Paul Kafasis returns to the show to talk about Friday Night Baseball, Rogue Amoeba’s new Audio Hijack 4 release, and a bit of speculation on WWDC.

Michael Simmons returns to the show to talk about the Studio Display's camera (and this week's beta firmware update to tweak its quality), how things have gone two years into Flexibits' move to subscription pricing for Fantastical and Cardhop, and Panic's now-shipping Playdate.

Zach Gage joins the show to talk about game design and creativity, including his new game Knotwords.

Special guest Tripp Mickle joins the show to talk about his new book, *After Steve*, reporting on the last decade at Apple.

Special guests Craig Federighi and Greg Joswiak join me to discuss the news from WWDC 2022, in front of a live audience at the new Apple Developer Center at Apple Park.

Jason Snell returns to the show to discuss the biggest threads from WWDC 2022 — in particular, Stage Manager and the M2 MacBook Air and 13-inch MacBook “Pro”. No sports talk (unless you count soccer).

Rene Ritchie returns to the show for more on Apple’s announcements from WWDC 2022, locking devices out of Face ID and Touch ID, passkeys, and more.

Marco Arment returns to the show to talk about the new M2 MacBook Air and stuff.

Daniel Jalkut returns to the show. Topics include a serious discussion about CSAM detection at major cloud storage providers and messaging services. Also, a deep dive regarding the new iOS-UI-style rewrite of System Settings on the still-in-beta MacOS 13 Ventura, and thoughts on SwiftUI in general.

Paul Kafasis returns to the show to talk about the iPhone 14 Pro, Apple Watch Ultra, AirPods Pro, and Rogue Amoeba’s 20th anniversary.

Friend of the show John Moltz returns to talk about Elon Musk steering Twitter into a multi-issue spat with Apple, Mastodon, and some streaming TV recommendations.

Craig Hockenberry returns to the show to talk about the demise of third-party Twitter clients, the overall Twitter shitshow, touchscreens on the Mac, and the perils of autocorrect when you have a clever username.

Special guest Dan Moren joins the show to talk about the new M2 MacBook Pros and Mac Minis, the state of Mac gaming, and the triumphant return of the full-sized HomePod.

Jason Kottke returns to the show to celebrate the 25th anniversary of Kottke.org.

Daniel Jalkut returns to the show to talk about AI chat, new emoji, and Apple Music Classical.

Back in San Jose's historic California Theatre for the first time since 2019, special guests John Ternus, Mike Rockwell, Craig Federighi, and Greg Joswiak join me to discuss the news and announcements from WWDC 2023.

Christian Selig, developer of the excellent apps Apollo and Pixel Pals, joins the show to talk about Reddit's Twitter-fication, along with highlights from WWDC 2023.

Joanna Stern returns to the show. Topics include the launch of Threads, Apple’s Vision Pro, and iPhone/iCloud device security. Also, some accidental car talk.

Craig Hockenberry, the special guest with the special fleshy palms, returns to the show. Topics include Twitter/X, foldable phones, and our favorite features in iOS 17 now that it’s in public beta.

Special guests Sebastiaan de With and Ben Sandofsky, co-founders of Lux, join the show to talk about their apps (Halide, Spectre, and Orion) and speculate about next week’s “Scary Fast” Apple event.

Marco Arment returns to the show. Topics include the Apple-Masimo patent dispute over Apple Watch blood oxygen sensors, the new External Payment Links entitlement for the App Store, and more.

The one and only John Moltz returns to the show to talk about the relative dearth of original content for Vision Pro, WWDC rumors and guesses, and, yes, a wee bit about Apple's regulatory/antitrust tribulations.

Federico Viticci returns to the show to discuss MacStories’s 15th anniversary, Apple’s upcoming “Let Loose” keynote for new iPad hardware, and more.

Craig Hockenberry returns to the show. Topics include the upcoming Daylight DC-1 monochrome “e-paper” tablet, more thoughts on the new iPad Pros, and what we expect/hope for from Apple at WWDC. Also: a one-button keyboard.

Recorded in front of a live (and lively) audience at The California Theatre in San Jose Tuesday evening, special guests John Giannandrea, Craig Federighi, and Greg Joswiak join me to discuss Apple’s announcements at WWDC 2024.

Christina Warren (a.k.a. “Mary Brown”) returns to the show. Topics include Apple’s new iOS 18.1 and MacOS 15.1 betas (featuring Apple Intelligence), a little reminiscing about Gil Amelio and Steve Jobs, and the bizarre saga of TUAW, resurrected as a zombie AI slopsite.

Chance Miller, ace reporter (and editor-in-chief) for 9to5Mac, joins the show to talk about the latest changes to Apple's DMA compliance plans with iOS, expectations for the September Apple event, and more.

Special guest Taegan Goddard, longtime writer and founder of Political Wire, joins the show to talk about the past, present, and future of independent media.

Conozca cómo cuidar del parkinson.

La evolución del Parkinson.

666. What is it? What does it mean? How does one get it? Will you be lost if you have it?

There should be a difference in the way that Christians conduct themselves that shows what is in their hearts.

While we cannot predict the day of Christ’s return, we can know that it’s close—“even at the doors”—by the signs given in the Bible. But God’s Word not only tells us approximately when Jesus will return; it tells us exactly how. Will He come in secret—or in a glorious display of angels and fire?

The great climax of the world's history is going to be when Christ comes and He sets everything right. Part 1 of 2

Ive been making music for couple of years now but still cant figure out why my mix doesnt sound professional. Im I doing something wrong? This is the link to my tracks http://www.ourmedia.org/node/300488 Someone please help me out.

The 100% guaranteed way to get your bedroom mixes to sound more professional (and by far the most expensive) is to spend time in a recording studio. Take the raw tracks to something you want to mix, import it into their ProTools setup (or whatever they use) and have a pro engineer (must be a talkative, friendly one, not a grumpy, cynical one) to mix it. ASK A BILLION questions, be a dork and write stuff down if you have to. The worst case scenario is that after 2/3 hours at least you'll know what questions to ask of Google or at the local tech book store. The best case is that your music impresses the engineer and he/she becomes a pseudo mentor for you. Engineering is by far my weakest area (along with playing in tune and in time) so everything that follows is said that caveat: I have found that going cheap on mastering tools (compression, limiters, eq) hurts bedroom mixes a lot. Money I've spent on the top utilities there (I use Waves) dwarfs all my other plugins put together by an order of magnitude. (Reason's mastering suite is pretty good so you may be covered there; although I've applied Waves L2 to mixes done after the 'final' Reason mixdown and there's no question there was a marked improvement in pro-sheen.) I have found tweakheadz site very useful, especially their mixing 101 page. Finally I have been told (and have experienced it myself) that posting often to ccM and asking for real, brutal reviews and feedback has helped a lot of people. I, for one, am very, very embarrassed by several of my uploads from 2 years ago here, while only very embarrassed by more recent ones; all strictly due to people hearing stuff I didn't.

that sounds good. ill look for a studio near my place. at the end you said that the comments from ccmixer is very useful but what shall i do if i want a brutal review of my own original mix? because on ccmixer i can only upload remixes or samples or separate tracks.

being a remix site and short on resources we can't handle original material. so, er, get remixing... ;)

my buddy des has a great blog he runs that can surely help almost anyone here with improving their production. http://www.hometracked.com/ also, his music is worth checking out, just so you can see that he knows what he's talking about. des is a great guy and a really excellent artist. http://www.deshead.com/

U need to have a good pair of monitors, headphones will not do at all! I agree with Fourstones, Waves is a very good suite. I use it within SoundForge and it really does help in cleaning up the frequencies. My mixes really improved when I had monitor speakers included in the set up. Experiment and let me know, I'll give u some quality feedback, no holds, sometimes the truth hurts! LOL! EZ m8 Morr

The best thing I can say is: learn about sound. Learn about frequencies, which ones sound like what and do what to the overall mix. Whether or not to use a low or high pass filter on something. Fiddle with EQs for hours. And more importantly, get criticism. It's the easiest way to learn what sound to look out for, and such. And most importantly of all: Practice. Mix till your ears bleed. (from the time spent listening to the same song, not due to the terrible mix :P) Mixing is one of my strong suits, but most of it is just being able to hear the song, and make the adjustments that I want, to be able to make the necessary changes and just know what needs to be done.

bravo!

That's a very good point- I started with a Mac LC, EZVision and an M1, with the only audio manipulation being Hypercard. I got good at customizing patches and finding seamless loop points manually just to get what I could out of what I had, with mastering being 1/4"-to-RCA from the headphone jack on the M1 to AUX IN on the cassette player, or the same thing with 1/8" adapter for the 'puter sound files. Then I'd record and bounce these cassette tracks to my 4-track, with final routing from 4-track's headphone-out back to the cassette. Ugly stuff, but that's what I had to work with...

This is a very good point. I think that it's easy to keep adding new gear, and thus miss the richness of existing gear and software. I like to work with more limited software sometimes, so that I can feel as if I am exploiting it to its fullness.

Ive been making music for couple of years now but still cant figure out why my mix doesnt sound professional. Im I doing something wrong? This is the link to my tracks http://www.ourmedia.org/node/300488 Someone please help me out. The first thing I noticed was the lack of higher frequencies in your mix... My mixes always end up being bass heavy (because I suck horribly) so I can see we both have the same problem... There's is (however) an over-abundance of frequency-fighting in your track... A lot of distorted things competing for my attention (at least in my ears). Dunno if any of this has been helpful, but we could all learn things...so hopefully you'll have advice for me in the future ;-) Good luck, and we me luck too! -Joel

This is a useful thread. Im just in the middle of mixing a new ccmixter-based song and its just not coming together for me. The tweakheadz and hometracked sites are great. A couple other useful sites: tips and techniques at gearslutz - http://www.gearslutz.com/board/tips-techniques/168409-tips-techniques.html ; Live tips - http://www.ableton.com/forum/viewtopic.php?t=27120 ; general EQ reference - http://www.idmforums.com/showthread.php?t=11466 Im definitely going to get the mix Im working on up here, I need some blunt advice.

OK, I uploaded Hollywood Picture Book (feat Calendar Girl and Kaer Trouz) and entered a pluggy plug for comments over this weekend.