ZONGXIAN "PETER" CHEN
Iowa City

Zongxian "Peter" Chen, 90, of Iowa City, died on Friday, May 1, 2020, at Windmill Manor in Coralville.
Peter donated his body to the University of Iowa Deeded Body Program. No services are planned at this time. At a later date, burial will be in Oak Hill Cemetery in Coralville. In lieu of flowers and plants, memorials may be directed to the Chinese Church of Iowa City or the Chinese School of Iowa City. Lensing Funeral & Cremation Service in Iowa City is handling arrangements.
Zongxian was born June 24, 1929, in Zhangjiakou, China, to Yingji Chen and Yufang Hu. He grew up in China, where he earned his bachelor's degree in English from Beijing Normal University. Peter later married Yueling Li in Tianjin, China, on Jan. 17, 1975. The couple moved to Iowa City in 1989 and enjoyed 35 memorable years together before she died in 2010.
Peter founded the Chinese School of Iowa City located in North Liberty, where he was a dedicated teacher and principal for 17 years and later received an Award of Excellence in teaching cultural diversity from the University of Iowa Hospitals and Clinics. He also was a longtime Christian of the Chinese Church of Iowa City. Peter had worked for the Department of Physics at the University of Iowa as a custodian and for the University of Iowa Hospitals and Clinics as a custodian for 17 years, retiring at 78 years old.
His dedication to helping the Chinese community of Iowa City was seen by all, and he will be missed by many.
While in Iowa City, he married Yuqin Sun on March 26, 2019.
He is survived by his wife, Yuqin Sun of Iowa City; two daughters, Xiaofang "Kathy" Chen of Miami and Shen (Zhang) of Los Angeles; two stepdaughters, Wei "Willa" Bian of Pennsylvania and Xiaohe Chen of China; five grandchildren, Jinzhao Sheng, Ningning, Andy Su, Liang Cui and Jiuzhou Cao; and three siblings, all of China.
He was preceded in death by his parents; his ex-wife, Yueling Li; one sister; and one son.
Condolences: www.lensingfuneral.com.

JULIA LOUISE RUPPENKAMP
Riverside

Julia Louise Ruppenkamp, 85, of Riverside, died unexpectedly early Tuesday, May 5, 2020, at Mercy in Iowa City.
According to the wishes of Julia and her family, she will be cremated and a
memorial service will be planned for this fall. Burial will be in St. Stanislaus Cemetery in rural Hills. Lensing Funeral & Cremation Service in Iowa City is handling arrangements.
She was born Aug. 10, 1934, in Red Oak, Iowa, the daughter of John and Mary "Catherine" (Pfeiffer) Ruth. Julia grew up in Cosgrove.
She graduated from Cosgrove High School and graduated from Iowa City Commercial College.
She met Earl Ruppenkamp at a Junior Farm Bureau dance. They were married Sept. 20, 1955, in Cosgrove, and the couple moved to the Riverside area in 1959. Julia provided for her family as both a farmwife and mother to their children. She was constantly baking and her pies were enjoyed by many. Julia loved flowers and grew them in her garden to share with others, especially the residents at Atrium Village.
She was a member of St. Joseph Catholic Church and St. Joseph's Altar & Rosary Society in Hills.
Julia is survived by her husband, Earl; children, Mark, Ann and Jane; and a brother, John Ruth.
Her parents preceded her in death.
www.lensingfuneral.com

CASTALIA
Dorothy Perry, 77, died Thursday, May 7, 2020. Schutte-Grau Funeral Home and Cremation Service, Postville.

Tthink about the great relics of human civilization—the pyramids, the magnificent castles of Europe, the Great Wall of China, meticulously detailed sculptures from different eras, the awe-inspiring churches and temples that dot almost every landscape we’ve ever inhabited… All made of stone. All hundreds of years old. All crafted with the intention of permanence and […]

This year, my golf tournament performances have been mostly terrible through August. While my handicap has stayed in the 1-2.5 range for most of the season, I’ve played closer to a 5 in tournaments and haven’t shot better than +3 (once) and +4 (twice). With only one exception, I’ve been absolutely terrible in all 2+ […]

Note: This post is adapted from my original viral Twitter thread. Ffrom November 2003 through July 2005, I worked in the prepaid cell phone and phone card industry. Most of my work was in BFE meth towns and urban ghettoes. I learned things about the poor in America you won’t want to believe… But this […]

“It is hopelessness even more than pain that crushes the soul.”

-William Styron.

In my 35 years on earth I’ve heard the term “unprecedented” used only a handful of times to describe global events. I don’t know about you, but as I write this tucked away in my basement where I’ve been working from for the last two months, I’m pretty darn sick of the word “unprecedented.”

All of us are now experiencing the culmination of a global pandemic, a painful economic reality and the challenge of stay at home orders.

Social connectedness is one of the most important aspects of the human condition. During times of crisis we come together, not apart. Time spent with friends and family is immensely important to our well-being, heck, even time spent with co-workers has its benefits. Physical proximity to our supports matters, it matters a lot.

For those of us with a history of mental health struggles (and without), this “unprecedented” crisis has presented unique challenges to our well-being: uncertainty, fear, and a sense of hopelessness. The daily loss of life, the 24-hour news cycle with its constant focus on the pandemic, and a massive economic crisis. Good news is hard to come by.

The psychologist and suicidologist Edwin Schneidman coined the term “psychological pain” to describe “how much you hurt as a human. It is mental suffering; mental torment.”

All of us hurt right now.

During times of stress, it is not uncommon to experience thoughts of suicide.

The vast majority of individuals who experience suicidal thoughts or behaviors go on to live healthy and full lives. During this time where many of us have already felt financial impacts or experienced increased depression, the possibility of experiencing suicidal ideation or behavior increases.

Support is available, help is out there.

1. Call the National Suicide Prevention Lifeline (1-800-273-8255) to immediately speak with a counselor (24/7/365). If you are thinking about suicide, are worried about someone else, or would like emotional support, the Lifeline network is available.

2. Mobile Crisis Outreach: If you live in Eastern Iowa you can call the Iowa Helpline (855-581-8111) to receive free telehealth services from a mobile crisis counselor. Counselors will connect with you via telehealth to provide screening, immediate intervention and guidance.

There are several warning signs that can help you determine if you or a loved one is at risk for suicide. These include:

• Talking about wanting to die or to kill themselves

• Looking for a way to kill themselves, like purchasing a firearm

• Talking about feeling hopeless or having no reason to live

• Talking about feeling trapped or in unbearable pain

• Talking about being a burden to others

3. Social distancing does not mean social isolation. While we can’t be physically with many of our friends and family, we should still make an effort to connect with them. If there is someone you’ve worried about in the past, a friend or family member with a history of depression, now is an important time to reach out and see how they are doing.

4. Take care of what you can. I’ve noticed with many of the clients I work with (and myself) that as social distancing and stay at home orders have been in place for nearly two months now, sleep habits and routines have started to change. I find myself staying up later and sleeping in later. Sleep and mental health go hand in hand. It’s hard to feel good when we are not sleeping, or if our sleep cycles are significantly disrupted. Depression can drive us to want to sleep away the days. This is something to be avoided and tends to compound our feelings of loneliness.

5. Connect with your mental health providers. Connecting with a mental health provider remains an important component of support. Let your provider know that you’ve had thoughts of suicide so you can work collaboratively on treatment and support.

6. Know that you matter. Individuals who experience thoughts of suicide and/or depression will often report that they feel or think their lives don’t matter. As Kevin Hines, the motivational speaker and suicide prevention advocate says “You matter to people you haven’t even met yet.” Treatment for suicide ideation and behavior is very effective. You are worth it. The vast majority of people who experience suicide ideation go on to live healthy and fulfilling lives.

“Look well into thyself; there is a source of strength which will always spring up if thou wilt always look.”

-Marcus Aurelius, The Meditations.

Drew Martel (LISW, CADC) is the director of crisis services at Foundation 2 and has been involved in several suicide risk assessments, as well as provided trainings across the state on suicide intervention and treatment. Drew also provides individual therapy at Meadowlark Psychiatric Services and is an adjunct instructor at the University of Iowa School of Social Work.

I have been your County Auditor for over 13 years. I am on the ballot in the Democratic primary election and I have an opponent.

I have been your County watchdog since 2007. I have been a nationally certified election administrator since 2009. I was Iowa’s County Auditor of the Year in 2013.

I am for automatic voter registration when citizens turn 18.

I am for improved post election audits, e.g., risk-limiting audits.

I am for allowing felons to vote after they have served their sentences.

I am for all vote-by-mail elections to reduce the risk of spreading COVID-19.

I oversee a great team! The anchor of our team is First Deputy Auditor Becky Shoop. She has been with the county for over 40 years. Her institutional knowledge is indispensable. She provides guidance not only to our office, but other county offices.

When a vacancy occurred on my elections team a few years ago, I hired local attorney Rebecca Stonawski as Deputy Commissioner of Elections. Her organizational skills and legal background have proved to be invaluable as election laws change from year to year.

And finally, after I successfully lobbied to get the Code of Iowa changed so that county auditors can audit county accounts and funds, I promoted Rhonda Betsworth, a CPA (certified public accountant), to Deputy Auditor to oversee the County’s accounting and property tax systems.

I am a U.S. Army Military Police veteran, former IBEW member, former Chair of the Linn County Democrats, and former Mayor of Robins.

I am a member of Rotary, the American Legion, and the Catholic Church. My wife and I have been married for 42 years. We have three adult married children and nine grandchildren.

I have been a dairy farmer, a deputy sheriff, an electronics technician for AT&T, a senior manager for Teleconnect and MCI, a senior project manager for Siemens, and an IT Director for Four Oaks of Iowa. I have owned my own profitable technology business.

This is not the time to hire an amateur to run your elections. This is not the time to hand watchdog duties over to a former county supervisor who quit to take a job in DC. This is not the time to break up a great team.

I request you vote in the Democratic primary election. I request you vote Miller for Auditor.

Joel Miller is a candidate in the Democratic primary for Linn County auditor.

I was happy to read Joe Coffey’s article in Sunday’s paper (“The birth of news in Linn County”) about the history of newspapers in Linn County. But I was disappointed that Mr. Coffey did not include mention of the Metro Libraries’ historical newspaper databases. All of the papers mentioned and pictured in his article (and many more!) are available in scanned, full-text, searchable versions, through the websites of the Cedar Rapids and Marion Public Libraries. There is no charge to browse or search these delightful old editions, and in fact, you don’t even need a library card.

I encourage anyone with an interest in local history, or just with a little time on your hands, to look at some of these old newspapers. It’s a delightful adventure to read about lives in other times.

Jo Pearson

Marion

I’m Admiral Mike Franken, and I’m a candidate for the U.S. Senate.

Months before COVID-19 gripped the world, and what feels like an eternity before it began to run roughshod over Iowa, I decided to run for U.S. Senate. Why? Because Iowans deserve experienced leadership in Washington.

Now, Iowa suffers one of the worst outbreaks in the nation; currently, three Iowa cities are the home of the second, forth, and fifth worst outbreaks in the country.

During a crisis, especially a crisis of this severity, there is no alternative to leadership, experience, and vision. Unfortunately, political decisions have taken precedence over workers and their families. Our governor is insistent on opening the state as local experts and the CDC frantically urge otherwise. Sen. Chuck Grassley has said little.

And, indefensibly, Sen. Joni Ernst is declaring that “Iowa has fared pretty well” despite what we know to be true: Iowa still is in a crisis. And the worst still is to come.

Iowa doesn’t just suffer from a pandemic, we suffer from a profound failure of leadership. The question that voters must ask ahead of the June 2 primary is clear: Where can an Iowan look for leadership?

A lack of leadership may come from a lack of experience, as well. I’m no stranger to dealing with disasters, pandemics, or other crises. Hurricanes have slammed economies, and, working for the Department of Defense, I helped rebuild them. Ebola decimated communities and, working in the Pentagon and in Africa, I helped rally the international efforts to save them. I’ve been here before.

My plan is to win this race by offering a showcase of leadership. Recently I began a Daily Coronavirus Briefing on Facebook Live to fill the vacuum of leadership left by Joni Ernst and others. I use these daily opportunities to set the record straight, to discuss what is best for Iowa, how to recover from this pandemic, and kick start our economy, and ultimately build a new America. In short, I will lead to achieve these opportunities.

On June 2, we have a close race for the U.S. Senate. Let’s chart a new course. I am the only candidate with the experience to lead Iowans out of this crisis. Let’s cast a vote for principled, experienced leadership for Iowa.

Michael Franken is a candidate in the Democratic primary for U.S. Senate.

“Past performance is no indication of future results.”

That’s a favorite mantra of many business analysts. It may be true when pondering statistics. But when considering people, it’s a false positive. You certainly can predict how people will perform, based on what they’ve said and done.

For example, if a business owner has historically forced employees to work in hazardous conditions for minimum wage, it’s no surprise that now, they are compelling workers to choose between risking their health even further or go without a meager paycheck.

If elected officials have historically favored those business owners over working people, it’s no surprise that now, they are threatening to deny unemployment benefits to those workers who don’t return to their hazardous jobs.

Those historically silent about this and other injustices are remaining silent now — and we shouldn’t expect anything different from them.

I have been a business owner for nearly three decades, but I am pro-people.

Because I made personal concessions during the Great Recession, no one at UIG, the property and casualty insurance agency where I am president, lost their job. I have done the same this year with COVID-19. And will do it again to put my employees first.

Because I believe in workers’ right to organize, I supported my campaign staff’s successful effort to unionize with the Campaign Workers Guild, becoming the first senate campaign in Iowa to do so. This guarantees they receive a dignified living wage, get paid time off, unlimited paid sick leave, and fully paid health insurance. We did this together. Which is the way business should work.

On the contrary, the lobbyist-backed candidate, Theresa Greenfield, bankrupted her company in 2013, and went on to evict several small businesses with Colby Interests so she could replace their storefronts with an Aldi. We all have seen what happens with a real estate developer in power, and it has certainly not benefited hardworking Iowans.

COVID has revealed fissures in America’s bedrock. To fix the cracks, we need leaders who have proved they can craft solutions to assure every worker of a dignified wage, a safe workplace, paid time off and sick leave, and affordable, accessible health care.

These days have taught us that past performance certainly is an indication of future results. We need to look closely at what someone has said and done when considering what they may say and do in office.

Eddie Mauro is a candidate in the Democratic primary for U.S. Senate.

The Johnson County Board of Supervisors consists of five at-large members. Recently some people in the rural community have advocated for a board elected from districts within the county. A House Study Bill a few years ago would have required counties with a population greater than 150,000 to elect supervisors from districts, though a similar bill had failed earlier.

While districting a board of supervisors may appear to provide more representation to rural residents, the opposite would result. Currently, any resident anywhere in the county has five supervisors to whom they can communicate their needs. With districts, residents would have only one supervisor representing them.

There are many reasons electing supervisors from districts is not a good idea for Johnson County. But here is why, in fact, it’s a bad idea.

In Johnson County, our current practice for funding projects is determined using a needs assessment approach. This can be seen in our Five-Year Road Plan and works quite well. It is a triage of sorts, with the greatest need addressed first. With districts, it would become necessary to rotate projects based on the district in which it is located rather than the greatest need.

Imagine what might have happened in the 2016 emergency situation on the Highway 965 bridge over the Iowa River! During routine bridge inspections, county engineers determined repairs to that bridge to be our county’s greatest road need. It was an issue of public safety. Our at-large Board of Supervisors approved that project for immediate repairs.

Had we had districts, that project would land within my district and might have been put on hold, waiting for my district to have its turn at a big roads project. Just a couple years later, Swan Lake Road bridge over I-380, also in “my district” was deemed in need of immediate repair. While there is not a lot of traffic on that bridge, it is an essential route for farmers in the area. The closure was inconvenient during one farming season, but is now open and in good repair.

With districts, that bridge, in particular, would still be closed because it would be unfair for one district to have two big bridge repair jobs done before other districts had one done.

There are many other reasons why Johnson County’s Board of Supervisors should continue as an at-large body. Each county should be allowed to determine its own board of supervisors structure.

Lisa Green-Douglass is a candidate in the Democratic primary for Johnson County Board of Supervisors.

Chet Culver really should have known better.

Iowa’s former Democratic governor wrote a letter to current Republican Gov. Kim Reynolds decrying her administration’s declaration that workers who refuse to return to jobs amid COVID-19 fears would be denied unemployment benefits. He was among many who questioned whether Reynolds’ policy is even lawful, considering that unemployment rules allow Iowans to claim benefits for unsafe, intolerable or detrimental working conditions.

“Any such ill-conceived scheme that deprives them of choice and forces those hardworking, yet vulnerable, employees to report to unsafe workplace environments, while the positive incidences of COVID-19 infection are on the rise, is not merely penny-wise and pound-foolish — it is just plain wrong,” Culver argued.

But Culver should have known any overture for the rights of workers during the pandemic would fall on deaf ears. We learned Tuesday that more than 1,600 workers at four meatpacking plants tested positive for the virus. Reynolds continues insisting companies such as Tyson, with more than 1,300 cases at three facilities, are doing all they can to protect workers. In one Tyson facility at Perry, 58 percent of its employees contracted the virus.

Culver lost in 2010 to the Branstad-Reynolds ticket, a team that would go on to gut collective bargaining for public employees and make it far more difficult for injured workers to get compensation, among other greatest hits composed by its big business allies.

And Culver was bounced from office after issuing bonded debt to help Iowa communities, including Cedar Rapids, recover from natural disasters of 2008. Republicans dubbed him “Big Debt Chet” and decried his mismanagement of a crisis.

Strong management, apparently, is Reynolds’ decision to partially reopen 77 counties even as COVID-19 case numbers grow and deaths mount, and before ramped up testing and modeling provide critical information on the scope of the virus.

On Monday Reynolds received a lofty “A” grade from FreedomWorks and the Committee to Unleash Prosperity. Reynolds appeared on a conference call sponsored by the groups to talk about her strategy for reopening Iowa.

FreedomWorks and the Committee to Unleash Prosperity are conservative groups playing a key role in organizing “liberation” protests in Wisconsin, Oklahoma and elsewhere. FreedomWorks, with roots in the Tea Party movement, has been mobilizing local protesters and organizing events, according to The New York Times. It’s also conducting tracking polls in swing congressional districts and sharing data with presidential advisers and congressional staff.

“This isn’t political, and it shouldn’t be for anybody,” Reynolds told reporters this week when asked about her virus response.

FreedomWorks is among 24 groups who sent a letter to the president in April urging him to waive the Renewable Fuel Standard for the rest of the year due to pandemic concerns, potentially freeing Iowa farmers from more of their already scarce income.

So step aside Big Debt Chet. We’re unleashing prosperity. Even if workers get trampled.

(319) 398-8262; todd.dorman@thegazette.com

Another day, another devastating new uptick in Iowa’s COVID-19 figures.

Several times in the past few weeks, Gov. Kim Reynolds has announced a new daily high in Iowa’s positive COVID-19 tests or deaths. On Tuesday, yet another striking record — 19 deaths in a 24-hour period, or nearly 10 percent of the state’s total COVID-19 deaths to date.

For a governor who says she is staking her pandemic response on data and metrics, those grim numbers don’t seem to weigh heavily on Reynolds’ decision-making.

“The fact is we can’t prevent people from getting the COVID-19 virus,” Reynolds said at her Tuesday news conference. “If we weren’t testing in these areas, people would still have the virus and without being tested, diagnosed and isolated it could spread even further.”

In one breath, Reynolds tells Iowans we are helpless to stop the virus’s spread. In the very next breath, she explains how testing and isolation can help prevent the spread.

It’s just one example of the confusing guidance Iowans are getting from the governor and her team. Iowans looking for answers about how to protect themselves and their families are finding seemingly conflicting answers.

They report we have reached the peak, only to backtrack. They say we’re in this together and there’s a statewide plan to confront the outbreak, but then they tell us it’s really about “personal responsibility.” They tell us to stay home as much as possible, then pivot to emphasizing the need for people who feel sick to stay home.

Sometimes, it almost feels as if Reynolds is blaming Iowans for getting sick.

Early on, Reynolds used a regional strategy to track the virus, based on factors such as hospitalizations and health care resources in six multicounty regions across the state. That approach has been brushed aside with little explanation to the public.

Instead, Iowa now has “open” and “closed” counties — 22 where significant restrictions remain intact, and 77 where businesses can open in a limited manner. After less than a week under the county-by-county strategy, there are early signs that the 77 counties are seeing an uptick in confirmed COVID-19 cases.

• Gov. Reynolds is disrupting her own virus response plan

Reynolds’ response in this phase of the pandemic is just as crucial as the initial phase, to prevent a deadlier wave. Shifting to the personal responsibility path also decentralizes leadership, which creates more uncertainty.

If Iowa’s “open” counties see a surge, will Reynolds relent and reimpose restrictions?

We have reason to doubt it. Just this week, Reynolds co-authored a Washington Post guest column with other governors, arguing “our approach worked.”

In Reynolds’ mind, she has already defeated the virus, so she’s retreating from the fight. That’s bad news for Iowans who are still very much on the front lines of this pandemic.

(319) 398-8262; editorial@thegazette.com

Several hundred cars were parked outside a food bank in San Antonio on Good Friday — the food bank fed 10,000 people that day. Such scenes, increasingly common across the nation and evocative of loaves and fish, reflect the cruel facts about the wealthiest nation in the world: 80 percent of Americans live paycheck to paycheck, and 100 percent of Americans were unprepared for the COVID-19 pandemic. People are hungry due to macroeconomic and environmental factors, not because they did something wrong. Although everyone is at risk in this pandemic, the risk is not shared equally across socioeconomic classes. Universal basic health care could resolve this disparity and many of the moral and economic aspects associated with the pandemic.

Increases in the total output of the economy, or the gross domestic product (GDP), disproportionately benefit the wealthy. From 1980 to 2020, the GDP increased by 79 percent. Over that same time, the after-tax income of the top 0.01 percent of earners increased by 420 percent, while the after-tax income of the middle 40 percent of earners increased by only 50 percent, and by a measly 20 percent for the bottom 50 percent of earners. At present, the top 0.1 percent of earners have the same total net worth as the bottom 85 percent. Such income inequality produces poverty, which is much more common in the U.S. than in other developed countries. Currently 43 million Americans, or 12.7 percent of the population, live in poverty.

At the same time, 30 million Americans are uninsured and many more are underinsured with poorly designed insurance plans. The estimated total of uninsured and underinsured Americans exceeds 80 million. In addition, most of the 600,000 homeless people and 11 million immigrants in the U.S. lack health care coverage. Immigrants represent an especially vulnerable population, since many do not speak English and cannot report hazardous or unsafe work conditions. Furthermore, many immigrants avoid care due to fear of deportation even if they entered the country through legal channels.

Most people in poverty and many in the middle class obtain coverage from federal programs. On a national level, Medicaid is effectively a middle-class program and covers those living in poverty, 30 percent of adults and 60 percent of children with disabilities as well as about 67 percent of people in nursing homes. In Iowa, 37 percent of children and 48 percent of nursing home residents use Medicaid. Medicaid also finances up to 20 percent of the care provided in rural hospitals. Medicare, Medicaid and the Children’s Hospital Insurance Program (CHIP) together cover over 40 percent of Americans.

In addition to facilitating care, health care policy must also address the “social determinants of health,” since the conditions in which people live, work, and play dictate up to 80 percent of their health risks and outcomes. This means that health care reform requires programs in all facets of society. Winston Churchill first conceptualized such an idea in the early 20th century as a tool to prevent the expansion of socialism, arguing that inequality could persist indefinitely without social safety nets. Since that time most developed countries have implemented such social programs, but not the US.

All developed countries except the U.S. provide some type of universal basic health care for their residents. Universal basic health care refers to a system that provides all people with certain essential benefits, such as emergency services (including maternity), inpatient hospital and physician care, outpatient services, laboratory and radiology services, treatment of mental illness and substance abuse, preventive health services (including vaccinations), rehabilitation, and medications. Providing access to these benefits, along with primary care, dramatically improves the health of the community without imposing concerns regarding payment. Perhaps not coincidentally, the U.S. reports a lower life expectancy and higher rates of infant mortality, suicide and homicide compared to other developed countries.

Countries such as Canada, Great Britain, Denmark, Germany, Switzerland, Australia, and Japan all produce better health care outcomes than the U.S. at a much lower cost. In fact the U.S. spends about twice the percentage of its GDP on health care compared to these countries. With that being said, the Affordable Care Act of 2010 (ACA), which facilitated a decrease in the rate of the uninsured in the U.S. from 20 percent to 12 percent, also decreased the percentage of the GDP spent on health care from 20.2 percent to 17.9 percent in just 10 years. For this reason, most economists agree that universal basic health care would not cost more than the current system, and many would also argue that the total costs of the health care system cannot be further reduced unless everyone has access to basic care.

Achieving successful universal basic health care requires a serious long-term commitment from the federal government — contributing to Medicaid and financing its expansion are not enough. It requires courage from our elected leaders. The ACA took several important steps toward this goal by guaranteeing coverage for preexisting conditions, banishing lifetime maximums for essential services, and mandating individual coverage for everyone, though Congress repealed this final provision in 2017. At present, the ACA requires refinement and a public option, thereby preserving private and employer-based plans for those who want them.

Without universal basic health care the people living at the margins of society have no assurances that they will have access to basic health care services, especially during times of pandemic. Access to food and medications is less reliable, large families live together in small spaces, and public transportation facilitates frequent exposure to others. Childhood diseases such as asthma, chronic diseases such as diabetes, and diseases related to smoking such as COPD and cancer are all likely to worsen. Quarantine protocols also exacerbate the mental health crisis, further increasing rates of domestic violence, child abuse, substance abuse, depression, and suicide. In the last six weeks over 30 million Americans have applied for unemployment benefits, and as people become unemployed, many will lose health insurance.

Access to basic health care without economic or legal consequences would greatly enhance all aspects of pandemic management and response, from tracing contacts and quarantining carriers to administering tests and reinforcing supply chains. The COVID-19 pandemic has disproportionately affected minorities and the impoverished in both mortality and livelihood. Universal basic health care helps these vulnerable populations the most, and by reducing their risk it reduces the risk for everyone. In this way, universal basic health care supports the best interests of all Americans.

Like a living wage, universal basic health care aligns with the Christian tradition of social justice and is a moral and economic imperative for all Americans. Nurses, doctors, and other health care providers often observe a sharp contrast between the haves and have-nots when seeing patients. The homeless, the hungry, the unemployed, the working poor, the uninsured; people without families, patients with no visitors, those who live alone or lack support systems; refugees and immigrants — all of these people deserve the fairness and dignity provided by universal basic health care and programs which improve the social determinants of their health. The ACA moved U.S. toward this goal, but now it requires refinement and a public option. The COVID-19 pandemic highlights the urgency of this imperative by demonstrating how universal basic health care could decrease the risks to those less fortunate, thus significantly decreasing the risks to everyone.

James M. Levett, MD, serves on the board of Linn County Public Health and is a practicing cardiothoracic surgeon with Physicians’ Clinic of Iowa. Pramod Dwivedi, MS, DrPH (c), is the health director of Linn County Public Health.

We invited Admiral Mike Franken to a gathering of voters to explain why he was qualified to run for the U.S. Senate. We were impressed with his friendliness, his openness, and especially his range of experience as a leader. One of those in attendance at our home was a woman who had served under his command on the U.S.S. Barry; it was a happy reunion for the sailor and the admiral. She had no hesitation in endorsing him and supporting him in his campaign. Admiral Franken also visited our son’s home in another city. Again, those gathered were impressed with Admiral Franken’s experiences and priorities But the person most impressed was our eight-year-old grandson. When Charlie walked into the room, Admiral Franken interrupted himself, introduced himself to Charlie and engaged him in genuine conversation. Charlie’s summation of politicians. “I like him. He was talking about boring stuff, but he was nice to me. People shouldn’t talk about boring stuff; they should just be nice to everyone.”

Mike doesn’t talk about boring stuff — to us, anyway. He talks about the actions we want our United States Senate to take: pass legislation to address climate change, health care and the economy.

Because Mike has experience as a leader and as a staff member on Capitol Hill, he has an advantage over newcomers to Washington.

We, one Democrat and one Republican, encourage you to vote for Admiral Mike Franken to be our Senator.

Dianne and Bim Prichard

DeWitt

Scrum and Kanban are terms often used interchangeably in project management, though they have their differences. In fact, that’s why they may be used at the same time for tracking and managing various aspects of work. For example, a Kanban board might be used to track work during a Scrum sprint. However, each has its […] More

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The WordPress e-Commerce team are gearing up to announce a competition for the best WordPress e-Commerce compatible theme. The first prize is $1500 + any additional community donated funds that people throw into the prize pool kitty. The second prize is a new iPod. For the rules head over to Instinct

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If you use pages and subpages or posts and parent posts on your WordPress blog, it should be a good idea to display parent page/post title while on a child page. Here’s a code to do that job easily by the recipe man: WpRecipes. photo by: Jean-Baptiste Jung

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Today Matt Mullenweg from MA.TT declared today official plugin developer day because the plugin directory hit 4,000 plugins, check it out: 4,000 Plugins.  

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Imperfect Foods, an online surplus-stock grocery delivery company aimed at eliminating food waste, has begun is offering JetBlue Airline cheese and snack trays — $2.99 for three ounces of mixed cheeses, dried cherries and crackers.

Imperfect Foods CEO Philip Behn says the cheese and snack trays were an early casualty of the coronavirus pandemic.

“Almost two months ago, before it became a nationwide pandemic, this catering and airplane meal supplier said they saw a decline in economy and business-class seats,” he said. “This was one of our first COVID-19 food waste recovery opportunities. We could only take a fraction of what they had.”

Behn said his company has sold 40,000 cheese and snack trays.

“We call that ‘breaking bulk,’” Behn said. “We have stepped up with co-packers to try to repackage some of those products — it’s hard work and it’s slow, given the importance of food safety.”

Yet there are bright spots. Imperfect Foods is a budget-conscious company, so high-end products such as pineapples are usually too expensive to offer their customers.

Where do people eat pineapples? Hotels. And with hotels stalled, Imperfect Foods has been able to buy and offer them for a fair price.

It has redistributed popcorn kernels previously destined for movie theaters and broccoli florets usually reserved for restaurants. Since the beginning of March, Imperfect Foods has doubled the volume of food it was previously buying, the JetBlue snacks among many.

Julianna Bryan, communications specialist for JetBlue, said the airline has had to dramatically reduce its in-flight food and beverage service to minimize contact between customers and crew members.

“We have temporarily suspended the sales of buy-onboard products including our EatUp Snack Boxes, EatUp Café fresh food items, beer, wine and liquor,” she said.

JetBlue has donated leftover inventory of snacks to Feeding America and other food banks, as well as hospitals.

JetBlue has worked with its business partners to sell unused inventory, such as the cheese trays, at a heavily discounted price with the goal of moving it quickly and minimizing waste, Bryan said.

JetBlue is not the only airline to have to find new outlets for its in-flight overflow.

Delta has had to unload its Biscoff cookies — and it serves 80 million to 85 million of these spiced shortbread favorites each year.

At United, the Dutch stroopwafels have been piling up.

In addition to selling some of their excess, airlines have put donation programs in place. Southwest has donated more than $400,000 in snacks and other in-flight items to not-for-profit organizations and nearly 13 tractor-trailers full of groceries to 15 food banks that are a part of the Feeding America network.

Delta has donated 500,000 pounds of food around the world in the past six weeks. Front-line workers and hospitals get the Biscoff cookies along with coffee and other in-flight beverages, while other perishable food has gone to Feeding America’s partner agencies like Georgia Food & Resource Center and Missouri’s Carthage Crisis Center.

And United has donated 173,000 pounds of food to food banks and charities, pulling from airport lounges and catering kitchens. United volunteers have also processed more than 428,000 pounds of food and household goods for the Houston Food Bank.

MARION — While the Uptown Marion Market will continue to sell fresh produce, it will look a little different this year.

The market will continue operating on the second Saturday of June, July and August with some adjustments.

But the city of Marion has canceled community events until at least early July because of the coronavirus pandemic.

The Uptown market will run along Sixth Avenue instead of being held in City Square Park. It will be fenced and no more than 50 people will be let in at an time.

Jill Ackerman, president of the Marion Chamber of Commerce, said there are usually between 50 and 60 vendors at each market, but she expects only 15 to 25 at this summer’s markets.

“The main thing here is safety,” Ackerman said. “We want to make sure people have opportunities to buy fresh produce from our local growers, but we’re going to ask patrons to only spend 30 minutes inside the market.”

Vendors will sell produce and some plants, but artisan items will not be available.

While there will be summer events through the Chamber of Commerce, Ackerman said, they will be fewer and look a little different than they usually do.

Free community concerts and movie nights are canceled until July by the city, according to a news release.

The Marion Farmers Market, held at Taube Park, is expected to resume May 16.

Officials hope to have smaller-scale events throughout the summer like performances in the Uptown Artway, Messy Art Days and the Tiny Fair series as restrictions ease.

Sunrise Yoga at the Klopfenstein Amphitheater at Lowe Park is expected to take place every Saturday from June to August.

“Unfortunately, given our current reality, we know that 2020 will be far from normal,” said Marion Mayor Nicolas AbouAssaly. “After careful consideration and consultation with event organizers and sponsors, we have made the collective decision to cancel the free community concerts, events and movie nights originally planned for our outdoor public venues through early-July.”

Comments: (319) 368-8664; grace.king@thegazette.com

Vice President Mike Pence owes Iowans more than a photo-op when he visits Des Moines today, according to Joe Biden’s campaign.

“Iowans are seeing up close the most consequential failure of government in modern American history,” said Kate Bedingfeld, spokeswoman for the former vice president and presumptive Democratic presidential nominee.

“With nearly 300,000 Iowans filing for unemployment, rural hospitals on life support, Latino communities disproportionately suffering and workers on the job without sufficient protection, Mike Pence owes Iowans more than a photo-op — he owes them answers,” she said.

Pence, head of the White House coronavirus task force, is scheduled to meet with Iowa Gov. Kim Reynolds and U.S. Sens. Chuck Grassley and Joni Ernst, all Republicans, as well as with faith, farm and food production leaders.

Pence will talk to faith leaders about how they are using federal and state guidelines to open their houses of worship in a safe and responsible manner.

Later, he will go to Hy-Vee’s headquarters in West Des Moines for a roundtable discussion with agriculture and food supply leaders to discuss steps being taken to ensure the food supply remains secure.

Pence has called Iowa a “success story” in its response to the COVID-19, but Bedingfeld said the Trump administration failed to protect Iowa families from the virus that has claimed the lives of 231 Iowans.

“From devastating losses across the state, at meatpacking plants to rural communities, one thing is clear — it’s Iowans and the American people who are paying the price for the Trump administration’s denials and delays in response to this pandemic,” she said.

“Instead of listening to our own intelligence agencies and public health experts, Donald Trump was fed dangerous propaganda from the Chinese Communist Party — and he bought it,” she said. “Iowans deserve better — they deserve Joe Biden.”

For his part, Grassley said he welcomes the discussion with Pence.

“There’s much work to be done, and the pandemic is disrupting all of our communities,” Grassley said. “It’s important to hear directly from those who help feed the nation and the world.”

Ernst also is looking forward to the discussion of how Iowa is working to protect the health and safety of Iowa’s families and communities while reopening the state’s economy.

“We continue to take an all-hands-on-deck approach to tackling this pandemic,” she said. “Together, we will get through this.”

Comments: (319) 398-8375; james.lynch@thegazette.com

CEDAR RAPIDS — A Dubuque woman who helped her boyfriend and another person buy heroin that later led to a fatal overdose was convicted Thursday in federal court.

Jacqueline M. Birch, 23, pleaded guilty in U.S. District Court to one count of aiding and abetting the distribution of a controlled substance.

During the plea hearing, Birch admitted she knew that another person was going to illegally distribute a drug last May, and she aided in that distribution.

Evidence at a previous hearing showed that Birch drove her boyfriend, Mateusz Syryjczyk, 29, of Rockford, Ill., and another person, not identified in court documents, to a residence in Dubuque on May 27. Birch and the other person went into the residence and bought heroin from a dealer. The three drove to a hotel in Dubuque and all used the heroin.

The other person began to overdose in the room, but Birch and Syryjczyk didn’t immediately call 911, according to evidence. Over many hours, Birch occasionally would perform CPR on the person to restore some breathing function, though the person never regained consciousness.

Eventually, Birch and Syryjczyk decided to call 911, and Syryjczyk took the remaining drug paraphernalia from the room to prevent law enforcement from finding it, according to court documents. Birch and Syryjczyk also made false statements to police about the cause of the person’s condition.

Court documents showed the overdose victim died at the scene. An autopsy later determined the cause of death was use of heroin, fentanyl and valeryl fentanyl.

Syryjczyk previously pleaded to misprision of a felony and remains free on bond pending sentencing.

Birch faces up to 20 years in federal prison, a $1 million fine and supervised release for life following her prison term.

Sentencing will be set after a presentencing report is prepared.

The case was investigated by the Dubuque Drug Task Force and is being prosecuted by Assistant U.S. Attorney Dan Chatham.

Comments: (319) 398-8318; trish.mehaffey@thegazette.com

On Wednesday, Gov. Kim Reynolds removed some restrictions on businesses in the 22 counties that have been seeing higher numbers of Iowans affected by COVID-19, including Linn and Johnson counties.

Now those organizations have to make decisions — on bringing back employees, services to provide and how much access to allow for customers.

And as those businesses reopen — some after more than two months — crucial steps likely will include ongoing communication with employees and customers and a well-thought-out restart plan.

The Gazette spoke with business leaders about the challenges faced by business owners as they consider how and when to open their doors.

• David Drewelow of ActionCoach Heartland in Cedar Rapids is a consultant with 19 years of business coaching experience.

• David Hensley, director of the University of Iowa’s John Pappajohn Entrepreneurial Center, has expertise in small business management during a crisis.

• Josh Seamans is vice president of Cushman and Wakefield, a global commercial real estate adviser that operates offices in more than 60 countries including China.

• Steve Shriver is a Cedar Rapids entrepreneur who operates and/or helped found four diverse enterprises, including Eco Lips and Brewhemia.

Their responses here have been condensed from lengthy individual interviews.

How important is communication and having a well-prepared plan for resumption of business?

Shriver: The one thing that has been imperative throughout this whole process is communication with employees, customers and the public. I also would recommend writing as detailed a business resumption plan as possible.

One of the main reasons is to fully understand what you are doing as this is a brand-new challenge that none of us has faced.

Drewelow: You really need to be communicating now, more than ever, with your employees, customers, vendors and suppliers. What does your plan for the next 20 to 30 days look like? What are things that you can be doing right now to get ready?

Hensley: I think it is critically important to have a reopening plan because most businesses are not going to be at full strength right away. What might their revenue forecasts look like? How can they keep their costs down as their business starts to rebound before it gets back to full capacity?

Seamans: Your plan should include a checklist of reopening steps appropriate to your type of business. Retail will have different items than distribution or industrial businesses.

You need to communicate your plan to employees, customers, landlords and lenders.

How much will fear play a role in the resumption of business?

Shriver: Everyone has a different idea of the risks involved, such as using a handle to open a door or interacting with a person — the little things that we are used to doing.

When you look at the risk versus reward of doing that, some people will be willing to go into a store and others will stay home. Some employees don’t want to come back to work yet and some people are itching to get back. You have everything in between.

Drewelow: The fear factor is huge. For the small business owner, we try to channel that fear into a focus on being highly aware of all the possibilities to mitigate concerns.

If you own a restaurant, can you post the menu online or use disposable menus? That way, a customer doesn’t have to touch something that might have been handled by someone else.

Appropriate spacing of customers within a restaurant also will help alleviate some of the fear.

Hensley: You need to communicate what steps you are taking to protect the health and safety of your employees and your customers. If you will be requiring the use of personal protective equipment like face masks, are you going to make them available?

Will limiting the number of people entering a business be difficult?

Shriver: There are not a lot of people who want to gather in masses right now. It seems like as businesses start to reopen, it will be more like a trickle.

It will be just like turning on a water spigot, with the flow of customers gradually increasing.

Hensley: I think we will see a lot more customers buying, rather than just shopping. They are going to buy the items they came for and then leave.

If businesses have more vulnerable customers, I would recommend establishing separate early morning times like many of the grocery stores have done to provide a safer environment.

Many companies have adopted using digital conferencing platforms for meetings. Will we see that trend continue?

Seamans: I think Zoom will be used for more internal meetings, so there is no need for someone to fly from, say, San Francisco to New York. But in terms of sales, it does not replicate that face-to-face interaction.

We have done work with clients that live several hours away and we have to come in for a city council meeting for a project that we are working on. That’s a three-hour drive in for a one- or two-hour council meeting and another three-hour drive back — basically an eight-hour day. If we can Zoom in and answer any questions, that’s a lot more efficient at less cost.

What should a small-business owner consider when determining how many employees to recall?

Shriver: We will be able to bring some people back to work and generate some revenue, but not in a huge way. Anybody who can work from home should continue working from home for as long as they possibly can.

We should not be rushing to get those people back. There is no incentive.

Hensley: Owners are going to be making hard decisions. Do I bring back half of my team at full time or do I bring everyone back at reduced hours? What are those implications going to be?

In some cases, other industries have been hiring and some may be making more money. Businesses may have to pay more to attract that talent back.

Restaurants have been forced to change their business model from on-premise dining to carryout and delivery. Should all owners take this opportunity to examine and update their business model?

Shriver: We took two businesses — SOKO Outfitters, a retail store, and Brewhemia, a restaurant — and put them rapidly online within a month. When we come out of this, I think we will be stronger because we will have that infrastructure in place in addition to the old school face to face traffic that we used to have.

Hensley: I think this is definitely the time to look at your business model to determine what is appropriate given the economic situation that we have. That is not just going to be critical for reopening, but over the next six months to a year as long as we are dealing with the virus.

Some business owners will see that their customers have lost their jobs or seen their income drop dramatically. They are going to be changing their patterns of consumption based on necessities.

Drewelow: Some of my clients believe that are looking their competitors and realize that some may not reopen. They are looking at whether they can merge with them or somehow salvage parts of that business.

Some business owners have realized that the way they deliver products or services will have to change. Many of my older clients have been dragged into using modern technology.

CEDAR RAPIDS — A 32-year-old Cedar Rapids man, who received probation for a high-speed chase that he bragged about as “fun” and attempted to elude again in March, is heading to prison.

Sixth Judicial District Judge Lars Anderson on Friday revoked probation for Travis McDermott on the eluding charge from June 9, 2019, and sentenced him to five years in prison.

McDermott was convicted Tuesday for attempting to elude in March and was sentenced to 90 days in jail, which was run concurrently to the five-year prison sentence.

First Assistant Linn County Attorney Nick Maybanks told the judge that McDermott has a “significant violent history,” including assaults, assault on a peace officer, domestic assault, interference with official acts and child endangerment with bodily injury.

He continues to assault others and “show blatant disregard for authority figures,” the prosecutor noted.

In the eluding incident from last June, McDermott “risked lives” in a southwest neighborhood leading police on chase that began on when police saw his vehicle speeding on Rockford Road SW and run a stop sign at Eighth Avenue SW, Maybanks said Friday. McDermott drove 107 mph in a 30 mph zone and drove the wrong way on a one-way street at Third Street and Wilson Avenue SW.

McDermott ran into a pile of dirt at a dead end, jumped out of his car and led officers on a foot chase, Maybanks said. He wouldn’t stop, and officers used a Taser to subdue him.

McDermott was laughing when police arrested him, saying “how much fun” he had and appearing to be under the influence of drugs or alcohol, Maybanks said.

McDermott demanded a speedy trial, but the officer who conducted the sobriety test wasn’t available for trial. A plea was offered, and the drunken driving charge was dropped.

Maybanks also pointed out McDermott wouldn’t cooperate with the probation office on a presentencing report, which was ordered by a judge. He picked up an assault charge last November and was convicted before his eluding sentencing in January.

Maybanks said after McDermott received probation, he didn’t show up at the probation office for his appointment, didn’t get a substance abuse test as ordered and reported an invalid address to community corrections.

McDermott also has a pending charge in Dubuque County for driving while barred March 3, according to court documents.

Comments: (319) 398-8318; trish.mehaffey@thegazette.com

Some Eastern Iowans are ready to go camping.

With Gov. Kim Reynolds allowing campgrounds across the state to open Friday, some people wasted little time in heading outdoors.

“They’re already starting to fill up,” said Ryan Schlader of Linn County Conservation. “By about 7 this morning, we had a dozen at Squaw Creek Park. People were coming in bright and early to camp. We’re not surprised.”

Schlader said Linn County Conservation tried to have the campgrounds open at the county’s Squaw Creek, Morgan Creek and Pinicon Ridge parks at 5 a.m. Friday. He expected all of them would be busy.

“I think people were ready to go,” he said.

Lake Macbride State Park in Johnson County didn’t see quite as much of a rush for campsites, park manager Ron Puettmann reported Friday morning, saying he’d had six walk-ins for the park’s 42 campsites.

Camping this weekend will be done on a first-come, first-served basis. Sites won’t be available for reservations until next week, though online reservations can be made now, Puettmann said.

“I’m quite sure people were waiting anxiously to get on,” he said.

While Reynolds’ campground announcement came Wednesday, Schlader and Puettmann said they had no issues having the campgrounds ready for Friday.

Schlader said county staff have been in touch with the Iowa Department of Natural Resources and other county conservation boards to discuss protocols for reopening to ensure a safe experience for campers and employers.

“We anticipated at some point the order would be lifted,” Schlader said. “We were anticipating maybe May 15. The campgrounds were in good shape and ready to go.”

For now, camping comes with some limitations:

• Campers can camp only in a self-contained unit with a functioning restroom, such as a recreational vehicle.

• Shower houses with restrooms will remain closed for the time being.

• Campsites are limited to six people unless they are from the same household.

• No visitors are allowed at the campsites.

Puettmann said staffers and a DNR officer will be on hand to make sure guidelines are followed, but he didn’t anticipate enforcement would be an issue.

“For the most part, we’re going to allow people to police themselves,” he said.

It’s hard to gauge demand, Schlader said.

The weather isn’t yet deal for camping, and some people might not be ready to camp, given the continuing coronavirus.

“There is a lot of uncertainty,” he said. “Do people feel like they need to get out and enjoy a camping experience within their own campsite, or do people still feel under the weather and think it’s not a good idea for my family to go right now? ... We just want this to be an option for people.”

Comments: (319) 339-3155; lee.hermiston@thegazette.com

A man suspected of a workplace shooting last month at a vinyl window manufacturer in southwest Cedar Rapids turned himself into authorities Friday.

Jamal Devonte Edwards, 26, has been wanted since two men were shot at Associated Materials, 3801 Beverly Rd. SW, the morning of April 9.

Cedar Rapids police had indicated Edwards was wanted in particular for the shooting of Mark Robertson, 36.

Edwards faces charges of attempted murder, intimidation with a dangerous weapon, going armed with intent and willful injury.

The U.S. Marshals Service helped locate Edwards, distributing a photo of Edwards along the Gulf Coast. He was located in Mobile, Ala. when his father brought him to the Mobile police department so he could turn himself in, according to a Cedar Rapids police news release.

The April 9 shooting was reported at 5:03 a.m. after two employees were shot at Associated Materials. Both suffered non-life-threatening injuries, police said.

Police said at the time it appeared the shooter knew the two men.

Shawn Hardy, senior vice president of integrated products for Associated Materials, confirmed Edwards worked at the Cedar Rapids business, which gave him access to the building, but said he had been employed through a temp agency.

DES MOINES — In traveling to Iowa to call attention to the burdens COVID-19 brought to religious services and the food supply, Vice President Mike Pence unwittingly called attention to another issue: whether the White House itself is safe from the disease.

So far this week, two White House aides — President Donald Trump’s valet on Thursday, and Pence’s press secretary on Friday — have tested positive for the virus.

On Friday morning, Pence’s departure to Des Moines was delayed an hour as Air Force Two idled on a tarmac near Washington. Though Pence’s press secretary was not on the plane, White House physicians through contact tracing identified six other aides who had been near her who were aboard, and pulled them from the flight. The White House later said the six had tested negative.

Trump, who identified the Pence aide as press secretary Katie Miller, said he was “not worried” about the virus in the White House.

Nonetheless, officials said they were stepping up safety protocols and were considering a mandatory mask policy for those in close contact with Trump and Pence.

The vice president and 10 members of his staff are given rapid coronavirus tests daily, and the president is also tested regularly.

Miller, who is married to Trump adviser Stephen Miller, had been in recent contact with Pence but not with the president. Pence is leader of the White House coronavirus task force and Katie Miller has handled the group’s communications.

After landing in Des Moines, Pence spoke to a group of faith leaders about the importance of resuming religious services, saying cancellations in the name of slowing the spread of the virus have “been a burden” for congregants.

His visit coincided with the state announcing 12 more deaths from the virus, a total of 243 in less than two months.

Pence spoke with the religious leaders and Republican officials during a brief visit. He also spoke later with agricultural and food company executives.

“It’s been a source of heartache for people across the country,” Pence told about a dozen people at the Church of the Way Presbyterian church in Urbandale.

Pence told the group that continued efforts to hold services online and in other ways “made incalculable difference in our nation seeing our way through these troubled times.”

Iowa is among many states where restrictions on in-person services are starting to ease. GOP Gov. Kim Reynolds, who joined both of the state’s Republican senators at the event, has instituted new rules that allow services to resume with restrictions.

At Friday’s event, some religious leaders expressed hesitation at resuming large gatherings, while others said they would begin holding services soon,

“We are pretty much in a position of uniformly believing that it’s too early to return to personal worship. It’s inadvisable at the moment particularly with rising case counts in communities where we are across the state,” said David Kaufman, rabbi of Temple B’nai Jeshurun in Des Moines.

The Rev. Terry Amann, of Church of the Way, said his church will resume services May 17 with chairs arranged so families can sit together but avoid the temptation to shake hands or offer hugs. He said hand sanitizer will be available.

A new poll by The University of Chicago Divinity School and the Associated Press-NORC Center for Public Affairs Research shows just 9 percent of Americans think in-person services should be allowed without restrictions, while 42 percent think they should be allowed with restrictions and 48 percent think they shouldn’t be allowed at all.

Pence later met with agriculture and food industry leaders. Iowa tops the nation in egg production and pork processing and is a top grower of corn and soybeans.

Meatpacking is among the state’s biggest employers, and companies have been working to restart operations after closing them because hundreds of their workers became infected.

As Pence touted the Trump administration’s announcement of the reopening of 14 meatpacking plants including two of the worst hit by coronavirus infections in Perry and Waterloo, the union representing workers called for safer work conditions.

“Iowa’s meatpacking workers are not sacrificial lambs. They have been working tirelessly during the coronavirus pandemic to ensure families here and across the country have access to the food they need,” said the United Food and Commercial Workers Union in a statement.

The Associated Press and the McClatchy Washington Bureau contributed to this report.

CEDAR RAPIDS — An injured pelican rescued at Cedar Lake on Wednesday will have a permanent home at one of the top zoos in the Midwest.

“We downloaded all of the paperwork (on Friday), and we want to get it transported (to Henry Doorly Zoo and Aquarium in Omaha) within a week,” said Tracy Belle, founder and director of Wildthunder Wildlife and Animal Rehabilitation and Sanctuary in Independence.

“It’s doing well — we’re going to get it outside today to decompress a little.”

Belle, who also serves as primary animal rehabilitator at Wildthunder, believes the pelican is young — the average life span is 20 to 25 years — and she is not sure of its gender.

It suffered broken carpal bones and, according to Belle, surgical repair is unlikely.

“The veterinarian told me that the injury appears to be five to six weeks old,” she said. “I can only speculate, but I think when it flew into the lake, it may have clipped a power line.”

Belle said the pelican will need one more veterinary exam before transport to Omaha. In the meantime, “its appetite is good,” she said. “It’s eating five to 10 pounds of fish per day.”

Henry Doorly is closed due to the COVID-19 pandemic. In a typical year, the complex attracts about 2 million visitors.

Comments: (319) 368-8857; jeff.linder@thegazette.com

Announcement of Members - Block Permissions, a WordPress plugin for showing/hiding content using the block editor (Gutenberg).

And while we’re in the process of missing European architecture… ????
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4 more days left to catch my Lightroom presets for 50% off! ⌛️ (at Copenhagen, Denmark)

This image shows a particular optical illusion that confronts us every day. Notice the difference between the black text on a white background and the reverse. With reversed type — light text on a darker background — the strokes seem bolder.

Black text on white is very familiar, so we can be forgiven for thinking it correctly proportioned. For familiarity’s sake we can say it is, but there are two effects happening here: The white background bleeds over the black, making the strokes seem thinner. With reversed type the opposite is true: The white strokes bleed over the black, making it seem bolder.

One of the most obvious examples of this is with signs where the letters are punched into the surround then lit from inside. In his article, Designing the ultimate wayfinding typeface, Ralph Herrmann used his own Legibility Text Tool to simulate this effect for road and navigational signs.

One might say that characters are only correctly proportioned with low-contrast. Although objective reality hails that as true, it isn’t a good reason to always set type with low contrast. Type designers have invariably designed around optical illusions and the constraints of different media for us. Low-contrast text can also create legibility and accessibility problems. Fortunately, kind folks like Gez Lemon have provided us with simple tools to check.

As fascinating as optical illusions are —  the disturbing, impossible art of Escher comes to mind — we can design around reversed body type. On the Web, increasing tracking and leading are as simple as increasing the mis-named letter-spacing and line-height in CSS. However, decreasing font weight is a thornier problem. Yes, we will be able to use @font-face to select a variant with a lighter weight, but the core web fonts offer us no options, and there are only a few limited choices with system fonts like Helvetica Neue.

Reversing a logotype

For logotype there are plenty of options, but it makes me slightly uncomfortable to consider switching to a lighter font for reversed type logos. The typeface itself is not the logotype; the variant is, so switching font could be tricky. Ironically, I’d have to be very sure that that was no perceivable difference using a lighter weight font. Also, with display faces, there’s often not a lighter weight available — a problem I came across designing the Analog logo.

The logotype worked well when testing it in black on white. However, I wanted a reversed version, too. That’s when I noticed the impact of the optical illusion:

It looked bloated! Objective reality be damned; it simply wouldn’t do. After a few minutes contemplating the carnage of adjusting every control point by hand, I remembered something; eureka!

Punching the paths through a background image in Fireworks CS4 removed the illusion. (Select both the path and the background then using Modify > Combine Paths > Punch.) Is this a bug? I don’t know, but if it is, it’s a useful one for a change!

I grinned. I was happy. All was well with the world again. Lovely! Now I could go right ahead and think about colour and I wouldn’t be far from done. This is how it emerged:

A final note on logotype design & illusions

Before we even got to actual type for the Analog logo, we first had to distill what it would convey. In our case, Alan took us through a process to define the brand values and vision. What emerged were keywords and concepts that fed into the final design. The choice of type, colour, and setting were children of that process. Style is the offspring of meaning.

I always work in greyscale for the first iterations of a new logo for a few simple reasons:

1. The form has to work independently of colour — think printing in greyscale or having the logo viewed by people with a colour-impairment.
2. It allows for quick testing of various sizes — small, high contrast versions will emphasise rendering and legibility issues at screen resolutions, especially along curves.
3. I like black and white. :)

I realise that in this day and age the vast majority of logos need to perform primarily on the Web. However, call me old-fashioned, but I still think that they should work in black and white, too.

Brands and display faces emerged with consumer culture during the 19^th Century. Logotypes were displayed prominently in high streets, advertising hoardings, and on sign boards. In many instances the message would be in black and white. They were designed to be legible from a distance, at a glance, and to be instantly recognisable. Even with colour, contrast was important.

The same is true for the Web today; only the context has changed, and the popularity of logomarks and icons. We should always test any logo at low resolutions and sizes, and the brand must still have good contrast (regardless of WCAG 2.0) to be optimal. A combination of colour and form works wonders, but in a world of a million colours where only a handful are named in common parlance, having the right form still seems a smarter choice than trying to own a palette or colour.

A final word

This article was prompted by a happy accident followed by a bit of reading. There are many references to optical illusions in design and typography books. The example image at the start of this article was inspired by one found in the excellent Stop Stealing Sheep and Find Out How Type Works by Erik Spiekermann and E.M. Ginger. There’s also plenty of online material about optical or visual illusions you can dive into. There’s also more on . Oh, and don’t forget the work of M. C. Escher!

Human eyes are amazing. In two sets of watery bags we get a wide-angle lens with incredibly sharp focus and ridiculous depth of field. Apparently our brain is even clever enough to compensate for the lag in the signal getting from retina to cortex. I know next to nothing about ocular science. Spending a morning reading and thinking about optical illusions, and contemplating my own view here in the garden office is pretty awe-inspiring. If only my photographs were as good as my eyes, illusions or no.

Analog, Mapalong, more tries at trans-Atlantic sleep, Cuba, Fontdeck, and my youngest son entering school; it all happened in the last year. At the end of 2007, I wrote up the year very differently. After skipping a couple of years, this is a different wrap-up. To tell the truth I put this together for me, being the very worst of diarists. It meant searching through calendars, Aperture, and elsewhere. I hope it prompts me to keep a better diary. I give you: 2010 in pictures and words:

Analog.coop is still fresh after launching in December. We’re still a bit blown away by the response but decide not to do client work, but to make Mapalong instead. We jump through all kinds of hoops trying to make it happen, but ultimately it comes down to our friend and colleague, Chris Shiflett. He gets us going. It snows a lot in Bristol. The snow turns to ice. I slip around, occasionally grumpy, but mostly grinning like an idiot.

My family and I go to Cuba on our first ever all inclusive ‘package’ holiday. It’s a wonderful escape from winter, tempered by surreptitious trips out of the surreal, tourist-only island, to the other Cuba with an unofficial local guide. My boys love the jacuzzi, and sneaking into the gym. Z shoots his first arrow. Just after we return, he turns 4 years old. Now, he wants to go back.

I visit Chris in Brooklyn to work on Mapalong. We play football. Well, Chris plays. I cripple myself, and limp around a lot. At the same time I meet the irrepressible, Cameron Koczon. We all get drunk on good beer at Beer Table. Life is good. Cameron comes up with the Brooklyn Beta name. It starts to move from idea to action.

Just before Brooklyn, a discussion about First Things First opens during a talk at BathCamp. The follow-ups become passionate with posts like this straw man argument and a vociferous rejoinder.

The sun comes out. The garden becomes the new studio. Alan Colville and Jon Gibbins stop by as we work on Mapalong. The hunt starts for a co-working space in Bristol. I write pieces about self-promotion and reversed type. Worn out from the sudden burst, I go quiet again.

We find a place for our Bristol co-working studio studio. Mild Bunch HQ is born! I design desks for the first time. Our first co-workers are Adam Robertson, Kester Limb, Eugene Getov, and Ben Coleman. Chris and I meet again across the Atlantic; he makes a flying visit to Bristol. The gentle pressure mounts on fellow Analogger, Jon Gibbins to come to Bristol, too. Something special begins. Beer Fridays have started.

Fontdeck comes out of private beta! Almost 17 months after Rich Rutter and I talked about a web fonts service in Brighton for the first time, the site was live thanks to the hard work of Clearleft and OmniTI. Now it features thousands of fonts prepared for the Web, and many of the best type designers and foundries in the world.

For the first time in around 15 years I visit Belfast. At the invitation of the Standardistas, Chris and Nik, Elliot Stocks and I talk typography at the Ulster Festival of Art and Design. We’re working on the Brooklyn Beta branding, so talk about that with a bit of neuroscience thrown in as food for thought. Belfast truly is a wonderful place with fantastic people. It made it hard to miss Build for the second time later in the year.

June was busier than it felt. :)

Summer arrived in earnest. X has a blast at his school sports day. I do, too. Mild Bunch HQ is liberally dosed with shared lunches from Herbert’s bakery and Licata’s deli, and beers on balmy evenings outside The Canteen with friends. That’s all the Mild Bunch is, a group of friends with a name that made us laugh; everyone of friendly disposition is welcome!

8 Faces number 1 is published and sells out in a couple of hours. I was lucky enough to be interviewed, and to sweat over trying to narrow my choices. The .Net interview was me answering a few questions thrown my way from folks on Twitter. Great fun. Elliot, Samantha Cliffe, and I had spent a great day wandering around Montpelier taking pictures in the sun earlier in the year. One of her portraits of me appeared in both magazines. Later that month, I write about Web Fonts, Dingbats, Icons, and Unicode. It’s only my fourth post of the year.

Sometimes, some things strip me of words. Thank you.

The whole of Analog heads to Brooklyn for a Mapalong hack week with the Fictive Kin guys. We start to show it to friends and Brooklyn studio mates like Tina (Swiss Miss) who help us heaps. It’s a frantic week. I get to spend a bit of time with my Analog friend Andrei Zmievski who I haven’t seen in the flesh since 2009. Everyone works and plays hard, and we stay in some fantastic places thanks to Cameron and AirBnB.

Just before I head to NY, Z starts big school. He looks too small to start. He’s 4. How did time pass so fast? I’m still wondering that after I get back.

The whole of Analog, the Mild Bunch HQ and many others from Bristol, and as far away as Australia and India, head to New York for Brooklyn Beta! A poster whipped together my me, printed in a rush by Rik at Ripe, and transported to NY by Adam Robertson, is given as one of the souvenirs to everyone who comes.

Meanwhile, Jon Gibbins works frantically to get Mapalong ready to give BB an early glimpse of what we’re up to. Two thousand people reserve their usernames before we even go to private beta!

Chris and Cameron work tirelessly. Many, many fine people lend a hand. We add some last minute touches to the site, like listing all the crew and attendees as well as the speakers. Cameron shows off Gimme Bar with an hilarious voice-over from Bedrich Rios. Alan narrates Mapalong and we introduce our mapping app to our peers and friends!

It’s something we hoped, but never expected: Brooklyn Beta goes down as one of the best conferences ever in the eyes of veteran conference speakers and attendees. ‘Are you sure you’ve not done this before?’ I hear Jonathan Hoefler of Hoefler Frere-Jones ask Cameron. It makes me smile. The fact one of our sponsors asked this question in admiration of Chris and Cameron’s work meant a lot to me. I was proud of them, and grateful to everyone who helped it be something truly friendly, open, smart, and special.

The BB Flickr group has a lot of pictures and links to blog posts. Brooklyn Beta will return again in 2011!

X turns 7. I realise he really isn’t such a toddler anymore. It took me a while even though he amazes me constantly with his vocabulary and eloquence. His birthday party ensues with a trip to Legoland on the last weekend of the season to watch fireworks and get into trouble. Fun times finding Yoda and the rest of the Star Wars posse battling each other below the Space Shuttle exhibit.

8 Faces number two is published after being announced at Build. Much of the month was spent juggling Mapalong work, and having a great time typesetting the selections spreads for each of the eight faces chosen by the interviewees. That, and worrying with Elliot how it might print with litho. It all turned out OK. I think.

The .Net Awards take place in London. Christened the ‘nutmeg’ awards thanks to iPhone auto-correction, I’m one of millions of judges. We use it as an excuse for a party. At the end of the month, lots of the Mild Bunch go to see Caribou at The Thekla. Good times.

Mapalong goes into private beta! We start inviting many of the Brooklyn Beta folks, and others who’ve reserved their usernames. Lots of placemarks get added. Lots of feedback comes our way. Bug hunting starts. Next design steps start. We push frequently and add people as we go. Big things are planned for the new year!

The Mild Bunch Christmas do goes off with a bang thanks to Adam Robertson making sure it happened. Folks come from far and wide for a great party in The Big Chill Bar in Bristol. Lowri sneaks shots of Sambuca for the girls onto my tab, and we drink all the Innis and Gunn they have.

A few parties later, and the year draws to a close with a very traditional family Christmas in our house. Wood fires, music, the Christmas tree, and two small boys doing what kids do at Christmas. It’s just about perfect; A tonic to the background strife of the month, with a personal tragedy for me, and illness in my close family. Everything worked out OK. Steam-powered fairground rides, dressing up as dinosaurs, and detox follows with a bit of reflection. New Year’s Eve probably means staying in. Babysitters are like gold dust, but I just found we have one for tonight, so it looks like our celebration is coming early!

In the new year, I’ll be mostly trying to do the best I can for my family, my colleagues, and myself. The only goals I have are to help my children be everything they can be, make Mapalong everything we wish it to be, and feel that calm, quiet sense of peace in the evening that only comes from a day well done. Other than that I’ll keep my mind open to serendipity. (…and do something about some bits of my site and the typesetting that’s bugging me after writing this. :)

If you made it this far, thank you, and here’s to you and yours in 2011; may the best of your past be the worst of your future!

The first Ampersand web typography conference took place in Brighton last Friday. Ampersand was ace. I’m going to say that again with emphasis: Ampersand was ace! Like the Ready Brek kid from the 80s TV ads I’m glowing with good vibes.

Imagine you’d just met some of the musicians that created the soundtrack to your life. That’s pretty much how I feel.

For a long, long time I’ve gazed across at the typography community with something akin to awe at the work they do. I’ve lurked quietly on the ATypI mailing list, in the Typophile forum, and behind the glass dividing my eyes from the blogs, portfolios, and galleries.

I always had a sneaking suspicion the web and type design communities had much in common: Excellence born from actual client work; techniques and skills refined by practice, not in a lab or classroom; a willingness to share and disseminate, most clearly demonstrated at Typophile and through web designer’s own blogs. The people of both professions have a very diverse set of backgrounds from graphic design all the way through to engineering, to accidentally working in a print shop. We’ve been apprenticed to our work, and Ampersand was a celebration of what we’ve achieved so far and what’s yet to come.

Of course, web design is a new profession. Type design has a history that spans hundreds of years. Nevertheless, both professions are self-actualising. Few courses exist of any real merit. There is no qualifications authority. The work from both arenas succeeds or fails based on whether it works or not.

Ampersand was the first event of its kind. Folks from both communities came together around the mutal fascination, frustration, challenge and opportunity of web type.

Like Brooklyn Beta, the audience was as fantastic as the line up. I met folks like Yves Peters of the FontFeed, Mike Duggan of Microsoft Typography, Jason Smith, Phil Garnham, Fernando Mello, and Emanuela Conidi of Fontsmith, Veronica Burian of TypeTogether, Adam Twardoch of Fontlab and MyFonts, Nick Sherman of of Webtype, Mandy Brown of A Book Apart and Typekit, and many, many others. (Sorry for stopping there, but wow, it would be a huge list.)

Rich Rutter opened the day on behalf of Clearleft and Fontdeck at the Brighton Dome. Rich and I had talked about a web typography conference before. He just went out and did it. Hats off to him, and people like Sophie Barrett at Clearleft who helped make the day run so smoothly.

Others have written comprehensive, insightful summaries of the day and the talks. Much better than I could, sitting there on the day, rapt, taking no notes. What follows are a few snippets my memory threw out when prodded.

Who knew the original letterforms for Comic Sans were inspired by a copy of The Watchmen Vincent Connare had in his office? Or that Vincent, who also designed Trebuchet, considers himself an engineer rather than type designer, and is working at the moment on the Ubuntu fonts with colleagues at Dalton Maag.

Jason Santa Maria declared himself a type nerd, and gave a supremely detailed talk about selecting, setting, and understanding web type. Wonderful stuff.

Jonathan Hoefler talked in rapid, articulate, and precise terms about the work behind upcoming release of pretty-much all of H&FJ’s typefaces as web fonts. (Hooray!) He clearly and wonderfully explained how they took the idea behind their typefaces, and moved them through a design process to produce a final form for a specific purpose. In this case, the web, as a distinct and different environment from print.

I spoke between Jason and Jonathan. Gulp. After staying up until 4am the night before, anxiously working on slides, I was carried along by the privilege and joy of being there, hopefully without too much mumbling or squinting with bleary eyes.

After lunch, David Berlow continued the story of web fonts, taking us on a journey through his own trials and tribulations at Font Bureau when re-producing typefaces for the web crude media. His dry, droll, richly-flavoured delivery was a humorous counterpoint to some controversial asides.

John Daggett of Mozilla, editor of the CSS3 Fonts Module, talked with great empathy for web designers about the amazing typographic advances we’re about to see in browsers.

Tim Brown of Typekit followed. Tim calmly and thoroughly advocated the extension of modular scales to all aspects of a web interface, taking values from the body type and building all elements with those values as the common denominator.

Finally, Mark Boulton wrapped up the day brilliantly, describing the designer’s role as the mitigator of entropy, reversing the natural trend for things to move from order to chaos, and a theme he’s exploring at the moment: designing from the content out.

The tone of the day was fun, thoughtful, articulate, and exacting. All the talks were a mix of anecdotal and observational humour, type nerdery, and most of all an overwhelming commitment to excellence in web typography. It was a journey in itself. Decades of experience from plate and press, screen, and web was being distilled into 45-minute presentations. I loved it.

As always, one of the most enjoyable bits for me was the hallway track. I talked to heaps of people both in the pre- and after-party, and in between the talks on the day itself. I heard stories, ideas, and opinions from print designers, web designers, type designers, font developers, and writers. We talked late into the night. We talked more the next day.

Now the talking has paused for a while, my thoughts are manifold. I can honestly say, I’ve never been so filled with positivity about where we are, and where we’re going. Web typography is here, it works, it’s better all the time, and one day web and type designers everywhere will wonder, perplexed, as they try to imagine what the web was like before.

Here’s to another Ampersand next year! I’m now going to see if Rich needs any encouragement to do it again. I’m guessing not, but if he does, I aim to provide it, vigorously. I hope I see you there!

Furthermore

• Rich Rutter back in May on The Ampersand Story
• Eye Magazine: Web typography comes of age at Brighton’s Ampersand conference
• Anthony Stonehouse: Ampersand 2011
• Laura Kalbag: Notes from Ampersand
• Dave Bushell: Ampersand Conference!

Last but not least, did I mention that Rich Rutter, Mark Boulton, and I are writing a book? We are! More on that another time, but until then, follow @webtypography for intermittent updates.

At the Subscribe 9 Conference, we presented the first version of our new Audio Inspector:
The Auphonic Audio Inspector is shown on the status page of a finished production and displays details about what our algorithms are changing in audio files.

A screenshot of the Auphonic Audio Inspector on the status page of a finished Multitrack Production.
Please click on the screenshot to see it in full resolution!

It is possible to zoom and scroll within audio waveforms and the Audio Inspector might be used to manually check production result and input files.

In this blog post, we will discuss the usage and all current visualizations of the Inspector.
If you just want to try the Auphonic Audio Inspector yourself, take a look at this Multitrack Audio Inspector Example.

Inspector Usage

Control bar of the Audio Inspector with scrollbar, play button, current playback position and length, button to show input audio file(s), zoom in/out, toggle legend and a button to switch to fullscreen mode.

Seek in Audio Files

Click or tap inside the waveform to seek in files. The red playhead will show the current audio position.

Zoom In/Out

Use the zoom buttons ([+] and [-]), the mouse wheel or zoom gestures on touch devices to zoom in/out the audio waveform.

Scroll Waveforms

If zoomed in, use the scrollbar or drag the audio waveform directly (with your mouse or on touch devices).

Show Legend

Click the [?] button to show or hide the Legend, which describes details about the visualizations of the audio waveform.

Show Stats

Use the Show Stats link to display Audio Processing Statistics of a production.

Show Input Track(s)

Click Show Input to show or hide input track(s) of a production: now you can see and listen to input and output files for a detailed comparison. Please click directly on the waveform to switch/unmute a track - muted tracks are grayed out slightly:

Showing four input tracks and the Auphonic output of a multitrack production.

Please click on the fullscreen button (bottom right) to switch to fullscreen mode.
Now the audio tracks use all available screen space to see all waveform details:

A multitrack production with output and all input tracks in fullscreen mode.
Please click on the screenshot to see it in full resolution.

In fullscreen mode, it’s also possible to control playback and zooming with keyboard shortcuts:
Press [Space] to start/pause playback, use [+] to zoom in and [-] to zoom out.

Singletrack Algorithms Inspector

First, we discuss the analysis data of our Singletrack Post Production Algorithms.

The audio levels of output and input files, measured according to the ITU-R BS.1770 specification, are displayed directly as the audio waveform. Click on Show Input to see the input and output file. Only one file is played at a time, click directly on the Input or Output track to unmute a file for playback:

Singletrack Production with opened input file.
See the first Leveler Audio Example to try the audio inspector yourself.

Waveform Segments: Music and Speech (gold, blue)

Music/Speech segments are displayed directly in the audio waveform: Music segments are plotted in gold/yellow, speech segments in blue (or light/dark blue).

Waveform Segments: Leveler High/No Amplification (dark, light blue)

Speech segments can be displayed in normal, dark or light blue: Dark blue means that the input signal was very quiet and contains speech, therefore the Adaptive Leveler has to use a high amplification value in this segment.
In light blue regions, the input signal was very quiet as well, but our classifiers decided that the signal should not be amplified (breathing, noise, background sounds, etc.).

Yellow/orange background segments display leveler fades.

Background Segments: Leveler Fade Up/Down (yellow, orange)

If the volume of an input file changes in a fast way, the Adaptive Leveler volume curve will increase/decrease very fast as well (= fade) and should be placed in speech pauses. Otherwise, if fades are too slow or during active speech, one will hear pumping speech artifacts.
Exact fade regions are plotted as yellow (fade up, volume increase) and orange (fade down, volume decrease) background segments in the audio inspector.

Horizontal red lines display noise and hum reduction profiles.

Horizontal Lines: Noise and Hum Reduction Profiles (red)

Our Noise and Hiss Reduction and Hum Reduction algorithms segment the audio file in regions with different background noise characteristics, which are displayed as red horizontal lines in the audio inspector (top lines for noise reduction, bottom lines for hum reduction).
Then a noise print is extracted in each region and a classifier decides if and how much noise reduction is necessary - this is plotted as a value in dB below the top red line.
The hum base frequency (50Hz or 60Hz) and the strength of all its partials is also classified in each region, the value in Hz above the bottom red line indicates the base frequency and whether hum reduction is necessary or not (no red line).

You can try the singletrack audio inspector yourself with our Leveler, Noise Reduction and Hum Reduction audio examples.

Multitrack Algorithms Inspector

If our Multitrack Post Production Algorithms are used, additional analysis data is shown in the audio inspector.

The audio levels of the output and all input tracks are measured according to the ITU-R BS.1770 specification and are displayed directly as the audio waveform. Click on Show Input to see all the input files with track labels and the output file. Only one file is played at a time, click directly into the track to unmute a file for playback:

Input Tracks: Waveform Segments, Background Segments and Horizontal Lines

Input tracks are displayed below the output file including their track names. The same data as in our Singletrack Algorithms Inspector is calculated and plotted separately in each input track:

• Waveform Segments with different colors: Music and Speech Segments (gold, blue), Leveler High/No Amplification (dark blue, light blue)
• Background Segments: Leveler Fade Up/Down (yellow, orange)
• Horizontal Lines: Noise and Hum Reduction Profiles Noise and Hum Reduction Profiles (red)

Output Waveform Segments: Multiple Speakers and Music

Each speaker is plotted in a separate, blue-like color - in the example above we have 3 speakers (normal, light and dark blue) and you can see directly in the waveform when and which speaker is active.
Audio from music input tracks are always plotted in gold/yellow in the output waveform, please try to not mix music and speech parts in music tracks (see also Multitrack Best Practice)!

You can try the multitrack audio inspector yourself with our Multitrack Audio Inspector Example or our general Multitrack Audio Examples.

Ducking, Background and Foreground Segments

Music tracks can be set to Ducking, Foreground, Background or Auto - for more details please see Automatic Ducking, Foreground and Background Tracks.

Ducking Segments (light, dark orange)

In Ducking, the level of a music track is reduced if one of the speakers is active, which is plotted as a dark orange background segment in the output track.
Foreground music parts, where no speaker is active and the music track volume is not reduced, are displayed as light orange background segments in the output track.

Background Music Segments (dark orange background)

Here the whole music track is set to Background and won’t be amplified when speakers are inactive.
Background music parts are plotted as dark organge background segments in the output track.

Foreground Music Segments (light orange background)

Here the whole music track is set to Foreground and its level won’t be reduced when speakers are active.
Foreground music parts are plotted as light organge background segments in the output track.

You can try the ducking/background/foreground audio inspector yourself: Fore/Background/Ducking Audio Examples.

Audio Search, Chapters Marks and Video

Audio Search and Transcriptions

If our Automatic Speech Recognition Integration is used, a time-aligned transcription text will be shown above the waveform. You can use the search field to search and seek directly in the audio file.
See our Speech Recognition Audio Examples to try it yourself.

Chapters Marks

Chapter Mark start times are displayed in the audio waveform as black vertical lines.
The current chapter title is written above the waveform - see “This is Chapter 2” in the screenshot above.

A video production with output waveform, input waveform and transcriptions in fullscreen mode.
Please click on the screenshot to see it in full resolution.

Video Display

If you add a Video Format or Audiogram Output File to your production, the audio inspector will also show a separate video track in addition to the audio output and input tracks. The video playback will be synced to the audio of output and input tracks.

Supported Audio Formats

We use the native HTML5 audio element for playback and the aurora.js javascript audio decoders to support all common audio formats:

WAV, MP3, AAC/M4A and Opus

These formats are supported in all major browsers: Firefox, Chrome, Safari, Edge, iOS Safari and Chrome for Android.

FLAC

FLAC is supported in Firefox, Chrome, Edge and Chrome for Android - see FLAC audio format.
In Safari and iOS Safari, we use aurora.js to directly decode FLAC files in javascript, which works but uses much more CPU compared to native decoding!

ALAC

ALAC is not supported by any browser so far, therefore we use aurora.js to directly decode ALAC files in javascript. This works but uses much more CPU compared to native decoding!

Ogg Vorbis

Only supported by Firefox, Chrome and Chrome for Android - for details please see Ogg Vorbis audio format.

We suggest to use a recent Firefox or Chrome browser for best performance.
Decoding FLAC and ALAC files also works in Safari and iOS with the help of aurora.js, but javascript decoders need a lot of CPU and they sometimes have problems with exact scrolling and seeking.

Please see our blog post Audio File Formats and Bitrates for Podcasts for more details about audio formats.

Mobile Audio Inspector

Multiple responsive layouts were created to optimize the screen space usage on Android and iOS devices, so that the audio inspector is fully usable on mobile devices as well: tap into the waveform to set the playhead location, scroll horizontally to scroll waveforms, scroll vertically to scroll between tracks, use zoom gestures to zoom in/out, etc.

Unfortunately the fullscreen mode is not available on iOS devices (thanks to Apple), but it works on Android and is a really great way to inspect everything using all the available screen space:

Audio inspector in horizontal fullscreen mode on Android.

Conclusion

Try the Auphonic Audio Inspector yourself: take a look at our Audio Example Page or play with the Multitrack Audio Inspector Example.

The Audio Inspector will be shown in all productions which are created in our Web Service.
It might be used to manually check production result/input files and to send us detailed feedback about audio processing results.

Please let us know if you have some feedback or questions - more visualizations will be added in future!

Back in late 2016, we introduced Speech Recognition at Auphonic. This allows our users to create transcripts of their recordings, and more usefully, this means podcasts become searchable.
Now we integrated two more speech recognition engines: Amazon Transcribe and Speechmatics. Whilst integrating these services, we also took the opportunity to develop a complete new Transcription Editor:

Screenshot of our Transcript Editor with word confidence highlighting and the edit bar.
Try out the Transcript Editor Examples yourself!

The new Auphonic Transcript Editor is included directly in our HTML transcript output file, displays word confidence values to instantly see which sections should be checked manually, supports direct audio playback, HTML/PDF/WebVTT export and allows you to share the editor with someone else for further editing.

The new services, Amazon Transcribe and Speechmatics, offer transcription quality improvements compared to our other integrated speech recognition services.
They also return word confidence values, timestamps and some punctuation, which is exported to our output files.

The Auphonic Transcript Editor

With the integration of the two new services offering improved recognition quality and word timestamps alongside confidence scores, we realized that we could leverage these improvements to give our users easy-to-use transcription editing.
Therefore we developed a new, open source transcript editor, which is embedded directly in our HTML output file and has been designed to make checking and editing transcripts as easy as possible.

• Edit the transcription directly in the HTML document.
• Show/hide word confidence, to instantly see which sections should be checked manually (if you use Amazon Transcribe or Speechmatics as speech recognition engine).
• Listen to audio playback of specific words directly in the HTML editor.
• Share the transcript editor with others: as the editor is embedded directly in the HTML file (no external dependencies), you can just send the HTML file to some else to manually check the automatically generated transcription.
• Export the edited transcript to HTML, PDF or WebVTT.
• Completely useable on all mobile devices and desktop browsers.

Examples: Try Out the Transcript Editor

Here are two examples of the new transcript editor, taken from our speech recognition audio examples page:

1. Singletrack Transcript Editor Example

Singletrack speech recognition example from the first 10 minutes of Common Sense 309 by Dan Carlin. Speechmatics was used as speech recognition engine without any keywords or further manual editing.

2. Multitrack Transcript Editor Example

A multitrack automatic speech recognition transcript example from the first 20 minutes of TV Eye on Marvel - Luke Cage S1E1. Amazon Transcribe was used as speech recognition engine without any further manual editing.
As this is a multitrack production, the transcript includes exact speaker names as well (try to edit them!).

Transcript Editing

By clicking the Edit Transcript button, a dashed box appears around the text. This indicates that the text is now freely editable on this page. Your changes can be saved by using one of the export options (see below).
If you make a mistake whilst editing, you can simply use the undo/redo function of the browser to undo or redo your changes.

When working with multitrack productions, another helpful feature is the ability to change all speaker names at once throughout the whole transcript just by editing one speaker. Simply click on an instance of a speaker title and change it to the appropriate name, this name will then appear throughout the whole transcript.

Word Confidence Highlighting

Word confidence values are shown visually in the transcript editor, highlighted in shades of red (see screenshot above). The shade of red is dependent on the actual word confidence value: The darker the red, the lower the confidence value. This means you can instantly see which sections you should check/re-work manually to increase the accuracy.

Once you have edited the highlighted text, it will be set to white again, so it’s easy to see which sections still require editing.
Use the button Add/Remove Highlighting to disable/enable word confidence highlighting.

NOTE: Word confidence values are only available in Amazon Transcribe or Speechmatics, not if you use our other integrated speech recognition services!

Audio Playback

The button Activate/Stop Play-on-click allows you to hear the audio playback of the section you click on (by clicking directly on the word in the transcript editor).
This is helpful in allowing you to check the accuracy of certain words by being able to listen to them directly whilst editing, without having to go back and try to find that section within your audio file.

If you use an External Service in your production to export the resulting audio file, we will automatically use the exported file in the transcript editor.
Otherwise we will use the output file generated by Auphonic. Please note that this file is password protected for the current Auphonic user and will be deleted in 21 days.

If no audio file is available in the transcript editor, or cannot be played because of the password protection, you will see the button Add Audio File to add a new audio file for playback.

Export Formats, Save/Share Transcript Editor

Save/Share Editor

The Save Editor button stores the whole transcript editor with all its current changes into a new HTML file. Use this button to save your changes for further editing or if you want to share your transcript with someone else for manual corrections (as the editor is embedded directly in the HTML file without any external dependencies).

Export HTML / Export PDF / Export WebVTT

Use one of these buttons to export the edited transcript to HTML (for WordPress, Word, etc.), to PDF (via the browser print function) or to WebVTT (so that the edited transcript can be used as subtitles or imported in web audio players of the Podlove Publisher or Podigee).
Every export format is rendered directly in the browser, no server needed.

Amazon Transcribe

The first of the two new services, Amazon Transcribe, offers accurate transcriptions in English and Spanish at low costs, including keywords, word confidence, timestamps, and punctuation.

UPDATE 2019:
Amazon Transcribe offers more languages now - please see Amazon Transcribe Features!

Pricing

The free tier offers 60 minutes of free usage a month for 12 months. After that, it is billed monthly at a rate of $0.0004 per second ($1.44/h).
More information is available at Amazon Transcribe Pricing.

Custom Vocabulary (Keywords) Support

Custom Vocabulary (called Keywords in Auphonic) gives you the ability to expand and customize the speech recognition vocabulary, specific to your case (i.e. product names, domain-specific terminology, or names of individuals).
The same feature is also available in the Google Cloud Speech API.

Timestamps, Word Confidence, and Punctuation

Amazon Transcribe returns a timestamp and confidence value for each word so that you can easily locate the audio in the original recording by searching for the text.
It also adds some punctuation, which is combined with our own punctuation and formatting automatically.

The high-quality (especially in combination with keywords) and low costs of Amazon Transcribe make it attractive, despite only currently supporting two languages.
However, the processing time of Amazon Transcribe is much slower compared to all our other integrated services!

Try it yourself:
Connect your Auphonic account with Amazon Transcribe at our External Services Page.

Speechmatics

Speechmatics offers accurate transcriptions in many languages including word confidence values, timestamps, and punctuation.

Many Languages

Speechmatics’ clear advantage is the sheer number of languages it supports (all major European and some Asiatic languages).
It also has a Global English feature, which supports different English accents during transcription.

Timestamps, Word Confidence, and Punctuation

Like Amazon, Speechmatics creates timestamps, word confidence values, and punctuation.

Pricing

Speechmatics is the most expensive speech recognition service at Auphonic.
Pricing starts at £0.06 per minute of audio and can be purchased in blocks of £10 or £100. This equates to a starting rate of about $4.78/h. Reduced rate of £0.05 per minute ($3.98/h) are available if purchasing £1,000 blocks.
They offer significant discounts for users requiring higher volumes. At this further reduced price point it is a similar cost to the Google Speech API (or lower). If you process a lot of content, you should contact them directly at sales@speechmatics.com and say that you wish to use it with Auphonic.
More information is available at Speechmatics Pricing.

Speechmatics offers high-quality transcripts in many languages. But these features do come at a price, it is the most expensive speech recognition services at Auphonic.

Unfortunately, their existing Custom Dictionary (keywords) feature, which would further improve the results, is not available in the Speechmatics API yet.

Try it yourself:
Connect your Auphonic account with Speechmatics at our External Services Page.

What do you think?

Any feedback about the new speech recognition services, especially about the recognition quality in various languages, is highly appreciated.

We would also like to hear any comments you have on the transcript editor particularly - is there anything missing, or anything that could be implemented better?
Please let us know!

Until recently, Amazon Transcribe supported speech recognition in English and Spanish only.
Now they included French, Italian and Portuguese as well - and a few other languages (including German) are in private beta.

Update March 2019:
Now Amazon Transcribe supports German and Korean as well.

The Auphonic Audio Inspector on the status page of a finished Multitrack Production including speech recognition.
Please click on the screenshot to see it in full resolution!

Amazon Transcribe is integrated as speech recognition engine within Auphonic and offers accurate transcriptions (compared to other services) at low costs, including keywords / custom vocabulary support, word confidence, timestamps, and punctuation.
See the following AWS blog post and video for more information about recent Amazon Transcribe developments: Transcribe speech in three new languages: French, Italian, and Brazilian Portuguese.

Amazon Transcribe is also a perfect fit if you want to use our Transcript Editor because you will be able to see word timestamps and confidence values to instantly check which section/words should be corrected manually to increase the transcription accuracy:

Screenshot of our Transcript Editor with word confidence highlighting and the edit bar.

These features are also available if you use Speechmatics, but unfortunately not in our other integrated speech recognition services.

About Speech Recognition within Auphonic

Auphonic has built a layer on top of a few external speech recognition services to make audio searchable:
Our classifiers generate metadata during the analysis of an audio signal (music segments, silence, multiple speakers, etc.) to divide the audio file into small and meaningful segments, which are processed by the speech recognition engine. The results from all segments are then combined, and meaningful timestamps, simple punctuation and structuring are added to the resulting text.

To learn more about speech recognition within Auphonic, take a look at our Speech Recognition and Transcript Editor help pages or listen to our Speech Recognition Audio Examples.

A comparison table of our integrated services (price, quality, languages, speed, features, etc.) can be found here: Speech Recognition Services Comparison.

Conclusion

We hope that Amazon and others will continue to add new languages, to get accurate and inexpensive automatic speech recognition in many languages.

Don't hesitate to contact us if you have any questions or feedback about speech recognition or our transcript editor!

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