David Honigmann on why Bob Dylan, Joan Baez, Dolly Parton and Saint Etienne have all been drawn to Silver Dagger's cautionary tale of heartache and "wicked loving lies". Credits: Sugar Hill, Saint Etienne, Columbia/Legacy  

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The rousing spiritual from folk opera 'Porgy and Bess' has become one of the most recorded tunes of all time, says David Honigmann, with Miles Davis, Janis Joplin and Peter Gabriel among the artists who covered it. Credits: Columbia/Legacy, Mercury Records, Hallmark  

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Herbie Hancock's soul jazz classic 'Watermelon Man' originally drew on his 1940s Chicago childhood but went on to be given funk, disco, ska, pop and hip-hop makeovers, says Mike Hobart. Credits: Roslin Records, Columbia/Legacy, Salt & Pepper, History Of RnB Records  

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Podcasts have existed for more than 10 years but have recently seen a surge of interest, spurred by the success of the true crime drama Serial, which has been downloaded more than 70m times. What is driving the so-called “podcast renaissance”? How are they different from radio shows? And do they pose a threat to traditional broadcasting? FT technology editor Ravi Mattu is joined by literature professor Sarah Churchwell, veteran podcaster Helen Zaltzman and Mark Friend, who is responsible for BBC Radio online. Produced by Griselda Murray Brown and Lily Le Brun  

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It may have been written by a man who never even set foot in the state, but that hasn't stopped 'Georgia on My Mind' becoming a Southern anthem. Mike Hobart looks back on the song's origins. Credits: Rendez-Vous Digital, The Island Def Jam Music Group, Not Now Music and EG Jazz  

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Nat King Cole's 1948 hit made an unlikely celebrity of its back-to-nature songwriter, and established Cole's solo career - but, says Mike Hobart, it also lived through racial bigotry and legal action before covers by Sinatra, Bowie and Lady Gaga. Credits: The Restoration Project, Columbia Records, Interscope Records  

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Written for a 1935 romcom, this song complies with the strict moral codes of the time, but turns Hollywood convention on its head, says Mike Hobart. Credits: 4:Squared Entertainment, Nostalgia Music Catalog, Universal Island Records  

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Mike Hobart tells the story of Jimmy Forrest’s 1952 hit, an R&B smash that and crossed over to the pop charts with James Brown’s reinvention.Credits: Maarten Eilander, Soul City Blues, The Island Def Jam Music Group  

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“I had to phone someone so I picked on you-hoo-hoo”: David Cheal on the song that gave David Bowie his breathrough moment. Credits: Parlophone UK, RCA Records, EMI Records  

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First recorded in 1934 by Lead Belly the 'Homicidal Harmoniser', David Cheal follows the waltzing lament of 'Goodnight, Irene' through interpretations by the Weavers, Ry Cooder and Bryan Ferry. Credits: Hallmark, H&H Music, Rhino/Warner Bros, Virgin Germany.  

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Going back to the roots of Lamont Dozier's 1977 hit, David Cheal uncovers TV inspiration, Woodstockian vibes and a question mark over the authorship of that famous guitar lick. Credits: Warner Music TV, Rhino/Elektra, Marathon Media International, Orlando Julius Afro House of High Life.  

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From the origin of the "grapevine" itself, through Motown and Marvin Gaye to The Slits' punk reinvention, Hilary Kirby charts the evolution of a classic. Credits: Motown Record Company, Motown Records, Island Def Jam Records.  

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Jan Dalley tells the story of the aria that united opera and football fans alike in a strange example of the power of posh music. Credits: ZYX Music, Naxos, Monument, Arista.  

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David Cheal investigates the roots of an explosive song often cited as the first ever rock 'n' roll record. Credits: Charly Records, Gralin Music, Famous Flames Recording Company, Proper Box.  

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This year’s carol was specially commissioned by the FT with the help of Nicola Clase, Sweden’s ambassador to the UK. Jane Owen talks to Clase about the piece, which was composed by Johan Hugosson and features lyrics adapted from medieval Scandinavian rune poems. It is sung by the choir of Stockholms Musikgymnasium conducted by Bengt Ollen.  

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John Leyton's 1961 "death disc" was born out of a séance and banned by the BBC but still reached Number 1. Cathi Unsworth tells the song's eerie tale and follows the trail of tears it left behind. Credit: Puzzle Productions/DMI; Goldenlane Records; Caribe Sound; EMI  

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A new short story for the holidays, from the winner of the 2013 Man Booker International Prize. The reader is Christine Spolar  

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An unforgettable track whose lyrics emerged from an all-night writing session, “Sunshine of Your Love” has been covered by Jimi Hendrix and Ella Fitzgerald. David Cheal seeks the source of the song’s primal brilliance. Credits: Legacy Recordings; Polydor Ltd; LRC Ltd; Groove Merchant Records  

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A pocket symphony, “Surf’s Up” was written by Brian Wilson at the peak of his creative brilliance. David Cheal discusses the Beach Boy who didn’t surf, and how he caught the wave of emerging 1960s counterculture. Credits: Capital Catalog, Smog Veil Records  

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The quintessential grunge anthem, ‘Smells Like Teen Spirit’ hinted at the racial politics, school shootings and ennui which entangled America’s Generation X. David Honigmann traces the song’s evolution. Credit: Universal Music TV Campaign Division, Columbia, UMC (Universal Music Catalogue), Rhino Atlantic  

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Which song links a Haile Selassie UN speech with a Bob Marley vamp and the moment Sinead O’Connor was booed by 20,000 Bob Dylan fans? David Honigmann discusses “War”. Credit: Sony Legacy, 1992 Island Records, Rastafari Records, Keltia Musique  

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Mike Hobart charts the history of the tune that catalysed modern jazz and - through Charlie Parker - saw the beginning of bebop. Credits: Prestige Elite, Wild Plantage, Chronological Classics, Spotlite Records, Essential Jazz Classics  

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Blind Willie Johnson's gospelly, moaning adaptation of an 18th-century hymn might have seemed an odd choice for the disc of music attached to Voyager 1 in 1977. But artists from Ry Cooder to Jack White have been drawn to its ethereal power. Credit: Legacy/Columbia, Warner Bros., Alligator Records  

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"Lady Marmalade" began life as a sleazy soul anthem by Bob Crewe and Kenny Nolan before being funked up by Labelle, given an R&B twist by Sheila E and overlaid with cheesy rap for the film "Moulin Rouge". Ian McCann charts its evolution. Credit: Epic, 20th Century Records, Fania, Warner Bros., Polydor Associated Labels  

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Jacques Brel's impassioned tribute to the sailors and drunks of the port of Amsterdam inspired covers by Mort Shuman and Scott Walker. David Cheal traces its journey from David Bowie's stripped down version to Thierry Amiel's performance, which triumphantly returned the song to its original French.  

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How did Bill Withers' little blues inspire a 1990s R&B hit and a Simon Cowell-produced football anthem? Ian McCann charts its history. Credit: Columbia, Legacy, Sony, Ministry of Sound, Syco  

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David Cheal discovers how this hymn to friendship eventually came to divide its creators Simon and Garfunkel, but went on to inspire more than 200 cover versions. Credit: Columbia, RCA, Legacy, Atlantic Records.  

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Woody Guthrie's "This Land Is Your Land" has been used in the campaigns of George HW Bush, Obama and, most recently, Bernie Sanders. Richard Clayton investigates the colonial overtones and contested legacy of America's alternative national anthem. Credit: Smithsonian Folkways Recording, Daptone Records, Delta, North Face and Jib Jab.  

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Tim Buckley's ode to doomed love has exerted a siren-like attraction for artists including This Mortal Coil, Robert Plant and John Frusciante. David Cheal examines its enduring power. Credit: Rhino, Warner Brothers, Chrome Dreams, 4AD, Virgin EMI, Parlaphone UK, Virgin UK  

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The coolification of Phil Collins is among pop's most curious turnarounds. Richard Clayton explains what the song owes to gangsta rap, "gated reverb" - and a drumming gorilla. Credit: Rhino, Atlantic, Def Jam  

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Before "Everything I Own" became a reggae classic, it was an ode to paternal love by Bread's David Gates. Ian McCann traces the history of one of the 1970's greatest romantic ballads. Credit: Rhino, Parlaphone UK, Sanctuary, Atlantic Records  

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"Every Rose Has Its Thorn" by Poison's Bret Michaels was the last popular flourish of transvestism in rock. Ludovic Hunter-Tilney discovers what inspired the classic power ballad. Credit: Capitol Catalog, Hollywood Records, Kidz Bop, BMB/Poor Boy Records  

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Is the abundance of information in the age of Google and Facebook storing up problems for future generations? Richard Ovenden, who as Bodley's Librarian is responsible for the research libraries of the University of Oxford, talks about the opportunites and concerns of the digitisation of memory with John Thornhill, the FT's innovation editor.  

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Ben Lerner is one of the most highly praised and unconventional writers of his generation. The 37-year-old recently met John Sunyer, a commissioning editor on FT Weekend, to talk about why he's 'doomed to write more novels'. Here, he reads one of his favourite poems.  

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How is music streaming changing the experience of listeners? Are the algorithms that guide us through this new world an adequate replacement for DJs, critics and knowledgable record shop owners? Could endless choice paradoxically be making us more conservative in our tastes? Lorien Kite discusses these questions with Spotify's Will Page and FT pop critic Ludovic Hunter-Tilney.  

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Written for The Shirelles in 1960, Carole King and Gerry Goffin's song nailed the insecurities of a new generation of women. Helen Brown looks at a classic of the female singer-songwriter canon

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What drew jazz musicians like Miles Davis and Chet Baker to a twinkly tune from Disney's 'Snow White'? And what became of the child star who first sang it? Lilian Pizzichini traces its history  

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The grand hymn of redemption took a long path to its current stature in American spirituality, from John Newton’s original lyric to the civil rights movement of the 1960s. Ian McCann follows its turbulent history. Credits: Rhino Atlantic, Marathon, Ameritz Music, Bandleader Recordings, UMC  

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Bob Dylan’s cryptic number is one of the signature songs of the 1960s, signalling a shift in his career. It helped launch The Byrds to stardom and was pivotal in the development of indie rock. Richard Clayton follows its history. Credits: Columbia, Legacy, Spectrum, Naxos  

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It took Wilbert Harrison a long time to get traction with his ode to fidelity, but it became a hit for him, Canned Heat and later Bryan Ferry. Richard Clayton traces its progress. Credits: The Restoration Project, Marianne Melodie, Universal Music Group International, Thousand Mile Inc, Naïve  

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Rising above personal tragedy, Edith Piaf wrote a defining classic for post war France. Helen Brown follows its path, as read by Anna Metcalfe. Credits: The Restoration Project, Marianne Melodie, Universal Music Group International, Thousand Mile Inc, Naïve  

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Before Julie Andrews' famous film performance, John Coltrane had turned this Broadway number into an off-kilter jazz classic. Mike Hobart charts its history. Credits: RCA, FourMatt, Hallmark, EMI, Decca, Universal.  

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Kate Bush retreated to a farmhouse to craft her richly layered song of love and insecurity. It reaffirmed her place as a pre-eminent songwriter and went on to feature in the London Olympics closing ceremony. Richard Clayton follows its history. Credits: Noble & Brite, Beams, Frontiers Records, Elevator Lady, Italians Do It Better, Obsolete Media Objects  

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Bruce Springsteen's bleak ballad of American life has been promoted by politicians from Ronald Reagan to Donald Trump. David Honigmann examines the song's fraught relationship with power. Credit: Columbia  

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Boney M's unlikely disco ballad was a hit on both sides of the iron curtain but was banned by Soviet authorities. Harriet Fitch-Little explores its indestructible appeal. Credits: Ariola Express, Century Media, Super Cassettes Industries, MCI  

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Richard Clayton on how Tracy Chapman's searing ballad of low income life carried her to global acclaim. Credits: Elektra, King Tubby's Music, Virgin EMI  

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Originally sung by slaves, the spiritual became a jazz and blues hit in the 1960s, with a cover by the British blues-rock musician Graham Bond. Credits: Repertoire Records, Isis, Edition Ahorn, UMC  

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Peter Aspden deconstructs the creation of Bob Dylan's legendary song over the course of a single day in the studio. This podcast was originally published in November 2015; it is republished in celebration of Bob Dylan's Nobel Prize for Literature. Credits: Columbia/Legacy  

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The origin of Deep Purple's 1971 hit is almost as famous as its instantly recognisable guitar riff. Credits: Parlophone UK, Thompson Music P/L  

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Snippets of Isaac Hayes' classic were used by trip-hop pioneers Portishead and Tricky. Richard Clayton tells the life of a sample. Credits: Decca, Universal Music, Virgin EMI  

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