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Discover the complete story behind the making of Star Wars: The Force Awakens when it comes to Digital HD April 1, and Blu-ray Combo Pack & DVD April 5.

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Two Jedi performers ascend the world�s tallest building

SMASHD Labs Season 2 is a 10-week accelerator program based out of Los Angeles talent firm Atom Factory. We are inviting companies at the intersection of entertainment, technology, and culture to work alongside our team to accelerate their growth. Join us and our roster of world-class mentors for a masterclass in hustle.

CCFA Partners is an innovative network where patients and researchers work together. Become a part of groundbreaking research: www.ccfapartners.org.

Safe Handling of Raw Produce and Fresh-Squeezed Fruit and Vegetable Juices

Visit FuelUpToPlay60.com to access new Spanish-language materials and get your school involved.

Let's say you have a PlayStation, either because it was already in your closet or because you decided to spend ten thousand dollars for one after the virus arrived. How can you get the most out of the console in 2020?

We're getting a new cockpit-focused Star Wars flight game this October! While visions of the classic LucasArts simulators X-Wing and TIE Fighter do barrel rolls in our heads, we should temper our expectations.

Dear god this was an embarrassment to not only this site, but to all mankind

Connie Willis's Doomsday Book is one of my favorite books, and also one of the best books ever written. It is a masterpiece.

It's also extremely sad, and happens to be about deadly epidemics. So I'll start by saying that depending on what you've experienced in the past year, this may not be the book for you right now. Alternately, it might be exactly the book for you right now. I think it depends on whether and how much you're grieving, whether you've been traumatized, and whether it helps you, as you process, to share those feelings with people inside a book. For me, this can be a touch-and-go sort of question… When is a book comforting, and when is it exacerbating my difficult feelings? I've read this book before, so I knew what I was getting into last week when I sat down to reread it. For me, it helped me access, and settle, my own overwhelmed, confused feelings from the last year. But I say that as a person who is not a COVID nurse or doctor and has not lost a loved one to COVID-19. I am, however, a person with PTSD. As such, I'd advise that if you've been spending anxious time at someone's sickbed — or not been allowed to spend time at their sickbed, only allowed to imagine it — or if you're one of the overworked caregivers — this might be a book to save for another time. Among other things, it contains a lot of graphic descriptions of human sickness and suffering. It also puts you inside the head of a character who's gradually being traumatized by the sadness and death around her. Please spare yourself, if that's not a good headspace for you right now. (This post, on the other hand, will contain no graphic descriptions, and I don't linger on the trauma.)

I'll also say that, maybe moreso than the other posts in my craft series, this post will contain some plot spoilers. Not all the plot spoilers! Willis does some excellent weaving that creates surprises for the reader I won't reveal. But it's impossible to talk about this book without revealing some important plot points. If you don't want to know, stop reading now. (If you're undecided, I can say that it's thrilling reading even if you know what's going to happen.)

First, a little background: The conceit of Connie Willis's time travel books (each of which is wonderful) is that in the mid-twenty-first century, historians in Oxford, England conduct fieldwork by traveling back in time to observe other eras. This is not the kind of time travel story we're all used to in which the plot hinges on the time traveler changing the course of history, or the story getting wound up in complicated paradoxes. The "net," which is the machine that makes time travel possible in this book, doesn't allow time travel that will alter the course of history. And though some of Willis's other time travel books do deal with the paradox issue (sometimes hilariously), that's not the point of Doomsday Book. This is a different kind of time travel book.

In Doomsday Book, Kivrin, a young Oxford historian in December 2054, is set to travel back to the Oxfordshire of December 1320, to observe the lives of the locals at Christmas in the Middle Ages. Unfortunately, on the very day of Kivrin's travel, a new influenza virus arises in 2054 Oxford, and the tech responsible for running Kivrin's travel coordinates (or, "getting the fix"), Badri Chaudhuri, falls ill. He doesn't know he's ill — no one knows Badri is ill — until it's too late. In the disorientation of his illness, Badri gets the coordinates jumbled, and Kivrin is accidentally sent to December 1348 — which is when the bubonic plague reached Oxfordshire. The circumstances of Kivrin's passage ensure that it's going to be difficult, if not impossible, to get her back to 2054. Kivrin is trapped.

The novel then alternates between 2054/55, where a frightening new influenza epidemic is arising, and 1348, where Kivrin is gradually coming to realize what's about to befall the people around her. Connecting the two timelines is an Oxford historian named Mr. Dunworthy, a deeply caring and pessimistic man who is desperately trying to figure out how to rescue Kivrin from her accidental fate, and bring her back to 2054/55. (For the sake of simplicity, I'm going to keep referring to the future timeline as 2054 from this point on, even though the year turns to 2055 partway through the novel.)

Incidentally, that plot twist I just casually revealed — the one where it turns out Kivrin is in the year 1348 instead of 1320 — isn't revealed to the reader until page 384. Willis's slow and brilliant pacing, her careful, drawn out reveal of the horror that has happened and the horror that's coming, is one of the magnificent accomplishments of this book. It's not what I'm planning to talk about today, though. In truth, I could write a long series of craft posts about "Things a Writer Could Learn from Doomsday Book." But today I'm going to single out one of the things I took from my latest reading: namely, her construction of parallel characters in separate timelines.

All page references are to the 1992 Bantam Books mass-market edition, though I've also listened to the 2008 Recorded Books audiobook narrated by Jenny Sterling, which is excellent (and deliciously long!).

Before I dive deep into Willis's construction of parallel characters, I want to speak more generally about the potential for parallels — echoes — inside a book, when that book takes place in multiple timelines. Many books do take place in more than one timeline, of course, whether or not they involve time travel! And there's so much you can do with that kind of structure. As you can imagine, life in Oxfordshire in 1348 is dramatically different from life in Oxford in 2054. But Willis weaves so many parallels into these two stories, big and small things, connecting them deftly, and showing us that some things never really change. I suppose the most obvious parallel in this particular book is the rise of disease. The less obvious is some of the fallout that follows the rise of disease, no matter the era: denial; fanaticism; racism and other prejudices; isolationism; depression and despair; depletion of supplies (yes, they are running out of toilet paper in 2054). She also sets these timelines in the same physical location, the Oxfords and Oxfordshires of 1348 and 2054 — the same towns, the same churches. Some of the physical objects from 1348 still exist in 2054. She sets both stories at Christmas, and we see that some of the traditions are the same. She also weaves the most beautiful web between timelines using bells, bellringers, and the significance of the sound of bells tolling. 

Simply by creating two timelines, then establishing that some objects, structures, and activities are the same and that some human behaviors are the same across the timelines, she can go on and tell two divergent plots, yet create echoes between them. These echoes give the book an internal resonance. (Are you starting to appreciate why it was so thematically smart for her to bring bells to the forefront of her story?) They also give the book a sense of timelessness. It becomes one of those masterworks that presents the best and worst of humanity in all times, for the reader to see and recognize. Epidemics lay us bare. In all times, people are bound by the limitations of their scientific knowledge. In all times, people (the good ones and the bad ones) struggle to find a bearable framework, a way to conceive of the horrors without succumbing to despair. And in all times, some people respond with kindness and generosity, working themselves to the bone in order to help others; and some people allow their fear to turn them into selfish, craven, unfeeling hypocrites, striking out at others in defense of themselves. By letting these echoes ring across the timelines of her book, Connie Willis captures her themes magnificently.

And now I'm going to focus on the echoes in her character-building: on the way she creates characters who are unique individuals, yet who strike the reader with extra force because of the ways they parallel each other across time. I'll offer a range of examples. Some are small, isolated moments in which characters from 1348 and 2054 perform similar activities. Some are people who have similar attitudes or spirits, even as they perform different roles. Most of them are loose parallels, drawn with a light touch. One of the parallels is quite clear and deep, two people who are characteristically similar, to the point where you feel like one could practically be the 2054 version of the other. This is one of Connie Willis's special skills: she draws her parallels lightly in some places, heavily in others, never hamfisted, none of them tied too tightly, all of them open to interpretation, and all of them reaching for her larger, more timeless themes about what it means to be human. 

 

Smaller Parallel Moments

I'll start with a few moments that are brief, but also plainly deliberate.

Here's one: There's a moment when Agnes, a five-year-old girl from 1348, tries to feed hay to the cow, but is clearly afraid of the cow. First she holds the hay out "a good meter from the cow's mouth" (304), then she throws the hay at the cow and runs to safety behind Kivrin's back. 

Skip ahead to page 551, where Colin Templer, a twelve-year-old boy from 2054, is trying to feed a horse. He offers "the horse a piece of grass from a distance of several feet. The starving animal lunged at it and Colin jumped back, dropping it" (551).

Moments like this are brief and might seem insignificant, but they do a lot of heavy lifting in the text. This particular parallel is funny, but also sad, because while Colin Templer is one of this book's bright gifts to the reader — he's incorrigible, he's funny, he lives — by the time we see him feeding that horse, Agnes has died of the plague.

Here's another detail that resonates within the book, and will also resonate with present-day readers: Both in 1348 and 2054, people with medical knowledge implore laypeople to please, please, put on their masks. (This happens here and there, but see pages 345 and 440 for a couple examples across timelines.)

And here's one last small behavioral parallel: In 2054 Oxford, Mr. Dunworthy's assistant, Mr. Finch, is stuck caring for a team of American bellringers trapped in the Oxford quarantine. The bellringers, who start out as pretty annoying characters, gradually begin to endear themselves to Finch (and to the reader), and Finch begins to practice bellringing with them. He gains a true appreciation for how heavy the bells are and how challenging the art of bellringing is. Then we see the bellringers begin to come down with the influenza, and cease to be able to ring their bells (Chapters 21 and 24). 

At the very end of the book, this is echoed when Kivrin, still in 1348, is trying to toll the church bell to send the souls of the dead to heaven, and Mr. Dunworthy, who's traveled back in time to find her, is trying to help her. She's injured. He's having an influenza relapse. Between them, they can barely manage it (pages 566-567). The physical challenges of bellringing connect across time.

Broader Character Parallels

There are also some broader parallels drawn between characters, especially between characters' roles in their respective pandemics. For example: In Oxford 2054, Dr. Mary Ahrens is at the head of the effort to locate the source of the influenza, sequence it, and find a vaccine. She cares for her patients tirelessly. Her 1348 parallel is Father Roche, who of course has none of her scientific knowledge, but has a similar fervent devotion to helping other people. Roche hardly sleeps in his efforts to care for his parishioners as they fall sick with the plague. 

The reader cares deeply for both of these characters, probably because of their tireless competence and their selfless dedication to other people. When first, Dr. Ahrens dies of the influenza, and then, Father Roche dies of the plague, it is, at least for this reader, the book's most heartbreaking echo.

I'll note that one of the things that makes this parallel so effective is that it doesn't map perfectly. Dr. Ahrens and Father Roche are drastically different in their approaches — one is pure science and one pure religious faith — and also, they aren't each other's only character parallels. Kivrin, too, tirelessly cares for the plague victims in 1348, with a lot more scientific knowledge than Father Roche has. In 2054, many different kinds of doctors and nurses are caring for lots of patients, in lots of different ways. Twelve-year-old Colin is also caring for people, in his cheerful and forthright way. Mr. Dunworthy's overburdened and tireless assistant, Mr. Finch, is constantly in the background of the 2054 timeline, moving mountains to turn college halls into infirmaries, find food and supplies for everyone stuck in quarantine, and care for the American bellringers. A lot of varying people step up to become caretakers, differing from each other and paralleling each other in all kinds of fluid and inexact ways.

Also, the book is chock-full of characters who don't necessarily map onto parallels with anyone, but have other important functions in the book. In 2054, a young Oxford student named William is having liaisons with practically every female nurse and student in the quarantine perimeter. Also in 2054, archaeologist Lupe Montoya is excavating a historic site nearby. A secret love story is unfolding between a married woman named Eliwys and her husband's servant, Gawyn, in 1348. Also in 1348, Rosemund, Agnes's twelve-year-old sister, is struggling with her obligation to marry a leering older man. All of this character development matters, but often for purposes other than creating echoes and resonance. 

When done well, this kind of layered, complicated character development — some characters paralleling others, some not, and each character having more than one function in the text — goes a long way toward making a fictional world feel real. It also allows the author to touch on themes without beating them to death. And yet, sometimes this kind of light touch is one of the hardest things for a writer to achieve. In my experience as a writer who often writes complicated plots, it isn't until later drafts of a book, when my structure is more solidly in place, that I finally have the space to sit back, breathe, and look for places where I can create little connections, or spots where I'm pushing a theme too hard.

Deeper Parallels: Mr. Gilchrist and Lady Imeyne

There's one character parallel in this book that I find to be drawn with a heavier pen, and appropriately so.

In 2054, Mr. Gilchrist is the acting head of the History Faculty. Self-important, self-righteous, ignorant about how time travel works, and focused on his own glory, he supervises Kivrin's travel to the Middle Ages with little care for Kivrin's safety. Ultimately, it's largely Mr. Gilchrist's fault that Kivrin ends up in such a dangerous and traumatizing place, and gets stuck there. 

When Gilchrist's culpability becomes clear, he blames and threatens everyone else. For example, when the tech, Badri, collapses onto the net consul, clearly ill, Gilchrist decides, out of nowhere, that Badri must be a drug user. Here's the way he talks (to Mr. Dunworthy): "You can't wait to inform [actual head of the History Faculty] Basingame of what you perceive to be Mediaeval's failure, can you?… In spite of the fact that it was your tech who has jeopardized this drop by using drugs, a fact of which you may be sure I will inform Mr. Basingame on his return…. I'm certain Mr. Basingame will also be interested in hearing that it was your failure to have your tech screened that's resulted in this drop being jeopardized…. It seems distinctly odd that after being so concerned about the precautions Mediaeval was taking that you wouldn't take the obvious precaution of screening your tech for drugs..." (64-65). Agh. Every time he opens his mouth, he says something pompous, repetitive, obnoxious, and untrue.

In 1348, Lady Imeyne is part of the household where Kivrin ends up living. Self-important, self-righteous, sanctimonious, selfish, and ignorant, she ignores the imprecations of wiser people, and, for the sake of her own status, invites visitors to the household — who turn out to be carrying the plague. It is essentially Lady Imeyne's doing that the plague comes to her town. 

When this becomes clear, Lady Imeyne blames everyone else. While others in the household are working themselves to exhaustion trying to care for the sick, she kneels in the corner, ignoring the need for help, and praying. "Your sins have brought this," she tells her daughter-in-law Eliwys, the one who's in love with her own husband's servant (432). Later, she turns on kind, patient Father Roche. "You have brought this sickness," she says. "It is your sins have brought the sickness here." Then she begins to list his sins: "He said the litany for Martinmas on St. Eusebius's Day. His alb is dirty…. He put the candles out by pinching them and broke the wicks" (444).

"She's trying to justify her own guilt," Kivrin thinks. "She can't bear the knowledge that she helped bring the plague here"… But Kivrin can't summon up any pity. "You have no right to blame Roche, she thought, he has done everything he can. And you've knelt in a corner and prayed." (444-445). Similarly, Mr. Dunworthy sees right through Mr. Gilchrist, even at one point considering him Kivrin's murderer (484).

Mr. Gilchrist and Lady Imeyne are UNBEARABLE. They're the characters in this book that you most hate, or at least that I do — maybe especially in 2020/21, when we're plagued in real life by dangerous people like them. Later, in possibly the book's most satisfying moment, we learn that Gilchrist has died of the influenza. The book doesn't revel in his death; none of the characters revel. But I sure do. Good riddance, you harmful, self-important, lying hypocrite. This is one of fiction's safe spaces: the intense, guilt-free satisfaction of an asshole being punished.

Similarly, Lady Imeyne dies of the plague. It's a relief. But it's also a bit harder to revel, because with the exception of Kivrin, who's immune, every character in the 1348 timeline dies of the plague. Every single character. It is so desperately sad, not least because it's exactly what happened in 1348. As the book reminds us repeatedly, entire towns were wiped out. There was no one left to toll the bells, or bury the dead. No one is left but Kivrin. Our hearts break for her.

I'm glad that Connie Willis teases out the parallel between Mr. Gilchrist and Lady Imeyne more than she does with a lot of the other character parallels. I think it's important; I think that these two characters embody a clear and recognizable type of human who will always exist in eras of human suffering. I'm relieved she kills them; and I'm relieved she doesn't kill everyone we love. In particular, she doesn't kill Mr. Dunworthy and she doesn't kill Kivrin… Which leads me to one last powerful character parallel in this book.

 

Mr. Dunworthy and Kivrin, God and Jesus

This character parallel is in a different category from the others. It doesn't stretch across the 1348 and 2054 timelines, or not exactly, anyway. It exists on a different plane: It's a parallel between the story of Mr. Dunworthy and Kivrin, and the story of God sending his son, Jesus, down to earth to live among humans.

The people of 1348 believe the story of God sending his son down to earth. They believe it literally; it's one of their guiding principles. Kivrin, Mr. Dunworthy, and many of the people of 2054 do not believe that story in the literal sense. Kivrin and Mr. Dunworthy don't believe in God. 

And yet, there are times when the vocal recordings Kivrin is making for historical purposes begin to sound like pleas to God: "Over fifty percent of the village has it. Please don't let Eliwys get it. Or Roche" (467). "You bastard! I will not let you take her. She's only a child. But that's your specialty, isn't it? Slaughtering the innocents? You've already killed the steward's baby and Agnes's puppy and the boy who went for help when I was in the hut, and that's enough. I won't let you kill her, too, you son of a bitch! I won't let you!" (493). 

And Father Roche, who finally reveals to Kivrin that on the day she arrived, he saw the net open and Kivrin appear, believes with all his heart that Kivrin is a saint, sent by God to help his parishioners in their time of need. "I feared that God would forsake us utterly," he says, as he's dying. "But in His great mercy He did not… But sent His saint unto us." He says, "Yet have you saved me… From fear.… And unbelief" (542-543). He means what he says. Kivrin's ministrations to the sick and to Roche do save him from despair.

And back in the Oxford of 2054, Dunworthy lies sick in his hospital bed, considering Kivrin, whom he's sent to a terrible place. As a rather unbearable character named Mrs. Gaddson stands at his bedside "helpfully" reading him Bible verses, Dunworthy thinks to himself, "God didn't know where His Son was.... He had sent His only begotten Son into the world, and something had gone wrong with the fix, someone had turned off the net, so that He couldn't get to him, and they had arrested him and put a crown of thorns on his head and nailed him to a cross…. Kivrin would have no idea what had happened. She would think she had the wrong place or the wrong time, that she had lost count of the days somehow during the plague, that something had gone wrong with the drop. She would think they had forsaken her" (475).

I love the questions these moments raise for the reader. Who represents what here? What is God, really? Why, when Badri became ill, did the net send Kivrin to that particular time? Who, or what, are we talking to, when we shout our fury to the universe? Maybe Mr. Dunworthy, sending historians into the past from his lab in Oxford, is a kind of god. And maybe Kivrin is a kind of Jesus, or a kind of saint. Maybe Father Roche has the right idea when he believes what he believes, even if he has some of the particulars wrong.

Near the very end, Kivrin speaks into her recorder addressing Mr. Dunworthy: "It's strange. When I couldn't find the drop and the plague came, you seemed so far away I would not ever be able to find you again. But I know now that you were here all along, and that nothing, not the Black Death nor seven hundred years, nor death nor things to come nor any other creature could ever separate me from your caring and concern. It was with me every minute" (544).

And then, with great difficulty, Mr. Dunworthy comes for Kivrin. He finds her in 1348, heartbroken and surrounded by the dead, and he brings her back home. "I knew you'd come," Kivrin says (578). There's a way in which the justified faith of these characters — Father Roche's faith in God's saint Kivrin, and Kivrin's faith in Mr. Dunworthy's care — show the reader that even in the darkest, most death-ridden times, love doesn't forsake us.

That's a pretty timeless theme. 

***

If you've made it to the end of my post about character parallels in Connie Willis's magnificent Doomsday Book, I hope I've given you a sense of what a powerful tool this can be. It's pretty closely related to some of my other writing lessons here on the blog. Creating webs like Tiffany D. Jackson did in Monday's Not Coming; creating connections like Victor LaValle did in The Changeling. Writing is often about finding the internal connections that'll best support the themes of the story you're trying to tell. I think that especially if your book takes place in multiple timelines, character parallels can go a long way!

Usually I end my craft posts with a photo showing the book filled with post-it flags from my careful rereading, but this time around, I reread by listening to the audiobook. My paper copy is flag-free — but I took eight pages of notes while I was listening! So here's a different photo of my process.

 

Listening like a writer.

 

 

 

From helping you explore even more with Immersive View to taking the stress out of your drive, here are updates on Google Maps you won’t want to miss.

As General Hospital welcomes back Lucky Spencer, fans are wondering if he will leave Port Charles once again. Jonathan Jackson’s character came back to the show recently in order to help with Lulu Spencer’s liver transplant. However, the General Hospital spoilers have dropped hints that he will not be staying for long. Without further ado, […]

The post General Hospital Spoilers: What Does Lucky Spencer Want? appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.

We speak with historian Robin D. G. Kelley about the roots of Donald Trump’s election victory and the decline of Democratic support among many of the party’s traditional constituencies. Kelley says he agrees with Vermont Senator Bernie Sanders, who said Democrats have “abandoned” working-class people. “There was really no program to focus on the actual suffering of working people across the board,” Kelley says of the Harris campaign. He says the highly individualistic, neoliberal culture of the United States makes it difficult to organize along class lines and reject the appeal of authoritarians like Trump. “Solidarity is what’s missing — the sense that we, as a class, have to protect each other.”

Top U.N. officials are again warning that the entire Palestinian population in north Gaza is “at imminent risk of dying from disease, famine and violence.” At least 1,800 Palestinians have been killed, many of them children, since October, when Israel imposed a draconian siege and began an intensified campaign of ethnic cleansing on northern Gaza. Jan Egeland of the Norwegian Refugee Council recently spent several days in Gaza. He describes what he saw as “devastation beyond belief,” as Palestinians face “the most intense and most indiscriminate bombardment anywhere in the world in recent memory,” coupled with the utter depletion of aid. Egeland pleads for the United States, the largest supplier of military funding and equipment to Israel, to condition its weapons to Israel, enforce the provision of aid and commit to ending Israel’s assault. “It’s not in Israel’s interest to destroy its neighborhood in Gaza and in Lebanon. It will create new generations of hatred,” Egeland says.

Yoga Guru Sharath Jois passes away: योग गुरु शरथ जोइस के निधन हो गया। उन्होंने अमेरिका में स्थानीय समय अनुसार दोपहर करीब 3 बजे अंतिम सांस ली। 53 वर्षीय आर. शरथ जोइस अक्टूबर ही अपने शिष्यों को योग सिखाने अमेरिका गए

केरल में वायनाड सीट पर आज उपचुनाव है। यहां से पहली बार चुनावी मैदान में प्रियंका गांधी वाड्रा अपनी किस्मत आजमा रही हैं। ऐसे में हर किसी की नजर इस सीट पर है। यहां से पहले राहुल गांधी चुनाव जीते थे।

Assam Bypolls: असम में पांच विधानसभा सीटों के लिए उपचुनाव हो रहे हैं।   9.1 लाख मतदाताओं में से करीब 13% ने पहले दो घंटों में मतदान कर लिया है। चुनाव आयोग के अनुसार, सुबह 9 बजे तक 9,09,057 पात्र मतदाताओं में

In this digital world where staying connected is like breathing, we often rely on public charging stations to keep our devices juiced up. But hold your horses! While these stations might seem like a lifesaver, especially in busy places like airports,

If you’ve ever wished for “precioussss” versions of Gollum & Sméagol figures that capture every conflicted, crawling moment, look no further! Asmus and Sideshow have just dropped two stunning sixth scale figures, bringing The Lord of the Rings’ most tragic character to life. And thanks to Asmus, this marks an epic return to Middle-earth collectibles after a dark pandemic pause. In the words of Andy Hsu, Director of Asmus Toys: “Characters that were promised, were anticipated, that were wished for, are now back on the menu!”

Starting with Gollum: this 20 cm figure has over 22 points of articulation for all those sinister, slinking poses we know and love. With a smirking expression, rotatable eyeballs, and haired hobbit feet, Gollum is ready to stir up trouble on your shelf. And no Middle-earth journey is complete without provisions – this little guy even comes with wrapped and unwrapped Lembas bread accessories.

Then there’s Sméagol — the tortured soul behind the sneer. Sméagol’s innocent, haunted expression captures the side of him that Tolkien fans cherish. He has the same exclusive Gollum body by Asmus, complete with seamless limbs and multiple hands and legs to bring his story to life.

So, if you’re ready to give these two a home, both Gollum and Sméagol are up for grabs, allowing fans to continue this adventure together with Asmus and Sideshow. And by purchasing through our links, you’ll support TheOneRing.net.

Here's the letter posted by Asmus Director Andy Hsu on Facebook

В 1970-х годах Соединенные Штаты Америки переживали интересный виток развития в оружейной сфере. В стране на пике популярности были пистолеты, которые делали в «домашних» условиях. Что это были за пистолеты и как они себя показывали в реальных боевых условиях?

Подробнее..

Both anime screen N. American premieres at Anime Frontier on December 7

Election Day is upon but let's review something truly scary.

Continue reading The Time Wars: Something other than the Election at The Wild Hunt.

Pagans from across the community react to the US 2024 Presidential Election.

Continue reading Pagan Voices: Reactions to the 2024 US Presidential Election at The Wild Hunt.

In this week's Pagan Community Notes: Awards at Hekate's Sickle Festival, new elevations, Cherry Hill Seminary responds to the Nashville bombing attempt, Correllian-Nativist leaders release a statement on the presidential election and more news/

Continue reading Pagan Community Notes: Week of November 8, 2024 at The Wild Hunt.

USB 2 is the USB we all know and love. But about ten years ago, USB got an upgrade: USB 3.0. And it’s a lot faster. It started off ten …read more

I don't have a specific theme for you today, unless maybe "cakes that made Jen squee like a little girl" is a theme.

Oh, it is?

EXCELLENT.

(By Scrum Diddly)

Whoah. That bottom layer is done in a "billow weave," and this is one of the best examples I've seen. (Here's a tutorial, if you want to learn.) Also love the off-center flowers & color choices; just a gorgeous composition over all.

Speaking of composition, how great is this cheery asymmetrical number?

(By Bellaria Cakes Design)

Such a simple change, but stacking the tiers like this makes an otherwise traditional design so much more fresh and modern!

Now, just so you know, I'm a sucker for balloons. And bright pastels. And pink bicycles with little gift-wrapped presents on them.

(By My Cake School, click for tutorial)

Squeee!

This is another one with a tutorial, so if you can pipe with royal icing candy melts, I bet you can make this yourself! You know, perhaps as a gift. For your favorite cake blogger. [winkwinknudgenudge]

One thing I love about Sweets is that I'm always learning new techniques. That said, I have no idea how this heart was made:

(By Magical Edible Art by Nadia)

That intricate geometric pattern taunts me, you guys. I MUST KNOW ITS SECRETS. Someone explain in the comments, please!

If you look closely at this next one, you'll see little creases that almost look like sheer fabric wrapped around the tiers:

(By For The Love Of Cake)

Such a great texture! And don't get me started on that incredible floral swag. So delicate. So perfect.

I am all abuzz for these sweet bee cookies:

(By Sweet Art Sweets)

SO CUTE. And here's a first: you can actually purchase them on Etsy!

Take an unexpected color combo, throw in some soft petal ruffles, top it off with STUNNING hibiscus flowers, and you get magic:

(By Cake Central member micialuna)

Perfection.

Will I ever get tired of tiny bunting & delicate floral swags?

(By Sarah Edwards Cakes, featured on Marry Me Ink.)

NUH-UH.

And I'll never get enough of sweet vintage-inspired designs like this, either:

(By Mina Bakalova)

Mint green and pink paired with wood planks and a skeleton key? Who would dream up a combo like that?

I'll tell you: a GENIUS, that's who.

And finally, the cake that launched a thousand Jen squeals:

(By Corrie Cakes)

The colors! The teeny flowers & butterflies! THE HAND-PAINTED FAWN!!

I never thought I'd advocate hanging cake photographs as art, but this should be a wall-sized mural somewhere. It's just so... happy.

Hope today's post made your Sunday a little sweeter, everyone! Happy weekend!

Welcome, everyone! My partner and I are officially homeowners and we got to sign our paperwork in a haunted law office. Absolute perfection. We won’t move in for a bit because there’s painting to do and flooring to replace, but I’m feeling very emotional (in a good way) about the whole thing. The notion of not renting anymore and being able to customize whatever I want feels so freeing! The possibilities are endless! I’m also … Continue reading Links: Podcasts, Cheese, & More →

This week’s bestseller list is brought to you by sweet and salty snacks, a weighted heating pad, and our affiliate sales data!

Welcome back, everyone! We’re having a string of warmer weather in New England and it’s really harshing my fall vibes. I also keep seeing photos or reels of people I know receiving “boo baskets.” Is anyone else familiar? It’s like an Easter basket, but for Halloween. And I kind of love it? I floated the idea by my partner and I was surprised that they wanted to exchange some. Their reasoning is that we’ve been … Continue reading Links: Public Libraries, Lord of the Rings, & More →

Welcome back to Wednesday Links! Tomorrow is Halloween and wow the end of October really snuck up on us. Does anyone have any fun Halloween plans or just wants to share their fun costume ideas? Last year, I was a hot dog and plan to recycle the costume. But as an added bonus, I bought our little kitty Fig a matching hot dog suit. Feel free to take bets on whether I’ll be able to … Continue reading Links: Architecture, Genre Chaos, & More →

Our latest bestseller list is brought to you by crunchy leaves, discounted bags of candy, and our affiliate sales data.

Lots of subjects! This is going to be a long one I think!


I’m Behind on Everything! But I’m catching up with a smile on my face!
There’s a lot missing from the site! Defenders content, contact info, Dialogue Search, etc. And things left to automate too! News Headlines, Forums, Comics Posting; all these things are not automated yet. But we’re making progress, a little bit every day.
On a personal note, I’m feeling my way through the way I want everything to happen in this new lifestyle of mine. There’ll be some growing pains as I flex my elbows and shape my schedule. I’m feeling a little overwhelmed right now with the new little details in my life, but every day gets a little more shiny! Give me a month or two and we should have our groove back!

On the Comic Itself: I know it’s been cliffhanger after cliffhanger in the strip. I really appreciate the elbow room to tell the story right instead of trying to crowbar it all in by the 25th of August.  I really was thinking about doing that. Also I was fearing having to just end things. But as all of this has unfolded I am thrilled to have this happy medium. “The Fall” will run as I always intended! That in and of itself is enough reason to sincerely thank each and every one of you Defenders of the Nifty and New Defenders 20+ for allowing this to happen!


The Store will stay closed for a bit! I’m thinking it won’t  open until October! Maybe later! I can’t even think of fulfilling orders until I get Book 17 locked down and figure out how to get all the bookmarks and pawnz out!


Speaking of The Defenders Exclusive Pawn and Bookmark of the Month: Everybody who’s been a Defender 20+ at Level 2 or higher for all of September will get a digital version of the Dark Gwynn Pawnz and the Dark Gwynn bookmark. Level 3 or higher lands you a printed version sent to you.

This monthly reward-printing is new to me, but I’m sure will go smoothly! I’ll keep y’all posted on that! If you want the yet-undesigned Demon-Spear Psyk Pawnz and Bookmark make sure you’re at level 2 or higher for all of October (level 3 or higher for a printed version)! This is a Public Service Announcement.

On to the biggest thing I need to get my tail in gear on:
The Archives- I need to finish my Archives Approving! This is my new top-of-the-list as of today!  We fixed a lot of the bouncing and bandwidth issues on the archives and got some calendar navigation in! And by “we” I meant ‘Team Not Including Me’. I said at site launch that “Chapters 48-64: Haven’t looked at yet! Uncharted Territory! New Readers AVOID these Chapters, rows of many strips may just be GONE! (It’ll take me maybe a week to clear these up!)” Well I haven’t had that time yet. Who knew lightened my workload was so much work? No more excuses, I’m doing it!!!


BONUS BEHIND THE SCENES: How We Remastered The Impossible Archives:  Here’s some insight on how the bigger archives were created. At one point I was doing one hi-res file per comic. (Back when comics were rarely more than 1 row). Theses would be dropped into books. Then, for the more epic stores I started doing larger comic files. These had to be broken down into multiple pages at book time. Then I was like ‘what a pain in the butt! I’ll just lay these out in book form directly and pluck from them the individual comic files. So some comics crossed pages. Some pages held multiple comics. And the patterns varied over the 20 years Sluggy’d been going on.

We have hi-res pdfs of the books, but sometimes books had different layout, comic order (sometimes holiday stories were moved to the back to the book for example), and the pdfs were sometimes missing filler art, guest artist weeks, and the random wacky things that have fallen into the archives into the years.

So with all that mess, how does one create a higher-res archive?

The team turned a computer into the Ultimate Sluggite! It read every comic, breaking it into slices, pouring over every detail, and matched the low res archives to my hi-res various files. For TWENTY YEARS OF almost DALY STRIPS! That’s 6,696 comics made of 8,445 low res files sliced into 12,215 rows matched against 5,511 high res pages to produce 10,050 matching high res files! THAT’S INSANE! And I dig that one of my biggest fans is a robot forced to be a fan against its will! OK I like to think that way at least!

In conclusion: We’ve done so much! So much left to do! Every day is getting better! THANK YOU DEFENDERS! And this was one long news story!


-Pete

Building hi-tech airline seats has become a huge business in Northern Ireland.

The resignation of the Archbishop of Canterbury and new performance measures for the NHS lead the papers.

Novel device developed can be clipped onto a smartphone to rapidly test for Zika virus in a single droplet of blood, reveal researchers at the University of Illinois Urbana-Champaign.

The OECD has released its annual Consumption Tax Trends report, which highlights that with VAT rates at an all-time high, governments should ensure they have effective VAT frameworks in place to tax e-commerce.

The OECD has released its annual Consumption Tax Trends report, which highlights that with VAT rates at an all-time high, governments should ensure they have effective VAT frameworks in place to tax e-commerce.

Commonly prescribed medlinkantibiotics/medlink, sulfonamides and cephalosporins, pose the highest risk for severe, potentially fatal skin reactions (!--ref1--).

The nose, a portal to our bodies, filters air, scents, and medlinkpathogens/medlink. Within the nasal passage, the turbinates, bone structures resembling seashells, play a crucial role.