The story within Handels famous piece is what drives its enduring popularity, and it is also what keeps D.C.s Metropolitan Chorus excited for their annual performance. Read more at: https://www.smithsonianmag.com/arts-culture/the-glorious-history-of-handels-messiah-148168540/

The CIA burglar who went rogue: http://j.mp/UpJtCJ Using the Enigma and the Sigaba, world powers encrypted their messages in hopes of catching their opponents by surprise.

Television reporter Shannon LaNier is a direct descendant of the third President of the United States. (Credit: Drew Gardner)

The Huichol people of west-central Mexico have designed the Vochol—a car turned work of art

Fannie Lou Hamer, a voting rights activist, suffered unspeakable violence and intimidation at the hands of white supremacists and police. Her response: to elevate her cause by launching a long-shot campaign for the U.S. Senate

Credit: Cade Martin / © & ™ Lucasfilm Ltd

Book-banning might seem like a relic of less enlightened times, but the practice is back in a big way. The American Library Association reports (https://www.smithsonianmag.com/smart-news/american-library-association-names-2022s-most-banned-books-180982048/) that 2022 saw more attempts to have books removed from public libraries than in any prior year this century — indeed, it documented more than twice as many attempted bans in 2022 than in 2021. In schools, attempts to keep certain books out of the hands of students have been even more aggressive and draconian. What’s new about these efforts is the subject that binds the most-challenged titles: Most of them address themes of LGBT+ identity or gender expression. In this episode, we talk with journalist Colleen Connolly about Thomas Morton’s New English Canaan, the first book ever to be suppressed in North America. What did the Puritans find so threatening about it, and how has this book echoed through subsequent centuries? Then we’re joined by Dr. Carla Hayden, Librarian of Congress, for a wide-ranging conversation about the history of book bans in the United States, how a resurgent wave of book bans in many states differs from those of prior eras, and why organized attempts to prevent specific people from reading specific books usually fail. A transcript of this episode can be found here (http://smithsonianmag.com/history/a-brief-history-of-banned-books-in-america-180983011) . Read Colleen’s Smithsonian story about New English Canaan here (https://www.smithsonianmag.com/history/how-americas-first-banned-book-survived-and-became-an-anti-authoritarian-icon-180982971/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Read more at http://www.smithsonianmag.com/history-archaeology/Nikita-in-Hollywood.html As part of a diplomatic mission, Soviet premier Nikita Khrushchev traveled across the United States, meeting Americans from New York to Iowa to California.

The southern widow's Maryland house was a crucial stop on the escape route for assassin John Wilkes Booth the night he shot the president. Read more about Abraham Lincoln at http://www.smithsonianmag.com/history-archaeology/life-of-lincoln.html

Hung Huynh, winner of Season 3 of Top Chef, prepares the giant clam two different ways, raw and fried. Read more at http://www.smithsonianmag.com/science-nature/Happy-As-Clams.html

Smithsonian magazine commissioned Drew Gardner for a project that connects Black Americans today to their lost ancestry. Read about Gardner’s project and process, as well as more details about the subjects of this incredible series here: https://www.smithsonianmag.com/history/descendants-black-civil-war-heroes-wear-heritage-pride-180983397/ Video produced by Sierra Theobald. Special thanks to Drew Gardner Additional credits: Emma MacBeath, WikiTree US Black Heritage project; Ottawa Goodman, research and coordinator; Sam Dole, Penumbra Foundation; Elizabeth Zuck, set design; Calvin Osbourne, props and costume; Angela Huff, hair and make up; Diego Huerta, Lexia Krebs, behind-the-scenes filming; background prints by Fujifilm USA

In the early 20th century, the medical establishment became fixated with the idea that gay people could be “cured.” To achieve this, they turned to a litany of brutal practices: from electrotherapy to lobotomies.

The National Gallery of Art organized a comprehensive exhibit of Robert Frank's work (Images courtesy of: National Gallery of Art; Produced by: Diane Bolz and Brian Wolly)

Edwin Bearss lends a dynamic personality and a booming voice to teaching the history of the Civil War in northern Virginia (Meredith Bragg)

Obviously it's a bad idea to go out into space without a trusty spacesuit, but what exactly happens?

[Harry Carney Home Movies], Ruth Ellington Collection, Archives Center, National Museum of American History

In the years before digital cameras, the process of getting shots from the field to the printers was incredibly complicated and dangerous. Video by Adam Grossman | Good Dog Media

In WW2, the British made destroying German dams a key strategic target in order to kneecap the German industrial effort. To accomplish this, they needed a special plane to deliver the payload: the Lancaster Bomber.

While camouflaged on the ocean floor off the coast of Israel in the Red Sea, octopods use their arms to grab unsuspecting prey

Christopher Nolan's epic new film "Oppenheimer" is no mere biopic… nor is it the first attempt to capture the father of the atomic bomb in fiction. We look at prior dramatizations of this very complicated man—including one wherein J. Robert Oppenheimer played himself!—and examine why they worked or didn't. In the episode: Physicist-turned-photographer Minesh Bacrania shares his experience photographing inside the top-secret labs at Los Alamos National Laboratory, where J. Robert Oppenheimer and other scientists created the first nuclear weapon. Next, with Christopher Nolan’s film Oppenheimer exceeding commercial expectations, Smithsonian magazine writer Andy Kifer discusses the complexities of Oppenheimer's genius and how prior attempts to depict him in film and television and on stage have fared. Read Andy Kifer’s “The Real Story Behind Christopher Nolan’s Oppenheimer” here (https://www.smithsonianmag.com/history/the-real-history-behind-christopher-nolans-oppenheimer-180982529/) . See Minesh Bacrania’s photographs of Los Alamos and read Smithsonian senior editor Jennie Rothenberg Gritz’s text here (https://www.smithsonianmag.com/history/exclusive-behind-scenes-look-los-alamos-lab-where-robert-oppenheimer-created-atomic-bomb-180982336/) or in the July/August 2023 issue of Smithsonian. There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Genevieve Sponsler, Adriana Rozas Rivera, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.

Read more at http://www.smithsonianmag.com/arts-culture/Herman-Leonards-Eye-for-Jazz.html With just a camera as his ticket, Herman Leonard captured jazz icons performing on and off stage.

Have you ever wondered why Yellowstone is full of hot springs, bubbling mudpots and geysers like Old Faithful? In this one-minute video, Ask Smithsonian host Eric Schulze explains the supervolcano that lies beneath this national park and answers the life-or-death question: Will it erupt in a fiery inferno anytime soon?

Archaeologists uncover an exciting find: a tomb that predates most of the others in the area by around 2,000 years. Inside, is a series of perfectly preserved inscriptions on a panel known as a "false door’."

Two weeks before he died, the legendary astronaut wrote a letter in recognition of Jeff Bezos' work, read at the 2016 American Ingenuity Awards Smithsonian magazine American #IngenuityAwards

Atlantic staff writer Frank Foer interviews Damion Thomas about athletes moving from a position of apathy to engagement

Have you ever felt embarrassed by the need to carry a towel, or even a fresh shirt, with you during the most sweltering months of the year? You shouldn’t. Sweating is one of the most remarkable ways our bodies protect themselves when the mercury heads north. With summer temperatures spiking around the world as the sweat-filled Olympic Games begin in Paris, we’re joined by Sarah Everts, a Smithsonian contributor and the author a marvelous book called The Joy of Sweat: The Strange Science of Perspiration. She explains why the body’s thermostat is so ingenious, and how it cools athletes—and the rest of us. Plus: A series of snack-sized anecdotes about the Olympics! Let us know what you think of our show, and how we can make it better, by completing our There's More to That listener survey here (https://docs.google.com/forms/d/e/1FAIpQLSfS90zjBZ2oGa9JxVa-R5affKcOHaR2-ib1_KZeWm3HDQXJIA/viewform) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . Read Smithsonian magazine's coverage of the Olympics (https://www.smithsonianmag.com/arts-culture/the-paris-summer-olympics-smithsonians-guide-to-the-games-2948430/) , past and present, here (https://www.smithsonianmag.com/arts-culture/when-the-olympics-gave-out-medals-for-art-6878965/) , here (https://www.smithsonianmag.com/innovation/how-wheaties-became-breakfast-champions-180978246/) , here (https://www.smithsonianmag.com/smart-news/breaking-will-debut-at-the-summer-olympics-180984199/) , and here (https://www.smithsonianmag.com/innovation/this-graphic-artists-olympic-pictograms-changed-urban-design-forever-180978256/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz  Music by APM Music.

After reviewing more than 30,000 photos, the editors of Smithsonian Magazine are proud to announce the Grand Prize Winner. #shorts

Reclining and dining in the ancient classical world

The science behind rat zombies

The grandson of Gen. George S. Patton shares his family's home movies

The facts of Sojourner Truth’s life are inspiring: Born into slavery in the late 1790s, she became an influential abolitionist and Pentecostal preacher, transfixing audiences from the mid 1840s through the late 1870s with her candid and powerful voice, not to mention her singing. Tall and strong, Truth was physically formidable, too. No one was using the term “intersectionality” in the 19th century, but Truth embodied this idea, declaring that her Blackness and her womanhood were equally essential facets of her identity. But many people, both in Truth’s lifetime and in the approximately 140 years since her death, have found it useful to recast Truth as they wish to remember her instead of as she was. There’s no better example of this than “Ain’t I a woman?,” the hypothetical that Truth supposedly put to the audience when she addressed a women’s rights convention in 1851 in Akron, Ohio—the city where a public plaza will be dedicated in her honor this spring. There’s reason to doubt she said that, or at least that she said it in that way. In this episode, we speak with two historians who’ve dug into Truth’s complicated legacy and challenged much of what’s been written about this American icon. Cynthia Greenlee reported on recent efforts to honor Truth (https://www.smithsonianmag.com/history/remarkable-untold-story-sojourner-truth-180983691/) for the March 2024 issue of Smithsonian. Nell Irvin Painter wrote the groundbreaking 1996 biography Sojourner Truth: A Life, A Symbol, and she’s hard at work on a follow-up volume titled Sojourner Truth Was a New Yorker and She Didn’t Say That. Together, Greenlee and Painter help us understand us who Sojourner Truth really was, and why several generations of activists have claimed her as a symbol — at the expense of our understanding of her as a person. Read Cynthia Greenlee’s March 2024 Smithsonian story about Sojourner Truth here (https://www.smithsonianmag.com/history/remarkable-untold-story-sojourner-truth-180983691/) . You can learn more about Dr. Greenlee and her work at her site (https://www.cynthiagreenlee.com/) . You can learn more about Dr. Nell Irvin Painter’s work as an author, artist, and historian at her site (http://www.nellpainter.com/) . And read more here for the history of Mar-a-Lago (https://www.smithsonianmag.com/history/history-mar-a-lago-180965214/) mentioned in our dinner party fact. Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz. Music by APM Music.

Two British artists travel to Pittsburgh for their second installment of their "Mysterious Letters" art project.

Do you ever wonder what secrets lie beneath the sands of Egypt? Prepare to be astonished as we unveil the untouched tomb of King Tutankhamun. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Video Editor: Sierra Theobald

From gender roles to etiquette to fashion, step back in time to learn more about the real lives of the Regency women who inspired 'Bridgerton.' --- To read more about the Regency era - and 'Bridgerton' - check out these articles from Smithsonian Magazine: What 'Bridgerton' Gets Wrong About Corsets: https://www.smithsonianmag.com/history/what-bridgerton-gets-wrong-about-corsets-180976691/ The Real History Behind 'Queen Charlotte: A Bridgerton Story' https://www.smithsonianmag.com/smart-news/the-real-history-behind-queen-charlotte-a-bridgerton-story-180982130/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Producer: Nicki Marko Video Editor: Sierra Theobald

Explore the lesser-known details of the founder’s childhood, home life and career and gain a deeper understanding of his contributions to the United States. --- For more videos from Smithsonian Magazine: https://www.smithsonianmag.com/videos/ Digital Editorial Director: Brian Wolly Supervising Producer & Scriptwriter: Michelle Mehrtens Video Editor: Sierra Theobald

Rather than pouncing on its prey, the larger Pacific striped octopus extends a tentacle and taps its victim, startling it into the octopus's deadly embrace. (Video courtesy Roy Caldwell, UC Berkeley)

In a telephone interview, Gregory Crewdson remarks on the genesis and production of some of the photos included in the story

He is (K)enough… or is he? With filmmaker Greta Gerwig's Barbie breaking box-office records—and devoting much of its story to Ken's existential crisis—we wondered if there's any more to Barbie's perennial plus-one. Journalist and lifelong Barbie fan Emily Tamkin talks us through Ken’s development, or lack thereof, over the decades. Read Emily’s “A Cultural History of Barbie,” and Chris’s brief Ken history “Not Your Average Beau,” here (https://www.smithsonianmag.com/arts-culture/cultural-history-barbie-180982115/) or in the June 2023 issue of Smithsonian. Emily is the author of The Influence of Soros: Politics, Power, and the Struggle for an Open Society and Bad Jews: A History of American Jewish Politics and Identities. Learn more about Emily and her work here (https://www.emilytamkin.com/) , or subscribe to her Substack newsletter (https://emilyctamkin.substack.com/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Genevieve Sponsler, Adriana Rozas Rivera, Terence Bernardo, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Episode artwork by Emily Lankiewicz. Music by APM Music.

Garrison Brothers use local ingredients and antique machinery to create the smooth spirit

Henry Ford spent the majority of the war as a pacifist. By 1917, however, his state-of-the-art assembly line was churning out vital engine parts to feed the war machine.

From the Americas to Europe then back again, there's more to the potato than meets the eyes.

Read more at http://www.smithsonianmag.com/specialsections/womens-history/The-Writers-Eye.html Scholars and friends of Eudora Welty discuss how her hobby influenced her later works.

For over 80 years, the Scurlock photography studio catalogued the lives of the black middle class of Washington, D.C (The exhibit, The Scurlock Studio and Black Washington: Picturing the Promise, is on view at the National Museum of American History through November 15, 2009. Thanks to Lonnie Bunch, Director of the National Museum of African American History and Culture, which co-organized the exhibit). Read more at http://www.smithsonianmag.com/people-places/The-Scurlock-Studio-Picture-of-Prosperity.html

Four decades ago, Pablo Escobar brought to his Medellín hideaway four hippopotamuses, the centerpieces of a menagerie that included llamas, cheetahs, lions, tigers, ostriches and other exotic fauna. After Colombian police shot Escobar dead in December 1993, veterinarians removed the animals—except the hippos, which were deemed too dangerous to approach. The hippos fled to the nearby Magdalena River and multiplied.  Today, the descendants of Escobar’s hippos are believed to number nearly 200. Their uncontrolled growth threatens the region’s fragile waterways. Smithsonian contributor Joshua Hammer joins us to recount this strange history and explain why Colombian conservationists have embarked upon an unusual program to sterilize these hippos in the wild via “invasive surgical castration,” a procedure that is, as he has written (https://www.smithsonianmag.com/science-nature/pablo-escobar-abandoned-hippos-wreaking-havoc-colombian-jungle-180984494/) for Smithsonian magazine, “medically complicated, expensive and sometimes dangerous for hippos as well as for the people performing it.” Then, ecologist Rebecca Lewison tells us how her long-term study of hippo populations in Africa offers hints of how these creatures will continue to alter the Colombian ecosystem—and what authorities can do about it. Let us know what you think of our show, and how we can make it better, by completing our There's More to That listener survey here (https://docs.google.com/forms/d/e/1FAIpQLSfS90zjBZ2oGa9JxVa-R5affKcOHaR2-ib1_KZeWm3HDQXJIA/viewform) . Read Josh Hammer's Smithsonian story about Escobar's hippos and their descendants here (https://www.smithsonianmag.com/science-nature/pablo-escobar-abandoned-hippos-wreaking-havoc-colombian-jungle-180984494/) . Learn more about Rebecca Lewison and her work here (https://cmi.sdsu.edu/rebecca-lewison/) . Find prior episodes of our show here (https://www.smithsonianmag.com/podcast/) . There’s More to That is a production of Smithsonian magazine and PRX Productions. From the magazine, our team is Chris Klimek, Debra Rosenberg and Brian Wolly. From PRX, our team is Jessica Miller, Adriana Rosas Rivera, Genevieve Sponsler, Rye Dorsey, and Edwin Ochoa. The Executive Producer of PRX Productions is Jocelyn Gonzales. Fact-checking by Stephanie Abramson. Episode artwork by Emily Lankiewicz  Music by APM Music.

After his start capturing the horrors of the Civil War for Mathew Brady's studio, 19th century photographer Timothy O'Sullivan uncovered the beauty of the great expanses of the American west

Julie Montagu, the American-born Viscountess Hinchingbrooke, is meeting up with an expert on 18th century dance. Her aim is to learn about the dances performed in that era.

Sarah Parcak | Smithsonian Magazine’s 2016 American Ingenuity Award Winner for History This tech-savvy researcher of our past uses satellites and other remote-sensing tools to discover and explore stunning new evidence of lost cultures—including, just this year, another possible Viking site in North America. In addition, she has located an astonishing number of ancient Egyptian remains—thousands of settlements, lost tombs and hidden pyramids. A Yale- and Cambridge-trained Egyptologist and archaeologist, Parcak is a professor of anthropology at the University of Alabama at Birmingham, where she serves as founding director of the Laboratory for Global Observation. Read more about Parcak’s work: http://smithmag.co/ZuwTGP | #IngenuityAwards And more about the American Ingenuity Awards: http://smithmag.co/77xPqy

The Orkneys, an archipelago of islands off the northern coast of Scotland, are home to some of the greatest neolithic treasures in western Europe: from the settlement of Skara Brae to the Ness of Brodgar.

Read more at http://www.smithsonianmag.com/history-archaeology/We-Have-Liftoff.html Photographer David Burnett focused his camera on the many tourists who flocked to Florida in 1969 to watch the launch of Apollo 11 (Produced by Molly Roberts; Photographs by David Burnett/Contact Press Images).