It’s paradoxical that despite soaring e-transactions, the circulation of high denomination ₹500 notes has marched ahead

Germany’s overtures to India are significant on various counts — geo-politics, technology sharing, immigration and trade talks

Despite the crude and vicious rhetoric, Trump’s agenda on economics and migration resonated with voters

There have been spectacular comebacks in history the world over, but for now, Donald Trump carries the day

‘PEAK’ emissions.The emissions from air travel, local transport and accommodation for COP delegates are staggering

Amidst the din on illegal migration, mass deportation and abortion, the Harris camp may have missed the economic angle

With a scramble for feedstock and the food-versus-fuel conflict, it needs impartial evaluation

Monitoring spot and future prices, hedging, and greater adoption of digital transactions will help them pare the risk

Mast Mein Rehne Ka is a thoroughly human film, which makes you laugh as hard as it will make you feel for the characters, notes Mayur Sanap.

Merry Christmas brims with Sriram Raghavan's signature style and ample cheeky look-what-I-did-there moments.

Merry Christmas has a breathtaking climax that will have you sighing like you've never sighed in a Sriram Raghavan movie before, applauds Sukanya Verma.

A feeble fable masquerading as a robo rom-com, Teri Baaton Mein Aisa Uljha Jiya aspires to address what unrealistic expectations in a relationship can lead to, observes Sukanya Verma.

Manjummel Boys gets so many things right, applauds Arjun Menon.

Showtime is watchable but never engrossing, notes Sukanya Verma.

Ae Watan Mere Watan tries to get a grasp on the mind of youngsters, shaped by the words of inspiring leaders, committed to the cause of independent India.It's significant because their support isn't based on 'andh bhakti', but leadership that encourages questions, observes Sukanya Verma.

Yeh Meri Family 3 is developing into a Wonder Years kind of coming-of-age comedy that Indian viewers can relate to, observes Deepa Gahlot.

Women Of My Billion is stark and disturbing, but at the end of it Srishti Bakshi is still able to say, 'My India is not beyond repair', observes Deepa Gahlot.

Pratik Gandhi once again proves that he is an actor who can bring any character to life with his dedication to his craft and instinctive understanding of what the role requires, observes Deepa Gahlot.

The Kalki Universe might just take off, but it will still owe its gee-whizery to Hollywood movies, observes Deepa Gahlot.

This movie is perfect for all ages. Avan Verma gives his thumbs up.

There is a lot more to Bollywood than the unguarded glimpses Showtime offers, observes Deepa Gahlot.

Right from the lofty title, Auron Mein Kahan Dum Tha keeps aiming to be an epic, and keeps falling short, discovers Deepa Gahlot.

There is no doubt that Akshay Kumar is a total hoot in comedic roles but Khel Khel Mein ain't it, observes Mayur Sanap.

Six episodes are not enough, applauds Deepa Gahlot.

The chemistry between the motley bunch of actors works in fits and starts but Akshay Kumar's gift of the gab, Taapsee's bumbling comedienne and Fardeen Khan's dry wit come out tops, notes Sukanya Verma.

As with biopics these days, Kangana Ranaut's films may be less about telling the story of a dark chapter of Indian history and more about giving fodder to those who seek to defend or justify government highhandedness today, observes Utkarsh Mishra.

Call Me Bae: Unpretentious, easy-peasy entertainment that distracts from the ugliness of real life, vouches Mayur Sanap.

Angry Young Men gloats in Salim-Javed's well-known attributes yet never gains access into the process or passion behind one of Indian cinema's greatest chemistries at work, observes Sukanya Verma.

Call Me Bae is a spirited new addition in guilty pleasures for the fashion-loving, rom-com starved soul, applauds Sukanya Verma.

If you're a fan of the Transformer films already, you will be delighted with a hearty dose of nostalgia here but... Mayur Sanap adds a caveat.