20 years after the launch of the National Lottery, Jan Dalley celebrates how it has become the most successful form of cultural crowd-funding ever  

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By focusing on the personal rather than the political, Polish director Krzysztof Kieslowski created a quietly subversive masterpiece, Peter Aspden says  

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Here today, washed-up tomorrow: that’s supposed to be the career trajectory for musicians in the pop age. But, as two recent projects show, great artists will always find ways to keep their signature work fresh and relevant  

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The London venue’s exhibition of Presley memorabilia is curious mix of the banal and the resplendent – and none the worse for that, says the FT’s arts writer  

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Between 1962 and 1972, the magazine set new standards for its industry – and in doing so created the perfect collectible, says Peter Aspden  

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Politicians love to keep things simple, at least in their public pronouncements. Artists, by contrast, embrace complication, nuance and imagination – so who better to tackle slippery questions of national identity as the UK prepares for a general election?  

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Peter Aspden visits the basement treasure-house where recordings of Florence Nightingale, 1940s electronica and other rarities are stored alongside some equally exotic audio technology  

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The Belgian artist has been found guilty of plagiarism. But intellectual property law is a poor fit with contemporary art's mash-ups, multiples and reworkings, says the FT's arts editor  

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Greek culture taught the rest of us how to live ‑ and it’s not time to write off that particular debt yet, says Peter Aspden  

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The anarchist and anthropologist David Graeber discusses both the stupidity and secret joys of bureaucracy with the FT's Martin Sandbu and Lucy Kellaway  

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Ludovic Hunter-Tilney uncovers the back story of Vanilla Ice’s hit Ice Ice Baby. Credits:Ultra, EMI  

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Ludovic Hunter-Tilney looks at 'It's the Hard Knock Life' from Broadway's musical Annie and its influences on Katy Perry's 'Roar' and Jay-Z's 'Hard Knock Life (Ghetto Anthem)'. Credits:Columbia, Roc-A-Fella, Columbia  

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Podcasts have existed for more than 10 years but have recently seen a surge of interest, spurred by the success of the true crime drama Serial, which has been downloaded more than 70m times. What is driving the so-called “podcast renaissance”? How are they different from radio shows? And do they pose a threat to traditional broadcasting? FT technology editor Ravi Mattu is joined by literature professor Sarah Churchwell, veteran podcaster Helen Zaltzman and Mark Friend, who is responsible for BBC Radio online. Produced by Griselda Murray Brown and Lily Le Brun  

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David Cheal digs into the story of the Britney Spears hit Toxic finding Bollywood samples, acoustic deconstruction and a role as currency in an imagined apocalyptic future. Credits: Jive, Saregama, Beeswing Records  

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David Cheal follows Modest Mussorgsky's dramatic 19th-century composition from orchestral standard to Disney classic and floor-filling disco anthem. Credits: Disney Records, Masterworks Jazz, Bee Gees/Reprise.  

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Going back to the roots of Lamont Dozier's 1977 hit, David Cheal uncovers TV inspiration, Woodstockian vibes and a question mark over the authorship of that famous guitar lick. Credits: Warner Music TV, Rhino/Elektra, Marathon Media International, Orlando Julius Afro House of High Life.  

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David Cheal investigates the roots of an explosive song often cited as the first ever rock 'n' roll record. Credits: Charly Records, Gralin Music, Famous Flames Recording Company, Proper Box.  

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This year’s carol was specially commissioned by the FT with the help of Nicola Clase, Sweden’s ambassador to the UK. Jane Owen talks to Clase about the piece, which was composed by Johan Hugosson and features lyrics adapted from medieval Scandinavian rune poems. It is sung by the choir of Stockholms Musikgymnasium conducted by Bengt Ollen.  

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How did a dirge-like song about a serial killer written by a Marxist playwright and a left-wing composer become a swinging jazz classic and global commercial success? David Cheal follows a trail not yet gone cold. Credits: Naxos; Decca Music Group Ltd; Not Now Music; Delta  

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Mike Hobart charts the history of the tune that catalysed modern jazz and - through Charlie Parker - saw the beginning of bebop. Credits: Prestige Elite, Wild Plantage, Chronological Classics, Spotlite Records, Essential Jazz Classics  

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Blind Willie Johnson's gospelly, moaning adaptation of an 18th-century hymn might have seemed an odd choice for the disc of music attached to Voyager 1 in 1977. But artists from Ry Cooder to Jack White have been drawn to its ethereal power. Credit: Legacy/Columbia, Warner Bros., Alligator Records  

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Is the abundance of information in the age of Google and Facebook storing up problems for future generations? Richard Ovenden, who as Bodley's Librarian is responsible for the research libraries of the University of Oxford, talks about the opportunites and concerns of the digitisation of memory with John Thornhill, the FT's innovation editor.  

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How is music streaming changing the experience of listeners? Are the algorithms that guide us through this new world an adequate replacement for DJs, critics and knowledgable record shop owners? Could endless choice paradoxically be making us more conservative in our tastes? Lorien Kite discusses these questions with Spotify's Will Page and FT pop critic Ludovic Hunter-Tilney.  

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Before becoming one of the most sampled tunes in music history, "Apache" was an unexpected UK number 1. Richard Clayton tracks its journey. Credits: Wrasse Records, EMI, Puzzle Productions, Open Records, Sepia, Sanctuary  

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What drew jazz musicians like Miles Davis and Chet Baker to a twinkly tune from Disney's 'Snow White'? And what became of the child star who first sang it? Lilian Pizzichini traces its history  

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Sam Cooke's political lament, released after his untimely death, went on to become a civil rights anthem. Sue Norris charts its history. Credit: Universal Music Group International, Rhino Atlantic, Time Life Music, RCA  

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The grand hymn of redemption took a long path to its current stature in American spirituality, from John Newton’s original lyric to the civil rights movement of the 1960s. Ian McCann follows its turbulent history. Credits: Rhino Atlantic, Marathon, Ameritz Music, Bandleader Recordings, UMC  

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It took Wilbert Harrison a long time to get traction with his ode to fidelity, but it became a hit for him, Canned Heat and later Bryan Ferry. Richard Clayton traces its progress. Credits: The Restoration Project, Marianne Melodie, Universal Music Group International, Thousand Mile Inc, Naïve  

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Billy Holiday's secular hymn was born out of a blazing family row and its swaying melody went on to become a jazz standard, with versions by Tony Bennett and Sonny Rollins. Mike Hobart follows its history. Credits: Jazz Moon, Saga, Columbia/Legacy, Island, Geffen Gold Mine  

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Janis Joplin achieved a posthumous No.1 hit with a rueful tale of love and loss, written by her old flame, Kris Kristofferson, which in turn helped launch him to stardom. Richard Clayton follows the song's bittersweet success. Credits: Columbia/Legacy, UMC, Top Town Records, Rhino/Warner Bros, Play Digital, Ricordi  

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Richard Clayton on how Tracy Chapman's searing ballad of low income life carried her to global acclaim. Credits: Elektra, King Tubby's Music, Virgin EMI  

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Fiona Sturges follows Patti Smith's lustful 1970s song of youthful abandon. Credits: Arista, Columbia, Coqueiro Verde Records, Stun Volume  

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Greg Lake died this week, and this track remains an enduring Christmas classic. Credit: Syco Music, Universal, Decca, Symphonia  

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This 1853 Christmas Carol, set to the melody of a 13th-century Nordic Hymn, has since fallen into the hands of Joan Baez, Tom Jones and Ritchie Blackmore of Deep Purple.  

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The song that defined Fleetwood Mac's high water mark went on to be covered by country-folk and hip-hop artists Credits: Rhino/Warner Bros, Charly Digital, Universal Music International Ltda, S4DK  

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Joy Division's stripped-down sound signaled a new direction for music in 1978, but the lyrics to this song would prove horribly portentous. Credits: WM UK, London Records, Universal Music International Ltda, Palare, BBE  

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For more than 50 years, this ballad's haunting charms have proved irresistible to many of the world's leading musicians. Credits: Firefly Entertainment, Black Sheep Music, X5 Music Group, Manhattan Records, UMC, Mute/BMG, Sony Music Classical, RCA Records Label  

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Peter Aspen looks at how The Eagles turned a few improvised chords into one of the most iconic, and enigmatic, rock songs of the 1970s. Credits: Rhino/Elektra, Parlophone UK, UMG Recordings, Elemental Records, Sony Music Entertainment  

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David Honigmann looks at how a sleeping Keith Richards dreamt up a riff that would later develop into a number one hit for Rolling Stones and become one of the most recognisable rock anthems of all times. Credits: ABKCO Records Inc, Universal International Music B.V, Rhino Atlantic, Virgin Records Ltd.  

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What makes a good Christmas song? Should it be cheesy or serious? And why do millennials love them? 

FT pop writers discuss festive classics old and new - from carols to Mariah Carey, Greg Lake to Phil Spector, Sufjan Stevens to Run-DMC. Plus, which 2017's best Christmas song: Gwen Stefani's 'You Make it Feel Like Christmas' or Sia's 'Santa's Coming for Us'?

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Set against a backdrop of protest and upheaval, the songs released in 1968 represent a turning point in music. FT pop writers David Cheal and Peter Aspden are joined by author Tot Taylor to debate the year's most important songs and artists, from Tyrannosaurus Rex, The Beatles and Pink Floyd to Joni Mitchell and Tim Buckley.

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From the unstoppable rise of hip-hop to the 'millennial whoop', what does today's new music sound like? And how has social media changed the relationship between artists and fans?

Harriet Fitch Little, India Ross and Griselda Murray Brown discuss Drake, Cardi B and DJ Khaled - in particular 'Wild Thoughts' ft. Rihanna and Bryson Tiller from 2017, which leans heavily on the melody and mood of Santana's 1999 hit 'Maria Maria', the coming-of-age soundtrack for the oldest cohort of millennials. 

Warning: this podcast contains a live 'millennial whoop'.

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