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Personalized screening early in pregnancy may improve preeclampsia detection




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Early diagnosis & treatment of peripheral artery disease essential to improve outcomes, reduce amputation risk

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El diagnóstico y tratamiento tempranos de la enfermedad arterial periférica son esenciales para mejorar los resultados y reducir el riesgo de amputación

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30-year risk of cardiovascular disease may help inform blood pressure treatment decisions

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La atención coordinada en niños con síndrome de Down y cardiopatías congénitas reviste gran importancia

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La nueva guía explica en detalle cómo manejar el riesgo de enfermedades cardiovasculares (ECV) antes, durante y después de una cirugía no cardíaca

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Popular home blood pressure monitoring cuff devices may not fit some US adults

Research Highlights: An analysis of at-home blood-pressure monitors estimates that the arm cuffs for 10 of the most popular potentially do not fit up to 18 million adults in the U.S. and nearly 12% of Black adults. To ensure accurate blood pressure ...




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Remote monitoring and pharmacist helped improve hard-to-control blood pressure

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Analysis found weight-loss surgery may help people with obesity manage high blood pressure

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High blood pressure a concern for adolescents and young adults in U.S.

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Better cardiovascular health in early pregnancy may offset high genetic risk

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New Spanish language stroke prevention website aims to remove barriers to equitable health

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Nuevo sitio web en español para la prevención de ataques o derrames cerebrales busca eliminar barreras a la equidad en la salud

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Measure of body roundness may help to predict risk of cardiovascular disease

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Initial prescriptions of sedatives among older stroke survivors may include too many pills

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Free estate planning webinar provides tools for a secure financial future




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Dean of Weill Cornell Medicine Dr. Robert Harrington to receive the 2024 Chairman’s Award

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Dr. Lauren Sansing to receive the 2024 Basic Research Prize

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Photographing Fall Colors – Where is the Vividness That I Saw


Many times I've gone out to photograph the beautiful colors that blanket the trees in Fall. My mind and inner vision is completely lit up with these glowing embers that dance in the wind on the trees. At this moment and place nothing seems more wondrous and somehow these colors seems to permeate deep into my collective thoughts where vivid memories live.

You may wonder why the need for all these flowery thoughts. Its because  when I get home, what I see from the camera is nowhere near as spectacular as how I felt at the time. I do shoot in RAW format and I know that this format from the camera tends to be a little muted but even increasing the vibrancy, it still doesn’t come close to the mind's snapshot.

I think that photographing the wondrous colors of fall is actually a hard thing to accomplish if you want to achieve the vision you had at the moment the shutter clicked.

I believe there are 2 main reasons for this.
First is that the reds, oranges and yellow of the leaves are highly saturated & luminous and beyond the ability of the camera's color gamut to capture. The color space of sRGB and Adobe RGB just don’t extend far enough to record these highly saturated and bright colors.

Second the leaves normally have small moments in the wind and they appear to shimmer, thereby giving them the appearance in the mind's memory of being brighter.

When I took the above photograph the yellows on these 2 trees did appear this bright. They glowed in the afternoon sun and were even brighter, almost like a candle flame, but upon reviewing the camera's result it was duller and more greenish-yellow. The image below is from camera with white balance on birch tree set to neutral white 5300K.


You may find my modified version (1st photo) a bit gaudy but it does reflect how I felt about this scene. I darkened the sky to increase contrast between the 2 yellow tees. I also, for the greenish yellow leaves, shifted the hue to be more yellow and then increased lightness and saturation as much as I could and still retain detail. The grass was also darkened and made cooler, more blue-green, to again increase contrast with the yellow tops.

In the photograph below the sun peeked out near sunset just after the rain had gone by and lit up this singular tree. Again the camera made those leaves less bright and more orange. Once again I increased lightness and saturation towards yellow for the bright leaves. I also added a purplish tint to clouds, (complementary color of yellow) to increase color contrast. I extracted the yellow leaves and increased layer size by 10 pixels and then added a slight blur of about 2 and set this layer to overlay. A pseudo Orton effect to give a glowing effect.




In the next image below, the colors, except for a little vibrancy, remain mostly as captured. I did change the sky from a bright blue to a duller and less saturated version with clouds. The original blue negative space was too dominating and took viewers vision away from the tree colors.



Many of the good fall photographs have lots of cooler and darker tones surrounding bright trees that help make those fall colors more prominent within the scene.

If you have good photo-editing tools don't be afraid to play around and change anything to suit your needs and vision. After all, it's how you saw it at least in your mind.


Niels Henriksen




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Reviewing your photographs from Older Archives


Sometimes its just plain fun to go through your archive of older photos. Now with a distant memory of the scenes and events your photographs may appear better than previous scans. This is in part due to that at the time there are too many good photos and those not with the highest rating but still with merit tend to get drowned out.


This image was taken at one of the great Buddhas in Kamakura Japan. The hawk like bird may seem small but this Buddha is very large.  Without the bird it would be hard to understand the scale of this image. It could be in anyone’s home garden. Besides scale the bird helps to give height to statue as there is the appearance that the head is up high where birds soar.


The next image with people in it does convey the scale of the Buddha. In theses type of metal statues the green colors are soft and muted and it is easy for green foliage to overpower the scene. That is why I have mute the greens in the background to give the Buddha statue more visual punch.

The Great Buddha of Kamakura (Kamakura Daibutsu) is a bronze statue of Amida Buddha, which stands on the grounds of Kotokuin Temple.  It's the second tallest bronze Buddha statue in Japan, at a height of 13.35 meters, surpassed only by the statue in Nara's Todaiji Temple.
The statue was originally built in 1252 and located inside a large temple hall. The temple buildings were destroyed many times by typhoons and a tidal wave in the 14th and 15th centuries. So, since 1495, the Buddha has been standing in the open ground. 

Do take the time to review your collection as there may be hidden gold or at least fond memories of places you've been.


Niels Henriksen.




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Book Review – Serengeti – The Eternal Beginning

I was excited to get the opportunity to review a photography book that wasn't technical in nature. It gave me a chance to read for once and not have to think about the technical merits about the subject material being discussed.

At first I thought it might just be a pure photography book, nothing but pictures and little text. When it arrived I realized that there was a fair amount of story that surrounded the photos. The story about the Serengeti was very interesting and unique and an important part of the book.


Book Title: Serengeti – The Eternal Beginning
Author: Boyd Norton
ISBN: 978-1-55591-593-3
Publisher: Fulcrum Publishing
Hard cover - 265 pages

The Review
One of the first things that struck me about the book was the experience and depth that the author 'Boyd Norton' had with this area of Africa. While its not exactly clear, it appears that he has spent more than 25 years visiting and getting to know this area intimately about the life and its nuances in the Serengeti.

The book is not only about Serengeti as its title suggests but also includes the Maswa Game Reserve, Ngorongoro conservation area, Loliondo Game controlled area and the Masai Mara National Reserve. As with most geographical features, country boundaries do not define its scope.

This geographical area defines the coverage, for the most part of the 'Great Migration' that we are all familiar with. Where thousands upon thousand of larger African animals such as wildebeests are seen to run for thousands of miles in search of food as the weather patterns change. While the predators lie in wait for the dinner train to run by.

The author discusses the parks earliest beginnings when there wasn’t a park but only early explorers and big game hunters. The early problems all countries seem to have when they want to control activities within an area with competing demands from indigenous groups, expanding farming base and other users of the resources.

This is not only a book about the big and small animals that are found here but about the life of the people who have lived here for aeons. It’s interesting to read how the locals, weather patterns and what was a perfect balance of nature all worked together to create a faultless ecosystem. Especially when you think of this place as the dawn of human kind some 3-4 million year ago.

The author’s writings give a life to photos that are not apparent directly from the photos. As an example, he discusses how certain rock outcrops called Gol Kopjes seems to have extra gravity that applies only to the big cats. In that whenever they arrive on these outcrops the local rock gravity immediately pulls them flat on the rock and holds them for hours.

The book covers the Great Migration when it seems most of the life in the Serengeti is on the move and about the carnivores who patiently wait for their turn at the Great Feast or migration as we call it.

The next chapter is about the lions which is a fascinating subculture all unto itself. Who gets to lead, who eats and who gets to live with the group.

The 4th chapter is about Ngorongoro which is the remains of a huge volcano called a caldera, like a giant cauldron. In this crater life is different due to its unique ecosystem.

The next chapter deals with creatures both large and small and how like any balanced system they each depend on each other for survival. From control of foliage to providing food for the predators. If your visit is to only see the big game animals then you are missing so much more about the life in the Serengeti.

The next chapters deal each with the other more famous of the big African animals such as the Rhino, Leopard, Cheetah and Elephant and how they live and communicate. There are personal stories around each encounter with the wilds of Africa and this is what makes this book more exciting than just a lot of photos.

There is Anna who can talk Rhino talk and the perception that they are stupid is really outdated. There are also the Acadia trees who can communicate when the giraffes arrive for dinner.


Recommended Audience

This book doesn’t tell you how to use your camera or take better photographs, which I'm glad as sometimes we just need stories that surround images we are seeing. Inspiration rarely comes from a technical how-to-manual.

I now know that if I were to go on an African photo safari I would not expect or want a 1 or 2 day quick tour and photo-op around the park. The book has conveyed to me that there is just so much more to see and experience that it can only be fully appreciated if you take the time to watch and wait. When there, live in the flow of the Serengeti's life.

If not for yourself then this would make a great gift for any friend who has been talking about going on an excursion to see those big game animals of Africa. A time before man, at least modern man, has had an impact on the natural world.

Link to:
Boyd Norton`s Wilderness Photography website with info on supporting the Serengeti.


I have provided an amazon link for the book, below.


Niels Henriksen


Disclaimer:
Other than receiving a book to review, which will be given away, I did not or will not receive any remunerations, gifts or any considerations for this review from the publisher, author or anyone affiliated with this book.



Update:
Thanks to a comment from Mike I realized that I hadn't fully reviewed the book by also commenting on the photographs within the book.

I found every photo crisp and clear and representative of the its natural environment.

The photos are taken as found and therefore the lighting is natural and not staged. Nor are the images manipulated to give extra punch as I am prone to do. All are color prints with no B&W.

Since most of the animals by nature's design want to blend in with their surrounding there is not always a lot of high contrast, but they all stand out in the photos. The photos are all of the caliber that you would find in the National Geographic magazine.

The front cover image is representative of the quality of images whether they are up close or distant landscapes contained within the book.






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Why Photographing Hats Can Improve Your Street People Photography

This wasn’t something that I consciously knew, maybe deep down we all tend to know these types of things, but something I discovered while undertaking a new photography project in San Miguel de Allende.


There are many, many ideas to photograph in San Miguel. Doors are a very common theme, I did one last year and one I am continuing this year. I was looking for something different and with the almost constant blue skies and bright sun, even stronger at 6,800 feet, most people if not all the gringos wear hats.


Everyday I walk around photographing almost anything and everything. Great fun and focusing on Hats gave me a new challenge.


I am reserved when it comes to photographing people out and about on the street. I feel reluctant to invade their privacy but deep down I love how people relate and engage the city streets. Here in Mexico, being such a tourist destination, the locals are even more wary of being photographed and many times hide there face or just look away. If a person is not comfortable with their photo being taken I won't take it.

A different type of sun covering

When I photographed street people I tended to hesitate too long (should I or not) with taking the shot and the impromptu moment was lost as they tended to now be aware of the camera.

This man is not praying but doing close-up photography of the cactus

I found out after the fact that when I was just focusing on people's hats I tended to think less of the person and more on the object of the hat. This allowed me to be quicker with the decision to shoot and also it allowed me to shoot more often.

Who wouldn't love this big Mexican hat

Because I was focusing on an object it even allowed me to approach people and ask then if I could photograph them with their hat as this was a project of mine. I think people felt more comfortable in letting me photograph them because I wasn't really just photographing them. It was an inanimate object and somehow that was OK.

A hatted man with lots of hats

I suggest you give yourself a try at this project and see if you don't now photograph more people.

Niels Henriksen







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Alien Skin Exposure 4 Photographic Software Review


There is nothing more wonderful than exploring new tools or ways for something you are passionate about.

 
A B&W Infra-Red (IR) processing of a red barn and green fields


What is the Purpose of this Software?
Exposure is an add-on photo-editing application for Adobe Photoshop, Lightroom and Elements that provides almost a complete list of film types, both B&W and Color, for processing for the digital darkroom. I say almost as I didn't count the list of film types in this application and I don't even know all the films that have ever been made, but they sure seem to be all here.
 
'Sepia – blue Finish (modified)' setting with a layer set to 'Lighten' mode (31%) for an Expsure 4 ver. of 'Kodak HIE (Halation moderate)'


One test of software is to see how it feels right out of the box. A lot like taking a performance sports car for a test drive. You may not know everything about it but you know how to drive and turn corners.

I never read the manual first as I believe that a person with reasonable skills on the computer and with digital editing should know how to turn it on and drive around a little. 
 
Exposure 4 did not fail here. It was easy to install and when launched, the layout and buttons were intuitive. The only problem I had was that it was almost 2 hours later when I realized how much I had been playing with the different types of films.





How would I use this Photo-Editing Software?

Exposure 4 has a great repertoire of classic, vintage and just plain old films both in color and B&W. Combined with these types of film selections are the various processing adjustments you might make in a wet darkroom, such as contrast, toning, bleaching, cross-processing, calotype, platinum and much more.

Some of these are obvious as the IR and Platinum and High contrast B&W I have shown above. Even old color films with faded color can provide unique approaches to the photographic images.


Without having access to the original old photograph, an older reproduction could be re-made. This could be cast against another image to create a story of 'then and now' and subject of an interesting photographic book.




In the image above I took 2 photos and I applied old color film technique to the bordered version to create the effect of laying an old photo on a new photo to show a change over time.


How well does it Perform?
Having a 7 processors and 12TB of RAM there should be no speed issues with loading and applying application settings. It was just over a sec to load and less to applying any film setting. The window is originally set up with 3 panels. Large central being the photo being edited. The panel on the right is the main adjustment panel color. See composite below. There is enough functionality to do almost everything you want.


A minor problem with the numbers dialog boxes. When you enter a number it doesn't apply until you click the panel and if you use the Enter key it applies the Exposure 4 application. I would rather have that only happen when I click the OK button.




The panel on the left are all the pre-set film settings which are based on some combination of settings on the right panel. This is great because once you found a style that suits your needs you can then tweak it to best suit the photograph.


I did find that using the color filter produced better color (brighter) for me than using the same color on a layer in Photoshop. It might be the preserve luminosity check box.


With my sample photos the rendering of effects was clean with no noticeable distortions unless of course you cranked the saturation way up.


I like that both side panels can be minimized and it's easy to zoom into a section for better clarity. With a 24” monitor some apps don't allow full screen editing.
I also like how you can save your own presets.



The above image is from one I tested since I had created a B&W version previously. The software did produce versions that I liked as well and maybe even better than the original.



Who is this Software meant for?
For anyone how wants to experience the look of chemical film technology and its variant processes.
Definitely for commercial ad type photographic needs. Here with the press of a button, a vintage effect can be created without much time spent by the user.
For creative types who may want to create story-line or books where the type of photograph is integral to the story experience
For fine-art photographers that require a specific look, as with my image of the tree and bench, that is not easily achieved in Photoshop.
To create new layers that can be set to one of the blend modes. There is a practice to create a B&W version of your image that looks best and then set this to luminosity for your color photo. While I haven’t experimented that much with these I suspect I will find some of the film output useful as a blend mode.




Recommendations
This is a good solid product that provides a wealth of film types and genres. It is easy to use and intuitive.
I would give this software a 4 – 4 ½ rating. The limiting factor would be price for a new user at approx $249. but an upgrade is only $99.
As an investment, I view software the same as a lens. It's a tool to help you meet your needs or goals. Many people find the cost of software somewhat prohibitive and yet see no problem with spending more on a new lens. I love a lens also as there's something about that precision instrument you are holding. But I photo-edit every photo I show to the public. I always want to bring out the very best and convey the feelings and experience I had at the time I took the photograph. The straight out-of-the-camera version doesn’t give me this. It is a mechanical device and not a human.



Definitely do download a trial version and play with it.



Niels Henriksen



Disclaimer: Other than receiving a copy of the software to review, I did not or will not receive any remunerations, gifts or any considerations from this review from the company, its agents or any of its distributors





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Photographing Metal Sculptures and Art Objects


I had the opportunity to photograph metal artwork for an artist friend who lives near Lynhurst Ontario. For those unfamiliar with this little village, it is about 45 km north of Kingston Ont. along Hwy 15.

Noah, the metal-sculpture artist, has a large manicured estate with a man-made pond that is just perfect to have his animal based artworks scattered all about. Almost like seeing a herd of deer in the fields. In fact I did mange to see one deer at the edge of his lawns. But having a couple of Noah’s dogs playing around me meant that I could not get close enough to the deer for a great shot.


The reflections on the screen worked to create great contrast with the darker pond water, which meant I didn’t have to do much to have the artwork stand out. Just moving about for greatest contrast. I cropped the right wind since it's a mirror of the other and including it would make it appear smaller.

Most of his sculptures are made out of scrap metal parts and therefore, for the most part, tend to have a dull rust color. Dark and mid-tone oranges do not usually stand out well against bright green fields.

Even the biker (bicycle and motorcycle) sculptures that have figures on them have muted tones in their clothing. To make them stand out better I desaturated the greens, as with the above example, to an almost grey tone to give the figures more prominence. There are 5 of these along the front near the road.

Some artworks, like the bug series below, are painted, but even here we still need to have darker background (hedge in shade) to give more punch to the colors.


Even in the above image with its strong yellow and reds, the green has been slightly muted.

Most of the bug pieces have long insect like legs but if you include the whole art piece then the main body parts become very small in the photo. Focus on the main sections but include just enough of other parts to give context to photo.

For some images I wanted the distortion created by a wide angle lens, where objects nearer are larger and distant objects becomes smaller than reality, to change the perspective in how we view the artwork.

I had to use HDR on the photos where I was looking up and a bright sky was behind the sculpture. In the above photo the rust is made more vibrant and the green and blue colors muted a bit.

I now know that I need to come back again when the sun is near the evening horizon so that for some sculptures the shadows will add to create a larger subject.

Who couldn't love this old Flintstones type car.


Some close-ups to focus on the texture of the artwork.


And finally a photo for the biker in all of us.

Many of his artworks can be seen on Noah's Metal Art and he also has a link with the Frontenac Arch Biosphere


And here's the photo of the deer in the field.


Niels Henriksen






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Ottawa Lumiere Festival of Lights – Full Camera Skills Needed


The Ottawa annual Lumiere Festival of Lights is not just a wonderful events for kids and spectators it's also a great chance to get some interesting and new photos for your collection.

 ISO 400; f6.3; 13 sec; -0.67ev; 123mm; tripod mounted; Nikon D300

This is my 3rd time attending this event and each and every time I go there is something new to see. The festival is all about light and for this event it means candle power. There are activities for kids in the leading-up week where they make wonderful colorful paper mache objects that have holders inside to take those small candles in metal cans. These candles go inside the object and are lit at dusk. This creates a wonderful glow emanating for the colorful paper mache objects.

ISO 2,500 f5.6; 1 sec;  48mm

Hundreds of these lit lanterns in the shape of many different forms from faces to animals line the many paths around New Edinburgh park in Ottawa.

For the photographer it's visually stunning but also provides many photographic challenges in order to capture the event as the night unfolds.

When you first arrive around 7:30pm, you are at the golden hour of light and normal settings gets most of these shots.  You may need a bit of fill light from your flash and here an attached strobe flash is necessary to get just enough light to fill area and the ability to reduce the exposure (-ev) so as to not over power the ambient light.  See image of man on stilts below.


 
ISO 200; f5.6; 1/60 sec; 40mm; Flash -1ev

With hundreds of kids moving around and depending on their activity in front of you, a long exposure shot may create interesting photo image. The children in the image below are playing a large chess game. I wanted to show motion blur to create effect of action within the photo.

ISO 80; f25; 3 sec; 32mm

As dusk starts to envelope a more  stronger flash is necessary to freeze motion and completely fill subject as with the Tango dancer.


ISO 200; f5.6; 1/60 sec; 100mm; Flash

There are other areas like the lit swans in the river where flash won't work and a long exposure is needed to amplify available light to avoid the noise of higher ISOs. But when there is some wind movement then you will need the higher ISOs as in the photo below. In these photos it's all about the soft glow of candle power.

ISO 2,500; f5.6; 0.3 sec;  -0.3ev; 190mm; tripod mounted



ISO 2,500; f5.6; 2 sec; -1ev; 28mm; tripod mounted

But a near full darkness only longer exposure times and a tripod will get you those interesting photos like the girls with their glowing and twirling hula hoops.

The main event at this festival is a giant maze on a baseball diamond (to reduce chance of grass fire) covered with lunch paper bags filled with a little sand for stability and then a small candle. There are hundreds of children walking around this maze but with long exposures they do not show up in the photo because of their darkness. It's only when they are carrying candles or light that they show up as a moving white line.


ISO 1,000; f5.6; -1ev; 3sec; 1230mm; tripod mounted

At this event I did use my new Nikon D800e and I found it worked well. I did forget to bring my small flashlight to light the buttons on the camera.  Thankfully there remained mostly the same from the D300 and I could with some ease figure where to press to make changes to seetings.

In summary for an event like this you need to be able to switch between:
Aperture, Shutter priority and Manual mode – Flash will freeze when necessary.
Low and high ISOs.
Normal shutter speeds and long exposures of 2-3 seconds.
Flash power adjustments for fill light strengths.
Hand-held and tripod shooting.

I do hope you all get a chance to try events like these or a an amusement park or fair ground.

Niels Henriksen




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Fine Art Print - 'Fire Within'

Peonies provide wonderful opportunities for close-up photography with their delicate streamer like petals. Almost like flags waving in the breeze.


There was a soft warm glow within the centre of the flowers which may either be due pollen tinting or the stronger blue sky light on the outer petal tips when adjusted to more neutral whiter of the petal, causing the inner parts to become warmer with temperature adjustments.

Either way, I focused on this yellowish-orange color cast as the dominante part of the image, with its strong contrast found here. Since one primary color is the yellowish-orange I then ensured that the darker greyer background petal had a slight blue hue to act as a compliment with the yellow.
The Sugar Cane paper has a warm tone to further enhance the yellowish-orange tones.

Print Details

Hahnemuhle ‘Sugar Cane’ Fine Art Paper
Weight: 300 gsm
Paper size:13”x19”
Image Size 11” x 14″
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Leading national groups voice ‘full support’ for prohibiting menthol cigarettes and all flavored cigars

WASHINGTON, D.C., November 5, 2023 — Weeks after the Food and Drug Administration (FDA) sent rules to end the sale of menthol cigarettes and all flavored cigars to the White House Office of Management and Budget for final review, the American Heart ...




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U.S. young adults used e-cigarettes at alarming rates during pandemic

DALLAS, Nov. 8, 2023 — The popularity of e-cigarettes remained disturbingly high during the COVID pandemic, particularly among young adults who had never used traditional cigarettes, according to findings published Friday in the JAMA Network Open ...




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Targeted scientific research projects to demonstrate effectiveness of ‘food is medicine’ in health care

DALLAS, Jan. 24, 2024 — In an effort to identify effective food is medicine approaches for incorporating healthy food into health care delivery, the American Heart Association, the world’s leading voluntary organization focused on heart and brain health...




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Former U.S. surgeons general urge Biden administration to act on menthol cigarettes




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Cardiac arrest survivors, families urge approval of HEARTS Act

WASHINGTON, D.C., March 20, 2024 — The U.S. House of Representatives’ Energy and Commerce Committee today is considering the Cardiomyopathy Health Education, Awareness, Research and Training in Schools (HEARTS) Act, which would help ensure students ...




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In victory for public health, federal appeals court upholds FDA’s graphic cigarette warnings

WASHINGTON, D.C. – In a major victory for public health, a three-judge panel of the U.S. Court of Appeals for the Fifth Circuit has unanimously upheld graphic  health warnings on cigarette packs and advertising required under a 2020 FDA rule. This...




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Administration continues to delay ending sale of menthol cigarettes and all flavored cigars

WASHINGTON, D.C., April 1, 2024 — In December 2023, the White House announced a delay in the release of final rules to eliminate menthol as a characterizing flavor in cigarettes and all characterizing flavors (other than tobacco) in cigars. At the time,...




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La Administración continúa retrasando el fin de la venta de cigarrillos mentolados y puros de todos los sabores

WASHINGTON, D.C., 1 de abril 2024: En diciembre de 2023, la Casa Blanca anunció un retraso en la publicación de las normas definitivas para eliminar el mentol como sabor característico de los cigarrillos y todos los sabores característicos (excepto el ...




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Updated WIC packages will enhance support for women, young children

WASHINGTON, D.C., April 9, 2024 — Today, the U.S. Department of Agriculture (USDA) announced final revisions to the Women, Infants and Children (WIC) food packages. Nancy Brown, chief executive of the American Heart Association, the world’s leading...




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Ruling in the Braidwood Case Continues Uncertainty Over Access to No-Cost Preventive Screenings

WASHINGTON, D.C., June 21, 2024 – Today, the Fifth Circuit Court of Appeals limited a lower court ruling that many health insurance plans would no longer be required to provide cost-free coverage of preventive services recommended by the United States...




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Supreme Court decision to overturn ‘Chevron deference’ threatens to disrupt public health care system

WASHINGTON, D.C., June 28, 2024 — Today, the Supreme Court of the United States announced its decision on the Loper Bright Enterprises v. Raimondo case and its companion case, Relentless v. Dept. of Commerce. The majority’s opinion abolishes the rule of...




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New data show both improvement and concerning trend in youth tobacco use

DALLAS, September 5, 2024 — The American Heart Association, which is celebrating 100 years of lifesaving service as the world’s leading voluntary organization focused on heart and brain health, issued the following statement in response to the 2024...




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La Cámara de Representantes aprueba un proyecto de ley que salvaría la vida de quienes sufran un paro cardíaco en el ámbito de una escuela

WASHINGTON, D.C., 23 de septiembre de 2024 — En el día de hoy, la Cámara de Representantes de los EE. UU. aprobó la Ley de Educación para la Salud, Concienciación, Investigación y Capacitación sobre Cardiomiopatías en las Escuelas (Health Education,...




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Bill that would save lives from cardiac arrest in schools clears House

WASHINGTON, D.C., September 23, 2024 — The U.S. House of Representatives today passed the Cardiomyopathy Health Education, Awareness, Research and Training in Schools (HEARTS) Act, which would help ensure students, staff and school visitors are prepared...




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Squarespace – The Pros

In my last post I mentioned that I had been looking for a template based web hosting service and that I had decided on  Squarespace after assessing all the variables I had mentioned. To recap what the important issues were for me: the ability to utilize a custom domain so that my URL could remain […]