Psychotherapy is as effective treatment for PTSD patients after multiple traumatic events.

Welcome to WordPress. This is your first post. Edit or delete it, then start writing!

The post Hello world! appeared first on David Airey.

Let’s talk about WordPress meetups! On this episode of The WPCandy Roundtable Podcast, I asked four awesome WordPress meetup co-organizers to chat about what makes a quality meetup and how they do what they do. We also went over what they would recommend to new WordPress meetup organizers. Joining me on the podcast are Angie […]

The post WPCandy Roundtable #3: WordPress Meetup Discussion with 4 co-organizers appeared first on WPCandy.

Michael Kimb Jones — or Kimb, as he prefers people call him — sat waiting for his time to stand up and speak. There he sat, on the ground floor of Surgeons Hall at the Royal College of Surgeons, running over the things he was about to talk about. His presentation was for WordCamp Edinburgh in […]

The post The Story of WonderThemes: Why starting a WordPress theme marketplace isn’t easy appeared first on WPCandy.

Reader is a theme by new theme shop WP Minima, a brand which sells entirely on ThemeForest at the moment. They’ve released two themes so far, one free and one paid. This is the paid theme, which costs $35. Reader, being both new and minimalistic, caught my eye last week. A lot of the time, […]

The post Reader theme review: Minimal, but not in a lazy way appeared first on WPCandy.

About two years ago (yeah, really!) I reviewed the WP-Table Reloaded WordPress plugin on our show The Sweet Plugin. After a rebranding and reworking of the code, WP-Table Reloaded is now TablePress. The developer Tobias relaunched the plugin, renamed it with a much better name, and revamped a number of the plugin’s features. One of […]

The post Sweet Plugin: TablePress, the successor to WP-Table Reloaded appeared first on WPCandy.

Let’s start this review with an honest admission. While in the 90s I collected (and read, mostly) tech books like they were going out of style. These days I barely get my hands around a book, let alone consume it. Frankly, I don’t have the time. I have three kids (two are twins) and a […]

The post Review: Professional WordPress Design and Development, 2nd Edition appeared first on WPCandy.

In our second Theme Show episode of the new year, “The Compliment Sandwich”, we stick to our new format and dish over four new themes and pick one to rule them all. Well, for another seven days that is. As a reminder, each episode of The Theme Show we tear apart four different themes — […]

The post Theme Show #12: “The Compliment Sandwich” appeared first on WPCandy.

$35, $75, $40, and $200. One of these doesn’t sound like the others. Dumitru Brinzan, who has a long history in WordPress themes at WPZOOM, has started a new theme project called Hermes Themes. The shop offers strictly hotel themes, in contrast to WPZOOM’s more varied selection. Interestingly, Brinzan is pricing his hotel themes at […]

The post The true value of a WordPress theme: Hermes Themes and a $200 price tag appeared first on WPCandy.

I’m happy to announce that we’re finalizing the second issue of The WPCandy Quarterly, in the last stage before sending it off to the printers. It’s an exciting — but busy! — time, and we’re most psyched to be so close to getting another issue into everyone’s hands. We have an amazing roundup of contributors […]

The post An update on The WPCandy Quarterly #2! appeared first on WPCandy.

A study conducted by Harvard-affiliated Brigham and Women’s Hospital revealed that individuals experiencing a broad array of long COVID symptoms are twice as likely to have traces of SARS-CoV-2 proteins in their blood compared to those without symptoms of long COVID. The symptoms frequently associated with long COVID include fatigue, brain fog, muscle and joint pain, back pain, headaches, sleep issues, loss of smell or taste, and gastrointestinal problems.These findings were published in the journal Clinical Microbiology and Infection.

Genetic tests showed that certain patients were predisposed to brain injuries if they took the drugs. That information remained secret.

Nikki Jennings started cheering when she was 4 years old. She was small and flexible and became a flyer, a human baton spinning and twisting through the air before being caught by teammates. Until sometimes she wasn’t: She got her first concussion in the third grade.

The family of the Army reservist who committed the October 2023 massacre in Lewiston wants to bring awareness to traumatic brain injuries among military members.

Tua Tagovailoa is set to return to NFL action this weekend after recovering from his latest concussion. Six weeks ago the Miami Dolphins quarterback suffered his third concussion in less than two years - and fourth overall, including his college career. Many pundits and ex-players called for the 26-year-old from Hawaii to retire. Some even said the NFL should take the decision out of his hands. BBC Sport looks at why Tagovailoa has chosen to keep playing and Dr Allen Sills, the NFL's chief medical officer, explains the league's stance.

Western University researchers are taking a unique global approach to finding an effective treatment for people living with long COVID. Led by Schulich School of Medicine & Dentistry professor Dr. Douglas Fraser, the projects represent the first multi-continental research conducted on long COVID, with study sites in Africa and North and South Americas. The long-term effects of long COVID – including symptoms such as brain fog, fatigue and difficulty breathing – can be debilitating and greatly impact quality of life. At least 65 million people around the world are affected by the condition. 

A high school senior from Bangor, Maine, has decided that when the time comes, he will donate his brain to science. Fionn Parker-Cummings is the youngest person to donate his brain to the University of Pittsburgh National Sports Brain Bank. Researchers will check in with him every year for the rest of his life. Parker-Cummings said he hopes the contribution will advance traumatic brain injury research to protect players like NFL quarterbacks Drake Maye and Tua Tagovailoa, who have recently suffered concussions.

Military service is difficult, dangerous, and demanding. But for some veterans, returning to civilian life can also be a challenge. Going from the structure of active duty—with its purpose-driven roles, full-throttle environment, and sense of camaraderie—to the relatively humdrum life of a civilian can be jarring, particularly for veterans who’ve experienced trauma during their service and may suffer from post-traumatic stress disorder (PTSD).  Researchers at Boston University, including Dawne Vogt and Casey Taft—both professors of psychiatry in the Chobanian & Avedisian School of Medicine—are utilizing a variety of data-backed strategies to support veterans struggling to adapt to their new normal lives. 

New research data offers much-needed hope for veterans wrestling with combat-associated posttraumatic stress disorder (PTSD). The study explores the use of hyperbaric oxygen therapy (HBOT) to address symptoms that persist despite standard treatments.

The pounding that sailors’ brains take from years of high-speed wave-slamming in the Special Boat Teams can cause symptoms that wreck their careers — and their lives.

Web design tools and resources, both free and premium, are designed to help you take full advantage of your creativity. Thereby enhance your ability to create stunning websites. There is a huge variety of products and services to choose from. They are ranging from complete platforms to specialized software applications. Just like design frameworks, wireframing […]

Are you looking for the best WooCommerce theme to help you build your online store, but are afraid of making a wrong choice? For starters, you want to select a WordPress WooCommerce theme since not all WordPress themes offer complete WooCommerce support. If a theme doesn’t support WooCommerce, it won’t support all the available addons […]

If you are looking for the best multipurpose WordPress theme you might feel the need to clearly understand what “best” means. On the other hand, you shouldn’t worry about that too much since you don’t have to drill down to selecting a single multipurpose WordPress theme at the exclusion of all others; and the reason […]

There is certainly no shortage of excellent WordPress themes you can select from to help you create an engaging and high performing website. Finding the best one for the job would most certainly be a challenge as there are literally thousands of great WordPress themes available plus you’ll have to define just what the makeup […]

The WordPress directory has 50k+ free plugins that were developed so you can extend a WordPress website with functions and features far beyond your imagination. Additional thousands of WordPress plugins are available from various marketplaces. No matter how much you might have a need for a specialized plugin or two, would you really want to […]

It’s a New Year, but one thing hasn’t changed. The number of web design resources and tools just keeps on increasing. That’s a good thing. But it does make it that much more difficult to find a theme, plugin, or resource you really have a need for if you are to stay abreast of or […]

Burts bees

How and why should healthcare providers ask patients if they have PTSD?

Click here to see other video Q&As with Lt. Col. Holcombe.

Click here to return to our BrainLine Military Ask the Expert feature.

It’s hard to get teenagers to do anything they fear will make them feel “other,” but a TBI support group will help during recovery.

How do you test the vision of someone with TBI who cannot communicate — talk or respond otherwise to questions?

Specific accessibility adaptations in the home depend on the person's specific impairments from TBI.

Real life is always more complicated than fiction, especially when it comes to brain injury.

The jaw, skull, neck, and brain are all connected. A blow to one can cause damage elsewhere.

More than imaging, diagnosis of TBI is still based on the initial symptoms at the time of the injury.

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Today we release our first self-hosted Auphonic Speech Recognition Engine using the open-source Whisper model by OpenAI!
With Whisper, you can now integrate automatic speech recognition in 99 languages into your Auphonic audio post-production workflow, without creating an external account and without extra costs!

Whisper Speech Recognition in Auphonic

So far, Auphonic users had to choose one of our integrated external service providers (Wit.ai, Google Cloud Speech, Amazon Transcribe, Speechmatics) for speech recognition, so audio files were transferred to an external server, using external computing powers, that users had to pay for in their external accounts.

The new Auphonic Speech Recognition is using Whisper, which was published by OpenAI as an open-source project. Open-source means, the publicly shared GitHub repository contains a complete Whisper package including source code, examples, and research results.
However, automatic speech recognition is a very time and hardware-consuming process, that can be incredibly slow using a standard home computer without special GPUs. So we decided to integrate this service and offer you automatic speech recognition (ASR) by Whisper processed on our own hardware, just like any other Auphonic processing task, giving you quite some benefits:

• No external account is needed anymore to run ASR in Auphonic.
• Your data doesn't leave our Auphonic servers for ASR processing.
• No extra costs for external ASR services.
• Additional Auphonic pre- and post-processing for more accurate ASR, especially for Multitrack Productions.
• The quality of Whisper ASR is absolutely comparable to the “best” services in our comparison table.

How to use Whisper?

To use the Auphonic Whisper integration, you just have to create a production or preset as you are used to and select “Auphonic Whisper ASR” as “Service” in the section Speech Recognition.
This option will automatically appear for Beta and paying users. If you are a free user but want to try Whisper: please just ask for access!

When your Auphonic speech recognition is done, you can download your transcript in different formats and may edit or share your transcript with the Auphonic Transcript Editor.
For more details about all our integrated speech recognition services, please visit our Speech Recognition Help and watch this channel for Whisper updates – soon to come.

Why Beta?

We decided to launch Whisper for Beta and paying users only, as Whisper was just published end of September and there was not enough time to test every single use case sufficiently.
Another issue is the required computing power: for suitable scaling of the GPU infrastructure, we need a beta phase to test the service while we are monitoring the hardware usage, to make sure there are no server overloads.

Conclusion

Automatic speech recognition services are evolving very quickly, and we've seen major improvements over the past few years.
With Whisper, we can now perform speech recognition without extra costs on our own GPU hardware, no external services are required anymore.

Auphonic Whisper ASR is available for Beta and paying users now, free users can ask for Beta access.
You are very welcome to send us feedback (directly in the production interface or via email), whether you notice something that works particularly well or discover any problems.
Your feedback is a great help to improve the system!

In addition to our Leveler, Denoiser, and Adaptive 'Hi-Pass' Filter, we now release the missing equalization feature with the new Auphonic AutoEQ.
The AutoEQ automatically analyzes and optimizes the frequency spectrum of a voice recording, to remove sibilance (De-esser) and to create a clear, warm, and pleasant sound - listen to the audio examples below to get an idea about what it does.

Screenshot of manually adjusted example settings for the equalizer plug-in 'Pro-Q3' by fabfilter.

What is Equalization and why is it difficult?

Equalization (EQ) in audio recording and reproduction is the process of adjusting the volume of different frequency bands within a signal.
The following vocal EQ cheat sheet, published by Producer Hive, will give you a small impression, of what can be influenced by equalizing:

Vocal EQ Cheat Sheet by Producer Hive.

On the other hand, it is very easy to ruin a good voice recording with manual heavy-handed equalization, resulting in voices, that sound very sharp or muddy or even like the speaker had a blocked nose.
Besides the skill and experience of an audio engineer, manual adjustments of frequencies also require a very good and linear studio playback device. For example, performing manual equalization with strongly bass-heavy speakers would most likely lead to a very sharp, unpleasant listening experience using treble-heavy headphones.

For singletrack productions with more than one speaker, equalizing is also a very complex and time-consuming process, as every voice has its unique frequency spectrum and needs its own equalization. One could separate speakers with cuts or create a track envelope to fade from one speaker to another, however, any solution is a very tedious job, if you do it by hand.

That is where the Auphonic AutoEQ comes in! All those steps are now available in just one click!

How does the Auphonic AutoEQ work?

The Auphonic Web Service analyzes your audio content and classifies the audio file into small and meaningful segments like music, silence, different speakers, etc. to process every single segment with the best matching algorithms.
All our features like the Adaptive Leveler, Dynamic Denoising, Adaptive 'Hi-Pass' Filtering, and now the new AutoEQ filter option are built on top of this basic processing.

Using Auphonic AutoEQ, spectral EQ profiles are created for each speaker separately and permanently changing over time. The aim of those time-dependent EQ profiles is to create a constant, pleasant sound in the output file even if there are slightly changing voices in the record, for example, due to modified speaker-microphone positions.

Audio Examples

Here are two short audio examples, which demonstrate some features of our AutoEQ.
We recommend listening with headphones so you can hear all the details.

Example 1. Female Speaker with Background Music

In the following example (BCB: The Voices of Bainbridge Island) of a female narrator speaking while background music is playing, you can easily recognize quite sharp 'sss' sounds in the female voice. This sharpness in the female voice is removed by the so-called De-essing feature of the Auphonic AutoEQ, while the background music is not changed.

Example 2. Dialog of Male and Female Speakers

The next example (BCB: The Voices of Bainbridge Island) shows how the AutoEQ optimizes a singletrack record containing two speakers with different voice characteristics. Our AutoEQ algorithms analyze each voice separately and calculate the matching frequency adjustments to optimize the voice of every single speaker.

AutoEQ Beta Integration in the Auphonic Web Service

To use the Auphonic AutoEQ, you just have to create a production or preset as you are used to, toggle “Advanced Parameters” on the top right in the section “Audio Algorithms” and select “Voice AutoEQ” within “Filtering”:

For a first test period, the AutoEQ will only be available for Beta and paying users, to incorporate your feedback and finalize an optimized version.
If you are a free user but want to try Auphonic AutoEQ: please just ask for access!

Practical Tips

For best results using Auphonic AutoEQ, however, it is still necessary, that your audio content is of sufficiently good quality, as no equalizer can make up frequencies that are not there in the first place. Audio files with low bitrates often lack important frequencies, that cannot be recovered by equalizing. AutoEQ is just a feature to boost or cut individual frequency bands, not a bandwidth extension. For more information about required audio quality, see the former blog post: Audio File Formats and Bitrates for Podcasts.

Another important topic is the definition of the 'best result'. Equalizing is a very subjective task, that differs a lot depending on every personal opinion. So Auphonic AutoEQ is set up to follow quite conservative rules of equalizing and rather apply subtle tweaks and remove obvious problems, than support personal preferences. This also means, your record will experience no significant changes from Auphonic AutoEQ if it sounds reasonably OK or pretty good already.

Conclusion

Auphonic audio post production algorithms keep getting better and better in leaps and bounds lately, offering you new Beta Features: Beta Auphonic Denoiser, Beta Auphonic Speech Recognition, and Beta Auphonic AutoEQ.
Right now we are fine-tuning all our current Beta Features with high intensity to release a new upgraded version of our Auphonic Web Service as soon as possible.
Please watch this channel for further updates – soon to come.

If you have any feedback for us or want to become a Beta user, you are very welcome to comment directly in our production interface or to contact us via email!

To start a new decade of automatic audio post production with Auphonic, we are happy to launch a few updates:

New Website Design

Opening the new homepage today, you might have noticed that our website looked different from what you had been used to before. Keeping our customers’ feedback from last year in mind, we designed a new vision for Auphonic.

Our new website features a refreshed look with an improved, more engaging, and functional user experience. Moreover, a more straightforward, intuitive, and accessible navigation will give you a seamless workflow and a comfortable exploration of Auphonic’s features.
We hope it will be easier to explore the diversity of applications that Auphonic has. In the end, however, as before, you will have the same full functionality of Auphonic available to you and some extra features if you are using our paid packages or subscriptions.

Take a look yourself: New Auphonic Landing Page

Free Access to our Advanced and Beta Algorithms

In the past, only paying Auphonic users had access to the advanced algorithm parameters, to multitrack advanced audio algorithms, and to our Dynamic Denoising and AutoEQ beta models.

We now enabled all advanced algorithms for free users, and you can use them for 2 hours of audio free each month!

Using the Dynamic Denoiser, you can define whether Auphonic should remove only static or also fast-changing noises and if we should keep or eliminate music. For even greater speech intelligibility control, it is possible to manually adjust the amount of denoising to strike the perfect balance between clarity and ambiance.

The AutoEQ automatically analyzes and optimizes the frequency spectrum of a voice recording to remove sibilance (De-Esser) and to create a clear, warm, and pleasant sound.
The equalization of multi-speaker audio can be complex and time-consuming, as each voice requires its own unique frequency spectrum equalization. Our AutoEQ simplifies this process by creating separate, time-dependent EQ profiles for each speaker, ensuring a consistent and pleasant sound output despite any changes in the voices during the recording.

Our advanced algorithm parameters help you to meet all common audio specifications of platforms like Netflix, Audible, podcasts, broadcasters (EBU R128, ATSC A/85, radio and mobile, commercials) in one click. You can define a set of target parameters (integrated loudness, true peak level, dialog normalization, MaxLRA, MaxM, MaxS), like -16 LUFS for podcasts, and we will produce the audio accordingly.
In addition, they offer more control for multitrack productions and for the Adaptive Leveler.

We would like to give away free hours for new Auphonic users, to try out our free advanced algorithms. Please use this URL to register your new Auphonic account. the code is valid till end of March 2023 and will give you 5 extra production hours for the next month. Happy content creation!

More Audio Examples

There is no better way to experience Auphonic than hearing the difference our post production tool makes when applied to different types of audio and content.
We are happy to share that our new features page now contains some new audio examples you can listen to explore our web tool, and we will add even more examples in the next weeks.

We're thrilled to introduce our Automatic Shownotes and Chapters feature. This AI-powered tool effortlessly generates concise summaries, intuitive chapter timestamps and relevant keywords for your podcasts, audio and video files.
See our Examples and the How To section below for details.

Why do I need Shownotes and Chapters?

In addition to links and other information, shownotes contain short summaries of the main topics of your episode, and inserted chapter marks allow you to timestamp sections with different topics of a podcast or video. This makes your content more accessible and user-friendly, enabeling listeners to quickly navigate to specific sections of the episode or find a previous episode to brush up on a particular topic.

Shownotes are also very likely to boost your show's Search Engine Optimization and eventually its popularity, leading to an increase in listeners.

However, especially structuring the content and finding useful positions for chapter marks is a very time-consuming process, that can be fully automated with our new feature.

Besides the obvious use of creating shownotes and chapters for podcasts, you can also use our new feature to easily generate an abstract of your lecture recording, take the summary of your show as the starting point for a social media post, or choose your favourite chapter title as the podcast name.

What happens behind the Scenes?

When the Automatic Shownotes and Chapters feature is selected, the first step is speech transcription by either our internal Auphonic Whisper ASR or any integrated External ASR Service of your choice.

Some open source tools and ChatGPT will then summarize the ASR resulting text in different levels of detail, analyze the content to identify sections with the different topics discussed, and finally complete each section with timestamps for easy navigation.
Beginning with the generation of a Long Summary, the number of characters is further reduced for a Brief Summary and from the brief summary a Subtitle and some Keywords for the main topics are extracted.

Depending on the duration of the input audio or video file, the level of detail of the thematic sections is also slightly adjusted, resulting in a reasonable number of chapters for very short 5-minute audio files as well as for long 180-minute audio files.

How to automatically generate Shownotes and Chapters in Auphonic

If you are a paying or beta user, you can automatically generate shownotes and chapters by checking the Automatic Shownotes and Chapters Checkbox in the Auphonic singletrack or multitrack Production Form with any of our ASR Services enabled.
Once your production is done, the generated data will show up in your transcript result files and in the well-known Auphonic Transcript Editor above the speech recognition transcript section.
By clicking on a chapter title in the Chapters section of the transcript editor, you can jump directly to that chapter in your transcript to review and edit that section.

Unless you have manually entered content before, the generated data will also be automatically stored in your audio files' metadata as follows:

• Generated Long Summary stored in metadata field Summary.
• Generated Subtitle stored in metadata field Subtitle.
• Generated Keywords stored in metadata field Tags.
• Generated Timestamps for thematic sections stored as Start Time of Chapters Marks.
• Generated Headlines for thematic sections stored as Chapter Title of Chapters Marks.

Please note that not all of our supported Output File Formats are designed to use metadata.
For details see our previous blog posts: ID3 Tags Metadata (used in MP3 output files), Vorbis Comment Metadata (used in FLAC, Opus and Ogg Vorbis output files) and MPEG-4 iTunes-style Metadata (used in AAC, M4A/M4B/MP4 and ALAC output files).

Example

As a real-life example, we automatically generated shownotes and chapters for the Lex Fridman Podcast #367: "Sam Altman: OpenAI CEO on GPT-4, ChatGPT, and the Future of AI".

Check out our transcript and generated shownotes:
LexFridmanPodcast367-transcript.html

Conclusion

The automatic generation of shownotes and chapters is a huge time-saver for podcasters and video creators, as it speeds up the tedious process of manually structuring and summarizing your content.

For now it is available for all paying or beta users. If you would like to become a beta user, or have any questions or feedback, please do not hesitate to contact us!

We all know the problem: the content is perfectly prepared, and everything is in place, but the moment you hit the record button, your brain freezes, and what pops out of your mouth is a rain of “ums”, “uhs”, and “mhs” that no listener would enjoy.
Cleaning up a record like that by manually cutting out every single filler word is a painstaking task.

So we heard your requests to automate the filler word removing task, started implementing it, and are now very happy to release our new Automatic Filler Cutter feature. See our Audio Examples and Usage Instructions below.

What is removed?

While the definition of filler words is not the same, depending on who you ask, some words can be used as filler as well as content. For example, “like”, “well”, “you know”, etc. cannot be removed without the risk of removing also content and destroying sentences, even if those words are used as filler words in some cases.

Therefore, we decided to focus on the removal of the obvious fillers, namely any kind of “ums”, “uhs”, “mhs”, German “ähm”, “äh”, “öh”, French “euh”, “euhm” and similar.

Audio Examples

1. English Male Speaker

The first audio example is an excerpt from the interview “From Racing Failure to Red Bull Champion: The Untold Christian Horner Story”. Our algorithm found and removed a remarkable ten filler words in this 45-second snippet:

Screenshot of the Auphonic Audio Inspector: each pale red shaded area corresponds to a cut-out filler word.

2. Austrian-German Female Speaker

The following example is an interview with the Austrian Ex-Foreign Minister, Karin Kneissl, who uses seven filler words within 26 seconds:

Usage Instructions

To use the Auphonic Automatic Filler Cutter feature, you just have to create a production or preset as you are used to and select “Cut Fillers” for “Automatic Cutting” in the section “Audio Algorithms”:

When your production is done, all cut-out filler words will appear as pale red shaded areas in the Auphonic Audio Inspector on the production status page, as you can see in the upper screenshot of the Audio Inspector.

If you want to remove silent segments from your audio as well, please also enable our Automatic Silence Cutting feature.

NOTE: Our Automatic Cutting features (for filler and silence) are not available for video files!

Behind the Scenes

For the training of our Automatic Filler Cutter AI-Algorithm, we created datasets that contain manually labeled audio files, collected from 'real world' audio data. So far, we have labeled, trained, and tested the system with English, German, Spanish, and French data.

However, in the Auphonic Web Service, you can activate and test the Automatic Filler Word Cutter for all languages. We would be very happy to hear how the filler removal works out for completely different-sounding languages from, e.g., the Asian, African, or Slavic language families.

Please send us feedback on any problems or error patterns you discover! This will help us generate specific data for the training to improve the algorithm and eliminate your problems.

Conclusion

Automatic filler word cutting is a powerful tool for podcasters looking to enhance the quality of their content. It boosts clarity and professionalism, all while making your editing process more efficient. Some users, however, see a touch of authenticity in filler words within podcasts. So, we leave it up to you to enable or disable the Automatic Filler Cutter feature for your next Auphonic production, depending on your desired style.

We are currently working on filler word cutting optimizations for more languages, so watch our channels to get all the news on our upgrades!

If you have any feedback for us – how the filler cutter is working in your language, what you do or don't like, what you miss, what else you would want to remove from your audio besides silence and filler words, etc. – you are welcome to contact us via email or directly comment on our production interface!

We're excited to roll out an upgraded version of our Transcript Editor, focusing on enhancing your transcription workflow and making it more intuitive, especially for mobile users. This overhaul introduces several key improvements and features designed to streamline the transcription process.

Click here for a Live Demo

What's new?

Line by Line Editing

Your transcript is being rendered line by line. This allows for precise editing of every single timestamp. Depending on the speech recognition engine editing can be done on word or phrase level.
For optimal results, we suggest utilizing our Auphonic Whisper ASR engine.

A paragraph with 9 lines, every line represents a "subtitle line" (.vtt, .srt).

You can split or combine paragraphs and lines using the Enter and Backspace keys. Our new Playback Slider enables seamless scrolling through the text, while we highlight the currently selected word as you go. With the switchable Play on Click function you can start your playback from anywhere in the transcript.

Automatic Shownotes and Chapters

If you enable Automatic Shownotes and Chapters in the Production form, we include AI generated shownotes and chapters directly into the Transcript Editor. You can edit Chapter Times and Text directly within the Transcript Editor. Once you click Save (top right), any modifications made within the shownotes and chapters will also be saved back to the production.

Screenshot of Automatic Shownotes and Chapters withing the Transcript Editor.

You are also able to edit chapter times directly within the transcript editor. Please note that this only works within the Transcript section of the editor to ensure precise placement of chapters.

Screenshot of Edit Chapter Time.

Local History: Undo and Redo

Our Local History feature offers convenient undo and redo functionality. This means you can effortlessly revert changes or redo them as needed, providing you with greater control and flexibility during the editing process.

Edit Speakers

Our revamped Transcript Editor automatically assigns speakers in Multitrack Productions. You can use the Track Identifier in our production form to assign speakers and easily edit, remove, or add new ones within the Transcript Editor. So it's clear who says what at any time!

Screenshot of Edit Speaker.

Confidence Highlighting

Within the transcription areas of low confidence are highlighted with our Highlight Low Confidence feature. So you can check up on the AI and edit words it is not entirely confident about! It also shows you how confident the AI is about the specific area if you hover over it.

Offline Mode

This feature enables you to download and share the Transcript Editor for offline editing. This means you can share the *.html file with someone else for editing purposes. Simply use the Download Editor action to obtain an offline version of the Transcript Editor.

Export Transcript

You can export your transcript in all currently relevant formats (.srt, .vtt, .txt, .html, .pdf) and include them in your publishing process or video editing software.

Screenshot of Export Transcript.

Responsive Design

We want to make podcasting as easy as possible. The responsive design of our Transcript Editor allows for fast editing on mobile devices - so you can edit what you're saying anywhere, anytime!

Screenshot of Transcript Editor on a mobile device.

Why use it?

Apple Podcasts paved the way for all podcasts to feature transcripts, so users can read through what you are saying and look for specific parts of your talk they're interested in revisiting. That could be book recommendations, advertisements or one of your ideas you want to share with the world.

We're trying to make the transcription process as automated and easy for you as possible. Especially when using Multitrack Productions we strive to take all the work off of you and let the AI do its magic.

Additionally, we aim to simplify manual corrections wherever automated processes encounter challenges, ensuring that even these adjustments are as effortless as possible.

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There’s something magical about family beach photos. They capture the sun-kissed smiles, playful moments in white sands, and heartwarming family bonds against a backdrop of azure waters. But how do you shoot these stunning images?

I remember my first attempt – it was far from perfect. Harsh shadows obscured faces, squinting eyes ruined expressions, and don’t get me started on those tan lines! I knew I had to strive for improvement.

Over time, through trial and error (and some embarrassing outfit choices), I learned the art of beach photography. Mastering golden hour light for that dreamy glow in every shot…coordinating outfits for a cohesive look…choosing ideal locations with just enough privacy…

Let’s dive into what it takes to make your family beach photos memorable and appealing.

Basics of Family Beach Photography

Taking family beach photos is a delightful task that blends the beauty of nature with precious familial bonds. But it requires some essential knowledge to get right, from choosing the perfect location to dealing with different lighting conditions and capturing natural moments.

Choosing the Right Beach for Your Family Photo Session

Picking an ideal location can make or break your photo session.

Picture a scene where the main act is not just what fills the frame, but also what doesn’t. That’s negative space photography, a technique that turns emptiness into expression and silence into storytelling.

In this deep dive, we’re peeling back layers to reveal how much weight nothingness can hold in your shots.

You’ll grasp why every photographer needs to give their subjects some breathing room and learn how empty areas are not missed opportunities but rather essential for creating balance and drawing attention right where you want it.

We’ll explore ways to use plain backgrounds or blurred surroundings as powerful tools that add feelings of calm, tension, or intrigue—all by letting less say more.

The Essence of Negative Space in Photography

Negative space photography, often seen as the quiet hero of composition, plays a crucial role in how an image is perceived. It’s not just about what you capture—it’s also about what you leave out. This technique can make your main subject pop by simply giving it more breathing room.

Defining Negative Space and Its Role in Visual Composition

Negative space refers to the area surrounding the main subject—or positive space—of a photograph.