Rapper Big Pooh got his start in the critically beloved North Carolina trio Little Brother. But over the past decade, he’s made a series of excellent and increasingly ambitious solo records, culminating in the new EP Words Paint Pictures.

We talked to Pooh about Little Brother’s early success and major-label stumbles; the truth about radio; the demise of the middle class; and the bizarre cease-and-desist letter that put one of his albums on hold for almost three years.

See http://theciphershow.com/episode/101/ for full show notes and comments.

DJ EFN is a key player in Miami’s hip-hop scene. He was arguably the city’s first mixtape DJ, and certainly its most influential. His mixtapes, featuring exclusives and freestyles from hip-hop’s biggest names, made him a power broker in the region and enabled him to move into marketing, clothing, and even movies, with his recent Coming Home series of documentaries. His new album Another Time features appearances from Scarface, Talib Kweli, Juvenile, Kurupt, Killer Mike, and Ras Kass, among many others.

We talked with EFN about breaking Rick Ross and giving advice to a young Pitbull; why mixtape culture is dead; the never-released album that could have changed the face of Miami rap; and much more.

See http://theciphershow.com/episode/102/ for full show notes and comments.

Oliver Wang is a writer, critic, audio blogger, and DJ. He is best-known among hip-hop fans for his features and reviews for LA Weekly, Urb, NPR, and basically everywhere else. We discuss his new book Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area.

The fascinating book looks at a previously unexplored and nearly forgotten scene from the late 1970s through the early 90s. Young people in the Bay Area, almost entirely Filipino, were inspired by the disco craze to form DJ crews and start throwing parties. At its height, there were scores of crews throughout the entire Bay. Some of the scene’s most prominent alumni were QBert, Mixmaster Mike, and Apollo. The three of them would form the Invisibl Skratch Piklz and go on to invent an entirely new kind of DJing, where virtuosic scratching took center stage.

See http://theciphershow.com/episode/103/ for full show notes and comments.

Brad “Scarface” Jordan first came to the public’s attention as a member of Houston’s controversial group The Geto Boys. The trio - Scarface, Willie D, and Bushwick Bill - made dark, edgy, and often disturbing music. Their songs like “Mind Playing Tricks on Me” and “Damn It Feels Good to be a Gangsta” gained them legions of both fans and critics.

Scarface released his first solo album in 1991, and has since put out classics like Mr Scarface Is Back, The Diary, and The Fix, that continue his career-long streak of well-crafted storytelling and unflinching honesty and self-examination. Now he has a new project - a memoir written with Benjamin Meadows-Ingram called Diary of a Madman: The Geto Boys, Life, Death, and the Roots of Southern Rap, published by Harper Collins. The book covers his life with the same directness and power we’ve seen in his raps.

Our talk with Face covers his musical influences in great detail, and also finds time to cover his own career, the book, how he felt trapped by his own name, and lots more.

See http://theciphershow.com/episode/104/ for full show notes and comments.

RJD2 began his career as a DJ in the mid-1990s, but it wasn’t until his 2002 solo album Deadringer that he really started making noise. That record got a ton of attention for its creative sample-based approach to instrumental hip-hop, and RJ became an important part of the El-P led Def Jux label, which was a huge force in the underground rap scene of the era.

Since then, he has released a ton of wildly varying, but always worthwhile and interesting, projects, from hip-hop records to synthesizer-based soundscapes to pop songs with his own vocals. One of RJ’s tracks, “A Beautiful Mine,” is best-known to most people as the theme for AMC’s hit show Mad Men. His brand-new album with rapper Sugar Tongue Slim is called STS X RJD2.

See http://theciphershow.com/episode/105/ for full show notes and comments.

John Lydon, a.k.a. Johnny Rotten, is a true punk legend. He was the singer of the Sex Pistols, the ground-breaking British punk band. The Pistols formed in 1975, and their raw sound combined with Lydon’s powerful, unfiltered lyrics taking shots at the Queen, the music industry, and the system as a whole created something entirely new – a sound, look, and attitude that would quickly be picked up and copied by legions of bands to follow, and would spark the punk rock revolution.

The Sex Pistols broke up in early 1978, and Lydon went on to form the influential group Public Image Limited, or PiL. The group went in an entirely different direction, making often-danceable, experimental music. Their second album, 1979’s Metal Box, is generally regarded as a landmark release, and was chosen as one of the 500 Greatest Albums of All Time by Rolling Stone.

Lydon’s new memoir, which covers the entirety of his life and career, is called Anger Is An Energy: My Life Uncensored (Dey Street).

We were joined by legendary photographer Janette Beckman (soon to be a Cipher guest herself), who took some pictures – the first time she had photographed Lydon since she took now-famous shots of him with the Sex Pistols and in the early days of PiL, like the image you see above.

See http://theciphershow.com/episode/106/ for full show notes and comments.

Nicholas “Murs” Carter is a rapper who has seen and done it all. He began his career in the Los Angeles underground scene as a teenager in the early 1990s with his friends in the Living Legends collective. By the early years of the next decade, he had become a major player in the world of underground rap.

His subsequent solo albums on both indie and major labels, as well as his collaborations with artists like Slug and 9th Wonder, have cemented his status as one of the most notable rappers out there, underground or otherwise.

His brand-new album is Have A Nice Life.

See http://theciphershow.com/episode/107/ for full show notes and comments.

J-Zone is a rapper, producer, musician, and author whose ability to find and chop the perfect sample is paired with a rap persona that combines raunchiness, self-depreciating humor, social commentary, and a deep love for all of rap history, including some of its more bizarre corners. And, naturally, an alter ego who just happens to be a four foot three, baseball bat wielding rodent named Chief Chinchilla.

His first album, 1999’s Music For Tu Madre, began life as a college senior project, but quickly caught on with the underground scene. He then released a ton of albums - with his Old Maid Billionaires crew, solo, with collaborators like Celph Titled, and even a record of malt liquor jingles.

But by 2009, he was noticing diminishing returns financially and creatively, and decided to get out of the rap game, a decision he explored in his 2011 memoir Root for the Villain: Rap, Bull$hit, and a Celebration of Failure. In a surprising turn of events, the book’s success inspired him to return to music to create his first new solo album in nine years, 2013’s Peter Pan Syndrome.

See http://theciphershow.com/episode/108/ for full show notes and comments.

Janette Beckman has taken some of the most iconic photos out there not only of hip-hop, but of music and youth culture as a whole. She got her start in Britain in the late 1970s, using her art-school education to take photos of the then-burgeoning punk movement. But in 1983, she saw the very first international hip-hop tour, and was so taken by the music and culture that she hopped on a plane to New York City and never left.

She has taken classic photos of LL Cool J, Salt N’ Pepa, NWA, Slick Rick, Big Daddy Kane, Afrika Bambaataa, and tons more. She’s also shot famous album covers for the likes of EPMD, Ultramagnetic MCs, Run-DMC, the Police, Gang Starr, and others. And if that wasn’t enough, she’s also done popular photo series on Mexican street gangs, Harlem bikers, and underground fight clubs.

We talked to Janette about the entirety of her life and career, and got the inside stories behind tons of her iconic photographs and album covers. You can see her hip-hop work for yourself through September 13th at the Museum of the City of New York in Manhattan, as part of the exhibition Hip-Hop Revolution: Photographs by Janette Beckman, Joe Conzo, and Martha Cooper. On June 3rd at 6:30 PM, Janette, past Cipher guest Bill Adler, and upcoming Cipher guest Cey Adams will be part of a panel called “Hip Hop’s Visual Style: A Look Behind the Scenes” at the Museum.

NOTE: To see Janette’s photos that we talk about on this episode, you can scroll through the pictures on Imgur or watch the episode on YouTube.

See http://theciphershow.com/episode/109/ for full show notes and comments.

Al “Blueprint” Shepard is a Columbus, Ohio-based emcee and producer. He got his start in that city’s vital scene in the late 1990s, along with talents like RJD2, Copywrite, and Camu Tao. However, most rap fans first heard his unique voice, freestyle skills, and creative, melodic beats either via his work on the influential Rhymesayers label, or in his duo with RJ called Soul Position.

Blueprint has been all over the map musically – from straight ahead boom-bap to electronic experimentation to jazzy instrumentals to full-length tributes to his favorite bands. But he’s brought his unique musical sensibilities and inquisitive, ever-searching nature to all of it.

His latest album, released this past April, is King No Crown.

See http://theciphershow.com/episode/110/ for full show notes and comments.

Duval “Masta Ace” Clear is a rap legend whose career dates back to his time with the Juice Crew in the late 1980s. That historic rap collective, led by producer Marley Marl, included stars like Big Daddy Kane, Biz Markie, Roxanne Shante, and Kool G. Rap.

Ace made his recording debut on what is arguably hip-hop’s greatest posse cut, Marley Marl’s “The Symphony.” The success of that song led to Ace’s debut album, 1990’s Take A Look Around, which featured the comic hit “Me and the Biz.”

After leaving Marley’s orbit, Ace successfully reinvented himself with critically beloved albums like SlaughtaHouse and Sittin’ on Chrome - the latter of which, with its West Coast-sounding beats and songs about car culture, got him in a little bit of trouble with a few of his fellow New Yorkers.

After several years of career ups and downs, Ace reinvigorated his career with the 2001 album Disposable Arts. The success of that album, and the renewed audience it brought to his live performances, led to a career upswing that has continued to this day. Ace has released numerous solo, duo, and group albums in the ensuing decade and a half, and tours heavily by himself and with his group EMC. His latest album, with eMC, is called The Tonite Show.

See http://theciphershow.com/episode/120/ for full show notes and comments.

The producer Focus… is best known for his work with Dr. Dre, and had his hand in half a dozen songs on the legend’s long-awaited new album Compton: A Soundtrack By Dr. Dre. But the versatile beat maker’s work can’t just be summed up by his contributions to one album, however well-known. He began his career as a rapper, but quickly moved into production. He made not just hip-hop, but also hit r&b songs for artists like Beyonce, Christina Aguilera, and Jennifer Lopez.

Focus… first came to Dre’s attention in the early aughts, and worked for the NWA member’s Aftermath label for seven years before taking a brief hiatus. After several years off, and some superb solo albums along the way, he returned to help make Compton possible. One might say that Focus…’s job is in his blood. His father and namesake is the late bassist Bernard Edwards, best known for his work with the great dance band Chic.

See http://theciphershow.com/episode/130/ for full show notes and comments.

It’s that time of year! We sit down with Bill to talk about this year’s edition of his world-famous Christmas music mix Xmas Jollies 2015, which you can stream EXCLUSIVELY from us here.

We also discuss how Bill’s extensive hip-hop archives ended up at Cornell University, despite the wishes of his pal Lyor Cohen; why you’ll soon see his photos at the Smithsonian; and the story of how a noted civil rights activist was outed as an FBI spy.

See http://theciphershow.com/episode/134/ for full show notes and comments.

Beans is an underground rap legend, best known for his time as a member of the group Antipop Consortium. He grew up in White Plains, New York and developed a unique abstract, wordy style that made him equally suited to both rap and the thriving New York City spoken word scene of the mid-1990s. Antipop released their debut album Tragic Epilogue in 2000, and followed it up with several other influential and critically beloved releases, including their best known, 2002’s Arrhythmia.

After leaving the group, Beans kept on releasing solo records, while also continuing a career-long habit of collaboration. Over the years, he has worked with the likes of Vernon Reid, DJ Shadow, Arto Lindsay, and many more.

To see a playlist Beans made exclusively for The Cipher of songs that influenced him heavily when he was growing up, click here.

See http://theciphershow.com/episode/140/ for full show notes and comments.

Fat Joe and Remy Ma are longtime friends and collaborators who have been making music together since the heyday of their crew The Terror Squad in the early 2000s. Their 2004 Grammy-nominated smash “Lean Back” was number 1 for three weeks and became one of the most popular songs of the decade.

But as any hip-hop fan knows, both of their stories go much deeper than that. Joe first came on the scene in the early 1990s as part of the powerhouse Diggin’ in the Crates crew. Joe’s first verses were on DITC member Diamond D’s classic 1992 debut Stunts, Blunts and Hip Hop, and Diamond would produce most of Joe’s own debut record, Represent, the following year.

As Joe’s career developed, he started his own crew called the Terror Squad, which came to include Remy and her mentor, the late Christopher “Big Pun” Rios.

Pun’s death in 2000 took a toll on crew morale, and the group gradually split apart. By the time of Remy’s 2006 debut There’s Something About Remy: Based On A True Story, Joe and Remy had fallen out completely.

In July 2007, Remy was arrested for shooting an acquaintance outside a Manhattan nightclub. She served six and a half years behind bars, and was released in August 2014. A reconnection with Joe soon followed, and the two began working together again. Joe and Remy’s latest hit single is “All The Way Up,” and they have a duo album coming out very soon.

See http://theciphershow.com/episode/150/ for full show notes and comments.

Adisa Banjoko is the founder of the Hip-Hop Chess Federation, a non-profit organization that fuses music, chess, and martial arts to promote unity, strategy and non-violence. He has a new book about the history and philosophy behind the organization called Bobby, Bruce & the Bronx: The Secrets of Hip Hop Chess. The book was originally titled Bobby, Bruce & Bam, but Adisa changed it – and very publicly resigned his years-long membership in the Zulu Nation – in light of the accusations of sexual abuse against Afrika Bambaataa.

With the Hip-Hop Chess Federation, Adisa has put on tons of workshops, seminars, and lectures to help children learn not only chess, but entrepreneurship, performing arts, and more. He has even worked with the World Chess Hall of Fame to put on one of their most successful exhibits ever.

See http://theciphershow.com/episode/160/ for full show notes and comments.

Suga T is a rapper best known as a member of the influential Bay Area group The Click. The group consists of her cousin B-Legit and her brothers D-Shot and E-40. The Click has been making music together since the 1980s, and released their debut album Down and Dirty in 1992. Suga T’s solo career quickly followed, with her album It’s All Good in 1993.

Since then, she has released music solo, with The Click, and in collaboration with E-40, appearing on such hits as “Hurricane,” “Sprinkle Me,” “Captain Save-a-Ho,” and more. But she has also found a second life as a singer, releasing albums of gospel, jazz, and soul music. Suga T was most recently one of the honorees for VH1’s Hip Hop Honors 2016.

See http://theciphershow.com/episode/170/ for full show notes and comments.

Tech is a Kansas City rapper who has started an empire with his label Strange Music. He began his career back in the mid-1990s, landing several record deals with the likes of Jimmy Jam and Terry Lewis, and Quincy Jones.

But it wasn’t until Tech N9ne let all of that go and started his own label Strange Music in 1999 with his partner Travis O’Guin that things really took off. Tech came back with a new, rock-influenced sound and a sharper creative vision. He spent years touring hard behind it, building a devoted fanbase that sustains him and the label to this day.

Tech’s new album, out December 9th, is The Storm.

See http://theciphershow.com/episode/180/ for full show notes and comments.

It’s the most wonderful time of the year—if you love soulful Christmas music! We sit down with Bill to talk about the 2016 edition of his world-famous ‘Xmas Jollies’ mix, which you can stream EXCLUSIVELY from us here.

We also discuss Paul Simon, vaudeville, Atlanta, record shopping in Bayou country, the raunchiest Christmas song of all time, and much more.

See http://theciphershow.com/episode/181/ for full show notes and comments.

Paradise Gray began his career in hip-hop under the tutelage of masters like Pete DJ Jones and Disco King Mario. However, he really hit his stride when he began booking hip-hop acts and hosting in 1986 at a nightclub in the heart of Times Square called the Latin Quarter. While at the club, he would have a front row seat to the introduction of a new generation of hip-hop artists—the key acts in what would come to be called the genre’s Golden Age.

After the club closed in 1988, Paradise would form the group X-Clan with some friends, and deliver some of the most powerful, conscious rap records of all time.

Paradise has a new book about his time at the LQ called No Half Steppin’: An Oral and Pictorial History of New York City Club the Latin Quarter and the Birth of Hip-Hop’s Golden Era.

See http://theciphershow.com/episode/190/ for full show notes and comments.

This is episode 200, and features a return from Kevin Coval. However, since it is our 200th, our producer Josh got Kevin, who’s also a big fan of the show, to turn the tables without us knowing and interview the show’s host Shawn. So if you’ll excuse a little self indulgence here’s the episode 200 with Kevin Coval, Shawn Setaro AND Josh Kross.

Kevin is a poet and educator who is the artistic director of Young Chicago Authors, and the author and editor of a whole bunch of great books. The latest of these is A People’s History of Chicago. The book, true to its title, covers the entire history of the city, while focusing on the experiences and victories of its working people and those struggling for justice. The book’s foreward is by a young artist who has learned a lot from Coval, Chance the Rapper.

See http://theciphershow.com/episode/200/ for full show notes and comments.

Jay is the host of the longest-running hip-hop radio show ever, The Underground Railroad on New York City station WBAI. He’s had the show since 1991, and helped create the template of what an underground mix show is supposed to be. He also had arguably first hip-hop blog way back in 1997 with hiphopmusic.com.

But Jay is perhaps best known as a pioneering video blogger. His video series Ill Doctrine, which deals with hip-hop, politics, cats, and lots more, has garnered millions of views, and many of the entries have gone viral, including now-classic video essays like “How To Tell Someone They Sound Racist.”

See http://theciphershow.com/episode/201/ for full show notes and comments.

Rocky is the head of the Universal Hip-Hop Museum, a new and exciting project to share the history of hip-hop both in real life and in the virtual world. But his history goes way deeper than his current efforts.

Rocky learned to DJ in the Bronx of the 1970s, as hip-hop was coming of age. His cousin, the great Pete “DJ” Jones, gave Rocky his start, and Rocky ran with it. He moved from DJing to promoting parties to getting into the record business, discovering talents like Teddy Riley and Grand Puba.

See http://theciphershow.com/episode/202/ for full show notes and comments.

Alan is the head of rock and urban at Entertainment One Music, a record label you may know better by the name it had until 2009, Koch Records. Koch is a label that had hits with veteran artists like Fat Joe’s Terror Squad, KRS-One, The Game, and Snoop Dogg; while also breaking new artists like Unk, Rich Boy, and even a then-new DJ Khaled. Hip-hop fans will remember the period in the mid-2000s where they had huge hits with Jim Jones, the Ying Yang Twins, Unk, Khaled, and more.

But Entertainment One is only a part of Alan’s story. He started out at Sony getting the Fresh Prince his first millions, and then worked at Relativity Records in the early 1990s just as the label was first getting into hip-hop, with artists like Fat Joe, the Beatnuts, and a young guy out of Chicago who called himself Common Sense. Alan was also responsible for helping to make then-regional acts like Three 6 Mafia and 8Ball & MJB rise to national prominence. He even played a key role in Eazy-E’s Ruthless Records during the period of its greatest success.

See http://theciphershow.com/episode/203/ for full show notes and comments.

Stevie Stone is an emcee who is part of the Strange Music family. However, his gravely voice and powerful vision make him stand out even among that talented crew. Stevie started out signed to Eazy-E’s Ruthless Records, but quickly joined the Strange family—an appropriate move, since for his very first show, he shared the stage with the label’s co-founder and flagship artist Tech N9ne.

Since then, Stevie has made a series of powerful and often experimental albums, including 2015’s Malta Bend, which explored his mother’s childhood in the small Missouri town of that name. His new album, out this past Friday, is Level Up.

See http://theciphershow.com/episode/204/ for full show notes and comments.

Ernest Dickerson is a director, cinematographer, and writer who has played a key role in some of the best and most important film and television of the past four decades. He got his start in the mid-1980s as the cinematographer on movies by his NYU film school pal Spike Lee. Ernest show every one of Spike’s movies up through 1992’s Malcolm X—a historic run that included She’s Gotta Have It, Do the Right Thing, and Jungle Fever, just to name a few.

Ernest struck out on his own with a hip-hop cinema classic, 1992’s Juice. The film, about four Harlem teenagers who slowly get dragged into a perilous situation, featured Tupac Shakur in his first starring film role—and also had cameos from hip-hop figures of the time like Treach, Queen Latifah, Red Alert, and Yo! MTV Raps hosts Fab 5 Freddy, Ed Lover, and Doctor Dre. A 25th anniversary edition of the movie, with tons of never-before-seen extras including an alternate ending, is available now.

But that’s not nearly all of Ernest Dickerson’s story. He has directed other great films like Surviving the Game, Demon Knight, and the Snoop Dogg-starring Bones. And he has helmed notable episodes of great TV series like The Wire and The Walking Dead. His latest project, out now on the festival circuit, is Double Play.

See http://theciphershow.com/episode/205/ for full show notes and comments.

Nana Ashhurst, formerly Carmen, played a key role in the history of hip-hop’s most iconic label, Def Jam, and in the career of its co-founder Russell Simmons. Of course, before that, she met Malcolm X through her activist parents and ran revolutions in Grenada—no big deal.

She joined Def Jam in the 1980s as Russell’s assistant, but quickly worked her way up to president. While there, she also oversaw Russell’s expansion into fashion, movies, and comedy with properties like the fashion label Phat Farm and the TV show Def Comedy Jam.

Nana oversaw Def Jam in the early 1990s, right as gangsta rap was beginning to take over the industry, and she has some valuable insights into how and why that happened. She also, as you’ll hear, has a fascinating political background and family history that informed her work in hip-hop.

See http://theciphershow.com/episode/206/ for full show notes and comments.

Ron is a producer who is best known for his time as part of Bad Boy Records’ Hitmen production collective. Ron teamed up with Deric “D Dot” Angelettie, Diddy, Stevie J, and Nashiem Myrick to create iconic hits for Biggie, Mase, Diddy, Faith Evans, Mary J Blige, The Lox, and many more. After that run ended, Ron made beats for the likes of Beyoncé, Aretha Franklin, and Luther Vandross.

Ron is also a hip-hop historian and documentarian, and has made several films dealing with unjustly ignored aspects of hip-hop’s history. Most notable among these is the documentary Founding Fathers, which deals with the mobile DJ scene of the 1970s in Brooklyn and Queens. Any fan of the genre needs to see the movie in order to understand that there was a lot more to DJing in that era than just what was happening in the Bronx.

See http://theciphershow.com/episode/207/ for full show notes and comments.

Tom is the “Tommy” in Tommy Boy Records—he founded the label in 1981. After several early hip-hop and dance records, the label found success with “Planet Rock.” But it was in hip-hop’s Golden Age of the late 1980s and early 90s that the label would really blow up, signing acts like Queen Latifah, Digital Underground, House of Pain, Coolio, Naughty by Nature, and De La Soul.

Silverman also founded the New Music Seminar, the influential and long-running music conference whose annual rap and DJ battles would become the stuff of legend. His latest project is Tracklib, a whole new way of dealing with sampling.

See http://theciphershow.com/episode/208/ for full show notes and comments.

Aldrin “DJ Toomp” Davis began his career as a DJ and producer for early Atlanta rap acts like Raheem the Dream and MC Shy-D. But it was when he met a friend’s cousin named Clifford Harris that things really got started. Harris rapped under the name Tip—which he would later change to T.I. to avoid confusion, after signing to the same record label as Q-Tip.

T.I. and Toomp would together sell millions of records, create classics, and even help start a whole new genre. A whole new generation in Atlanta and beyond would take inspiration from the sound and title of Toomp and T.I.’s 2003 album Trap Muzik, and a style bearing that name would come into being.

But that’s far from the end of Toomp’s accomplishments. He also played a key role in the creation of Kanye West’s 2007 album Graduation, and a whole lot more besides.

See http://theciphershow.com/episode/209/ for full show notes and comments.

Orville “Shaggy” Burrell was raised in Jamaica, but started spending most of his time in Flatbush, Brooklyn starting in his late teens. It was in the streets of Flatbush that he began to turn his talent for creating on-the-spot rhymes into a career, performing at block parties and clubs and recording his first few singles.

One of those early songs, a cover of the Folkes Brothers’ “Oh Carolina,” became a huge hit in 1993, particularly in the UK, and really launched Shaggy’s career. He went on to have a giant hit in 1995 with “Boombastic,” and then had world-beating success with his 10 million-selling 2001 album Hot Shot, which contained the hits “Angel” and “It Wasn’t Me.” Since then, he has continued having big songs, experimenting, and making great music. His latest hit is the song “Seasons,” featuring OMI.

See http://theciphershow.com/episode/210/ for full show notes and comments.

E.S.G. is a Houston rapper best known for his association with DJ Screw and the Screwed Up Click. He was the very first artist to have Screw remix a song on a commercially-available project, with a Screwed up version of “Swangin and Bangin” on his 1994 album Ocean of Funk.

E.S.G., a talented freestyler who can rap off the top of his head for hours at a time, found regional success with that album and its followup, 1995’s Sailin’ Da South, before legal issues stalled things for several years. But he returned stronger than ever in 1998 and, since then, has released a steady stream of solo and collaborative projects, including an influential duo album with Slim Thug that helped bring the warring north and south sides of Houston together.

See http://theciphershow.com/episode/220/ for full show notes and comments.

Bill Adler is…well, you probably already know who Bill is. Publicist, journalist, author, gallery owner, archivist - Bill has done it all. From helping to popularize acts like Run-DMC and the Beastie Boys to defending free speech alongside Luther Campbell to boycotting the Grammys with Public Enemy and the Fresh Prince, there’s very little Bill hasn’t done.

But most importantly, Bill Adler is a Christmas music obsessive. Every year since 1982, he’s created a mix of seasonal music that he actually likes, called the Christmas Jollies. And the past five years, we’ve been lucky enough to sit down with him to discuss the music on it.

You can find this year’s collection here, and several other past volumes can be found elsewhere on our SoundCloud page.

See http://theciphershow.com/episode/228/ for full show notes and comments.

Ice is someone who surely needs no introduction…which won’t stop us from giving him one anyway. He got his start in music as part of L.A.s mid-1980s electro scene, emceeing and managing the stage at the noted club Radio, working with people like The Unknown DJ and Chris “The Glove” Taylor, and making a notable appearance in the 1984 film Breakin’.

Following the release of his classic song “6 in the Mornin’” and a fateful 1986 trip to New York City, Ice landed a deal with Sire Records, and began producing a string of huge-selling and groundbreaking albums like Rhyme Pays, Power, and O.G. Original Gangsta. In the 1990s, he turned his attention to acting as well, and appeared in dozens of films including New Jack City, Surviving the Game, Johnny Mnemonic, Trespass, Tank Girl, and more. Oh, and somewhere in there his rock band Body Count recorded the notorious track “Cop Killer.”

These days, Ice’s day job is starring as Detective Fin Tutuola on Law and Order: SVU. But he’s still making music, both on his own and with Body Count.

See http://theciphershow.com/episode/230/ for full show notes and comments.

Kalyn is a rapper and the leader of the eclectic Denver-based group Wheelchair Sports Camp, who have garnered critical acclaim for their music and their energetic live performances almost since their founding in 2009.

Wheelchair Sports Camp - named after a real camp that Kalyn, who has brittle bone disease and has been in a wheelchair her whole life - used to attend, is a group that pushes the boundaries in sound and subject matter. Most performances consist of Kalyn, drums, and trumpet, and their latest album No Big Deal explores everything from gentrification to the pressure artists put on themselves to important social issues.

In addition to being a great rapper, Kalyn is also an activist, and now a politician. She participated in a big protest against the repeal of the ACA that had her and other activists taking over a senator’s office. And now she’s running - or rather, as she puts it, rolling - for Mayor of Denver.

See http://theciphershow.com/episode/240/ for full show notes and comments.

Mid90s, which opened this past Friday, October 19th, is a film Hill wrote and directed about a group of skateboarding friends in—you guessed it—the mid-1990s. The incredibly authentic period piece features plenty of nods to the skateboarding scene and the music of the time period, including songs from the Pharcyde and the Gravediggaz, and a memorable cameo appearance by Del the Funkee Homosapien.

This is Jonah’s first film as a writer/director. He has, of course, starred in tons of films, from Superbad to Moneyball to The Wolf of Wall Street. For this interview, Hill was joined by Sunny Suljic, who plays Stevie; Na-kel Smith, who plays Ray; Olan Prenatt, who plays Fuckshit; Gio Galicia, who plays Ruben; Ryder McLaughlin, who plays Fourth Grade; and Alexa Demie, who plays Estee. To rap fans, Na-Kel Smith’s name and voice may sound familiar—he has a music career of his own, and has appeared on songs with Tyler, the Creator and Earl Sweatshirt.

See http://theciphershow.com/episode/248/ for full show notes and comments.

Masta Ace is a legendary rhymer whose career began with the Juice Crew and has continued through a series of beloved solo and group albums. Marco Polo is a Toronto-born producer who moved to New York City in the early 2000s, and took his adopted hometown’s traditional boom-bap aesthetic to heart. Marco has brought his rugged sound to Torae, Pharoahe Monch, Ruste Juxx, Sean Price, Vinnie Paz, Rah Digga, and many more.

Now, Marco and Ace have joined up for a new album. A Breukelen Story combines a set of incredible songs with a series of skits that follow Marco’s journey from Toronto to NYC—an Ace-written storyline that both mirrors and features people from the producer’s real life.

See http://theciphershow.com/episode/250/ for full show notes and comments.

Every Christmas since 2013, we’ve sat down with Bill—who is the former head of PR at Def Jam, among numerous other accomplishments—to talk about his world-famous Xmas Jollies mix. Bill spends the whole year scouring record stores, flea markets, the internet, and everywhere in between to find the perfect batch of great holiday music, and then shares it with his select mailing list, and with us. Now, we talk to him about some of this year’s selections.

You can hear Bill’s mix in its entirety at our Soundcloud page.

See http://theciphershow.com/episode/251/ for full show notes and comments.

Birmingham-based Cure Leukaemia has announced record financial results that will see the charity double the amount of funding for research nurses in the West Midlands.

Richard Lutz remembers Mike Wakelam, a major force in medical research who died suddenly of a suspected Covid-19 infection.

This is the first episode of The Church of Whats Happening Now. I got together with my friend Lee Syatt and we talked about whatever was on our mind. Everything from weightloss secrets, to cats, to music and movies. This will only get better as it goes so stay tuned momo's!

Stay Black!

Joey and Lee talk about everything from cats, sports and music. Joey's childhood friend Loubs calls in. Originally aired 9/3/12. 

Joey and Lee chat about music, comedy, tv and life. Mr. T, one of Joeys teachers calls in.

Originally aired 09/05/2012.

Joey and Lee get ready for the first week of the NFL season, and more important betting season. Joey tells us about something great he saw at the ATM drive thru. And childhood friend Greg calls in. 

Streamed 09/09/2012

Joey and Lee talk about the anniversary of 9/11, techniques for losing weight and Joey tells a story about when he hid in a dumpster all day.

Joey's ex - girl friend Devan calls in. They talk about their crazy days in Seattle.

Recorded live 09/10/2012

Joey and Lee talk about his betting days, his days as a thief, and Joey gives dating advice to Albert, a 50 man from Boston.

Tim, the driver in the Jewlery store heist calls in to talk about the upcomming anniversary. 

Live Streamed on 09/10/2012.

Joey and Lee talk about Joey's trip to the mid west, people standing on line, stinky people on planes and much much more. 

Get it together!

Recorded 09/17/2012

Joey and Lee talk music, the best comedy movies, and about the character of the people in this country. Joey's childhood friend Martin calls in for one of the best conversations so far. 

Live streamed on 09/19/2012

Joey and Lee talk about UFC 152, the NFL games, and more childhood stories. Joey's friend, who also happens to be named Joey, calls in to talk about growing up in North Bergen and Joey Diaz' best friend and the other Joey's cousin,  Darren. You won't want to miss this conversation.

Recorded live on 09/23/2012

Joey and Lee talk about living life to the fullest, what it was like robbing gas stations, and why he cant go back to Seattle. Joey's friend since summer school, George, calls in.

Streamed Live on 09/24/2012