Washington, D.C. – In response to the announcement that House Energy and Commerce Committee Chairwoman Cathy McMorris Rodgers (WA) and Ranking Member Frank Pallone (NJ) will hold a legislative hearing April 30 titled “Draft Legislation to Preserve Americans’ Access to AM Radio,” the following statement can be attributed to NAB President and CEO Curtis LeGeyt:

Washington, D.C. – In response to the introduction of the Broadcast Varied Ownership Incentives for Community Expanded Service (VOICES) Act, the following statement can be attributed to NAB President and CEO Curtis LeGeyt: 

Today, Melody Spann-Cooper, chairwoman and CEO of Midway Broadcasting Corporation, testified on behalf of the National Association of Broadcasters (NAB) at a hearing held by the House Energy and Commerce Subcommittee on Innovation, Data and Commerce titled, “Preserving Americans’ Access to AM Radio.” Click here for a copy of her testimony.

The National Association of Broadcasters (NAB) announced today that Kirsten Donaldson has joined NAB as vice president of public policy. Donaldson will report to Shawn Donilon, executive vice president of Government Relations.

WASHINGTON, D.C. – In response to the House Energy and Commerce Subcommittee on Innovation, Data and Commerce's successful markup and passage of the AM Radio for Every Vehicle Act, the following statement can be attributed to NAB President and CEO Curtis LeGeyt:

Washington, D.C. – NAB President and CEO Curtis LeGeyt issued the following statement in response to the markup of the American Privacy Rights Act:

Washington, D.C. – The NAB Television Board of Directors this week adopted a policy statement reaffirming the association’s commitment to protecting viewers’ access to live, local broadcast stations and the vital local journalism and trusted information they freely provide.

In response to the release of Evan Gershkovich, a journalist wrongfully imprisoned in Russia since March 2023, the following statement can be attributed to NAB President and CEO Curtis LeGeyt.

Washington, D.C.— On National Radio Day, the National Association of Broadcasters (NAB) proudly announces that David Santrella, CEO of Salem Media Group, will be honored with the 2024 National Radio Award. Santrella, who chaired the NAB Joint Board of Directors from June 2021 to June 2023, will receive this prestigious accolade during the Marconi Radio Awards at the 2024 NAB Show New York.

Washington, D.C. – The National Association of Broadcasters (NAB), in collaboration with members of the Hispanic Media GOTV Coalition, today launched Martes de Acción (Tuesdays of Action), an initiative aimed at encouraging Hispanic voter participation and strengthening civic engagement ahead of the November elections.

Radio and TV personality Bobby Bones will take the stage as host of the 2024 NAB Marconi Radio Awards, set to take place on October 9 during NAB Show New York. Bones will also be honored with the prestigious NAB Distinguished Service Award (DSA), the National Association of Broadcasters’ highest honor.

Washington, D.C.— NAB Show New York, set for Oct. 9-10 (Education Oct. 8-10) at the Jacob K. Javits Convention Center, will energize the news and sports industries with the latest trends and technology. Held in the epicenter of live production, the event is perfectly timed as the broadcast, media and entertainment industry prepares for key moments such as the 2024 presidential election and the major fall sports seasons. Industry leaders will gather to explore key innovations and strategies reshaping how content is created, distributed and monetized in today’s fast-evolving media landscape.

The National Association of Broadcasters (NAB) commends the House Energy and Commerce Committee for its strong bipartisan passage, by a roll call vote of 45-2, of the AM Radio for Every Vehicle Act out of committee today. This important legislation ensures the continued availability of AM radio in all vehicles, recognizing the essential role it plays in delivering critical news, emergency information and public safety updates to tens of millions of Americans.

Washington, D.C.— The National Association of Broadcasters (NAB) is gearing up for the highly anticipated 2024 NAB Show New York, taking place October 9-10 (Education October 8-10) at the Jacob K. Javits Convention Center. As the premier event for broadcast, media and entertainment on the East Coast, NAB Show New York brings together the industry’s most prominent voices and innovative tech leaders in the media capital of the world.

In response to the Federal Communications Commission's (FCC) approval of Audacy’s reorganization, the following statement can be attributed to NAB President and CEO Curtis LeGeyt

Washington, D.C.— The National Association of Broadcasters (NAB) is gearing up for the highly anticipated 2024 NAB Show New York, taking place October 9-10 (Education October 8-10) at the Jacob K. Javits Convention Center. As the premier East Coast event for the broadcast, media and entertainment industry, the Show will feature hundreds of new products with 20 product launches and nearly 50 first-time Exhibitors displaying advanced solutions to meet the evolving needs of the industry. With Q4 being a critical buying season, this is a must-attend event for professionals finalizing year-end budgets and planning for 2025.

Vocal Point is a collegiate group from Brigham Young University and is one of the worlds best.



This last Thursday night they were performing in a nearby town where my wife and I got tickets to go and watch them perform. It was an amazing performance and afterward i went to give their sound man the proper kudos he deserved as the unsung hero of the night.

When I talked to him I learned that he was also the groups manager/arranger. I right then and there invited him to stop by my classroom the next day. He said the group was busy and wouldn't have time which I understood. But before I left I told one of my students who was waiting in line to talk to the performers to ask them if they wanted to come to the class the next day.

Fast forward to 10:00PM that night. I get a call from the manager saying a few of my students also asked if they could stop by and the group would like to do it if they could come in the afternoon. :)

Luckily I have a great principal who agreed to let me get my choir out of their 5th period class at the last minute to come have a clinic with Vocal Point. I have great administration.


This was at the end of an amazing/inspirational last minute clinic.

Just Ask!

Recently I have felt the need to do something more at my concerts as far as music advocacy is concerned. I hate to just hit my audience over the head with it as I am not sure how effective that is, so I had an idea for this years Christmas Concert. I interviewed each of my music students (only those who wanted to) and then I put edited them all together into a video that I played on a big screen while parents were coming in before the concert ever started.

The parents really seemed to love seeing their kids via this medium and the kids loved being on the big screen. I did this for both my Junior and Senior High Schools. I think if I did it again I would make the videos shorter and maybe sneak in a few slides with music advocacy stats on them.

Last year I had this crazy idea -

Creating Viral Videos (A Classroom Project)

Well we did it and the kids absolutely loved it! I think it was their favorite part of the year. I have had kids asking me all year "Mr. G are we doing the viral video thing again this year?" And yes we are. I am going to tweak a couple things and give better expectations but overall I will stand behind the original idea of I am staying out of the way and let the kids creative sides come out.

www.ifttt.com

This is a near impossible task to narrow down all of the youtube videos I have seen to pick only my top 3. So I am going to break this into sections.

Today - Top 3 Youtube Videos I Have Uploaded of my Daughter Macy.

She was learning how to ride a bike when we shot this video. She was getting frustrated with crashing and decided to make up her own song that she would sing to herself and her cousins when they crashed. Future song writer?

• Approach the note from above.
• Singing is an athletic event.
• Drink in the breath.
• Listen louder than you sing.

• Let the breathe fuel the sound.
• Stop talking.
• Smile with your eyes
• Sing through it, not to it.
• What are you singing? To whom are you speaking? What are you trying to say?
• 80% of life is showing up. The rest is what you do after.
• Gird up your loins!
• Pitch is not optional or approximate!
• Stand from the waist up.
• Pull the taffy!
• What are you singing ABOUT?
• One more time...
• Make mistakes. Make them boldly. Make them once.
• Lay a big fat green egg, because I cannot fix "nothing."
• Have a love affair with the center of pitch.
• Too much, too soon, too bad. (About a crescendo)
• Once a mistake, twice a habit!
• Don't make it more accidental than it already is.
• The higher you go, the brighter. The lower you go, the brighter.
• No one can smile and sing except Miss America...and she only learned one song.
• Bend your knees.
• Long vowels!!
• Put more space in your face!
• No one note is the same as the other.
• Everything we do, we do together.
• Never sing louder than beautiful.
• Look up here!
• Do not take steps backwards!!
• I own your eyes.
• Pretend there's a string being pulled out of the top of your head.
• What does [accel./rit./fermata/etc.] mean?" After various mumbled responses with the actual definition, "No, it means to look at me!"
• There's a reason God gave us two ears and only one mouth.
• The arch of the eyebrow governs the shape of the tone.
• Honor the rests, please.
• Look up and live.
• Miss a note. Get a rhythm.
• Enjoy the process not the product.
• Ok we're going to go from the top to the end. I promise I'm not going to stop.
• All music must dance.
• Watch!!!!
• Better to be confidently wrong than wimpily right.
• One more time.
• Let your head rule your heart and your heart rule your head.
• Never louder than lovely.
• They who cannot spread light, are content to generate heat instead.
• It's a SONG, so SING it.
• Sing through your eyes.
• Good is the enemy of excellent.
• Fish lip and rabbit teeth.
• We want bel canto, not can belto.
• I coach choir.
• I'm tired of that mistake, make another one.
• Do we sound like one?
• Do as I meant, not what I said.
• Early is on time, on time is late, and late is unacceptable.
• Look #, don't b flat, and act natural.
• Make it interesting!
• The eyebrows matter - it's hard to look interested and sound dull and equally hard to look uninterested and sound engaged.
• Look up and live!
• Sing as if you were fatter stand as if you were taller.
• Strong and wrong is better than feeble and right.
• North-south vowels rather than east-west vowels.
• One more time...
• If the basses are bad, the choir is bad.
• Sing on air.
• Sing from your toenails.
• “What's your favorite piece?" Students: "The one in our hand!"
• Men - sing like football players in tuxedoes.
• Vertical vowels, please.
• Breathe in the shape of the vowel.
• Sit tall.
• Don't 'sing the voice - - sing the phrase.
• Don't land hard on the last note of the phrase just because you've got extra air to spend.
• English is a second language for conductors - Sarcasm is first.
• That vowel sounded like a cat being pulled through a keyhole - backwards.
• That sounded like a long-tailed cat in a room full of rocking chairs!
• “How do you Spell Monodynamoc?" (Choir starts to spell) -interrupting- "Wrong! It's B.O.A.R.I.N.G!"
• Vomit out the air.
• Breathe as if you have 20 noses around your waist.
• Don't let the consonants contaminate your vowels.
• This is a Chor"us" not a chor"me"!
• Use your "Disney eyes"
• Sometimes it's more beautiful when you DON'T sing! (Rests)
  

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When I first started getting into recording my own music, I tried every way to find the best free solutions in recording software. I can remember like yesterday, scouring the internet for the most mediocre of recording programs. I would download and use them, but still the results were always limited, and probably because of the times. Now why did I choose to do this? well the reason back then was because I didn't know anything about recording my music, and especially not by way of direct, digital methods, so I didn't want to waste any money at this time.

I can now honestly say that I am a proud owner of Ableton Live, which I use religiously, and would recommend to absolutely anyone. However, the program is a little pricey AND it requires months of experimentation just to get the basics down. Is this recording program worth all the money and effort? yes it is, but a lot of people want something that they can use immediately, without having to spend hundreds of hours devoting their time to reading through training manuals, and investing just as much time by way of trial and error.

I recently found a great solution to this problem. Though this is a guitar
instructional blog, I have no problem talking about recording software or anything related, because recording your own music also benefits the expansion of learning and recording musical art, well....duh!

There is a beat creation program that is now available called Sonic Producer. This beats program, mainly assists a musician in creating music of a hip hop or rap flavor, which you would think would only benefit those who are interested in hip hop music or similar styles. I beg to differ.

I have a drum set, yet I do not have the space, amount of mics, equipment, nor acoustic set up to facilitate the process of recording live drums. This is great if you have a drummer to work with, but if you are an independent guitar player such as myself, and you want an easy solution, then a recording program like Sonic Producer is the way to go.

I do have Ableton Live which is in my opinion the most phenomenal recording program ever to grace the face of the planet, and is pretty much the cream of the crop for beats, but I know that it isn't the cheapest solution. With the release of Sonic Producer, I can seriously say that this is the cheapest solution for creating backing tracks to compose to or jam over that I have ever seen. Sonic Producer contains thousands of samples to work off of, and if you are more traditional, you don't just have to work with new age hip hop beat sounds. Yes, it can deliver exactly what you want, no matter what your style is. Its 30 bucks!!! my God!!

I can't believe this, because anything of this high caliber is always in the multi-hundred dollar price range. I'm really thrilled, because though it can't do what a program such as Reason or Ableton can do, it isn't that far away from the quality of these programs.

I look at it this way, and from the perspective of a mainly lead guitar player - the drums and bass are the bones of the song, and the rhythm guitar is the meat. What's the candy of this operation? lead guitar of course! It doesn't matter what your deal is, you gotta have the bones to make this music thing work. Sure, you can turn the bones into the candy of your masterpiece, but you still gotta have 'em!

There is nothing tastier than creating raw beats to either practice guitar over, or to recording with. How do you think I practice or find inspiration? I gotta have beats and bass!! with my recording program, it takes me five minutes to get a good, basic backing track down. Sometimes I just practice over a set of drum beats, but a lot of times it amounts to a complete song.

I also like the fact that Sonic Producer is so easy to use, and it the necessity of it easily fits in with other plugins or bits of recording software.

If you feel that rhythmic backing tracks are what is lacking in your arsenal, then definitely check out Sonic Producer.

Before I begin, I wish that I could give you some sort of formula for transcribing guitar parts from songs, but I really can't because its done on intuition and from focus. Plus, I have no idea what song or what type of music you may be interested in tackling.

However, I am well aware that many guitar players, both young and old are out right intimidated by the thought of, or word of "transcribing".

As someone who continues to do it to this day, I have learned quite a bit about doing so, and have been proven time and time again that there are tricks that can aid you. I will do my best to help you, but first, why should a guitar player learn to transcribe music?

First, in my opinion, the ultimate goal of any musician should be to find their own voice, and throwing away the tabs and buckling down will unlock the whole world for you. Everything that I teach by way of videos, article lessons, or even rants was born from trying to figure it out on my own. I can't even begin to emphasize this, and words cannot describe.

Second - even if you simply wish to play pre-written songs for the rest of your life, learning them the old fashioned way makes things like soloing, and improvising a total synch. If someone puts you on the spot in front of a bunch of people and you are expected to learn a song right then and there, as that person is playing it, it will be no problem anymore.

So now we begin...

STEP ONE

The first thing is where DO you begin? most people could listen to one note, and they can't picture where its at, and so they assume that its going to be anywhere, and yet it is in one
specific place as expected.

If you do the math, you've got 6 strings, and on a full 24 fret guitar, 2 octaves per string. Let's take a random note. Say G#. On the low E string alone there will be 2 G#'s - remember, two
octaves per string. Now you've got 6 strings - 2 x 6 = 12. So you've got 12 of each note on the guitar - pretty cool.

Even if your guitar doesn't have 24 frets, thinking like this makes playing so much easier.

Now, let's imagine the fretboard as being divided into 4 sections.

We'll say that from frets 0 to 6 are section 1, 6 - 12 are section 2, 12 - 18 are section 3, and 18 - 24 are section 4.

There is a HUGE difference in pitch when a note like G# is played in section 1, 2, 3, or 4. Its the same note, but the sharpness grows as you move on up the neck. By the way, we're not just sectioning off one string, we're handling all of them.

I don't expect you to get it right away, but playing around with this mindset could very well mean that you will be able to go to the correct area of the fretboard, even if you don't have
perfect pitch and know what note it is that you are trying to find.

STEP TWO

Since man does not sport monstrous hands, nor 13 fingers on each hand, you can pretty much assume that the next set of notes will be in close proximity to the one that you first found. The first note by the way gets it started. In my opinion, if you can find the very first note of a guitar solo or melody, you can crack the code for the entire thing.

You should put a LOT of emphasis on that very first note and remember where its at, because if you get lost - this is your starting point again.

The next question to ask yourself is, are the next notes higher or lower, and how much so?

Let's say that you've come to the conclusion that the next note is lower. Even if you have to do half steps, or one fret at a time to find that next note - do it. Once you find the next note, again - lock it in. Go back and play those 2 notes over and over again. We'll worry about the mechanics
of how the notes are played/expressed later.

Even for me, if I encounter a song that's pretty fast and hard to keep up with I will tend to have trouble, but you and me both have a secret weapon. The pause button on our computer or CD player. where ever you are at in the song, hit the pause button immediately after the part that's got you hung up. Don't let those other sounds interfere and throw you off. One block at a time.

Though this process might seem confusing now, if you take my advice of breaking it down, over time it will tend to happen on auto pilot. Hope this helps - best of luck.

Check out the Spanish translation of this article here! We recently added Stephen Street‘s Urtext Edition of Bottesini’s Concerto di Bravura to our Sheet Music Store, prompting a common question: Why is Bottesini’s music written down an octave? The issue at hand is that Bottesini wrote all his solo bass music at sounding pitch rather […]

traducido por Angel Chavez Una de las partes más gratificantes de la creación de esta edición de Urtext ha sido descubrir una nueva pieza. Al principio pensé que debía ser un nombre alternativo para Capriccio di Bravura, pero al inspeccionarlo, era una obra sustancial que no había visto antes. A primera vista, la pieza parece […]

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Unexpected increase in consumer demand

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Transport / Logistic issues / Storage capacity issues

Commercial Changes / Commercial viability

Commercial Changes / Commercial viability

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