A Distant Shore has just been released in an expanded version by Cherry Red Records, along with demos for songs that would eventually be released on Everything but the Girl's debut album. Tracey Thorn's classic 1982 indie album has long been a favorite of artists from Björk to Massive Attack, and is constantly rediscovered. In 2013 Thorn spoke about the album to the Guardian [archive link] and also wrote about the circumstances of its writing in her memoir Bedsit Disco Queen, excerpted here.

October was the 150th anniversary of Charles Ives's birth (in 1874). It's always a good time to reconsider him.

Although famously an insurance executive, Ives had studied music at Yale and continued to work as an organist and to compose music even as he developed life-insurance packages for wealthy customers. He suffered from many ailments, real or mysterious, and after 1926, he stopped composing, saying "nothing sounds right". He continued to revise old compositions, however, retiring from business in 1930 and dying of a stroke in 1954 at the age of 80. Early on, his compositions did not attract much interest, but later, by the 1940s and 50s, composers and conductors began to champion him, and he was sometimes considered a pioneer of modernist American music; in the 70s, his music was inescapable on concert programs. However, his tinkering with old compositions led to questions of whether he made his old works appear more innovative than they actually had been. Today he may be best known for his symphony #3 "The Camp Meeting"(1908-10) (with different folk tunes battling it out in the second movement) , his transcendentalist orchestral piece "The Unanswered Question"(1908; revised 1934, in a splendid performance by Leonard Bernstein and the NY Philharmonic) and the "Concord" sonata (1909–47) [The third movement called "The Alcotts" played by Pierre-Laurent Aimard). His songs are loved for their mixture of avant garde and Americana. They are usually heard sung by trained operatic singers (as in this wonderful clip of Donald Gramm introduced by Aaron Copland), but it is revealing to hear this recording of Ives singing one of his own compositions, the World War I song "They Are There!" (1917; revised for WWII). He's not a good singer, but his untrained voice combined with the raucous jumble of the song sounds original and utterly American.

But making a breakfast cereal was not the original intention of Charles William Post, the founder of the Postum Cereal Company (better known these days as Post). After a stint at the Kellogg sanitarium in Battle Creek, Post started his own local company to sell health drinks, namely the caffeine-free coffee substitute called Postum. Grape-Nuts were actually intended to become a beverage, as well. But Post decided that Grape-Nuts would instead be marketed as the most super of all superfoods. from The Unlikely Popularity of Grape-Nuts Ice Cream [Atlas Obscura]

More on bisque ice cream

In a place where an act as simple as reading the Quran can be an act of defiance, the Taliban has banned women from hearing other women's voices in its latest attempt to impose their version of Islamic law on Afghanistan, including mandating that women refrain from performing Takbir—an Islamic expression of faith—and from reciting the Quran aloud, even in the presence of other women.

The UN and Amnesty have stated that the oppression of Afghan women, made prisoners in their homes, unable to speak, has erased women from all spheres of life. Girls born in the 20 years free of Taliban rule went to school and learned of their mothers' experience of repression, only to lose the ability to attend school with the Taliban's return in 2021. Women lost their ability to work, learn, travel alone, or receive healthcare and became "faceless, voiceless shadows" in a brutal apartheid against women.

What makes the Taliban's ideology so uniquely repressive of women?

"What sets the Taliban apart from other Islamic groups," Moheq added, "are the tribal codes of Afghanistan also embedded in the Taliban's ideology." A fundamental part of the tribal codes is defining a narrow place for women: They exists as the property of men and for the honor of men. For example, Moheq explained, "the rape of a woman is not seen as wrong because she was raped, but because she represents the honor of a man," and that is what was violated.

The Taliban's ideology was strong enough to draw manpower from the country's tribal areas for long enough to outlast the United States and the Western-backed government in Kabul. In return, as the primary manpower of the Taliban comes from tribal areas of the country, they further reinforce the Taliban's conservative culture, including the continued exclusion of women.

Among more than 7,500 Afghans living in the country with access to mobile and internet services, the survey found, 66% said they agreed or strongly agreed that human rights for women were a top priority for the future of Afghanistan. Nearly half, or 45% of those, strongly supported the Taliban's control of the country.

Not in a happy place. Can already feel my mind about to launch into a worse place. Please give mental health advice suggestions for books to read, your tips for surviving (or, dare I ask, thriving) in 21st century right wing regime, pointers towards activities I can incorporate into my daily practice that bend the long arc of history toward justice.

There were two major assumptions about Latino voters throughout the presidential campaign: (1) a record number of Latinos would show up on Election Day to oppose Donald Trump's candidacy and (2) the anti-immigration rhetoric that launched Trump's campaign would push conservative-leaning Hispanics to flee the Republican Party. Neither of those assumptions entirely panned out as expected. Prediction 1: The Surge? True. A record number of Latinos did vote this November. But the truth is complicated. The official national exit poll, the one commissioned by the big media organizations, suggests the Latino share of the electorate was higher than ever before — about 11 percent, compared to 10 percent in 2012. "It's very possible that the Latino vote, while reaching a record, may have been swamped by other groups of voters," said Mark Hugo Lopez, the director of Hispanic Research at the Pew Research Center, pointing to states like Florida which Trump won. We won't know the percentage of

https://www.youtube.com/watch?v=kFYXOgXqoe4 Elections aren't exactly cozy, even in the best of times. This one, though, felt worse for a lot of people. No matter where your allegiances lie, 2016 has been the emotional equivalent of a dumpster fire. But it wasn't all unbearable. Here and there, lighter moments emerged to provide comic relief — or even a small burst of joy. Here are 10 of them, in no particular order. 1. Bill Clinton at the DNC balloon drop When the balloons fell from the rafters on the final night of the Democratic National Convention, Hillary Clinton and her running mate Tim Kaine had a lot to feel triumphant about. The Democratic Party seemed to be uniting around Clinton as its candidate. But as the Philadelphia arena filled with red, white and blue globes, no one seemed to enjoy it quite as much as Bill Clinton, who looked up with childlike wonder. 2. Trump's "Hotline Bling" Back in November 2015, when Donald Trump was still in his campaign's relative infancy, he

Updated at 4 p.m. ET The Justice Department's watchdog has launched a sweeping review of conduct by the FBI director and other department officials before the presidential election, following calls from Congress and members of the public. Top advisers to Democratic candidate Hillary Clinton have blamed FBI Director James Comey, in part, for her loss in November. Now, federal investigators say they will examine whether public statements by Comey in July, October and November 2016 ran afoul of policies that caution officials not to influence the outcome of an election and to avoid making derogatory comments about people who haven't been formally charged with wrongdoing. Comey has previously told friends and employees that he had few good choices in the investigation into Clinton's handling of classified information on her private email server. In a statement Thursday, Comey said, "I am grateful to the Department of Justice's IG for taking on this review. He is professional and

Copyright 2018 NPR. To see more, visit RACHEL MARTIN, HOST: Presidential inaugurations are supposed to be about unity. That may be more inspirational than aspirational, rather, than anything else this year. Donald Trump will be sworn in later this morning in the wake of a divisive and ugly campaign that perhaps describes the deeply partisan era we're living in. We're hearing different perspectives on Trump's Inaugural Day this morning and one of them is that of the novelist Attica Locke. She is also a writer on the TV program "Empire," and she spoke to our own Steve Inskeep. STEVE INSKEEP, HOST: We called you up on the morning after the election. That sounded like an excruciating morning for you. ATTICA LOCKE: It was, and I can't say that things have gotten necessarily better for me. INSKEEP: What do you mean? LOCKE: I wake up every day and think, this is how much this country can't stand black people that this has happened. Or I think, this is how much this country did not want a

Updated at 9 p.m. ET Russia's military intelligence agency launched an attack days before Election Day on a U.S. company that provides election services and systems, including voter registration, according to a top-secret report posted Monday by The Intercept . The news site published a report, with redactions, by the National Security Agency that described the Russian spear-phishing scheme, one it described as perpetrated by the same intelligence agency — the GRU — that the Obama administration imposed sanctions on for the 2016 cyber mischief. According to the NSA report, Russian hackers sent emails to people who worked at a company that provides state and local election offices with voter registration systems, trying to trick them into giving up their user credentials. The Intercept reports, "At least one of the employee accounts was likely compromised, the agency concluded." The NSA report says that the Russians then used information from that account to launch a separate phishing

For more than nine months, Twitter and Facebook have tried to dodge the intense public scrutiny involved with the investigation into Russian interference in last year's presidential election. Now they're in the spotlight. Congressional investigators are digging in on Russia's use of Facebook, Twitter and other social media companies to try to influence the 2016 campaign. And after a series of escalating complaints by the leaders of the Senate Intelligence Committee, Facebook said Thursday it was handing over the content of more than 3,000 ads believed to be linked with Moscow's attack on the election. "We support Congress in deciding how to best use this information to inform the public, and we expect the government to publish its findings when their investigation is complete," said Facebook CEO Mark Zuckerberg . And there'll be much more: The chairman of the Senate Intelligence Committee has said he wants to hold a public hearing next month on Moscow's efforts to manipulate social

A computer server crucial to a lawsuit against Georgia election officials was quietly wiped clean by its custodians just after the suit was filed, The Associated Press has learned.

The duo Autechre added just over 20 hours of music to its catalog on November 4, with the simultaneous release of a dozen live recordings, made over the course of a little under a year, between late August 2023, in Melbourne, and early May 2024, in Lyon. As I’ve done in the past, I’m going […]

I  do this manually at the end of each week: collating recent comments I’ve made on social media, which I think of as my public scratch pad. I find knowing I’ll revisit my posts to be a positive and mellowing influence on my social media activity. I mostly hang out on Mastodon (at post.lurk.org/@disquiet), and I’m […]

I'm eager and willing to share my nearly 20 years of industry experience to help other Artist,Producers, and Writers Grow. I will offer truthful feedback and advice on how you might make your project better. I will listen to everything you send me and respond immediately. If your material is what I'm looking for I'll be swift to put my experience to work for you.

Brian Keith is a Artist/Writer/Producer/Musician with 17 years of Industry Experience. He's worked with some of the biggest names in the business as both a producer and music director. He is the C.E.O of 2039 music Group based in Cincinnati, OH.

I can help you understand the essential elements required for a" Hit Song". I will bring my considerable experience to bear on assessing the strengths and weaknesses in your music submissions and guide you towards that elusive Hit. I can help you become a better song writer as I enhance and redefine your creative song writing abilities.

Successful / "Hit" songwriting... is the very foundation of the music industry. It is all about "The Song...You Cannot Polish A Turd'. The difference between a great song ...and "a hit song" can be in fact be tiny. The trick is knowing how to build on the core idea...and find true clarity in its content.

Discover the perfect balance between the key elements needed for success which is a top quality melody and lyric combined with solid structure and arrangement.

NB Positive critique is my watch word and no musician will be harmed in the honing process :-)

- KILLERSONGS

Legendary producer/engineer Ron Nevison whose credits include The Rolling Stones, The Who, Led Zeppelin, Kiss, Ozzy Osbourne, Bad Company, Barbra Streisand, Jefferson Starship, Chicago, Styx, Heart, Damn Yankees, Thin Lizzy, and more is seeking new artists or bands to produce, as well as songs for Upcoming Projects.

Note that most projects will require funding which will be discussed in detail if we move forward.

I have many decades of experience in developing one's original voice. Both as an artist and as a coach to musicians and artists. In addition to 11 solo recordings, I've worked with King Crimson, David Sylvian, Vernon Reid, Brian Eno, TOOL, Steven Wilson and Puscifer. I can listen to your music through, both, your ears (to hear if you are reaching your musical aims) and my ears (to hear how the piece matches up with my experience as a player/producer.) I will give advice, opinions, critiques, commentaries, articulations and 'the works' about where you are heading. When you send me a track please include some information about you and where you are heading. This is necessary for me to know how to help you and offer the right kind of critique. Additionally I run my own record label (7d Media) and am a fully independent musician (recording, performing/touring, producing, licensing, composing and more.) All of my experience and advice is available to you. for much information about my process go here: www.treygunn.com/coaching

Publisher urgently seeking songs for film and television placement. All styles. No demos. No samples. Must control composition and master rights. If your song is selected you will be offered an exclusive publishing agreement. Please submit through Music Xray.

Expressive Artists is a music publishing company with an emphasis on film and television placement. In the past year we've placed hundreds of songs in feature films, major network TV shows including, "S.W.A.T.," "No Activity," "What We Do In The Shadows", documentaries, podcasts and apps. Two of our Music Xray artists songs are featured in the upcoming major motion picture, "The Comeback Trail," starring Robert De Niro, Morgan Freeman and Tommy Lee Jones.

Pop-Up Music is in need of authentic Brazilian music. All styles - Samba/Bossa nova/Afoxe/Maracatu/Brazilian Metal/Brazilian Rock.

Please submit your best material for consideration and a member of the Pop-Up Music team will listen and respond.

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

Many many thanks,
The Pop-Up Music Team

Seeking instrumentals for all genres. We're not looking for wallpaper or bland outtakes, but top quality music that will cut it in commercials. Please note, YOU MUST control master and publishing to submit.

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

- Pop-Up Music Uk Limited

Seeking Electro Pop/Indie Folk/Indie Electro. All contemporary styles of Pop welcome.

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

The Pop-Up Music team look forward to your Pop submissions.

Pop-Up Music is a new music library/publisher providing music for Film,TV, Advertising and Gaming.

We are looking to add new songs to our ever growing library all genres new or old are welcome. Pop-Up Music is looking for music that is true to its genre.

If your songs excite us we'll be in touch to discuss some possible next steps.

Please only submit original material that is 100% owned by the writer (or writers).

Happy submitting

Seeking songs with a Summer vibe.
All genres welcome - Pop, Indie, Rock, Folk, Singer songwriter, Synth Pop, Funk, Soul, Electro…. we need tracks that evoke the summer with a feelgood vibe.

This opportunity is for an exclusive contract with a term - all submissions must be 100% owned by the writer/writers.

We look forward to your submissions - many thanks The Pop-Up Music Team.

Robomagic is seeking charismatic, amazing new acts (solo or groups) with infectious music people want to hear. Acts should have an eye toward working hard to make it in the music business and come to the table ready to get involved with experienced teams that know how to make it happen.

Acts can be based anywhere but relocation to London may be necessary, depending upon a range of variables and circumstances. But if you've got the goods, we'd got the team, the know-how, and the resources to help make it happen.

We look forward to hearing your best material.

- Rob Hallett - Founder / President - Robomagic

There are number of artists that come up time and time again in briefs for placements in TV, Ads, and Films, such as:
MGMT, The Royal Blood, Ella Fitzgerald, Nina Simone, Kanye West, Bruno Mars/Mark Ronson, Haim, Florence + the Machine, Black Keys

If you have songs that might be in the vein of any of the above please submit to us now. The songs must be 100% owned by the writer/writers. We look forward to your submissions - many thanks.

- Mark Garfield / Pop-Up Music Uk Limited

Deal Type: Catalog Inclusion
Decision Maker: We are the final decision maker
Deal Structure: Non-Exclusive
Compensation: $500+ / TBD based on placement
Song Quality: Fully mastered, Broadcast ready

Seeking anthemic female vocal pop songs. Tracks with a drive, energy, epic chorus - think Florence, Goldfrapp, Adele, Feist, Lorde, Sia, HAIM.

The songs must be 100% owned by the writer/writers. Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate. We look forward to your submissions - many thanks.

- Mark Garfield / Pop-Up Music Uk Limited

Deal Type: Catalog Inclusion
Decision Maker: We are the final decision maker
Deal Structure: Non-Exclusive
Compensation: $500+ / TBD based on placement
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: Florence , Goldfrapp , Adele, Feist, Lorde, Sia, HAIM

Major Beer Company Seeks music for advertising campaign 3 Slots $15k

The opp is for several different pieces of music as it will cover 3 major tv / film ads and several web-blog adverts and music to show off a new product. They have asked for intense and dramatic songs, positive songs, friendship songs, and holiday and travel themed songs. Once again they are choosing different songs for different territories so there are many slots they are looking for me to fill.

The videos and ads will be seen by over a million people across the globe.

All styles of music and genres will be considered as the company are looking top quality songs but also lyrical substance and they are also looking for top quality standout attention-grabbing, meaningful songs whether softer emotive ballads or harder more powerful driving tracks as the range covered by the company is huge.

THEY JUST NEED BE TOP SONGS!!

Please submit your best work, radio ready, mastered songs. You must own 100% copyright. Only songs with cleared samples. I will accept demos as I am also a music producer / studio owner so if the song is a 'no brainer' and has enough potential to fit the opp then I would consider re-cutting it for the client.

Grand Northern Sync has worked closely with companies such as: Apple, Honda, Reebok, Samsung, BBC, ABC, New Show Media, Massive Films, Rickety Shack films, Seat, H&M, Busch,

Payouts and rights: If selected you will keep 100% of your rights, royalties and payments dependent on the number of times the tracks are used. Payout is $25k dependent on usage and length of use.

If selected the songs will be passed to the company and they will have the final say, Grand Northern Sync will be on hand to help the artist all the way through the process with chosen artists (at no financial charge).

All songs submitted will be considered for all the other opps we have.

I am looking forward to hearing your music.

PLEASE DO NOT SEND US TRACKS TO OUR SOUNDCLOUD, EMAIL, LINKEDIN OR ANY SOCIAL MEDIA....Please?

- Alexander Johnston / Grand Northern Sync

We are seeking covers - not replicas of the original but an original twist on a well-known song. All styles welcome - take us by surprise!
Chosen tracks will be pitched for Film/TV trailers plus TV commercials. Please only submit tracks for which you own the master recording rights.
We look forward to hearing your tracks.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

Thanks in advance,
The Pop-Up Music Team

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Rough Mixes, Fully mastered, Broadcast ready
Similar Sounding Songs: Think - The White Stripes, ‘Jolene’ - The Ramones: ‘California Sun’ - Jeff Buckley, ‘Hallelujah’ - Johnny Cash, ‘Hurt’

Seeking a driving upbeat Pop song along the lines of Fire by Barns Courtney. The songs must be 100% owned by the writer/writers.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

Many thanks
- The Pop-UP Music Team

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: Fire by Barns Courtney

We are seeking Rock/Hip Hop songs with clean lyrics and no uncleared samples. High quality productions please. Think along the lines of Beastie Boys - Sabotage.

This opportunity is for a non-exclusive contract - all submissions must be 100% owned by the writer/writers. We look forward to your submissions.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

- Mark Garfield / Pop-Up Music Uk Limited

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: Beastie Boys - Sabotage

We are seeking vibrant indie-pop songs that have global elements. Lots of drums, percussion and world instruments. A good reference would be tUnE-yArDs.

All songs must be owned by the writer - no samples please. We look forward to your submissions.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

- Mark Garfield / Pop-Up Music Uk Limited

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable
Song Quality: Fully mastered, Broadcast ready
Similar Sounding Artists: tUnE-yArDs

We are seeking epic Dream Pop songs and instrumentals. Think big/airy/dreamy songs that also have a driving pulse and a commercial appeal - for pitching to Ads, Movies, and Film & TV.

We need fully completed and mixed songs, no demos please.
All songs must be written and owned 100% by the submitter.

Pop-Up Music is a PRS registered music library and publisher located in London. We pride ourselves in providing undiscovered music and bespoke music for advertising, film, TV, gaming and corporate.

Many thanks,
Pop-Up Music Team

Deal Type: Catalog Inclusion
Decision Maker: I'm the final decision maker
Deal Structure: Non-Exclusive
Compensation: Negotiable based on final placement
Song Quality: Fully mastered, Broadcast ready

The post houses and advertising agencies we work with seem to have a never ending demand for covers of popular songs. Therefor, we would like to broaden our catalog with inventive cover versions of compositions that have been big worldwide hits.

We are not looking for interpretations trying to imitate the original. We are seeking just the opposite - new takes on well known songs which transport them to new, unexpected directions. Covers are usually considered for film trailers and big ad campaigns, so it would be great to hear submissions that have space and a “cinematic” sound. However, if you have a dynamic, aggressive cover of a slow song, that could work too.

Below are some brilliant examples of what we would like to hear:
- Skylar Grey - Addicted To Love
- Vega Choir - Creep
- Lo-Fang - You’re The One That I Want
- Hannah Peel - Tainted Love
- Think Up Anger feat. Malia J - Smells Like Teen Spirit
- Lorde - Everybody Wants To Rule The World
- KI Theory - Enjoy The Silence

Please submit only professionally recorded and mastered songs.

As an added bonus, if your cover is Selected, we will offer to release your music on Filter Label. The songs by our talented artists can be heard in The OA, Exatlon, The Matrix Revisited, CSI: Las Vegas, Nikita, on ads for McDonald's, Nike, Philip Morris, Nestle Wagner, Bank Millennium, in shows on MTV, CNN, Nat Geo, NBC, Al Jazeera, Esquire, Channel 4 and almost every major TV network in the world.

- Emil Hadji Panzov Founder / CEO - Filter Label

Seeking positive music for use in online video & advertising campaigns!

Music must be good vibes, positive and upbeat. All genres considered ie, Dance, Rock, Jazz, Electronica, Pop, R&B, Hip Hop, Classical, Orchestral, Ambient... etc.

Music must be high-quality, mixed and mastered. Instrumental tracks preferred, but great vocal tracks accepted too and if you can supply instrumentals even better!

All music will be listened to, reviewed and feedback given. Artists must own all rights to their music and there must be no copyright infringement.

Selected tracks will be licensed on a non-exclusive basis (so you maintain all rights to your music), simply go 50-50 on deals we get for you and you keep 100% of all publishing rights.

Clients are professional video production companies and advertising agencies that make high-quality online video content. Including JD Sports, The North Face, Asics, Addidas, Pringles, to name a few!

Artist's receive between £50-£1,000 per track depending on use, and there’s no limit the number of times a track can be licensed. So, if you have any positive music really love to hear from you!

Any questions please feel free to ask and look forward to working with you :)

All the best,
Giles

- Giles Gale - Music supervisor, sync & Licensing Manager - Resonant Music Licensing

Currently seeking “beats” for use in TV & Online advertising campaigns in South Korea!
,br> When I say “beats”, I mean any tracks that are driven by a breakbeat, as one, if not the most dominant part of the track. Ie, Drum & Bass, Hip-Hop, Dubstep, Electronica, Edm, Trap, Grime, Experimental etc.

All tracks must be upbeat and have a “Phat Beat”, “Killer Beat”, “Sick Beats”, “Dope Beat” or whatever your preferred description would be.

Music must be well produced, high-quality, mixed and mastered. Instrumental tracks preferred please, but great vocal tracks can be accepted too (if you can supply instrumental versions even better) and all tempos considered.

Artists must own all rights to their music 100% on both sides and there must be no copyright infringement. All music will be listened to, reviewed and feedback given.

The average cost of TV advertising commercial in Korea is $800 to $1,500 per track, and for worldwide rights up to $14,000.

The average cost of Online & YouTube advertising in Korea is $500-$2500 (geo restricted for single country of Korea), and worldwide use for $3000-$5000.

Selected tracks be sent to clients in South Korea and music licensed on a non-exclusive basis (so you maintain all rights to your music), we simply go 50-50 on deals we get and you're paid quarterly.

The South Korean market is built on a unique structure, which is not the same as any foreign market structure around the world. Because of this Korea has a higher advertising music fee than most other countries. This may be due to systemic limitations that the performing royalties cannot be collected, but also because there is no subsequent secondary payment after the initial payment of music fees. The total amount paid in Korea is 100% mechanical payout.

Clients who will be using music in South Korea; Korea's major advertising agencies including the CHEIL and INOCEAN and brands such as; Samsung, LG, Hyundai and SK to name a few.

If you make “beats’ I really look forward to hearing from you !

All the best,


- Giles Gale - Music supervisor, sync & Licensing Manager - Resonant Music Licensing

I don't want to get hosed buying a pretty label and sales pitch on the bottle. I don't mind buying more than one bottle to get a better price. I don't know what "should be" in good mayo but you do, that's why I came here for guidance. I know we all hate Amazon, plz go to the next question rather than telling me Bezos blows; I am aware.

I'm struggling to go through perimenopausal changes with grace, but also struggling with some disordered eating habits as I try to find a balance between accepting what nature wants to do to my body and trying to maintain a healthy weight. I'm not overly restrictive during the day. I eat when hungry. I don't crave junk early in the day. But at night once everyone is in bed I crave junk and binge. I'm not sure if I am using that word correctly in a clinical sense. I am doing HRT and my meds seem to work ok to balance me out.

I'm pretty sure this is mostly mental, like I'm trying to make healthy choices but I have a shadow self that doesn't like the rules and I keep her at bay til the end of the night. Idk. I had this problem when I tried keto a few years back. Many years ago I decided to do a raw food diet temporarily and maintained it perfectly. I didn't feel restricted or rebel against myself. But then after having children and breastfeeding my relationship to carbs changed maybe. So I tried keto and I feel AMAZING in ketosis but I end up eating tons of garbage because the mental aspect of restriction just doesn't work well for me.

So even though I am not intentionally "restricting" early in the day I am prioritizing healthier foods and I guess in some way it's effectively the same thing.

I also have PDA autism which is probably relevant as I wonder if the food choices are a "demand" and how to navigate that. I also suspect part of the current issue is due to having to take a break from my Vyvanse until I get checked by the cardiologist - since Vyvanse is also prescribed for binge eating disorder it isn't surprising if I'm struggling more with this while I can't take it. (As an aside, if you've done research into the safety of stimulants for cardiac patients, specifically those with late discovered congenital issues like a hole in the heart, please share citations for clinical studies about this as I want to advocate for the doctor to let me stay on my meds.)

I don't want to just get fat. But I also don't want to have so much mental energy taken up by this inner battle. What do?

Hatching a plan for an 8-10ish week, self-contained, van-based cross-country solo journey in 2024 while maintaining a work schedule that absolutely requires me to be connected and on video for scheduled calls every workday. Now in the brainstorming and resource-gathering stages and open to creative ideas and tools. The short version:
Because I'm a worker bee and cannot take all of this time off, I feel like anything like this needs to be fairly well structured, with a good idea of where I plan to land most of the time. This is a really non-specific post, and I welcome all thoughts around apps (e.g., Google Maps with pins, VanAlert, iOverlander, Facebook groups) or other online resources or advice, that will help me plan and execute this.

In brief, the 39yo vanagon has a 100ah LiPo aux battery, a WeBoost cel booster, a fridge, propane heat, a kill switch and good mountain tires. She has a new-ish engine and my dearly departed husband was building her out for work-travel. I'm already set up to plug in and work comfortably from the back seat for a couple of days at a time.

The nitty gritty...
About trip planning:
-starting in the PNW and hoping to route thru New England and California;
-no specific time frame in mind, though I would like to avoid intense heat (no a/c) and extended days below freezing... off the cuff and since summers in the PNW are beautiful, it might be great to stay here and enjoy it while working out kinks with the van, and leave mid August. Loosely aim for a New England fall, down to the Carolinas, return (also loosely) via TN, KY, NM, AZ, and then San Diego and north;
-I'd like to largely avoid interstates, driving in the dark and more than 300-mile days;
-I plan to develop a rough itinerary around the results of outreach to my friend network via social media to ask who would like a visit. Something like: "hey friends, I'm exploring the idea of a big road trip in 2024 and want to know if you'd like a visitor." I would include some language around the fact that I have to work, and probe for what kind of visit they would like, if they could accommodate me and the van, if I could stay/play/work in their house, and if not do they have flat and safe off-street parking, access to an outlet, etc. Your ideas welcome around the framing of that post;
-for the parts of the trip that don't involve friends, I will seek out safe and beautiful camping destinations, stealth camping as needed, forest/BLM land, options that wrap in nature and beauty and hiking and making new friends, iOverlander solutions, driveway camping invitations (I know of just a couple van and women's networks that encourage this), etc;
-I really have zero interest in camping at Walmarts, Cracker Barrels, casinos, truck stops, etc., but I know it's a thing and I will if that's my best and safest option in the moment;
-I have an iPhone and general comfort with tech... is my best bet to create a Google map with pins, or is there something better? Any additional considerations if I would like to wrap in social media to share about my trip?
-I'd kind of love to learn more about driveway camping networks, where people add themselves to a map and welcome travelers to a safe camping spot and a friendly connection. I like meeting people who like meeting people;
-I am aware of networks like trustedhousesitters.com and would be open to engagements like that as I move about.

More about the van:
-I have been setting aside a little fund to add things this year like a suitcase solar panel that trickle charges the auxiliary battery. I don't quite know how that all works, but there are lots of resources out there to figure this out;
-Starlink? I can never not be available to connect for a video call on a workday, I pay extra on my cell phone to use it as hotspot, but that relies on excellent cellular connectivity (the WeBoost typically gets me one extra bar, but often that's not enough. I don't really know if it's supposed to do better than that).

About security:
-the van has a kill switch to reduce the chance of vehicle theft, but of course this does nothing to prevent breakins, theft and vandalization. There is a locking strongbox between the seats to hold my electronics and cash, and a hitchsafe to hold extra keys, ID and cash. I'm thinking I should hide an AirTag or have some other kind of tracking mechanism;
-I don't carry a gun and really don't want to. I have bear spray. I have thought that a trip like this might call for a small InReach or some other gps tracking device;
-as much as I would like to explore urban areas, I would be worried about the van. in the absence of a safe place to park, probably I will base the van outside of a city and take public transit in to be a tourist.

About me:
-50s, fairly extroverted, lover of outdoors, adventurous, though still new to widowhood and discovering a new timidity around taking risks without my adventure partner at my side;
-have driven solo across the country three times, but that was more than 25 years ago and all in less than 10 days;
-not self-employed. I work full-time from my laptop, with a balance of heads-down work and regularly scheduled calls. I also have a fair amount of flexibility in scheduling my day. I'm planning to stretch my PTO around 3- and 4-day weekends when friends have time to play or if I am wanting to linger and explore. I can also imagine on occasion driving for a couple of hours between meetings in the day and making up for it after it's dark and I'm parked;
-not a mechanic, though I can change oil, tires and filters, look up YouTube solutions and follow basic directions (like yesterday, changing an o-ring on my power steering pump). I do plan to take measures in the next year to learn more of the basics of mechanical troubleshooting;
-possess general common sense around safety, and want to take precautions. No plans to install an alarm system or a dash cam.

This is an unreasonably long post, I know. But I figured it couldn't hurt. Seeking your favorite resources for such a trip, your best advice, what do I need to know, what should I be thinking of, etc.

Thanksgiving week, flying into PHX with seven days to hike and play. Someone suggested five days in Sedona and two days in Jerome. What would you do? We are two women who love to hike. Open to options, perhaps with two locations outside of Phoenix. No one day's drive more than 2 hours. Priorities are 3- to 8-mile day hikes, any difficulty. Dramatic vistas, sunsets, stars, sunny aspects if possible. We do have to work remotely a bit that week, so M-W we need wifi and the shorter trails.

Looking for itinerary ideas, both roads and trails!

Not so much seeking lodging suggestions, but if you have them, fire away. Probably aiming for the $120-150/nt range if possible with two beds and a kitchen (with hopes of assembling some sort of Thanksgiving meal there). Seems possible, but a challenge. Feel free to toss in quirky roadside attractions, favorite cafés, etc.

I often have thoughts or ideas when I'm in the car, but I have no easy way to capture them. I have an iPhone, but I don't want to fiddle with it while I'm driving. I'm seeking an app (or possibly a standalone device) that I can safely use while driving. Is there some app that is voice-activated (i.e., without unlocking the phone) and will transcribe short memos? Ideally, I'd like those transcripts to be available in some cloud site, so I can access them via a web browser on my office computer or home computer.

I'd even consider buying a standalone recorder that I can activate just by pushing a button. I looked on Amazon, but I didn't really see anything that can make transcripts and upload them to a cloud site. Just the audio files might work, but it would be much better for me to have transcripts that I can easily access from a computer.

My husband's (trauma-based?) anxiety runs to paranoia, and he occasionally makes angry and hurtful accusations at me. None of the accusations are true and are not really based in reality. Could this get better? My husband has been seeing a therapist who specialises in narcissistic abuse since spring of this year, following a set of realisations about past relationships and then decisions to cut contact with his best friend, his parents, and finally his only sibling. He tells me his therapist has tentatively suggested he may have cPTSD. Before he started therapy, he would in effect try to use me as his therapist and I have listened to him talk for many, many hours. I am sad that he has so few people in his life now but consider that he is better placed than I am to decide on the kind of relationships he should have with his family and friends.

My husband has also experienced IBS-related agoraphobia for about 8 years rarely leaving the house, and is entirely dependent on me financially. He came out to me, and my friends and family as bisexual early in the year. He is not engaging in any medical care except for his weekly therapist appointment on Zoom. We have sex very infrequently (and this is a mismatch for him) but otherwise have a very affectionate and loving relationship. He has always been supportive of me and been proud of my accomplishments inside and outside work. Before these very occasional accusations started happening, I felt generally like the character in Alanis Morrissette's Head over Feet.

He clearly has symptoms of anxiety including physical symptoms such as feeling dizzy and sometimes expresses paranoid thoughts about eg tradespeople that come to the house. Very occasionally he is angry at me. Sometimes this will be with a raised voice, other times with what feels to me like quite cold-blooded venom, sometimes it will be preceded by an obvious short period of silent treatment. It is always a long, confusing monologue, with vague insinuations and an insistence that I know exactly what he is talking about. He frequently claims that people say things 'subtextually' and sometimes specifically that I have clearly communicated something related to his insinuations 'subtextually'. Although I have never felt at risk of violence, when this anger happens I feel very physically frightened. I tend to remain silent, and my thoughts are focused on escape and the risks of escalation. I find his train of thought very difficult to follow, it is not concrete or specific and I am sometimes in panic mode. I am often very literal and am not sure that I really know what he means when he talks about things being 'subtextual'. Eventually he will make a specific accusation, or I will say something and that will lead to an accusation.

The accusations so far have been
•I am withholding sex deliberately to manipulate him
•I lack empathy and am manipulative
•I treat him badly in general and would be unhappy if he was no longer agoraphobic
•I have been having casual relationships with other people since we met 12 years ago
•I have at some point had a 'secret relationship' with a particular female friend.

The accusations are both unexpected and untrue.

After I have denied the accusation, eventually the anger will blow out and dissipate. There might follow another confusing monologue about his state of mind and the trauma he has experienced. Usually, we will then have a decent conversation (either immediately or the next morning) in which he provides some reasoning behind his accusation. They are generally based on very convoluted trains of logic and some snippet of a real-life event or comment. He interprets his accusations and my denials as a way of providing reassurance that I am not going to cause trauma like 'everyone else' has. He has some real sympathy for my being upset by them, but I am not convinced he understands how much they distress me. He has told me that wants me to have more empathy for his trauma and accept that he does not mean the accusations personally.

I find each anger and accusation event frightening at the time and destabilising afterwards. They have happened four or five times in this calendar year. Although I love him very much, I think that if they kept continuing, I would eventually want to leave. I am holding out hope that by continuing to work with his therapist they will stop at some point. Am I being wildly unrealistic? I recognise that I have a strong reaction to any anger. Is there anything I could do to reduce the impact it has on me in the meantime?

I unsuccessfully tried to persuade him to go to therapy for a very long time, and in the end, it was a friend of mine who convinced him, so my chances of talking him into any specific actions are low. But if he were asking for advice, what advice would you give?

In terms of my own real-life support, I have my own therapist that I have been seeing weekly for the past two years, mainly to help me cope with my husband's ill health and related issues. I am honest with my therapist about what is happening. One of my close friends also knows what is happening and I have a supportive colleague who knows some things. I have access to more than enough money to leave him in the short-term if I needed to and divorce would be expensive but not absolutely impoverishing.

I'm feeling out of my depth and could really use some support. My 16-year-old daughter recently admitted to drinking alcohol, and I'm grateful she trusted me enough to share this. But now, I'm facing an even more complicated situation. Last night she came home late with red eyes. I was asleep, and my wife became suspicious of smoking weed. The next day asked me to speak with her. I had a private conversation with her, where I asked about alcohol and other substances. She denied it. I promised her that she could tell me anything, and I'd keep it confidential unless her safety was at risk or if I felt I couldn't help and needed to find someone who could. I assured her that if it ever came to that, I'd tell her first before involving anyone else.

With that reassurance, she admitted to drinking. I'm grateful she opened up, but now I'm worried this may not be the first time, and I'm feeling deeply concerned.

• Family History: My father's drinking led to emotional neglect and abuse when I was growing up. This makes me particularly hurt, sad, and fearful about my daughter's safety and the potential dangers of substance use.
•. Daughter's Challenges: She has attention issues and dyslexia, making school and focus a constant challenge. I worry that drinking or experimenting with substances could worsen these struggles.
• Parental Dynamics: I haven't shared any of this with my wife yet. My wife has a very strict, zero-tolerance stance on substance use and has even threatened to abandon our daughter if she ever used drugs or alcohol. To be clear that's just intended to keep her in line. I don't believe it would ever come to that —but I feel stuck and unsure of how to handle this delicate situation.
•.Social Concerns: My daughter's friends are important to her, and I don't want to damage her social life or push her away. At the same time, I need to find a way to set boundaries and keep her safe.

My Questions:
• How do I support my daughter, maintain her trust, and guide her toward safer choices without isolating her socially or damaging our relationship?
• How do I handle this situation with my wife while protecting my daughter's trust and managing the volatility of our family dynamics?
• How can I manage my own fears, given my past experiences with emotional abuse and my daughter's learning challenges?

Any advice, support, or shared experiences would mean the world to me. Thank you for listening.

The aim of this lesson is to show the link between the sanctuary, God’s law, the Sabbath, and the coming crisis over the mark of the beast. We will also explore the relevance of the Sabbath to an end-time generation. *Study this week’s lesson, based on chapters 25–27 of The Great Controversy.

The aim of this week’s lesson is to reveal what the prophetic Word says about the closing events and discover a new Christ’s strength to take us through earth’s final conflict and get us home. *Study this week’s lesson, based on chapters 37 and 38 of The Great Controversy.

In this quarter’s final lesson, we will see Christ’s steadfast love during the most exciting time in the history of the universe and His complete and total triumph in the great controversy between good and evil. The Bible’s last book, Revelation, gives us hope for today, tomorrow, and forever. *Study this week’s lesson, based on chapters 39-42 of The Great Controversy.

The Gospel writer uses a technique that is called “Sandwich Stories.” This narrative pattern appears at least six times in Mark. In each case some important aspect of the nature of Jesus and His role as Messiah, or the nature of discipleship, is the focus. This week, we will read some accounts about Jesus and see what we can learn from them.

In this week’s lesson, when Jesus arrives in Jerusalem, He has a series of six controversies with the religious leaders. The religious leaders come to confront, confound, and defeat Jesus, but they never succeed. Part of this week’s lesson will include analyzing just what it is that brings people into opposition to God and consideration of what Christians can do to break through prejudice and speak to the hearts of those resisting the Spirit’s call.

This week’s lesson looks at three of Jesus’ greatest signs of His divinity. What is striking is that in every case some people did not believe the miracle or perceive its significance. For some it was a time of turning away from Jesus; for others, a time for deepening blindness; and for others, a time to plot Jesus’ death. And, for others—a time to believe that Jesus was the Messiah.

Throughout his Gospel, John has a diversity of people—people with different backgrounds, beliefs, and experiences—all testifying to who Jesus was. Who were some of these people, and why did they testify as they did to the identity of Jesus?