details of the trains on the route, said Jitendra Mishra, chief commercial inspector, Mumbai Division, CR.

"I checked the schedule of parcel trains and immediately informed him that if they will send the item to Mumbai via 00902 Ludhiana-Bandra Terminus parcel train, then we could be promptly load it on 00111 CSMT-Secunderabad train leaving Mumbai CSMT on April 26 at 3.30pm," he said.

Mishra then coordinated with him and booked a consignment to Bandra Terminus first and then via CSMT to Secunderabad. "We live-tracked the consignment with the help of Mumbai Central (WR) control staff and officers. As soon as the consignment reached Bandra Terminus, a transport was arranged to take it to the CSMT parcel office from where it was loaded onboard the Secunderabad-bound parcel train," he added.

Mishra's role was not over here. He then called up the Chief Parcel Supervisor and Commercial Inspector at Secunderabad and explained the importance of the parcel that would be arriving there by 5.30 am on April 27.

Shivaji Sutar, CR's chief public relations officer, said, "The transportation of essential camel milk was based on coordination among parcel staff and the officers. The consignment reached from Falna to Secunderabad within approximately 28 hours."

WR's chief PRO Ravinder Bhakar said that special teams in every division of the IR are taking care of the medical emergencies as well as the essential transportation during this global health crisis.

Sowmya also thanked the Railways for delivering the parcel meant for her child in such a short time.

CR extends another help
Jitendra Mishra intervened again on Monday to help get a crucial medicine for a heart patient delivered to Chiplun from Vikhroli. "We collected the parcel from his son's residence at Vikhroli and booked it onboard Okha-Ernakulam Parcel Express. As the train doesn't halt at Chiplun, I contacted the staff at Konkan Railway and requested a halt to drop the parcel, which was then handed over to Chiplun Station Master," he said.

28
No. of hours it took the railways to get the milk to the child

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India post – a subsidiary of the Ministry of Communications – stepped in to help the residents of Madh Island, after a report in mid-day highlighted their plight regarding cash. They had been plagued by dysfunctional ATMs since the national lockdown was announced due to the COVID-19 pandemic. But very few transactions were successful, since most residents didn't have their active mobile numbers linked to their Aadhaar cards — which is a must for availing the service.

After reading mid-day's April 26 report, India Post sent a team of three postmen to the area on Monday, to provide door-to-door cash withdrawal services — at no extra charge — via their mobile phones. Using their government-authorised mobile phones, these postmen helped residents withdraw money from their bank accounts and handed the cash to them—provided their bank accounts and active mobile phone numbers were linked to their Aadhaar accounts. Although a handful of residents were able to carry out successful transactions, a majority of residents could not avail the service since either their active phone numbers were not linked to their Aadhaar cards or their bank accounts.

One postman = 1 micro ATM
Speaking to mid-day, Saranya U, senior superintendent of Post Office of Mumbai North Division (under whose jurisdiction Madh Island falls), said that each of the postmen deployed for this service is equipped with government-approved mobile phones that are pre-loaded with the India Post Payment Bank (IPPB), as well as a biometric scan device that can be connected to the mobile phone. "For us, each postman acts like a micro ATM. Using their mobile phones, each of them could enable people to withdraw up to R50,000 from their bank accounts," she said. This limit was extended from R10,000 to R50,000 in the light of the COVID-19 situation.

She explained that a person had to simply run their biometric fingerprint scan through the device connected to the postman's mobile phone (Aadhaar requires thumbprints to cross-confirm). "If a bank account has been linked to the Aadhaar account, then money can be withdrawn from that account. The person's current active mobile number is also required since an OTP will be sent to it. Another step also includes authenticity confirmation from UIDAI," she said.

If all these criteria are fulfilled, people can withdraw money from the comfort of their homes. "However, we were able to distribute only R11,000 in total because most people either don't have their Aadhaar or active mobile numbers linked to their bank accounts. We carried out a total of 25 transactions, but only 4 of them were successful," said Saranya, adding that India Post's door-to-door cash withdrawal service is more popular in rural areas.

'It was easy'
India Post also reached out to Manisha Suryavanshi, a resident who is disabled with polio in a leg, and was mentioned in the mid-day report. "I was surprised to see them. They ran me through the entire process… and I got the amount instantly in my hands. I also received a debit message on my mobile phone…it was easy and we were not charged for the service," she said.

4
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